BIBLIOGRAPHY

D. M. R. JH. J. R. The Bibliography includes selected publications which discuss and/or reproduce the artist’s work. Entries are listed alphabetically. 

 

65 Thompson 1989

65 Thompson Street, New York. Roy Lichtenstein: Bronze Sculpture, 1976–1989. New York: 65 Thompson Street, 1989. Exhibition catalogue. (1989 New York 65 Thompson).

 

F. A. 1967a

A., F. “Pop Art Parodies with the Ben Day Dot.” San Francisco Sunday Examiner and Chronicle, 1967, p. 38.

 

F. A. 1963

A., J. “Paris Art Notebook: From Pop to Metaphysical Landscape.” New York Herald Tribune (Paris), June 15, 1963.

 

Aachen 1970

Neue Galerie Aachen. Klischee und Antiklischee: Bildformen der Gegenwart. Aachen: Neue Galerie Aachen and Gebrüder Achilles, 1970. Exhibition catalogue. Unpaginated. (1970 Aachen Neue Galerie).

 

Aachen 1972

Neue Galerie Aachen. Neue Galerie der Stadt Aachen, der Bestand ’72: Kunst um 1970/Art around 1970. Cologne: W. König, 1972. Exhibition catalogue.

 

Abadie 1975a

Abadie, Daniel. “Les dessins de Roy Lichtenstein.” XXe siècle (Paris and Milan), n.s., 37, no. 44 (June 1975), pp. 176–77.

 

Abadie 1975b

Abadie, Daniel. Roy Lichtenstein: Dessins sans bande. Département des Arts Plastiques, Centre Beaubourg. Paris: Centre National d’Art Contemporain, 1975. Exhibition catalogue. (1975 Paris CNAC).

 

Abadie 1991

Abadie, Daniel. “La peinture en miroir.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 151–56.

 

Abanco 1990

Abanco, Lola Donaire. “Las figuras de Roy Lichtenstein.” Cerámica, no. 37 (1990), pp. 33–35.

 

Abbott 1986

Abbott, L.L. “Comic Art: Characteristics and Potentialities of a Narrative Medium.” Journal of Popular Culture 19, no. 4 (Spring 1986), pp. 155–76.

 

Accademia Ligustica di Belle Arti 1972

Accademia Ligustica di Belle Arti, Palazzo Reale, Genoa. Immagine per la città. Genoa: Ente Manifestazioni Genovesi, 1972. Exhibition catalogue. (1972 Genoa Accademia).

 

Ackley 1984

Ackley, Clifford S. 10 Painters and Sculptors Draw: Richard Diebenkorn, Jim Dine, Jasper Johns, Alex Katz, Ellsworth Kelly, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Cy Twombly. Boston: Museum of Fine Arts, 1984. Exhibition catalogue. Unpaginated. (1984 Boston MFA).

 

Ackley 1998

Ackley, Clifford S. PhotoImage: Printmaking 60s to 90s. Boston: Museum of Fine Arts, 1998. Exhibition catalogue. (1998 Boston MFA).

 

Acquavella Galleries 2015

Acquavella Galleries, New York. Off Canvas: Drawings. New York: Acquavella Galleries, 2015. Exhibition catalogue.

 

ADAA 1963

Art Dealers Association of America, New York. Review of the Season 1962–1963: Paintings, Drawings, Prints, Sculpture: First Annual Retrospective Exhibition. New York: Art Dealers Association of America, 1963. Exhibition catalogue. (1963 New York Parke-Bernet).

 

Adachi et al. 2001

Adachi, Shinzō, et al. Kaiga jisshū II (The practice of painting II). Osaka: Osaka University of Arts Correspondence School Division, 2001.

 

B. Adams 1992a

Adams, Brooks. “New Pop Reflections.” Art in America 80, no. 7 (July 1992), pp. 88–91.

 

B. Adams 1992b

Adams, Brooks. “Roy Lichtenstein’s Interiors.” Atelier (Tokyo), no. 784 (June 1992), pp. 4–25. In Japanese and English.

 

H. Adams 1978

Adams, Hugh. Art of the Sixties. Oxford, England: Phaidon Press, 1978.

 

Adcock 1983
Adcock, Craig. Roy Lichtenstein: Graphics. Tallahassee: Fine Arts Gallery, School of Visual Arts, Florida State University, 1983. Exhibition catalogue. (1983 Tallahassee Fine Arts Gallery).

 

Adcock 1985
Adcock, Craig. “Why Marcel Duchamp’s Old Hat Still Addresses the Situation to the Nines.” Arts Magazine (New York)  59, no. 7 (March 1985), p. 75.

 

Adelman 2005a

Adelman, Bob. “The Lost Lichtenstein.” Sunday Times Magazine (London), July 10, 2005, pp. 38–43.

 

Adelman 2005b

Adelman, Bob. “Pentimenti: A Bonanza of Buried Lichtenstein Treasures.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider, pp. 196–209. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue.

 

Adelman and Kennedy 2008

Adelman, Bob, and William John Kennedy. I Shot Warhol, Wesselmann, Lichtenstein, Rosenquist, and Indiana: Photographs by Bob Adelman and William John Kennedy. Boca Raton: Boca Raton Museum of Art, 2008. Exhibition catalogue. (2008 Boca Raton Museum).

 

Adelman and Tomkins 1987

Adelman, Bob, and Calvin Tomkins. The Art of Roy Lichtenstein: Mural with Blue Brushstroke. New York: Arcade Publishing, 1987. Excerpts of interview, Conversation During Mural With Blue Brush Stroke…

 

Adelman and Tomkins 1994

Adelman, Bob, and Calvin Tomkins. Mural with Blue Brushstroke/Fresque au coup de pinceau bleu. Translated from the English by Anne Le Bot. Rennes: Altinea, 1994.

 

E. Adler 1986

Adler, Edward Jerome. American Painting and the Vietnam War. Ann Arbor: University Microfilms International, 1986.

 

S. Adler 1994

Adler, Sabine. “Reichtum ist lächerlich.” t2, no. 15–16 (October 1994).

 

Adrian 1977

Adrian, Dennis. Recent Portraiture. Chicago: The Renaissance Society at The University of Chicago, 1977. Exhibition brochure. (1977 Chicago Renaissance Society).

 

Adriani 1999

Adriani, Götz, ed. Kunst Sammeln: Museum für Neue Kunst, ZKM Karlsruhe. Ostfildern-Ruit, Germany: Hatje Cantz, 1999.

 

Adriani and Meyer-Büser 2002

Adriani, Götz, and Susanne Meyer-Büser. Museum für neue Kunst, ZKM Karlsruhe. Prestel-Museumsführer. Munich, Germany: Prestel Verlag, 2002.

 

Advertiser’s Weekly 1967

“Whaam’ and After.” Advertiser’s Weekly (London), December 22, 1967.

 

AFA 1964

American Federation of Arts, New York. Cross Section of Contemporary Art. New York: American Federation of Arts, 1964.

 

Aguignier 2013

Aguignier, Camille. Bonjour monsieur Matisse! recontre(s). Les—Moulineaux: Beaux Arts Éditions, 2013. Exhibition catalogue. (2013 Nice MAMAC).

 

Aguilar 1999

Aguilar, Sergi. Senyals públics: Apunts sobre intervencions artístiques a l’espai urbà. Edited by Patronat Municipal de Cultura, Mataró, Spain. Mataró, Spain: Patronat Municipal de Cultura, 1999. Exhibition catalogue. (1999 Mataró Can Palauet).

 

Ahlander 1963a

Ahlander, Leslie Judd. “Pop Art Festival Hailed.” Washington Post, May 26, 1963, p. G10.

 

Ahlander 1963b

Ahlander, Leslie Judd. “Washington Gallery Shows Pop Art.” Washington Post, April 21, 1963, p. 66.

 

Akademie-Galerie 2010

Akademie-Galerie, die Neue Sammlung, Düsseldorf. Mit Kopf und Hand: Variationen zur Zeichnung. Bönen, Germany: Kettler, 2010. Exhibition catalogue. (2010 Düsseldorf Akademie-Galerie).

 

Akita 1981

Akita, Norikazu. “Kagirinaki Pessimism.” Mizue (Tokyo), no. 921 (December 1981), pp. 80–85.

 

Alarcó 2014

Alarcó, Paloma. Pop Art Myths. Madrid, Spain: Museo Thyssen-Bornemisza, 2014. Exhibition catalogue. (2014 Madrid Thyssen-Bornemisza).

 

Alarcó 2014a

Alarcó, Paloma. Mitos del Pop. Madrid, Spain: Museo Thyssen-Bornemisza, 2014. Exhibition catalogue.

 

Albert White Gallery 1975

Roy Lichtenstein: Paintings and Graphics. Toronto: Albert White Gallery, 1976. Exhibition brochure. (1975 Toronto White).

 

Albrecht 1990

Albrecht, Urs. Kunst der achtziger Jahre aus der Sammlung Marx/Art of the Eighties from the Marx Collection. Edited by Art21 ’90 Basel. Basel: Art International Kunstmesse, 1990. Exhibition catalogue.

 

J. Albrecht 1987

Albrecht, Juerg. “‘Fountain by R. Mutt’: Marcel Duchamp zum 100. Geburtstag.” Pantheon 45 (1987), pp. 160–71.

 

Albuquerque Tribune 1964

“Pop Art Show Open with Faculty Exhibit.” Albuquerque Tribune, January 18, 1964, p. A5.

 

Aldrich 1968

Aldrich, Larry. Highlights of the 1967–68 Art Season. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1968. Exhibition catalogue. Unpaginated. (1968a Ridgefield Aldrich).

 

Aldrich Museum 1965

Larry Aldrich Museum, Ridgefield, Conn. Art of the 50’s and 60’s: Selections from the Richard Brown Baker Collection. Ridgefield, Conn.: Larry Aldrich Museum, 1965. Exhibition catalogue. (1965 Ridgefield Aldrich).

 

Aldrich Museum 1968

Aldrich Museum of Contemporary Art. Art of the 60’s: Selections from the Collection of Hanford Young. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1968. Exhibition catalogue. Unpaginated. (1968b Ridgefield Aldrich).

 

Aldrich Museum 1994

30 Years: Art in the Present Tense, The Aldrich’s Curatorial History, 1964-1994. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1994. Exhibition catalogue. Unpaginated. (1994 Ridgefield Aldrich).

 

Aldrich Museum 1998

Aldrich Museum of Contemporary Art, Ridgefield, Conn. Roy Lichtenstein: Prints from the Collection of John and Kimiko Powers. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1998. Exhibition brochure. (1998 Ridgefield Aldrich).

 

Alec’s 1995

“Roy Lichtenstein – Die Retrospektive.” Alec’s (1995), p. 9.

 

D. Alexander and Ryan 2015

Alexander, Darsie, and Bartholomew Ryan, eds. International Pop. Minneapolis: Walker Art Center, 2015. Exhibition catalogue.

 

P. Alexander 1992

Alexander, Paul. “What Happened to Andy’s Treasures?” New York Magazine 25, no. 4 (January 27, 1992), pp. 26–31.

 

Alfieri 1962

Alfieri, Bruno. “USA: Verso la fine della pittura ‘astratta’?/Vers la fin de la peinture ‘abstraite’?/Towards the End of ‘Abstract’ Painting?” Metro (Milan), nos. 4–5 (May 30, 1962), pp. 4–13.

 

Alfieri 1965a

Alfieri, Bruno. “L’avvenire dell’arte: Una nuova dimensione operativa/The Arts’ Future: A New Operational Dimension.” Metro (Milan), no. 9 (1965), pp. 8–13.

 

Alfieri 1965b

Alfieri, Bruno. “La condizione dell’arte: ‘Pop’ uguale ‘non popolare’/The Arts’ Condition: ‘Pop’ Means ‘Not Popular.'” Metro (Milan), no. 9 (1965), pp. 5–7.

 

Alfieri 1966

Alfieri, Bruno. “Diario critico II/A Critic’s Journal II.” Translated by Lucia Krasnik. Metro (Milan), no. 10 (1966), pp. 4–13.

 

Alfieri 1968?

Alfieri, Bruno. “Come Andare Avanti.” Metro (Milan), no. 14, pp. 81–88.

 

Alfieri 1975

Alfieri, Bruno. “I tre moschettieri della Pop Art americana: Lichtenstein a Basilea.” July 2, 1975.

 

Alge 1969

Alge, Marjorie. “A Gallery Full of People and Pop.” Cleveland Press, February 15, 1969.

 

Alkema 2013a

Alkema, Hanna. “Coups de pinceau à la Caisse des dépôts et consignations, 1988.” In Roy Lichtenstein, edited by Camille Morineau, p. 255. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Alkema 2013b

Alkema, Hanna. “Lichtenstein et Gemini G.E.L.” In Roy Lichtenstein, edited by Camille Morineau, p. 251. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Alkema 2013c

Alkema, Hanna. “Mural with Blue Brushstroke, 1986.” In Roy Lichtenstein, edited by Camille Morineau, p. 254. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Alkema 2013d

Alkema, Hanna. “Roy Lichtenstein: Sculpture.” In Roy Lichtenstein, edited by Camille Morineau, p. 253. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Allara 1981

Allara, Pamela. “The Scope of Boston Art Is Much Broader Than It Would Appear.” ARTnews 80, no. 9 (November 1981), pp. 126–31.

 

Allen Memorial 1980

Allen Memorial Art Gallery, Oberlin College, Oberlin. From Reinhardt to Christo: Works Acquired through the Benefaction of the Late Ruth C. Roush. Oberlin, Ohio: Allen Memorial Art Gallery, 1980. Exhibition catalogue. (1980 Oberlin Allen).

 

Alloway 1963a

Alloway, Lawrence. “Notes on Five New York Painters.” In David D. Galloway, ed. The Buffalo Fine Arts Academy/Albright-Knox Art Gallery: Gallery 26, no. 2 (Fall 1963), pp. 13–20.

 

Alloway 1963b

Alloway, Lawrence. Six Painters and the Object. New York: Solomon R. Guggenheim Foundation, 1963. Exhibition catalogue. Unpaginated. (1963 New York Guggenheim).

 

Alloway 1964

Alloway, Lawrence. American Drawings. New York: Solomon R. Guggenheim Foundation, 1964. Exhibition catalogue. (1964 New York Guggenheim).

 

Alloway 1965

Alloway, Lawrence. Word and Image. New York: Solomon R. Guggenheim, 1965. Exhibition catalogue. (1965 New York Guggenheim).

 

Alloway 1967a

Alloway, Lawrence. Roy Lichtenstein: Exhibitions of Paintings and Sculpture. Cincinnati: Contemporary Arts Center, 1967. Exhibition catalogue. Unpaginated. (1967 Cincinnati CAC).

 

Alloway 1967b

Alloway, Lawrence. “Roy Lichtenstein’s Period Style: From the ‘Thirties to the ‘Sixties and Back.” Arts Magazine (New York) 42, no. 1 (September–October 1967), pp. 24–29.

 

Alloway 1968a

Alloway, Lawrence. “Pop Art: The Words.” Auction (New York) 1, no. 4 (February 1968), pp. 6–9.

 

Alloway 1968b

Alloway, Lawrence. “Roy Lichtenstein.” Studio International 175, no. 896 (January 1968), pp. 25–31.

 

Alloway 1968c

Alloway, Lawrence. The Venice Biennale, 1895–1968: From Salon to Goldfish Bowl. Greenwich, Conn.: New York Graphic Society, 1968.

 

Alloway 1969a

Alloway, Lawrence. “Art: Borrowing Techniques of Other Artists.” The Nation (July 28, 1969), pp. 92–93.

 

Alloway 1969b

Alloway, Lawrence. “Popular Culture and Pop Art.” Studio International 178, no. 913 (July 1969), pp. 16–21.

 

Alloway 1972

Alloway, Lawrence. “On Style: An Examination of Roy Lichtenstein’s Development, despite a New Monograph on the Artist.” Artforum 10, no. 7 (March 1972), pp. 53–59.

 

Alloway 1974

Alloway, Lawrence. American Pop Art. New York: Whitney Museum of American Art, 1974. Exhibition catalogue. (1974 New York Whitney).

 

Alloway 1975

Alloway, Lawrence. Topics in American Art since 1945. New York: W.W. Norton, 1975.

 

Alloway 1979a

Alloway, Lawrence. “Art.” The Nation (June 2, 1979), pp. 644–45.

 

Alloway 1979b

Alloway, Lawrence. Mirrors and Entablatures. Stony Brook: Art Gallery, Fine Arts Center, State University of New York, 1979. Exhibition brochure. (1979 Stony Brook SUNY).

 

Alloway 1981

Alloway, Lawrence. “Reassessing Roy Lichtenstein.” Portfolio (New York) 3, no. 4 (July–August 1981), pp. 50–55.

 

Alloway 1983

Alloway, Lawrence. Roy Lichtenstein. New York: Abbeville Press, 1983.

 

Alloway 1984

Alloway, Lawrence. Roy Lichtenstein. Munich: Bucher, 1984.

 

Alloway 1989

Alloway, Lawrence. “Roy Lichtenstein’s Mirrors.” In Roy Lichtenstein: “The Mirror Paintings”, by Mary Boone Gallery, New York, unpaginated. New York: Mary Boone Gallery, 1989. Exhibition catalogue.

 

Alloway and Livingstone 1987

Alloway, Lawrence, and Marco Livingstone. Pop Art U.S.A.–U.K: American and British Artists of the ’60s in the ’80s. Tokyo: Odakyu Grand Gallery, 1987. Exhibition catalogue. (1987 Tokyo Odakyu).

 

Alloway et al. 1988

Alloway, Lawrence, et al. Modern Dreams: The Rise and Fall and Rise of Pop. New York: Institute for Contemporary Art; Cambridge, Mass.: MIT Press, 1988.

 

Alte Oper 1981

Alte Oper, Frankfurt am Main. Phoenix: Alte Oper Frankfurt. Frankfurt am Main: Alte Oper, Konzert und Kongresszentrum, 1981. Exhibition catalogue. (1981 Frankfurt Alte Oper).

 

Altmayer 2013

Altmayer, Anastasia. “Roy Lichtenstein: sort de sa case.” Arts Magazine (Paris), no. 78 (July–August 2013), pp. 96–100.

 

Altshuler 1994

Altshuler, Bruce. The Avant-Garde in Exhibition: New Art in the 20th Century. New York: Abrams, 1994.

 

Amaral 1963

Amaral, Aracy. “1963 em arte: Nova York.” O estado de São Paulo (December 7, 1963), p. 6.

 

Amaya 1965b

Amaya, Mario. Pop As Art: A Survey of the New Super-Realism. London: Institute of Contemporary Arts, 1968.

 

Amaya 1968a

Amaya, Mario. The Obsessive Image, 1960–1968. London: Institute of Contemporary Arts, 1968. Exhibition catalogue. (1968 London ICA).

 

Amaya 1968b

Amaya, Mario. “Tales of Love and War.” Financial Times (London), January 9, 1968.

 

Amaya 1970

Amaya, Mario. “Collectors: Mr. and Mrs. Jack W. Glenn.” Art in America 58, no. 2 (March–April 1970), pp. 86–93.

 

Amaya 1978

Amaya, Mario (photographs by Horst). “Architectural Digest Visits: Roy Lichtenstein.” Architectural Digest (London) 35, no. 6 (July–August 1978), pp. 82–87, 144.

 

Amaya 1984

Amaya, Mario. “Scaling the Heights, de Kooning into Lichtenstein.” Studio International 196, no. 1004 (1984), pp. 41–42.

 

American Artist 1986

“Vicki Lou’s Letters from Long Island.” American Artist 50, no. 532 (November 1986), pp. 20, 22, 100.

 

American Indian Artists Inc. 2013

American Indian Artists Inc. The Old Becomes the New: New York Contemporary Native American Art Movement and the New York School. New York: American Indian Artists Inc. (AMERINDA), 2013.

 

Ammann 1968

Ammann, Jean-Christophe. “Roy Lichtenstein.” Werk 55, no. 4 (April 1968), pp. 278–79.

 

Ammann and Präger 1991

Ammann, Jean-Christophe, and Christmut Präger. Museum für Moderne Kunst und Sammlung Ströher. Schriften zur Sammlung des Museums für Moderne Kunst Frankfurt am Main. Frankfurt am Main: Museum für Moderne Kunst, 1991.

 

Ammann and Weinberg 1996

Ammann, Jean-Christophe, and Adam D. Weinberg. Views from Abroad: European Perspectives on American Art 2/Die Entdeckung des anderen: Ein europäischer Blick auf die amerikanische Kunst 2. New York: Harry N. Abrams, Inc. 1996. Exhibition catalogue. (1996 New York Whitney).

 

Anders-Cavendish 1982

Anders-Cavendish, Michel. “Spotlights aus Frankreich.” Style (1982), p. 302.

 

D. Anderson 1976

Anderson, Dennis R. Three Hundred Years of American Art in the Chrysler Museum. Norfolk, Va.: Chrysler Museum at Norfolk, 1976. Exhibition catalogue.

 

R. Anderson 1981

Anderson, Richard E. New Dimensions in Drawing, 1950–1980. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1981. Exhibition catalogue. Unpaginated. (1981 Ridgefield Aldrich).

 

Andre 2001

Andre, Mila. “Artsmart.” Daily News (New York), November 17, 2001, p. 31.

 

Andreae 1969

Andreae, Christopher. “Trying to Shock—Himself.” Christian Science Monitor, September 18, 1969, sec. 2, p. 11.

 

Anna 1999

Anna, Susanne, ed. Global Fun: Kunst und Design von Mondrian, Gehry, Versace and Friends. Ostfildern-Ruit, Germany: Hatje Cantz, 1999. Exhibition catalogue.

 

Antin 1966

Antin, David. “Pop: Ein paar klärende Bemerkungen.” Das Kunstwerk 19, no. 10–12 (April–June 1966), pp. 8, 111.

 

Aquila 1974

Aquila, Emily H. Pop Art and After. Williamstown, Mass.: Williams College Museum of Art, 1974. Exhibition catalogue. (1974 Williamstown WCMA).

 

Aquin 2003

Aquin, Stéphane, ed. Global Village: The 1960s. Montreal: Montreal Museum of Fine Arts in association with Snoeck Publishers, 2003. Exhibition catalogue.

 

Archer 1997

Archer, Michael. Art since 1960. London: Thames and Hudson, 1997.

 

Architectural Digest 1972

“Living with Arp, Belling, Duchamp, Johns, Kelly, Leger, Lichtenstein, Morandi, Noland, Oldenburg, Schlemmer, Stella, Storrs, Warhol.” Architectural Digest (September–October 1972), pp. 42–45, 107–8.

 

Architectural Forum 1968

“Decor…and Signs.” Architectural Forum 128, no. 2 (March 1968), p. 84.

 

Archives of American Art Journal 2007

Archives of American Art Journal. Special issue, The 60s, 46, nos. 3–4 (fall 2007).

 

Arditi 1996

Arditi, Fiamma. “Lichtenstein, il pop è un paesaggio bianco.” La stampa (Turin), September 27, 1996, p. 23.

 

Arditi 1997

Arditi, Fiamma. “Roy Lichtenstein: L’anima gioiosa del Pop.” La stampa (Turin), October 1, 1997, p. 23.

 

Argonauta 1970

Argonauta. “Avanguardia americana.” Il capitalé (June 1970), pp. 37–38.

 

Arias-Misson and Sarenco 1984

Arias-Misson, Alain and Sarenco. “Roy Lichtenstein, Pictor optimus.” Lotta Poetica, tereza serie, series 3 Year 1, number 1 (January 1987), pp. 27–33.

 

T. Armstrong and Growe 1981

Armstrong, Tom, and Bernd Growe. Amerikanische Malerei 1930–1980. Munich: Haus der Kunst, 1981. Exhibition catalogue. (1981 Munich Haus der Kunst).

 

E. Armstrong and McGuire 1989

Armstrong, Elizabeth, and Sheila McGuire. First Impressions: Early Prints by Forty-Six Contemporary Artists. New York: Hudson Hills Press in association with Walker Art Center, Minneapolis, 1989. Exhibition catalogue. (1989 Minneapolis Walker).

 

E. Armstrong 1984

Armstrong, Elizabeth. Prints from Tyler Graphics. Minneapolis: Walker Art Center, 1984. Exhibition catalogue. (1984 Minneapolis Walker).

 

E. Armstrong et al. 1987

Armstrong, Elizabeth, et al. Tyler Graphics: The Extended Image. Minneapolis: Walker Art Center; New York: Abbeville Press, 1987.

 

M. Armstrong 1990

Armstrong, Matthew. “Searching High and Low.” MoMA: The Members Quarterly of the Museum of Modern Art (New York) 2, no. 6 (fall 1990), pp. 4–8, 16–17.

 

R. Armstrong 1984

Armstrong, Richard. “Cheez Whiz.” Artforum International 22, no. 8 (April 1984), pp. 61–65.

 

Arnason 1968

Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. New York: Harry N. Abrams, 1968.

 

Arnason 1977

Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. 2nd ed. New York: Harry N. Abrams, 1977.

 

Arnason 1986

Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. Revised ed. Updated by Daniel Wheeler. New York: Harry N. Abrams, 1986.

 

Aronson 1995

Aronson, Steven M. L. “Architectural Digest Visits: Leo Castelli, the Legendary Art Dealer’s Fifth Avenue Collection.” Architectural Digest (October 1995), pp. 142–49, 226–27.

 

Arquitectura 1963

“Advertencia con indiscutibles fondos filosóficos.” Arquitectura (Mexico City), no. 18 (June 1963), pp. 120–26.

 

Arroyue 1985

Arroyue, Francisco J. “Identité picturale et indentité nationale.” Colóquio: Artes (Lisbon), no. 67 (1985).

 

Art and Antiques 1984

“Artful Artifacts.” Art and Antiques (December 1984), pp. 7, 69.

 

Art and Artists 1969

Daley, Janet. “Pop Vulgarism.” Art and Artists 4, no. 4 (July 1969), pp. 44–45.

 

Art Gallery, University of New Mexico 1964

Art Gallery, University of New Mexico, Albuquerque. Selections from the L. M. Asher Family Collection. Albuquerque: Art Gallery, University of New Mexico, 1964. Exhibition catalogue. (1964 Albuquerque UNM).

 

Art in America 1966

“A Holiday Selection: Print Review.” Art in America 54 (November–December 1966), p. 60.

 

Art in Embassies 1977–1988

Art in Embassies. Villa Taverna: official residence of the United States Ambassador to Italy. [n.p], between 1977 and 1981. Unpaginated.

 

Art Institute of Chicago 1963

Art Institute of Chicago. 66th Annual American Exhibition: Directions in Contemporary Painting and Sculpture. Chicago: Art Institute of Chicago, 1963. Exhibition catalogue. Unpaginated. (1963 Chicago Art Institute).

 

Art Institute of Chicago 1966

Art Institute of Chicago. 26th Annual Exhibition by the Society for Contemporary American Art. Chicago: Art Institute of Chicago, 1966. Exhibition catalogue. (1966 Chicago Art Institute).

 

Art Institute of Chicago 1972

Art Institute of Chicago. Seventieth American Exhibition. Chicago: Art Institute of Chicago, 1972. Exhibition catalogue. (1972 Chicago Art Institute).

 

Art Institute of Chicago 1975

Art Institute of Chicago. The Small Scale in Contemporary Art. Chicago: Art Institute of Chicago, 1975. Exhibition catalogue. (1975 Chicago Art Institute).

 

Art Institute of Chicago 1976

Art Institute of Chicago. Seventy-Second American Exhibition. Chicago: Art Institute of Chicago, 1976. Exhibition catalogue. (1976 Chicago Art Institute).

 

Art Institute of Chicago 2000

Art Institute of Chicago. Treasures from the Art Institute of Chicago. Chicago: Art Institute of Chicago, 2000.

 

Art Market Report 2007

The Art Market Report (Hollis Taggart Galleries, New York) (Spring–Summer 2007).

 

Art Newspaper 2001

“Lichtenstein’s Brushstrokes Legacy at Mitchell-Innes and Nash While Gagosian Installs ‘Brushtroke’ at the Seagram Building Plaza.” Art Newspaper 12, no. 119 (November 2001), pp. 72–73.

 

Art Students League 1967

American Masters: Art Students League. New York: Art Students League, 1967. (1967 Quincy, Ill., Quincy Art Center).

 

Art Students League 1975

Art Students League, New York. The Kennedy Galleries Are Host to the Hundredth Anniversary Exhibition of Paintings and Sculptures by 100 Artists Associated with the Art Students League of New York. New York: Art Students League of New York, 1975. Exhibition catalogue. (1975 New York Kennedy).

 

Art Students League News 1962

“The New Realists: Pacesetters or Passés?” Art Students League News 15, no. 9 (December 1962), unpaginated.

 

Art Voices 1962

“Leo Castelli: Avant Garde Dealer Discovers ‘Breakthrough’ Artists.” Art Voices (New York) 1, no. 2 (November 1962), p. 27.

 

Art Voices [1964?]

“Castelli Group.” Art Voices (New York).

 

Arte Contemporanea 1967

“Opere viste.” Arte Contemporanea (November 1967).

 

Arte oggi 1964

Arte oggi (Rome). Special issue, Cos’è la pop art? Inchiesta 6, no. 21 (September 1964), pp. 5–48.

 

Arteaga 1999

Arteaga, Agustín. “Roy Lichtenstein: Recognizable Images.” In Lichtenstein: Sculpture and Drawings, by Corcoran Gallery of Art, Washington, D.C., pp. 37–55. Washington, D.C.: Corcoran Gallery of Art, 1999. Exhibition catalogue.

 

Artes plásticas [n.d.]

“Nuevas estructuras, nuevos símbolos.” Artes plásticas.

 

Arti 1993

“American Art in the 20th Century: Painting and Sculpture (1913–1993): A Major Exhibition in Berlin and London.” Arti 13 (January–February 1993), pp. 186–89.

 

Artis 1998

Artis and Committee for “The Prints of Roy Lichtenstein.” The Prints of Roy Lichtenstein: Cosmos of His Art, 1948–1997. [n.p.]: Artis and Committee for “The Prints of Roy Lichtenstein”, 1998. Exhibition catalogue. (1998 Tokyo Odakyu).

 

Artists United 1993

Artists United for Nature e.V. Artists United for Nature 1993. Munich: Artists United for Nature e.V. 1993. Brochure.

 

Artists United News 1994

Artists United for Nature e.V. “Columbus Reist um die Welt.” Artists United for Nature News (Munich) (1994).

 

Artner 1977a

Artner, Alan G. “Roy Lichtenstein: Richard Gray Gallery.” ARTnews 76, no. 4 (April 1977), p. 94.

 

Artner 1977b

Artner, Alan G. “Roy Lichtenstein: Ruler of Pop’s Cartoon Kingdom.” Chicago Tribune, January 23, 1977, Arts and Fun, secs. 6–7, p. 5.

 

Artner 1984

Artner, Alan G. “Roy Lichtenstein: A Father of Pop Stretches beyond ’60s Cartoons.” Chicago Tribune, November 11, 1984, sec.13, p. 30.

 

ARTnews 1951

ARTnews. “Reviews and Previews.” ARTnews 50 (April 1951), p. 44.

 

Arts Advocate 1995

“The Celebration of a Student and His Teacher.” Arts Advocate: The Ohio State University College of the Arts 16, no. 1 (fall 1995), pp. 1, 7.

 

Arts Magazine 1970

“News of the Art World.” Arts Magazine (New York)  36, no. 2 (November 1970), p. 20.

 

Arts Magazine 1974

“Group Show.” Arts Magazine (New York) 49, no. 4 (December 1974), p. 7.

 

Artur 1994

“Man siehts oder man siehts nicht.” Artur 2 (1994), pp. 18–21.

 

Ashbery 1964

Ashbery, John. “Art and Artists: U.S. Takeover in Paris.” New York Herald Tribune, May 26, 1964, p. 5.

 

Ashbery 1965

Ashbery, John. “Pop Art Switches to Aggressive Neutral Banality.” New York Herald Tribune, June 15, 1965, p. 5.

 

Ashbery 1967

Ashbery, John. “Roy Lichtenstein.” In American Masters: Art Students League. New York: Art Students League, 1967.

 

Ashbery 1978

Ashbery, John. “Something Borrowed, Something New.” New York Magazine (August 7, 1978), pp. 54–55.

 

Asher-Faure 1990

Asher-Faure. Home. Los Angeles: Asher-Faure, 1990. Exhibition catalogue. (1990 Los Angeles Asher-Faure).

 

Ashton 1954a

A[shton], D[ore]. “Murch Oils Show Power of ‘Things.'” New York Times, March 11, 1954, p. 29.

 

Ashton 1954b

A[shton], D[ore]. “Other New Shows.” New York Times, March 3, 1954, p. 25.

 

Ashton 1962a

Ashton, Dore. “New York Report.” Das Kunstwerk 16, no. 4 (October 1962), pp. 26–27.

 

Ashton 1962b

Ashton, Dore. “New York Report.” Das Kunstwerk 16, nos. 5–6 (November 1962), p. 68.

 

Ashton 1964

Ashton, Dore. “On the Way to the Fair.” Studio International 168, no. 857 (September 1964), pp. 118–21.

 

Ashton 1968

Ashton, Dore. Social Comment in America. New York: Museum of Modern Art, 1968. Exhibition catalogue.

 

Ashton 1969

Ashton, Dore. “New York Commentary.” Studio International 178, no. 916 (November 1969), pp. 176–77.

 

Ashton 1970a

Ashton, Dore. “New York Commentary.” Studio International 179, no. 920 (March 1970), pp. 118–24.

 

Ashton 1970b

Ashton, Dore. L’art vivant aux États-Unis. Saint-Paul-de-Vence, France: Fondation Maeght, 1970. Exhibition catalogue. (1970 Saint-Paul-de-Vence Maeght).

 

Ashton 1974

Ashton, Dore. “Retrospective/Perspective, 1961/1974.” Arts Magazine (New York) 49, no. 1 (September 1974), pp. 34–39.

 

Äström 1964

Äström, Lars Erikstr. “Pop-mer eller mindre.” Svenska dagbladet (Stockholm), February 29, 1964, p. 5.

 

Atelier 1994

“A Major Retrospective Exhibition of Roy Lichtenstein: The Guggenheim Museum, Famed for Its Round Shape, Is Buried in 135 of the Artist’s Works.” Atelier: Magazine of International Art, no. 803, pp. 4–41.

 

Atkins 1996

Atkins, Robert. “Roy Lichtenstein: Where Are We Going?” Esquire Special (Tokyo) 10, no. 2 (February 1996), pp. 36–39.

 

Atkinson 1965

Atkinson, Tracy. Pop Art and the American Tradition. Milwaukee: Milwaukee Art Center, 1965. Exhibition catalogue. (1965 Milwaukee Art Center).

 

Atsuo 1995

Atsuo, Yasuda, ed. (Un)framing. Tokyo: Foundation Arc-en-Ciel, 1995. Exhibition catalogue. (1995 Tokyo Hara).

 

Auckland City Art Gallery 1969

Auckland City Art Gallery. Banners from New York: Auckland City Art Gallery Festival Exhibition. Auckland: Auckland City Art Gallery, 1971. Exhibition brochure. (1969 Auckland City Art Gallery).

 

Aue 1971

Aue, Walter. Typos I: Zeit/Beispiele. Bad Homburg: Tsamas Verlag, 1971.

 

Auer 1980

Auer, James. “Lichtenstein, Wit Style.” Journal (Eau Claire, Wis.), 1980.

 

Auer 1999

Auer, James. “Pow! Crak! Roy Is Back.” Milwaukee Journal Sentinel, September 30, 1999, E1, E4.

 

Auffermann 1994

Auffermann, Verena. “Spiegelungen: Die große Roy-Lichtenstein-Retrospektive in München.” Frankfurter Rundschau, November 5, 1994.

 

Augur et al. 1982

Augur, Julie, et al. Leo Castelli and His Artists. Aspen: Aspen Center for the Visual Arts, 1982. Exhibition catalogue. Unpaginated. (1982 La Jolla MCA).

 

Avedon 1965

Avedon, Richard, ed. “The Editor’s Guest Book.” Harper’s Bazaar (April 1965), p. 141.

 

Averty 2013a

Averty, Christophe. “Des points c’est tour?” Connaissance des arts. Special issue, Roy Lichtenstein, edited by Francis Morel, no. 589 (2013), pp. 18–23.

 

Averty 2013b

Averty, Christophe. “Mise en relief.” Connaissance des arts. Special issue, Roy Lichtenstein, edited by Francis Morel, no. 589 (2013), pp. 40–47.

 

Babington 2012

Babington, Jaklyn. Roy Lichtenstein: Pop Remix. Canberra: National Gallery of Australia, 2012. Exhibition catalogue. (2012 Mornington MPRG).

 

Bader 2000

Bader, Graham. “Roy Lichtenstein’s Absorbing Landscapes.” Art on Paper, no. 5 (November–December 2000), pp. 44–49.

 

Bader 2005

Bader, Graham Paul. “Roy Lichtenstein, Pop, and the Face of Painting in the 1960s.” PhD diss., Harvard University, Cambridge, Mass. 2005.

 

Bader 2006

Bader, Graham. “Donald’s Numbness.” Oxford Art Journal 29, no. 1 (March 2006), pp. 93–113.

 

Bader 2009

Bader, Graham, ed. Roy Lichtenstein. October Files 7. Cambridge, Mass.: MIT Press, 2009.

 

Bader 2010a

Bader, Graham. “Drawing Touch.” In Roy Lichtenstein: The Black-and-White Drawings, 1961–1968, by Isabelle Dervaux, pp. 43–51. Ostfildern, Germany: Hatje Cantz in association with Morgan Library & Museum, New York, 2010. Exhibition catalogue.

 

Bader 2010b

Bader, Graham. Hall of Mirrors: Roy Lichtenstein and the Face of Painting in the 1960s. Cambridge, Mass.: MIT Press, 2010.

 

Bader 2010c

Bader, Graham. “Painting Reflection.” In Roy Lichtenstein Reflected, by Mitchell-Innes and Nash, pp. 45–57. New York: Mitchell-Innes and Nash, 2010. Exhibition catalogue.

 

Bader 2011

Bader, Graham. “Emptied Gesture.” Artforum International 49, no. 10 (summer 2011), pp. 346–51.

 

Baigell 1966

Baigell, Matthew. “American Abstract Expressionism and Hard Edge: Some Comparisons.” Studio International 171, no. 873 (January 1966), pp. 10–15.

 

Bajac et al. 2017

Bajac, Quentin, et al. Being Modern: Building the Collection of the Museum of Modern Art. Paris: Foundation Louis Vuitton; New York: The Museum of Modern Art, 2017. Exhibition catalogue.

 

E. Baker 1966

Baker, Elizabeth C. “Reviews and Preview: Group Shows: Bianchini.” ARTnews 64, no. 10 (February 1966), p. 53.

 

E. Baker 1971

Baker, Elizabeth C. “The Glass of Fashion and the Mold of Form.” ARTnews 70, no. 2 (April 1971), pp. 40–41, 65–66.

 

E. Baker 1972

Baker, Elizabeth C. “Reviews and Previews: Roy Lichtenstein.” ARTnews 70, no. 9 (January 1972), p. 18.

 

E. Baker 1992

E[lizabeth]. C. B[aker]., ed. “Art and Politics: A Pre-election Symposium.” Art in America 80, no. 10 (October 1992), p. 40.

 

E. Baker 1997a

Baker, Elizabeth C. “Riding Horses on the Beach, Talking Art in a Loft.” New York Times, October 5, 1997, p. 50.

 

E. Baker 1997b

Baker, Elizabeth C. “Roy Lichtenstein, 1923–1997.” Art in America 85, no. 12 (December 1997), p. 21.

 

E. Baker 1998

Baker, Elizabeth C. “Artworks for Envoys.” Art in America 86, no. 10 (October 1998), pp. 35–36.

 

K. Baker 1977

Baker, Kenneth. “Expediency As Art.” Christian Science Monitor (September 30, 1977?).

 

K. Baker 1997

Baker, Kenneth. “Lichtenstein: Connecting the Dots in a Unique Comic Vision.” San Francisco Chronicle, September 30, 1997, p. D1.

 

K. Baker 2004a

Baker, Kenneth. “Lichtenstein at Meyerovich.” San Francisco Chronicle: Datebook, October 23, 2004, p. E10.

 

K. Baker 2004b

Baker, Kenneth. “To Fully Connect with Lichtenstein’s Power and Significance, Start Where the SFMOMA Show Ends, and Finish Where It Starts.” San Francisco Chronicle: Datebook, October 22, 2004, E1, E11.

 

R. Baker 1963

Baker, Richard Brown. “Two in the First Row.” Art in America: Museum Preview, no. 5 (1963), pp. 88–91.

 

R. Baker 1979

Baker, Richard Brown. Selections from the Collection of Richard Brown Baker. Princeton, N.J.: Squibb Gallery, 1979. Exhibition catalogue. (1979 Princeton Squibb).

 

R. Baker 1985

Baker, Richard Brown. Fortissimo! Thirty Years from the Richard Brown Baker Collection of Contemporary Art. Providence: Museum of Art, Rhode Island School of Design, 1985. Exhibition catalogue. (1985 Providence RISD).

 

R. Baker 1999

Baker, Richard Brown. “The Days and Nights of a Collector.” The Paris Review (fall 1999), pp. 41, 152.

 

C. Baldwin 1973a

Baldwin, Carl. “Le penchant des peintres américains pour le réalisme.” Connaissance des arts, no. 254 (April 1973), pp. 112–20.

 

C. Baldwin 1973b

Baldwin, Carl. “Realism: The American Mainstream.” Realities (London), no. 276 (November 1973), pp. 42–51.

 

C. Baldwin 1974

Baldwin, Carl. “On the Nature of Pop.” Artforum 12, no. 10 (June 1974), pp. 34–37.

 

N. Baldwin 1970

Baldwin, Nick. “Pop Art! Des Moines Art Center Buys Roy Lichtenstein’s ‘The Great Pyramid.'” Des Moines Register, February 27, 1970, p. 22.

 

Ballatore 1975a

Ballatore, Sandy. “Lichtenstein Paintings and Sculpture.” Artweek 6, no. 23 (June 14, 1975), p. 5.

 

Ballatore 1975b

Ballatore, Sandy. “Roy Lichtenstein: Transitional Paintings.” Artweek 6, no. 17 (April 26, 1975), p. 3.

 

Baltimore Museum 1977

Baltimore Museum of Art. Two Hundred Years of American Painting. Baltimore: Baltimore Museum of Art. Exhibition catalogue. (1976 Bonn Landesmuseum).

 

BAM 1996

BAMtabloid. “BAMart for Sale.” BAMtabloid (Spring 1996), p. 3.

 

Bandera, Benedetti, and Crispolti 1963

Bandera, Antonio, Sandro Benedetti, and Enrico Crispolti. Aspetti dell’arte contemporanea: Rassegna internazionale: Architettura, pittura, scultura, grafica/Omaggio a Cagli: Retrospettiva antologica 1944–’63/Omaggio a Fontana: Retrospettiva antologica 1930–’63/Omaggio a Quaroni: Retrospettiva antologica 1947–’62. Rome: Edizioni dell’Ateneo, 1963. Exhibition catalogue.

 

Bandlow 2001a

Bandlow, Karen. “Roy Lichtenstein: Landscapes in the Chinese Style.” MA thesis, Ruprecht-Karls-Universität, Heidelberg, 2001.

 

Bandlow 2001b

Bandlow, Karen. “Roy Lichtenstein: Landscapes in the Chinese Style.” Translated from the German by Russell Stockman. MA thesis, Ruprecht-Karls-Universität, Heidelberg, 2001.

 

Bandlow 2005

Bandlow, Karen. “Roy Lichtenstein und Ostasien und Roy Lichtenstein.” PhD diss., Universität Heidelberg, 2005.

 

Bandlow 2006

Bandlow, Karen. “Nicht nur Warhols Mao: Mao Zedong in der Kunst von Roy Lichtenstein und Wang Ziwei.” Ostasiatische Zeitschrift (Cologne), no. 11 (Spring 2006), pp. 55–59.

 

Bandlow 2007

Bandlow, Karen. Roy Lichtenstein und Ostasien. Studien zur internationalen Architektur- und Kunstgeschichte 59. Petersberg, Germany: Michael Imhof Verlag, 2007.

 

Bandlow-Bata 2011

Bandlow-Bata, Karen. “Roy Lichtenstein: Landscapes in the Chinese Style.” In Roy Lichtenstein: Landscapes in the Chinese Style, by Gagosian Gallery, Hong Kong. Translated from the German by Ishbel Flett and Catherine Schelbert, pp. 7–15. Hong Kong: Gagosian Gallery, 2011. Exhibition catalogue.

 

Bankowsky 1988

Bankowsky, Jack. “Roy Lichtenstein.” Flash Art, no. 140 (May–June 1988), p. 105.

 

Bannard 1966

Bannard, Walter Darby. “Present-Day Art and Ready-Made Styles.” Artforum 5, no. 4 (December 1966), pp. 30–35.

 

Bannard 1970

Bannard, Walter Darby. “Notes on an Auction.” Artforum 9, no. 1 (September 1970), pp. 62–64.

 

Barilli 1982

Barilli, Renato. “Su Lichtenstein.” In Roy Lichtenstein 1970–1980, by Jack Cowart. Translated from the English by Stefania Coppi, pp. 9–12. Florence: Electa, 1982. Exhibition catalogue.

 

Barnet and Updike 1998

Barnet, Will, and John Updike. American Academy of Arts and Letters: Centennial Portfolio. New York: American Academy of Arts and Letters, 1998.

 

Barnett 1984

Barnett, Vivian Endicott. 100 Works by Modern Masters from the Guggenheim Museum. New York: Harry N. Abrams, 1984.

 

Baro 1968

Baro, Gene. “Roy Lichtenstein: Technique As Style.” Art International 12, no. 9 (November 1968), pp. 35–38.

 

Barozzi 1966

Barozzi, Paolo. “Roy Lichtenstein e i fumetti.” Tempo presente (Rome) 11, no. 1 (June 1966), pp. 59–62.

 

Barrio-Garay 1974

Barrio-Garay, José-Luis. “Crónica de Nueva York.” Goya (Madrid), no. 123 (November–December 1974), pp. 166–171.

 

Barro 2006

Barro, David. Sin título (El arte del siglo XX en la Colección Berardo). A Coruña, Spain: Fundación Pedro Barrié de la Maza, 2006. Exhibition catalogue. (2006 A Coruña Pedro Barrié).

 

Barron 1975

Barron, Stephanie. “Matisse and Contemporary Art: 1950–1970.” Arts Magazine (New York) 49, no. 9 (May 1975), pp. 66–67.

 

Barron 1982

Barron, Stephanie. “Painless Expressionism.” ARTnews 81, no. 7 (September 1982), pp. 64–65.

 

Barron and Draguet 2006

Barron, Stephanie, and Michel Draguet. Magritte and Contemporary Art: The Treachery of Images. Los Angeles: Los Angeles County Museum of Art; Ghent: Ludion, 2006. Exhibition catalogue. (2006b Los Angeles LACMA).

 

Barron and Zelevanksy 2001

Barron, Stephanie, and Lynn Zelevansky. Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections. Los Angeles: Los Angeles County Museum of Art in association with Harry N. Abrams, New York, 2001. Exhibition catalogue. (2001 Los Angeles LACMA).

 

Barry 1965

Barry, Edward. Chicago Tribune, June 20, 1965, pp. 1–2.

 

Bartsch 1979

Bartsch, Ingo. “Stilleben und Avantgarde.” In Stilleben in Europa, edited by Gerhard Langemeyer and Hans-Albert Peters, pp. 514–38. Münster: Landschaftsverband Westfalen-Lippe, 1979. Exhibition catalogue.

 

Basquin 1978

Basquin, Kit. Early Lichtenstein. Indianapolis: Washington Gallery, 1978. Exhibition brochure. (1978 Indianapolis Washington).

 

Bass 1992

Bass, Ruth. “Roy Lichtenstein.” ARTnews 91, no. 5 (May 1992), p. 122.

 

Bastian 1996

Bastian, Heiner. Sammlung Marx: Hamburger Bahnhof Museum für Gegenwart, Berlin. Vol. 2. Munich: Schirmer/Mosel, 1996.

 

Baticle and Georgel 1976

Baticle, Jeannine, and Pierre Georgel. Technique de la peinture: L’atelier. Paris: Éditions des Musée Nationaux, 1976. Exhibition catalogue. (1976 Paris Louvre).

 

Battcock 1966

Battcock, Gregory, ed. The New Art: A Critical Anthology. New York: E.P. Dutton and Co. 1966.

 

Battcock 1968

Battcock, Gregory, ed. Minimal Art: A Critical Anthology. New York: E.P. Dutton and Co. 1968.

 

Battcock 1970

Battcock, Gregory. “Wall Paintings and the Wall.” Arts Magazine (New York) 45, no. 3 (December–January 1970), pp. 24–26.

 

Battcock 1971

Battcock, Gregory. “New York.” Art and Artists 6, no. 3 (June 1971), pp. 58–59.

 

Bauer 2007

Bauer, Hans, ed. Kunst im Donau-Einkaufszentrum von 1967–2007. Regensburg: Erhardi, 2007.

 

Bauerle, Treu, and Meier-Grolman 1986

Bauerle, Dorothée, Erwin Treu, and Burkhard Meier-Grolman. Kunst nach 1945: Stiftung Sammlung Kurt Fried. Kataloge des Ulmer Museums 8. Ulm: Ulmer Museum, 1986.

 

Baum 1974

Baum, Peter, ed. Kunst der sechziger Jahre: Internationale Graphik in Beispielen der Sammlung Ludwig, Köln. Linz: Neue Galerie der Stadt Linz, 1974. Exhibition catalogue.

 

Baum, Bayer, and Wagstaff 2016

Baum, Kelly, Andrea Bayer, and Sheena Wagstaff. Unfinished: Thoughts Left Visible. New York: The Metropolitan Museum of Art, New York, 2016. Exhibition catalogue. (2016 New York Met Breuer).

 

Baume 1995

Baume, Nicholas. From Christo and Jeanne-Claude to Jeff Koons: John Kaldor Art Projects and Collection. Sydney: Museum of Contemporary Art, 1995. Exhibition catalogue. (1995 Sydney MCA).

 

Baumgold 1968

Baumgold, Julie. “The Superstore.” New York Magazine 1, no. 33 (November 18, 1968), pp. 36–40.

 

Baur 1992

Baur, Eva-Gesine. “Mit allen Wassern gewaschen.” Rafael’s World, no.1 (1992), pp. 35–36.

 

Bay 1990

Bay, Timothy. Pop on Paper. New York: James Goodman Gallery, 1990. Exhibition catalogue. Unpaginated. (1990 New York J. Goodman).

 

Alex Beam 2006

Beam, Alex. “Lichtenstein: Creator or Copycat?” Boston Globe, October 18, 2006, Living Arts sec., D1–D2.

 

Alvin Beam 1970

Beam, Alvin. “Books for Christmas.” Plain Dealer (Cleveland), December 13, 1970, p. P7.

 

Beaucamp 1980

Beaucamp, Eduard. “Die Zukunft liegt in der Vergangenheit.” Frankfurter allgemeine Zeitung, no. 136, June 14, 1980.

 

Beaucamp 1982

Beaucamp, Eduard. “Jenseits von Pop.” Frankfurter allgemeine Zeitung, March 18, 1982.

 

J. Becker and Vostell 1965

Becker, Jürgen, and Wolf Vostell, eds. Happenings, Fluxus, Pop Art, Nouveau, Réalisme: Eine Dokumentation. Reinbek bei Hamburg: Rowohlt, 1965.

 

W. Becker 1969

Becker, Wolfgang. “Die Sammlung Ludwig im Wallraf-Richartz-Museum.” Köln: Vierteljahrschrift für die Freunde der Stadt, Verkehrsamt der Stadt Köln, no. 2 (1969), pp. 88–101.

 

W. Becker 1977

Becker, Wolfgang. Der ausgestellte Künstler: Museumskunst seit 45/The Artist Exhibited: Art for the Museum since 1945/L’artiste exposé: L’art de musée depuis 45. 2 vols. Aachen: Neue Galerie, Sammlung Ludwig, 1977.

 

W. Becker 1992

Becker, Wolfgang, ed. Ludwig Forum für internationale Kunst: Gemälde, Skulpturen, Installationen, Auswahl aus dem Bestand der Sammlungen. Aachen: Ludwig Forum für Internationale Kunst, 1992. Exhibition catalogue.

 

W. Becker 1999

Becker, Wolfgang. I Love Pop: Europa–USA Anni ’60: Mitologie del quotidiano. Milan: Electa, 1999. Exhibition catalogue. (1999 Rome Bramante).

 

W. Becker 2001

Becker, Wolfgang. Streit-Lust: For Argument’s Sake: Die Kunst der letzten 30 Jahre und die Sammlung Ludwig. Cologne: Wienand Verlag, 2001. Exhibition catalogue. (2001 Aachen Ludwig Forum).

 

Becker, Wolfgang et al. 2000

Figuraties / Figurations 1900 – 2000. Heerlen: ABP Public Affairs, 2000. Exhibition catalogue.

 

Beeren 1966

Beeren, Wim. “De 33e biennale van Venetië.” Museumjournaal voor moderne Kunst 11, no. 6 (1966), pp. 144–55.

 

Beeren 1967

Beeren, Wim. “Roy Lichtenstein.” In Roy Lichtenstein, Stedelijk Museum, Amsterdam, unpaginated. Amsterdam: Stedelijk Museum, 1967. Exhibition catalogue.

 

Celina Bell 1994

Bell, Celina. “The Jazz Age and a Pop Sage: Two Modern Painters Evoke the Spirit of Their Times.” Macleans (Montreal) 107, no. 29 (July 18, 1994), pp. 50–51.

 

Clare Bell 2010

Bell, Clare. “A Room.” In Roy Lichtenstein: The Black-and-White Drawings, 1961–1968, by Isabelle Dervaux, pp. 64–75. Ostfildern, Germany: Hatje Cantz in association with the Morgan Library & Museum, New York, 2010. Exhibition catalogue.

 

Clare Bell 2013a

Bell, Clare. “Concrete Siren: Roy Lichtenstein’s Mermaid.” In Lichtenstein Sculptor, by Germano Celant, pp. 25–31. Milan: Skira Editore, 2013. Exhibition catalogue.

 

Clare Bell 2013b

Bell, Clare. “Roy Lichtenstein: Ses outils de travail et l’élaboration d’un style.” In Roy Lichtenstein, edited by Camille Morineau. Essay translated from the English by Jean-François Allain, pp. 177–85. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Clare Bell 2014

Bell, Clare. “A Parable of Excess.” Art in America (December 2014), pp. 130–37.

 

Clare Bell 2015

Bell, Clare. “Beautiful Kitsch: Lichtenstein’s Seascapes, 1964–1970.” In Roy Lichtenstein: Between Sea and Sky, by Guild Hall, East Hampton, N.Y., pp. 11–21. Milan: Officina Libraria; East Hampton, N.Y.: Guild Hall, 2015. Exhibition catalogue.

 

J. Bell 1996

Bell, J. Bowyer. “Leo, Roy and Ground Zero: Thirty-Five Years On.” Review (New York) (October 1, 1996), pp. 1–5.

 

Belli 2002

Belli, Gabriella, ed. Le stanze dell’arte: Figure e immagini del XX secolo. Milan: Skira Editore, 2002. Exhibition catalogue. (2002 Rovereto Museo di Arte Moderna).

 

Belt 1969

Belt, Byron. “Lichtenstein Pops into the Guggenheim.” Newhouse News.

 

Belz and Goldberg 1987

Belz, Carl, and Beth Goldberg. Postwar Paintings from Brandeis University. San Francisco: Art Museum Association of America, 1987. Exhibition catalogue. (1987 Miami FIU).

 

Benchley 1966

Benchley, Peter. “The Story of Pop: What It Is and How It Came to Be.” Newsweek 67 (April 25, 1966), pp. 56–58, 61.

 

Benedikt 1966a

Benedikt, Michael. “New York Letter.” Art International 10, no. 2 (February 1966), pp. 63–66.

 

Benedikt 1966b

Benedikt, Michael. “New York Letter.” Art International 10, no. 4 (April 1966), pp. 79–85.

 

Benezra 2016

Benezra, Neal David, and Gary Garrels. The Fisher Collection at the San Francisco Museum of Modern Art. San Francisco, Calif.: San Francisco Museum of Modern Art, 2016.

 

Bengtsson et al. 1963

Bengtsson, Dick. Pop. Stockholm: Galleri Observatorium, 1963. Exhibition brochure. (1963 Stockholm Observatorium).

 

Benson 1962

Benson, Gertrude. “Non-Partisan Education: A Success Story.” Jewish Exponent (Philadelphia), November 16, 1962, p. 19.

 

Benthall 1968

Benthall, Jonathan. “Art As Programming: Reflexions on Roy Lichtenstein.” Cambridge [England] Quarterly (1968), pp. 107–14.

 

Berardo 2007

Museu Colecção Berardo. Museu Berardo: An Itinerary. London: Thames & Hudson in association with Museu Colecção Berardo, Lisbon, 2007.

 

Berg et al. 1961

Berg, Paul, et al. “About-Face from the Abstract.” St. Louis Post-Dispatch: Sunday Pictures, December 31, 1961, pp. 10–11.

 

Berger 1995

Berger, Laurel. “Dotting the Eyes.” ARTnews 94, no. 3 (March 1995), p. 25.

 

Berggruen 1995

John Berggruen Gallery, San Francisco. XXV Years: An Exhibition Celebrating the 25th Anniversary of John Berggruen Gallery. San Francisco: John Berggruen Gallery, 1995. Exhibition catalogue. (1995 San Francisco Berggruen).

 

Bergmark 1964a

Bergmark, Torsten. “Pop-den amerikanska drömmen.” Dagens Nyheter (Stockholm), February 25, 1964, p. 3.

 

Bergmark 1964b

Bergmark, Torsten. “Svitch-blang pä Moderna museet.” Dagens Nyheter (Stockholm), February 29, 1964, p. 4.

 

Berkson 1965

B[erkson], W[illiam]. “In the Galleries: Warhol, Oldenburg, Lichtenstein.” Arts Magazine (New York)  39, nos. 8–9 (May–June 1965), pp. 59–60.

 

Berkson 1966a

Berkson, William. “In the Galleries: Roy Lichtenstein.” Arts Magazine (New York) 40, no. 3 (January 1966), pp. 54–55.

 

Berkson 1966b

Berkson, William. “In the Galleries: Ten from Rutgers.” Arts Magazine (New York) 40, no. 5 (March 1966), pp. 59–60.

 

Berkson 1987

Berkson, William. “Made in U.S.A.” Artforum International 26, no. 2 (October 1987), pp. 145–47.

 

Berman 1981

Berman, Avis. “Where’ve You Been Roy Lichtenstein?” Review (Eastern Airlines) (April 1981), pp. 62–67.

 

Berman 2002

Berman, Avis. “In a New Times Square, a Wink at Futures Past.” New York Times, September 1, 2002, pp. 1, 25.

 

Berman 2003

Berman, Avis. “The Transformations of Roy Lichtenstein: An Oral History.” In Roy Lichtenstein: All about Art, edited by Michael Juul Holm, Poul Erik Tøjner, and Martin Caiger-Smith, pp. 114–33. Humlebaek, Denmark: Louisiana Museum of Modern Art, 2003. Exhibition catalogue.

 

Berman 2005

Berman, Avis. “‘Joy and Bravura and Irreverence’: Roy Lichtenstein and Images of Women.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider, pp. 138–44. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue.

 

Berman 2007

Berman, Avis. “En primera línea: Roy Lichtenstein en acción.” In Roy Lichtenstein: De principio a fin, by Fundación Juan March, Madrid. Translated from the English by Paloma Farré, pp. 116–35. Madrid: Fundación Juan March, 2007. Exhibition catalogue.

 

Bernadac 1991

Bernadac, Marie-Laure. “Picasso au tamis de Lichtenstein: Le style contre l’image.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 70–82.

 

Bernard and M. Thompson 1986

Bernard, April, and Mimi Thompson. “Roy Lichtenstein.” Bomb, no. 14 (Winter 1986), pp. 22–27. Interview with the artist conducted in New York, November 1985.

 

Bernstein 2017

Bernstein, Roberta. Jasper Johns: Redo an Eye. New York: The Wilderstein Plattner Institute, New Haven: in association with Yale University Press, 2017.

 

Berri 1990

Berri, Claude. Leo Castelli. Paris: Renn, 1990.

 

Berry and Shear 2011

Berry, Ian, and Jack Shear, eds. Twice Drawn: Modern and Contemporary Drawings in Context. Saratoga Springs: Frances Young Tang Teaching Museum and Art Gallery at Skidmore College; Munich, Germany: DelMonico Books/Prestel, 2011. Exhibition catalogue. (2006 Saratoga Springs Tang).

 

Berssenbrugge et al. 2016

Berssenbrugge, Mei-mei, et al. Drawing Then: Innovation and Influence in American Drawings of the Sixties. New York: Dominique Lévy, 2016. Exhibition catalogue.

 

Bertho 1984?

Bertho, Delphine.

 

Berwick 2002

Berwick, Carly. “ARTtalk: A Giant Stroke for Mankind.” ARTnews 101, no. 1 (January 2002), p. 27.

 

Berwick 2006

Berwick, Carly. “Roy Lichtenstein: American Indian Encounters.” ARTnews 105, no. 3 (March 2005), p. 142.

 

Beyeler 1996

Beyeler, Ernst, ed. The Exhibition from Swiss Private Collections. [n.p.]: Nippon Television Network Corp. 1996. Exhibition catalogue. (1996 Sapporo Hokkaido).

 

Beyeler (Fondation) 1997

Fondation Beyeler, Riehen, Switzerland. Fondation Beyeler. Munich: Prestel Verlag, 1997. Exhibition catalogue.

 

Beyeler (Fondation) 1998

Fondation Beyeler, Riehen, Switzerland. Roy Lichtenstein. Zurich: ProLitteris, 1998. Exhibition catalogue. (1998 Riehen Fondation Beyeler).

 

Beyeler (Fondation) 2000

Fondation Beyeler, Riehen, Switzerland. Neuzugänge 1998–2000: Paul Cézanne, Vincent van Gogh, Pablo Picasso, Fernard Léger, Marc Chagall, Paul Klee, Jean Dubuffet, Roy Lichtenstein, Andy Warhol, Antonio Tàpies, Christo. Riehen, Switzerland: Fondation Beyeler, 2000.

 

Beyeler (Fondation) 2002

Fondation Beyeler, Riehen, Switzerland. Claude Monet . . . bis zum digitalen Impressionismus. Munich: Prestel Verlag, 2002. Exhibition catalogue. (2002 Riehen Fondation Beyeler).

 

Beyeler (Fondation) 2003

Fondation Beyeler, Riehen, Switzerland. Neuzugänge 1998–2003: Vincent van Gogh, Paul Cézanne, Claude Monet, Pablo Picasso, Marc Chagall, Fernard Léger, Paul Klee, Hans Arp, Mark Rothko, Andy Warhol, Roy Lichtenstein, Jean Dubuffet, Antoni Tàpies, Anselm Kiefer, Ellsworth Kelly, Christo/Recent Acquisitions 1998–2003. Riehen, Switzerland: Fondation Beyeler; Wolfratshausen, Germany: Edition Minerva, 2003.

 

Beyeler (Fondation) 2007

Fondation Beyeler, Riehen, Switzerland. The Other Collection: Homage to Ernst and Hildy Beyeler. Riehen, Switzerland: Fondation Beyeler, 2007. Exhibition catalogue. (2007 Riehen Fondation Beyeler).

 

Beyeler (Fondation) 2008a

Fondation Beyeler, Riehen, Switzerland. Ansichten. Vol. 12, Roy Lichtenstein. Riehen, Switzerland: Fondation Beyeler, 2008.

 

Beyeler (Fondation) 2008b

Fondation Beyeler, Riehen, Switzerland. Fernand Léger: Paris–New York. Riehen, Switzerland: Fondation Beyeler, 2008. Exhibition catalogue. (2008 Riehen Fondation Beyeler).

 

Beyeler (Galerie) 1973

Galerie Beyeler, Basel. Roy Lichtenstein. Basel: Galerie Beyeler, 1973. Exhibition catalogue. Unpaginated. (1973 Basel Galerie Beyeler).

 

Beyeler (Galerie) 1974

Galerie Beyeler, Basel. America on Paper: Drawings, Pastels, Gouaches, Temperas, Collages, Oils. Basel: Galerie Beyeler, 1974. Exhibition catalogue. In German. (1974 Basel Galerie Beyeler).

 

Beyeler (Galerie) 1975

Galerie Beyeler, Basel. Roy Lichtenstein: Recent Paintings/Neue Werke. Basel: Galerie Beyeler, 1975. Exhibition catalogue. (1975 Basel Art 6’75 Beyeler).

 

Beyeler (Galerie) 1976

Galerie Beyeler, Basel. Autres dimensions: Collages, assemblages, reliefs . . . Basel: Galerie Beyeler, 1976. Exhibition catalogue. (1976a Basel Galerie Beyeler).

 

Beyeler (Galerie) 1978

Galerie Beyeler, Basel. Petits formats. Basel: Galerie Beyeler, 1978. Exhibition catalogue. (1978a Basel Galerie Beyeler).

 

Beyeler (Galerie) 1980

Galerie Beyeler, Basel. Lettres et chiffres/Schrift im Bild. Basel: Galerie Beyeler, 1980. Exhibition catalogue. (1980 Basel Galerie Beyeler).

 

Beyeler (Galerie) 1982

Galerie Beyeler, Basel. Portraits et figures. Basel: Galerie Beyeler, 1982. Exhibition catalogue. (1982 Basel Galerie Beyeler).

 

Beyeler (Galerie) 1987

Galerie Beyeler, Basel. Landschaften und Horizonte. Basel: Galerie Beyeler, 1987. Exhibition catalogue. (1987b Basel Galerie Beyeler).

 

Beyeler (Galerie) 1991

Galerie Beyeler, Basel. Roy Lichtenstein, Frank Stella: Galerie Beyeler, Ausstellung, März—Mai 1991. Basel: Galerie Beyeler, 1991. Exhibition catalogue. (1991 Basel Galerie Beyeler).

 

Beyeler (Galerie) 1993a

Galerie Beyeler, Basel. Magic Blue. Basel: Galerie Beyeler, 1993. Exhibition catalogue. (1993c Basel Galerie Beyeler).

 

Beyeler (Galerie) 1993b

Galerie Beyeler, Basel. New York on Paper. Basel: Galerie Beyeler, 1993. Exhibition catalogue. (1993b Basel Galerie Beyeler).

 

Beyeler (Galerie) 1995

Galerie Beyeler, Basel. Surrealismus: Traum des Jahrhunderts. Basel: Galerie Beyeler, 1995. Exhibition catalogue. (1995 Basel Galerie Beyeler).

 

Beyeler (Galerie) 1996

Galerie Beyeler, Basel. I Love Yellow. Basel: Galerie Beyeler, 1996. Exhibition catalogue. (1996a Basel Galerie Beyeler).

 

Beyeler (Galerie) 2003

Galerie Beyeler, Basel. The Spirit of White. Basel: Galerie Beyeler, 2003. Exhibition catalogue. (2003 Basel Galerie Beyeler).

 

Bezzola 1997

Bezzola, Leonardo. Das Kunstmuseum Solothurn, 1972–1997. Solothurn: Kunstverein Solothurn, 1997.

 

Bianchini 1970

Bianchini, Paul. Roy Lichtenstein: Drawings and Prints. 1st ed. Lausanne: Publications IRL, 1970. 2nd ed. New York: Chelsea House Publishers, [1970]. 3rd ed. Secaucus, N.J.: Wellfleet Books, 1988.

 

Bianchini Gallery and Contemporary Arts Center 1966

Bianchini Gallery, New York, and Contemporary Arts Center, Cincinnati. Master Drawings: Pissarro to Lichtenstein. New York: Bianchini Gallery; Cincinnati: Contemporary Arts Center, 1966. Exhibition catalogue. (1966 New York Bianchini).

 

Bidlo et al. 1989

Bidlo, Mike, et al. Mike Bidlo: Masterpieces. Zurich: Edition Bischofberger, 1989.

 

Bieber, España, and Ivy 2004

Bieber, Susanneh, Teresa España, and Jackie Ivy. Variations on a Theme: American Prints from Pop Art to Minimalism: A Selection from the Anderson Graphic Arts Collection. Fresno, Calif.: Fresno Metropolitan Museum, 2004. Exhibition catalogue. (2004 Fresno Metropolitan).

 

Biemel 1971

Biemel, Walter. “Pop-Art und Lebenswelt.” Aachener Kunstblätter 40 (1971), pp. 194–214.

 

Biennale 1984

Edizioni la Biennale, Venice. XLI Esposizione Internazionale d’Arte: La Biennale di Venezia. Visual Arts General Catalogue 1984. Venice: Edizioni La Biennale di Venezia, 1984. Exhibition catalogue. (1984 Venice Biennial).

 

Bigel 2013

Bigel, Clémence. Le Pop’ Art à Paris: Une histoire de la réception critique des avant-gardes américaines entre 1959 et 1978. Université Paris 1, Panthéon-Sorbonne, 2013. 2 volumes.

 

Bihalji-Merin 1969

Bihalji-Merin, Oto. Ende der Kunst im Zeitalter der Wissenschaft? Stuttgart: Kohlhammer, 1969.

 

Bild 1995

“Roy Lichtenstein: Seine Bilder schockten die Kunst-Szene.” Bild, February 10, 1995.

 

Bildende Künst 1978

Bildende Kunst (Verband bildender Künstler der Deutschen demokratischen Republik, Berlin) 1978, no. 3 (March 1978).

 

Billeter 1965

Billeter, E. “Pop im Examen: Lichtenstein, Oldenburg, Rosenquist, Rauschenberg, Segal.” Speculum artis (Constance), no. 9 (1965), pp. 28–33.

 

Bjorkman 1966

Bjorkman, Carol. “Zam! Yves Set to Jolt Paris Today.” Women’s Wear Daily, August 1, 1966, pp. 1, 4–5, 14.

 

Blair 2000

Blair, Cynthia. “Roy Lichtenstein: Pop Artist Paints in Southampton.” Newsday: Long Islander of the Century, October 17, 2000, p. A19.

 

Blakeston 1978

Blakeston, Oswell. “U.S.A. and U.K.” Arts Review (London) (September 15, 1978).

 

Bland 2006

Bland, Bartholomew F. “Portrait of Bessie: The Cow in American Art.” In Got Cow? Cattle in American Art, 1820–2000. Yonkers: Hudson River Museum, 2006. Exhibition catalogue. (2006 Yonkers Hudson River).

 

Blau 2006

Blau, Douglas. “Roy Lichtenstein Pilfered Planes and Lifted Lines.” Wall Street Journal, May 29, 1981, p. 21.

 

Blechen 1988

Blechen, Camilla. “Märchenhafte Vergangenheit.” Frankfurter allgemeine Zeitung.

 

Bloemink 2000

Bloemink, Barbara J. Déjà Vu: Reworking the Past. Katonah, N.Y.: Katonah Museum of Art, 2000. (2000 Katonah Museum).

 

Blok 1967

Blok, C. “Roy Lichtenstein.” Museumjournaal voor moderne Kunst 12, no. 10 (1967).

 

Bloodworth and Ayres 2006

Bloodworth, Sandra, and William Ayres. Along the Way: MTA Arts for Transit. New York: Monacelli Press, 2006. Exhibition catalogue. (2005 New York UBS).

 

Bloomfield 2001

Bloomfield, Anna. “Roy Lichtenstein: Yellow Vase, 1991.” In The Lenore and Burton Gold Collection of 20th-Century Art, edited by Carrie Przybilla, pp. 60–61. Atlanta: High Museum of Art, 2001. Exhibition catalogue.

 

Blotkamp 1970

Blotkamp, Carel Hendrik. Na de beeldenstorm: Drie opstellen over recente beeldende kunst. Vlaardingen: Drukkerij Van Dooren, 1970.

 

Blum Gallery 1967

Irving Blum Gallery, Los Angeles. Paintings and Sculpture from the Gallery Collection. Los Angeles: Irving Blum Gallery, 1967. Exhibition catalogue.

 

BlumHelman 1987

BlumHelman Gallery, New York. Roy Lichtenstein: Pop Masterpieces 1961–1964. New York: BlumHelman Gallery, 1987. Exhibition catalogue. Unpaginated. (1987 New York BlumHelman).

 

Bløndal 1991

Bløndal, Torsten, ed. Popart from the Lilja Collection: Dine, Rosenquist, Lichtenstein, Rauschenberg. Hellerup, Denmark: Edition Bløndal; Høvikodden, Norway: Sonia Henie-Niels Onstad Foundations; Odense: Kunsthallen Brandts Klaedefabrik, 1991. Exhibition catalogue. (1991 Høvikodden Henie-Onstad).

 

BMW 1993

BMW Public Relations. Art Cars: BMW Art Car Collection: Kunst am Automobil/Automobile Art. Munich: BMW, 1993.

 

Boatto 1964

Boatto, Alberto. “Incontri newyorkesi.” La fiera letteraria (December 6, 1964), p. 11.

 

Boatto 1966

Boatto, Alberto. “Il fumetto al microscopio/The Comicstrip under the Microscope/La bande dessinée au microscope.” Fantazaria (Rome). Special issue, Lichtenstein, edited by Boatto and Giordano Falzoni, 1, no. 2 (July–August 1966), pp. 14–22 (Italian), 52–61 (English), 90–100 (French).

 

Boatto 1967a

Boatto, Alberto. Pop Art in U.S.A.: Dichiarazioni di Dine, Johns, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Segal, Warhol. Milan: Lerici, 1967.

 

Boatto 1967b

Boatto, Alberto. Pop Art. Milan: Lerici, 1967. 2nd ed. Bari: Laterza, 1983.

 

Boatto 2015a

Boatto, Alberto. Pop Art. Rome and Bari: Giuseppi Laterza e Figli S.p.A. 2015.

 

Boatto 2015b

Boatto, Alberto. “Il fumetto al microscopio: Lichtenstein.” In Pop Art, by Boatto, pp. 139–58. Rome and Bari: Giuseppe Laterza e Figli S.p.A. 2015.

 

Boatto 2015c

Boatto, Alberto. “Roy Lichtenstein.” In Pop Art, by Boatto, pp. 212–15. Rome and Bari: Giuseppe Laterza et Figli S.p.A. 2015.

 

Boatto 2015c

Boatto, Alberto. “Roy Lichtenstein.” In Pop Art, by Alberto Boatto, pp. 212–15. Rome and Bari, Italy: Gius. Laterza & Figli Spa. 2015.

 

Boatto and Falzoni 1966

Boatto, Alberto, and Giordano Falzoni, eds. Fantazaria (Rome). Special issue, Lichtenstein 1, no. 2 (July–August 1966).

 

Boca Raton Museum of Art 2005

Boca Raton Museum of Art. Boca Raton Collects: A Visual Feast of Promised Gifts and Bequests, Selections from the Dani and Jack Sonnenblick Collection and the Isadore Friedman Collection. Boca Raton: Boca Raton Museum of Art, 2005. Exhibition catalogue. (2005 Boca Raton Museum).

 

Bode 1994

Bode, Peter M. “Roy Lichtenstein: Am Anfang war der Comic Strip.” Art: Das Kunstmagazin (Hamburg), no. 10 (October 1994), pp. 14–29.

 

Böhm 1984

Böhm, Ekkehard, ed. Kultur-Tagebuch: 1900 bis Heute. Braunschweig: G. Westermann, 1984.

 

Boice 1973

Boice, Bruce. “Reviews.” Artforum 11, no. 9 (May 1973), pp. 79–83.

 

Boime 1968

Boime, Albert. “Roy Lichtenstein and the Comic Strip.” Art Journal 28, no. 2 (Winter 1968–69), pp. 155–59.

 

Bois 2002

Bois, Yve-Alain. “Roy Lichtenstein: Perfect/Imperfect.” In Roy Lichtenstein: Perfect/Imperfect, by Gagosian Gallery, Los Angeles, pp. 9–20. Los Angeles: Gagosian Gallery, 2002. Exhibition catalogue.

 

Bois 2005

Bois, Yve-Alain. “Conférence diapos: Les séries Perfect et imperfect de Roy Lichtenstein.” Les cahiers du Musée national d’art moderne, no. 93 (Fall 2005), pp. 48–61.

 

Bois 2011

Bois, Yve-Alain. “D’une pierre deux coups/Two Blows with One Stone.” In Entablature Paintings: Roy Lichtenstein, by Paula Cooper Gallery, New York, unpaginated. New York: Paula Cooper Gallery, 2011. Exhibition catalogue.

 

Bois 2012

Bois, Yve-Alain. “Two Birds with One Stone.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff, pp. 62–71. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

Bompiani 1962

Bompiani, Valentino, ed. Almanacco letterario Bompiani. Milan: Bompiani, 1962.

 

Bonami and Frisa 2003a

Bonami, Francesco, and Maria Luisa Frisa, ed. Dreams and Conflicts: The Dictatorship of the Viewer: 50th International Art Exhibition. Venice: Marsilio, 2003. Exhibition catalogue. (2003 Venice Biennial).

 

Bonami and Frisa 2003b

Bonami, Francesco, and Maria Luisa Frisa. Sogni e Conflitti: La Dittatura Dello Spettatore: 50a Esposizione internazionale d’arte/La Biennale di Venezia. Venice: Marsilio, 2003. Exhibition catalogue. (2003 Venice Biennial).

 

Bonetti 1997

Bonetti, David. “Roy Lichtenstein, 73, Pioneer of Pop Art Comic Books Inspired Witty, Colorful Paintings.” San Francisco Examiner, September 30, 1997, p. A15.

 

Bonito Oliva et al. 1989

Bonito Oliva, Achille, and Stefano Petricca, eds. Artoon: L’influenza del fumetto nelle arti visive del XX secolo. Naples: Electa, 1989. Exhibition catalogue. (1989 Rome Palazzo Civiltà).

 

Bonjour Max Ernst 1975

Bonjour Max Ernst. Paris: Éditions Georges Visat, 1975.

 

Bonnet 2008

Bonnet, Clémence. “Le recyclage des images dans l’art américain entre 1950 et 1970: Le Pop Art/Recycling and Reusing Images in American Art, from 1950 to 1970: Pop Art.” MA thesis, Université Paris VII-Denis Diderot, Paris, 2008.

 

Bony 1983

Bony, D’ Anne. Les Années 60. Paris: Editions du Regard, 1983.

 

Boorsch 1977

Boorsch, Suzanne. “New Editions: Entablatures.” ARTnews 76, no. 3 (March 1977), p. 110.

 

Boorsch 1980

Boorsch, Suzanne. “Roy Lichtenstein.” ARTnews 79, no. 7 (September 1980), p. 43.

 

Boorstin, Delling, and Voretzsch 1964

Boorstin, Daniel J., Manfred Delling, and Renate Voretzsch. Das Image oder was wurde aus dem amerikanischen Traum. Reinbek bei Hamburg: Rowohlt, 1964.

 

Borgeaud 1970

Borgeaud, Bernard. “Paris.” Arts Magazine (New York) 44, no. 7 (May 1970), pp. 53–54.

 

Boris 2001

Boris, Janet. Roy Lichtenstein. New York: Harry N. Abrams, 2001.

 

Borsick 1963

Borsick, Helen. “Roy Lichtenstein Makes Splash As Pop Artist.” Plain Dealer (Cleveland), April 28, 1963, p. 2G.

 

Borsick 1969b

Borsick, Helen. “Pop Artist Roy Lichtenstein Is Candid on Copying Others’ Art.” Plain Dealer (Cleveland), February 17, 1969, p. 26.

 

Borsick 1969a

Borsick, Helen. “Haystacks, Cathedrals and Posters.” Plain Dealer (Cleveland), September 7, 1969, pp. 8–F.

 

Borsick 1970

Borsick, Helen. “Technical Bent.” Plain Dealer (Cleveland), December 20, 1970, pp. 11–E.

 

Bott 1967

Bott, Gerhard. Malerei unserer Zeit: Versuch einer Übersicht und Deutung. Bad Homburg, 1967.

 

Bott 1980

Bott, Gerhard, ed. Stilleben/Natura morta im Wallraf-Richartz-Museum und im Museum Ludwig. Cologne: Museen der Stadt Köln, 1980. Exhibition catalogue. (1980 Cologne Wallraf-Richartz).

 

Bott and Adriani 1970

Bott, Gerhard, and Götz Adriani, eds. Bildnerische Ausdrucksformen, 1960–1970: Sammlung Karl Ströher im Hessischen Landesmuseum, Darmstadt. Darmstadt: Hessisches Landesmuseum, 1970. Exhibition catalogue. (1970 Darmstadt Landesmuseum).

 

Bottimonti 1991

Bottimonti, Adriana. “Gae Aulenti: L’architetto in interni.” Casamica. Supplement to Corriere della sera, nos. 1–2 (February 1, 2003), pp. 66–73.

 

Boudaille 1966

Boudaille, Georges. “Venise 66: Succès des sculpteurs, la peinture en désarroi.” Les arts (1966).

 

Bougault 2013a

Bougault, Valérie. “Á la recherché de Roy.” Connaissance des arts. Special issue, Roy Lichtenstein, edited by Francis Morel, no. 589, pp. 4–15.

 

Bougault 2013b

Bougault, Valérie. “Au-delà du Pop Art.” Connaissance des arts. Special issue, Roy Lichtenstein, edited by Francis Morel, no. 589, pp. 16–17.

 

Boullier 1963

Boullier, René. “Semaine éclectique: Grès, peintures et dessins.” Aux écoutes du monde (Paris) no, 45 (June 7, 1963), p. 43.

 

Bouniort et al. 1980

Bouniort, Jeanne, et al. Le pop’art: le pop’art anglais et le pop’art américain. Actualité des arts plastiques 49 . Paris: Centre National de Documentation Pédagogique, 1980.

 

Bourdon 1963

Bourdon, David, Jr. “Nya amerikanska realister.” Konstrevy (Stockholm) 39, no. 2 (1963), pp. 42–49, 78.

 

Bourdon 1964

Bourdon, David, Jr. “Roy Lichtenstein: Landscapes.” Village Voice (New York), October 29, 1964, pp. 9, 19.

 

Bourdon 1967

Bourdon, David. “Expo ’67.” Art International 11, no. 7 (September 20, 1967), p. 22.

 

Bourdon 1975

Bourdon, David. “Three Artists Draw on the Past.” Village Voice (New York), November 10, 1975, p. 112.

 

Bourdon 1978

Bourdon, David. “Art about Art: Whitney Museum of American Art; through September 24.” Vogue 168, no. 9 (September 1978), pp. 62, 64.

 

Bourdon 1980

Bourdon, David. “Made in U.S.A.” Portfolio (New York) 2, no. 5 (November–December 1980), pp. 42–49.

 

Bourdon 1981

Bourdon, David. “Roy Lichtenstein, 1970–1980.” Vogue 171, no. 6 (June 1981), pp. 40, 44.

 

Bouret 1965

Bouret, Jean. “Sept jours avec la peinture.” Les lettres françaises, June 17–23, 1965, p. 11.

 

Bourgeois 1969

Bourgeois, Jean-Louis. “New York.” Artforum 8, no. 3 (November 1969), pp. 74–78.

 

Bourgois 1971

Bourgois, Christian, ed. Kitsch, no. 2 (February 1971).

 

Bourriaud 1991

Bourriaud, Nicolas. “Actualité de Roy Lichtenstein.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 158–67.

 

Bouvard 2013a

Bouvard, Émilie. “Le dernier style de Roy Lichtenstein.” In Roy Lichtenstein, edited by Camille Morineau, pp. 113–19. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Bouvard 2013b

Bouvard, Émilie. “Les expositions chez Ileana Sonnabend, Paris, 1963–1975.” In Roy Lichtenstein, edited by Camille Morineau, p. 247. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Bouvard 2013c

Bouvard, Émilie. “Lichtenstein au Centre national d’art contemporain, 1975.” In Roy Lichtenstein, edited by Camille Morineau, p. 252. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Bouvier 2008

Bouvier, Raphaël. “Léger and Lichtenstein.” In Fernand Léger: Paris–New York, by Fondation Beyeler, Riehen, Switzerland, pp. 149–55. Riehen, Switzerland: Fondation Beyeler, 2008. Exhibition catalogue.

 

Bouzerand 1991

Bouzerand, Jacques. “La marque Lichtenstein.” Le point (Paris), no. 976 (June 3, 1991), pp. 96–100.

 

Bowie 1996

Bowie, David. “The Closing Down.” In Ray Gun: Out of Control, edited by Dean Kuipers and Chris Ashworth. New York: Simon and Schuster, 1996.

 

Bowman and Sobel 1988

Bowman, Russell, and Dean Sobel. 1988: The World of Art Today. Milwaukee: Milwaukee Art Museum, 1988. Exhibition catalogue. (1988 Milwaukee Art Museum).

 

Bowman and Sobel 1990

Bowman, Russell, and Dean Sobel. Word As Image: American Art, 1960–1990. Milwaukee: Milwaukee Art Museum, 1990. Exhibition catalogue. (1990a Milwaukee Art Museum).

 

Bowness 1964

Bowness, Alan. “54/64: Painting and Sculpture of a Decade.” Studio International 167, no. 853 (May 1964), pp. 190–95.

 

Bowness et al. 1964

Bowness, Alan, et al. 54/64: Painting and Sculpture of a Decade. London: Tate Gallery, 1964. Exhibition catalogue. (1964 London Tate Gallery).

 

BOZAR and Europalia 71 1971a

BOZAR: Centre for Fine Arts (Brussels) and Europalia 71 Nederland. Stedelijk ’60–’70: verzameling 1960–1970. Bussels: Brussel Connaissance, 1971. Exhibition catalogue. (1971b Brussels Palais des Beaux-Arts).

 

BOZAR and Europalia 71 1971b

BOZAR: Centre for Fine Arts (Brussels) and Europalia 71 Nederland. Stedelijk ’60–’70: les collections 1960–1970. Bruxelles: Bruxelles Connaissance, 1971. Exhibition catalogue. (1971b Brussels Palais des Beaux-Arts).

 

Brady 2000

Brady, Patrick. Cig Art 4: Where’s There’s Smoke; In Memory of Roy Lichtenstein. Corpus Christi: South Texas Institute for the Arts, 2000. Exhibition catalogue. (2000 Corpus Christi South Texas Institute).

 

Braet 1995

Braet, Jan. “Geestig om te Doen.” Knack 22 (Brussels) (May 31–June 6, 1995), pp. 86–88, 91–92.

 

Braff 1999

Braff, Phyllis. “Social Issues of the 90’s and Icons of the 60’s: ‘Pop Art.'” New York Times, June 13, 1999, p. 23.

 

Bragança de Miranda et al. 2003

Bragança de Miranda, José, et al. Corpus: Visions of the Body in the Berardo Collection. Belém: Centro Cultural de Belém, 2003. Exhibition catalogue. (2003 Belém Colecção Berardo).

 

Brandstätter and Balk 2000

Brandstätter, Christian, and Wolfgang Balk, eds. André Heller Bilderleben, Öffentliches und Privates, 1947–2000. Vienna: Deutscher Taschenbuch, 2000.

 

Brandt 1985

Brandt, Frederick R. Late 20th-Century Art: Selections from the Sydney and Frances Lewis Collection in the Virginia Museum of Fine Arts. Richmond, Va.: Virginia Museum of Fine Arts, 1985.

 

Brandt 1996

Brandt, Frederick R. Form over Function: Late 20th-Century Furniture from the Sydney and Frances Lewis Collection. Richmond, Va.: Marsh Art Gallery, University of Richmond, 1996. Exhibition catalogue. (1996 Richmond, Va., Marsh).

 

Brandt and Butler 1981

Brandt, Frederick R., and Susan L. Butler. Late Twentieth-Century Art from the Sydney and Frances Lewis Collection. Richmond, Va.: Sydney and Frances Lewis Foundation, 1981. Exhibition catalogue.

 

Brauer 2018

Brauer, David. Source and Stimulus: Polke, Lichtenstein, Laing. London: Dominique Lévy, 2018. Exhibition catalogue. (2018 London Lévy).

 

Bredow et al. 1976

Bredow, Barbara, et al. Schuhwerke: Aspekte zum Menschenbild. Nuremberg: Kunsthalle Nürnberg, 1976. Exhibition catalogue. (1976 Nuremberg Kunsthalle).

 

Breerette 1975

Breerette, Geneviève. “Figures de style et questions d’ordre plastique.” Le Monde (Paris), January 30, 1975, p. 17.

 

Breerette 1982

Breerette, Geneviève. “Lichtenstein, le face à face.” Le Monde (Paris), September 23, 1982, p. 19.

 

Breitenbach and Cogswell 1967

Breitenbach, Edgar, and Margaret Cogswell. The American Poster: An Exhibition. New York: American Federation of Arts, [1967]. Exhibition catalogue. (1967 Mountain View Mayfield).

 

Bremer 1971

Bremer, Nina. “The New York Art Scene.” Revista de arte/The Art Review (Universidad de Puerto Rico, Mayagüez) (June 1971), pp. 24–31.

 

Brenes nouvelles de France 1975

“Dessins de Lichtenstein au Centre National d’Art Contemporain.” Brenes nouvelles de France (February 1, 1975).

 

Brenson 1982

Brenson, Michael. “The Changing World of Roy Lichtenstein.” New York Times, August 10, 1982, p. C9.

 

Brenson 1986

Brenson, Michael. “Museum and Corporation: A Delicate Balance.” New York Times, February 23, 1986, sec. 2, pp. 1, 28.

 

Brest 1968

Brest, Jorge Romero. 11 artistas pop: “La nueva imagen”. Buenos Aires: Instituto Torcuato di Tella, 1968. Exhibition catalogue. (1966 Washington, D.C., National Collection).

 

Brett 1968

Brett, Guy. “The Subtle Art of Roy Lichtenstein.” Times (London), January 8, 1968.

 

Brewster 1986

Brewster, Todd. “Pop Primer: Roy Lichtenstein’s Monumental Mural Explains the Modern Movement.” Life 9, no. 6 (June 1986), pp. 74–78.

 

Bridgehampton Sun 1980

“Artists Bare All.” Bridgehampton Sun, June 9, 1980.

 

Briggs 1980

Briggs, John. “Unshrouding the Muse: The Anatomy of Inspiration.” ARTnews 79, no. 4 (April 1980), pp. 52–55.

 

Brigitte 1994

“Berühmt mit Rasterpünktchen.” Brigitte 22 (1994).

 

Brockton Enterprise 1997

Associated Press. “Artist Dots Landscape with His Unusual Style.” Brockton [Mass.] Enterprise, March 23, 1997, p. A3.

 

Brodsky 1993

Brodsky, Sascha. “Whamm! Roy Lichtenstein at the Guggenheim.” Manhattan Arts International (November–December 1993), pp. 6–7.

 

Bronfen 1992

Bronfen, Elisabeth. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester, England: Manchester University Press, 1992.

 

Brooklyn Center 1966

Brooklyn Center of Long Island University. Conditional Commitment . . . the Artist’s Terms: An International Exhibition of Painting and Sculpture. New York: Brooklyn Center of Long Island University, 1966. Exhibition catalogue. (1966 Brooklyn LIU).

 

Brooklyn Museum 1980

Brooklyn Museum, New York. American Drawing in Black and White: 1970–1980. New York: Brooklyn Museum, 1980. Exhibition catalogue. (1980b Brooklyn Museum).

 

Brougher 1989

Brougher, Kerry. Selections from the Beatrice and Philip Gersh Collection. Los Angeles: Museum of Contemporary Art, 1989. Exhibition catalogue.

 

J. C. Brown et al. 1985

Brown, J. Carter, et al. Gemini G.E.L.: Art and Collaboration. Washington, D.C.: National Gallery of Art; New York: Abbeville Press, 1985. Exhibition catalogue. (1984 Washington, D.C., NGA).

 

Brown University 1986

Department of Art, Brown University, Providence. Definitive Statements: American Art, 1964–66. Providence: Department of Art, Brown University, 1986. Exhibition catalogue. (1986 Providence Brown).

 

David Brown 1997

Brown, David J. Roy Lichtenstein: Man Hit by the 21st Century. Cincinnati: Contemporary Arts Center, 1997. Exhibition catalogue. Unpaginated. (1997 Cincinnati CAC).

 

Doris Brown 1963

Brown, Doris. “Two Douglass Professors Are Leading the Pop Art Charge.” The Arts and Hobbies (New Brunswick, N.J.) (April 28, 1963), p. 20.

 

E. Brown 1992

Brown, Elizabeth A. “The Living Object”: The Art Collection of Ellen H. Johnson. Oberlin: Allen Memorial Art Museum, Oberlin College, 1992. Exhibition catalogue. (1992 Oberlin Allen).

 

E. Brown 2005

Brown, Elizabeth A. “Roy Lichtenstein: Prints and the Revolution.” In Roy Lichtenstein Prints, 1956–97: From the Collections of Jordan D. Schnitzer and His Family Foundation, by Museum of Art, Washington State University, Pullman. Edited by Michelle Piranio, pp. 53–63. Pullman: Museum of Art, Washington State University, 2005. Exhibition catalogue.

 

G. Brown 1964

Brown, Gordon. “Gallery Previews: The Emergence of an American Art.” Art Voices 3, no. 2 (February 1964), pp. 29–37.

 

J. C. Brown 1964

Brown, J. Carter. “A Barbeque in the Shrine?” Washington Post, December 6, 1964, p. G13.

 

Julia Brown and B. Johnson 1983

Brown, Julia, and Bridget Johnson, eds. The First Show: Painting and Sculpture from Eight Collections, 1940–1980. Los Angeles: Museum of Contemporary Art in association with the Arts Publisher, New York, [1983]. Exhibition catalogue. (1983 Los Angeles MOCA).

 

W. Brown 1964

Brown, William. “The New Humor Explosion.” Show 4, no. 10 (November 1964), pp. 30, 33.

 

Brozan 1995

Brozan, Nadine. “Chronicle: A Lichtenstein Artwork Goes Global.” New York Times, June 6, 1995, p. B2.

 

Bruce and Wells 2006

Bruce, Chris, and Keith Wells. Art and Context: The ’50s and ’60s. Pullman: Museum of Art, Washington State University, 2006. Exhibition catalogue. (2006 Pullman Museum of Art).

 

Bruce Museum 2007

Bruce Museum. Contemporary and Cutting Edge: Pleasures of Collecting, Part III. Greenwich, Conn.: Bruce Museum, 2007. Exhibition catalogue. (2007 Greenwich, Conn., Bruce).

 

Bruckner 1968

Bruckner, D. J. R. “The Art World Answers Chicago’s Mayor Daley.” Los Angeles Times/Calendar, October 20, 1968, pp. 1, 59.

 

Brüderlin 2003

Brüderlin, Markus. “Roy Lichtenstein und das Kunstzitat Pionierformen der Appropriation Art.” In Roy Lichtenstein, by Kunstforum Wien, pp. 16–25. Vienna: Kunstforum Wien; Wolfratshausen: Edition Minerva Hermann Farnung, 2003. Exhibition catalogue.

 

Brundage and Reiring 1977

Brundage, Susan, and Janelle Reiring, eds. Leo Castelli: Twenty Years. New York: Leo Castelli, 1977.

 

Bruner 1952

Bruner, Louise. “Kindergarten Dept.: Calls New Exhibit Doodling, Not Art.” Cleveland News, March 1, 1952, p. 16.

 

Bruner 1963

Bruner, Louise. “Art Should be Constructive.” Plain Dealer (Cleveland), May 16, 1963, p. 45.

 

Bruner 1964

Bruner, Louise. “The Curious Case of Roy Lichtenstein.” Blade (Toledo, Ohio), March 22, 1964, p. F4.

 

Bruner 1969

Bruner, Louise. “The World of Art: Local Collectors Reflect a City’s Artistic Climate.” Blade (Toledo, Ohio), February 23, 1969, p. 101.

 

Bruner 1971

Bruner, Louise. “Painting a Picture of What 1960s Were About.” Blade (Toledo, Ohio), March 14, 1971, p. 4.

 

Brunius 1964

Brunius, Clas. “Pop-guld frän sophögen.” Kultursidan (Stockholm), February 29, 1964, p. 4.

 

Brutvan et al. 1982

Brutvan, Cheryl A., et al. In Our Time: Houston’s Contemporary Arts Museum, 1948–1982. Houston: Contemporary Arts Museum, 1982. Exhibition catalogue. (1982b Houston CAM).

 

BT 6 1979

“Roy Lichtenstein.” BT 6 [Bijutsu techō 6] (Tokyo) (September 1979), pp. 172–85.

 

BT 6 1992

“Roy Lichtenstein.” BT 6 [Bijutsu techō 6] (Tokyo) 44, no. 651 (March 1992), pp. 40–41.

 

BT 6 1994a

“Roy Lichtenstein: After Master Pieces.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 48–55.

 

BT 6 1994b

“Roy Lichtenstein: Brushstrokes.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 58–61.

 

BT 6 1994c

“Roy Lichtenstein: Comic Strips and Advertising Images.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 20–31.

 

BT 6 1994d

“Roy Lichtenstein: From the Retrospective Show at the Guggenheim Museum.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 44–47.

 

BT 6 1994e

“Roy Lichtenstein: Mirror and Interior.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 62–69.

 

BT 6 1994f

“Roy Lichtenstein: Sculptures.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 56–57.

 

BT 6 1994g

“Roy Lichtenstein 60’s–90’s.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994).

 

BT 6 1994h

“Roy Lichtenstein: Still Lifes.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 38–43.

 

BT 6 1994i

“Roy Lichtenstein: Toward Geometry.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 32–37.

 

Buchloh 1982

Buchloh, Benjamin. “Parody and Appropriation in Francis Picabia, Pop, and Sigmar Polke.” Artforum 20, no. 7 (March 1982), pp. 28–34.

 

Buchloh 1994

Buchloh, Benjamin H.D. “Residual Resemblance: Three Notes on the Ends of Portraiture.” In Face–Off: The Portrait in Recent Art, by Melissa Feldman. Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 1994. Exhibition catalogue.

 

Budde and Weiss 1973

Budde, Rainer, and Evelyn Weiss with Johann Karl Schmidt. Katalog der Bildwerke und Objekte, Neuzugänge seit 1965 im Wallraf-Richartz-Museum mit Teilen der Sammlung Ludwig. Cologne: W. Müller, 1973.

 

Bulteau 2000

Bulteau, Michel. Breast Pocket Notes sur Roy Lichtenstein. Paris: L’Échoppe, 2000.

 

Bünder Kunsthaus 1972

Bünder Kunsthaus. Amerikanische Graphik seit 1960. Chur: Bünder Kunsthaus, 1972. Exhibition catalogue. (1972 Chur Bündner).

 

Burchard 1994

Burchard, Hank. “Lichtenstein’s Top Pop Art.” Washington Post, November 4, 1994, p. G55.

 

Burden 1974

Burden, Carter. Selected Works from the Collection of Carter Burden. New York: Marlborough Gallery, 1974. Exhibition catalogue. (1974 New York Marlborough).

 

Bürgi 1988

Bürgi, Bernhard, ed. Rot, Gelb, Blau: Die Primärfarben in der Kunst des 20. Jahrhunderts. Stuttgart: Verlag Gerd Hatje; Teufen, Switzerland: Arthur Niggli, 1988. Exhibition catalogue. (1988 Sankt Gallen Kunstmuseum).

 

Bürgi and Pakesch 2002

Bürgi, Berhard Mendes, and Peter Pakesch, eds. Painting on the Move. Basel: Schwabe Verlag, 2002. Exhibition catalogue. (2002 Basel Kunstmuseum).

 

Burke 1997

Burke, Cathy. “Lichtenstein, Legend Dead at 73.” New York Post, September 30, 1997, p. 6.

 

Burn 1974

Burn, Guy. “Roy Lichtenstein.” Arts Review (London) 26, no. 8 (April 19, 1974), p. 204.

 

Burn 1977

Burn, Guy. “A Real Surrealist in London.” Apollo, n.s., 106, no. 189 (November 1977), p. 422.

 

Burn 1986

Burn, Guy. “Prints.” Arts Review (London) 38, no. 1 (January 17, 1986), pp. 8–9.

 

Burnham 1971a

Burnham, Jack. “Corporate Art.” Artforum 10, no. 2 (October 1971), pp. 66–71.

 

Burnham 1971b

Burnham, Jack. The Structure of Art. New York: George Braziller, 1971.

 

Burr 1968

Burr, James. “London Galleries: Barren Belligerence.” Apollo, n.s., 87, no. 72 (February 1968), pp. 147–49.

 

Burr 1974

Burr, James. “Roy Lichtenstein: Mayor Gallery.” Apollo, n.s., 99, no. 147 (May 1974), p. 373.

 

Burr 1976

Burr, James. “A New Look to Futurism.” Apollo, (London) n.s., 103, no. 170 (April 1976), p. 329.

 

Burr 1984

Burr, James. “An American Classic.” Apollo, n.s., 119, no. 265 (March 1984), p. 221.

 

Burrows 1952

Burrows, Carlyle. “Two Artists.” New York Herald Tribune, January 6, 1952, sec. 4, p. 6.

 

Burstein 1981

Burstein, Patricia. “Artist Roy Lichtenstein Has Laid Low for a Decade, but He Isn’t Reduced to Yard Sales.” People 15, no. 22 (June 8, 1981), pp. 84–86.

 

Busby 1993

Busby, M. D. Art in Embassies Collection: Embassy of the United States of America. Santa Fé de Bogotá, Colombia: [n.p.], 1993. Exhibition catalogue.

 

Busch 1988

Busch, Akiko. Wallworks: Creating Unique Environments with Surface Design and Decoration. Toronto:: Bantam Books, 1988.

 

Busche 1976

Busche, Ernst A. “Bericht aus London.” Das Kunstwerk 29, no. 6 (November 1976), pp. 95–96.

 

Busche 1977b

Busche, Ernst A. “Roy Lichtenstein.” Das Kunstwerk 30, no. 6 (December 1977), p. 90.

 

Busche 1978a

Busche, Ernst A. “Interview mit Roy Lichtenstein.” Das Kunstwerk 31, no. 1 (February 1978), pp. 14–25.

 

Busche 1978b

Busche, Ernst A. “Roy Lichtenstein: An Interview.” New York Arts Journal, no. 9 (April–May 1978), pp. 11–12.

 

Busche 1983a

Busche, Ernst A. Lichtenstein. Translated from the German by Katherine J. Michaelsen. New York: Leo Castelli, 1983. Exhibition catalogue. Unpaginated. (1983c New York Castelli).

 

Busche 1983b

Busche, Ernst. “Roy Lichtenstein: Das Frühwerk, 1942–1960.” PhD diss., Freie Universität Berlin, 1983.

 

Busche 1988

Busche, Ernst A. Roy Lichtenstein: Das Frühwerk, 1942–1960. Berlin: Gebr. Mann Verlag, 1988.

 

Busche 1989a

Busche, Ernst A. Roy Lichtenstein: Pop Paintings, 1961–1969. Schirmer’s Visual Library. Translated from the German by Paul Kremmel. New York: W. W. Norton and Company, 1989.

 

Busche 1989b

Busche, Ernst A. Roy Lichtenstein: Pop-Paintings, 1961–1969. Schirmer’s visuelle Bibliothek 6. Munich: Schirmer/Mosel, 1989. In German.

 

Busche 1989c

Busche, Ernst A. Roy Lichtenstein: Peintures pop, 1961–1969. Bibliothèque visuelle 6. Translated from the German. Munich: Schirmer/Mosel, 1989.

 

Büsser 2001

Büsser, Martin. Pop Art. Hamburg: Rotbuch-Verlag, 2001.

 

Butler Institute 1951

Butler Institute of American Art, Youngstown. 16th Annual New Year Show: An Exhibition of . . . Oil and Water Color Paintings by Artists of the United States. Youngstown: Butler Institute of American Art, 1951. Exhibition catalogue. (1951 Youngstown Butler).

 

Butler Institute 1954

Butler Institute of American Art, Youngstown. 19th Annual Midyear Show: An Exhibition of . . . Oil and Water Color Paintings by Artists of the United States. Youngstown: Butler Institute of American Art, 1954. Exhibition catalogue. (1954 Youngstown Butler).

 

Butler Institute 1955

Butler Institute of American Art, Youngstown. 20th Annual Midyear Show: An Exhibition of . . . Oil and Water Color Paintings by Artists of the United States. Youngstown: Butler Institute of American Art, 1955. Exhibition catalogue. (1955 Youngstown Butler).

 

Butler Institute 1956

Butler Institute of American Art, Youngstown. 21st Annual Midyear Show: An Exhibition of . . . Oil and Water Color Paintings by Artists of the United States. Youngstown: Butler Institute of American Art, 1956. Exhibition catalogue. (1956 Youngstown Butler).

 

Butler Institute 1970

Butler Institute of American Art, Youngstown. 35 Years in Retrospect, 1936–1970. Youngstown: Butler Institute of American Art, 1970. Exhibition catalogue. (1971 Youngstown Butler).

 

Butler Institute 1979

Butler Institute of American Art, Youngstown. 43rd Annual Midyear Show. Youngstown: Butler Institute of American Art, 1979. Exhibition brochure. (1979 Youngstown Butler).

 

Butler Institute 1983

Butler Institute of American Art, Youngstown. The Ponderosa Collection. Youngstown: Butler Institute of American Art, 1983. Exhibition brochure. (1983 Youngstown Butler).

 

Butler Institute 1986b

Butler Institute of American Art, Youngstown. 50th National Midyear Exhibition. Youngstown: Butler Institute of American Art, 1986. Exhibition catalogue. (1986a Youngstown Butler).

 

Butler Institute 1987

Leo Castelli: A Tribute Exhibition. Youngstown, Ohio: Butler Institute of American Art, 1987. (1987 Youngstown Butler).

 

Butler Institute 1990

Butler Institute of American Art, Youngstown. Small Masterwork Paintings from the Butler Institute of American Art. Youngstown: Butler Institute of American Art, 1986. Exhibition brochure. (1990 St. Paul MMA).

 

J. Butler 1970

Butler, Joseph T. “The American Way with Art: Roy Lichtenstein at the Solomon R. Guggenheim Museum.” Connoisseur 173, no. 695 (January 1970), pp. 73–75.

 

S. Butler 1979

Butler, Susan L., ed. Late Twentieth-Century Art from the Sydney and Frances Lewis Foundation. Richmond, Va.: Sydney and Frances Lewis Foundation, 1979. Exhibition catalogue. (1979 Philadelphia ICA).

 

C & M Arts 2001

C & M Arts. Naked since 1950. New York: C & M Arts, 2001. Exhibition catalogue. (2001b New York C & M Arts).

 

C&M Arts 1997

C&M Arts, New York. American Works, 1945–1975. New York: C&M Arts, 1997. Exhibition catalogue. Unpaginated. (1997 C&M Arts).

 

Cabanne 1964

Cabanne, Pierre. “L’Amérique proclame la fin de l’École de Paris et lance le Pop Art pour coloniser l’Europe.” Arts (Paris), no. 968 (June 24–30, 1964), p. 16.

 

Caellian 1961

“Gallery Exhibit Oil Paintings.” The Caellian (New Brunswick, N.J., Douglass College, Rutgers University), January 13, 1961, p. 3.

 

Caellian 1964

“‘Sex on Campus’ to Be Featured at ’64 Voorhees Assembly Series.” The Caellian (New Brunswick, N.J., Douglass College, Rutgers University), May 14, 1964, p. 1.

 

Calamandrei 1969

Calamandrei, Mauro. “Il mondo è una scultura.” L’espresso (Rome), no. 5 (February 1, 1969), pp. 4–17.

 

Calamandrei 1982

Calamandrei, Mauro. “Pop art, addio.” L’espresso (Rome) 28, no. 21 (March 30, 1982), pp. 138–48.

 

CalArts Today 1977

CalArts Today. “Lichtenstein Show.” CalArts Today 2, no. 7 (March 1977), pp. 1–2.

 

Calas 1964

Calas, Nicolas. “Art Journal: Anti-Pop Is Here.” Village Voice (New York), March 19, 1964.

 

Calas 1966

Calas, Nicolas. “Pop Icons.” In Lucy R. Lippard, ed. Pop Art, pp. 163–71. New York: Oxford University Press, 1966.

 

Calas 1968

Calas, Nicolas. Art in the Age of Risk and Other Essays. New York: E. P. Dutton and Co. 1968.

 

Calas 1969

Calas, Nicolas. “Roy Lichtenstein: Insight through Irony.” Arts Magazine (New York) 44, no. 1 (September–October 1969), pp. 29–33.

 

Calas and Calas 1971

Calas, Nicolas, and Elena Calas. Icons and Images of the Sixties. New York: E. P. Dutton and Co. 1971.

 

Caldwell 2002

Caldwell, Susan Havens. The Art of the Sixties. Norman: Fred Jones Jr. Museum of Art, University of Oklahoma, 2002. Exhibition catalogue. (2002 Norman FJJMA).

 

California Institute of the Arts 1977

California Institute of the Arts, 1977. Roy Lichtenstein at CalArts: Drawings and Collages from the Artist’s Collection. Valencia, Calif.: California Institute of the Arts, 1977. Exhibition catalogue. (1977 Valencia, Calif., CalArts).

 

Calvesi 1963

Calvesi, Maurizio. “Ricognizione e reportage.” Collage (December 1963).

 

Calvesi 1966a

Calvesi, Maurizio. American Pop Artists: Sono presenti con le loro opere gli artisti: D’Arcangelo, Jim Dine, Roy Lichtenstein, Rosenquist, Andy Warhol, Wesley, Tom Wesselmann. Genoa: Galleria la Bertesca, 1966.

 

Calvesi 1966c

Calvesi, Maurizio. “Lichtenstein: Pittore globale/Lichtenstein: A Global Painter/Lichtenstein: Peintre global.” Fantazaria (Rome). Special issue, Lichtenstein, edited by Alberto Boatto and Giordano Falzoni, 1, no. 2 (July–August 1966).

 

Calvesi 1975

Calvesi, Maurizio. Le due avanguardie. Vol. 2, Informale, New Dada, Pop Art. Bari: Editori Laterza, 1975.

 

Calvocoressi 2017a

Calvocoressi, Richard. Georg Baselitz Roy Lichtenstein. Uckfield: Gagosian Gallery, 2017. Exhibition catalogue. (2017 London Frieze Masters Gagosian).

 

Calvocoressi 2017b

Calvocoressi, Richard. Remembering Bilderstreit: George Baselitz, Roy Lichtenstein. London: Gagosian Gallery, 2017. Exhibition catalogue.

 

Camber Porter 1983

Camber Porter, Melinda. Melinda Camber Porter in Conversation with Roy Lichtenstein [New York, December 15, 1983]. Melinda Camber Porter Archive of Creative Works: Volume 1, Number 2. Edited by Joseph R. Flicek. Blake Press, 2015. [Discussion centered on Greene Street Mural].

 

Cameron 1989

Cameron, Dan. Selections from the Collection of Marc and Livia Straus. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1986. Exhibition catalogue. (1989 Ridgefield Aldrich).

 

Camnitzer 1982

Camnitzer, Luis. “Roy Lichtenstein en el Museo Whitney de Nueva York, 1970–80.” Arte en Colombia, no. 18 (June 1982), pp. 57–60.

 

C. Campbell 1986

Campbell, Christopher. “Art of the Sixties: Soliloquies and Conversations.” In Definitive Statements: American Art, 1964–66, by Department of Art, Brown University, Providence, pp. 17–32. Providence: Department of Art, Brown University, 1986. Exhibition catalogue.

 

L. Campbell 1951

Campbell, Lawrence. “Roy Lichtenstein.” ARTnews 50, no. 3 (May 1951), pp. 56–57.

 

L. Campbell 1963

Campbell, Lawrence. “Reviews and Previews: Roy Lichtenstein.” ARTnews 62, no. 7 (November 1963), pp. 12–13.

 

L. Campbell 2002

Campbell, Lawrence. ARTnews 101, no. 10 (November 2002), p. 251.

 

R. Campbell 1976

Campbell, R. M. “New Directions for Lichtenstein’s Parodies.” Seattle Post-Intelligencer, January 25, 1976.

 

Campredon 1991

Association Campredon art et culture. Les artistes décident de jouer. L’Isle-sur-la-Sorgue: Association Campredon art et culture, 1991. Exhibition catalogue. (1991 Campredon).

 

Canaday 1962

Canaday, John. “An Open Letter to X.” New York Times, August 19, 1962, p. 109.

 

Canaday 1964a

Canaday, John. “Art: From Clean Fun to Plain Smut: ‘Girlie Exhibit’ Opens at Pace Gallery.” New York Times, January 7, 1964, p. 31.

 

Canaday 1964b

Canaday, John. “Good Show: The International in Pittsburgh.” New York Times, November 1, 1964, p. X25.

 

Canaday 1964c

Canaday, John. “Hello, Goodbye.” New York Times, January 12, 1964.

 

Canaday 1964d

Canaday, John. “Pop Art Sells On and On—Why?” New York Times Magazine, May 31, 1964, sec. 6, 7, 48, pp. 52–53.

 

Canaday 1966a

Canaday, John. “Art: Galaxy of Cartoon Stars on View.” New York Times, May 8, 1966, p. 44.

 

Canaday 1966b

Canaday, John. “Show Biz Triumphs Over Art.” New York Times, July 5, 1966.

 

Canaday 1967

Canaday, John. “Exorcism in Montreal.” New York Times, April 30, 1967, p. D23.

 

Canaday 1969a

Canaday, John. “Art: The Lichtenstein Retrospective.” New York Times, September 20, 1969, p. 25.

 

Canaday 1969b

Canaday, John. “Roy Lichtenstein and His Great Big Yacht.” New York Times, September 21, 1969, p. 29.

 

Canaday 1972

Canaday, John. “Roy Lichtenstein.” New York Times, January 29, 1972, p. 25.

 

Candela 2012

Candela, Iria. “Picasso in Two Acts.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff, pp. 36–45. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

Candela 2014

Candela, Iria. “Roy Lichtenstein: BMW 320 Group 5, 1977.” In BMW art cars, edited by Thomas Girst, pp. 60–69. Ostfildern: Hatje Cantz Verlag, 2014.

 

Canemaker 1991

Canemaker, John. “Popeye Meets Warhol.” Traveler 26 (July 1991), pp. 90–91.

 

CAPC 1979

Centre d’Arts Plastiques Contemporains de Bordeaux. L’art depuis 1960: Collection Ludwig. Bordeaux: CAPC Centre d’Arts Plastiques Contemporains de Bordeaux, 1978. Exhibition catalogue. Unpaginated. (1979 Bordeaux CAPC).

 

Capital 1970

“Capital Kunst Kompass.” Capital, no. 10 (October 1970), pp. 143–56.

 

Carboni 1978

Carboni, Massimo. Arte: Storia dell’arte. Livorno: Galleria Peccolo, 1978. Exhibition catalogue. (1978 Livorno Peccolo).

 

Carey 1965

Carey, Martin. The New American Realism. Worcester, Mass.: Worcester Art Museum, 1965. Exhibition catalogue. Unpaginated. (1965 Worcester, Mass., Worcester Art Museum).

 

Carlin and Sheena Wagstaff 1983

Carlin, John, and Sheena Wagstaff. The Comic Art Show: Cartoons in Painting and Popular Culture. New York: Fantagraphics Books, 1983. Exhibition catalogue. (1983 New York Whitney Downtown).

 

Carmean and S. Hunter 1980

Carmean, E. A., Jr., and Sam Hunter. The Morton G. Neumann Family Collection: Selected Works. Washington, D.C.: National Gallery of Art, 1980. Exhibition catalogue. (1980 Washington, D.C., NGA).

 

Carosella 2008

Carosella, Mary Beth. “Roy Lichtenstein.” In This Is Not to Be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles, by Museum of Contemporary Art, Los Angeles, pp. 174–75. Los Angeles: Museum of Contemporary Art, 2008.

 

Carr 1997

Carr, C. “Remembering Roy.” Village Voice (New York), October 7, 1997, p. 53.

 

Carrier 1979

Carrier, David. “Recent Esthetics and the Criticism of Art.” Artforum 18, no. 2 (October 1979), pp. 41–47.

 

Carty 1988

Carty, Ciaran. “MoMA’s Momma Drawn to Art.” Sunday Tribune (Dublin), January 24, 1988.

 

Caruso 1993

Caruso, Joyce. “Toon Spirit.” Mademoiselle 99 (July 1993), pp. 66–67.

 

Carvajal 2001

Carvajal, Doreen. “New Museum (Sort of) for St. Louis: The Pulitzer Art Collection Will Welcome Visitor, Up to a Point.” New York Times, January 15, 2001, E1, E3.

 

Casa Vogue 1971

“A Milano la casa esperimento di Gae Aulenti.” Casa Vogue, no. 11 (Nov.–Dec. 1971), pp. 58–63.

 

Casorati 1987

Casorati, Cecilia. Segno Americano. Grafica Anni 60/70. Milan: Fabbri, Bompiani, Sonzogno, Etas, 1987. Exhibition catalogue. (1987 Turin Galleria Civica).

 

Casper 1966

Casper, Foy C., Jr. Contemporary Art USA. Norfolk, Va.: Norfolk Museum of Arts and Sciences, 1966. Exhibition catalogue. (1966 Norfolk, Va., Arts and Sciences).

 

Cassel 2003

Cassel, Valerie. Splat, Boom, Pow! The Influence of Cartoons in Contemporary Art. Houston: Contemporary Arts Museum, 2003. (2003 Houston CAM).

 

Castelli 1977

Leo Castelli, New York. Leo Castelli: Twenty Years. New York: Leo Castelli, 1977.

 

Castelli 1988

Leo Castelli, New York. Castelli Graphics 1969–1988. New York: Leo Castelli, 1988.

 

Castelli 2010

Leo Castelli, New York. Roy Lichtenstein: Mostly Men. New York: Leo Castelli, 2010. Exhibition catalogue. (2010 New York Castelli).

 

Castelli 2016

Leo Castelli, New York. A Dialogue: Donald Judd, Roy Lichtenstein, Kenneth Noland. New York: Leo Castelli, 2016. Exhibition catalogue. (2016 New York Castelli).

 

Castelli Gallery 2011

Castelli Gallery, New York. Reflected in the mirror there was a shadow. New York: Leo Castelli, 2011. Exhibition catalogue. (2011 New York Castelli).

 

Castelli Gallery 2014

Castelli Gallery, New York. Jasper Johns and Roy Lichtenstein: Walls. New York: Castelli Gallery, 2014. Exhibition catalogue. (2014 New York Castelli).

 

L. Castelli et al. 1988

Castelli, Leo, John Coplans, Alanna Heiss, Betsey Johnson, Roy Lichtenstein, and Claes Oldenburg. “An Observed Conversation.” In Modern Dreams: The Rise and Fall and Rise of Pop, by Lawrence Alloway et al., pp. 87–102. New York: Institute for Contemporary Art; Cambridge, Mass.: MIT Press, 1988.

 

Castleman 1971

Castleman, Riva. Technics and Creativity II: Gemini GEL. New York: Museum of Modern Art, 1971. Exhibition catalogue. (1971a New York MoMA).

 

Castleman 1973a

Castleman, Riva. Modern Art in Prints. New York: Museum of Modern Art, 1973. Exhibition catalogue. (1973 Perth Western Australian Art Gallery).

 

Castleman 1973b

Castleman, Riva. Modern Prints since 1942. London: Barrie and Jenkins, 1973.

 

Castleman 1991a

Castelman, Riva. For 25 Years: Gemini G.E.L. New York: Museum of Modern Art, 1991. Exhibition brochure. (1991b New York MoMA).

 

Castleman 1991b

Castleman, Riva. Seven Master Printmakers: Innovations in the Eighties. New York: Museum of Modern Art, 1991. Exhibition catalogue. (1991a New York MoMA).

 

Cateforis 1999

Cateforis, David, ed. Decade of Transformation: American Art of the 1960s. Lawrence, Kans.: Spencer Museum of Art, The University of Kansas, 1999. (1999 Lawrence, Kan., Spencer).

 

Cathcart 1978

Cathcart, Linda L. American Painting of the 1970s. Buffalo: Albright-Knox Art Gallery, 1978. Exhibition catalogue. (1978 Buffalo Albright-Knox).

 

Cathcart 1982

Cathcart, Linda L. The Americans: The Collage. Houston: Contemporary Arts Museum of Houston, 1982. (1982a Houston CAM).

 

Cathcart 1983

Cathcart, Linda L. American Still Life, 1945–1983. Houston: Contemporary Arts Museum, 1983. Exhibition catalogue. (1983 Houston CAM).

 

Catoir 1982

Catoir, Barbara. “Kunsthalle Ausstellung: Roy Lichtenstein 1970–1980.” Pantheon 40, no. 2 (April–June 1982), pp. 141–42.

 

Cauman et al. 2017

Cauman, John, et al. Matisse and American Art. Montclair, N.J.: Montclair Art Museum, 2017. Exhibition catalogue. (2017 Montclair Art Museum).

 

Causey 1968

Causey, Andrew. “Art and the Popular.” Illustrated London News, January 20, 1968, p. 26.

 

Cavaliere 1977a

Cavaliere, Barbara. “Group Show.” Arts Magazine 52, no. 2 (October 1977), pp. 18–19.

 

Cavaliere 1977b

Cavaliere, Barbara. “Pop Plus.” Arts Magazine 53, no. 2 (October 1977), p. 23.

 

Cavaliere 1981

Cavaliere, Barbara. “Roy Lichtenstein.” Flash Art, no. 105 (December 1981–January 1982), p. 54.

 

Cavalli-Björkman and Nilsson 1995

Cavalli-Björkman, Görel, and Bo Nilsson. Still Leben. Stockholm: Nationalmuseum; Höganäs, Sweden: Bra Böcker, 1995. Exhibition catalogue. (1995 Stockholm Nationalmuseum).

 

CCGA and Tyler Graphics Archive 1995

Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Sukagawa City, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1995.

 

CCGA and Tyler Graphics Archive 1995a

Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Gendai Gurafikku Āto Sentā shūzōhin zuroku 1995/Center for Contemporary Graphic Art and Tyler Graphics Archive Collection. Sukagawa City, Japan: Gendai Gurafikku Āto Senta, 1995.

 

CCGA and Tyler Graphics Archive 1995b

Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Prints of Roy Lichtenstein: Entablatures—Nudes. Sukagawa City, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1995. Exhibition catalogue. (1995b Fukushima CCGA).

 

Celant 1966

Celant, Germano. “Esposizioni: XXXIII Biennale internazionale d’arte: Padiglioni stranieri.” Casabella, no. 308 (August 1966), pp. 64–66.

 

Celant 1973

Celant, Germano. Record As Artwork: 1959–73. Translated by Linguists Club. London: Royal College of Art, 1973. Exhibition catalogue.

 

Celant 1980

Celant, Germano. Das Bild einer Geschichte 1956–1976: Die Sammlung Panza di Biumo. Milan: Electa, 1980.

 

Celant 1996

Celant, Germano, ed. Looking at Fashion: Biennale di Firenze. Milan: Skira Editore, 1996. Exhibition catalogue. (1996–97 Florence Biennial).

 

Celant 1997a

Celant, Germano, ed. Art/Fashion. New York: DAP with Skira Editore, 1997. Exhibition catalogue. (1996–97 Florence Biennial).

 

Celant 1997b

Celant, Germano. La Biennale di Venezia: 47 Esposizione Internazionale d’Arte: Future, Present, Past. Milan: Electa, 1997. Exhibition catalogue. (1997 Venice Biennial).

 

Celant 2012

Celant, Germano, ed. The Small Utopia/Ars multiplicata. Venice: Fondazione Prada, 2012. Exhibition catalogue.

 

Celant 2013a

Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue. (2013 Venice Vedova).

 

Celant 2013b

Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue. Includes insert with Italian translation of catalogue essays. (2013 Venice Vedova).

 

Celant and Dennison 2006

Celant, Germano, and Lisa Dennison, eds. New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography, and Video. Milan: Skira; Monaco: Grimaldi Forum, 2006. Exhibition catalogue. (2006 Monte Carlo Grimaldi).

 

Centre Culturel Américain 1963

Centre Culturel Américain. De A à Z: 31 peintures américaines choisis par The Art Institute of Chicago. Paris: Centre Culturel Américain, 1963. Exhibition catalogue. (1963 Chicago Art Institute).

 

Centro Cultural de Belém 2000

Instituto Nacional de Bellas Artes, Mexico City. Roy Lichtenstein: Imagens reconhecíveis. Translated by Helena Cardoso. Mexico City: Instituto Nacional de Bellas Artes and Landucci Editores, 2000. Exhibition catalogue. (1998 Mexico City Museo del Palacio).

 

Cerrato 1995

Cerrato, Giuseppe. “Premiere: Lichtensteins reifes Werk.” Schweizer illustrierte (June 26, 1995), pp. 65–66.

 

Chadwick 1981

Chadwick, Anna-Mei. “The Arts Reviewed: United States of America. Roy Lichtenstein (1970–1980).” Connoisseur 207, no. 831 (May 1981), pp. 6–9.

 

Chafetz 1970

Chafetz, Sidney. “Four Early Lichtenstein Prints.” Artist’s Proof 10 (1970), pp. 48–52.

 

Chambers 1975

Chambers, Marlene. The Virginia and Bagley Wright Collection: American Art since 1960. Denver: Denver Art Museum, 1975. Exhibition catalogue. (1975 Denver Art Museum).

 

Chan 2005

Chan, Sewell. “Access to Art with a MetroCard Swipe.” New York Times, June 30, 2005, p. E3.

 

Charbonneaux 1987

Charbonneaux, C. “Le pop paie: Les grandes ventes aux enchères de tableaux se sont multipliées à New York.” Connaissance des arts, no. 420 (February 1987), p. 27.

 

Chávarri 1983

Chávarri, Raúl. “Lichtenstein y Warhol.” Cuadernos hispanoamericanos (Madrid), no. 398 (1983), pp. 393–97.

 

Cheekwood 1985

Cheekwood Fine Arts Center. A Decade of British and American Screenprints, 1967–1977. Nashville: Cheekwood Fine Arts Center, 1985. Exhibition catalogue. Unpaginated. (1985 Nashville Cheekwood).

 

Chevalier 1970

Chevalier, Denys. “Lichtenstein: Du plan au volume.” Lettres françaises (March 18, 1970), p. 27.

 

Chicago Tribune 1997

“Artist Roy Lichtenstein, a Leader of Pop Painting.” Chicago Tribune, September 20, 1997, p. 10.

 

Chirico 1982

Chirico, Robert F. “Some Reflections on Sound and Silence in the Visual Arts.” Arts Magazine (New York) 56, no. 8 (April 1982), pp. 101–5.

 

Christie’s Magazine 2005

Christie’s Magazine. Special issue, Roy Lichtenstein’s In the Car 22, no. 6 (November 2005).

 

Christie’s New York 2005a

Christie’s New York. Post-War and Contemporary Art Evening, November 8, 2005. New York: Christie’s New York, 2005.

 

Christie’s New York 2005b

Christie’s New York. Roy Lichtenstein In the Car Published on the Occasion of Its Post-War and Contemporary Art Evening Sale, Tuesday, 8 November, 2005. New York: Christie’s New York, 2005.

 

Christie’s New York 2007

Christie’s New York. “Roy Lichtenstein: Landscape with Column.” Christie’s New York: Post-War and Contemporary Art, May 16, 2007. New York: Christie’s New York, 2007, pp. 72–75.

 

Christie’s New York 2010

Christie’s New York. Roy Lichtenstein’s Ohhh . . . Alright . . . New York: Christie’s New York, 2010.

 

Christie’s New York 2011

Christie’s New York. I Can See the Whole Room! . . . and There’s Nobody in It! New York: Christie’s New York, 2011.

 

Christie’s New York 2013

Christie’s New York, New York. Roy Lichtenstein’s Woman with Flowered Hat. New York: Christie’s New York, 2013.

 

Christie’s New York 2014

Christie’s New York. Roy Lichtenstein: Keds. New York: Christie’s New York, 2014.

 

Christoph 1994

Christoph, Horst. “Takka Takka, Whaam!” Profil (Vienna), no. 41 (October 11, 1994), pp. 100, 102.

 

G. Christy 1965

Christy, George. “What’s Popping in the Arts.” Town and Country 119, no. 4,510 (May 1965), pp. 82–83, 141–42.

 

M. Christy 1978

Christy, Marian. “To Artist Roy Lichtenstein, Fame Is $250,000 a Pop.” Boston Globe, November 12, 1978, p. B3.

 

Chryslee 1995

Chryslee, Gail J. “The Construction of a Rhetorical Response to Visual Art: A Case Study of ‘Brushstrokes in Flight.'” PhD diss., Ohio State University, Columbus, 1995.

 

Cikovsky et al. 2005

Cikovsky, Nicolai, Jr., et al. In Private Hands: 200 Years of American Painting. Philadelphia: Pennsylvania Academy of the Fine Arts, 2005. Exhibition catalogue. (2005 Philadelphia PAFA).

 

City-Galerie 1965

City-Galerie Bruno Bischofberger. Pop Art. Zurich: City-Galerie Bruno Bischofberger, 1965. Exhibition catalogue. (1965 Zurich City-Galerie).

 

Civico Museo d’Arte Contemporanea 1972

Civico Museo d’Arte Contemporanea. Metamorfosi dell’oggetto. Milano: Palazzo Reale, 1972. Exhibition catalogue. (1971a Brussels Palais des Beaux-Arts).

 

A. Clark 1963

Clark, Anthony M. “The Changing Past of American Art.” The Art Gallery (Ivoryton, Conn.), 7, no. 3 (December 1963), p. 13.

 

G. Clark 1979

Clark, Garth. A Century of Ceramics in the United States, 1878–1978: A Study of Its Development. New York: E. P. Dutton and Co. 1979. Exhibition catalogue. (1979 Syracuse Everson).

 

Claypole 2004

Claypole, Jonty. “Inspired by Tears: Real Pain Lies behind Lichtenstein’s Crying Girls.” Times (London), February 25, 2004, p. 13.

 

Clearwater 2001

Clearwater, Bonnie. Roy Lichtenstein: Inside/Outside. North Miami: Museum of Contemporary Art, 2001. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (2001 North Miami MOCA).

 

Cleveland News 1952

“s It Art—Or Dizzy? Town’s in a Tizzy.” Cleveland News, March 13, 1952, Home Magazine sec., p. 18.

 

Cleveland News 1955

“America Flavors Show.” Cleveland News, January 8, 1955, p. 6.

 

Cleveland News 1965

“Two Bold Moderns Open Show.” Cleveland News, January 8, 1956.

 

Cleveland Plain Dealer 1953a

“Artist Wins Prize.” Cleveland Plain Dealer, November 15, 1953.

 

Cleveland Plain Dealer 1953b

“Ohio State University.” Cleveland Plain Dealer, November 22, 1953.

 

Cleveland Plain Dealer 1957

“Around the Art Realm.” Cleveland Plain Dealer, January 27, 1957, pp. 15–F.

 

Cleveland Plain Dealer 1966

“Lichtenstein: A Second Look.” Plain Dealer (Cleveland), December 11, 1966.

 

Cleveland Press 1952

“Six Local Artists in Big N.Y. Show.” Cleveland Press, October 1952.

 

Cleveland Press 1957

“City’s Culture Is Enjoying Spectacular Expansion.” Cleveland Press, January 4, 1957.

 

Cleveland Press 1969

“Pop Artist Lichtenstein Returns for Lecture, Exhibit.” Cleveland Press, February 8, 1969.

 

Cleveland Press 1976

“Lichtenstein Is Display Subject.” Cleveland Press, January 3, 1976.

 

Close 1997

Close, Chuck. “Roy Lichtenstein.” In The Portraits Speak: Chuck Close in Conversation with 27 of His Subjects, edited by Joanne Kesten. New York: Art Resources Transfer Press, 1997.

 

Codognato 1980

Codognato, Attilio, ed. Pop Art: Evoluzione di una generazione. Milan: Electa, 1980. Published on the occasion of an exhibition with the same title at Palazzo Grassi, Venice. (1980 Venice Palazzo Grassi).

 

Codognato et al. 1992

Codognato, Attilio, et al. American Art, 1930–1970. Milan: Gruppo Editoriale Fabbri-Bompiani, 1992. Exhibition catalogue. (1992 Turin Lingotto Fiere).

 

Coe 1963

Coe, Ralph T. Popular Art: Artistic Projections of Common American Symbols. Kansas City, Mo.: Nelson-Atkins Museum of Art, 1963. Exhibition catalogue. (1963 Kansas City Nelson-Atkins).

 

Coe 1965

Coe, Ralph T. Kansas City Collects: A Selection of Works of Art Privately Owned in the Greater Kansas City Area. Kansas City, Mo.: Nelson Gallery and Atkins Museum, 1965. Exhibition catalogue. (1965 Kansas City Nelson-Atkins).

 

Coen 1989

Coen, Ester. “Artisti: Roy Lichtenstein.” Vernissage Supplement no. 1 (May 1989), unpaginated.

 

Coffey 1967

Coffey, Patricia. “Ever See a Black and White Sunset?” Bulletin (Philadelphia), 1967.

 

D. Cohen 1997

Cohen, David. “Roy Lichtenstein.” Independent (London), October 1, 1997, p. 19.

 

D. Cohen 2005

Cohen, David. “Gallery Going: The Anti-Artist of Pop Art.” New York Sun, October 6, 2005.

 

D. Cohen 2008

Cohen, David. “Dotted ‘Girls’ Go Up at Gagosian.” New York Sun, May 12, 2008, pp. 1, 14.

 

R. Cohen 1985a

Cohen, Ronny H. “The Medium Isn’t the Message.” ARTnews 84, no. 8 (October 1985), pp. 74–81.

 

R. Cohen 1985b

Cohen, Ronny H. “Prints about Art.” Print Collector’s Newsletter 16, no. 5 (November–December 1985), pp. 164–68.

 

R. Cohen 1989

Cohen, Ronny. “Art Is Priceless.” Art and Auction (June 1989), pp. 166–171.

 

Cohen-Solal 2010a

Cohen-Solal, Annie. Leo and His Circle: The Life of Leo Castelli. Translated from the French by Cohen-Solal and Mark Polizzotti. New York: Alfred A. Knopf, 2010.

 

Colangelo 2003

Colangelo, Lisa L. “Bloomberg Shows Plenty of Art: City Hall Exhibits Four Sculptures.” Daily News (New York), November 18, 2003, p. 3.

 

Colby 1978

Colby College Museum of Art, Waterville, Maine. Drawings from Maine collections. Waterville, ME: Colby College Museum of Art, 1987. Exhibition catalogue. (1978 Waterville, Maine, Colby).

 

Colby 2009

Colby College Museum of Art, Waterville, Maine. Art at Colby: Celebrating the Fiftieth Anniversary of the Colby College Museum of Art. Waterville, Maine: Colby College Museum of Art, 2009.

 

R. Coleman 1964

Coleman, Roger. “The Gulbenkian Exhibition.” Art International 8, nos. 5–6 (Summer 1964), p. 96.

 

S. Coleman 2001

Coleman, Sarah. “Hopper at Home.” ARTnews 100, no. 10 (November 2001), p. 43.

 

T. Collins and Milazzo 1991

Collins, Tricia, and Richard Milazzo. Who Framed Modern Art, or, the Quantitative Life of Roger Rabbit. New York: Sidney Janis Gallery, 1991. Exhibition catalogue. (1991 New York Janis).

 

B. Collins 2003

Collins, Bradford R. “Modern Romance: Lichtenstein’s Comic Book Paintings.” American Art 17, no. 2 (Summer 2003), pp. 60–85.

 

J. Collins et al. 1983

Collins, Judith, David A. Anfam, David Chandler et al. Techniques of Modern Masters. London: Macdonald, 1983.

 

Columbus Art League 1949

Columbus Art League. Thirty-Ninth Annual Exhibition. Ohio: Columbus Gallery of Fine Arts, 1949. Exhibition catalogue. (1949 Columbus Gallery of Fine Arts).

 

Columbus Dispatch 1997

“Roy Lichtenstein: OSU Graduate Became a Star of Pop Art.” Columbus Dispatch, October 2, 1997, p. A10.

 

Combat-art 1963

“Minuterie.” Combat-art (Paris), June 10, 1963, p. 2.

 

Comi 1991

Comi, Enrico R. “Conversazione con Leo Castelli/Conversation with Leo Castelli.” Spazio umano/Human Space (1991), pp. 33–99.

 

Cominotti 1966

Cominotti, Hansi. “È Stato un Triestino di New York L’Uomo di Punta della Pop-Art.” Il Piccolo (Trieste), June 27, 1966.

 

Compton 1970

Compton, Michael. Pop Art. Feltham, England: Hamlyn House, 1970.

 

Compton 1976

Compton, Michael. Art since 1945. Milton Keynes, England: Open University Press, 1976.

 

Connaissance des arts 1981

“A Question of Appearances: Talk with Roy Lichtenstein.” Connaissance des arts (March 1981).

 

Connaissance des arts 1990

“Dossier.” Connaissance des arts, no. 464 (October 1990), pp. 112–13.

 

Connelly 1992

Connelly, John. “Roy Lichtenstein.” Flash Art, no. 164 (May–June 1992), p. 113.

 

Conroy 1995

Conroy, Sarah Booth. “Chronicles—America’s Ambassadors of Art.” Washington Post, June 12, 1995, p. D3.

 

Constable 1964

Constable, Rosalind. “New York’s Avant-Garde, and How It Got There.” New York: The Sunday Herald Tribune Magazine. Special issue, The Avant-Garde, May 17, 1964, pp. 6–10.

 

Contemporary Arts Center 1970

Contemporary Arts Center, Cincinnati. Monumental Art. Cincinnati: Contemporary Arts Center, 1970. Exhibition catalogue. (1970 Cincinnati CAC).

 

Contemporary Arts Museum 1972

Contemporary Arts Museum, Houston. Roy Lichtenstein. Houston: Contemporary Arts Museum, 1972. Exhibition catalogue. (1972 Houston CAM).

 

Contemporary Arts Museum 2004

Perspectives@25: A Quarter Century of New Art in Houston. Houston: Contemporary Arts Museum, 2004. (2004–05 Houston CAM).

 

Contemporary Great Masters 1992

Contemporary Great Masters: Roy Lichtenstein. Tokyo: Kodansha Ltd. 1992.

 

Conti 1993

Conti, Marina. “Felice d’aver fatto Pop: Intervista con Roy Lichtenstein.” L’espresso (Rome), no. 41 (October 17, 1993), pp. 124–25, 127, 129.

 

Conway and Kirk 1977

Conway, Madeleine, and Nancy Kirk, eds. (photographs by Blaine Waller). The Museum of Modern Art Artists’ Cookbook: 155 Recipes: Conversations with Thirty Contemporary Painters and Sculptors. New York: Museum of Modern Art, 1977.

 

Cooke 1986

Cooke, Lynne. In Tandem: The Painter-Sculptor in the Twentieth Century. London: Whitechapel Art Gallery, 1986. Exhibition catalogue. (1986 London Whitechapel).

 

Cooper 2012

Cooper, Harry. “On the Dot.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff, pp. 26–35. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

Cooper 2014

Cooper, Harry. Modernism from the National Gallery of Art. San Francisco: Fine Arts Museums of San Francisco, 2014. Exhibition catalogue.

 

Coplans 1962

Coplans, John. “The New Paintings of Common Objects.” Artforum 1, no. 6 (November 1962), pp. 26–29.

 

Coplans 1963b

Coplans, John. “Notes from San Francisco.” Art International 7, no. 8 (October 25, 1963), pp. 91–94.

 

Coplans 1963c

Coplans, John. “Pop Art, USA.” Artforum 2, no. 4 (October 1963), pp. 27–30.

 

Coplans 1963d

Coplans, John. Pop Art USA. Oakland: Oakland Art Museum and California College of Arts and Crafts, 1963. Exhibition catalogue. (1963 Oakland Art Museum).

 

Coplans 1967a

Coplans, John. “Roy Lichtenstein: An Interview.” In Roy Lichtenstein, by Coplans, pp. 12–16. Pasadena, Tex.: Pasadena Art Museum, 1967. Exhibition catalogue.

 

Coplans 1967b

Coplans, John. Roy Lichtenstein. Pasadena, Tex.: Pasadena Art Museum, 1967. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (1967 Pasadena, Calif., Pasadena Art Museum).

 

Coplans 1967c

Coplans, John. “Talking with Roy Lichtenstein.” Artforum 5, no. 9 (May 1967), pp. 34–39.

 

Coplans 1970a

Coplans, John. “Early Warhol: The Systematic Evolution of the Impersonal Style.” Artforum 8, no. 7 (March 1970), pp. 52–59.

 

Coplans 1970b

Coplans, John. “Interview: Roy Lichtenstein by John Coplans.” In Roy Lichtenstein: Graphics, Reliefs and Sculptures, 1969–1970, by Coplans, pp. 7–11. Irvine: University of California, Irvine; Los Angeles: Gemini G.E.L. 1970. Exhibition catalogue.

 

Coplans 1970c

Coplans, John. “Lichtenstein’s Graphic Works.” Studio International 180, no. 928 (December 1970), pp. 263–65.

 

Coplans 1970d

Coplans, John. Roy Lichtenstein: Graphics, Reliefs and Sculptures, 1969–1970. Irvine: University of California, Irvine; Los Angeles: Gemini G.E.L. 1970. Exhibition catalogue. (1970 Irvine University of California).

 

Coplans 1972

Coplans, John, ed. Roy Lichtenstein. New York: Praeger Publishers, 1972.

 

Coplans 1973

Coplans, John. Roy Lichtenstein: Trompe l’Oeil Paintings. Minneapolis: Locksley Shea Gallery, 1973. Exhibition catalogue. Unpaginated. (1973 Minneapolis Locksley Shea).

 

Coplans 1975

Coplans, John. “Pasadena’s Collapse and the Simon Takeover: Diary of a Disaster.” Artforum 13, no. 6 (February 1975), pp. 28–45.

 

Coplans 1977

Coplans, John. Roy Lichtenstein: Gemälde und Graphik, 1962–1977. Mannheim: Mannheimer Kunstverein, 1977. Exhibition brochure. (1977 Mannheim Kunstverein).

 

Copley 1968

Copley, Bill. SMS (Shit Must Stop). New York: Letter Edged in Black Press, 1968.

 

Coppel et al 2017

Coppel, Stephen, et al. The American Dream: Pop to the Present. London: Thames & Hudson in collaboration with the British Museum, 2017. Exhibition catalogue.

 

Corcoran 1971

Corcoran Gallery of Art, Washington, D.C. Thirty-Second Biennial Exhibition of Contemporary American Painting. Washington, D.C.: Corcoran Gallery of Art, 1970. Exhibition catalogue. (1971a Washington, D.C., Corcoran).

 

Corcoran 1999

Corcoran Gallery of Art, Washington, D.C. Lichtenstein: Sculpture and Drawings. Washington, D.C.: Corcoran Gallery of Art, 1999. Exhibition brochure. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (1998 Mexico City Museo del Palacio).

 

Cork 1991

Cork, Richard. “POP: Yesterday’s Rebels, Today’s Old Masters.” Telegraph Magazine (London), May 11, 1991, pp. 30–40.

 

Cork 1997

Cork, Richard. “Roy Lichtenstein: The Last Interview.” London Times, October 4–10, 1997, Metro sec., p. 26.

 

Corlett 1994

Corlett, Mary Lee. The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948–1993. New York: Hudson Hills Press in association with the National Gallery of Art, Washington, D.C. 1994. (1994b Washington NGA).

 

Corlett 2002

Corlett, Mary Lee. The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948–1997. New York: Hudson Hills Press in association with the National Gallery of Art, Washington, D.C. 2002.

 

Cornell University 2008

History of Art Majors’ Society, Cornell University, Ithaca, N.Y. Exquisite Corpus: Interacting with the Fragmented Body. Ithaca, N.Y: Herbert F. Johnson Museum of Art, Cornell University, 2008. Exhibition catalogue. (2008 Ithaca Johnson).

 

Corriere della Sera 1966

“Il Fenomeno Pop: Il Fumetto nei Musei.” Corriere della Sera, June 2, 1966.

 

Cosmopolitan Magazine 1965

“‘Girl in Mirror’ painted by Roy Lichtenstein.” Cosmopolitan Magazine 158, no. 5 (May 1965), p. 117.

 

Cotter 1999

Cotter, Holland. “Monumental Pleasure in a Capital of Art.” New York Times, August 6, 1999, E37, E39.

 

Cotter 2002a

Cotter, Holland. “A Gift to the Whitney, for New Yorkers to Open.” New York Times, October 25, 2002, p. E38.

 

Cotter 2002b

Cotter, Holland. “Tombs, Pop Tarts and Parties.” New York Times, August 23, 2002, E29, E31.

 

Cottingham 2008

Cottingham, Robert. Here’s the Thing: The Single Object Still Life. Katonah, N.Y.: Katonah Museum of Art, 2008. Exhibition catalogue. (2008 Katonah Museum).

 

Couperie et al. 1967

Couperie, Pierre, Proto Destefanis, Édouard François, Maurice Horn, Claude Moliterni, and Gerald Gassiot-Talabot. Bande dessinée et figuration narrative. Paris: Musée des Arts Décoratif, 1967. (1967 Paris MAD).

 

Couturier 2013

Couturier, Elisabeth. “Roy Lichtenstein: Le vrai roi du Pop Art?” Paris Match, July 18–24, 2013, pp. 22–24.

 

Cowart 1979

Cowart, Jack. “Recent Acquisition: Fishbowl II by Roy Lichtenstein.” The St. Louis Art Museum Bulletin (April–June 1979), pp. 177–80.

 

Cowart 1981a

Cowart, Jack. “Roy Lichtenstein: 1970–1980. Beyond Pop.” American Artist 45, no. 468 (July 1981), pp. 42–49, 91.

 

Cowart 1981b

Cowart, Jack. Roy Lichtenstein 1970–1980. New York: Hudson Hills Press in association with the St. Louis Art Museum, 1981. Exhibition catalogue. (1981 St. Louis Art Museum).

 

Cowart 1982a

Cowart, Jack. Roy Lichtenstein 1970–1980. Translated from the English by Nicolas Hepp. Munich: Prestel Verlag, 1982. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (1981 St. Louis Art Museum).

 

Cowart 1982b

Cowart, Jack. Roy Lichtenstein 1970–1980. Translated from the English by Stefania Coppi. Florence: Electa, 1982. Exhibition catalogue. (1981 St. Louis Art Museum).

 

Cowart 1983

Cowart, Jack. Roy Lichtenstein 1970–1980. Tokyo: Seibu Museum of Art, 1983. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (1981 St. Louis Art Museum).

 

Cowart 1992

Cowart, Jack. Roy Lichtenstein: Three Decades of Sculpture. East Hampton, N.Y.: Guild Hall Museum, 1992. Exhibition catalogue. Unpaginated. (1992 East Hampton Guild Hall).

 

Cowart 2014

Cowart, Jack. “I disegni in bianco e nero di Lichtenstein.” In Roy Lichtenstein: Opera prima, by Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 202–9. Milan: Skira Editore, 2014. Exhibition catalogue.

 

Cowart 2015

Cowart, Jack. “Lichtenstein’s Black-and-White Drawings.” In Roy Lichtenstein: Drawing First. 50 Years of Works on Paper, Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 192–201. Milan: Skira Editore, 2015. Exhibition catalogue.

 

Cox 1996

Cox, Petey. “Pop Art Shows Miami Collectors Had Foresight, Verve.” Miami Today, September 26, 1996, p. 14.

 

Cras 2013

Cras, Sophie. “Céramiques, éditions et Brushstrokes chez Leo Castelli, 1965.” In Roy Lichtenstein, edited by Camille Morineau, p. 248. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Crawford 2006

Crawford, Holly. “Disney et le Pop Art.” In Il était une fois Walt Disney: Aux sources de l’art des studios Disney, Galeries nationales du Grand Palais, Paris and Musée des beaux-arts de Montréal, pp. 251–264. Paris: Éditions de a Réunion des musée nationaux, 2006. Exhibition catalogue.

 

Crehan 1959

C[rehan], H[ubert]. “Reviews and Previews.” ARTnews 58, no. 5 (September 1959), p. 11.

 

Crespo 1970a

Crespo, Ángel. Roy Lichtenstein y el Arte Pop. Mayagüez: Universidad de Puerto Rico, 1970. Exhibition catalogue. (1970 Mayagüez Universidad de Puerto Rico).

 

Crespo 1970b

Crespo, Ángel. “Roy Lichtenstein y el Arte Pop.” Revista de arte/The Art Review (Universidad de Puerto Rico, Mayagüez), no. 5 (June 1970), pp. 7–39.

 

Crevier 1975

Crevier, Richard. “Roy Lichtenstein: Une peinture sans mystère.” France nouvelle (February 17, 1975), pp. 28–29.

 

Crichton 1974

Crichton, Fenella. “London Letter.” Art International 18, no. 5 (May 1974), pp. 45–48, 77.

 

Crichton 1976a

Crichton, Fenella. “Lichtenstein’s Futurism.” Art International 20, no. 6 (Summer 1976), p. 49.

 

Crichton 1976b

Crichton, Fenella. “London Letter.” Art International (Zurich) 20, no. 6 (Summer 1976), pp. 14–20, 49–51.

 

Crichton 1976c

Crichton, Fenella. “Paris and the F.I.A.C.” Art International 20, no. 10 (December 1976), pp. 37–43.

 

Crimp 1973

Crimp, Douglas. “New York Letter.” Art International 17, no. 6 (Summer 1973), pp. 88–90.

 

Crispolti 1966

Crispolti, Enrico. La pop art. Milan: Fratelli Fabbri Editori, 1966.

 

Crocker 1993

Crocker, Mary Beth. “Arty Party: Art Museum Rushes in New Era, New Look with Grand Gala.” Cincinnati Enquirer, January 11, 1993, C1, C7.

 

Crook and Learner 2000

Crook, Jo, and Tom Learner. The Impact of Modern Painters. London: Tate Gallery Publishing, 2000.

 

Crow 1991

Crow, Thomas. “The Children’s Hour.” Artforum International 30, no. 4 (December 1991), pp. 84–88.

 

Crow 1996

Crow, Thomas. Rise of the Sixties: American and European Art in the Era of Dissent. New York: Harry N. Abrams; London: Orion, 1996.

 

Cueff 2013

Cueff, Alain. “Roy Lichtenstein: Une peinture contre-nature.” In Roy Lichtenstein, edited by Camille Morineau, pp. 31–39. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Cullen 1984

Cullen, Arthur Barrett. “Roy Lichtenstein.” United (United Airlines Magazine, Chicago) 29, no. 11 (November 1984), pp. 44–49, 114, 118.

 

Cullinan 1976a

Cullinan, Helen. “Artistic Triumphs Are Spinoff of Bicentennial.” Plain Dealer (Cleveland), January 4, 1976, sec. 5, p. 9.

 

Cullinan 1976b

Cullinan, Helen. “Did Pop Go Out the Window?” Sunday Plain Dealer (Cleveland), January 11, 1976, sec. 5, p. 11.

 

Cullinan 1979

Cullinan, Helen. “Butler Midyear Opens Today: Holiday Shows.” Plain Dealer (Cleveland), July 1, 1979, sec. 5, p. 18.

 

Cullinan 1982

Cullinan, Helen. “Columbus Seeks Its Niche in the Annals of Sculpture.” Plain Dealer (Cleveland), September 7, 1982, p. C1.

 

Cullinan 1988a

Cullinan, Helen. “Art Rebel Gets Respect.” Plain Dealer (Cleveland), February 10, 1988, pp. 1–2.

 

Cullinan 1988b

Cullinan, Helen. “Lichtenstein Honored at OSU.” Plain Dealer (Cleveland), June 14, 1988, pp. 7–B.

 

Cullinan 1990

Cullinan, Helen. “Two Shows Highlight Art of Printmaking.” Plain Dealer (Cleveland), April 6, 1990, p. 15.

 

Cullum 1995

Cullum, Jerry. “Lichtenstein Show Delves into Pop Art’s Past.” Atlanta Journal-Constitution, April 14, 1995, p. 20.

 

M. Cummings 2006

Cummings, Mary. “At the Parrish, Memories of Roy.” Southampton [N.Y.] Press, November 9, 2006, Arts and Living, sec., B3, B7.

 

P. Cummings 1976

Cummings, Paul. American Drawings: The Twentieth Century. New York: Viking Press, 1976.

 

P. Cummings 1977

Cummings, Paul. American Drawing, 1927–1977. St. Paul: Minnesota Museum of Art, 1977. Exhibition catalogue. (1977 St. Paul MMA).

 

P. Cummings 1985

Cummings, Paul. Drawing Acquisition, 1981–1985. New York: Whitney Museum of American Art, 1985.

 

P. Cummings 1987

Cummings, Paul. 20th Century Drawings from the Whitney Museum of American Art. New York: Whitney Museum of American Art in association with W. W. Norton, 1987. Exhibition catalogue. (1987 Washington NGA).

 

Cuno 1993

Cuno, James. American Painting at Mid-Century: Highlights from a Private Collection. Harvard University Art Museums Gallery Series, no. 5. Cambridge, Mass.: Harvard University Art Museums, 1993. Exhibition catalogue. (1993 Cambridge, Mass., Fogg).

 

Current 1966

“The Uses of Art.” Current (June 1966), pp. 57–64.

 

Current Biography 1969

“Lichtenstein, Roy.” In Current Biography 30, no. 2, pp. 18–21.

 

Curtis 1985

Curtis, Charlotte. “A Budding Clamor.” New York Times, February 12, 1985, p. C13.

 

Cypriano 2005

Cypriano, Fabio. “Exposição revela processos de Lichtenstein.” Folha illustrada (São Paulo), October 4, 2005, p. E4.

 

D’ars [n.d.]

“Intervista a Leo Castelli.” D’ars 6, no. 5, pp. 22–27.

 

d’Harnoncourt 1985

d’Harnoncourt, Anne. Introduction to the Philadelphia Museum of Art. Philadelphia: Philadelphia Museum of Art, 1985.

 

D’Oench 1987

Ellen G. D’Oench, ed. Collaboration: Printmaking Today. Middletown, Conn.: Davison Art Center, Wesleyan University, 1987. Exhibition catalogue. (1987 Middletown Davison).

 

Da Vinci 1975

Da Vinci, Mona. “Inside the Mechanical Splendor.” SoHo Weekly News (New York), November 13, 1975, p. 23.

 

Dada 2013

Dada. Special issue, Roy Lichtenstein, no. 184 (June 2013).

 

Dagen 1993

Dagen, Philippe. “Lichtenstein, le classique américain.” Le Monde (Paris), September 6, 1993, p. 11.

 

Dai 2007

Dai, Weisen. Mei guo yi shu san bai nian: Shi ying yu ge xin. Shanghai: Shang hai ci shu chu ban she, 2007. Exhibition catalogue. (2007 Beijing National Museum).

 

Daily Mirror 1967

“Zowie! (Etc!) Look What’s Popped Up at the Tate!” Daily Mirror (London), January 3, 1967, p. 9.

 

Daily News 2003

“A Time and Place for Art.” Daily News (New York), November 17, 2003, p. 10.

 

Daily Post 1993a

“Pop Art Legend in Tate Debut Date.” Daily Post (London), February 17, 1993.

 

Daily Post 1993b

“A Show with Real Impact.” Daily Post (London), March 9, 1993, p. 12.

 

Daily Telegraph 1997

“Roy Lichtenstein.” Daily Telegraph (London), October 1, 1997, p. 21.

 

Daily Variety 1996

“Dreamworks Acquires Original Lichtenstein.” Daily Variety, August 21, 1996, p. 7.

 

Dalemans 1970

Dalemans, R. “Desaparición y reaparición de la imagen: Pintura americana, desde 1945.” Goya, no. 94 (January 1970), p. 235.

 

Dalí 1967

Dalí, Salvador. “How an Elvis Presley Becomes a Roy Lichtenstein.” Arts Magazine (New York)  41, no. 6 (April 1967), pp. 26–31.

 

Dalzell Hatfield Galleries [1972]

Dalzell Hatfield Galleries. Masters of Modern Tapestries; Tribal Sculpture: East and West Africa. Los Angeles: Dalzell Hatfield Galleries, [1972]. Unpaginated. (1972 Los Angeles Hatfield).

 

Damus 1973

Damus, Martin. Funktionen der bildenden Kunst im Spätkapitalismus: Untersucht anhand der “avant-gardistischen” Kunst der sechziger Jahre. Frankfurt am Main: Fischer Taschenbuch Verlag, 1973.

 

Dana Miller et al. 2015

Miller, Dana A., ed. Whitney Museum of American Art: Handbook of the Collection. New York: Whitney Museum of American Art, 2015.

 

Danieli 1965

D[anieli], F[idel] A. “Los Angeles: Roy Lichtenstein, Ferus Gallery.” Artforum 3, no. 4 (January 1965), pp. 11–12.

 

Danoff 1979

Danoff, I. Michael. Emergence and Progression: Six Contemporary American Artists. Milwaukee: Milwaukee Art Museum, 1979. Exhibition catalogue. (1979 Milwaukee Art Museum).

 

Danoff 1981

Danoff, I. Michael. “Paintings That Make Your Retinas Dance: Roy Lichtenstein’s Art.” ARTnews 80, no. 9 (November 1981), pp. 122–25.

 

Danoff 1982

Danoff, I. Michael. “Non ha più l’età del fumetto.” Arte 12, no. 120 (June 1982), pp. 58–67.

 

Danoff and Carr 1981

Danoff, I. Michael, and Carolyn Kinder Carr. The Image in American Painting and Sculpture, 1950–1980. Akron: Akron Art Museum, 1981. Exhibition catalogue. (1981 Akron Art Museum).

 

Danto 1987a

Danto, Arthur. The State of the Art. New York: Prentice Hall Press, 1987.

 

Danto 1987b

Danto, Arthur. “Who Was Andy Warhol?” ARTnews 86, no. 5 (May 1987), pp. 128–32.

 

Danto 1992

Danto, Arthur. Mark Tansey: Visions and Revisions. New York: Harry N. Abrams, 1992.

 

Danto 1998

Danto, Arthur. “American Realities.” Artforum International 36, no. 5 (January 1998), pp. 92–93.

 

Darack 1966

Darack, Arthur. “The Art Pops Out Downtown As Vicinity Show Commences.” Cincinnati Enquirer, December 8, 1966, p. J2.

 

Darling 2009

Darling, Michael. Target Practice: Painting Under Attack, 1949–78. Seattle: Seattle Art Museum, 2009. (2009 Seattle Art Museum).

 

Das Kunstmagazin 1991

“Zuerst Niedrig und Nun Hoch Gehängt.” Das Kunstmagazin, January 1991, pp. 54–66.

 

Dattenberger 1994

Dattenberger, Simone. “Punkte Punkte Farbe Strich.” Dachauer Nachrichten (Dachau), October 14, 1994.

 

Daval 1973

Daval, Jean-Luc. “Lettre de Suisse.” Art International 17, no. 10 (December 20, 1973), pp. 45–48, 60, 61.

 

Daverio 2011

Daverio, Philippe. Roy Lichtenstein. Milan, Italy: Hachette Fascioli, 2011.

 

M. Davidson 1973

Davidson, Marshall B. American Heritage of the Artist’s America. New York: American Heritage Publishing, 1973.

 

S. Davidson 2003

Davidson, Susan. American Pop Icons. New York: Solomon R. Guggenheim Foundation, 2003. Exhibition catalogue. (2003 Las Vegas Guggenheim Hermitage).

 

S. Davidson 2007a

Davidson, Susan, ed. Art in the USA: 300 años de innovación. New York: Solomon R. Guggenheim Foundation; Chicago: Terra Foundation for American Art, 2007. Exhibition catalogue. (2007 Beijing National Museum).

 

S. Davidson 2007b

Davidson, Susan, ed. Art in America: 300 Years of Innovation. New York: Solomon R. Guggenheim Foundation, 2007. Exhibition catalogue. (2007 Beijing National Museum).

 

S. Davidson 2007c

Davidson, Susan, ed. Art in America: 300 Years of Innovation. New York: Solomon R. Guggenheim Foundation, 2007. Exhibition catalogue. (2007 Beijing National Museum).

 

Davies 1963

Davies, Lawrence E. “Oakland to Show 2 Coasts’ Pop Art.” New York Times, September 7, 1963, p. 16.

 

Dawes 1986

Dawes, Nicholas M. “Screen Gems.” Connoisseur (New York) (June 1986), p. 40.

 

Dawidoff 1987

Dawidoff, T. Nicholas. “Art in the Fast Lane: Five Notable Artists Have Made Cars Their Canvas.” Sports Illustrated 66 (April 20, 1987), p. 115.

 

H. Day 1991

Day, Holliday T. Power: Its Myths and Mores in American Art, 1961–1991. Indianapolis: Indianapolis Museum of Art, 1991. Exhibition catalogue. (1991 Indianapolis Museum of Art).

 

R. Day 1952

Day, Ronald. “Liked Mrs. Bruner’s Views on the Artist.” Cleveland News, March 13, 1952.

 

Dayton Art Institute 1962

“International Selection 1962–1963.” The Dayton Art Institute Bulletin 21, no 1 (September 1962), unpaginated.

 

Dayton’s 1970

Dayton’s Gallery 12, Minneapolis. New Acquisitions: Fourteen Important Works by Andre, Flavin, Kelly, Lichtenstein, Noland, Stella, Warhol. Minneapolis: Dayton’s Gallery 12, 1970. Exhibition catalogue. Unpaginated. (1970 Minneapolis Dayton’s).

 

de Baca 2016

de Baca, Miguel. “‘Inscribed with all Forms of the Beautiful’: Roy Lichtenstein’s Entablatures in a Post-Painterly–Pop–Minimal Dialogue.” In A Dialogue: Donald Judd, Roy Lichtenstein, Kenneth Noland, by Leo Castelli, New York, pp. 5–33. New York: Leo Castelli, 2016. Exhibition catalogue.

 

de Chapeaurouge 1973

de Chapeaurouge, Donat. “Die Kathedrale als modernes Bildthema.” In Jahrbuch der Hamburger Kunstsammlungen. Vol. 18, pp. 155–72. Hamburg: Hauswedell, 1973.

 

De Cock and De Backer 1964

De Cock, Marc, and Doris De Backer. Figuratie defiguratie: De menselijke figuur sedert Picasso. Ghent: Museum voor Schone Kunsten, 1964. Exhibition catalogue. In Dutch, English and French. (1964 Ghent Schone Kunsten).

 

de Coppet 1988

de Coppet, Laura. Celebrating Leo Castelli and Pop Art: Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Andy Warhol. Helsinki: Galerie Kaj Forsblom, 1988.

 

de Coppet and Jones 1984

de Coppet, Laura, and Alan Jones, eds. The Art Dealers. New York: Clarkson N. Potter, 1984.

 

De Fay 2008

De Fay, Christopher R. Art, Enterprise, and Collaboration: Richard Serra, Robert Irwin, James Turrell, and Claes Oldenburg at the Art and Technology Program of the Los Angeles County Museum of Art, 1967–1971. Ann Arbor: UMI Dissertation Services, 2008.

 

de Luca 1975

de Luca, Jean-Claude. “Entre hommes: Dessins sans bande.” Monsieur: Le revue de l’homme, no. 8 (Spring–Summer 1975).

 

De Marchis 1963

De Marchis, Giorgio. “Aspetti dell’arte contemporanea.” Art International 7, no. 9 (September 1963).

 

de Mèredieu 1982

de Mèredieu, Florence. “Roy Lichtenstein: Une rhétorique de la figure.” Art Press, no. 63 (October 1982), pp. 10–13.

 

De Mott 1959

D[e] M[ott], H[elen]. “Roy Lichtenstein.” Arts (Paris) 33, no. 9 (June 1959), p. 66.

 

De Roux 2007

De Roux, Emmanuel. “La Pinacothèque ouvre à Paris.” Le Monde (Paris), June 17–18, 2007, p. 21.

 

de Saisset 2008

de Saisset Museum. Eye on the Sixties: Vision, Body, and Soul: Selections from the Collection of Harry W. and Mary Margaret Anderson. Santa Clara, Calif.: de Saisset Museum, Santa Clara University, 2008. Exhibition catalogue. (2008 Santa Clara de Saisset).

 

de Sercey 1982

de Sercey, Arnaud. “Roy Lichtenstein.” Galerie des arts (Paris), no. 214 (December 1982), pp. 54–57.

 

de Smecchia 1987

de Smecchia, Muni. “Interview with Roy Lichtenstein.” Vogue (Italy) (1987).

 

De Troy 2014

De Troy, Stephanie. “Lichtenstein’s Brushstrokes Make Their Mark at the Parrish.” Dan’s Papers, May 23, 2014, p. 102.

 

de Wilde 1971

Wilde, Edy L. L., ed. Expo Stedelijk. Helsinki: [n.p.], 1971. Exhibition catalogue. (1971 Helsinki Ateneum).

 

de Wilde et al. 1982

de Wilde, Edy, et al. ’60–’80: Attitudes, Concepts, Images. Amsterdam: Stedelijk Museum and Van Gennep, 1982. Exhibition catalogue. (1982 Amsterdam Stedelijk).

 

Debailleux 1988

Debailleux, H.-F. “Roy Lichtenstein: La révolution est loin.” Libération (Paris), May 25, 1988, p. 36.

 

Debray 2013

Debray, Cécile. Bonjour Monsieur Matisse! Rencontre(s). [Issy-les-Moulineaux]: Beaux-Arts Éditions, 2013. Exhibition catalogue.

 

A. Decker 1990

Decker, Andrew. “Museum Print Mix–Up.” Art and Auction 8 (December 1990), pp. 32, 34.

 

A. Decker 1991

Decker, Andrew. “Art a Go Go.” Atelier (Tokyo) (December 1991), pp. 58–61.

 

A. Decker 1997

Decker, Andrew. “Cybermoguls Move In.” ARTnews 96, no. 3 (March 1997), p. 33.

 

A. Decker 1998

Decker, Andrew. “Pop Goes the Easel.” Cigar Aficionado 6, no. 3 (March–April 1998), pp. 286–87, 289–90, 293, 295, 297.

 

K. Decker 1987

Decker, Karl Viktor. Landesmuseum Mainz. Munich: Magazinpresse, 1987.

 

Deitch 2014

Deitch, Jeffrey. “Perfectly Scripted.” Architectural Digest 71, no. 12 (December 2014), pp. 107–115.

 

Deitcher 1983

Deitcher, David [S.]. “Lichtenstein’s Expressionist Takes.” Art in America 71, no. 1 (January 1983), pp. 84–89.

 

Deitcher 1989

Deitcher, S. David. “Teaching the Late Modern Artist: From Mnemonics to the Technology of Gestalt.” PhD diss., City University of New York, New York, 1989.

 

del Guercio 1973

del Guercio, Antonio. “De l’action painting au pop art.” XXe siècle (Paris and Milan), n.s., no. 40 (June 1973), pp. 148–55.

 

del Renzio 1993

del Renzio, Toni. “Roy Lichtenstein: Reflections of U.S. Culture.” Art Monthly, no. 165 (April 1993), pp. 7–9.

 

Delatiner 1987

Delatiner, Barbara. “Guild Hall Honors Artistic Elite.” New York Times, December 6, 1987, p. C30.

 

Delaware Art Museum 1974

Delaware Art Museum, Wilmington. Contemporary American Paintings from the Lewis Collection. Wilmington: Delaware Art Museum, 1974. Exhibition catalogue. (1974 Wilmington, Del., Delaware Art Museum).

 

Delehanty 1986

Delehanty, Suzanne. The Window in Twentieth-Century Art. Purchase: Neuberger Museum, State University of New York at Purchase, 1986. Exhibition catalogue. (1986 Purchase Neuberger).

 

Delius 1995

Delius, Peter, ed. Geschichte der Malerei von der Renaissance bis Heute. Cologne: Könemann, 1995.

 

Dellinger 1995

Dellinger, Jade. “American Pop Impressions: A Changing Perspective.” Printmaking Today 5, no. 2 (1996), pp. 3–5.

 

Demetrion et al. 1985

Demetrion, James T., et al. Des Moines Art Center: Selected Paintings, Sculptures and Works on Paper. Des Moines: Des Moines Art Center, 1985.

 

Denson 1990

Denson, G. Roger. “Roy Lichtenstein.” Flash Art, no. 150 (January–February 1990), p. 130.

 

Denvir 1972

Denvir, Bernard. “Sensibility and Cybernetics.” Art International 16, no. 2 (February 20, 1972), pp. 64–66, 72.

 

Denvir 1973

Denvir, Bernard. “The Last Stronghold of Europe.” Art International 17, no. 5 (May 1973), pp. 98–101, 103.

 

DePaul 2008

DePaul University Art Museum, Chicago. 1968: Art and Politics in Chicago. Chicago: DePaul University Art Museum, 2008. Exhibition catalogue. (2008 Chicago DePaul).

 

Der Spiegel 1964

“Pop Art: Suppe fürs Volk.” Der Spiegel (November 11, 1964), pp. 136, 138–43.

 

Der Spiegel 1967

“Lichtenstein: Mythos von Mickey.” Der Spiegel, no. 51 (December 11, 1967).

 

Der Spiegel 1970

“Kunstmarkt: Lichtenstein: Sichere Sache.” Der Spiegel, no. 49 (November 20, 1970), p. 238.

 

Der Spiegel 1994

“Ich lass’ nur die Kleider weg.” Der Spiegel, no. 41 (October 10, 1994), pp. 236–43.

 

Derfner 1975

Derfner, Phyllis. “New York Letter.” Art International 19, no. 1 (January 20, 1975), pp. 44–48.

 

Dervaux 2010

Dervaux, Isabelle. Roy Lichtenstein: The Black-and-White Drawings, 1961–1968. Ostfildern, Germany: Hatje Cantz in association with the Morgan Library & Museum, New York, 2010. Exhibition catalogue. (2010 New York Morgan).

 

Dervaux 2011

Dervaux, Isabelle. Roy Lichtenstein: Black & White, 1961–1968. Translated by Andrea Bargenda, Barbara Holle, Marion Kagerer, Christian Quatmann, and Heike Reissig. Ostfildern, Germany: Hatje Cantz in association with the Morgan Library & Museum, New York, 2011. Exhibition catalogue. Expanded. (2010 New York Morgan).

 

DeSalvo and Schimmel 1992

DeSalvo, Donna, and Paul Schimmel, eds. Hand-Painted Pop: American Art in Transition, 1955–62. Los Angeles: Museum of Contemporary Art, Los Angeles; New York: Rizzoli, 1992. Exhibition catalogue. (1992 Los Angeles MOCA).

 

Desmond and Lloyd 1992

Desmond, Michael, and Michael Lloyd. European and American Paintings and Sculptures 1870–1970 in the Australian National Gallery. Canberra: Australian National Gallery, 1992.

 

Detherridge 1996

Detherridge, Anna. Gli anni ’60: Le immagini al potere. Milan: Fondazione Mazzotta, 1996.

 

Di Forti 1993

Di Forti, Massimo. “L’arte a strisce di Roy-Paperino.” Il messaggero, October 19, 1993, p. 16.

 

Diamonstein 1974

Diamonstein, Barbaralee. “Caro, de Kooning, Indiana, Lichtenstein, Motherwell, and Nevelson on Picasso’s Influence.” ARTnews 73, no. 4 (April 1974), pp. 44–46.

 

Diamonstein 1975

Diamonstein, Barbaralee. “Thomas Messer: From the Bohemian Musical Life to the Guggenheim.” ARTnews 74, no. 8 (October 1975), pp. 66–70.

 

Diamonstein 1978

Diamonstein, Barbaralee. “Pop Art, Money, and the Present Scene: An Interview with Roy Lichtenstein and Leo Castelli.” Partisan Review 45, no. 1 (1978), pp. 80–93.

 

Diamonstein 1979

Diamonstein, Barbaralee. Inside New York’s Art World. New York: Rizzoli, 1979.

 

Die Zeit 1965

“Pop und Dada.” Die Zeit, January 8, 1965.

 

Diederich 2010

Diederich, Stephan. “Roy Lichtenstein, die Sammlung Ludwig und ein neues Bild.” In Lichtenstein: Kunst als Motiv, edited by Mercurio, pp. 18–27. Cologne: DuMont, 2010. Exhibition catalogue.

 

D. Diehl and E. Diehl 1968

Diehl, Digby, and Emil Diehl. “The Plastic Passions of Roy Lichtenstein.” Los Angeles Free Press, April 26, 1968, pp. 19, 20.

 

C. Diehl 1996

Diehl, Carol. “Roy Lichtenstein: Leo Castelli.” ARTnews 95, no. 11 (December 1996), p. 120.

 

M. Diehl 1989

Diehl, Matthew. “Picasso Was Here: Five Contemporary Artists Mine the Master.” Art and Antiques 6, no. 2 (February 1989), pp. 37–38.

 

Diener 2003

Diener, Christian, and Gunter Sachs, eds. Gunter Sachs: Von Kunst, Kult und Charisma: Eine Publikation anlässlich der Ausstellung im Hamburger Museum für Kunst und Gewerbe. Munich: Knesebeck, 2003. Exhibition catalogue. (2003 Hamburg MKG).

 

Dienst 1965

Dienst, Rolf-Gunter. Pop-Art: Eine kritische Information. Wiesbaden: Rudolph Bechtld, 1965.

 

Dienst 1968a

Dienst, Rolf-Gunter. “Die documenta IV.” Das Kunstwerk 21, nos. 11–12 (August–September 1968), pp. 36–55.

 

Dienst 1968b

Dienst, Rolf-Gunter. Positionen: Malerische Malerei, plastische Plastik. Cologne: Verlag M. DuMont Schauberg, 1968.

 

Dietrich 1990

Dietrich, Nicolas. “Lichtenstein.” Les aventures de l’art, no. 2 (December 1990), pp. 76–83.

 

Dimon and Erf 2016

Dimon, James, and Lisa K. Erf. Art at Work: The JPMorgan Chase Art Collection. 3rd ed. New York: J. P. Morgan Chase & Co. 2016.

 

Dirección General 1978

Dirección General del Patrimonio Artístico, Archivos y Museos. Dibujos Americanos 1927–1977. Translated from the English. Madrid: Dirección General del Patrimonio Artístico, Archivos y Museos, 1978. Exhibition catalogue. (1977 St. Paul MMA).

 

Dobbs 1979

Dobbs, Lillian. “‘Mermaid’ Gives Miami Beach a Symbol.” Miami News, September 7, 1979, Upbeat, sec. D, p. D1.

 

Dobson 1969

Dobson, Rona. “The Look of American Art from 1945 to Now.” International Herald Tribune, November 1–2, 1969, p. 7.

 

Documenta 1968

Documenta 4. Kassel: Kassel Druck + Verlag, 1968. Exhibition catalogue. 2 vols. (1968 Kassel Documenta).

 

Documenta 1977

Documenta 6. 3 vols. Kassel: Paul Dierichs, 1977. Exhibition catalogue. (1977 Kassel Documenta).

 

Domingo 1971a

Domingo, Willis. “New York Galleries.” Arts Magazine (New York) 45, no. 7 (May 1971), pp. 55–57.

 

Domingo 1971b

Domingo, Willis. “Roy Lichtenstein: Drawings and Prints.” Arts Magazine (New York) 45, no. 5 (March 1971).

 

Domino 2001

Domino, Christophe. Les années pop. Paris: Gallimard and Centre Georges Pompidou, 2001. Exhibition catalogue. (2001 Paris Pompidou).

 

Domus 1963

“mercanti d’arte: Leo Castelli, New York: La sua storia, la sua galleria.” Domus (Milan), no. 406 (September 9, 1963), pp. 43–48.

 

Donohoe 1962

Donohue, Victoria. “Surrealism Dominates ‘New Vocabulary.'” Philadelphia Inquirer, October 28, 1962, p. 8.

 

Döring 1998

Döring, Jürgen. Künstlerplakate: Picasso, Warhol, Beuys . . . Hamburg: Museum für Kunst und Gewerbe Hamburg, 1998. Exhibition catalogue. (1998 Hamburg Kunst und Gewerbe).

 

Döring 2008

Döring, Jürgen, and Claus von der Osten. Roy Lichtenstein: Posters. Munich: Prestel Verlag, 2008. Exhibition catalogue. (2008 Hamburg Kunst und Gewerbe).

 

Doris 1999

Doris, Sara Kathleen. “Pop Art and the Contest Over Culture.” PhD diss., Northwestern University, Evanston, 1999.

 

Doris 2007

Doris, Sara Kathleen. Pop Art and the Contest over American Culture. Cambridge, United Kingdom: Cambridge University Press, 2007.

 

Doris 2012

Doris, Sara. “Missing Modernism.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff, pp. 46–51. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

Doris 2014

Doris, Sara. “Roy Lichtenstein’s Retromodernism.” American Art (University of Chicago Press in association with the Smithsonian American Art Museum) 28, no. 2 (Summer 2014), pp. 88–105.

 

Dorsey 1997a

Dorsey, John. “He Raised Comics to High Art: A Shy Man, Roy Lichtenstein Paid Homage to the Art of the Past with His Exuberant Works.” Baltimore Morning Sun, October 1, 1997, p. F1.

 

Dorsey 1997b

Dorsey, John. “Pop Art Master Lichtenstein Dies.” Baltimore Morning Sun, September 30, 1997, A1, A5.

 

Dossin 2008

Dossin, Catherine Julie Marie. Stories of the Western Artworld, 1936–1986: From the “Fall of Paris” to the “Invasion of New York”. Ann Arbor: ProQuest (UMI), 2008. Dissertation submitted in 1988.

 

Dossin 2011

Dossin, Catherine. “Pop begeistert: American Pop Art and the German People.” American Art (Smithsonian American Art Museum, Washington, D.C.) 25, no. 3 (Fall 2011), pp. 100–111.

 

Douglas 1966

Douglas, Juston. “Art for a Free Society.” Pictorial Living: The Journal-American’s Weekly Magazine (New York) (February 20, 1966), pp. 8–9.

 

Downey Museum of Art 1977

Downey Museum of Art, Downey, Calif. Déjà vu: Masterpieces Updated. Downey, Calif.: Downey Museum of Art, 1977. Exhibition catalogue. (1978 Downey Museum of Art).

 

Drawing Society 1965

Drawing Society, New York. The Drawing Society National Exhibition: 1965. New York: American Federation of Arts, 1965. Exhibition catalogue. (1965 Flint Institute).

 

Dreiss 1974a

Dreiss, Joseph. “Group Show: Castelli (Uptown).” Arts Magazine (New York) 49, no. 9 (October 1974), p. 67.

 

Dreiss 1975b

Dreiss, Joseph. “Roy Lichtenstein.” Arts Magazine (New York) 49, no. 5 (January 1975), pp. 13–14.

 

Druce 1988

Druce, Robert. “The Vanishing Reader: The Changing Role of Letters in Paintings.” Word and Image 4, no. 1 (January–March 1988), pp. 177–85.

 

Drugeon 2013a

Drugeon, Fanny. “Le créateur d’icônes.” L’objet d’art, edited by Jeanne Faton-Boyancé, no. 69 (July 2013), pp. 16–29.

 

Drugeon 2013b

Drugeon, Fanny. “L’expérimentateur de matériaux.” L’objet d’art, edited by Jeanne Faton-Boyancé, no. 69 (July 2013), pp. 30–37.

 

Drugeon 2013c

Drugeon, Fanny. “Lichtenstein et la scène artistique américaine.” L’objet d’art, edited by Jeanne Faton-Boyancé, no. 69 (July 2013), pp. 10–14.

 

Drugeon 2013d

Drugeon, Fanny. “Lichtenstein face à ses pairs.” L’objet d’art, edited by Jeanne Faton-Boyancé, no. 69 (July 2013), pp. 38–47.

 

Du 1973

Du (April 1973).

 

Du 1979

“Sammlung Ludwig.” Du: Die Zeitschrift für Kultur (Zurich), no. 1 (1979).

 

Du Plessix Gray 1965

Du Plessix Gray, Francine. “The House That Pop Art Built.” House and Garden 127, no. 5 (May 1965), pp. 158–64.

 

Dublin Event Guide 1988

“Exhibition: Roy Lichtenstein.” Dublin Event Guide (January 19–February 1, 1988).

 

DuBose 1970

Dubose, Lucius B. “Fine Art Goes Pop!!” The Baptist Student (May 1970), pp. 47–48.

 

Dubreuil-Blondin 1980a

Dubreuil-Blondin, Nicole. La fonction critique dans le Pop Art américain. Montreal: Presses de l’Université de Montréal, 1980.

 

Dubreuil-Blondin 1980b

Dubreuil-Blondin, Nicole. “Roy Lichtenstein: L’atelier d’artiste ou l’auto-référence dans le pop.” Parachute, no. 19 (summer 1980), pp. 13–18.

 

Duckers and Schoenberger 1981

Duckers, Alexander, and Angela Schoenberger. Druckgraphik: Wandlungen eines Mediums seit 1945. Berlin: Kupferstichkabinett, Nationalgalerie, Staatliche Museen Preussischer Kulturbesitz, 1981. Exhibition catalogue. (1981 Berlin Kupferstichkabinett).

 

Ducousset 1975

Ducousset, R. “Epidémie de parodies.” Connaissance des arts, no. 281 (July 1975), pp. 66–73.

 

Dudar 1965

Dudar, Helen. “Pop Art Explosion.” New York Post, February 14, 1965, p. 25.

 

Duffy 1981

Duffy, Robert W. “Getting Lichtenstein Show on Road.” St. Louis Post-Dispatch: Sunday Magazine, April 19, 1981, pp. 6–11.

 

Dulac 1975

Dulac, Sebastien. “Cocktail de Paris: Entrée de Roy Lichtenstein.” L’echo de la Bourse (Brussels) (1975).

 

Duncan 1993

Duncan, Michael. “Painterly Pop.” Art in America 81, no. 7 (July 1993), pp. 86–89, 117.

 

Dunlop 1968

Dunlop, Ian. “Comic-Strip Pictures Pull in the Crowds at the Tate.” South Wales Echo (Cardiff), January 15, 1968.

 

Dunne 2012

Dunne, Nathan. Roy Lichtenstein. London: Tate, 2012. Exhibition catalogue. (2012 Chicago Art Institute).

 

Dunne 2013

Dunne, Nathan. Roy Lichtenstein. London: Tate, 2013. Exhibition catalogue. (2012 Chicago Art Institute).

 

Düsseldorfer Stadtpost 1971

“Erste Institute in Stoffeln bezugsfertig.” Düsseldorfer Stadtpost, March 12, 1971.

 

East Hampton Star 1995

“Roy Lichtenstein Prints at the Parrish.” East Hampton [N.Y.] Star (September 7, 1995), p. 25.

 

East Hampton Star 1997

“Roy Lichtenstein, Pop Art Pioneer.” East Hampton [N.Y.] Star, October 2, 1997, p. 12.

 

Ebert-Schifferer 2002

Ebert-Schifferer, Sybille. Deceptions and Illusions: Five Centuries of Trompe l’Oeil Painting. Washington, D.C.: National Gallery of Art, 2002. Exhibition catalogue. (2002 Washington, D.C., NGA).

 

Ebony 2002

Ebony, David. “Front Page: World Trade Center Art Works Destroyed.” Art in America 90, no. 1 (January 2002), p. 27.

 

Eccher 2014

Eccher, Danilo. “Opera prima.” In Roy Lichtenstein: Opera prima, by Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 18–41. Milan: Skira Editore, 2014. Exhibition catalogue.

 

Eccher 2015

Eccher, Danilo. “Opera prima.” In Roy Lichtenstein: Drawing First. 50 Years of Works on Paper, Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 8–33. Milan: Skira Editore, 2015. Exhibition catalogue.

 

Economist 1994

“Roy Lichtenstein’s Cartoons.” The Economist 330, no. 7844 (January 8, 1994), p. 85.

 

Economist 1997

“Roy Lichtenstein.” The Economist 345, no. 8037 (October 4, 1997), p. 94.

 

Edgar 1962

E[dgar], N[atalie]. “Reviews and Previews: Roy Lichtenstein [Castelli].” ARTnews 61, no. 1 (March 1962), p. 14.

 

E. Edwards 1978

Edwards, Ellen. “Miami Beach: Lichtenstein’s Mermaid.” ARTnews 77, no. 6 (Summer 1978), pp. 176, 178.

 

E. Edwards 1979

Edwards, Ellen. “Lichtenstein Makes a ‘Mermaid.'” Miami Herald, September 2, 1979, Lively Arts, sec. L, L1, L4.

 

F. Edwards 1964

Edwards, Folke. “Vad vill Pop?” Stockholm-Tidningen, February 29, 1964, p. 7.

 

Ehrlich 1979

Ehrlich, Robbie. “Roy Lichtenstein.” Arts Magazine (New York) 54, no. 1 (September 1979), pp. 34–35.

 

Eissenhauer 1993

Eissenhauer, Michael, ed. LudwigsLust: Die Sammlung Peter und Irene Ludwig. Nuremberg: Germanisches Nationalmuseum, 1993. Exhibition catalogue. (1993 Nuremberg Germanisches Nationalmuseum).

 

Eklund 1964

Eklund, Hans. “Pop: En seriös historia.” AftonBladet (Stockholm), February 28, 1964, p. 3.

 

Ekserdjian 2014

Ekserdjian, David. Casting Modernity: Bronze in the XXth Century. New York: Mnuchin Gallery, 2014. Exhibition catalogue. (2014 New York Mnuchin).

 

Elefante 1966

Galleria e Torchio l’Elefante, Venice. Dine, Lichtenstein, Oldenburg, Rosenquist, Warhol, Wesselmann. Venice: Galleria l’Elefante, 1966. Exhibition catalogue. (1966 Venice Elefante).

 

Eliot 1966

Eliot, Alexander. “Biennale: It Isn’t Art; It’s a Trade Fair.” Life (July 25, 1966), pp. 66–67.

 

Elite 1966

Elite: Le arti e gli stili in ogni tempo e paese: La Pop Art. Milan: Fratelli Fabbri Editori, 1966.

 

Elkoff 1965

Elkoff, Marvin. “The American Painter As a Blue Chip.” Esquire 62, no. 1 (January 1965), pp. 36–41.

 

Elle Decor 2001

“Strokes of Genius.” Elle Decor 12, no. 7 (November 2001), p. 52.

 

Ellenzweig 1974

Ellenzweig, Allen. “Roy Lichtenstein.” Arts Magazine (New York)  49, no. 3 (November 1974), p. 22.

 

Ellenzweig 1977

Ellenzweig, Allen. “Group Show.” Arts Magazine (New York) 52, no. 2 (October 1977), pp. 18–19.

 

Ellenzweig et al. 1976

Ellenzweig, Allen, et al. A Selection of American Art: The Skowhegan School, 1946–1976. Boston: Institute of Contemporary Art, 1976. Exhibition catalogue. (1976 Boston ICA).

 

Ellmann 1988

Ellmann, Lucy. “From Chic to Shit.” New Statesman and Society (London) 1, no. 1 (June 10, 1988), pp. 49–50.

 

Elsevier 1987

“Schilderen of het gedrukt staat.” Elsevier (Amsterdam) 43, no. 29 (July 18, 1987), pp. 14–18.

 

Elwood 1983

Elwood, Sean, ed. The 1984 Show. New York: Ronald Feldman Fine Arts, Inc., and the Village Voice, 1983. Exhibition catalogue. (1983 New York Feldman).

 

Engels 1978

Engels, Mathias T., ed. 100 Meisterwerke neuerer Malerei: Erwerbungen nordrhein-westfälischer Museen, 1962–1977. Recklinghausen: Aurel Bongers, 1978.

 

Enright 1994

Enright, Robert. “Pop Goes the Tradition: An Interview with Roy Lichtenstein.” Border Crossings (Ontario) 13, no. 3 (August 1994), pp. 18–29.

 

Entenmann 1965

Entenmann, Raymond T. Master Drawings from Degas to Lichtenstein. Fort Worth: Fort Worth Art Center, 1965. Exhibition catalogue. (1965 Fort Worth Art Center).

 

Ephron 1967

Ephron, Nora. “After Blam, What?” New York Post, April 21, 1967.

 

Época 2005

“O artista do cotidiano.” Época (São Paulo) (September 19, 2005), p. 120.

 

Ernst 2004

Ernst, Eric. “The Best, Not Just the Brightest.” Southampton [N.Y.] Press, July 29, 2004, p. B6.

 

Ernst 2006

Ernst, Eric. “‘Primitive’ before Art Went Pop.” Southampton [N.Y.] Press, October 19, 2006, p. B4.

 

Eröffnungen 1964

Eröffnungen: Magazin für Literatur und bildende Kunst (Vienna) (1964).

 

Esman 1999

Esman, Abigail R. “Bargain or Bust.” Art on Paper (New York) 3, no. 4 (March–April 1999), p. 20.

 

Esterow 1991

Esterow, Milton. “Roy Lichtenstein: How Could You Be Much Luckier Than I Am?” ARTnews 90, no. 5 (May 1991), pp. 85–88, 90–91.

 

Esterow 1992

Esterow, Milton. “‘How Could You Be Much Luckier Than I Am?.'” In Roy Lichtenstein Interiors: Collages, by Galerie Ulysses, Vienna. Vienna: Galerie Ulysses, 1992. Exhibition catalogue.

 

Ethniki Pinakothiki 1982

Ethniki Pinakothiki. American Painting 1900–1982. Athens, Greece: Ethniki Pinakothiki, 1982. Exhibition catalogue. (1982 Athens, Greece, Ethniki Pinakothiki).

 

Europäisches Forum 1965

Europäisches Forum Alpbach. Dada bis Heute: Dada, Surreal, Popart, Opart, Funktional, Moral, Neuer Real: Ismus. Linz: Neue Galerie der Stadt Linz, 1965. Exhibition catalogue. (1965 Alpbach Forum).

 

Europäisches Kulturzentrum in Thüringen 1992

Europäisches Kulturzentrum in Thüringen. Werke der amerikanischen Moderne aus dem Ludwig Forum für Internationale Kunst. Leipzig: Europäisches Kulturzentrum in Thüringen, 1992. Exhibition brochure. (1992 Leipzig Europäisches Kulturzentrum).

 

Evening Standard 1968

“No Stereotype.” Evening Standard (London), January 5, 1968.

 

Evening Times 1976

“A Pair of Good Draws.” Evening Times (Trenton, N.J.), February 28, 1976.

 

Ewald 1999

Ewald, Elin Lake. An Analysis of the Effect of Economic Recessions from 1973 to 1993 on the Auction Value of Paintings by Eight Contemporary Artists. PhD diss., School of Education, New York University, New York, 1999.

 

F.S. 1963

“From the Comics to Art Exhibit.” Chicago Daily News, January 26, 1963, p. 13.

 

Faberman et al. 2005

Faberman, Hilarie I., et al. Picasso to Thiebaud: Modern and Contemporary Art from the Collections of Stanford University Alumni and Friends. Stanford: Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, 2005. Exhibition catalogue. (2005 Stanford Cantor).

 

Fabri 1969

Fabri, Ralph. “Roy Lichtenstein at the Guggenheim.” Today’s Art, October 18, 1969, pp. 8–10.

 

Factor 1963

Factor, Don. “Six Painters and the Object and Six More.” Artforum 2, no. 3 (September 1963), pp. 13–14.

 

Fagiolo dell-Arco 1966

Fagiolo dell-Arco, Maurizio. “La ragione pura-practica di Lichtenstein.” Collage, no. 6 (1966), pp. 62–68.

 

Fagiolo dell-Arco 1970

Fagiolo dell-Arco, Maurizio. “Lichtenstein suona il piano/Lichtenstein at the Piano (A Photoreportage by Gianni Berengo-Gardin).” Metro, nos. 16–17 (August 1970), pp. 217–35.

 

Failing 1986

Failing, Patricia. “Los Angeles Gets a New Temple of Art.” ARTnews 85, no. 9 (November 1986), pp. 88–94.

 

Fallon 1988

Fallon, Brian. “Reviews: Lichtenstein Drawings at Douglas Hyde.” Irish Times, January 22, 1988.

 

Farrell 2008

Farrell, Jennifer. “Reflections on a Gift: Richard Brown Baker and Roy Lichtenstein.” Yale University Art Gallery Bulletin (2008), pp. 47–63.

 

Farrell 2011

Farrell, Jennifer. Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art. New Haven: Yale, 2011.

 

Faton-Boyancé 2013

Faton-Boyancé, Jeanne, ed. L’objet d’art. Special issue, Roy Lichtenstein exposition au Centre Pompidou, no. 69 (July 2013).

 

Faust 1978

Faust, Wolfgang Max. “Bilder und Worte: Anmerkungen zur Sprache als Medium der bildenden Kunst in 20. Jahrhundert.” KUNSTmagazin 18, no. 3 (1978), pp. 21–32.

 

Feaver 1974

Feaver, W[illiam]. “The Artists.” Vogue (London) (November–December 1974), pp. 7, 117–18, 156–61.

 

Fedders 2006

Fedders, Kristin Utter. Pop Art at the 1964/65 New York World’s Fair. Ann Arbor: UMI, [2006].

 

Fehlemann 2002

Fehlemann, Sabine. Sammlung Rosenkrantz im Von der Heydt-Museum. Wuppertal, Germany: Von der Heydt-Museum, 2002. Exhibition catalogue. (2002 Wuppertal Von der Heydt).

 

Feigenbaum ca. late 1960s

Feigenbaum, Robert. “‘Roy Lichtenstein The Comic Artist.'” College paper, ca. late 1960s.

 

Feinblatt and Davis 1980

Feinblatt, Ebria, and Bruce Davis. Los Angeles Prints, 1883–1980. Los Angeles: Los Angeles County Museum of Art, 1980. Exhibition catalogue. (1980 Los Angeles LACMA).

 

Feinstein 1987

Feinstein, Roni. Contemporary Diptychs: Divided Visions. Stamford, Conn.: Whitney Museum of American Art, Fairfield County, 1987. Exhibition catalogue. (1987 Stamford Whitney).

 

Feinstein 1988

Feinstein, Roni. American Print Renaissance, 1958–1988. New York: Whitney Museum of American Art, 1988. Exhibition catalogue. (1988 Stamford Whitney).

 

Feinstein 2002

Feinstein, Roni. “Lichtenstein: Seeing Is Believing.” Art in America 90, no. 7 (July 2002), pp. 78–81, 109.

 

Feinstein 2008

Feinstein, Roni. Circa 1958: Breaking Ground in American Art. Chapel Hill: Ackland Art Museum, University of North Carolina at Chapel Hill, 2008. Exhibition catalogue. (2008 Chapel Hill Ackland).

 

Felsen 1997

Felsen, Sidney B. “A Pop Icon Is Remembered for His Humor and Kindness.” Los Angeles Times, October 1, 1997, p. F1.

 

Fenwick 1979

Fenwick, Henry. “Seven Artists: [Roy Lichtenstein interviewed by Henry Fenwick].” Radio Times Magazine (London: BBC) 224, no. 2904 (July 5, 1979), pp. 10–11.

 

Ferrier 1967

Ferrier, Jean-Louis. “Exposition: Lichtenstein digère les bandes dessinées.” L’express (Paris) (November 1967).

 

Feversham 1963

Feversham, Harry. “It’s Revolting, It’s a Bore, It’s Kitsch, It’s Insulting, It’s a Tour de Force, It’s Phony, It Gives One Pause (and Gas)—But Is It Art?” Collector’s Quarterly Report 1, no. 2 (spring 1963), pp. 36–38.

 

Field 1971

Field, Richard S. Silkscreen: History of a Medium. Philadelphia: Philadelphia Museum of Art, 1971. Exhibition catalogue. (1971b Philadelphia Museum of Art).

 

Field 1972

Field, Richard S. “Silkscreen, the Media Medium.” ARTnews 70, no. 9 (January 1972), pp. 40–43, 74–75.

 

Field 1982

Field, Richard S. “On Recent Woodcuts.” The Print Collector’s Newsletter 13, no. 1 (March–April 1982), pp. 1–6.

 

Figuerola-Ferrettti 1983

Figuerola-Ferrettti, Luis. “El arte en Madrid.” Goya (Madrid), no. 173 (March–April 1983), pp. 321–22.

 

Filler 1993

Filler, Martin. “Pop’s Granddad.” Vanity Fair 56, no. 8 (August 1993), pp. 128–35, 149–53.

 

Filler 2012

Filler, Martin. “Cool: Roy Lichtenstein and Andy Warhol.” The New York Review of Books 59, no. 11 (June 21, 2012), pp. 40–44.

 

Finch 1968

Finch, Christopher. Pop Art: Object and Image. London: Studio Vista, 1968; New York: E. P. Dutton and Co. 1968.

 

Finch 1972

Finch, Christopher. “Breaking the Print Barrier.” ARTnews 70, no. 9 (January 1972), pp. 34–39.

 

Finckh 1997

Finckh, Gerhard, ed. Die Maler und ihre Skulpturen: Von Edgar Degas bis Gerhard Richter. Essen: Museum Folkwang, 1997. Exhibition catalogue.

 

Findsen 1997

Findsen, Owen. “CAC Exhibit Artist’s Last: Roy Lichtenstein Show Is a Landmark.” Cincinnati Enquirer, November 16, 1997, p. F2.

 

Fine 2013

Fine, Ruth. “Les originaux dupliqués du duplicateur d’images.” In Roy Lichtenstein, edited by Camille Morineau, pp. 187–95. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue. Essay translated from the English by Jean-François Cornu.

 

Fine and Corlett 1991

Fine, Ruth, and Mary Lee Corlett. Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida. Washington, D.C.: National Gallery of Art, 1991. Exhibition catalogue. (1991 Washington, D.C., NGA).

 

Fine and Felsen 2013

Fine, Ruth, and Sidney B. Felsen. “Ruth Fine in Conversation with Sidney B. Felsen.” In Lichtenstein: Expressionism, by Gagosian Gallery, Paris., pp. 94–106. Paris: Gagosian Gallery, 2013. Exhibition catalogue.

 

Fine Arts Gallery 1974

Fine Arts Gallery of San Diego, San Diego. Monumental Paintings of the 60’s. San Diego: Fine Arts Gallery of San Diego, 1974. Unpaginated. (1974 San Diego Fine Arts Gallery).

 

Fineberg 2000

Fineberg, Jonathan David. Art since 1940: Strategies of Being. 2nd ed. Upper Saddle River, N.J.: Prentice Hall Press, 2000. Exhibition catalogue.

 

Fischer and Fischer 1974

Fischer, Harry and Wolfgang Fischer. “Paintings by Colville, Lichtenstein and Linder.” In Universe of Art IV: Important 19th and 20th Century Paintings, Drawings, Sculpture and Graphics, Fischer Fine Art Limited, pp. 3–20. London: Fischer Fine Art Ltd. 1974. Exhibition catalogue.

 

Fischer Fine Art Limited 1974

Fischer Fine Art Limited. Universe of Art IV: Important 19th and 20th Century Paintings, Drawings, Sculpture and Graphics. London: Fischer Fine Art Ltd. 1974. Exhibition catalogue. (1974 Stuttgart Fischer).

 

A. Fischer 1997

Fischer, Alfred M. Made in USA: Pop Art aus dem Museum Ludwig. Cologne: Museum Ludwig, 1997. Exhibition catalogue. (1997 Insel Mainau Schloss).

 

P. Fischer 2002

Fischer, Peter, ed. Abstraction, Gesture, Ecriture: Paintings from the Daros Collection. Zurich: Alesco AG and Scalo, 1999.

 

V. Fischer 1989

Fischer, Volker. Bodenreform: Teppichboden von Künstlern und Architekten/Maquettes par des artistes et des architectes/Carpets by Artists and Architects. Berlin: Ernst and Sohn, 1989. (1989 Frankfurt Architekturmuseum).

 

Fitschen 2002

Fitschen, Jürgen. Die Pop Art und die zeitgenössische Bildhauerkunst. Bremen: Gerhard-Marcks-Stiftung, 2002. Exhibition catalogue.

 

Fitzgerald 1995

Fitzgerald, Michael C. Picassoid. New York: Whitney Museum of American Art, 1995. Exhibition catalogue. (1995a New York Whitney).

 

Fitzgerald 2006

Fitzgerald, Michael C. Picasso and American Art. New Haven: Yale University Press in association with the Whitney Museum of American Art, New York, 2006. Exhibition catalogue. (2006 New York Whitney).

 

Fitzsimmons 1952

Fitzsimmons, James. “Roy Lichtenstein.” Art Digest 27, no. 7 (January 1, 1952), p. 20.

 

Fitzwilliam 1977

Fitzwilliam Museum, Cambridge, England. Jubilation: American Art during the Reign of Elizabeth II. Cambridge, England: Fitzwilliam Museum, 1977. Exhibition catalogue. (1977 Cambridge, U.K., Fitzwilliam).

 

Flaccavento 1962

Flaccavento, Denise. “Faculty Art Show.” Caellian (New Brunswick, N.J., Douglass College, Rutgers University), October 12, 1962, p. 6.

 

Flaccavento 1964

Flaccavento, Denise. “Tercentenary Exhibit Shows Controversial Cross Section.” Caellian (New Brunswick, N.J., Douglass College, Rutgers University), February 14, 1964, p. 5.

 

FLAG 2014b

FLAG Art Foundation, New York. Roy Lichtenstein: Nudes and Interiors. New York: FLAG Art Foundation, 2014. Exhibition catalogue. (2014a New York FLAG).

 

Flam 1987

Flam, Jack. “The Gallery: Getting Small at MoMA.” Wall Street Journal, May 19, 1987, p. 26.

 

Flamini 2004

Flamini, Roland. “Inside the Beltway.” Town and Country 158, no. 5290 (July 2004), p. 57.

 

Flash Art 1997

“Roy Lichtenstein: A King of Pop.” Flash Art, no. 197 (November–December 1997), pp. 50–51.

 

Fleming 1982

Fleming, Marie L. Pop Art: Prints and Multiples. Calgary: Glenbow Museum, 1982. Exhibition catalogue. (1982 Calgary Glenbow).

 

Flemming [1985]

Flemming, Klaus. Pop Art. Materialien für den Kunstunterricht im Museum 1. Mönchengladbach: Städtisches Museum Abteiberg, [1985].

 

Flint Institute 1978

Flint Institute of the Arts. Art and the Automobile. Flint, Mich.: Flint, Mich, Flint Institute of the Arts. Exhibition catalogue. (1978 Flint Institute).

 

Focus 1994a

“Cowboys und Indianer.” Focus, no. 42 (October 17, 1994), p. 122.

 

Focus 1994b

“Der Intellektuelle der Pop.” Focus, no. 42 (October 17, 1994), p. 121.

 

Fondation Maeght 1967

Fondation Marguerite et Aimé Maeght. Dix ans d’art vivant 1955–1965. Saint-Paul-de-Vence: Fondation Maeght, 1967. Exhibition catalogue. (1967 Saint-Paul-de-Vence Maeght).

 

Fondation Vincent van Gogh 1990

Fondation Vincent van Gogh, Arles. Roy Lichtenstein, Robert Rauschenberg: 38 oeuvres gravées de 1965 à 1989. Arles: Fondation Vincent van Gogh, 1990.

 

Fondazione Mimmo Rotella 2014

Casta della Memoria-Fondazione Mimmo Rotella, Catzanaro, Italy. Aurelio Amendola, Roy Lichtenstein 1976. Milan, Italy: Silvana Editoriale, 2014. Exhibition catalogue.

 

Forgey 1979

Forgey, Benjamin. “At the Corcoran Gallery, a Small but Stunning Biennial Presents Work of Five Top American Painters.” Smithsonian 9, no. 11 (1979), pp. 80–87.

 

Forman 1997

Forman, Debbie. “Lichtenstein Dots His Landscapes with Beauty.” Cape Cod Times, April 5, 1997, B1–B2.

 

Forsha 1983

Forsha, Linda. A Contemporary Collection on Loan from the Rothschild Bank, AG, Zürich. La Jolla: Museum of Contemporary Art San Diego, 1983. Exhibition catalogue. (1983 La Jolla MCA).

 

Fortune et al. 2014

Fortune, Brandon Brame, Wendy Wick Reaves, and David C. Ward with Patricia Quealy. Face Value: Portraiture in the Age of Abstraction. Washington, D.C.: National Portrait Gallery, Smithsonian Institution, in association with D. Giles, London, 2014. Exhibition catalogue. (2014 Washington, D.C., NPG).

 

Foster 2003

Foster, Carter E. Drawing Modern: Works from the Agnes Gund Collection. [Cleveland]: Cleveland Museum of Art, 2003. (2003 Cleveland Museum).

 

Foster 2017

Foster, Hal. Roy Lichtenstein 1961–63. New York: Craig F. Starr Gallery, 2017. Exhibition catalogue.

 

E. Foster and Watson 2008

Foster, Elena, and Rowan Watson. Blood on Paper. London: Victoria and Albert Museum and Ivory Press, 2008. Exhibition catalogue. Thirty-eight illustrated foldouts. Unpaginated. (2008 London V & A).

 

H. Foster 2011

Foster, Hal. “The Hardest Kind of Archetype”: Reflections on Roy Lichtenstein. Edinburgh: Trustees of the National Galleries of Scotland and VARIE, 2011.

 

S. Foster 2004

Foster, Stephen C. La odisea americana, 1945–1980: El debate de la modernidad/An American Odyssey, 1945–1980: Debating Modernism. Madrid: Círculo de Bellas Artes, 2004. Exhibition catalogue. (2004 Madrid Círculo).

 

Fourcade 1978

Xavier Fourcade. Twentieth-Century Paintings and Sculpture: Brancusi to Lichtenstein. New York: Xavier Fourcade, 1978. Exhibition catalogue. Unpaginated. (1978a New York Fourcade).

 

Fourcade 1983

Xavier Fourcade. In Honor of de Kooning: Bacon, Balthus, Baselitz, Berlant, Chamberlain, Crozier, de Kooning, Dubuffet, Freud, Hague, Heizer, Johns, Lichtenstein, Marden, Mitchell, Morley, Murphy, Rockburne, Segal. New York: Xavier Fourcade, 1983. Exhibition catalogue. Unpaginated. (1983 New York Fourcade).

 

Fox 1997

Fox, Catherine. “Roy Lichtenstein: Contributed to Pop Art’s Ambiguity Fifteen Minutes of Well-Deserved Fame—Early in Career.” Atlanta Constitution Journal, September 30, 1997, p. A15.

 

Frackman 1974

Frackman, Noel. “Group Show: Blum Helman.” Arts Magazine (New York) 49, no. 4 (December 1974), p. 7.

 

Frail 1971

Frail, David. “Look at Two of the Country’s Most Famous Pop Artists: Lichtenstein . . .” Newsday (Long Island), September 4, 1971, W6–W7, W19.

 

Franc 1992

Franc, Helen M. An Invitation to See: 150 Works from the Museum of Modern Art. New York: Museum of Modern Art, 1992.

 

Francis 2013

Francis, Mark, ed. The Show Is Over. London: Gagosian Gallery, 2013. Exhibition catalogue. (2013 London Gagosian).

 

Frank 1975

Frank, Peter. “New Editions: Mirrors of the Mind.” ARTnews 74, no. 7 (September 1975), p. 50.

 

Frank 1976

Frank, Peter. “New York Reviews.” ARTnews 75, no. 1 (January 1976), p. 122.

 

Frank 1978

Frank, Peter. “New York Reviews: Roy Lichtenstein.” ARTnews 77, no. 4 (April 1978), pp. 157–58.

 

Frankel 1952

Frankel, James. “At the Art Colony.” Cleveland Press, March 1, 1952, p. 7.

 

Frankel 1954

Frankel, James. “Museum Show Draws Top Artists.” Cleveland Press, October 2, 1954.

 

Frankel 1955

Frankel, James. “Duchy of Lichtenstein.” Cleveland Press, January 8, 1955.

 

Frankenstein 1963

Frankenstein, Alfred. “Music and Art: Gorky’s Stature Keeps Growing.” San Francisco Sunday Chronicle, January 6, 1963, p. 17.

 

Frankenstein 1966

Frankenstein, Alfred. “American Art and American Moods.” Art in America 54, no. 2 (March–April 1966), pp. 76–87.

 

Frankenstein 1974

Frankenstein, Alfred. “Fooling the Eye.” Artforum 12, no. 9 (May 1974), pp. 32–35.

 

Frankfurter Kunstverein 1989

Frankfurter Kunstverein. Hauptwerke des Museums moderner Kunst in Wien: Von Gustav Klimt bis Andy Warhol. Frankfurt am Main: Frankfurter Kunstverein, 1989. Exhibition catalogue. (1989 Frankfurt Kunstverein).

 

Franzke 1982

Franzke, Andreas. Skulpturen und Objekte von Malern des 20. Jahrhunderts. Cologne: DuMont, 1982.

 

Fremont-Smith 1968

Eliot, Fremont-Smith. “A Bard without Apologies (review of In Memory of My Feelings).” New York TImes, January 19, 1968, p. 45.

 

Freud 1993

Freud, Bella. “M-Maybe, 1965, by Roy Lichtenstein.” Telegraph Magazine (London), September 11, 1993, p. 31.

 

Freudenheim 1983

Freudenheim, Susan. “Fort Worth: Possessed by Pop Art.” Texas Homes 7, no. 7 (July 1983), pp. 96–104.

 

Fried 1963

Fried, Michael. “New York Letter.” Art International 7, no. 9 (December 1963), pp. 66–68.

 

Friedman 1969

Friedman, Martin. Castelli at Dayton’s. Minneapolis: Dayton’s Gallery 12, 1969. Exhibition catalogue. (1969 Minneapolis Dayton’s).

 

Friedrich and Dahlem 1968a

Friedrich, Six, and Franz Dahlem, eds. Sammlung 1968 Karl Ströher. Munich: Galerie-Verein/Neue Pinakothek, Haus der Kunst, 1968. Exhibition catalogue. (1968 Munich Galerie-Verein/Neue Pinakothek).

 

Friedrich and Dahlem 1968b

Friedrich, Six, and Franz Dahlem, eds. Sammlung 1968 Karl Ströher. Hamburg: Kunstverein Hamburg, 1968. Exhibition catalogue. (1968 Munich Galerie-Verein/Neue Pinakothek).

 

Friedrich and Dahlem 1969

Friedrich, Six, and Franz Dahlem, eds. Sammlung 1968 Karl Ströher. Exhibition catalogue.

 

Frigerio 1965

Frigerio, Simone. “Les expositions à l’étranger.” Aujourd’hui art et architecture 9, no. 49 (April 1965), pp. 46–47.

 

Frigerio 1966

Frigerio, Simone. “Les expositions à Paris: Lichtenstein.” Aujourd’hui art et architecture 9, no. 52 (February 1966), p. 76.

 

Frigerio 1975

Frigerio, Simone. “Parigi: Stagione invernale, verso la riconquista del primato artistico.” D’ars 16, nos. 73–74 (March–April 1975), pp. 70–75.

 

Frisach 1998

Frisach, Montse. “Obres del MACBA visiten les comarques barcelonines.” Avui (Barcelona), November 13, 1998.

 

Froment and Borel 1988

Froment, Jean-Louis, and Michel Borel. Collection Sonnabend: 25 années de choix et d’activités d’Ileana et Michael Sonnabend. Bordeaux: Centre d’Arts Plastiques Contemporains de Bordeaux, 1988. Exhibition catalogue.

 

Frumkin 1974

Frumkin, Allan. 1961: American Painting in the Watershed Year. New York: Allan Frumkin Gallery, 1974. Exhibition catalogue. (1974 New York Frumkin).

 

Fry 1966

Fry, Edward. “Roy Lichtenstein’s Recent Landscapes.” Art and Literature 8 (Spring 1966), pp. 111–19.

 

Fry 1969

Fry, Edward. “Inside the Trojan Horse.” ARTnews 68, no. 6 (October 1969), pp. 36–39, 60.

 

J. Fuchs 1969

Fuchs, Juraj. “Maliarstvo Ameriky po roku 1945.” Praça, April 23, 1969, p. 6.

 

P. Fuchs 1977

Fuchs, Peter. Köln-Bild. Cologne: Greven, 1977.

 

Fujimori 1994

Fujimori, Manami. “Roy Lichtenstein.” BT 6 [Bijutsu techō] (Tokyo) 46, no. 689 (June 1994), pp. 94–95.

 

Funcke 2007

Funcke, Bettina. Pop oder Populus: Kunst zwischen High und Low. Cologne: Walther König, 2007.

 

Fundació “la Caixa” 1999

Fundació “la Caixa,” Barcelona, and Schirn Kunsthalle Frankfurt. Made in USA, 1940–1970: Between Art and Life: De l’expressionisme abstracte al pop. Barcelona: Fundació “la Caixa”; Frankfurt am Main: Schirn Kunsthalle Frankfurt, 1999. Exhibition catalogue. (1998 Barcelona).

 

Fundación Juan March 1988

Fundación Juan March, Madrid. Colección Leo Castelli. Translated from the English by Felicia de Casas and Antonio de Zubiaurre. Madrid: Fundación Juan March, 1988. Exhibition catalogue. (1988 Madrid Fundación March).

 

Fundación Juan March 2005

Fundación Juan March, Madrid. Lichtenstein: En proceso. Madrid: Fundación Juan March, 2005. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (2005 Cuenca Arte Abstracto).

 

Fundación Juan March 2007a

Fundación Juan March, Madrid. Roy Lichtenstein: Beginning to End. Madrid: Fundación Juan March, 2007. Exhibition catalogue. (2005 Cuenca Arte Abstracto).

 

Fundación Juan March 2007b

Fundación Juan March, Madrid. Roy Lichtenstein: De principio a fin. Madrid: Fundación Juan March, 2007. Exhibition catalogue. (2005 Cuenca Arte Abstracto).

 

Fundación Juan March 2007c

Fundación Juan March, Madrid. Roy Lichtenstein: Évolution. Translated from the English by Delphine Billaut, Isabelle Choque, Aude Pasquier, and Maïca Sanconie. Madrid: Fundación Juan March; Paris: Pinacothèque de Paris, 2007. Exhibition catalogue. (2005 Cuenca Arte Abstracto).

 

Fundación Juan March [1985]

Fundación Juan March, Madrid. Estructuras repetitivas. Madrid: Fundación Juan March, [1985]. Exhibition catalogue. (1985 Madrid Fundación March).

 

Furuyama 1993

Furuyama, E. “Roy’s New Rooms.” Elle Decor (Tokyo), no. 6 (June 1993), pp. 128–33.

 

E. G. 1953

Indian Motifs. New York Herald Tribune, January 31, 1953, p. 11.

 

Gabbiano 1990

Galleria il Gabbiano, Rome. Realtà e visione: Giorgio Morandi, Balthus, Robert Rauschenberg, Larry Rivers, William Bailey, Fernando Botero, Roy Lichtenstein, Piero Guccione. Rome: Galleria il Gabbiano, 1990. Exhibition catalogue. (1990 Rome Gabbiano).

 

Gablik 1969

Gablik, Suzi. “Protagonists of Pop.” Studio International 178, no. 913 (July 1969), pp. 9–16.

 

Gachnag and Gohr 1989

Gachnang, Johannes, and Siegfried Gohr, eds. Bilderstreit: Widerspruch, Einheit und Fragment in der Kunst seit 1960. Cologne: DuMont, 1989.

 

Gagosian, Hong Kong 2011

Gagosian Gallery Hong Kong. Roy Lichtenstein: Landscapes in the Chinese Style. Hong Kong: Gagosian Gallery, 2011. Exhibition catalogue. (2011 Hong Kong Gagosian).

 

Gagosian, London 2004

Gagosian Gallery, London. Drawings. London: Gagosian Gallery, 2004. Exhibition catalogue. (2004 London Gagosian).

 

Gagosian, London 2005

Gagosian Gallery, London. Imageless Icons: Abstract Thoughts. London: Gagosian Gallery, 2005. Exhibition catalogue. (2005a London Gagosian).

 

Gagosian, London 2007

Gagosian Gallery, London. Pop Art Is: Popular, Transient, Expendable, Low Cost, Mass Produced, Young, Witty, Sexy, Gimmicky, Glamorous, Big Business. London: Gagosian Gallery, 2007. Exhibition catalogue. Unpaginated. (2007 London Gagosian).

 

Gagosian, Los Angeles 2002

Gagosian Gallery, Los Angeles. Roy Lichtenstein: Perfect/Imperfect. Los Angeles: Gagosian Gallery, 2002. (2002 Los Angeles Gagosian).

 

Gagosian, Moscow 2008

Gagosian Gallery, Moscow. For What You Are About to Receive. Moscow: Gagosian Gallery, 2008. Exhibition catalogue. (2008 Moscow Gagosian).

 

Gagosian, New York 1988

Gagosian Gallery, New York. Lichtenstein’s Picassos: 1962–1964. New York: Gagosian Gallery, 1988. Exhibition catalogue. Unpaginated. (1988a New York Gagosian).

 

Gagosian, New York 2001

Gagosian Gallery, New York. Roy Lichtenstein: Early Black and White Paintings. New York: Gagosian Gallery, 2001. Exhibition catalogue. (2001b New York Gagosian).

 

Gagosian, New York 2002

Gagosian Gallery, New York. Ferus. New York: Gagosian Gallery, 2002. Exhibition catalogue. (2002 New York Gagosian).

 

Gagosian, New York 2004

Gagosian Gallery, New York. What’s Modern? New York: Gagosian Gallery, 2004. Exhibition catalogue. (2004 New York Gagosian).

 

Gagosian, New York 2005

Gagosian Gallery, New York. Roy Lichtenstein: Sculpture. Ed. Stefan Ratibor and Mark Francis. New York: Gagosian Gallery with the Roy Lichtenstein Foundation, New York, 2005. Exhibition catalogue. (2005b London Gagosian).

 

Gagosian, New York 2008

Gagosian Gallery, New York. Lichtenstein: Girls. New York: Gagosian Gallery, 2008. Exhibition catalogue. (2008a New York Gagosian).

 

Gagosian, New York 2009

Gagosian Galley, New York. Go Figure. New York: Gagosian Gallery, 2009. Exhibition catalogue. (2009a New York Gagosian).

 

Gagosian, New York 2010

Gagosian Gallery, New York. Roy Lichtenstein: Still Lifes. New York: Gagosian Gallery, 2010. Exhibition catalogue. (2010 New York Gagosian).

 

Gagosian, Paris 2013

Gagosian Gallery, Paris. Lichtenstein: Expressionism. Paris: Gagosian Gallery, 2013. (2013 Paris Gagosian).

 

Galería Colibrí 1966

Galería Colibrí. 11 Pop Artists. San Juan, Puerto Rico: Galería Colibrí, 1966. (1966 Washington, D.C., National Collection).

 

Galeria Sztuki 1999

Galeria Sztuki Współczesnej Zacheta, Warsaw. Jim Dine, David Hockney, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Frank Stella: Współczesna grafika amerykańska z kolekcji Torstena Lilji (Jim Dine, David Hockney, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Frank Stella: The contemporary American graphics collection of Lilja Torsten). Joanna Młodzińska. Warsaw: Galeria Sztuki Współczesnej Zache̜ta, 1999. Exhibition catalogue.

 

Galerie 1900–2000 1988

Galerie 1900–2000. Pop Art: Roy Lichtenstein, Claes Oldenburg, James Rosenquist, Andy Warhol, Tom Wesselmann. Paris: Galerie 1900–2000, 1988. Exhibition catalogue. Unpaginated. (1988 Paris 1900-2000).

 

Galerie Art Focus 1997

Galerie Art Focus, Zurich. Roy Lichtenstein. Zurich: Galerie Art Focus, 1997. Exhibition catalogue. (1997 Zurich Art Focus).

 

Galerie Bischofberger 1975

Galerie Bischofberger, Zurich, New York, and St. Moritz. Katalog 1975. Zurich, New York, and St. Moritz: Galerie Bischofberger, 1975.

 

Galerie Lawrence Rubin 1997

Galerie Lawrence Rubin, Zurich. Roy Lichtenstein: New Paintings. Zurich: Galerie Lawrence Rubin, 1997. Exhibition catalogue. (1997 Zurich Rubin).

 

Galerie Michael 1992

Galerie Michael, Darmstadt. Pop Art. Darmstadt: Galerie Michael, 1992. Exhibition catalogue. (1992 Michael).

 

Galerie Sonnabend 1970

Galerie Sonnabend, Paris. Lichtenstein: Sculptures. Paris: Galerie Ileana Sonnabend, 1970. Exhibition catalogue. Unpaginated. (1970 Paris Sonnabend).

 

Galerie Ulysses 1992

Galerie Ulysses, Vienna. Roy Lichtenstein Interiors: Collages. Vienna: Galerie Ulysses, 1992. Exhibition catalogue. (1992 Vienna Ulysses).

 

Galleria Civica d’Arte Moderna e Contemporanea 2014

Galleria Civica d’Arte Moderna e Contemporanea, Turin. Roy Lichtenstein: Opera prima. Edited by Danilo Eccher. Milan: Skira Editore, 2014. Exhibition catalogue. (2014 Turin Galleria Civica).

 

Galleria Civica d’Arte Moderna e Contemporanea 2015

Galleria Civica d’Arte Moderna e Contemporanea, Turin. Roy Lichtenstein: Drawing First. 50 Years of Works on Paper. Edited by Danilo Eccher. Milan: Skira Editore, 2015. Exhibition catalogue. (Revised English version). (2014 Turin Galleria Civica).

 

Galleria La Medusa 1971

Galleria La Medusa, Rome. 5 Pop in U.S.A.: Lichtenstein, Rivers, Stevenson, Warhol, Wesselman. Rome: Galleria La Medusa, 1971. Exhibition catalogue. (1971 Rome Medusa).

 

Gallivan 2005

Gallivan, Joseph. “The Art of the Upgrade.” Portland [Ore.] Tribune: Portland Life, September 27, 2005, sec. B, 1–2.

 

Galloway 1963

Galloway, David D., ed. The Buffalo Fine Arts Academy/Albright-Knox Art Gallery: Gallery Notes 26, no. 2 (fall 1963).

 

Gandee 1991

Gandee, Charles. “Art à la Carte: Contemporary Artists Try Their Hand at Limited-Edition Porcelain.” House and Garden 163, no. 11 (November 1991), p. 198.

 

Garcia 1986

Garcia, Guy D. “Pop for the People: Lichtenstein and Mural with Blue Brushstroke.” Time 127, no. 6 (February 10, 1986), p. 79.

 

Garcia Lopes 1991

Garcia Lopes, Rodrigo. “Roy Lichtenstein.” Zone: Arts and Culture (Tempe), no. 6 (Spring 1992), pp. 22–27.

 

García-Herraiz 1969

García-Herraiz, E. “Crónica de Nueva York.” Goya, no. 93 (November 1969), p. 176.

 

García-Herraiz 1971

García-Herraiz, E. “Roy Lichtenstein en Leo Castelli.” Goya, no. 102 (May 1971), pp. 419–20.

 

P. Gardner 1978

Gardner, Paul. “Richard Baker’s Amazing Mini-Museum.” ARTnews 77, no. 1 (January 1978), pp. 44–48.

 

P. Gardner 1982

Gardner, Paul. “Will Success Spoil Bob and Jim, Louise and Larry?” ARTnews 81, no. 9 (November 1982), pp. 102–9.

 

P. Gardner 1992

Gardner, Paul. “Do Titles Really Matter?” ARTnews 91, no. 2 (February 1992), pp. 92–97.

 

Garver 1964

Garver, Thomas H. Recent American Drawings. Waltham, Mass.: Poses Institute of Fine Arts, Brandeis University, 1964. Exhibition catalogue. (1964 Waltham Rose).

 

Gassiot-Talabot 1964

Gassiot-Talabot, Gérald. “Lettre de Paris.” Art International 8, no. 9 (November 1964), pp. 55–58.

 

Gassiot-Talbot 1965

Gassiot-Talbot, Gérald. “Les fantasmagories de l’image.” Arts (Paris) (August 1965), pp. 37, 39.

 

Gassiot-Talbot 1975

Gassiot-Talbot, Gérald. “De la bande dessinée à l’histoire peinte.” XXe siècle (Paris and Milan), n.s., 37, no. 45 (December 1975), pp. 103–10.

 

Gatling 1965

Gatling, Eva Ingersoll. Pop Pop, Whence Pop. Huntington, N.Y.: Heckscher Museum, 1965. Exhibition catalogue.

 

Gaudibert 1976

Gaudibert, P. “L’ordre architectural en question.” Opus International, no. 59 (May 1976), pp. 29–30.

 

Gay 2008

Gay, Peter. Modernism: The Lure of Heresy, from Baudelaire to Beckett and Beyond. New York: W. W. Norton, 2008.

 

Gayford 2001

Gayford, Martin, and Jeff Koons. “Art and Books: Artists on Art: Jeff Koons on Roy Lichtenstein’s Untitled II (Brushstroke) (1966), Interview by Martin Gayford.” Daily Telegraph (London), December 8, 2001, p. A10.

 

Gazzettino 1966

“Una Biennale divertente.” Il gazzettino, June 15, 1966, p. 9.

 

Gedda 2003

Gedda, Emilia. “Roy Lichtenstein.” Konstvärlden & Disajn (Stockholm), no. 4 (2003), pp. 44–49.

 

Geijutsu Shincho 1995

Geijutsu Shincho. “Roy Lichtenstein.” Geijutsu Shincho (Tokyo),  11 (1995), pp. 110–15.

 

Geist 1953

Geist, Sidney. “Roy Lichtenstein.” Art Digest 27, no. 9 (February 1, 1953), p. 18.

 

Geldzahler 1966

Geldzahler, Henry. “Frankenthaler, Kelly, Lichtenstein, Olitski.” Artforum 4, no. 10 (June 1966), pp. 32–38.

 

Geldzahler 1969

Geldzahler, Henry. New York Painting and Sculpture: 1940–1970. New York: E. P. Dutton and Co. in association with the Metropolitan Museum of Art, 1969. Exhibition catalogue. (1969b New York MMA).

 

Geldzahler 1970

Geldzahler, Henry. “Vox Pop.” Famous Artists Magazine (Westport) 18, no. 1 (1970), pp. 6–9.

 

Geldzahler 1974

Geldzahler, Henry. “Pop Art: Two Views.” ARTnews 73 (May 1974), pp. 30, 32.

 

Geldzahler 1983a

Geldzahler, Henry. American Accents/Accents américains. [Toronto]: Rothmans of Pall Mall Canada, [1983]. Exhibition catalogue. Unpaginated. (1983 Stratford Gallery).

 

Geldzahler 1983b

Geldzahler, Henry. “American Accents.” Artmagazine (Toronto) 14, nos. 63–64 (June–August 1983), pp. 13–17, 74–75.

 

Geldzahler 1985

Geldzahler, Henry. Pop Art, 1955–70. Sydney: International Cultural Corporation of Australia Limited, 1985. Exhibition catalogue. (1985 Sydney AGNSW).

 

Geldzahler 1988

Geldzahler, Henry. “Lichtenstein’s Picassos: 1962–1964.” In Lichtenstein’s Picassos: 1962–1964, by Gagosian Gallery, New York. New York: Gagosian Gallery, 1988. Exhibition catalogue.

 

Geldzahler 1989

Geldzahler, Henry. “Locating the Mirror in Modernism: Roy Lichtenstein’s Mirror Paintings.” In Roy Lichtenstein: “The Mirror Paintings”, by Mary Boone Gallery, New York, unpaginated. New York: Mary Boone Gallery, 1989. Exhibition catalogue.

 

Geldzahler 1992

Geldzahler, Henry. “Mural with Blue Brushstroke.” Graphis 48, no. 279 (May–June 1992), pp. 104–9.

 

Geldzahler 2013

Geldzahler, Henry. “Lichtenstein’s Picasso’s: 1962–1964.” In Christie’s New York, New York. Roy Lichtenstein’s Woman with Flowered Hat, by Christie’s New York, New York, pp. 33–45. New York: Christie’s New York, 2013.

 

Gelsenkirchen 1967

Städtische Kunstausstellung Gelsenkirchen. Original Pop Art. Gelsenkirchen, Germany: Städtische Kunstausstellung Gelsenkirchen, 1967. Exhibition catalogue. (1967 Gelsenkirchen Kunstausstellung).

 

Gemeentelijk Casino 1970

Gemeentelijk Casino, Knokke het Zoute. Pop art, nieuwe figuratie/nouveau réalisme. Brussels: A. de Rache, 1970.

 

Gemeentemuseum 1964

Haags Gemeentemuseum. Nieuwe Realisten. The Hague, Netherlands: Haags Gemeentemuseum, 1964. Exhibition catalogue. (1964 Hague Gemeentemuseum).

 

Gemeentemuseum 2013

Haags Gemeentemuseum. Miniature Museum Ria and Lex Daniëls. The Hague, Netherlands: Haags Gemeentemuseum, 2013. Exhibition catalogue. (2013–18 Hague Gemeentemuseum).

 

Genauer 1969

Genauer, Emily. “Art and Artist.” New York Post, September 27, 1969, p. 48.

 

Genaur 1963

Genaur, Emily. “Roy Lichtenstein.” New York Herald Tribune, September 28, 1963, p. 4.

 

Genaur 1964

Genaur, Emily. “The Most Avant of All.” New York: The Sunday Herald Tribune Magazine. Special issue, The Avant-Garde, May 17, 1964, pp. 38–39.

 

Genocchio 2005a

Genocchio, Benjamin. “From Homages to Homer to Pop-Art Indians.” New York Times, September 11, 2005, New Jersey sec. (sec. 14), pp. 1, 14.

 

Genocchio 2005b

Genocchio, Benjamin. “A Pop Star’s Indian Period.” New York Times, October 23, 2005, New Jersey sec., p. 14.

 

Genocchio 2006

Genocchio, Benjamin. “(Native) American Beauty.” New York Times, Long Island edition, October 8, 2006, sec. 14, p. 12.

 

Genocchio 2008

Genocchio, Benjamin. “Odds and Ends of Op and Pop.” New York Times, Long Island edition, March 23, 2008, p. 8.

 

Geracimos 1995

Geracimos, Ann. “Spirited Day for Art Lovers.” Washington Times, June 12, 1995, p. C12.

 

Gerdts 1967

Gerdts, William. American Still-Life Painting, 1913–1967. New York: American Federation of Arts, 1967.

 

Gervasoni 1986

Gervasoni, Marie-George, ed. XLII Esposizione Internazionale d’Arte, la Biennale di Venezia: Arte e Scienza. Milan: Electa, 1986. Exhibition catalogue. (1986 Venice Biennial).

 

Gether and Reenberg 1999

Gether, Christian, and Holger Reenberg. Amerikanske mestervoerker fra Lilja Samlingen: Rauschenberg, Lichtenstein, Rosenquist. Ishøj, Denmark: Arken Museum for Moderne Kunst, 1999. Exhibition catalogue. (1999 Ishøj Arken).

 

Getlein 1966

Getlein, F. “Americans in Venice.” New Republic 155, nos. 4–5 (July 30, 1966), pp. 37–38.

 

Geyer 1994

Geyer, Bernhard. Scheinwelten: Die Geschichte der Perspektive. Leipzig: E. A. Seemann, 1994.

 

Gibb 2004

Gibb, Mary. “Pop Art: Then and Now.” Collections: International Art and Culture (London) 9, no. 1, pp. 34–36, 38.

 

Gibbs 2014

Gibbs, Ewan. “Drawing Inspiration.” In Roy Lichtenstein: Nudes and Interiors, by FLAG Art Foundation, pp. 13–17. New York: FLAG Art Foundation, 2014. Exhibition catalogue.

 

Gibian 1965

Gibian, Cay. “Art: Current Trends, White Museum.” Ithaca Journal, April 19, 1965, p. 5.

 

Gilmour 1987

Gilmour, Pat. Tyler Graphics Catalogue Raisonné, 1974–1985. New York: Abbeville Press; Minneapolis: Walker Art Center, 1987.

 

Gilmour 1989

Gilmour, Pat. Ken Tyler: 25 Glorious Years. Stockholm: Heland Wetterling Gallery, 1989. Exhibition catalogue. (1989 Stockholm Wetterling).

 

Gilson 1995

Gilson, Nancy. “Patriarch of Pop.” Columbus Dispatch, September 17, 1995, F1–F2.

 

Girst 2014

Girst, Thomas, ed. BMW art cars. Ostfildern: Hatje Cantz Verlag, 2014.

 

Gitre 2008

Gitre, Edward Joseph Khair. “America Adjusted: Conformity, Boredom, and the Modern Self, c. 1920–1980.” PhD diss., Rutgers University, the State University of New Jersey, New Brunswick, 2008.

 

Giusti 1975

Giusti, H. A. “Da New York, il centro artistico mondiale.” D’ars 16, nos. 73–74 (March–April 1975), pp. 64–69.

 

Gladstone 1985

Gladstone, Valerie. “Roy Lichtenstein: See the Artist at Work, Like Michelangelo Painting the Sistine Chapel.” Daily News (New York), December 1, 1985, Sunday’s People, p. 6.

 

Glauber 1968

Glauber, Robert. Violence in Recent American Art. Chicago: Museum of Contemporary Art, 1968. Exhibition catalogue.

 

Glenn 1977a

Glenn, Constance W. [uncredited]. “Roy Lichtenstein: Ceramic Sculpture.” Ceramics Monthly 25, no. 5 (May 1977), pp. 40–45.

 

Glenn 1977b

Glenn, Constance W. Roy Lichtenstein: Ceramic Sculpture. Long Beach: California State University, Long Beach, 1977. Exhibition catalogue. (1977 Long Beach CSU).

 

Glenn 1981

Glenn, Constance W. “The Collectors: Contemporary Art: Mr. and Mrs. John Martin Shea in Palm Springs.” Architectural Digest 38, no. 11 (November 1981), pp. 108–15.

 

Glenn 1997

Glenn, Constance W. The Great American Pop Art Store: Multiples of the Sixties. Long Beach: University Art Museum College of the Arts, California State University, Long Beach, 1997. Exhibition catalogue. (1997 Long Beach CSU).

 

Glenn and Glenn 1986

Glenn, Constance W., and Jack Glenn, eds. Roy Lichtenstein: Landscape Sketches 1984–1985. New York: Harry N. Abrams, 1986. Unpaginated.

 

Gliewe 1994

Gliewe, Gert. “Der große Herold des American Way of Life.” Alendzeitung (Munich), October 14, 1994.

 

Glixon 1973

Glixon, Niel. “Is This Art?” Scholastic Voice (Englewood Cliffs, N.J.) (November 29, 1973), pp. 4–8.

 

Glowen 1976

Glowen, Ronald. “De Kooning and Lichtenstein.” Artweek (Castro Valley, Calif.) 7, no. 9 (February 28, 1976), p. 3.

 

Glózer 1981

Glózer, László, ed. Westkunst: Zeitgenössische Kunst seit 1939: Ausstellung der Museen der Stadt Köln 1981. Cologne: DuMont, 1981. Exhibition catalogue. (1981 Cologne Rheinhallen).

 

Glueck 1964a

Glueck, Grace. “Art Notes: Cutting Culture.” New York Times, February 23, 1964, p. X16.

 

Glueck 1964b

Glueck, Grace. “Art Notes: Tchelitchew.” New York Times, March 15, 1964, p. X24.

 

Glueck 1964c

Glueck, Grace. “Art Rite: Opening Night.” New York Times Sunday Magazine, December 13, 1964, p. 44.

 

Glueck 1965

Glueck, Grace. “Vassar Bids Art Historian Adieu.” New York Times, June 5, 1965, p. 28.

 

Glueck 1966a

Glueck, Grace. “Art: Drawing Society’s Road Show.” New York Times, November 26, 1966, p. 31.

 

Glueck 1966b

Glueck, Grace. “Home-Grown Art Blooms in U.S. Missions.” New York Times, January 30, 1966, p. X24.

 

Glueck 1967a

Glueck, Grace. “New York Gallery Notes: Think Up a New Brand Name?” Art in America 55, no. 5 (September–October 1967), pp. 108–11.

 

Glueck 1967b

Glueck, Grace. “Valuable Painting: Handle with Care.” New York Times, April 2, 1967, p. 115.

 

Glueck 1968a

Glueck, Grace. “Art Notes: Documenta: It Beats the Biennale.” New York Times, July 7, 1968, p. 20D.

 

Glueck 1968b

Glueck, Grace. “Los Angeles Museum Playing Matchmaker.” New York Times, December 13, 1968, p. 56.

 

Glueck 1969a

Glueck, Grace. “BLAM!! To the Top of Pop.” New York Times, September 21, 1969, sec. 2, p. 31.

 

Glueck 1969b

Glueck, Grace. “Coast Art: Industry Project Blossoms.” New York Times, April 17, 1969, p. 54.

 

Glueck 1969c

Glueck, Grace. “Hanging Henry’s Show.” New York Times, August 3, 1969, p. D21.

 

Glueck 1969d

Glueck, Grace. “Los Angeles Regains Vigor As an Art Center.” New York Times, May 29, 1969, p. 42.

 

Glueck 1970

Glueck, Grace. “Artists to Withdraw Work at Biennale.” New York Times, June 6, 1970, p. 27.

 

Glueck 1971a

Glueck, Grace. “More Art Than Meets the Eye.” New York Times, July 11, 1971, p. D22.

 

Glueck 1971b

Glueck, Grace. “New York: Visual Riches and Recessionary Blues.” Art in America 59, no. 2 (March–April 1971), pp. 42–47.

 

Glueck 1976

Glueck, Grace. “Art People.” New York Times, July 30, 1976, p. 48.

 

Glueck 1977

Glueck, Grace. “Scenery Takes a Bow in Queens.” New York Times, December 30, 1977, p. C1.

 

Glueck 1980a

Glueck, Grace. “Art: Lyrical Sculptures of George Sugarman.” New York Times, January 18, 1980, p. 17.

 

Glueck 1980b

Glueck, Grace. “How Picasso’s Vision Affects American Artists.” New York Times, June 22, 1980, sec. 2, p. 1.

 

Glueck 2005a

Glueck, Grace. “The Listings: ‘Homestyle.'” New York Times, April 29, 2005, p. E26.

 

Glueck 2005b

Glueck, Grace. “A Pop Artist’s Fascination with the First Americans.” New York Times, December 23, 2005, p. E42.

 

Glusberg 1966

Glusberg, Jorge. “Pop-art, un nuevo código.” Testigo (Buenos Aires) 4 (October–December 1966), pp. 80–94.

 

Glusberg 1967

Glusberg, Jorge. “Itinerario de un rebelde: En el estudio de Roy Lichtenstein.” Análisis, no. 315 (March 27, 1967), p. 43.

 

Goebel 2006

Goebel, Catherine Carter, ed. Liberal Arts through the Ages. Rock Island: Augustana College, 2006.

 

Goerg 1976

Goerg, Charles. Peinture américaine en Suisse, 1950–1965. Geneva: Musée d’Art et d’Histoire, 1976. Exhibition catalogue. (1976 Geneva Musée d’Art et d’Histoire).

 

Goetz 1994

Goetz, Joachim. “Bilder aus dem Bauchladen der Kunstgeschichte.” Dingolfinger Anzeiger, October, 22, 1994.

 

Gohr 1986a

Gohr, Siegfried. Museum Ludwig Cologne: Painters, Sculptures, Environments from Expressionism to the Present Day. Munich: Prestel Verlag, 1986.

 

Gohr 1986b

Gohr, Siegfried. Museum Ludwig Köln: Gemälde, Skulpturen, Environments vom Expressionismus bis zur Gegenwart. Munich: Prestel Verlag, 1986.

 

Gold 1987

Gold, Sylviane. “Lichtenstein Drawings: Heat beneath the Cool.” USA Today, March 17, 1987, p. 4D.

 

Goldberg 2013

Goldberg, Itzak. “Les Paysages ces lieux communs.” Connaissance des arts. Special issue, Roy Lichtenstein, edited by Francis Morel, no. 589, pp. 34–39.

 

I. Goldberg 2007

Goldberg, Itzhak. “Roy Lichtenstein: La peinture en bulles.” Beaux-arts magazine (Levallois-Perret), no. 277 (July 2007), pp. 64–69.

 

V. Goldberg 1993

Goldberg, Vicki. “Still Subversive after All These Years.” New York Times, September 19, 1993, sec. 2, pp. 1, 37.

 

Goldin 1966a

Goldin, Amy. “In the Galleries: Master Drawings.” Arts Magazine (New York) 40, no. 5 (March 1966), p. 63.

 

Goldin 1966b

Goldin, Amy. “In the Museums: Word and Image.” Arts Magazine (New York) 40, no. 4 (February 1966), p. 54.

 

A. Goldman 1966

Goldman, Albert. “Beer Cans in Bronze.” New York Times Book Review, January 30, 1966, pp. 14, 16.

 

J. Goldman 1972

Goldman, Judith. “Exploring the Possibilities of the Print Medium.” ARTnews 72, no. 7 (September 1973), pp. 35–36.

 

J. Goldman 1977

Goldman, Judith. Art Off the Picture Press: Tyler Graphics Ltd. Hempstead, N.Y.: Emily Lowe Gallery, Hofstra University, 1977. Exhibition catalogue. (1977 Hempstead Lowe).

 

J. Goldman 1982

Goldman, Judith. “Woodcuts: A Revival?” Portfolio (New York) 4, no. 6 (November–December 1982), pp. 66–71.

 

J. Goldman 1988

Goldman, Judith. In Honor of Leo Castelli Gallery’s Thirtieth Anniversary. Tokyo: Akira Ikeda Gallery, 1988. Exhibition catalogue. (1988 Tokyo Ikeda).

 

J. Goldman 1994

Goldman, Judith. The Pop Image: Prints and Multiples. New York: Marlborough Graphics, 1994. Exhibition catalogue. (1994 New York Marlborough Graphics).

 

Golec 2008

Golec, Michael J. The Brillo Box Archive: Aesthetics, Design, and Art. Hanover, N.H.: Dartmouth College Press, 2008.

 

Golstenne 1991

Golstenne, Laurence. “Lichtenstein par Lichtenstein.” Beaux arts magazine (Paris) (June 1991).

 

Gomes 2000b

Gomes, Kathleen. “Pop escultural.” Cultura (Lisbon), May 12, 2000, p. 32.

 

Gómez Bedate 1970

Gómez Bedate, Pilar. “An Interview with Roy Lichtenstein.” Revista de arte/The Art Review (Universidad de Puerto Rico, Mayagüez), no. 5 (June 1970), pp. 3–6.

 

Good 1967

Good, Jeanne. “Lichtenstein Still Leads in Pop Art.” Citizen-News (Phenix City), April 15, 1967.

 

Goodman 2006

Goodman, James Neil. Roy Lichtenstein: Works on Paper. New York: James Goodman Gallery, 2006. Exhibition catalogue. Unpaginated. (2006 New York J. Goodman).

 

Goodman Gallery 1965

James Goodman Gallery at the Park Lane. Spring 1965. Buffalo: James Goodman Gallery, 1965.

 

Goodrich 1966

Goodrich, Lloyd. Art of the United States: 1670–1966. New York: Whitney Museum of American Art, 1966. Exhibition catalogue. (1966 New York Whitney).

 

Gopnik 1993

Gopnik, Adam. “The Wise Innocent.” The New Yorker 69, no. 37 (November 8, 1993), pp. 119–23.

 

Gopnik 1997

Gopnik, Adam. “The Modest Modernist.” The New Yorker (October 13, 1997), pp. 72–73.

 

Gorder 2001

Gorder, Erika B. Archival Assemblages: Rutgers and the Avant-garde, 1953–1964: An Exhibition. [New Brunswick, N.J.]: [Special Collections and University Archives, Rutgers University Libraries, the State University of New Jersey], 2001. Exhibition catalogue. (2001 New Brunswick, N.J., Rutgers Libraries).

 

Alastair Gordon 1968

Gordon, Alastair. “Art in the Modern Manner.” The Connoisseur 167, no. 673 (March 1968), p. 177.

 

Alice Gordon 1983

Gordon, Alice (photographs by Peter Vitale). “An Artist’s Island Life: Roy and Dorothy Lichtenstein in Florida.” House and Garden 155, no. 7 (July 1983), pp. 106–12.

 

Gorgoni 1985

Gorgoni, Gianfranco. Beyond the Canvas: Artists of the Seventies and Eighties. New York: Rizzoli, 1985.

 

Gottschalk 1971

Gottschalk, Earl C., Jr. “What’s That Thing Resembling a Giant Salmon-Hued Ice Bag?” Wall Street Journal, May 5, 1971.

 

Goya 1974

“El estado del ‘Pop’ a principios de esta temporada.” Goya, no. 123 (November 1974), p. 169.

 

Grafly 1962

Grafly, Dorothy. “But Is It Art?” Philadelphia Inquirer, October 26, 1962.

 

D. Graham 1979

Graham, Dan. “Art in Relation to Architecture/Architecture in Relation to Art.” Artforum 17, no. 6 (February 1979), pp. 22–29.

 

Grand Palais 2015a

Grand Palais, Paris. Picasso.mania. Translated by David Radzinowicz and David Wharry. Munich: Hirmer Verlag, 2015. Exhibition catalogue. (2015–16 Paris Grand Palais).

 

Grand Palais 2015b

Grand Palais, Paris. Picasso.mania. Paris: Éd. de la Réunion des Musées Nationaux-Grand Palais, 2015. Exhibition catalogue. (2015–16 Paris Grand Palais).

 

Grand Palais and Musée des beaux-arts 2006

Galeries nationales du Grand Palais, Paris and Musée des beaux-arts de Montréal. Il était une fois Walt Disney: Aux sources de l’art des studios Disney. Paris: Éditions de a Réunion des musée nationaux, 2006. Exhibition catalogue. (2006 Paris Grand Palais).

 

Grand Palais des Champs-Elysées 1980

91e exposition Société des artistes indépendants. Paris: Grand Palais des Champs-Elysées, 1980.

 

Graphis 1998

“In Memoriam: Roy Lichtenstein (1923–1997).” Graphis, no. 313 (1998), p. 112.

 

Graulich 2001

Graulich, Heather. “Did You Take a Guess at Which of the Artworks on the Front Page Is Worth $4 Million?” Palm Beach Post, January 7, 2001, p. 81.

 

Gray 1963

Gray, Cleve. “Remburgers and Hambrandts.” Art in America 51, no. 6 (December 1963), pp. 118–29.

 

Gray Gallery 1984a

Modern and Contemporary Masters: Paintings, Sculpture and Drawings. Chicago: Richard Gray Gallery, 1984. Unpaginated. (1984a Chicago Gray).

 

Gray Gallery 1984b

Richard Gray Gallery, Chicago. Roy Lichtenstein: Eight New Paintings. Chicago: Richard Gray Gallery, 1984. Exhibition catalogue. Unpaginated. (1984b Chicago Gray).

 

Gray Gallery 1987

Modern and Contemporary Masters. Chicago: Richard Gray Gallery, 1987. (1987 Chicago Gray).

 

Gray Gallery 1988

Richard Gray Gallery, New York. Twentieth-Century Paintings and Sculptures: Avery, Chia, Cucci, de Kooning, Diebenkorn, Dubuffet, Francis, Gottlieb, Hockney, Hofmann, Léger, Lichtenstein, Lipchitz, Miró, Picasso, Smith, Vuillard, Warhol. New York: Richard Gray Gallery, 1988. Exhibition catalogue. (1988 Chicago Gray).

 

Gray Gallery 1997

Richard Gray Gallery, New York. Roy Lichtenstein: Recent Drawings and Sculpture. Chicago: Richard Gray Gallery, 1997. Exhibition catalogue. (1997 Chicago Gray).

 

Gray Gallery 2001

Thirty-Five Drawings. Chicago and New York: Richard Gray Gallery, 2001. (2001 New York Gray).

 

Gray Gallery 2010

Richard Gray Gallery, New York and Chicago. Roy Lichtenstein: Modern Paintings. New York and Chicago: Richard Gray Gallery, 2010. Exhibition catalogue. (2010 New York Gray).

 

C. Gray 1965

Gray, Cleve. “The Portfolio Collector.” Art in America 53, no. 3 (June 1965), pp. 93–95.

 

Great History of Art 1997

Nijisseiki āto no jidai o chōbō suru (The appeal of modern art: Surveying the art of the 20th century). Great History of Art. Kyoto: Dōhōsha Shuppan, 1997.

 

Green 1964

Green, Samuel Adams. The New Art. Middletown, Conn.: Davison Art Center, Wesleyan University, 1964. Exhibition catalogue. (1964 Middletown, Conn., Davison).

 

Green 1966

Green, Samuel Adams. New Art in Philadelphia. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1966. Exhibition catalogue. (1966b Philadelphia ICA).

 

Green 1969

Green, Samuel Adams. American Painting: The 1960’s. New York: American Federation of Arts, 1969. Exhibition catalogue. (1969 Athens University of Georgia).

 

Greenberg and Jordan 1991

Greenberg, Jan, and Sandra Jordan. The Painter’s Eye. New York: Delacorte, 1991.

 

Greene 1979

Greene, Stephen. Works on Paper U.S.A. West Nyack, N.Y.: Rockland Center for the Arts, 1979. Exhibition catalogue. (1979 ROCA).

 

Greene 1994

Greene, David A. “Roy Lichtenstein.” Art Issues, no. 33 (May–June 1994), p. 36.

 

Greenfeld 1966

Greenfeld, Josh. “Sort of the Svengali of Pop.” New York Times Magazine, May 8, 1966, pp. 34–35, 38, 40, 42, 45–46, 48, 50, 52, 55.

 

Gregory 2014

Gregory, Mary. “Pop Sculpture.” Pulse Magazine (Patchogue, New York) (July/August 2014), p. 97.

 

Greig 1992

Greig, Geordie. “Still Popping Along.” Sunday Times (London), February 9, 1992, p. 10.

 

Grenville 2008

Grenville, Bruce, ed. Krazy! The Delirious World of Anime + Comics + Video Games + Art. Vancouver: Vancouver Art Gallery and Douglas and McIntyre, 2008. Exhibition catalogue. (2008 Vancouver Art Gallery).

 

Grinke 1968

Grinke, Paul. “Comic Cuts.” Spectator (London) (January 12, 1968).

 

Groos and Schimpf 2012

Groos, Ulrike, and Simone Schimpf, eds. Rasterfahndung: Das Raster in der Kunst nach 1945. Stuttgart: Kunstmuseum Stuttgart; Cologne: Wienand, 2012. Exhibition catalogue.

 

R. Gross 1967

Gross, Ronald. Pop Poems. New York: Simon and Schuster, 1967.

 

R. Gross 1968

Gross, Ronald. “Pop Poems.” Art in America 56, no. 2 (March–April 1968), pp. 76–79.

 

Grossberg 1965

Grossberg, Jacob. “In the Museums: Art in Process.” Arts Magazine (New York) 39, no. 7 (April 1965), p. 54.

 

Gruen 1963

Gruen, John. “Mystiques, Anyone?” New York: The Sunday Herald Tribune Magazine, September 29, 1963, p. 53.

 

Gruen 1965

Gruen, John. “Kitsch As Kitsch Can.” New York Herald Tribune, December 5, 1965, p. 39.

 

Gruen 1968

Gruen, John. “Art in New York.” New York (September 2, 1968), p. 13.

 

Gruen 1969

Gruen, John. “‘So What?’ Indeed!” New York Herald Tribune, September 22, 1969, p. 59.

 

Gruen 1971

Gruen, John. “Drawn and Quartered.” New York Magazine 4, no. 3 (January 18, 1971), p. 41.

 

Gruen 1976

Gruen, John. “Roy Lichtenstein: From Outrageous Parody to Iconographic Elegance.” ARTnews 75, no. 3 (March 1976), pp. 39–42.

 

Gruen 1985

Gruen, John. “Artist’s Dialogue: Roy Lichtenstein: Bold Strokes of Wit and Wisdom.” Architectural Digest 42, no. 9 (September 1985), pp. 52, 56, 60, 62.

 

Grundbacher 1982

Grundbacher, François. “Exakt neutral: Roy Lichtenstein im Musée des Arts Décoratifs.” Du, no. 12 (1982), pp. 104, 106.

 

Grunenberg and Hollein 2002

Grunenberg, Christoph, and Max Hollein, eds. Shopping: A Century of Art and Consumer Culture. Ostfildern-Ruit, Germany: Hatje Cantz, 2002. Exhibition catalogue. (2002 Frankfurt Schirn).

 

Gruninger 1983

Gruninger, Pamela. Modern Still Life. Stamford: Whitney Museum of American Art, Fairfield County, 1983. Exhibition brochure. (1983 Stamford Whitney).

 

Guangdong 2000

Guangdong Museum of Art. Die bekannten deutschen Kunstsammler, Peter und Irene Ludwig, schenken China Kunstwerke aus aller Welt. Shanghai: Shanghai Art Museum, 2000. Exhibition catalogue. (1999 Shanghai Art Museum).

 

Guardian 1968

“Royal Road to Roy.” Guardian (London), January 9, 1968.

 

Gudebus 1988

Gudebus, Lesley J. “Daring Drawings.” Continental (Austin, Tex.) (September 1988).

 

Guggenheim 1976

Solomon R. Guggenheim Museum. Acquisition Priorities: Aspects of Postwar Painting in America. New York: Solomon R. Guggenheim Museum, 1976. Exhibition catalogue. (1976b New York Guggenheim).

 

Guggenheim 1992

Solomon R. Guggenheim Museum. Guggenheim Museum: A to Z. New York: Solomon R. Guggenheim Museum, 1992.

 

Guigui 1993

Guigui, Jacqueline. “Roy Lichtenstein: The High Priest of Pop Art.” Spotlight (October 1993), pp. 12–16.

 

Guild Hall 2015

Guild Hall. Roy Lichtenstein: Between Sea and Sky. East Hampton: Officina Libraria in collaboration with Guild Hall, East Hampton, New York, 2015. Exhibition catalogue. (2015 East Hampton Guild Hall).

 

Guilleminot 2008

Guilleminot, Adrien. “Ça bouge, mais comment?” Arts Magazine (Paris), no. 23 (April 2008), pp. 80–81.

 

Gumpert and Wallis 1991

Gumpert, Lynn, and Brian Wallis. Beyond the Frame: American Art 1960–1990. Tokyo: Committee for Beyond the Frame, 1991. Exhibition catalogue. (1991 Tokyo Setagaya).

 

Gunter 1992

Gunter, Carl A. Semantics of Programming Languages: Structures and Techniques. Cambridge, Mass.: MIT Press, 1992.

 

Gural 2001

Gural, Natasha. “Diversity of Artist’s Technique on Display.” Greenwich [Conn.] Time, November 7, 2001, p. A11.

 

Gutierrez 1988

Gutierrez, Raul. “Roy and John.” The Kiosk (Princeton, N.J.), March 31, 1988.

 

Gutman 1968

Gutman, Walter. The Dominant Woman. New York: Contemporary Study Wing, Museum of Art, Finch College, 1968. Exhibition catalogue. (1968 New York Finch).

 

Haacke 1999

Haacke, Hans. Ansichts Sachen/Viewing Matters. Düsseldorf: Düsseldorf, 1999. Exhibition catalogue. (1996 Rotterdam Boijmans).

 

Haas 1953

Haas, Irvin. “The Print Collector: November Color Prints.” ARTnews 52, no. 7 (November 1953), pp. 65–66.

 

Hagen 1995

Hagen, Charles. “In Connecticut, a Collector’s Eclecticism.” New York Times, July 14, 1995, p. C16.

 

Hahn 1965a

Hahn, Otto. “L’art à New York: L’Op chasse le Pop.” L’express (Paris) (April 26–May 2, 1965), pp. 88–90.

 

Hahn 1965b

Hahn, Otto. “Galeries: La peinture au tire-ligne.” L’express (Paris) (June 21–27, 1965).

 

Hahn 1965c

Hahn, Otto. “Lettre de Paris: La peinture mécanique.” Art International 9, no. 6 (September 1965), pp. 70–76.

 

Hahn 1966

Hahn, Otto. “Roy Lichtenstein.” Ed. James Fitzsimmons. Translated by Arnold Rosin. Art International 10, no. 6 (summer 1966), pp. 64, 66–69.

 

Hahn 1968

Hahn, Otto. “Le magnat du shampooing rafle le Pop art.” L’express (Paris) (September 2–8, 1968), p. 55.

 

Hahn 1974

Hahn, Otto. “Roy Lichtenstein.” Art Press, no. 15 (December 1974–January 1975), pp. 4–5.

 

Hahn 1975

Hahn, Otto. “Lichtenstein, ce romantique.” L’Express (Paris), January 13, 1975, p. 16.

 

Hahn 1982

Hahn, Otto. “Les miroirs de Lichtenstein.” L’express (Paris) (September 24–30, 1982), pp. 23, 25.

 

Hahn 1991

Hahn, Otto. “L’étendard du Pop art.” L’express (Paris) (June 6, 1991).

 

Halasz 1973

Halasz, Piri. “Silk-Screen Show Opening in Orange.” New York Times, July 15, 1973, p. 74.

 

D. Hall 1997

Hall, David. “Roy Lichtenstein.” Art Monthly, no. 211 (November 1997), p. 23.

 

J. Hall 2003

Hall, John M. “The Shape of Things to Come.” HC and G (Hamptons Cottages and Gardens) 2, no. 8 (September–October 2003), pp. 96–105.

 

L. Hall 1983

Hall, Lee. “Material Pleasures.” House and Garden 155, no. 4 (April 1983), pp. 6, 8, 12.

 

H. Halle 1999

Halle, Howard. “Art Reviews: U.S.A. Today: Part II of the Whitney’s ‘American Century’ Is Better Than Part I, but It Still Doesn’t Make the Grade.” Time Out New York (October 7–14, 1999), p. 83.

 

Hamburger Abendblatt

“Roy-Lichtenstein-Retrospektive in den Deichtorhallen.” Hamburger Abendblatt, February 10, 1995, p. 6.

 

Hamburger Abendblatt 1995a

“Deichtorhallen: Roy Lichtenstein zu Besuch in Hamburg.” Hamburger Abendblatt, 1995, p. 7.

 

Hamburger Bahnhof 2007

Hamburger Bahnhof Museum für Gegenwart. Andy Warhol, Roy Lichtenstein, Robert Rauschenberg, Cy Twombly, Anselm Kiefer. Baden-Baden: Frieder Burda Museum, 2007. Exhibition catalogue. (2007 Baden-Baden Burda).

 

Hamilton 1968

Hamilton, Richard. “Roy Lichtenstein.” Studio International 175, no. 896 (January 1968), pp. 20–24.

 

Hannover Kestner-Gesellschaft 1973

Hannover Kestner-Gesellschaft. Hommage à Picasso. Hannover: Hannover Kestner-Gesellschaft, 1973. Exhibition catalogue. (1973 Hannover Kestner).

 

Hanover 1966

Hanover Gallery, London. The Poetic Image. London: Hanover Gallery, 1966. Exhibition catalogue. (1966 London Hanover).

 

Harb 1994

Harb, Karl. “Mehr als Ikonen der Pop-Art Der Blick auf ein Lebenswerk.” Salzburger Nachrichten, October 25, 1994.

 

Harff 1969

Harff, Illi-Maria. OK America. Winnipeg: Winnipeg Art Gallery, 1969. Exhibition catalogue. (1969 Winnipeg WAG).

 

Hargittai 1995

Hargittai, István. “Peace Through Chemistry.” The Chemical Intelligencer 1, no. 3 (July 1995), pp. 55–58.

 

Harkness 2014

Harkness, Hilary. “A Nude of One’s Own.” In Roy Lichtenstein: Nudes and Interiors, by FLAG Art Foundation, pp. 9–11. New York: FLAG Art Foundation, 2014. Exhibition catalogue.

 

Harlin 2005

Harlin, Tayt. “New York’s Real Underground Art Scene.” New York Sun, June 30, 2005, p. 15.

 

Harper 2003

Harper, Cheryl. A Happening Place. Philadelphia: The Jewish Community Centers of Greater Philadelphia, 2003. Exhibition catalogue. (2003 Philadelphia Gershman Y).

 

Harper’s Bazaar 1963

“The Avant-Garde Fifty Years Later.” Harper’s Bazaar (May 1963), pp. 156–59.

 

Harper’s Bazaar 1987

“Artsmart.” Harper’s Bazaar (March 1987).

 

Harris 1993

Harris, Jonathan. “Modernism and Culture in the USA, 1930–60.” In Paul Wood, Francis Frascina, Harris, and Charles Harrison. Modernism in Dispute: Art since the Forties, pp. 2–76. New Haven: Yale University Press in association with the Open University, London, 1993.

 

Harrison 1976

Harrison, Helen A. “Lichtenstein Uses Mirrors.” New York Times, November 4, 1979, p. 23.

 

Harrison 1980

Harrison, Helen A. “By an Artist Who Paid His Dues.” New York Times, September 28, 1980, p. 13.

 

Harrison 1981

Harrison, Helen A. “Lively Experiments with the Still Life.” New York Times, May 3, 1981, p. 22.

 

Harrison 1982b

Harrison, Helen A. “Printmaking by Hamptons Artists.” New York Times, October 31, 1982, p. 24.

 

Harrison 1997

Harrison, Helen A. “Recalling Roy Lichtenstein on Long Island.” New York Times, October 15, 1997, p. 15.

 

Harrison 2004

Harrison, Helen A. “The Big Brushes from the East End: ‘Academy of the Arts.'” New York Times, July 25, 2004, p. LI8.

 

Harten 1979

Harten, Jürgen. Musée des sacrifices, musée de l’argent: de la nature étrange de l’argent dans l’art, la société, et la vie. Paris: Centre Georges Pompidou and Musée national d’art moderne, 1979. Exhibition catalogue. (1978 Düsseldorf Kunsthalle).

 

Harten 2000

Harten, Jürgen, ed. Das fünfte Element, Geld oder Kunst: Ein fabelhaftes Lexikon zu einer verlorenen Enzyklopädie. Cologne: DuMont, 2000. Exhibition catalogue. (2000 Düsseldorf Kunsthalle).

 

Hartt 1976

Hartt, Frederick. Art: A History of Painting, Sculpture, Architecture. New York: Harry N. Abrams, 1976.

 

Harvey 1979

Harvey, Donald. Seven Artists at Tyler Graphics Ltd. Athens, Ohio: Trisolini Gallery, Ohio University, 1979. Exhibition catalogue. (1979 Athens, Ohio, Trisolini).

 

Hasegawa 1991

Hasegawa, Tokushichi. Lichtenstein, Rauschenberg, Rosenquist: Gendai Amerika sakka sanninten (Lichtenstein, Rauschenberg, Rosenquist: Exhibition of three modern American artists). Tokyo: Galerie Nichido, 1991. Exhibition catalogue. (1991 Tokyo Nichido).

 

Haskell 1984

Haskell, Barbara. Blam! The Explosion of Pop, Minimalism, and Performance, 1958–1964. New York: Whitney Museum of American Art, 1984. Exhibition catalogue. (1984 New York Whitney).

 

Haus der Kunst 1994

Haus der Kunst, Munich. Roy Lichtenstein: Die Retrospektive. Munich: Haus der Kunst, 1994. Supplement to exhibition catalogue (Waldman 1993b).

 

Hayat 1990

Hayat, Yves J., ed. Art Collectors. Vol. 1. Paris: Éditions Numero 5, 1990.

 

Haydon 1965

Haydon, Harold. “Art: Works A-Poppin’ at Ravinia.” Chicago Sun-Times, July 4, 1965, p. 3.

 

Hayes 1997

Hayes, Mary Eshbaugh. “Lichtenstein ‘Pops’ Back onto the Aspen Scene.” Aspen Times, July 12–13, 1997, B4, B10.

 

Haywood 1994

Haywood, Robert E. Pop! A Print Survey of the Pop Art Style from the Collection of Leo Castelli. Gainesville, Georgia: Brenau University, 1994. Exhibition catalogue. (1994a Gainesville, Ga., Brenau).

 

Healy 2003

Healy, Patrick. “A Pop Art Jigsaw Puzzle Is Assembled Deftly.” New York Times, November 17, 2003, p. B4.

 

Heard 1976

Heard, James. “Lichtenstein.” Arts Review (London) 28, no. 8 (April 16, 1976), p. 182.

 

Heartney 1987

Heartney, Eleanor. “Roy Lichtenstein: Master of the Benday Dot.” ARTnews 86, no. 6 (summer 1987), p. 210.

 

Heartney 1988

Heartney, Eleanor. “Roy Lichtenstein.” ARTnews 87, no. 5 (May 1988), p. 165.

 

Heartney 1989a

Heartney, Eleanor. “Blindness and Insight.” ARTnews 88, no. 8 (October 1989), pp. 27–28.

 

Heartney 1989b

Heartney, Eleanor. “Joint Ventures.” ARTnews 88, no. 2 (February 1989), p. 15.

 

Heartney 1997

Heartney, Eleanor. “Roy Lichtenstein at Leo Castelli.” Art in America 85, no. 2 (February 1997), p. 99.

 

Heckscher 1969

Heckscher Museum. The Changing Face of War. Huntington, N.Y.: Heckscher Museum, 1969. Exhibition brochure. (1969 Huntington, N.Y., Heckscher).

 

Heffernan 1987

Heffernan, James A. W., ed. Space, Time, Image, Sign: Essays on Literature and the Visual Arts. New York: Peter Lang, 1987.

 

Heiferman and Phillips 1989

Heiferman, Marvin, and Lisa Phillips. Image World: Art and Media Culture. New York: Whitney Museum of American Art, 1989. Exhibition catalogue. (1989b New York Whitney).

 

Helander 2008

Helander, Bruce. Learning to See: An Artist’s View on Contemporary Artists from Artschwager to Zakanitch. Ed. Susan Hall. West Palm Beach, Fla.: Star Group International, 2008.

 

Helman Gallery 1999

Joseph Helman Gallery. Pop Masterworks: Lichtenstein, Oldenburg, Warhol. New York: Joseph Helman Gallery, 1999. Exhibition catalogue. (1999 New York Helman).

 

Hendra 1993

Hendra, Tony. Brad ’61: Portrait of the Artist As a Young Man. New York: Pantheon Books, 1993.

 

Hendrick 1967

Hendrick, Kimmis. “‘Which Comics Do You Read, Mr. Lichtenstein?.'” Christian Science Monitor, April 29, 1967, p. 6.

 

Hendricks 2000

Hendricks, Norine S. “Pop Goes the Artist: Roy Lichtenstein.” Timeline (Ohio Historical Society, Columbus) 17, no. 5 (September–October 2000), pp. 14–37.

 

Hendrickson 1988a

Hendrickson, Janis. Roy Lichtenstein. Cologne: Benedikt Taschen, 1988.

 

Hendrickson 1988b

Hendrickson, Janis. Roy Lichtenstein: Die Ironie des Banalen. Translated from the English by Jannik Storm. Cologne: Benedikt Taschen, 1988.

 

Henn 1987

Henn, Ulrike. “Keine Rede mehr von Pop.” Art: Das Kunstmagazin (Hamburg), no. 4 (April 1987), pp. 52–62.

 

Hennessey 1978

Hennessey, William J. Artists Look at Art. Lawrence: Helen Foresman Spencer Museum of Art, University of Kansas, 1978. Exhibition catalogue. (1978 Lawrence Spencer Museum).

 

Henning 1966

Henning, Edward B. Roy Lichtenstein. Cleveland: Cleveland Museum of Art, 1966. Handout, 4 pages. (1966 Cleveland Museum of Art).

 

Henning 1973

Henning, Edward B. “Reconstruction: A Painting by Jasper Johns.” Bulletin of the Cleveland Museum of Art 60, no. 8 (October 1973), pp. 234–41.

 

C. Henry 2002

Henry, Clare. “Next Stop: Lichtenstein.” Financial Times (New York), September 14–15, 2002, p. 8.

 

G. Henry 1970

Henry, Gerrit. “New York.” Art International 14, no. 10 (December 25, 1970), pp. 75–80.

 

G. Henry 1971

Henry, Gerrit. “New York Letter.” Art International 15, no. 5 (May 20, 1971), pp. 73–74, 84.

 

G. Henry 1973

Henry, Gerrit. “Reviews and Previews: Roy Lichtenstein.” ARTnews 72, no. 4 (April 1973), p. 77.

 

Herget 1963

Herget, Holly. “OSU Professor Collects ‘Pop’ Art.” Ohio State [Columbus] Lantern, February 7, 1963, p. 3.

 

Hermand 1971

Hermand, Jost. Pop International: Eine kritische Analyse. Frankfurt am Main: Athenäum, 1971.

 

Herms Drath 1971

Herms Drath, Viola. “The Thirty-Second Corcoran Biennial: Art As Visual Event.” Art International 15, no. 5 (May 20, 1971), pp. 40–44.

 

Herzka 1965

Herzka, Dorothy. Pop Art One. New York: Publishing Institute of American Art, 1965.

 

T. Hess 1974

Hess, Thomas. “Macho Ado About Nothing.” New York Magazine 7, no. 47 (November 25, 1974), p. 99.

 

W. Hess 1970

Hess, Walter. “Materialien zum Problem der Realität in der gegenwärtigen Kunst.” , pp. 420–39. Cologne: M. DuMont Schauberg, 1970.

 

Het Parool 1967

“Pop Art-pionier Lichtenstein.” Het Parool (Amsterdam), November 4, 1967.

 

Heyler 2015

Heyler, Joanne. The Broad Collection. Munich: Prestel Verlag, 2015.

 

Heyliger 1975

Heyligers, Claude. “Roy Lichtenstein.” Journal du Racing (February 1975), p. 23.

 

Hickey 2010

Hickey, Dave. “Roy Lichtenstein’s Modern Paintings: Dylan Goes Electric.” In Roy Lichtenstein: Modern Paintings, by Richard Gray Gallery, New York and Chicago, pp. 9–13. New York and Chicago: Richard Gray Gallery, 2010. Exhibition catalogue.

 

Hillier 1971

Hillier, Bevis. The World of Art Deco. New York: E. P. Dutton and Co. 1971. Exhibition catalogue. (1971 Bloomfield Hills Cranbrook).

 

Hilton 1993

Hilton, Tim. “Whaam! Pop! The Bubble Bursts.” Sunday Review (London), February 28, 1993.

 

Hindry 1990

Hindry, Ann, ed. Claude Berri rencontre Leo Castelli. Paris: Banque de l’Union Occidentale, 1990.

 

Hindry 2013a

Hindry, Ann. “Par la BD, Lichtenstein réinvente la peinture.” In Roy Lichtenstein au Centre Pompidou, edited by Claude Pommereau, pp. 36–41. Issy-les-Moulineaux, France: Beaux Arts Éditions, 2013.

 

Hindry 2013b

Hindry, Ann. “Un peintre décidément à contre-courant.” In Roy Lichtenstein au Centre Pompidou, edited by Claude Pommereau, pp. 9–13. Issy-les-Moulineaux, France: Beaux Arts Éditions, 2013.

 

Hindry 2013c

Hindry, Ann. “Roy Lichtenstein: L’art mis au point.” Beaux arts magazine (Paris), no. 349 (July 2013), pp. 68–77.

 

Hinkle 2015

Hinkle, Annette. “The Unexpected View.” Sag Harbor [N.Y.] Express, September 17, 2015, B1, B2.

 

Hiromoto 1994

Hiromoto, Nobuyuki. “Roy Lichtenstein.” BT 6 [Bijutsu techō] (Tokyo) 46, no. 689 (June 1994), pp. 70–83.

 

Hiromoto 1998

Hiromoto, Nobuyuki. “The Diverse Sides of Lichtenstein.” Translated by Anne Poole. Mainichi Weekly, June 13, 1998, pp. 10–11.

 

Hiromoto 2003

Hiromoto, Nobuyuki. Neko mo daisuki gendai āto (Cats love contemporary art too). Kyoto: Tankosha, 2003.

 

Hiromoto and Nakajima 2006

Hiromoto, Nobuyuki, and Keiko Nakajima, eds. Joy Pop! Pop Art 1960s to 2000s: From Lichtenstein and Warhol to the Current Generation. Tokyo: Yomiuri Shimbun and Japan Association of Art Museums, 2006. Exhibition catalogue. (2006 Tokyo Seiji Togo).

 

Hirshhorn 1999

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Regarding Beauty: A View of the Late 20th Century. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1999. Exhibition catalogue. (1999 Washington, D.C. Hirshhorn).

 

Hirshhorn and Haus der Kunst 1999

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., and Haus der Kunst, Munich. Beauty Now: Die Schönheit in der Kunst am Ende des 20. Jahrhunderts. Ostfildern-Ruit, Germany: Hatje Cantz, 1999. Exhibition catalogue. (1999 Washington, D.C. Hirshhorn).

 

Ho 1998

Ho, Janet. “American Pop Icon Was Dotty about Chinese Art.” Straits Times, February 18, 1998, pp. 2–3.

 

Ho-Am 1988

Ho-Am Gallery, Seoul. Nyu Yok hyŏndae misuljŏn/Contemporary Art from New York. Seoul: Ho-Am Gallery, 1988. Exhibition catalogue. (1988 Seoul Ho-Am).

 

Hoberman 1982

Hoberman, J. “Love and Death in the American Supermarketplace.” Village Voice (New York), November 9, 1982, pp. 1–2.

 

Hochschule für Grafik und Buchkunst 1984

Galerie der Hochschule für Grafik und Buchkunst, Leipzig. Amerikanische Pop Art aus der Sammlung Ludwig Köln. Leipzig: Galerie der Hochschule für Grafik und Buchkunst, 1984. Exhibition brochure. (1984 Leipzig Hochschule).

 

Hodge 1966

Hodge, G. Stuart. Flint Invitational. Flint: Flint Institute of Arts, 1966. Exhibition catalogue. (1966 Flint Institute).

 

Hoesterey 1976

Hoesterey, Ingeborg. “New York.” Art International 20, nos. 2–3 (February–March 1976), pp. 56–65.

 

Hoffman and Weiermair 1983

Hoffman, Hilmar, and Peter Weiemair. Kunst nach 45 aus Frankfurter Privatbesitz. Frankfurt a.M.: Frankfurter Kunstverein, 1983. Exhibition catalogue. (1983 Frankfurt Kunstverein).

 

J. Hoffman, Driscole, and Zahler 1977

Hoffman, Jay, Dee Driscole, and Mary Clare Zahler. A Study in Regional Taste: The May Show 1919–1975. Cleveland: Cleveland Museum of Art, 1977. Exhibition catalogue. (1977 Cleveland Museum).

 

P. Hoffman 1970

Hoffman, Paul. “35th Art Biennale Beset by Problems at Venice Opening.” New York Times, June 24, 1970, p. 38.

 

Hoffmann 1974

Hoffmann, D. “Keine Angst vor Pop.” Scala 12 (1974).

 

Hoffmann 1988

Hoffmann, Dieter. “Roy Lichtenstein: Reklame und Comic-Welt.” Kunst (Munich), no. 3 (March 1988), p. 182.

 

Hofmaier 2003

Hofmaier, James. The Sixties: Lichtenstein, Warhol, Wesselmann, Rosenquist. Munich: Galerie Daniel Blau, 2003. Exhibition catalogue.

 

Hofmann 1964a

Hofmann, Werner. Neue Realisten und Pop Art. Berlin: Akademie der Künste, 1964. Exhibition catalogue. (1964 Berlin Akademie).

 

Hofmann 1964b

Hofmann, Werner. Pop, Etc. Vienna: Museum des 20, Jahrhunderts, 1964. Exhibition catalogue. (1964 Vienna Museum des 20. Jh.).

 

H. Hohl 1971

Hohl, Hanna. “Roy Lichtensteins Serie der Haystacks nach Monets Meules: Eine Neuerwerbung des Kupferstichkabinetts.” In Jahrbuch der Hamburger Kunstsammlungen, vol. 18, by Wallraf-Richartz-Museum, Cologne, pp. 167–70. Hamburg: Dr. Ernst Hauswedell und Co. Verlag, 1971.

 

R. Hohl 1972

Hohl, Reinhold. Highlights. Basel: Galerie Beyeler, 1972. Exhibition catalogue.

 

R. Hohl 1975

Hohl, Reinhold. Paysages après l’Impressionnisme. Basel: Galerie Beyeler, 1975. Exhibition catalogue. (1975 Basel Galerie Beyeler).

 

R. Hohl 1978

Hohl, Reinhold. The Silent Dialogue: The Still Life in the 20th Century. Basel: Galerie Beyeler, 1978. Exhibition catalogue. (1978b Basel Galerie Beyeler).

 

R. Hohl 1979

Hohl, Reinhold. Maestros del siglo XX: Naturaleza muerta. Madrid: Fundación Juan March, 1979. Unpaginated. (1979 Madrid Fundación March).

 

R. Hohl 1985

Hohl, Reinhold. Black and White: From Manet to Kiefer. Basel: Galerie Beyeler, 1985. Exhibition catalogue. (1985 Basel Galerie Beyeler).

 

Höke 1966

Höke, Bernhard, ed. Mit Beiträgen von Jürgen Becker, Max Bense, E. Gomringer, G. Rühm, W. Vostell, E. Williams, Roy Lichtenstein, Nam June Paik, Diter Rot. Berlin: Christian Grützmacher, 1966.

 

J. Holland 1969

Holland, Julian. “Pop Goes the Easel.” Daily Mail (London), July 7, 1969, p. 8.

 

M. Holland 1967

Holland, Mary. “Mr. Pop Comes to Town.” London Observer, December 31, 1967, p. 7.

 

Hollein 1983

Hollein, Hans. “Abteiberg Museum Mönchengladbach.” GA Document (Tokyo) 6 (1983).

 

Holm, Tøjner, and Caiger-Smith 2003a

Holm, Michael Juul, Poul Erik Tøjner, and Martin Caiger-Smith, eds. Roy Lichtenstein: All about Art. Humlebaek, Denmark: Louisiana Museum of Modern Art, 2003. Exhibition catalogue. (2003 Humlebaek Louisiana).

 

Holm, Tøjner, and Caiger-Smith 2003b

Holm, Michael Juul, Poul Erik Tøjner, and Martin Caiger-Smith, eds. Roy Lichtenstein: All about Art. Humlebaek, Denmark: Louisiana Museum of Modern Art, 2003. Exhibition catalogue. (2003 Humlebaek Louisiana).

 

Holzhauer 1994

Holzhauer, Angela. “Comics für Fortgeschrittene.” Lippische Landeszeitung, November 3, 1994.

 

Homem 2017

Homem, Antonio. Attorno alla Pop art nella Sonnabend Collection. Da Johns e Rauschenberg a Warhol e Lichtenstein e a Koons. Venezia: Lineadacqua, 2017.

 

Homem and Rylands 2011a

Homem, Antonio, and Philip Rylands. Ileana Sonnabend: An Italian Portrait. New York: Solomon R. Guggenheim Foundation, 2011. Exhibition catalogue.

 

Homem and Rylands 2011b

Homem, Antonio, and Philip Rylands. Ileana Sonnabend: Un ritratto italiano. Venice: Peggy Guggenheim Collection, 2011. Exhibition catalogue.

 

Hong Kong Museum of Art 1998

Hong Kong Museum of Art. Roy Lichtenstein: Landscapes in Chinese Style. Hong Kong: Hong Kong Museum of Art, 1998. Exhibition catalogue. Unpaginated. (1997 Boston MFA).

 

Honisch and Jensen 1976

Honisch, Dieter, and Jens Christian Jensen, eds. Amerikanische Kunst von 1945 bis Heute: Kunst der USA in europäischen Sammlungen. Cologne: DuMont, 1976. Exhibition catalogue.

 

Honnef 1969a

Honnef, Klaus. Aktuelle Kunst: Ein Rundgang durch die Ausstellung. Aachen: Suermondt-Museum, 1969. Exhibition catalogue. (1969 Aachen Suermondt).

 

Honnef 1969b

Honnef, Klaus. Heutige Kunst: Kleiner Katalog. Aachen: Suermondt-Museum, 1969.

 

Honnef 1970

Honnef, Klaus. “Die Sammlung Ludwig.” In Die Kunst und das schöne Heim: Monatsschrift für Malerei, Plastik, Graphik, Architektur und Wohnkultur.

 

Honnef 2004

Honnef, Klaus. Pop Art. Ed. Uta Grosenick. Cologne: Taschen, 2004.

 

Honnef, Krüger, and Taylor 1976

Honnef, Klaus, Ingeborg Krüger, and Joshua C. Taylor, eds. 200 Jahre amerikanische Malerei, 1776–1976. Bonn: Rheinisches Landesmuseum, 1976. Exhibition catalogue. (1976 Bonn Landesmuseum).

 

Honour and Fleming 1982

Honour, Hugh, and John Fleming. A World History of Art. London: Macmillan, 1982.

 

Honour and Fleming 1983

Honour, Hugh, and John Fleming. Weltgeschichte der Kunst. Munich: Prestel Verlag, 1983.

 

B. Hopkins 1976

Hopkins, Budd. “New York.” Artforum 14, no. 5 (January 1976), pp. 57–60.

 

D. Hopkins 2000

Hopkins, David. After Modern Art, 1945–2000. Oxford, England: Oxford University Press, 2000.

 

J. Hopkins 1963

Hopkins, John F. “Introduction.” In Invited Group Show: 12 American Artists, by Heckscher Museum, Huntington, N.Y. Huntington, N.Y.: Heckscher Museum, 1963. Exhibition brochure. (1963 Huntington, N.Y., Heckscher).

 

Horowitz 1963

Horowitz, Leonard. “Art: Six Characters in Search of an Art Movement.” Village Voice (New York), April 4, 1963, p. 11.

 

Horowitz 1985

Horowitz, Ikhail. “Avery Profs get ‘A’s at Bard.” Sunday Freeman (Kingston [N.Y.]), May 19, 1985, p. 33.

 

Houdek 1967

Houdek, Dick. “Is Pop Art A Sign of Decadent Life?” Tempo/Los Angeles Herald-Examiner California Living, April 30, 1967, p. 38.

 

Hough and Zakian 1992

Hough, Katherine Plake, and Michael Zakian. Transforming the Western Image in 20th Century American Art. Palm Springs: Palm Springs Desert Museum, 1992. Exhibition catalogue. (1992 Palm Springs Desert Museum).

 

Houle 1994

Houle, Alain. “Bande dessinée histoire: Roy Lichtenstein.” Magazine parcours: Arts et vie (Montreal) 40 (summer 1994), pp. 9–11, 82.

 

Jan Howard 1995

Howard, Jan. “Reflections of ‘The Prints of Roy Lichtenstein.'” The Print Collector’s Newsletter 26, no. 3 (July–August 1995), pp. 82–86.

 

Jane Howard 1964

Howard, Jane. “A Creative Capacity to Astonish: Terry Southern, Author Who Blasts Smugness.” Life 57, no. 8 (August 21, 1964), pp. 39–40, 42.

 

R. Howard 2000

Howard, Rhonda Lane. Shifting Ground: Transformed Views of the American Landscape. Seattle: Henry Art Gallery, University of Washington, 2000. Exhibition catalogue. (2000 Seattle Henry).

 

Hudson 1966a

Hudson, Andrew. “Biennale Begins Season, at Last.” Washington Post, December 4, 1966, p. G1.

 

Hudson 1966b

Hudson, Andrew. “Op! Pop! Bang!” Washington Post, February 13, 1966, p. G1.

 

Huffman and Hutchinson, eds. 2006

Huffman, Kathy Rae, and James Hutchinson, eds. 20: Twenty: a Timeline of Cornerhouse Exhibitions 1985-2005. Manchester: Cornerhouse, 2006. Exhibition catalogue. (2005 Manchester, U.K., Cornerhouse).

 

Hughes 1971

Hughes, Robert. “The Revival of Prints.” Time 97, no. 3 (January 18, 1971), p. 56.

 

Hughes 1974

Hughes, Robert. “The Instant Nostalgia of Pop.” Time 103, no. 15 (April 15, 1974), p. 81.

 

Hughes 1981a

Hughes, Robert. “All-American Mannerist.” Time 117, no. 25 (June 22, 1981), pp. 60–61.

 

Hughes 1981b

Hughes, Robert. The Shock of the New. New York: Alfred A. Knopf, Inc. 1981.

 

Hughes 1988

Hughes, Robert. “The Private Eye of Steve Martin.” House and Garden 160, no. 4 (April 1988), pp. 142–45, 214, 216.

 

Hughes 1993

Hughes, Robert. “The Image Duplicator.” Time 142, no. 19 (November 8, 1993), pp. 83–84.

 

Hughes 1997a

Hughes, Robert. “Breaking the Mold.” Time special issue (Spring 1997), pp. 76–85.

 

Hughes 1997b

Hughes, Robert. “Pop’s Most Popular: With Humor and Style, Roy Lichtenstein Made Beauty Out of ‘Trash.'” Time 150, no. 15 (October 13, 1997), p. 101.

 

Hülsen-Esch, Körner, and Wiener 2014

Hülsen-Esch, Andrea von, Hans Körner, and Jürgen Wiener, ed. CampusKunst: Heinrich-Heine-Universität Düsseldorf. Düsseldorf: Düsseldorf University Press, 2014.

 

M. Hunter 1977

Hunter, Marjorie. “Carter Meets Five American Artists Who Portrayed His Inauguration.” New York Times, June 15, 1977, sec. 2, p. 12.

 

S. Hunter 1963a

Hunter, Sam. An Exhibition of the Poses Institute of Fine Arts, Brandeis University: Recent Acquisitions, the Gevirtz-Mnuchin Collection and Related Gifts. New York: Kootz Gallery, 1963. Exhibition brochure. (1963 New York Kootz).

 

S. Hunter 1963b

Hunter, Sam. New Directions in American Painting. Waltham, Mass.: Poses Institute of Fine Arts, Brandeis University, 1963. Exhibition catalogue. Unpaginated. (1963 Utica Munson-Williams-Proctor).

 

S. Hunter 1966a

Hunter, Sam. “Art since 1945.” In New Art Around the World: Painting and Sculpture, by Will Grohmann and Hunter, pp. 9–58. New York: Harry N. Abrams, 1966.

 

S. Hunter 1966b

Hunter, Sam. The Harry N. Abrams Family Collection. New York: Jewish Museum, 1966. Exhibition catalogue. (1966 New York Jewish Museum).

 

Hunter 1969

Hunter, Sam. “Neorealismo, Assemblage, Pop Art in America.” L’arte moderna (Milan) 13, no. 112 (1969), pp. 121–60.

 

S. Hunter 1970

Hunter, Sam. La pittura americana del dopoguerra. Milan: Fratelli Fabbri Editori, 1970.

 

S. Hunter 1972

Hunter, Sam. American Art of the 20th Century. New York: Harry N. Abrams, 1972.

 

S. Hunter 1974

Hunter, Sam. Amerikanische Nachkriegsmalerei. Translated from the English by Otto Wilck. Munich: Galerie Schuler, 1974.

 

S. Hunter 1984

Hunter, Sam. Masters of the Sixties: From New Realism to Pop Art. New York: Marisa del Re Gallery, 1984. Exhibition catalogue. (1984 New York Marisa del Re).

 

S. Hunter et al. 1984

Hunter, Sam, et al. The Museum of Modern Art, New York: The History and the Collection. New York: Harry N. Abrams in association with the Museum of Modern Art, 1984.

 

S. Hunter et al. 1985

Hunter, Sam, et al. Selections from the Ileana and Michael Sonnabend Collection: Works from the 1950s and 1960s. Princeton, N.J.: Princeton University Art Museum, 1985. Exhibition catalogue. (1985 Princeton Art Museum).

 

S. Hunter 1986

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture since 1940. Fort Lauderdale: Fort Lauderdale Museum of Art; New York: Abbeville Press, 1986. Exhibition catalogue. (1986 Fort Lauderdale Museum of Art).

 

S. Hunter 1987

Hunter, Sam. “Advertisement: Public Sculpture in Monte Carlo.” ARTnews 86, no. 4 (April 1987), pp. 49, 72.

 

S. Hunter 1991

Hunter, Sam. A View from the Sixties: Selections from the Leo Castelli Collection and the Michael and Ileana Sonnabend Collection. East Hampton, N.Y.: Guild Hall Museum, 1991. Exhibition catalogue. (1991b East Hampton Guild Hall).

 

Hurlburt 1997

Hurlburt, Roger. “What Makes Roy Pop.” Sun-Sentinel (Fort Lauderdale), October 5, 1997, p. F3.

 

Hutchinson 1988

Hutchinson, John. “Lichtenstein’s Object Art.” Sunday Press (Dublin), January 24, 1988.

 

Huther 1982

Huther, Christian. “Kunst über Kunst?” Main-Echo, no. 72, March 28, 1982.

 

Hyuga 1975

Hyuga, A. “Artists of Pop 1: Sawako Goda.” Mizue (Tokyo), no. 838 (January 1975), pp. 74–85.

 

I.D. 1992

“New + Notable.” I.D. 39 (November–December 1992), p. 75.

 

Iannetti Lanzone 1987

Iannetti Lanzone Gallery. After Pollock, Three Decades of Diversity: A Selection of American and European Painting and Sculpture from 1957–1987. San Francisco: Iannetti Lanzone Gallery, [1987]. Exhibition catalogue. (1987 San Francisco Iannetti and Lanzone).

 

IBEU, Copacabana 1998

Instituto Brasil-Estados Unidos, Copacabana. Artistas norte-americanos: Helen Frankenthaler, Roy Lichtenstein, James Rosenquist, Frank Stella. Rio de Janeiro: Instituto Brasil-Estados Unidos, Copacabana, 1998. Exhibition catalogue. (1998 Rio de Janeiro IBEU).

 

ICA, Boston 1986

Institute of Contemporary Art, Boston. Endgame: Reference and Simulation in Recent Painting and Sculpture. Cambridge, Mass.: MIT Press, 1986. Exhibition catalogue. (1986 Boston ICA).

 

ICA, Philadelphia 1969

Institute of Contemporary Art, University of Pennsylvania, Philadelphia. The Spirit of the Comics. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1969. Exhibition catalogue. Unpaginated. (1969 Philadelphia ICA).

 

ICI 1997

ICI (Independent Curators Inc.). The Leo Book: ICI Salutes Leo Castelli. New York: ICI, 1997.

 

Iden and Lauter 1985

Iden, Peter, and Rolf Lauter, eds. Bilder für Frankfurt: Bestandskatalog des Museums für moderne Kunst. Munich: Prestel Verlag, 1985. Exhibition catalogue. (1985 Frankfurt Architekturmuseum).

 

Iden and Lauter 1987

Iden, Peter, and Rolf Lauter, eds. Dalla Pop Art americana alla nuova figurazione: Opere del Museo d’Arte Moderna di Francoforte. Milan: Mazzotta, 1987. Exhibition catalogue. (1987 Milan Padiglione).

 

Iida 1972

Iida, Yoshikuni. “Roi Rihitenshutain: Paradokusu no kaiga, mata wa hihyōteki kaiga o hihyō suru (Roy Lichtenstein: Paradoxical pictures, or, critiquing critical pictures).” Kikan geijutsu (Arts quarterly) 6, no. 3, issue 22 (summer 1972), pp. 74–97.

 

IMA 2014

Indianapolis Museum of Art. “Recent Acquisition: ‘Five Brushstrokes’ by Roy Lichtenstein.” IMA Magazine (September–December 2014), pp. 10–11.

 

Imbert 1986

Didier Imbert Fine Art. Pop Art 61–65. Paris: Didier Imbert Fine Art, 1986. Exhibition catalogue. (1986 Paris Imbert).

 

Indiana 1984

Indiana, Gary. “Disappearing Mural.” Art in America 72, no. 3 (March 1984), pp. 102–7.

 

Indiana University 1970

Indiana University Art Museum, Bloomington, Ind. The American Scene, 1900–1970: An Exhibition of Twentieth Century Painting Held in Honor of the Sesquincentennial of Indiana University. Bloomington, Ind.: Indiana University Art Museum, 1970. Exhibition catalogue. (1970 Bloomington Indiana University).

 

Indianapolis Bulletin 1969

Bulletin (Indianapolis Museum of Art). Special issue, Painting and Sculpture Today! ’69 55, no. 3 (1969).

 

Indianapolis Museum of Art 1970

Indianapolis Museum of Art. Painting and Sculpture Today. Indianapolis: Contemporary Art Society and the Indianapolis Museum of Art, 1970. Exhibition catalogue. (1970 Indianapolis Museum of Art).

 

Indianapolis Museum of Art 1972

Indianapolis Museum of Art. Painting and Sculpture Today 1972. Indianapolis: Contemporary Art Society and the Indianapolis Museum of Art, 1972. Exhibition catalogue. (1972 Indianapolis Museum of Art).

 

Indianapolis Star 1978

“Lichtenstein’s Works Open Gallery Season.” Indianapolis Star, September 3, 1978, sec. 8, p. 11.

 

Instituto Nacional de Bellas Artes 1998

Instituto Nacional de Bellas Artes. Roy Lichtenstein. Mexico City: Instituto Nacional de Bellas Artes and Landucci Editores, 1998. Exhibition catalogue. (1998 Mexico City Museo del Palacio).

 

Instituto Nacional de Bellas Artes 1999

Instituto Nacional de Bellas Artes, Mexico City. Roy Lichtenstein. Imágenes Reconocibles. Mexico City: Instituto Nacional de Bellas Artes and Landucci Editores, 1999. Monograph. (1998 Mexico City Museo del Palacio).

 

Irvine 1967

University of California, Irvine. A Selection of Paintings and Sculptures from the Collection of Mr. and Mrs. Robert Rowan. Irvine: University of California, Irvine, 1967. Exhibition catalogue. (1967 Irvine University of California).

 

Irwin 1966

Irwin, David. “Pop Art and Surrealism.” Studio International 171, no. 877 (May 1966), pp. 187–91.

 

Isaacson 1970

Isaacson, Philip. “Skowhegan’s Galaxy.” Maine Sunday Telegram (Portland), November 15, 1970.

 

Isenberg 2002

Isenberg, Barbara. “An L.A. Art Story.” Los Angeles Times, September 22, 2002, pp. 4–5, 80.

 

Isles 2012

Isles, Chrissie. “See-Sickness: Roy Lichtenstein’s Moving Pictures.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff, pp. 52–61. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

Isola 1995

Isola, Marina. “Going Dotty over Roy Lichtenstein.” Fort Worth Star-Telegram, May 28, 1995, F1, F6.

 

Itoi 1994

Itoi, Kay. “‘Girl’ Trouble at MOCA.” ARTnews 93, no. 10 (December 1994), pp. 53–54.

 

Itoi 2000

Itoi, Kay. “Chastened for ‘Waste.” ARTnews 99, no. 4 (April 2000), p. 84.

 

Jacobs Gallery 1989

Nicola Jacobs Gallery. Subject/Object. London: Nicola Jacobs Gallery, 1989. Exhibition catalogue. (1989 London Jacobs).

 

Jay Jacobs 1966

Jacobs, Jay. “The Print Emerges.” Arts Magazine (New York) 40, no. 5 (March 1966), pp. 26–36.

 

Jay Jacobs 1969

Jacobs, Jay. “Collector: Joseph H. Hirshhorn.” Art in America 57, no. 4 (July–August 1969), pp. 56–71.

 

Joseph Jacobs 1989

Jacobs, Joseph. Contemporary Perspectives 1: Abstraction in Question. Sarasota: John and Mable Ringling Museum of Art, 1989. Exhibition catalogue. (1989 Sarasota Ringling).

 

Jaguer 1965

Jaguer, Édouard. “Second Movement.” Helise (Paris), p. 65.

 

J. James 1996

James, Jamie. Pop Art: Colour Library. London: Phaidon Press, 1996.

 

L. James 1988a

James, Laurence J. “Artnotes: Columbus Discovers Italy.” New Art Examiner 15, no. 11 (Summer 1988), p. 64.

 

L. James 1988b

James, Laurence J. “Brushstrokes in Flight.” ARTnews 87, no. 9 (November 1988), p. 17.

 

Jancène 1997

Jancène, France. Les mots dans la peinture pop américaine: Jasper Johns, Andy Warhol et Roy Lichtenstein. Lille: ANRT, 1997.

 

Janis 1962

Sidney Janis Gallery, New York. The New Realists. New York: Sidney Janis Gallery, 1962. Exhibition catalogue. Unpaginated. (1962 New York Janis).

 

Janis 1964

Sidney Janis Gallery, New York. A Selection of 20th Century Art of 3 Generations. New York: Sidney Janis Gallery, 1964. Exhibition catalogue. (1964 New York Janis).

 

Janis 1972a

Sidney Janis Gallery, New York. Abstract Expressionism and Pop Art. New York: Sidney Janis Gallery, 1972. Exhibition catalogue. (1972a New York Janis).

 

Janis 1972b

Sidney Janis Gallery, New York. Colossal Scale: The Appeal of the Gigantic Representational Image for Today’s Artist. New York: Sidney Janis Gallery, 1972. Exhibition catalogue. Unpaginated. (1972b New York Janis).

 

Janis 1994

Sidney Janis Gallery, New York. 20th Century Masters. New York: Sidney Janis Gallery, 1994. Exhibition catalogue. Unpaginated. (1994a New York Janis).

 

Janis Gallery 1974

Sidney Janis Gallery, New York. 25 Years of Janis: Part 2, From Pollock to Pop, Op and Sharp—Focus Realism. Worcester, MA: Davis Press, Inc. 1974. Exhibition catalogue. (1974 New York Janis).

 

D. Janson 1968

Janson, Donald. “Anti-Daley Art Put in Show in Chicago.” New York Times, October 24, 1968, p. 40.

 

H. W. Janson 1969

Janson, H. W. History of Art. 2nd ed. Newly Revised and Enlarged Edition. New York: Harry N. Abrams, 1969.

 

H. W. Janson 1986

Janson, H. W. History of Art. 3rd ed. Revised and expanded by Anthony F. Janson. New York: Harry N. Abrams, 1986.

 

Jedell 1998

Jedell, Joan. “Looking at Roy.” East Hampton [N.Y.] Star, July 1988.

 

Jeffrey 1979

Jeffrey, Ian. Reality and Artifice. London: Arts Council of Great Britain, 1979. Exhibition catalogue. (1979 Carlisle Museum).

 

J. Jensen 1997

Jensen, Julie. “Zingy Art Exhibit on View at Augie.” Dispatch and the Rock Island [Ill.] Argus, February 6, 1997, B1–B2.

 

K. Jensen et al. 1971

Jensen, Knud W., et al. Louisiana revy (Humlebaek, Denmark). Special issue, Amerikansk kunst, 1950–70, 12, no. 1 (August 1971).

 

M. Jensen et al. 2004

Jensen, Mona, et al. Pop Classics: Allan d’Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Allan Kaprow, Edward Kienholz, Yayoi Kusama, Roy Lichtenstein, Marisol, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Ed Ruscha, Wayne Thiebaud, Andy Warhol, Tom Wesselmann. Aarhus: ARoS Aarhus Kunstmuseum, 2004. Exhibition catalogue. (2004 Aarhus Kunstmuseum).

 

Jerrold Morris International Gallery 1963

Jerrold Morris International Gallery, Toronto. The Art of Things. Toronto: Jerrold Morris International Gallery, 1963. Exhibition catalogue. (1963 Toronto Morris).

 

Jewish Museum 1969

Jewish Museum, New York. Superlimited: Books, Boxes and Things. New York: Jewish Museum, 1969. Exhibition catalogue. (1969 New York Jewish Museum).

 

Jhaveri 2013

Jhaveri, Shanay, ed. Western Artists and India: Creative Inspirations in Art and Design. Mumbai: Shoestring Publisher, 2013.

 

Jimusho and TG Concepts 2003

Jimusho, Taniguchi, and TG Concepts Inc., ed. Kami ni kakareta sekaiten (A paper stroll: An international exhibition of works on paper)/Master Drawings from the Collection of the Arkansas Arts Center Foundation. Gifu: TG Concepts Inc. 2003. Exhibition catalogue.

 

Joachimides and N. Rosenthal 1993

Joachimides, Christos M., and Norman Rosenthal, eds. American Art in the 20th Century: Painting and Sculpture, 1913–1993. Munich: Prestel Verlag; London: Royal Academy of Arts, 1993. Exhibition catalogue. (1993 Berlin Martin-Gropius-Bau).

 

Jodidio 1981

Jodidio, Philip. “Roy Lichtenstein et le process comique.” Connaissance des arts, no. 349 (March 1981), pp. 62–71.

 

John Berggruen Gallery 1971

John Berggruen Gallery, San Francisco. Roy Lichtenstein: A Retrospective of Prints, 1962–1971. San Francisco: John Berggruen Gallery, 1971. Exhibition catalogue. (1971 San Francisco Berggruen).

 

Johnson 1963

Johnson, Ellen H. [no title]. In Lichtenstein, by Alain Jouffroy, Ellen H. Johnson, and Robert Rosenblum. Paris: Galerie Ileana Sonnabend, 1963. Exhibition catalogue. Unpaginated.

 

Johnson Museum 1995

Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N.Y. Master Prints from Upstate New York Museums. Ithaca, N.Y.: Herbert F. Johnson Museum of Art, Cornell University, 1995. Exhibition catalogue. (1995 Buffalo Albright-Knox).

 

Johnson Museum 2014

Herbert F. Johnson Museum of Art, Cornell University. Enticing the Eye/Exploring Frame. Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 2014. Exhibition catalogue.

 

C. Johnson 1969a

Johnson, Charlotte Buel. “Introducing New Art to Children.” Instructor (Dansville, N.Y.) 79, no. 1 (August–September 1969), pp. 89–91.

 

C. Johnson 1972

Johnson, Charlotte B[uel]. Contemporary Art: Exploring Its Roots and Development. Worcester, Mass.: Davis Publications, 1972.

 

D. Johnson et al. 1985

Johnson, D. J., et al. “Department of Prints, Drawings, and Photographs.” Rhode Island School of Design Museum Notes, no. 72 (October 1985), p. 40.

 

E. Johnson 1963

Johnson, Ellen H. “The Living Object.” Art International 7, no. 1 (January 1963), pp. 42–45.

 

E. ohnson 1966a

Johnson, Ellen H. “The Image Duplicators: Lichtenstein, Rauschenberg, and Warhol.” Canadian Art 23, no. 1 (January 1966), pp. 12–19.

 

E. Johnson 1966b

Johnson, Ellen H. “Lichtenstein at Venice: The Printed Image.” Art and Artists 2, no. 10 (January 1968), pp. 12–15.

 

E. Johnson 1976

Johnson, Ellen H. Modern Art and the Object: A Century of Changing Attitudes. London: Thames and Hudson, 1976.

 

E. Johnson 1982

Johnson, Ellen H., ed. American Artists on Art from 1940 to 1980. New York: Harper and Row, 1982.

 

E. Johnson 1993

Johnson, Ellen H. Fragments Recalled at Eighty: The Art Memoirs of Ellen H. Johnson. Ed. Athena Tacha. North Vancouver: Gallerie Publications, 1993.

 

K. Johnson 1999

Johnson, Ken. “In a Man’s World, Is a Subterranean Feminine Soul the Indomitable Muse?” New York Times, October 22, 1999, p. E42.

 

K. Johnson 2000

Johnson, Ken. “Objects of Desire: 125 Views of the Human Figure.” New York Times, September 1, 2000, p. E26.

 

Patricia Johnson 1986

Johnson, Patricia C. “Roy Lichtenstein: Spirited Perpetrator of Pop and Parody.” Houston Chronicle, October 12, 1986, Zest sec., p. 19.

 

Philip Johnson 1964

Johnson, Philip. “Young Artists at the Fair and at Lincoln Center.” Art in America 52, no. 4 (August 1964), pp. 112–27.

 

U. Johnson 1968

Johnson, Una E. Sixteenth National Print Exhibition: Two Decades of American Prints, 1947–1968. New York: Brooklyn Museum of Art, 1968. Exhibition catalogue.

 

Johnston 1964

Johnston, Jill. “Reviews and Previews: Roy Lichtenstein.” ARTnews 63, no. 8 (December 1964), p. 15.

 

Jones and Hockney 2004

Jones, Allen, and David Hockney, eds. Royal Academy Illustrated 2004: A selection from the 236th Summer Exhibition. London: Royal Academy of Arts, 2004. Exhibition catalogue. (2004 London Royal Academy).

 

R. Jones 1987

Jones, Ronald. “As Though He Knew What to Do.” C Magazine, no. 14 (June 1987), pp. 34–43.

 

Jones-Popescu 1979

Jones-Popescu, Elizabeth. “The American Dilemma: To Print or Not to Print.” New Mexico Studies in the Fine Arts: An Annual Publication of the College of Fine Arts of the University of New Mexico, Albuquerque, vol. 4 (1979).

 

Joosten 1984

Joosten, Joop M. 20 Years of Art Collecting: Acquisitions Stedelijk Museum Amsterdam, 1963–1984: Painting and Sculpture/20 jaar verzamelen: Aanwinsten Stedelijk Museum Amsterdam 1963–1984: Schilder- en beeldhouwkunst. Amsterdam: Stedlijk Museum, 1984.

 

Jouffroy 1963

Jouffroy, Alain. [no title]. In Lichtenstein, by Alain Jouffroy, Ellen H. Johnson, and Robert Rosenblum. Paris: Galerie Ileana Sonnabend, 1963. Exhibition catalogue. Unpaginated.

 

Jouffroy 1964

Jouffroy, Alain. “Une révision moderne du sacré.” XXe siècle (Paris and Milan), n.s., 26, no. 24 (December 1964), pp. 89–98.

 

Jouffroy, Johnson, and Rosenblum 1963

Jouffroy, Alain, Ellen H. Johnson, and Robert Rosenblum. Lichtenstein. Paris: Galerie Ileana Sonnabend, 1963. Exhibition catalogue. Unpaginated. (1963b Paris Sonnabend).

 

Journal München 1994

“Roy Lichtenstein: Pop-Art.” Journal München (October 1, 1994).

 

Journal of the Print World 1995

“Prints of Roy Lichtenstein at the Parrish Art Museum.” Journal of the Print World (Fall 1995), p. 19.

 

JPMorgan Chase 2007

JPMorgan Chase. Collected Visions: Modern and Contemporary Works from the JPMorgan Chase Art Collection. Istanbul: Suna and İnan Kıraç Foundation Pera Museum, and JPMorgan Chase, 2007. Exhibition catalogue. (2007 Istanbul Pera).

 

Judd 1962

Judd, Donald. “In the Galleries: Roy Lichtenstein.” Arts Magazine (New York) 36, no. 7 (April 1962), pp. 52–53.

 

Judd 1963

Judd, Donald. “Kansas City Report.” Arts Magazine (New York) 38, no. 3 (December 1963), pp. 25–28.

 

Judd 1963a

Judd, Donald. “In the Galleries: Roy Lichtenstein.” Arts Magazine (New York) 38, no. 2 (November 1963), pp. 32–33.

 

Judd 1963b

Judd, Donald. “In the Galleries: Six Painters and the Object.” Arts Magazine (New York) 37, no. 9 (May–June 1963), pp. 108–9.

 

Judd 1964a

Judd, Donald. “In the Galleries: Roy Lichtenstein.” Arts Magazine (New York) 39, no. 3 (December 1964), p. 66.

 

Judd 1964b

Judd, Donald. “Nationwide Reports: Hartford: Black, White and Gray.” Arts Magazine (New York) 38, no. 6 (March 1964), pp. 36–38.

 

Judd 1965

Judd, Donald. “In the Galleries: Three Generations.” Arts Magazine (New York) 39, no. 4 (January 1965), p. 54.

 

K.-J. Fischer 1966

Fischer, Klaus-Jürgen. “Die New Yorker Szene.” Das Kunstwerk 19, nos. 10–12 (April–June 1966), pp. 3–5.

 

K.G. P. Hultén 1964

Hultén, Karl Gunnar Pontus. Amerikansk Pop-Konst: 106 former av kärlek och förtvivlan. Stockholm: Moderna Museet, 1964. Exhibition catalogue. (1964 Stockholm Moderna Museet).

 

Kagan 1965

Kagan, Helaine. “An Interview with Roy Lichtenstein.” 3 Lively Arts High School of Music and Art, New York (1965), p. 26.

 

Kahan 1980

Kahan, Mitchell Douglas. American Painting of the Sixties and Seventies: The Real, the Ideal, the Fantastic: Selections from the Whitney Museum of American Art. Montgomery, Ala.: Montgomery Museum of Fine Arts, 1980. Exhibition catalogue. (1980 Montgomery Museum).

 

Kaiser Wilhelm Museum 1983

Kaiser Wilhelm Museum Krefeld. Sammlung Helga und Walther Lauffs im Kaiser Wilhelm Museum Krefeld: Amerikanische und europäische Kunst der sechziger und siebziger Jahre. Krefeld: Krefelder Kunstmuseen, 1983. (1983–84 Krefeld Kaiser Wilhelm).

 

Kalina 1994

Kalina, Richard. “Reflected Narratives.” Art in America 82, no. 5 (May 1994), pp. 80–83, 133.

 

Kalina 1999

Kalina, Richard. “The Rutgers Group: Garden State Avant-Garde.” Art in America 87, no. 12 (December 1999), pp. 55–59.

 

Kalina 2006

Kalina, Richard. “Lichtenstein’s Indian Territory.” Art in America 94, no. 4 (April 2006), pp. 142–47.

 

Kalina 2011

Kalina, Richard. “Roy Lichtenstein: Whitney Museum and Paula Cooper.” Art in America (December 2011), pp. 128–29.

 

Kalina 2012

Kalina, Richard. “Harmony and Discord.” Art in America 100, no. 5 (May 2012), pp. 45–50.

 

Kammen 2006

Kammen, Michael. Visual Shock: A History of Art Controversies in American Culture. New York: Vintage Books, 2006.

 

Kandell 1962

Kandell, Anice, ed. Art 1963: A New Vocabulary. Philadelphia: Fine Arts Committee of the Arts Council of the YM/YWHA, 1962. Exhibition Guide. (1962 Philadelphia YM/YWHA).

 

Kangas 2006

Kangas, Matthew. “Encounter Another Side of Lichtenstein.” Seattle Times, June 2, 2006, p. E3.

 

Kannenberg 1997

Kannenberg, Sofia. “Kandinsky wartet auf den Rahmen.” Freitag (Berlin), May 2, 1997, p. 33.

 

Kaprow 1965

Kaprow, Allan. Ten from Rutgers University: Brecht, Hendricks, Kaprow, Kuehn, Lichtenstein, Orenstein, Segal, Vasey, Watts, Whitman. New York: Bianchini Gallery, 1965. Exhibition catalogue. Unpaginated. (1965b New York Bianchini).

 

Kaprow 1976

Kaprow, Allan. “Pop Art: Past, Present and Future.” Malahat Review (Victoria, Canada), no. 3 (July 1967), pp. 54–76.

 

Kardon 1977

Kardon, Janet. Artists’ Sets and Costumes: Recent Collaborations between Painters and Sculptors and Dance, Opera, and Theater. Philadelphia: Philadelphia College of Art, 1977. Exhibition catalogue. (1977 Philadelphia College of Art).

 

Kardon 1987

Kardon, Janet. 1967: At the Crossroads. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1987. Exhibition catalogue. (1987 Philadelphia ICA).

 

Karp 1963

Karp, Ivan C. “Anti-Sensibility Painting.” Artforum 2, no. 3 (September 1963), pp. 26–27.

 

Kastner 1997

Kastner, Jeffrey. “Roy Lichtenstein: ‘The Actual Thing.” ARTnews 96, no. 10 (November 1997), p. 76.

 

Katonah 2009

Katonah Museum of Art, Katonah, N.Y. Lichtenstein in Process. Katonah, N.Y.: Katonah Museum of Art, 2009. Exhibition catalogue. (2005 Cuenca Arte Abstracto).

 

P. Katz 1969

Katz, Paul. “Roy Lichtenstein: Modern Sculpture with Velvet Rope.” Art Now: New York 1, no. 1 (January 1969), unpaginated.

 

V. Katz 2004

Katz, Vincent (photographs by Eric Boman). “Comic-Strip Hero.” The World of Interiors (London) 23, no. 5 (May 2004), pp. 162–69.

 

Katzive 1968

Katzive, David H. Selections from the Collection of Mr. and Mrs. Robert B. Mayer: An Exhibition Organized by the Museum of Contemporary Art. Chicago: Museum of Contemporary Art, 1968. Exhibition catalogue. (1968a Chicago MCA).

 

Kay 1974

Kay, Jane Holtz. “Pop Art.” Christian Science Monitor, August 8, 1974, p. 15.

 

Kazanjian 1989

Kazanjian, Dodie. “Going Places.” Vogue 179, no. 11 (November 1989), pp. 413–17, 462.

 

Keaton 1993

Keaton, Diane. “You’ve Read the Comic Books, Now Read the Novel.” Interview (June 1993), p. 56.

 

Keiser 1996

Keiser, Ellen. “The Bookworm.” Waldo Tribune (Water Mill, Southampton, N.Y.), August 6, 1996, p. 5.

 

Kelemen 1966

Kelemen, Boris. Pop Art. Zagreb: Galerija Suvremene Umjetnosti, 1966. Exhibition catalogue. (1966 Zagreb Galerija Suvremene Umjetnosti).

 

Kellberg 2014

Kellberg, Christian. New York State Pavilion. Charleston, SC: Arcadia Publishing, 2014.

 

Kelleher 1996

Kelleher, Karen. “Roy Lichtenstein: The Controversy Pop’s.” Hamptons (May 31, 1996).

 

Keller 1979

Keller, Jean-Pierre. Pop art et évidence du quotidien. Lausanne: L’Âge d’Homme, 1979.

 

Kelly 1964

Kelly, Edward T. “Neo-Dada: A Critique of Pop Art.” Art Journal 23, no. 3 (Spring 1964), pp. 192–201.

 

Kennedy 2004

Kennedy, Maev. “Repeat Performance: Lichtenstein Returns to Britain after 35 Years.” Guardian, February 26, 2004, p. 9.

 

R. Kennedy 1968

Kennedy, R. C. “Paris: Bande dessinée and figuration narrative.” Art International 11 (Summer 1967), pp. 59–60.

 

Kennelly 1994a

Kennelly, Eleanor. “Combining ‘Cartoon, Real Brushstrokes.'” Washington Times, October 30, 1994, p. D2.

 

Kennelly 1994b

Kennelly, Eleanor. “Lichtenstein Pops Up in D.C.” Washington Times, October 30, 1994, p. D2.

 

Kennison and Washburne-Harris 2001

Kennison, Donald, and Jessie Washburne-Harris, eds. Pop Art: The John and Kimiko Powers Collection. New York: Gagosian Gallery, 2001. Exhibition catalogue. (2001a New York Gagosian).

 

Kent State 1967

School of Art, Kent State University, Kent, Ohio. First Kent Invitational Exhibition of Painting and Sculpture, February 12–March 10, 1967. Kent, Ohio: School of Art, Kent State University, 1967. Exhibition catalogue. (1967 Kent, Ohio, Kent State).

 

Kerber 1970

Kerber, Bernhard. Roy Lichtenstein: Ertrinkendes Mädchen. Stuttgart: Philipp Reclam Jun. 1970.

 

Kerber 1971

Kerber, Bernhard. Amerikanische Kunst seit 1945: Ihre theoretischen Grundlagen. Stuttgart: Philipp Reclam Jun. 1971.

 

Kerber 1972

Kerber, Bernhard. “Lichtensteins Wandbilder in der Düsseldorfer Universität.” Art International 16, no. 2 (February 20, 1972), pp. 30–31.

 

Kerber 1983

Kerber, Bernhard. “Skulptur und Farbe.” Kunstforum International, no. 4 (April 1983), pp. 25–104.

 

Kersting 1988a

Kersting, Hannelore, ed. Kunst der Gegenwart, 1960 bis Ende der 80er Jahre: Bestandskatalog. Mönchengladbach, Germany: Wolfgang Heinen Verlag, 1988.

 

Kersting 1988b

Kersting, Hannelore, ed. Kurzführer durch das Städtische Museum Abteiberg Mönchengladbach. Mönchengladbach, Germany: Wolfgang Heinen Verlag, 1988.

 

Kertess 1987

Kertess, Klaus. Lead. New York: Hirschl and Adler Modern, 1987. Exhibition catalogue. (1987 New York Hirschl and Adler).

 

Kertess 1991

Kertess, Klaus. “Roy’s New Rooms.” Elle Decor 2, no. 10 (December 1991–January 1992), pp. 56–61.

 

Kessler and Lambla 1989

Kessler, Jane, and June Lambla. Made in America. Virginia Beach: Virginia Beach Center for the Arts, 1989. Exhibition catalogue. (1989 Virginia Beach Center for the Arts).

 

Kesten 1997

Kesten, Joanne, ed. The Portraits Speak: Chuck Close in Conversation with 27 of His Subjects. New York: Art Resources Transfer Press, 1997.

 

Kestner-Gesellschaft 1968

Kestner-Gesellschaft, Hannover. Roy Lichtenstein. Hannover: Kestner-Gesellschaft, 1968. Exhibition catalogue. (1967 Amsterdam Stedelijk).

 

Ketner and S. Hunter 2001

Ketner, Joseph D., and Sam Hunter. A Defining Generation: Then and Now, 1961 and 2001. Waltham, Mass.: Rose Art Museum, Brandeis University, 2001. Exhibition catalogue. (2001 Waltham Rose).

 

Kettlewood 1972

Kettlewood, Beatrice Card. A Study of Visual Space in Selected American Paintings 1945–1965: In Relation to the 1970–1972 Paintings of the Artist-Investigator. Ann Arbor: University Microfilms International, 1972.

 

Kiblitsky 1998

Kiblitsky, Joseph, ed. Muzei Liudviga v Russkom Muzee/Ludwig Museum in the Russian Museum/Museum Ludwig im Russischen Museum. Saint Petersburg, Russia: Palace Editions, 1998.

 

Kido 1995

Kido, Hideyuki. Metallic Foil and Woodcut Printing: A Look at the Printmaking Technique of Roy Lichtenstein. Sukagawa City, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1995. Exhibition catalogue.

 

Kies 1987a

Kies, Emily Bardack. Roy Lichtenstein: tekeningen 1961–1986. Translated from the English by Saskia van der Lingen. Amsterdam: Museum Overholland, 1987. Exhibition brochure. Unpaginated. (1987a New York MoMA).

 

Kies 1987b

Kies, Emily Bardack. The Drawings of Roy Lichtenstein. New York: Museum of Modern Art, 1987. Exhibition brochure. Unpaginated. (1987a New York MoMA).

 

Kimball 1986

Kimball, Roger. “Art and Architecture at the Equitable Center.” New Criterion 5, no. 3 (November 1986), pp. 24–32.

 

Kimmelman 1988

Kimmelman, Michael. “Lichtenstein’s Picasso’s, 1962–1964.” New York Times, March 11, 1988, p. C30.

 

Kimmelman 1989

Kimmelman, Michael. “Painting without Canvases: Lichtenstein As Sculptor.” New York Times, June 2, 1989, p. C23.

 

Kimmelman 1993a

Kimmelman, Michael. “Comics, Cubists and Gum Wrappers.” Critic’s Choice 1, no. 35 (October 25, 1993), pp. 8–9, 20.

 

Kimmelman 1993b

Kimmelman, Michael. “Lichtenstein Proves He’s Top of the Pops.” International Herald Tribune, October 16–17, 1993, p. 8.

 

Kimmelman 1993c

Kimmelman, Michael. “On Top with Pop: A Virtuoso of Irony.” New York Times, October 8, 1993, sec. 2, C1, C24.

 

Kimmelman 1995

Kimmelman, Michael. “Disciple of Color and Line, Master of Irony.” New York Times, March 31, 1995, C1, C27.

 

Kimmelman 1997

Kimmelman, Michael. “Roy Lichtenstein, Pop Master, Dies at 73.” New York Times, September 30, 1997, A1, B7.

 

Kimmelman 1998a

Kimmelman, Michael. “Life Is Short, Art Is Long.” New York Times Magazine, January 4, 1998, pp. 19–22.

 

Kimmelman 1998b

Kimmelman, Michael. Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere. New York: Random House, 1998.

 

Kimmelman 2001a

Kimmelman, Michael. “Galleries: Uptown: Roy Lichtenstein.” Art Guide. New York Times, December 21, 2001, p. E45.

 

Kimmelman 2001b

Kimmelman, Michael. “Time Reveals the Delicacy within Lichtenstein’s Playful Pop.” New York Times, November 30, 2001, p. E35.

 

Kimmelman 2003

Kimmelman, Michael. “A Seasonal Migration of Cultural Scope.” New York Times, August 8, 2003, E27, E29.

 

King 1973

King, Mary. “Roy Lichtenstein’s Ironic Wit in Still Life.” St. Louis Post-Dispatch, January 14, 1973, p. C6.

 

King 1981

King, Mary. “Roy Lichtenstein 1970–1980: Stylist and Commentator on Style.” St. Louis Post-Dispatch, May 10, 1981, E5–E6.

 

Kingsley 1987

Kingsley, April. “Roy Lichtenstein’s Drawings.” The Burlington Magazine 129, no. 1,011 (June 1987), pp. 419–20.

 

Kinsman 2002

Kinsman, Jane. The Art of Collaboration: The Big Americans. Canberra: National Gallery of Australia; London: Thames and Hudson, 2002.

 

Kinsman et al. 2017

Kinsman, Jane, et al. Workshop: the Kenneth Tyler Collection. Canberra, A.C.T.: National Gallery of Australia, 2017.

 

Kipphoff 1973

Kipphoff, Petra. “Das Bild der Frau der Zeit: Ein Spielzeug geht kaputt.” Zeitmagazin (Hamburg), no. 4 (1973).

 

Kirkwood 1956

Kirkwood, Marie. “Sketches Give New Look to Work by Frank Wilcox.” Cleveland News, January 28, 1956.

 

Kirkwood 1969

Kirkwood, Marie. “Roy Lichtenstein Gives New Dimension to the Lowly Dot.” Sun Press (Cleveland), February 20, 1969.

 

Kirwin 2007

Kirwin, Liza, with Joan Lord. Artists in Their Studios: Images from the Smithsonian’s Archives of American Art. New York: Collins Design, 2007.

 

Klein 1998

Klein, Richard. “An Interview with Dorothy Lichtenstein.” In Roy Lichtenstein: Prints from the Collection of John and Kimiko Powers, by Aldrich Museum of Contemporary Art. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1998. Exhibition brochure.

 

Klotz 1999

Klotz, Heinrich. Kunst im 20. Jahrhundert: Moderne, postmoderne, zweite Moderne. Munich: C. H. Beck, 1999.

 

Klüver 1964a

Klüver, Billy. “Bakelsen som Konst (Pastry As Art).” Vi (Stockholm) 51, no. 9, pp. 11–13.

 

Klüver 1971

Klüver, Billy. “Interazioni fra arte e tecnologia.” In Enciclopedia della scienza e della tecnica, pp. 472–80. Milan: Arnoldo Mondadori Editori, 1971.

 

Klüver 1981

Klüver, Billy, ed. On Record: 11 Artists 1963. New York: Experiments in Art and Technology, 1981. Includes interview with Roy Lichtenstein, pp. 2–45.

 

Knight 1983

Knight, Christopher. “Lichtenstein’s Latest Project Blooms in an Art ‘Factory.'” Los Angeles Herald-Examiner, April 10, 1983, E3, E10.

 

Knight 1987

Knight, Christopher. Art of the Sixties and Seventies: The Panza Collection. New York: Rizzoli, 1987.

 

Knight 1994

Knight, Christopher. “Pop Was Just a Prologue.” Calendar. Los Angeles Times, February 1, 1994, F1, F3–4.

 

Knight 1995

Knight, Christopher. “Media Is the Message in LACMA Survey of Lichtenstein.” Los Angeles Times, February 18, 1995, F1, F6.

 

Knight 1997

Knight, Christopher. “Pop Art Icon Lichtenstein Dies.” Los Angeles Times, September 10, 1997, A1, A20.

 

Knoedler 1965

Knoedler, New York. Lawyers Collect: An Exhibition of Painting and Sculpture Selected from the Private Collections of Members of the New York Bar. New York: Association of the Bar of the City of New York, 1965. Exhibition catalogue. (1965 New York Knoedler).

 

Knoedler 1975

M. Knoedler and Co., New York. American Works on Paper, 1945-1975. New York: M. Knoedler and Co. 1975. Unpaginated. (1975 New York Knoedler).

Knox 1970

Knox, Sanka. “Painting by Lichtenstein Brings a Record $75,000 at Auction.” New York Times, November 19, 1970, p. 40.

 

Knox 1972

Knox, Sanka. “Records Are Set for Post-war Art.” New York Times, October 27, 1972, p. 34.

 

Knubben 2001

Knubben, Jürgen, ed. 3 x Pop Art, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol: Bilder aus der Sammlung Marx im Hamburger Bahnhof, Museum für Gegenwart, Berlin und aus der Sammlung Weishaupt, Schwendi. Rottweil, Germany: Kreissparkasse Rottweil, 2001. Exhibition catalogue. (2001 Rottweil Kreissparkasse).

 

Koch 1994

Koch, Kenneth. Kenneth Koch: Collaborations with Artists: Books, Drawings, Theater. New York: Tibor de Nagy Gallery, 1994. Exhibition catalogue. (1994 New York de Nagy).

 

Koerner 1997

Koerner, Brendan I. “An Artist with a Comic View.” U.S. News and World Report 123, no. 14 (October 13, 1997), p. 10.

 

Kohen 1996

Kohen, Helen. Miami Pops! Pop Art from Miami Collections. Miami, Fla.: Art Museum at Florida International University, 1996. Exhibition catalogue. (1996 Miami FIU).

 

Kolberg 1982

Kolberg, Gerhard. “Kunst über Kunst: Marginalien zum Werk Roy Lichtensteins (zur Ausstellung im Museum Ludwig, 9.3.–25.4.1982).” Bulletin: Museen der Stadt Köln 2 (1982), pp. 21–22.

 

Konersmann 1991

Konersmann, Ralf. Rene Magritte: Die verbotene Reproduktion: Über die Sichtbarkeit des Denkens. Frankfurt am Main: Fischer Taschenbuch Verlag, 1991.

 

Konstrevy 1966

Konstrevy (Stockholm), nos. 5–6 (1966).

 

Kord and Wilfer 1977

Kord, Victor, and Joseph Wilfer. Recent Works on Paper by American Artists. Madison, Wis.: Madison Art Center, 1977. Exhibition catalogue. (1977 Madison Art Center).

 

Koshalek 1985

Koshalek, Richard. The Museum of Contemporary Art: The Panza Collection. Los Angeles: Museum of Contemporary Art, 1985. Exhibition catalogue. (1985 Los Angeles MOCA).

 

Kostelanetz 1970

Kostelanetz, Richard. “The State of the Art of Painting.” The North American Review 255, no. 4 (Winter 1970), pp. 52–60.

 

Kotz 2014

Kotz, Stephen J. “A Lichtenstein Takes its Place.” The Sag Harbor Express, April 24, 2014, B1–B2.

 

Koutsomalles et al. 1998

Koutsomalles, Kyriakos, et al. Glancing at the Century. Andros, Greece: Basil and Elise Goulandris Foundation; Turin: Umberto Allemandi, 1998. Exhibition catalogue. (1998 Andros Goulandris).

 

Kovalyov 2012/2013

Kovalyov, Audrej. “Seven works—chosen by the critic.” Artchronika 6 (Dec. 2012/Jan–Feb.2013), pp. 119–26.

 

Kowsh, Sadler, and Gregorian 2012

Kowsh, Kate, Liz Sadler, and Dareh Gregorian. “$4M Piece Found: Art Lost 42 Yrs.” New York Post, August 1, 2012, p. 7.

 

Kozloff 1962

Kozloff, Max. “Pop Culture, Metaphysical Disgust, and the New Vulgarians.” Art International 6, no. 2 (March 1962), pp. 34–36.

 

Kozloff 1963

Kozloff, Max. “Art.” The Nation 197, no. 14 (November 2, 1963), pp. 284–89.

 

Kozloff 1964a

Kozloff, Max. “Art and the New York Avant-Garde.” Partisan Review 31, no. 4 (Fall 1964), pp. 535–54.

 

Kozloff 1964b

Kozloff, Max. “Art: Dissimulated Pop.” The Nation 199, no. 17 (November 30, 1964), pp. 417–19.

 

Kozloff 1965

Kozloff, Max. Pop and Op: An Exhibition of 65 Graphic Works Sponsored by Philip Morris Incorporated, Circulated by the American Federation of Arts. [N.p.], 1965. Exhibition catalogue. (1965 Richmond, Va., VMFA).

 

Kozloff 1966a

Kozloff, Max. “The Inert and the Frenetic.” Artforum 4, no. 7 (March 1966), pp. 40–44.

 

Kozloff 1966b

Kozloff, Max. “Die neue amerikanische Malerei.” Das Kunstwerk 19, nos. 10–12 (April–June 1966), pp. 6–8.

 

Kozloff 1967

Kozloff, Max. “Modern Art and the Virtues of Decadence.” Studio International 174, no. 894 (November 1967), pp. 189–99.

 

Kozloff 1968

Kozloff, Max. Renderings: Critical Essays on a Century of Modern Art. New York: Simon and Schuster, 1968.

 

Kozloff 1969a

Kozloff, Max. “Lichtenstein at the Guggenheim.” Artforum 8, no. 3 (November 1969), pp. 41–45.

 

Kozloff 1969b

Kozloff, Max. “New York.” Artforum 7, no. 6 (February 1969), p. 64.

 

Kozloff 1973a

Kozloff, Max. “American Painting during the Cold War.” Artforum 11, no. 9 (May 1973), pp. 43–54.

 

Kozloff 1973b

Kozloff, Max. Twenty-Five Years of American Painting, 1948–1973. Des Moines: Des Moines Art Center, 1973. Exhibition catalogue. (1973 Des Moines Art Center).

 

Kramer 1962

Kramer, Hilton. “Art.” The Nation 195, no. 16 (November 1962), pp. 334–35.

 

Kramer 1966a

Kramer, Hilton. “Look! All Over! It’s Esthetic . . . It’s Business . . . It’s Supersuccess!” New York Times, March 29, 1966, p. 33.

 

Kramer 1966b

Kramer, Hilton. “Venice Machinations: Denunciations of Biennale’s Jury System Thought Part of Lichtenstein’s Boom.” New York Times, June 16, 1966, p. 54.

 

Kramer 1967a

Kramer, Hilton. “Art: United States’ Exhibition Dominates São Paulo’s 9th Bienal.” New York Times, September 20, 1967, p. 42.

 

Kramer 1967b

Kramer, Hilton. “The New Sculpture: Aspirations and Blind Alleys.” New York Times, November 12, 1967, sec. 2, p. 37.

 

Kramer 1967c

Kramer, Hilton. “The Sixties in Retrospect.” New York Times, July 2, 1967, p. 19.

 

Kramer 1969

Kramer, Hilton. “30 Years of the New York School.” New York Times Magazine, October 12, 1969, sec. 6, pp. 29–30, 89–90, 92, 94, 97, 99–100, 102, 109–10, 117.

 

Kramer 1971a

Kramer, Hilton. “‘Art and Technology’ to Open on Coast.” New York Times, May 12, 1971, p. 50.

 

Kramer 1971b

Kramer, Hilton. “I Got My Inspiration at IBM.” New York Times, May 23, 1971, p. D27.

 

Kramer 1971c

Kramer, Hilton. “‘Technics’ of Fashion.” New York Times, May 2, 1971, p. D21.

 

Kramer 1975

Kramer, Hilton. “Roy Lichtenstein.” New York Times, November 8, 1975, p. 19.

 

Kramer 1979

Kramer, Hilton. “A Refuge from the Vexing 70’s.” New York Times, March 25, 1979, p. 31.

 

Kramer 1981

Kramer, Hilton. “Lively Lichtenstein of 70’s at Whitney.” New York Times, September 25, 1981, p. C1.

 

Krämer, Faass, and Gassner 2007

Krämer, Felix, Martin Faass, and Hubertus Gassner. Seestücke: Von Max Beckmann bis Gerhard Richter. Hamburg: Hamburger Kunsthalle; Munich: Hirmer, 2007. Exhibition catalogue. (2007 Hamburg Kunsthalle).

 

Krasnow 1988

Krasnow, Iris (photographs by Grace Sutton). “The Patriarch of Pop: Roy Lichtenstein.” Museum and Arts 4, no. 5 (September–October 1988), pp. 56–63.

 

Kraus 1978a

Kraus, Ziva, ed. La Biennale di Venezia 1978: Dalla natura all’arte, dall’arte alla natura. Venice: La Biennale di Venezia, 1978. Exhibition catalogue. (1978 Venice Biennial).

 

Kraus 1978b

Kraus, Ziva, ed. La Biennale di Venezia 1978: From Nature to Art, From Art to Nature. Translated from the Italian by Marco Cordioli, Alexandra McAdoo, and Philip Roberts. Milan: Gruppo Editoriale Electa, 1978. Exhibition catalogue. (1978 Venice Biennial).

 

Krauss 1978

Krauss, Rosalind. GRIDS: Format and Image in 20th Century Art. New York: Pace Gallery, 1978. Unpaginated. (1978 New York Pace).

 

Krefeld 1983

Museum Haus Lange, Krefeld. Sweet Dreams Baby! American Pop Graphics. Krefeld: Museum Haus Lange, 1983. Exhibition catalogue. (1983 Krefeld Museum Haus Lange).

 

Krefeld 2002

Museum Haus Lange, Krefeld. Pow! Werke der Pop Art aus der Sammlung Lauffs. Krefeld: Krefelder Kunstmuseen, 2002. Exhibition catalogue. (2002 Krefeld Lange).

 

Kriebel 1968

Kriebel, Charles. [no title]. Home Furnishings Daily (October 23, 1968), pp. 6–7.

 

Kries and Schwartz-Clauss 2012

Kries, Mateo, and Mathias Schwartz-Clauss, eds. Pop Art Design. Weil am Rhein: Vitra Design Museum, 2012. Exhibition catalogue. (2012 Weil am Rhein Vitra).

 

Kuenzi 1963

Kuenzi, André. “Gstaad capitale du ‘Pop Art.” Gazette de Lausanne, September 2, 1963, p. 8.

 

Kuenzi 1966

Kuenzi, André. “Le Pop art deviant art officiel.” Gazette de Lausanne, December 29, 1966, p. 7.

 

Kuenzi 1968

Kuenzi, André. “Kunsthalle de Berne: Roy Lichtenstein.” [Title unknown] (1968).

 

Kuh 1962

Kuh, Katherine. “Art in America in 1962: A Balance Sheet.” Saturday Review (New York) 45, no. 36 (September 8, 1962), special section A–P.

 

Kuipers and Ashworth 1996

Kuipers, Dean, and Chris Ashworth, eds. Ray Gun: Out of Control. New York: Simon and Schuster, 1996.

 

Kultermann 1969a

Kultermann, Udo. Neue Formen des Bildes. Tübingen: Verlag Ernst Wasmuth, 1969.

 

Kultermann 1969b

Kultermann, Udo. The New Painting. New York: Praeger, 1969.

 

Kultermann 1985

Kultermann, Udo. “Picasso in Contemporary Art.” Vie des arts 30, no. 119 (June 1985), pp. 30–35, 101.

 

Kunitz 2007

Kunitz, Daniel. “Art in Brief.” New York Sun, January 4, 2007.

 

Kunst-aktuell 1994

“Gipfel des Anti-Populären.” Kunst-aktuell (November 1994), pp. 10–11.

 

Kunstforum Wien 2003

Kunstforum Wien, Vienna. Roy Lichtenstein. Edited by Ingried Brugger and Florian Steininger. Vienna: Kunstforum Wien; Wolfratshausen: Edition Minerva Hermann Farnung, 2003. Exhibition catalogue. (2003 Vienna Kunstforum).

 

Kunsthalle Basel 1971

Kunsthalle Basel. Metamorphose des Dinges: Kunst und Antikunst 1910–1970: Kunsthalle Basel. Brüssel: La Connaissance, 1971. Exhibition catalogue. (1971a Brussels Palais des Beaux-Arts).

 

Kunsthalle Bern 1968

Kunsthalle Bern. Roy Lichtenstein. Bern: Kunsthalle Bern, 1968. Exhibition broadside. Unpaginated. (1967 Amsterdam Stedelijk).

 

Kunsthalle Darmstadt 1968

Kunsthalle Darmstadt. Menschenbilder. Darmstadt: [Kunsthalle Darmstadt], 1968. Exhibition catalogue. (1968 Darmstadt Kunsthalle).

 

Kunsthalle Köln 1971

Kunsthalle Köln in association with Verein progressiver deutscher Kunsthändler, Cologne. Kölner Kunstmarkt 1 (spring 1971).

 

Kunsthalle Wien 1993

Kunsthalle Wien, Vienna. Die Sprache der Kunst: Die Beziehung von Bild und Text in der Kunst des 20. Jahrhunderts. Ed. Eleonora Louis and Toni Stooss. Ostfildern-Ruit, Germany: Hatje Cantz, 1993. Exhibition catalogue.

 

Kunsthaus Zürich 1970

Kunsthaus Zürich. Peau de Lion. Zürich: Kunsthaus Zürich, 1970. Exhibition brochure. (Both venues used the same brochure. For the Karlsruhe venue, the German title and exhibition dates were added to the front cover). (1970 Zurich Kunsthaus).

 

Kunsthaus Zürich 1985

Kunsthaus Zürich. 36 Werke aus der Sammlung Erna und Curt Burgauer: Geschenke und ein versprochenes Legat. Zurich: Kunsthaus Zürich, 1985. Exhibition catalogue. (1985 Zurich Kunsthaus).

 

Kunstmarkt 1967

Verein Progressiver Deutscher Kunsthändler Köln. Kunstmarkt 67. Cologne: [Verein Progressiver Deutscher Kunsthändler Köln], 1967. (1967 Cologne Gürzenich).

 

Kunstmuseum Luzern 1973

Kunstmuseum Luzern. Ein grosses Jahrzehnt amerikanischer Kunst. Lucerne: Kunstmuseum Luzern, 1973. Exhibition catalogue. Unpaginated. (1973 Lucerne Kunstmuseum).

 

Kunstsammlung Nordrhein-Westfalen 1975

Kunstsammlung Nordrhein-Westfalen. Malerei des zwanzigsten Jahrhunderts: Katalog [der Erwerbungen 1962–1974]. Düsseldorf: Kunstsammlung Nordrhein-Westfalen, 1975.

 

Kunstsammlung Nordrhein-Westfalen 1977

Kunstsammlung Nordrhein-Westfalen. Amerikaner: Kunst aus USA nach 1950. Düsseldorf: Kunstsammlung Nordrhein-Westfalen, 1977. Exhibition catalogue. (1977 Düsseldorf Kunstsammlung).

 

Kunstverein Hannover 1982

Kunstverein Hannover. Spiegelbilder. Hannover: Kunstverein Hannover, 1982. Exhibition catalogue. (1982 Hannover Kunstverein).

 

Kunstverein Sankt Gallen 1966

Kunstverein Sankt Gallen. Amerikanische Kunst in schweizer Besitz. Sankt Gallen: Kunstmuseum Sankt Gallen, 1966. Exhibition catalogue. (1966 Sankt Gallen Kunstmuseum).

 

Kunstwerk 1964

“Pop Art Diskussion.” Das Kunstwerk 17, no. 10 (April 1964), pp. 2–32.

 

Kunstwerk 1966

“Amerikanische Kunst aus schweizer Besitz.” Das Kunstwerk 20, nos. 3–4 (December 1966–January 1967), p. 68.

 

Kunzle 1984

Kunzle, David. “Pop Art As Consumerist Realism.” Studies in Visual Communication 10, no. 2 (Spring 1984), pp. 16–33.

 

Kupper 1973

Kupper, Hans Jürg. “Licht um Mr. Lichtenstein.” Basler Nachrichten, no. 141, June 20, 1973, p. 9.

 

Kurtz 1972

Kurtz, Bruce. “Interview with Giuseppe Panza di Biumo.” Arts Magazine (New York) 46, no. 5 (March 1972), pp. 41–43.

 

Kushner 2010

Kushner, Marilyn Satin. Donald Saff: Art in Collaboration. Munich: DelMonico Books, Prestel, 2010.

 

Kuspit 1976

Kuspit, Donald. “Pop Art: A Reactionary Realism.” Art Journal 36, no. 1 (Fall 1976), pp. 31–38.

 

Kuspit 1977

Kuspit, Donald. “New York Today: Some Artists Comment.” Art in America 65, no. 5 (September 1977), pp. 82–83.

 

Kuspit 1979a

Kuspit, Donald. “Lichtenstein and the Collective Unconscious of Style.” Art in America 67, no. 3 (May—June 1979), pp. 100–105.

 

Kuspit 1979b

Kuspit, Donald. Roy Lichtenstein: Recent Work. Coral Gables, Fla.: Lowe Art Museum, University of Miami, 1979. Exhibition brochure. (1979 Coral Gables Lowe).

 

Kuspit 1981

Kuspit, Donald. “Elemental Realities.” Art in America 69, no. 1 (January 1981), pp. 78–87.

 

Kuspit 1983

Kuspit, Donald. “Uncivil War.” Artforum International 21, no. 8 (April 1983), pp. 34–43.

 

Kuspit 1988

Kuspit, Donald. “Roy Lichtenstein.” Artforum International 26, no. 9 (May 1988), pp. 141–42.

 

Kuspit 1997

Kuspit, Donald. Feminine Image. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 1997. Exhibition catalogue. (1997 Roslyn Harbor Nassau County Museum).

 

Kuspit and Sardo 2000

Kuspit, Donald, and Delfim Sardo. Colecção Berardo Collection 1917–1999. Belém: Centro Cultural de Belém, 2000. Exhibition catalogue. (2000 Belém Centro Cultural).

 

Kuthy et al. 1978

Kuthy, Sandor, et al. Das Museum of Modern Art New York zu Gast im Kunstmuseum Bern und Museum Ludwig Köln. New York: Museum of Modern Art, 1978. Exhibition catalogue. (1979 Bern Kunstmuseum).

 

Kutner 1979

Kutner, Janet. “SMU’s Drawing Show Packed with Surprises.” Dallas Morning News, March 13, 1979, p. C7.

 

Kyoto Costume Institute 2009

Kyoto Costume Institute. Luxury in Fashion Reconsidered. Kyoto: Kyoto Costume Institute, 2009. Exhibition catalogue. (2009 Kyoto National Museum of Modern Art).

 

L’espresso 1989

“Rifarò le pagine gialle: Colloquio con Roy Lichtenstein.” L’espresso (Rome) 6, no. 31 (August 6, 1989), pp. 84–85.

 

L’Humanité 1975

“Roy Lichtenstein.” L’Humanité (Paris) (February 7, 1975).

 

La Montagne 1996

La Montagne. “Tombée de Métier: Un hommage à Monet pour la Bibliothèque Nationale de France.” La Montagne (Clermont—Ferrand), December 14, 1996.

 

Lacey 1977

Lacey, J. “Roy Lichtenstein: New Sculpture.” Arts Review (London), no. 29 (November 11, 1977), p. 680.

 

Laddey 1967

Laddey, Virginia. “Roy Lichtenstein: Innovates Pop-Op-Whot Not.” Press-Telegram (Long Beach, Calif.), April 30, 1967.

 

Lafayette College 1984

Morris R. Williams Center for the Arts, Lafayette College, Easton, Pa. The Esman Collection: Paintings, Sculpture and Prints from the 1960s, ’70s. Easton, Pa.: Morris R. Williams Center for the Arts, Lafayette College, 1984. Exhibition catalogue. (1984 Easton Williams).

 

Lalit Kala 1966

Lalit Kala Academy, New Delhi. Two Decades of American Painting. [New Delhi]: [Lalit Kala Academy], [1966]. (1966 Tokyo National Museum of Modern Art).

 

Lamarche-Vadel 1982

Lamarche-Vadel, Bernard. “Roy Lichtenstein, entretien au magnétophone.” Artistes, no. 11 (June–July 1982), pp. 45–49.

 

Lambirth 2013

Lambirth, Andrew. “How Roy Lichtenstein Became Weighed Down with Superficiality.” The Spectator (March 9, 2013).

 

Lambrecht 1993

Lambrecht, Laurie. “Lens on Lichtenstein.” Art and Antiques 15, no. 8 (October 1993), pp. 62–67.

 

Lambrecht 2009

Lambrecht, Laurie. “Inside Roy Lichtenstein’s Studio.” The Southampton [N.Y.] Review 3, no. 1 (Spring 2009), pp. 114–26.

 

Lambrecht 2011

Lambrecht, Laurie. Roy Lichtenstein in His Studio. New York: Monacelli Press, 2011.

 

Lanchner 2009

Lanchner, Carolyn. Roy Lichtenstein. New York: Museum of Modern Art, 2009.

 

Landau, Talalay, and Talalay 1993

Landau, Ellen G., Marjorie Talalay, and Anselm Talalay. 25 Years: A Retrospective. Cleveland: Cleveland Center for Contemporary Art, 1993. Exhibition catalogue. (1993b Cleveland Center).

 

Landes 2017

Landes, Jennifer. “Roy Lichtenstein’s Mermaid Resurfaces.” East Hampton [N.Y.] Star, May 18, 2017.

 

Landesmuseum 1972

Westfälisches Landesmuseum für Kunst und Kulturgeschichte. Everybody Knows: Sammlung Dr. Hubert und Marie-Thérèse Peeters, Brügge. Münster: Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 1972. Exhibition catalogue. (1972 Münster Landesmuseum).

 

Landi 2006

Landi, Ann. “The Picasso Challenge.” ARTnews 105, no. 9 (October 2006), pp. 150–57.

 

Lanes 1967

Lanes, Jerrold. “Current and Forthcoming Exhibitions: New York.” The Burlington Magazine 109, no. 777 (December 1967), pp. 724–28.

 

Langemeyer and Peters 1979

Langemeyer, Gerhard, and Hans-Albert Peters. Stilleben in Europa. Münster: Landschaftsverband Westfalen-Lippe, 1979. Exhibition catalogue. (1979 Münster Landesmuseum).

 

Langsner 1962

Langsner, Jules. “Los Angeles Letter, September 1962.” Art International 6, no. 9 (November 1962), pp. 49–52.

 

Langui 1964

Langui, Emile. “La figure humaine dans la peinture depuis Picasso.” Quadrum, no. 17, no. 4 (1964), pp. 4–22.

 

D. Larsen 1967

Larsen, Dave. “Only a ZAP Won’t Get BANG from Power of This Pop Art.” Los Angeles Times, Part II, April 14, 1967, pp. 1–2.

 

H. Larson 2003

Larson, Hilary J. “Lichtenstein Prints on the Block for Love of a Cause.” Southampton [N.Y.] Press, May 29, 2003, B1, B9.

 

K. Larson 1974

Larson, Kay. “Words in Print.” Print Collector’s Newsletter 5, no. 3 (July–August 1974), pp. 53–56.

 

K. Larson 1981

Larson, Kay. “Art: Roy Lichtenstein’s Pow!’s Have Been Replaced by Painterly Decorum.” New York Magazine 14, no. 37 (September 21, 1981), pp. 34–35.

 

K. Larson 1987

Larson, Kay. “The Luck of the Draw.” New York Magazine 20, no. 20 (May 18, 1987), pp. 98–99.

 

K. Larson 1993

Larson, Kay. “Pop of Ages.” New York Magazine 26, no. 42 (October 25, 1993), pp. 101–2.

 

Lascault 1975

Lascault, Gilbert. “Léger: L’anti récits.” XXe siècle (Paris and Milan), n.s., 37, no. 45 (December 1975), pp. 55–62.

 

Lauf et al. 2016

Lauf, Cornelia. Wall to Wall: Carpets by Artists. Edited by Megan Lykins Reich. Cologne: Verlag der Buchhandlung Walther König, 2016. Exhibition catalogue. (2016–17 Cleveland MOCA).

 

Laus 1965

Laus, Harry. “Lichtenstein e a Pop-Art.” Jornal do Brasil (Rio de Janeiro), November 11, 1965.

 

Lauter 1994

Lauter, Rolf. Das Museum für Moderne Kunst und die Sammlung Ströher: Zur Geschichte einer Privatsammlung. Frankfurt am Main: Societäts-Verlag, 1994. Exhibition catalogue. (1994 Frankfurt Jahrhunderthalle).

 

Lauter 1995

Lauter, Rolf, ed. Kunst in Frankfurt: 1945 bis Heute. Frankfurt am Main: Societäts-Verlag, 1995.

 

Lautman 1985

Lautman, Victoria. “Roy Lichtenstein.” Arts Magazine (New York) 59, no. 6 (February 1985), p. 12.

 

Lavell 1981

Lavell, Stephen. “Lichtenstein.” Arts Review (London) 33, no. 22 (November 6, 1981), pp. 493–94.

 

Lavrador 2013a

Lavrador, Judicaël. “Sous l’exubérance des toiles, une precision maniaque.” Beaux Arts Éditions (June 2013), pp. 14–21.

 

Lavrador 2013b

Lavrador, Judicaël. “Les coulisses de l’art élues superstars du tableau.” Beaux Arts Éditions (June 2013), pp. 42–44.

 

Lavrador 2013c

Lavrador, Judicaël. “Lichtenstein: Pasticheur des grands maîtres.” Beaux Arts Éditions (June 2013), pp. 46–53.

 

Lawford 1971

Lawford, Valentine. “A Reflection of Now: Mr. and Mrs. Gardner Cowles’s New York Apartment Brilliantly Mirrors Today’s Surge for Nonstop Space.” Vogue 158, no. 6 (October 1, 1971), pp. 181–85, 191.

 

Lawrence 2012

Lawrence, James. “Studio Artist.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff, pp. 72–77. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

James Lawrence 2010

Lawrence, James. “Roy Lichtenstein: New York.” The Burlington Magazine 152, no. 1289 (August 2010), pp. 569–70.

 

Jill Lawrence 1970

Lawrence, Jill. “The Roy Lichtenstein Exhibit.” North West Art, no. 2 (3–4, 1970), p. 15.

 

Lawson 1979

Lawson, Thomas. “Roy Lichtenstein.” Flash Art/Heute Kunst, nos. 90–91 (June–July 1979), p. 46.

 

Le monde 1963

“Lichtenstein.” Le monde (Paris), June 7, 1963, p. 9.

 

Lebaillif 1988

Lebaillif, Pierre. “La lettre du mécénat.” Galeries, no. 25 (June–July 1988), p. 7.

 

Lebensztejn 1975

Lebensztejn, Jean-Claude. “Eight Statements [on Matisse].” Art in America 63, no. 4 (July–August 1975), pp. 67–69.

 

LeBrun 1980

LeBrun, Margaret. “Major New York Artist Visits Campus.” Spectator (Eau Claire, Wis.), February 7, 1980, p. 16.

 

Leddy 1995

Leddy, Kim. “Homecoming.” Columbus Alive, September 20–26, 1995, p. 6.

 

Lee Gallery 1984

Janie C. Lee Gallery, Houston. Master Drawings 1928–1984. Houston: Janie C. Lee Gallery, 1984. Exhibition catalogue. (1984 Houston Lee).

 

Leering 1967

Leering, Jean. Kompas 3: Schilderkunst na 1945 uit New York/Paintings after 1945 in New York. Eindhoven: Stedelijk van Abbemuseum, 1967. Exhibition catalogue. (1967b Eindhoven van Abbemuseum).

 

Leering and Wember 1967

Leering, Jean, and Wember, Paul. Kompass New York: Malerei nach 1945 aus New York/Paintings after 1945 in New York. Frankfurt am Main: Frankfurter Kunstverein, 1967. Exhibition catalogue. (1967b Eindhoven van Abbemuseum).

 

Leering et al. 1968

Leering, J[ean]., et al. ‘three blind mice’ | De collecties: Visser, Peeters, Becht. Eindhoven: Stedelijk van Abbemuseum, 1968. Exhibition catalogue. (1968 Eindhoven van Abbemuseum).

 

Leggio and Weiley 1991

Leggio, James, and Susan Weiley, eds. American Art of the 1960s. Studies in Modern Art 1. New York: Museum of Modern Art, 1991.

 

Legrand 2013

Legrand, François. “Arrêts sur images.” Connaissance des arts. Special issue, Roy Lichtenstein, edited by Francis Morel, no. 589, pp. 48–63.

 

Lehmbeck 2011

Lehmbeck, Leah, ed. Proof: The Rise of Printmaking in Southern California. Pasadena: Norton Simon Art Foundation, 2011. Exhibition catalogue.

 

Leider 1967

Leider, Philip. “American Sculpture at the Los Angeles County Museum of Art.” Artforum 5, no. 10 (June 1967), pp. 6–11.

 

Leinz 1996

Leinz, Gottlieb. Die Malerei des 20. Jahrhunderts. Erlangen: Müller, 1996.

 

Lelyveld 1967

Lelyveld, Joseph. “Modern U.S. Art Stirs New Delhi.” New York Times, April 10, 1967, p. 32.

 

Lenson 1963

Lenson, Michael. “The Realm of Art.” Newark Sunday Times, April 21, 1963, p. W14.

 

Leopold 1962

Leopold, Eunice. “‘Y’ Exhibition a Curious Phenomenon.” Pennsylvania Guardian, November 2, 1962, p. 11.

 

Lequeux 2013

Lequeux, Emmanuelle. “‘Roy Lichtenstein a piqué leur sens de l’humour à Klee, Miró et Picasso.'” Beaux-Arts Éditions (June 2013), pp. 4–6.

 

Lerman 1962

Lerman, Leo. “The Village Idea.” Mademoiselle 55, no. 2 (June 1962), pp. 68–71.

 

Lerman 1963

Lerman, Leo. “Treasures on Campus: Pop Goes Brandeis!” Mademoiselle 58, no. 2 (December 1963), pp. 74–75.

 

Leroy 1997

Leroy, Bridget. “Roy Lichtenstein Dead at 73.” Independent (Southampton, N.Y.), October 1, 1997, p. 8.

 

Leslie 1997

Leslie, Richard. Pop Art: A New Generation of Style. New York: Todtri Productions, 1997.

 

Lévêque 1963

Lévêque, Jean-Jacques. “Lichtenstein: Objectivé.” Arts (Paris) (June 12–18, 1963), p. 12.

 

Lévêque 1967

Lévêque, Jean-Jacques. “Les pops sont-ils nos naïfs?” Arts (Paris) 75 (March 1–7, 1967), pp. 34–49.

 

Lévêque 1975

Lévêque, Jean-Jacques. “Lichtenstein, héraut de la bande dessinée.” Galerie-jardin des arts (Paris), no. 143 (January 1975), pp. 40–41.

 

P. Levi 1998

Levi, Paolo. Pop Art un’esperienza internazionale. Turin: Elede Editrice, 1998. Exhibition catalogue. (1998 Turin SDA).

 

B. Levin 2005

Levin, Bob. “Why Roy Lichtenstein Is a Greater Artist Than Ghastly Ingels.” In Outlaws, Rebels, Freethinkers and Pirates: Essays on Cartoons and Cartoonists, pp. 183–90. Seattle: Fantagraphics Books, 2005.

 

G. Levin 1987

Levin, Gail. The Thyssen-Bornemisza Collection: Twentieth-Century American Painting. London: Sotheby’s Publications, 1987.

 

K. Levin 1984a

Levin, Kim. “The Clone Zone.” Village Voice (New York), May 15, 1984, p. 91.

 

K. Levin 1984b

Levin, Kim. “Roy Lichtenstein.” Village Voice (New York), January 17, 1984, p. 3.

 

K. Levin 1988

Levin, Kim. “Lichtenstein’s Picassos: 1962–1964.” Village Voice (New York), February 23, 1988, p. 86.

 

Levine 1987

Levine, Angela. “Object Lesson.” Jerusalem Post Magazine, November 6, 1987, p. 10.

 

Lewis 1974

Lewis, Jo An. “Lichtenstein’s Pop Art Has Wit for Long Life.” Washington Star-News, June 19, 1974, p. D3.

 

Lewis 1979

Lewis, Jo An. “‘Setting Standards’ at the Corcoran.” ARTnews 78, no. 4 (April 1979), pp. 85, 88–89.

 

Lewis 1994

Lewis, Jo An. “Roy Lichtenstein’s Natural Progression.” Washington Post, October 30, 1994, p. G7.

 

Lewis 1997

Lewis, Jo An. “National Gallery’s New Year’s Bounty: Pop Art, Calders among Gifts.” Washington Post, January 10, 1997, D1–D2.

 

Lichtenstein 2013

Lichtenstein, Roy. Ce que je crée, c’est de la forme: Entretiens, 1963–1997: Roy Lichtenstein. Paris, France: Éditions du Centre Pompidou, 2013.

 

R. Lichtenstein and A. Solomon 1966

Lichtenstein, Roy, and Alan Solomon. “Conversation with Roy Lichtenstein.” Transcript of television interview edited by Lichtenstein. ca. 1966. Roy Lichtenstein Foundation Archives.

 

R. Lichtenstein and Alloway 1983

Lichtenstein, Roy, and Lawrence Alloway. “Artist’s Statements.” In Roy Lichtenstein, by Lawrence Alloway, pp. 105–7. New York: Abbeville Press, 1983.

 

R. Lichtenstein and Alloway 1990

Lichtenstein, Roy, and Lawrence Alloway. “Intervista del 1983.” In Lichtenstein: La grafica, edited by Nina Sundell, pp. 37–41. Milan: Electa, 1990. Exhibition catalogue.

 

R. Lichtenstein and D. Shapiro 1980a

Lichtenstein, Roy, and David Shapiro. “Grande unificazione.” In Pop Art: Evoluzione di una generazione, edited by Attilio Codognato, pp. 63–78. Milan: Electa, 1980.

 

Lichtenstein and Passin 1989

Lichtenstein, Roy, and Herbert Passin. “The Era That Gave Birth to Pop Art: Roy Lichtenstein and Herbert Passin.” Asteion, no. 13 (summer 1989), pp. 120–35.

 

R. Lichtenstein and Sorge 1996

Lichtenstein, Roy, and Helmut Sorge. “‘Talent und Wille reichen nicht.'” Der Spiegel special, no. 12 (December 1996), pp. 76–78. View online (magazin.spiegel.de)

 

R. Lichtenstein and Waldman 1971

Lichtenstein, Roy, and Diane Waldman. “Lichtenstein Interviewed by Diane Waldman.” In Roy Lichtenstein, by Waldman, pp. 25–28. New York: Harry N. Abrams, 1971.

 

Lichtenstein Foundation and Mitchell-Innes & Nash 2002

Roy Lichtenstein Foundation and Mitchell-Innes & Nash, New York. Roy Lichtenstein: Times Square Mural. New York: Roy Lichtenstein Foundation and Mitchell-Innes & Nash, 2002. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (2002 New York Mitchell-Innes and Nash).

 

D. Lichtenstein 1999a

Lichtenstein, Dorothy. “The Misanthrope Manqué: Through a Glass Lightly.” In Roy Lichtenstein: Interiors, by Museum of Contemporary Art, Chicago, pp. 19–21. Chicago: Museum of Contemporary Art, 1999. Exhibition catalogue.

 

D. Lichtenstein 2005

Lichtenstein, Dorothy. “Salute to Kunsthaus Bregenz.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider, p. 9. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue.

 

D. Lichtenstein 2014

Lichtenstein, Dorothy. “Il disegno come origine.” In Roy Lichtenstein: Opera prima, by Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 44–51. Milan: Skira Editore, 2014. Exhibition catalogue.

 

D. Lichtenstein 2015

Lichtenstein, Dorothy. “Drawing as Source.” In Roy Lichtenstein: Drawing First. 50 Years of Works on Paper, Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 34–43. Milan: Skira Editore, 2015. Exhibition catalogue.

 

R. Lichtenstein 1949

Lichtenstein, Roy Fox. “Paintings, Drawings, and Pastels: A Thesis.” MFA thesis, Ohio State University, Columbus, 1949.

 

R. Lichtenstein 1952

Lichtenstein, Roy. “Don’t Look for Ideas.” Cleveland News: Home Magazine, March 13, 1952, p. 19.

 

R. Lichtenstein 1965

Lichtenstein, Roy. “Four Drawings: Roy Lichtenstein.” Artforum 3, no. 4 (January 1965), pp. 34–35.

 

R. Lichtenstein 1969

Lichtenstein, Roy. “Roy Lichtenstein . . . Modern Sculpture with Velvet Rope.” Art Now: New York 1, no. 1 (January 1969), unpaginated.

 

R. Lichtenstein 1971

Lichtenstein, Roy. Drawings and Prints. New York: Chelsea House, 1971.

 

R. Lichtenstein 1972

Lichtenstein, Roy. “Letters.” Artforum 10, no. 10 (June 1972), p. 6.

 

R. Lichtenstein 1977b

Lichtenstein, Roy. “Roy Lichtenstein.” In The Museum of Modern Art Artists’ Cookbook: 155 Recipes: Conversations with Thirty Contemporary Painters and Sculptors, edited by Madeleine Conway and Nancy Kirk. Photographs by Blaine Waller, pp. 87–89. New York: Museum of Modern Art, 1977.

 

R. Lichtenstein 1981a

Lichtenstein, Roy. Letter. In the Arts (Ohio State University, Columbus). 1981.

 

R. Lichtenstein 1981b

Lichtenstein, Roy. “Study for ‘Yellow Apple’ and ‘Yellow Apple.'” Artforum 20, no. 1 (September 1981), pp. 64–65.

 

R. Lichtenstein 1982

Lichtenstein, Roy. “Roy Lichtenstein.” In Edie: An American Biography, by Jean Stein; edited by Stein and George Plimpton. New York: Alfred A. Knopf, 1982.

 

R. Lichtenstein 1982a

Lichtenstein, Roy. “Roy Lichtenstein.” Art City Times, April 13, 1982, p. 9.

 

R. Lichtenstein 1987

Lichtenstein, Roy. “Roy Lichtenstein: Painter/Sculptor.” In The School of Visual Arts Guide to Careers, edited by Elisabeth Jakab. New York: McGraw-Hill, 1987. Interview of….

 

R. Lichtenstein 2005

Lichtenstein, Roy Fox. “Paintings, Drawings, and Pastels.” In Roy Lichtenstein: Conversations with Surrealism, by Mitchell-Innes & Nash, New York, unpaginated. New York: Mitchell-Innes & Nash, 2005. Exhibition catalogue.

 

R. Lichtenstein 2007

Lichtenstein, Roy Fox. Paintings, Drawings, and Pastels: A Thesis by Roy Fox Lichtenstein/Roy Fox Lichtenstein: Pinturas, dibujos y pasteles: Una tesis. Madrid: Fundación Juan March, 2007.

 

Lida 1987a

Lida, David. “Pop Goes the Easel: Roy Lichtenstein.” Women’s Wear Daily, May 5, 1987, p. 28.

 

Lida 1987b

Lida, David. “The Prince of Pop.” Women’s Wear Daily, May 18–25, 1987, p. 22.

 

Lieberman 1966

Lieberman, William S. London/New York/Hollywood: A New Look in Prints. New York: Museum of Modern Art, 1966. Exhibition brochure. (1966b New York MoMA).

 

Lieberman 1968

Lieberman, William S. “Introduction.” In Ten from Leo Castelli. New York: Tanglewood Press, 1968.

 

Liebmann 1992

Liebmann, Lisa. “Roy Lichtenstein.” Interview 22 (March 1992), p. 32.

 

Life 1962

“Something New Is Cooking.” Life 52, no. 24 (June 15, 1962), pp. 115–16, 119–20.

 

Life 1963a

“Folk Art, Pop! Go the Easels.” Life (New York extra) 54, no. 13 (March 29, 1963), p. A16.

 

Life 1963b

“Sold Out Art.” Life 55, no. 12 (September 20, 1963), pp. 125–29.

 

Life 1965

Dauman, Henri (photographer). “You Bought It, Now Live with It.” Life 59 (July 16, 1965), pp. 138–40.

 

Life 1970

“Original Art, Hot Off the Presses.” Life (January 23, 1970), pp. 57–58.

 

Lilja et al. 1991

Lilja, Torsten, et al. Pop Art from the Lilja Collection. Høvikodden and Hellerup, Norway: Heine Onstad Art Center and Edition Bløndal, 1991.

 

Link 1985

Link, John. “Ruins of Taste.” Arts Magazine (New York) 59, no. 9 (May 1985), pp. 100–102.

 

Linker 1987a

Linker, Kate. “Roy Lichtenstein.” Artforum International 25, no. 10 (summer 1987), pp. 113–14.

 

Linker 1987b

Linker, Kate. “The Drawings of Roy Lichtenstein.” MoMA Artforum (Summer 1987), pp. 419–20.

 

Lipman and Franc 1976

Lipman, Jean, and Helen M. Franc. Bright Stars: American Painting and Sculpture since 1776. New York: E. P. Dutton & Co. 1976.

 

Lipman and Marshall 1978

Lipman, Jean, and Richard Marshall. Art about Art. New York: Whitney Museum of American Art, 1978. Exhibition catalogue. (1978a New York Whitney).

 

Lippard 1966a

Lippard, Lucy R. “An Impure Situation [New York and Philadelphia Letter].” Art International 10, no. 5 (May 1966), pp. 60–65.

 

Lippard 1966b

Lippard, Lucy R. “New York Letter.” Art International 10, no. 1 (January 1966), pp. 90–95.

 

Lippard 1966c

Lippard, Lucy R. “New York Pop.” In Pop Art, by Lippard with contributions by Lawrence Alloway, Nicolas Calas, and Nancy Marmer, pp. 69–138. New York: Oxford University Press, 1966.

 

Lippard 1969

Lippard, Lucy R. New York/13. Vancouver: Vancouver Art Gallery, 1969. Exhibition catalogue. (1969 Vancouver Art Gallery).

 

Lippard et al. 1985

Lippard, Lucy R., et al. Pop Art. New York: Thames and Hudson, 1985.

 

Lippincott 2010

Lippincott, Jonathan D. Large Scale: Fabricating Sculpture in the 1960s and 1970s. New York: Princeton Architectural Press, 2010.

 

Lipson 1994

Lipson, Karin. “Appropriationists’ Pilfering from Past.” New York Newsday, October 7, 1994, p. B21.

 

Litt 1995

Litt, Steven. “OSU Shows Off Alumnus.” Plain Dealer (Cleveland), October 22, 1995, K1, K5.

 

Litt 1999

Litt, Steven. “Lichtenstein’s Prints Eye-Popping in Person.” Plain Dealer (Cleveland), March 6, 1999, E3–E4.

 

Little 2012

Little, Stephen. “Landscape in the Chinese Style.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff, pp. 88–93. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

Liu 1990

Liu, Catherine. “Roy Lichtenstein.” Artforum International 28, no. 5 (January 1990), pp. 136–37.

 

Livi 1964

Livi, Grazia. “Ecco i malinconici ‘Pop.'” Epoca (Milan) 60, no. 712 (May 17, 1964), pp. 42–52.

 

Livingston 1968a

Livingston, Jane. “Los Angeles.” Artforum 6, no. 10 (summer 1968), pp. 60–61.

 

Livingston 1968b

Livingston, Jane. “Some Thoughts on ‘Art and Technology.” Studio International 181, no. 934 (June 1971), pp. 258–63.

 

Livingston 1979

Livingston, Jane. The 36th Biennial Exhibition of Contemporary American Painting. Washington, D.C.: Corcoran Gallery of Art, 1979. Exhibition catalogue. (1979 Washington, D.C., Corcoran).

 

Livingstone 1990

Livingstone, Marco. Pop Art: A Continuing History. 1st ed. New York: Harry N. Abrams, 1990. 2nd ed. New York: Thames & Hudson, 2000.

 

Livingstone 1991a

Livingstone, Marco, ed. Pop Art. New York: Rizzoli; London, 1991. Exhibition catalogue. (1991 London Royal Academy).

 

Livingstone 1991b

Livingstone, Marco. Pop Muses: Images of Women by Roy Lichtenstein and Andy Warhol. Tokyo: Art Life Ltd. 1991. Exhibition catalogue. (1991 Tokyo Isetan).

 

Livingstone 1992a

Livingstone, Marco, ed. Arte Pop. Madrid: Museo Nacional Reina Sofía, 1992. Exhibition catalogue. (1991 London Royal Academy).

 

Livingstone 1992b

Livingstone, Marco, ed. Pop Art. Montreal: Montreal Museum of Fine Arts, 1992. Exhibition catalogue. (1991 London Royal Academy).

 

Livingstone 1992c

Livingstone, Marco, ed. Pop Art. Munich: Prestel Verlag, 1992. Exhibition catalogue. (1991 London Royal Academy).

 

Livingstone 1993

Livingstone, Marco. Pop Prints from the Arts Council Collection. London: South Bank Centre, 1993. Exhibition catalogue.

 

Livingstone 1997

Livingstone, Marco, ed. The Pop ’60s: Travessia transatlântic/Transatlantic Crossing. Lisbon: Centro Cultural de Belém, 1997. Exhibition catalogue. (1997 Belém Centro Cultural).

 

Lloyd 1993

Lloyd, Michael. Surrealism: Revolution by Night. Canberra: National Gallery of Australia, 1993. Exhibition catalogue.

 

Lobel 1999

Lobel, Michael. “Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art.” PhD diss., Yale University, New Haven, 1999.

 

Lobel 2001

Lobel, Michael. “Technology Envisioned: Lichtenstein’s Monocularity.” Oxford Art Journal 24, no. 1 (2001), pp. 131–54.

 

Lobel 2002b

Lobel, Michael. Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art. New Haven: Yale University Press, 2002.

 

Lobel 2003

Lobel, Michael. “Popkunsten if ø lge Lichtenstein.” Louisiana revy, no. 44 (August 1, 2003), pp. 8–11.

 

Lochridge 1979

Lochridge, Katherine. As We See Ourselves: Artists’ Self-Portraits. Huntington, N.Y.: Heckscher Museum of Art, 1979. Exhibition catalogue. (1979 Huntington, N.Y., Heckscher).

 

Lohnes 1993

Lohnes, Mary Ann. Roy Lichtenstein Prints. New York: Susan Sheehan Gallery, 1993. Exhibition catalogue. (1993 New York Sheehan).

 

London 2006

London, Carey. “Lichtenstein’s American Indian Encounters.” The Scene (Southampton, N.Y.) (September 13, 2006).

 

London Times 1997

“Roy Lichtenstein.” London Times, October 1, 1997, p. 21.

 

Long 2004

Long, Robert. “Heavy Hitters at Guild Hall.” East Hampton [N.Y.] Press, July 1, 2004, C1, C6.

 

Longwell 2008

Longwell, Alicia G. Sand: Memory, Meaning and Metaphor. Southampton, N.Y.: Parrish Art Museum, 2008. Exhibition catalogue. (2008 Southampton, N.Y., Parrish).

 

Loran 1963a

Loran, Erle. “Cézanne and Lichtenstein: Problems of ‘Transformation.'” Artforum 2, no. 3 (September 1963), pp. 34–35.

 

Loran 1963b

Loran, Erle. “Pop Artists or Copy Cats?” ARTnews 62, no. 5 (September 1963), pp. 48–49, 61.

 

Lord 1964a

Lord, J. Barry. “The New Figure.” Canadian Art 21, no. 4 (July–August 1964), pp. 202–5.

 

Lord 1964b

Lord, J. Barry. “Pop Art in Canada.” Artforum 2, no. 9 (March 1964), pp. 28–31.

 

Loring 1974

Loring, John. “Graphic Arts: Comic Strip Pop.” Arts Magazine (New York) 49, no. 1 (September 1974), pp. 48–50.

 

Los Angeles Times 1995

“Art Ahoy.” Los Angeles Times, January 2, 1995, p. F1.

 

Los Angeles Times 1996

“Pop Meets Pop.” Los Angeles Times, August 17, 1996, p. F1.

 

Lösel 1992

Lösel, Anja. “Pop Art: Die alten Meister.” Stern (Hamburg) 13 (March 19, 1992), pp. 58–71, 75, 79.

 

Louden 1970

Louden, Lynn M. “Apollo and Dionysus in Contemporary Art.” Arts Magazine (New York) 45, no. 3 (December 1970–January 1971), pp. 20–23.

 

Louis 1997

Louis, Arthur M. “Unconventional Funds: Robertson Invests Where Others Rarely Look.” San Francisco Chronicle, February 18, 1997, p. B1.

 

Louisiana revy 2003

Louisiana revy (Humlebaek, Denmark). Special issue, Roy Lichtenstein, no. 44 (August 1, 2003).

 

Louisiana revy 2013

Louisiana revy (Humlebaek, Denmark). Special issue, Pop Art Design 53, no. 2 (2013).

 

Lousiana 1964

Lousiana. “Lousiana Revy.” Louisiana revy (Humlebaek, Denmark), no. 4 (April 1964). Exhibition brochure. (1964 Stockholm Moderna Museet).

 

Lovejoy 1992

Lovejoy, Margot. Postmodern Currents: Art and Artists in the Age of Electronic Media. Englewood Cliffs, N.J.: Prentice Hall, 1992.

 

Lowe 1966

Lowe, Harry. “In Venice: Backstage at the Biennale.” Museum News 45, no. 3 (November 1966), pp. 11–18.

 

Lowe 1985

Lowe, Harry. Artists of the Kennedy Era. Hempstead, N.Y.: Emily Lowe Gallery, Hofstra University, 1985. Exhibition catalogue. (1985 Hempstead Lowe).

 

Lowe Art Museum 1976

Lowe Art Museum. Today/Tomorrow: Selected Contemporary Artists. Coral Gables, Fla.: Lowe Art Museum, University of Miami, 1976. Exhibition catalogue. (1976 Coral Gables Lowe).

 

Lowe Gallery 1984

Emily Lowe Gallery. A Decade of Donors (1974–1984). Hempstead, N.Y.: Emily Lowe Gallery, Hofstra University, 1984. Exhibition catalogue. (1984 Hempstead Lowe).

 

Lu 2011

Lu, Carol Yinghua. “Anything Lichtenstein.” In Roy Lichtenstein: Landscapes in the Chinese Style, by Gagosian Gallery, Hong Kong. Translated from the German by Ishbel Flett and Catherine Schelbert., pp. 19–23. Hong Kong: Gagosian Gallery, 2011. Exhibition catalogue.

 

Lubbock 1993

Lubbock, Tom. “Dotting the Eyes.” Modern Painters 6, no. 4 (winter 1993), pp. 44–46.

 

Lubowsky 1986

Lubowsky, Susan T. Contemporary Cutouts. New York: Whitney Museum of American Art, 1986. Exhibition catalogue. (1986 New York Whitney Philip Morris).

 

Lubowsky 1987

Lubowsky, Susan T. Contemporary Cutouts. Stamford, Conn.: Whitney Museum of American Art, Fairfield County, 1987. Exhibition catalogue. (1986 New York Whitney Philip Morris).

 

Lucie-Smith 1966

Lucie-Smith, Edward. “Mixed Shows and Feelings.” Studio International 172, no. 881 (September 1966), pp. 148–51.

 

Lucie-Smith 1969

Lucie-Smith, Edward. Movements in Art since 1945. New York: Thames & Hudson, 1969.

 

Lucie-Smith 1970

Lucie-Smith, Edward. Kunstrichtungen seit 1945. Translated from the English by Rosita Garcia-Reichel and Inge Wiskott. Vienna: Fritz Moldem Verlag, 1970.

 

Lucie-Smith 1977

Lucie-Smith, Edward. Art Today: From Abstract Expressionism to Superrealism. Oxford, England: Phaidon Press, 1977.

 

Lucie-Smith 1978

Lucie-Smith, Edward. Moderne Kunst: Van Abstract Expressionisme tot Hyperrealisme. Amsterdam: Elsevier, 1978.

 

Ludwig 1995

Ludwig, Peter. Offener Blick: Über Kunst und Politik. Statement 12. Regensburg: Lindinger + Schmid, 1995.

 

Ludwig Museum 1996a

Ludwig Museum für Internationale Kunst, National Art Museum of China, Beijing. Die bekannten deutschen Kunstsammler, Peter und Irene Ludwig, schenken China Kunstwerke aus aller Welt. Beijing: Ludwig Museum für Internationale Kunst, National Art Museum of China, 1996. Exhibition catalogue.

 

Ludwig Museum 1996b

Ludwig Museum für Internationale Kunst, National Art Museum of China, Beijing. Deguo shou cang jia Bide Ludeweixi he Yileina Ludeweixi xiang Zhongguo juan zong guo ji yi shu suo pin ji/Die bekannten deutschen Kunstsammler, Peter und Irene Ludwig, schenken China Kunstwerke aus aller Welt. Beijing: Ludwig Museum für Internationale Kunst, National Art Museum of China, 1996. Exhibition catalogue. (1999 Shanghai Art Museum).

 

Lutz 1995

Lutz, Gabriele. Roy Lichtenstein: Collagen 1994. Zurich: Galerie Lawrence Rubin, 1995. Exhibition catalogue. Unpaginated. (1995a Zurich Rubin).

 

Luxembourg and Dayan 2014

Luxembourg and Dayan, New York. The Shaped Canvas, Revisited. New York: Luxembourg and Dayan, 2014. Exhibition catalogue. (2014 New York Luxembourg and Dayan).

 

Lynes 1968

Lynes, Russell. “The Mesh Canvas.” Art in America 56, no. 3 (May 1968), pp. 28–49.

 

Lynton 1966a

Lynton, Norbert. “Won’t Somebody Please Answer That Picture.” Studio International 171, no. 873 (January 1966), p. 34.

 

Lynton 1966b

Lynton, Norbert. “Venice 1966.” Art International 10, no. 7 (September 15, 1966), pp. 83–84, 89.

 

Lynton 1994

Lynton, Norbert. L’Art Moderne. Paris: Flammarion, 1994.

 

N. Lynton 1964

Lynton, Norbert. “London Letter.” Art International 8, no. 1 (February 1964), p. 42.

 

A. M. 1958

M., A. “Painting? It’s Meat for Some, Poison for Others.” Los Angeles Times, March 16, 1958, p. E6.

 

Mac Adam 1998

Mac Adam, Barbara A. “Re-Mastered.” ARTnews 97, no. 10 (November 1998), p. 36.

 

Mac Adam 2002

Mac Adam, Barbara A. “Reviews: Roy Lichtenstein: Mitchell-Innes & Nash; Gagosian; Seagram Building Plaza.” ARTnews 101, no. 1 (January 2002), p. 115.

 

Mac Masters 1998

Mac Masters, Merry. “Roy Lichtenstein concibe a su obra como agente de cambio.” Miércoles (Mexico) (July 8, 1998), p. 27.

 

MacAgy 1962

MacAgy, Douglas. 1961. Dallas: Dallas Museum for Contemporary Arts, 1962. Exhibition catalogue. (1962 Dallas MCA).

 

MacAgy 1963

MacAgy, Douglas. Pop! Goes the Easel. Houston: Contemporary Arts Museum of Houston, 1963. Exhibition brochure. (1963 Houston CAM).

 

MacDonald 1968

MacDonald, Robert. “Two Exhibitions Span the Centuries.” Scotsman (Edinburgh), January 11, 1968, p. 8.

 

Machida Museum of Graphic Art 2005

Machida Museum of Graphic Art, Tokyo. Multiple Show: From Duchamp to Lichtenstein. Tokyo: Machida Museum of Graphic Art, 2005. Exhibition catalogue. (2005 Machida Museum of Graphic Art).

 

MacIssac 1991

MacIssac, Heather Smith. “Primary Space: Roy Lichtenstein Paints in Broad Strokes in His Renovated Studio.” House and Garden 163, no. 7 (July 1991), pp. 70–73.

 

Madeline 2010

Madeline, Laurence. “De chair ou de points: Les cathédrales de Rouen de Monet et de Lichtenstein.” In Claude Monet, 1840–1926: Galeries Nationales, Grand Palais, Paris, by Musée d’Orsay, Réunion des Musées Nationaux, Paris, pp. 71–81. Paris: Musée d’Orsay, Réunion des Musées Nationaux, 2010. Exhibition catalogue.

 

Madoff 1997

Madoff, Steven Henry, ed. Pop Art: A Critical History. Documents of Twentieth-Century Art. Berkeley: University of California Press, 1997.

 

Mag Uidhir 2013

Mag Uidhir, Christy. Art and Art-Attempts. Oxford, United Kingdom: Oxford University Press, 2013.

 

Magloff 1967

Magloff, Joanna. “Roy Lichtenstein Exhibit Shows Abstract Qualities of Cartoons.” Free Press (Los Angeles), April 28, 1967, p. 12.

 

Magnani 1993

Magnani, Gabriele. “Il Roy del Pop.” Architectural Digest (Italian edition) (1993), p. 58.

 

Maharaj 1992

Maharaj, Sarat. “Pop Art’s Pharmacies: Kitsch, Consumerist Objects and Signs, the ‘Unmentionable.'” Art History 15, no. 3 (September 1992), pp. 334–50.

 

Maharaj 1993

Maharaj, Sarat. “Framing Roy Lichtenstein: A Mickey Mimesis Mimicked Also Mimed?” In Roy Lichtenstein, by Tate Gallery Liverpool, pp. 13–19. Liverpool: Tate Gallery Liverpool, 1993. Exhibition catalogue.

 

Mahsun 1981

Mahsun, Carol Anne Runyon. “A Review of the Critical Reactions to Pop Art in the United States.” PhD diss., University of Chicago, 1981.

 

Mahsun 1987

Mahsun, Carol Anne Runyon. Pop Art and the Critics. Studies in the Fine Arts. Ann Arbor: UMI Research Press, 1987.

 

Mahsun 1989

Mahsun, Carol A., ed. Pop Art: The Critical Dialogue. Studies in the Fine Arts. Ann Arbor: UMI Research Press, 1989.

 

Maier 1994

Maier, Anne. “Gerasterter Alltag in lichter Hängung: Pop-Art-Papst Roy Lichtenstein zu Gast im Münchner Haus der Kunst.” Der Standard (Munich), October 15–16, 1994, p. 33.

 

Maldonado 2013

Maldonado, Guitemie. “D’après les mâitres.” Connaissance des arts. Special issue, Roy Lichtenstein, edited by Francis Morel, no. 589, pp. 24–33.

 

Malle 1969

Malle, Luigi. New-dada e pop art newyorkesi. Turin: Galleria Civica d’Arte Moderna, 1969. Exhibition catalogue. (1969 Turin Galleria Civica).

 

MAM 1995

Musée d’Art Moderne de la Ville de Paris. Passions privées: Collections particulières d’art moderne et contemporain en France. Paris: Musée d’Art Moderne de la Ville de Paris, 1995. Exhibition catalogue. (1995 Paris Musée d’Art Moderne).

 

MAMAC 1997

Musée d’Art Moderne et d’Art Contemporain, Nice. De Klein à Warhol: Face-à-face France/États-Unis: Collections du Musée national d’art moderne et du Musée d’art moderne et d’art contemporain de Nice. Paris: Centre Georges Pompidou, 1997. Exhibition catalogue. (1997 Nice MAMAC).

 

Mamiya 1992

Mamiya, Christin J. Pop Art and Consumer Culture: American Super Market. Austin: University of Texas Press, 1992.

 

Manchanda 2007

Manchanda, Catharina. Beauty and the Blonde: An Exploration of American Art and Popular Culture. St. Louis: Mildred Lane Kemper Art Museum, Washington University in St. Louis, 2007. Exhibition catalogue. (2007 St. Louis Kemper).

 

Manchanda 2014

Manchanda, Catharina. Pop Departures. Seattle: Seattle Art Museum in association with Yale University Press, New Haven, 2014. Exhibition catalogue. (2014 Seattle Art Museum).

 

Manning 1993

Manning, Jenny. Sixty Minutes in the Gallery. Canberra: National Gallery of Australia, 1993.

 

Mansfield 1976a

Mansfield, Thomas. “Pop Art Giant Misses His Parties.” Seattle Post-Intelligencer, January 22, 1976, p. D4.

 

Mansfield 1976b

Mansfield, Thomas. “Roy Lichtenstein at Seattle Art Museum.” Seattle Post-Intelligencer, January 22, 1976, p. D4.

 

Manthey 2006

Manthey, Toby. “Encounter a Different Lichtenstein.” News Tribune (Pierce, Colorado), May 16, 2006, p. E7.

 

Manthorne 1997

Manthorne, Katherine E. “Roy Lichtenstein (1923–1997), Twentieth-Century American Master.” American Art 11, no. 3 (Fall 1997), pp. 78–79.

 

Marandel 1973

Marandel, J. Patrice. Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art. Providence: Museum of Art, Rhode Island School of Design, 1973. Exhibition catalogue. (1973b Providence RISD).

 

Marcadé 1991a

Marcadé, Bernard. “La peinture et son ombre.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 122–30.

 

Marcadé 1991b

Marcadé, Bernard. “Roy Lichtenstein: Daniel Templon, Paris.” Flash Art, no. 160 (October 1991), p. 168.

 

Marchesseau 1982

Marchesseau, Daniel. “Roy Lichtenstein à Paris.” L’oeil (Paris), no. 328 (November 1982), pp. 40–45.

 

Marchiori 1963

Marchiori, Giuseppe. “Aspetti dell’arte contemporanea a l’Aquila.” Art International 7, no. 9 (December 1963), p. 36.

 

Marchiori 1967a

Marchiori, Giuseppe. “‘Campo Vitale’: A Palazzo Grasso.” Art International 11 (September 1967), pp. 26–29.

 

Marchiori 1967b

Marchiori, Giuseppe. “Une nouvelle figuration en Europe et en Amérique.” XXe siècle (Paris and Milan), n.s., 29 (December 1967), pp. 75–79.

 

Marcus 2003

Marcus, Mette. “Onomato-Poietik.” Louisiana magasin (Humlebaek, Denmark), no. 10 (August 2003), pp. 28–30.

 

Marie Claire 1964

“Le Pop’Art: La boîte de conserve devient objet d’art.” Marie Claire (September 1964), p. 22.

 

Marini 2010

Marini, Francesca. Lichtenstein. Milan: Skira Editore, 2010.

 

Marinotti 1967

Marinotti, Paolo. Campo vitale: Mostra internazionale d’arte contemporanea. Milan: Rizzoli, 1967. Exhibition catalogue. (1967 Venice Palazzo Grassi).

 

Marisa del Re 1987

Marisa del Re Gallery, New York. Montecarlo Sculpture 87. New York: Marisa del Re Gallery, 1987. Exhibition catalogue. (1987 Monte Carlo Marisa del Re).

 

Marlborough 1992

Marlborough Gallery, New York. Books and Portfolios: 1957–1992. New York: Marlborough Gallery, 1992. Exhibition catalogue. (1992 New York Marlborough Graphics).

 

Marlborough 2005

Marlborough, New York. Landscape, Cityscape. New York: Marlborough, 2005. Exhibition catalogue. (2005 New York Marlborough).

 

Marmer 1965

Marmer, Nancy. “Los Angeles Letter.” Art International 9, no. 1 (February 1965), pp. 29–32.

 

Marontate 1997

Marontate, Janet Lee Ann. “Roy Lichtenstein: Romantic Gesture Takes a Comic Turn (or Flatness Made Funny).” In “Synthetic Media and Modern Painting: A Case Study in the Sociology of Innovation”, pp. 372–82. PhD diss., Université de Montréal (Département de Sociologie, Faculté des Études Supérieures), Montreal, 1997.

 

Marquand 1987

Marquand, Robert. “Using the Raw Elements of Everyday America to Evoke the Hopes and Discouragements of Postwar Life.” Christian Science Monitor, June 16, 1987, p. 21.

 

Marquis 2010

Marquis, Alice Goldfarb. The Pop Revolution. Boston: Museum of Fine Arts, 2010.

 

Marshall 1986

Marshall, Richard (photographs by Robert Mapplethorpe). 50 New York Artists: A Critical Selection of Painters and Sculptors Working in New York. San Francisco: Chronicle Books, 1986.

 

Marter 1999a

Marter, Joan, ed. Off Limits: Rutgers University and the Avant-Garde, 1957–1963. Newark, N.J.: Newark Museum; New Brunswick, N.J.: Rutgers University Press, 1999. Exhibition catalogue. (1999 Newark, N.J., Newark Museum).

 

Marter 1999b

Marter, Joan. “Interview with Roy Lichtenstein.” In Off Limits: Rutgers University and the Avant-Garde, 1957–1963, edited by Marter, pp. 136–38. Newark, N.J.: Newark Museum; New Brunswick, N.J.: Rutgers University Press, 1999. Exhibition catalogue.

 

Martin 2001

Martin, Steve. Kindly Lent Their Owner: The Private Collection of Steve Martin. Las Vegas: Bellagio Gallery of Fine Art, 2001. Exhibition catalogue. (2001 Las Vegas Bellagio).

 

Marvel 1978

Marvel, Bill. “A Modern Way with Clay.” Horizons (September 1978), pp. 41–47.

 

Mary Boone 1989

Mary Boone Gallery, New York. Roy Lichtenstein: “The Mirror Paintings”. New York: Mary Boone Gallery, 1989. Exhibition catalogue. Unpaginated. (1989 New York Boone).

 

März and Papies 1982

März, Roland, and Jürgen Papies. Zeitgenössische Kunst aus der Sammlung Ludwig, Aachen. Berlin: Staatliche Museen zu Berlin (GDR), 1982. Exhibition catalogue. (1977 Berlin [GDR] Nationalgalerie Altes Museum).

 

Marzorati 1985

Marzorati, Gerald. “Picture Puzzles: The Whitney Biennial.” ARTnews 84, no. 6 (Summer 1985), pp. 74–78.

 

Masheck 1971

Masheck, Joseph. “Warhol As Illustrator: Early Manipulations of the Mundane.” Art in America 59, no. 3 (May–June 1971), pp. 54–59.

 

Masheck 1984

Masheck, Joseph. “Judy Rifka and ‘Postmodernism’ in Architecture.” Art in America 72, no. 11 (December 1984), pp. 148–63.

 

Mastroianni 1964

Mastroianni, Tony. “Pop Art at Park Synagogue.” Cleveland Press, November 14, 1964, Weekend page.

 

Mattison 1995

Mattison, Robert Saltonstall. Masterworks in the Robert and Jane Meyerhoff Collection: Jasper Johns, Robert Rauschenberg, Roy Lichtenstein, Ellsworth Kelly, Frank Stella. Manchester, Vt.: Hudson Hills Press, 1995.

 

Mayfair Gallery 1970

Mayfair Gallery, London. Pop! ’70. London: Mayfair Gallery, [1970]. Exhibition catalogue. (1970 London Mayfair).

 

Mayhall 1983

Mayhall, Dorothy. Changes. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1983. Exhibition catalogue. Unpaginated. (1983 Ridgefield Aldrich).

 

Mayor Gallery 1974

Mayor Gallery, London. Roy Lichtenstein: Recent Paintings. London: Mayor Gallery, 1974. Exhibition catalogue. (1974a London Mayor).

 

Mayor Gallery 1985

Mayor Gallery, London. A Tribute to Leo Castelli. London: Mayor Gallery, 1985. Exhibition catalogue. (1985 London Mayor).

 

B. Mayor 2011

Mayor, Beatrice Cummings. The Passionate Collector: Robert B. Mayer’s Adventures in Art. New York: Smallwood and Stewart, 2011.

 

Mayr 1977

Mayr, Hans. Kunst um 1970/Art around 1970: Sammlung Ludwig Aachen im Künstlerhaus Wien. Vienna: Künstlerhaus Wien, 1977. Exhibition catalogue. (1977 Vienna Künstlerhaus).

 

Mazzotta 2001

Fondazione Antonio Mazzotta, ed. Omaggio a Picasso: Da Miró a Lichtenstein. Milan: Edizioni Gabriele Mazzotta, 2001. Exhibition catalogue. (2001 Milan Mazzotta).

 

Mazzotta 2002

Fondazione Antonio Mazzotta, ed. Omaggio a Picasso: Da Miró a Lichtenstein. Milan: Edizioni Gabriele Mazzotta, 2002. Exhibition catalogue. (2001 Milan Mazzotta).

 

Mazzotta 2006

Fondazione Antonio Mazzotta, ed. Omaggio a Picasso: Da Miró a Lichtenstein. Milan: Edizioni Gabriele Mazzotta, 2006. Exhibition catalogue. (2001 Milan Mazzotta).

 

Mazzotta 2007

Fondazione Antonio Mazzotta, ed. Omaggio a Picasso: Da Miró a Lichtenstein. Milan: Edizioni Gabriele Mazzotta, 2007. Exhibition catalogue. (2001 Milan Mazzotta).

 

Mazzotta 2008

Fondazione Antonio Mazzotta, ed. Omaggio a Picasso. Milan: Edizioni Gabriele Mazzotta, 2008. Exhibition catalogue. Texts by Daniel-Henry Kahnweiler, Renato Barilli and Jean Bailly-Herzberg. (2001 Milan Mazzotta).

 

MCASD 2009

Museum of Contemporary Art San Diego. Classic Contemporary: Lichtenstein, Warhol and Friends. La Jolla: Museum of Contemporary Art San Diego, 2009. Exhibition catalogue. (2009 Las Vegas Bellagio).

 

McCabe 2006

McCabe, David. A Year in the Life of Andy Warhol. New York: Phaidon Press, 2006.

 

McCarthy 2005

McCarthy, David. Pop Art. Movements in Modern Art. Cambridge, England: Cambridge University Press, 2000.

 

McClellan 1963a

McClellan, Doug. “Dealer’s Choice.” Artforum 1, no. 11 (May 1963), p. 50.

 

McClellan 1963b

McClellan, Doug. “Roy Lichtenstein, Ferus Gallery.” Artforum 2, no. 1 (July 1963), pp. 44–45, 47.

 

McCorquodale 1978

McCorquodale, Charles. “London.” Art International 22, no. 1 (January 1978), p. 82.

 

McCue 1963

McCue, George. “‘Americans, 1963′ at Artists’ Guild.” Sunday Post-Dispatch (St. Louis), December 15, 1963, p. C5.

 

McDaniel 1995

McDaniel, E. Wayne. “Brenau Art Exhibit Draws a Crowd.” Times (Gainesville, Ga.), 1995.

 

A. McDonald et al. 2015

McDonald, Alison, Rob McKeever, Brian O’Leary et al. Roy Lichtenstein: Greene Street Mural. New York: Gagosian Gallery, 2015. Exhibition catalogue. (2015b New York Gagosian).

 

K. McDonald 2005

McDonald, Kathy A. “Going, Going . . .” VLife (Los Angeles) (September 2005), p. 20.

 

McFadden and Ratcliff 1981

McFadden, Sarah, and Carter Ratcliff. Art Materialized: Selections from the Fabric Workshop. New York: Independent Curators International, 1981. Exhibition catalogue. (1981 Cleveland New Gallery).

 

McGarry 2014

McGarry, Rachel. Drawings from the Minneapolis Institute of Arts. Minneapolis: Minneapolis Museum of Art, 2014.

 

McGee 2003

McGee, Celia. “Pop on Top This Summer at the Met.” Daily News (New York), May 2, 2003, p. 59.

 

McGee 2005

McGee, Celia. “MTA Exhibit Tracks 20 Years of the City’s ‘Public Art.'” Daily News (New York), June 30, 2005, p. 46.

 

McKendry 1970

McKendry, John J. Prints by Nine New York Painters: Jim Dine, Helen Frankenthaler, Jasper Johns, Roy Lichtenstein, Robert Motherwell, Barnett Newman, Robert Rauschenberg, Larry Rivers, James Rosenquist. New York: Metropolitan Museum of Art, 1970. Exhibition catalogue. (1969c New York MMA).

 

McKenna 1990

McKenna, Kristine. “Cautionary Tale in Comic Book Form.” Los Angeles Times, November 6, 1990, p. F6.

 

McKenzie 1994

McKenzie, Michael. “The World According to Roy.” SunStorm/Fine Art (New York) (Spring 1994), pp. 33–36.

 

McKetta 2012

McKetta, Dorothy Jean. “The Leo Castelli Gallery in Metro Magazine: American Approaches to Post-Abstract Figuration in an Italian Context.” MA thesis, University of Texas, Austin, 2012.

 

McKinney 2003

McKinney, Michael P. “The House That Roy Built.” Providence Journal, March 27, 2003, G1, G4.

 

McMullen 1975

McMullen, Roy. “The Visual Arts.” Saturday Review. Special issue, America’s Impact on the World, 1776–1976 (December 13, 1975), pp. 98–103.

 

McNulty 1967

McNulty, Kneeland. Stampe di due mondi: Mostra dell’arte della stampa americana e italiana/Prints of Two Worlds: An Exhibition of American and Italian Print-making. Translated from the English by Sandra Gray. [Philadelphia: Philadelphia Museum of Art], 1967. Exhibition catalogue. (1967 Rome Tyler School).

 

McShine 1989

McShine, Kynaston, ed. Andy Warhol: A Retrospective. New York: Museum of Modern Art, 1989. Exhibition catalogue.

 

Meadows and Turner 2001

Meadows, Gail, and Elisa Turner. “Artist among Those Missing in World Trade Center Attack.” Miami Herald, September 20, 2001, p. C1.

 

Measham 1977

Measham, Terry. Moderne Malerei nach 1945. Luxembourg: Hasso Ebeling International Publishing, 1977.

 

Mecklenburg et al. 2015

Mecklenburg, Virginia M., et al. Crosscurrents: Modern Art from the Sam Rose and Julie Walters Collection. Washington, D.C.: Smithsonian American Art Museum in association with D. Giles Limited, London, 2015. Exhibition catalogue. (2015–16 Washington, D.C. Smithsonian).

 

Medici et al. 1975

Medici, Roberto, Museum der Stadt Solothurn, and Kunstverein Solothurn. Aspekte aus neueren Solothurner Sammlungen: 125 Jahre Kunstverein Solothurn: Museum der Stadt Solothurn. Solothurn: Kunstverein Solothurn, 1975. Exhibition catalogue. (1975 Solothurn Museum der Stadt).

 

Medinger 1977

Medinger, Beatrix Hauser. “Roy Lichtenstein.” In Ferrara, Lichtenstein, Nevelson, Ryman, by Sarah Lawrence Gallery, Sarah Lawrence College, Bronxville, N.Y., unpaginated. Bronxville, N.Y.: Sarah Lawrence Gallery, Sarah Lawrence College, 1977. Exhibition catalogue.

 

Melikian 1991

Melikian, Souren. “Pop Art: Resurrecting an Old Joke.” International Herald Tribune, September 14–15, 1991, p. 7.

 

Mellow 1967a

Mellow, James R. “New York Letter.” Art International (December 1967), pp. 72–76.

 

Mellow 1967b

Mellow, James R. “New York: The New York Art Scene.” New York Times Book Review, September 10, 1967, pp. 7, 62.

 

Mellow 1972

Mellow, James R. “Silkscreening: Any Number Can Play.” New York Times, January 30, 1972, sec. 2, p. 25.

 

Mellow 1974

Mellow, James R. “A Pop-Art Star Finds New Inspiration in Matisse.” New York Times, November 10, 1974.

 

Melo 2002

Melo, Alexandre. Cadernos do Museu (Sintra Museu de Arte Moderna). Special issue, Colecção Berardo: Arte Pop & Ca., edited by Marina Sequeira Costa, no. 3 (2002).

 

Melo et al. 2004

Melo, Alexandre, et al. Pop Art & Co.: The Berardo Collection: Sintra Museu de Arte Moderna. Tokyo: TBS Television, 2004.

 

Melville 1964a

Melville, Robert. “The Avant-Garde at the Tate.” New Statesman (London), May 1, 1964, p. 695.

 

Melville 1964b

Melville, Robert. “Prospect for the Future.” Architectural Review 136, no. 810 (August 1964), pp. 134–36.

 

Melville 1964c

Melville, Robert. “Surrealist and Others.” Architectural Review 135, no. 804 (February 1964), pp. 137–40.

 

Melville 1965

Melville, Robert. “The Amazing Continuity.” Architectural Review 138, no. 821 (July 1965), pp. 55–57.

 

Melville 1966

Melville, Robert. “The New Classicism.” Architectural Review 139, no. 828 (February 1966), pp. 145–47.

 

Melville 1967

Melville, Robert. “Battlepieces and Girls.” Architectural Review 141, no. 842 (April 1967), pp. 289–91.

 

Melville 1968a

Melville, Robert. “I Know How You Must Feel, Roy.” Architectural Review 143, no. 854 (April 1968), pp. 291–94.

 

Melville 1968b

Melville, Robert. “Whaam!” New Statesman (London), January 12, 1968, p. 50.

 

Melville 1971

Melville, Robert. “The Gallery: Humanity Proscribed.” Architectural Review 149, no. 888 (February 1971), pp. 111–16.

 

Memorial Art Gallery, Rochester 1964

Memorial Art Gallery, University of Rochester, Rochester, N.Y. In Focus: A Look at Realism in Art. Rochester, N.Y.: Memorial Art Gallery, University of Rochester, 1964. Exhibition catalogue. (1964 Rochester, N.Y., Memorial).

 

Memorial Union Art Gallery, Davis 1969

Memorial Union Art Gallery, University of California, Davis. Roy Lichtenstein, Rouen Cathedrals and Haystacks: Lithographs from Gemini. Davis: Memorial Union Art Gallery, University of California, Davis, 1969. Exhibition catalogue. (1969 Davis Memorial).

 

Mendelowitz 1967

Mendelowitz, Daniel M. Drawing. New York: Holt, Rinehart and Winston, 1967.

 

Mendelssohn 1997

Mendelssohn, Joanna. “Pop Art Creator’s Bubbles of Genius.” Australian, October 1, 1997, p. 16.

 

Meneguzzo 2014

Meneguzzo, Marco, ed. (photographs by Aurelio Amendola). Aurelio Amendola: Roy Lichtenstein 1977. Cinisello Balsamo, Italy: Silvana Editoriale, 2014. Exhibition catalogue.

 

Menil 2001

Menil Collection, Houston. Pop Art: US/UK Connections, 1956–1966. Houston: Menil Collection, 2001. Exhibition catalogue. (2001 Houston Menil).

 

Menna 1966

Menna, Filiberto. “The Organized Perception of Lichtenstein.” Fantazaria (Rome). Special issue, Lichtenstein, edited by Alberto Boatto and Giordano Falzoni, 1, no. 2 (July–August 1966), pp. 32–35 (Italian), 62–65 (English), 78–81 (French).

 

Mercurio 2010a

Mercurio, Gianni. Lichtenstein: Kunst als Motiv. Cologne: DuMont, 2010. Exhibition catalogue. (2010 Milan Triennale).

 

Mercurio 2010b

Mercurio, Gianni. “Modern Postmodern: Roy Lichtenstein.” In Roy Lichtenstein: Meditations on Art, edited by Mercurio, pp. 31–47. Milan: Skira Editore, 2010. Exhibition catalogue.

 

Mercurio 2010c

Mercurio, Gianni, ed. Roy Lichtenstein: Meditations on Art. Milan: Skira Editore, 2010. Exhibition catalogue. (2010 Milan Triennale).

 

Mercurio 2010d

Mercurio, Gianni, ed. Roy Lichtenstein: Meditations on Art. Milan: Skira Editore, 2010. Exhibition catalogue. In Italian. (2010 Milan Triennale).

 

Mercurio 2010e

Mercurio, Gianni. “Modern Postmodern: Roy Lichtenstein.” In Roy Lichtenstein: Meditations on Art, edited by Mercurio, pp. 31–47. Milan: Skira [Italian edition], 2010. Exhibition catalogue.

 

Mercurio 2010f

Mercurio, Gianni. “Modern Postmodern: Roy Lichtenstein.” In Lichtenstein: Kunst als Motiv, edited by Mercurio, pp. 31–47. Cologne: DuMont, 2010. Exhibition catalogue.

 

Meridian International Center 2002

Meridian International Center, Washington, D.C. True Colors: Meditations on the American Spirit. Washington, D.C.: Meridian International Center, 2002. Exhibition catalogue. (2002 Washington, D.C., Meridian).

 

Merkert 1970

Merkert, G. J. “Pop Art.” Merian 9, no. 23 (1970).

 

Metken 1970

Metken, Günter. Comics. Frankfurt am Main: Fischer Taschenbuch Verlag, 1970.

 

Metken 1971

Metken, Günter. “Das Gesetz der Serie; wie Künstler Comic nutzen.” Das Kunstwerk 24, no. 5 (September 1971), pp. 29–35.

 

Metropolitan 1952

Metropolitan Museum of Art, New York. American Water Colors, Drawings, and Prints, 1952: A National Competitive Exhibition. Cambridge, Mass.: Harvard University Press for the Metropolitan Museum of Art, New York, 1952. Exhibition catalogue. (1952 New York MMA).

 

Metropolitan 1969

Metropolitan Museum of Art, New York. Prints by Five New York Painters: Jim Dine, Roy Lichtenstein, Robert Rauschenberg, Larry Rivers, James Rosenquist. New York: Metropolitan Museum of Art, 1969. Exhibition catalogue. (1969a New York MMA).

 

Metz 1966

Metz, Kathryn. “The Thirty-Third Venice Biennale of Art.” Arts and Architecture 83, no. 9 (October 1966), pp. 32–34.

 

Metzgen 1971

Metzgen, Sigrid. “Die verkehrte Welt: Wenn bilderbogen Kunst anregen.” Das Kunstwerk 5, no. 24 (September 1971), pp. 3–28.

 

Metzger 1997

Metzger, Rainer. Antlitz: Gesicht, Kopf und Portrait in der zeitgenössischen Kunst/Countenance: Face, Head, and Portrait in Contemporary Art. Ed. Nikolaus Ruzicska. Salzburg and Paris: Galerie Thaddaeus Ropac, 1997.

 

Metzler 1952

Metzler, Paul B. “16 Gallery Exhibitions Produce Biggest Art Week of Season.” Cleveland Plain Dealer, March 16, 1952, p. D26.

 

Metzler 1955

Metzler, Paul B. “Trio at Art Colony.” Cleveland Plain Dealer, January 9, 1955, p. D30.

 

Meyer 1973

Meyer, Jean-Claude. “Les illusions optiques de Roy Lichtenstein.” XXe siècle (Paris and Milan) n.s., 35, no. 41 (December 1973), pp. 88–93.

 

Meyers 2010

Meyers, Terry R. “Roy Lichtenstein: The Black-and-White Drawings, 1961–1968.” The Brooklyn Rail (November 2010), p. 42.

 

Micha 1983

Micha, René. “Lettre de Paris.” Art International 26, no. 1 (January–March 1983), pp. 61–70.

 

Michel 1963

Michel, Jacques. “A travers les galeries: L’art industriel.” Le Monde (Paris), June 25, 1965, p. 12.

 

Michel 1966

Michel, Jacques. “Rive gauche en festival.” Le monde (Paris), May 13, 1966, p. 13.

 

Michelson 1969

Michelson, Annette. “Pop Art Redefined.” New York Times Book Review, October 26, 1969, p. 7.

 

Michetti-Prod’Hom and Edelman 1992

Michetti-Prod’Hom, Chantal, and Asher B. Edelman, with Susanne Hilpert, eds. Roy Lichtenstein. Pully/Lausanne: FAE Musée d’Art Contemporain, 1992. Exhibition catalogue. (1992 Pully-Lausanne FAE).

 

Michigan Artrain and Cranbrook [1980]

Michigan Artrain, Ann Arbor, and Cranbrook Academy of Art Museum, Bloomfield Hills. The Changing Canvas. Exhibition catalogue. [N.p.: Michigan Artrain, 1980]. (1980 Ann Arbor Michigan Artrain).

 

Michler 1996

Michler, Ralf. “Roy Lichtenstein: Die häufigsten Druckgraphic–Fälshungen auf dem Kunstmarkt.” Weltkunst 66 (August 1, 1996), pp. 1707–8.

 

C. Miller 1989

Miller, Corinne, et al. Images of Women. Leeds: Leeds City Art Galleries, 1989. Exhibition catalogue. (1989 Leeds City Art Galleries).

 

Dorothy Miller 1967

Miller, Dorothy C. The 1960s: Painting and Sculpture from the Museum Collection. New York: Museum of Modern Art, 1967. Exhibition catalogue.

 

Millet 1973

Millet, Catherine. “Aspects de l’art actuel: Une interview d’Ileana Sonnabend.” Art Press, no. 7 (November–December 1973), pp. 18–19.

 

Millis 1997

Millis, Christopher. “Pride of Place: Lichtenstein Isn’t Joking This Time.” Boston Phoenix, April 4–10, 1997, p. 8.

 

Milwaukee 1967

Art History Gallery, University of Wisconsin, Milwaukee. The Last Twenty Years in Contemporary Painting: Selections from the Collection of Richard Brown Baker. Milwaukee: Art History Gallery, University of Wisconsin, Milwaukee, 1967. Exhibition catalogue. (1967 Milwaukee University of Wisconsin).

 

Milwaukee Art Center 1969

Milwaukee Art Center, Milwaukee. Directions 2: Aspects of a New Realism. Milwaukee: Milwaukee Art Center, 1969.

 

Minami 1995

Minami, Yusuke. Revolution: Art of the Sixties from Warhol to Beuys. Tokyo: Museum of Contemporary Art, 1995. Exhibition catalogue. (1995 Tokyo Museum of Contemporary Art).

 

Minami 2007

Minami, Yusuke, et al. 20-seiki bijutsu tanken: Ātisutotachi no mittsu no bōken monogatari: Kokuritsu Shin Bijutsukan kaikan kinenten/Living in the Material World: “Things” in Art of the 20th Century and Beyond. Tokyo: National Art Center, 2007. Exhibition catalogue. (2007 Tokyo National Art Center).

 

Minamishima 1995

Minamishima, Hiroshi. “20th Century Isolation.” In Prints of Roy Lichtenstein: Entablatures—Nudes, by Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan, pp. 2–3 (Japanese), 4–5 (English). Sukagawa City, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1995. Exhibition catalogue.

 

Mink 1994a

Mink, Janis. “Auf den Punkt gebracht.” Vernissage Köln. Special issue, Roy Lichtenstein in München, no. 9 (September 1994), pp. 55–59.

 

Mink 1994b

Mink, Janis. “In meinem Innersten bin ich ein abstrakter Expressionist.” Vernissage Köln. Special issue, Roy Lichtenstein in München, no. 9 (September 1994), pp. 48–54.

 

Minola et al. 2000a

Minola, Anna, Maria Cristina Mundici, Francesco Poli et al. Luci in galleria: Da Warhol al 2000: Gian Enzo Sperone: 35 anni di mostre fra Europa e America. Turin: Hopefulmonster, 2000. Exhibition catalogue. (2000–01 Palazzo Cavour).

 

Minola et al. 2000b

Minola, Anna, Maria Cristina Mundici, Francesco Poli et al. Gian Enzo Sperone, Torino-Roma-New York: 35 anni di mostre tra Europa e America. Torino: Hopefulmonster, 2000.

 

Minturn 2004

Minturn, Kent. “Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art.” Archives of American Art Journal 44, nos. 1–2 (2004), pp. 47–51.

 

Mishory 2000

Mishory, Alec (Ali&#311 Mishori). Toldot ha-omanut: Mavo kelali (Art History: An Introduction). Tel Aviv: Open University of Israel, 2000.

 

Mitchell 2015

Mitchell, Mark D. The Art of American Still Life: Audubon to Warhol. Philadelphia: Philadelphia Museum of Art, 2015. Exhibition catalogue.

 

Mitchell-Innes and Nash 1998

Mitchell-Innes and Nash, New York. Master Drawings of the Twentieth Century. New York: Mitchell-Innes and Nash, 1998. (1998 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2001

Mitchell-Innes and Nash, New York. Roy Lichtenstein: Brushstrokes, Four Decades. New York: Mitchell-Innes and Nash, 2001. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (2001 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2002

Mitchell-Innes and Nash, New York. Roy Lichtenstein: Brushstrokes, Four Decades. Zurich: De Pury & Luxembourg, 2002. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (2001 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2005

Mitchell-Innes and Nash, New York. Roy Lichtenstein: Conversations with Surrealism. New York: Mitchell-Innes and Nash, 2005. Exhibition catalogue. Unpaginated. (2005 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2007

Mitchell-Innes and Nash, New York. Material: An Exhibition of Mixed Media Sculpture. New York: Mitchell-Innes and Nash, 2007. Exhibition catalogue. (2007 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2010

Mitchell-Innes and Nash, New York. Roy Lichtenstein Reflected. New York: Mitchell-Innes and Nash, 2010. Exhibition catalogue. (2010 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2011

Mitchell-Innes and Nash, New York. Roy Lichtenstein: Interior Collages. New York: Mitchell-Innes and Nash, 2011. Exhibition brochure. Unpaginated. (2011 London Pavilion).

 

Mittelrheinisches Landesmuseum 1980

Mittelrheinisches Landesmuseum, Mainz. Führer durch das Mittelrheinische Landesmuseum in Mainz. Mainz: Mittelrheinisches Landesmuseum, 1980.

 

Mizue 1992

“Roy Lichtenstein.” Mizue (Tokyo), no. 963 (summer 1992), pp. 40–43.

 

Modern Master Tapestries 1974

Modern Master Tapestries. The Charles E. Slatkin Collections of Contemporary Tapestries and Sculptures. New York: Modern Master Tapestries, [1974].

 

Moderna Museet 1973

Moderna Museet, Stockholm. New York Collection for Stockholm. [Stockholm: Moderna Museet, 1973]. Exhibition catalogue. (1973 Stockholm Moderna Museet).

 

Moderna Museet 2004

Moderna Museet, Stockholm. The Pontus Hultén Collection. Stockholm: Moderna Museet, 2004. Exhibition catalogue. (2004 Stockholm Moderna Museet).

 

Moeglin-Delcroix 1990

Moeglin-Delcroix, Anne. “Eaux de mémoire, jeux de miroir: Sur quelques citations dans la gravure Pop art.” Nouvelles de l’estampe, nos. 112–13 (October 1990), pp. 35–41.

 

Moffett 1974

Moffett, Kenworth. “Pop Art: Two Views.” ARTnews 73 (May 1974), pp. 31–32.

 

Molière 2013

Molière. Dom Juan ou Le Festin de Pierre. Edited by Georges Couton. Paris: Editions Gallimard, 2013.

 

A. Molina 1970

Molina, Antonio J. “La labor de CAAM en favor del arte.” Artes visuales 1, no. 1 (May 1970), pp. 12–14.

 

C. Molina 2005

Molina, Camila. “O pop que desennou a América.” O estado de S. Paulo, September 20, 2005, p. D3.

 

Möller 1969

Möller, Thordis, ed. Sammlung 1968 Karl Ströher. Munich: Klein & Volbert, 1969. Exhibition catalogue. (1968 Munich Galerie-Verein/Neue Pinakothek).

 

Mollison and Murray 1982

Mollison, James, and Laura Murray, eds. Australian National Gallery: An introduction. Canberra: Australian National Gallery, 1982.

 

Molotsky 1999

Molotsky, Irvin. “A Sculpture Garden at the National Gallery.” New York Times, May 9, 1999, p. 3.

 

MoMA 1966

Museum of Modern Art, New York. Art in the mirror: an exhibition. New York: Museum of Modern Art, 1966. Exhibition catalogue. (1966e New York MoMA).

 

MoMA 1967

Museum of Modern Art, New York. Contemporary American Still Life. New York: Museum of Modern Art, 1967. Exhibition brochure. Unpaginated. (1967 Oswego State University College).

 

MoMA 1999

Museum of Modern Art, New York. Roy Lichtenstein: Functional Multiples, Multiple Functions. New York: Museum of Modern Art, 1999. Exhibition brochure.

 

MoMA [1966]

Museum of Modern Art, New York. Greetings! An Exhibition of Personal, Seasonal and Holiday Greetings. New York: Museum of Modern Art, [1966]. Exhibition catalogue. Unpaginated. (1966a New York MoMA).

 

MoMA Bulletin 1987

The Museum of Modern Art Members Bulletin. “A Parody of the Painterly Gesture: The Depicted Brushstroke in the Drawings of Roy Lichtenstein.” The Museum of Modern Art Members Bulletin, no. 42 (Winter 1987), p. 5.

 

Monachesi 2001

Monachesi, Luce, ed. La gloria di New York: Artisti americani dalla Collezione Ludwig/The Glory of New York: American Artists from the Ludwig Collection. St. Petersburg: Palace Editions, 2001. Exhibition catalogue. (2001 Rome Corso).

 

Mönchengladbach 1988

Kunst der Gegenwart, 1960 bis Ende der 80er Jahre: Bestandskatalog. Mönchengladbach: Städtisches Museum Abteiberg Mönchengladbach, 1988.

 

Monnier 1968

Monnier, Jacques. “Roy Lichtenstein.” Tribune de Lausanne, March 17, 1968, p. 13.

 

Monroe 1997a

Monroe, Robert. “Pop Artist Roy Lichtenstein Dies at 73: Pioneer Painted Oversized Images with Dots, Humor.” Boston Globe, September 30, 1997, p. D19.

 

Monroe 1997b

Monroe, Robert. “Roy Lichtenstein: Pop Artist Turned Cliches into Classics with the Stroke of Brush.” San Diego Union-Tribune, September 20, 1997, p. A1.

 

Moody 2002

Moody, Rick. “Report on Miniaturization.” In Roy Lichtenstein: Times Square Mural, by Roy Lichtenstein Foundation and Mitchell-Innes and Nash, New York. New York: Roy Lichtenstein Foundation and Mitchell-Innes and Nash, 2002. Exhibition catalogue.

 

Moore 1975

Moore College of Art. North, East, West, South, and Middle: An Exhibition of Contemporary American Drawings by Rafael Ferrer [and others]. Philadelphia: Moore College of Art, 1975. Exhibition catalogue. Unpaginated. (1975 Philadelphia Moore).

 

Moorhouse 2007

Moorhouse, Paul. Pop Art Portraits. London: National Portrait Gallery, 2007. Exhibition catalogue. (2007 London NPG).

 

Moorman 1984

Moorman, Margaret. “Roy Lichtenstein.” ARTnews 83, no. 7 (September 1984), p. 160.

 

Morel 2013

Morel, Francis, ed. Connaissance des arts. Special issue, Roy Lichtenstein, no. 589 (2013).

 

D. Morgan 1994

Morgan, Dahlia. American Art Today: Heads Only. Miami: Art Museum at Florida International University, 1994. Exhibition catalogue. (1994 Miami FIU).

 

Stuart Morgan 1978

Morgan, Stuart. “About Art about Art.” Arts Magazine (New York) 53, no. 1 (September 1978), pp. 148–49.

 

Susan Morgan 1994

Morgan, Susan. “A Few Good Colors Are Plenty.” Los Angeles Times Calendar, January 30, 1994, pp. 4–5, 68, 70.

 

Morineau 2013a

Morineau, Camille. “Lichtenstein pop, postmoderne et classique.” In Roy Lichtenstein, edited by Morineau, pp. 21–27. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Morineau 2013b

Morineau, Camille, ed. Roy Lichtenstein. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue. (2012 Chicago Art Institute).

 

Morineau and Alkema 2013

Morineau, Camille, and Hanna Alkema. “Top of the Pop.” Code couleur 17 (September–December 2013), pp. 16–21.

 

Morison 1983

Morison, Catherine. “Roy Lichtenstein’s Studio.” FN Fashion News (Tokyo) 4, no. 11 (Winter 1983).

 

Morphet 1968

Morphet, Richard. “Roy Lichtenstein.” In Roy Lichtenstein, Tate Gallery, London, pp. 15–46. London: Tate Gallery, 1968. Exhibition catalogue.

 

Morphet 1968

Morphet, Richard. “Roy Lichtenstein.” In Roy Lichtenstein, Tate Gallery, London, pp. 15–48. Herford: Bussesche Verlagshandlung, 1968. Exhibition catalogue.

 

Morphet 1977b

Morphet, Richard. Roy Lichtenstein: Sculpture. London: Mayor Gallery; New York: Leo Castelli Gallery, 1977. Exhibition catalogue. Unpaginated. (1977b London Mayor; 1977c New York Castelli).

 

Morris 1997

Morris, Roderick Conway. “The Touch of the Brush: Parting of the Ways in Venice.” International Herald Tribune, June 14–15, 1997, p. 6.

 

Morse Hilles and Baker 1963

Morse Hilles, Susan, and Richard Brown Baker. “Two in the First Row.” Art in America 51, no. 5 (October 1963), pp. 88–91.

 

Mosely 1987

Mosely, Charlotte. “Monte Carlo Sculpture ’87.” ARTnews 86, no. 8 (October 1987), p. 201.

 

Mosset and G. Müller 1979

Mosset, Olivier, and Gregoire Müller. “Could Leonardo da Vinci Make It in New York Today?” Flash Art, nos. 88–89 (March–April 1979), pp. 26–27.

 

Moufarrege 1984

Moufarrege, Nicolas A. “Roy Lichtenstein.” Flash Art, no. 116 (March 1984), p. 38.

 

Mower 1979

Mower, David. “Through the Looking Glass and What the Artist Found There.” Art International 23, nos. 5–6 (September 1979), pp. 63–70.

 

Muchnic 1990

Muchnic, Suzanne. “Pop ‘Kiss’ Sets Record As N.Y. Art Sales Open.” Los Angeles Times, May 8, 1990, p. A24.

 

Muchnic 2011

Muchnic, Suzanne. “Lichtenstein Sculpture Gets a Brush-Up.” Los Angeles Times, August 7, 2011, p. E10.

 

Muir 1993

Muir, Kate. “Joining the Dots: Kate Muir Meets Roy Lichtenstein.” Times Magazine (London), March 27, 1993, pp. 8–11.

 

Mukherjee 1996

Mukherjee, Tiarra. “Pop Goes the Easel.” Entertainment Weekly, nos. 341–42 (August 23, 1996), p. 14.

 

G. Muller 1968

Muller, Grégoire. “Paris: Art’s Common Market.” Art and Artists 2, no. 10 (January 1968), pp. 45–47.

 

K. Müller 1988

Müller, Kathrin Bettina. “Verfremdung muß Sein.” Berlin Independent Daily, November 26, 1988.

 

M. Müller 2011

Müller, Markus, ed. Who Is Who: Eddy Novarro and the Avant-Garde from the 50s to the 70s. Cologne: Wienand, [2011]. Exhibition catalogue. (2011 Münster Kunstmuseum Pablo Picasso).

 

Müller-Hauck and Orzechowski 1968

Müller-Hauck, Janni, and Lothar Orzechowski. Stichworte zur aktuellen Kunst. Kassel: Druck und Verlag Kassel, 1968.

 

Mullins 1997

Mullins, John J. “Lichtenstein’s Art Has Never Looked So Good.” Taunton Daily Gazette, March 27, 1997.

 

Multiples and Castelli Graphics 1975a

Multiples and Castelli Graphics, New York. Mirrors of the Mind. A portfolio of prints and objects. New York: Multiples and Castelli Graphics, 1975. Exhibition catalogue. (1975 New York Multiples).

 

Multiples and Castelli Graphics 1975b

Multiples and Castelli Graphics, New York. Mirrors of the Mind. New York: Multiples and Castelli Graphics, 1975. Exhibition catalogue. (1975 New York Multiples).

 

Murphy 2005

Murphy, Theodore. “Autumn in Museums: In Private Hands: 200 Years of American Painting.” Wall Street Journal, September 9, 2005, p. W2.

 

Murray 1982

Murray, Laura, ed. Australian National Gallery. Canberra: Australian National Gallery, 1982.

 

Musashino Bijutsu Daigaku 2002

Musashino Bijutsu Daigaku and Aburae Gakka Kenkyūshitsu, eds. Kaiga: Sozai, gihō (Painting: Materials, techniques). Musashino: Musashino Bijutsu Daigaku Shuppankyoku, 2002.

 

Musée Cantonal 1963

Musée Cantonal des Beaux-Arts, Lausanne. 1re salon international de galeries pilotes. Lausanne: Musée Cantonal des Beaux-Arts, 1963. Exhibition catalogue. (1963 Lausanne Musée Cantonal).

 

Musée d’Art Contemporain 1988

Musée d’Art Contemporain. La couleur seule: L’expérience du monochrome. Lyon: Ville de Lyon with the collaboration of Musées de France and Centre National des Arts Plastiques, 1988. Exhibition catalogue. (1988 Lyon St. Pierre).

 

Musée d’Orsay 2010

Musée d’Orsay, Réunion des Musées Nationaux, Paris. Claude Monet, 1840–1926: Galeries Nationales, Grand Palais, Paris. Paris: Musée d’Orsay, Réunion des Musées Nationaux, 2010. Exhibition catalogue.

 

Musée de la Poste 1992

Musée de la Poste, Paris. Les Partenaires des couleurs de l’argent. Paris: Musée de la Poste, 1992. Exhibition catalogue. (1991 Paris Poste).

 

Musée des Beaux-Arts 2000

Musée des Beaux-Arts, Rouen. À travers le miroir de Bonnard à Buren. Paris: Éditions de la Réunion des Musées Nationaux; Rouen: Musée des Beaux-Arts, 2000. Exhibition catalogue. (2000 Rouen Musée des Beaux-Arts).

 

Musée des Beaux-Arts 2001

Musée des Beaux-Arts de Lyon. Collection Berardo: Oeuvres choisies du 20e siècle. Paris: Réunion des Musées Nationaux, 2001. Exhibition catalogue. (2001 Lyon Musée des Beaux-Arts).

 

Musée Rath 1967

Musée Rath, Geneva. Le visage de l’homme dans l’art contemporain. Geneva: Musée Rath, 1967. Exhibition catalogue. (1967 Geneva Musée Rath).

 

Museo Nacional de Bellas Artes 1969

Museo Nacional de Bellas Artes, Buenos Aires. 109 obras de Albright-Knox Art Gallery. Buenos Aires: Museo Nacional de Bellas Artes, 1969. Exhibition catalogue. (1969 Buenos Aires Museo Nacional).

 

Museum Boymans-Van Beuningen 1971

Museum Boymans-Van Beuningen, Rotterdam. De Metamorfose van het object: kunst en antikunst, 1910–1970. Brussel: La Connaissance, 1971. Exhibition catalogue. (1971a Brussels Palais des Beaux-Arts).

 

Museum Boymans-Van Beuningen 1972

Museum Boymans-Van Beuningen, Rotterdam. Kunst van de 20e eeuw. Rotterdam: Museum Boymans-Van Beuningen, 1972.

 

Museum Boymans-Van Beuningen 1978

Museum Boymans-Van Beuningen, Rotterdam. De collectie moderne kunst van Museum Boymans-van Beuningen, Rotterdam: Inventarisatie van schilderijen, sculpturen en voorwerpen, verworven van 1945 tot 1978. Rotterdam: Museum Boymans-Van Beuningen, 1978.

 

Museum Ludwig, Cologne 1979

Museum Ludwig, Cologne. Art of the Sixties, Europe and the U.S.A.: From the Collection of the Ludwig Museum. Tel Aviv: Tel Aviv Museum of Art, 1979. Exhibition catalogue. (1979 Tel Aviv Museum).

 

Museum Ludwig, Cologne 1986

Museum Ludwig, Cologne. Europa/Amerika: Die Geschichte einer künstlerischen Faszination seit 1940. Ed. Siegfried Gohr and Rafael Jablonka. Cologne: Museum Ludwig, 1986. Exhibition catalogue. (1986 Cologne Ludwig).

 

Museum Ludwig, Cologne 1987

Museum Ludwig, Cologne. Arte americana anni sessanta: Dal Ludwig Museum di Colonia. Milan: Electa, 1987. Exhibition catalogue. (1987 Venice Ca’ Pesaro).

 

Museum Ludwig, Cologne 1995

Museum Ludwig, Cologne. Meisterwerke des Museum Ludwig Köln. Yokohama: Yokohama Museum of Art, 1995. Exhibition catalogue. (1995 Nara Prefectural Museum).

 

Museum Ludwig, Cologne 1996

Museum Ludwig, Cologne. Kunst des 20. Jahrhunderts: Museum Ludwig Köln. Cologne: Taschen, 1996.

 

Museum Ludwig, Cologne 2014

Museum Ludwig, Cologne. Ludwig Goes Pop. Köln: Verlag der Buchhandlung Walther König, 2014. Exhibition catalogue. (2014–15 Museum Ludwig).

 

Museum Moderner Kunst 2001

Museum Moderner Kunst, Stiftung Ludwig. Macht der Dinge = Power of Things: Nouveau Réalisme, Pop Art, Hyperrealismus. Ed. Hanno Millesi. Vienna: Museum Moderner Kunst, Stiftung Ludwig with Stadtgalerie Klagenfurt, 2001. Exhibition catalogue. (2001 Klagenfurt Stadtgalerie).

 

Museum News 2006

“Roy Lichtenstein: American Indian Encounters.” Museum News 85, no. 1 (January–February 2006), pp. 17, 19.

 

Museum of Art, WSU 2005

Museum of Art, Washington State University, Pullman. Roy Lichtenstein Prints, 1956–97: From the Collections of Jordan D. Schnitzer and His Family Foundation. Edited by Michelle Piranio. Pullman: Museum of Art, Washington State University, 2005. Exhibition catalogue. (2005 Pullman Museum of Art).

 

Museum of Contemporary Art, Chicago 1973

Museum of Contemporary Art, Chicago. 20th Century Drawings from Chicago Collections. Chicago: Museum of Contemporary Art, 1973. Exhibition catalogue. (1973 Chicago MCA).

 

Museum of Contemporary Art, Chicago 1977

Museum of Contemporary Art, Chicago. Words at Liberty. Chicago: Museum of Contemporary Art, 1977. Exhibition catalogue. (1977 Chicago MCA).

 

Museum of Contemporary Art, Chicago 1999

Museum of Contemporary Art, Chicago. Roy Lichtenstein: Interiors. Chicago: Museum of Contemporary Art, 1999. Exhibition catalogue. (1999 Chicago MCA).

 

Museum of Contemporary Art, Los Angeles 2008

Museum of Contemporary Art, Los Angeles. This Is Not to Be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles. Los Angeles: Museum of Contemporary Art, 2008.

 

Museum of Fine Arts, Houston 1971

From the Collection of the University of Kansas Museum of Art. Houston: Museum of Fine Arts, 1971. Unpaginated. (1971 Houston MFA).

 

Museum of Fine Arts, Houston 1999

Museum of Fine Arts, Houston. Art at Work: Forty Years of the Chase Manhattan Collection. Houston: Museum of Fine Arts and Contemporary Arts Museum, 1999. Exhibition catalogue. (1999 Houston MFA).

 

Museums of the World 2001

“Whitney Museum of Art.” The Museums of the World (Tokyo) 66 (2001).

 

Musées de Marseille 1989

Direction des Musées de Marseille. Peinture, cinéma, peinture. Paris: Hazan, 1989. Exhibition catalogue. (1989 Marseille Vieille Charité).

 

Musto 1993

Musto, Michael. “Art-Attack Time.” Vanity Fair 56, no. 8 (August 1993), p. 92.

 

Myers 1992

Myers, Terry R. Bedroom Pictures. Los Angeles: AsherFaure, 1992. Exhibition catalogue. (1992 Los Angeles Asher/Faure).

 

Myers 1993

Myers, Terry R. “Hand-Painted Pop: American Art in Transition, 1955–1962.” Galeries magazine, no. 55 (summer 1993), p. 82.

 

Myers 1995

Myers, Terry R. “Ditto Lichtenstein.” In Brenau University, Gainesville, Georgia.Reflections on Roy Lichtenstein: a survey of Roy Lichtenstein’s print work from the Leo Castelli Collection and Castelli Graphics, pp. 5–8. Gainesville, Georgia: Brenau University, 1995. Exhibition catalogue.

 

Myers 1997

Myers, Terry R. “Roy Lichtenstein, 1923–1997.” New Art Examiner 25, no. 4 (December 1997–January 1998), p. 17.

 

M[iles] 2003

M[iles], C[hristopher]. “Roy Lichtenstein: Gagosian Gallery.” Artforum International 41, no. 5 (January 2003), p. 144.

 

Naggar 1975

Naggar, Carole. “Roy Lichtenstein: Dessins: C.N.A.C.” Zoom (February 1975).

 

Nagoya City Art Museum 2004

Nagoya City Art Museum, Nagoya. Roy Lichtenstein: Rikitensutain hanga no sekai ten (Exhibition of the world of Roy Lichtenstein’s prints). Nagoya: Nagoya City Art Museum, 2004. Exhibition catalogue. (2004 Nagoya City Art Museum).

 

Naivin 2006

Naivin, Bertrand. “Corps abstrait ou la représentation du corps dans le Pop Art américain à travers l’oeuvre d’Andy Warhol, Roy Lichtenstein, Tom Wesselmann, Allen Jones et Mel Ramos.” PhD diss., Université de Paris VIII, Paris, 2006.

 

Nakahara 1971

Nakahara, Yusuke, ed. Art Now. Vol. 5, Man-Made Nature. Tokyo: Kodansha Ltd. 1971.

 

Nakas 2004a

Nakas, Kassandra. Funny Cuts: Cartoons and Comics in Contemporary Art. Translated from the German by Jeremy Gaines. Bielefeld: Kerber; Stuttgart: Staatsgalerie Stuttgart, 2004. Exhibition catalogue. (2004 Stuttgart Staatsgalerie).

 

Nakas 2004b

Nakas, Kassandra. Funny Cuts: Cartoons und Comics in der zeitgenössischen Kunst. Bielefeld: Kerber; Stuttgart: Staatsgalerie Stuttgart, 2004. Exhibition catalogue. (2004 Stuttgart Staatsgalerie).

 

Nanjo 1995

Nanjo and Associates, eds. Shinjuku I-Land Public Art Project. Toyko: Housing and Urban Development Corporation, 1995. Exhibition catalogue.

 

Nantenshi Gallery 1983

Nantenshi Gallery, Tokyo. Lichtenstein. Tokyo: Nantenshi Gallery, 1983. Exhibition catalogue. Unpaginated. (1983 Tokyo Nantenshi).

 

Napack 1993

Napack, Jonathan. “Lichtensteinorama: Ron Perelman’s Still-Wet Mural and $85 Scarves.” New York Observer, November 1, 1993, p. 26.

 

Nasgaard 1986

Nasgaard, Roald. Selections from the Roger and Myra Davidson Collection. Toronto: Art Gallery of Ontario, 1986. Exhibition catalogue. (1987 Toronto AGO).

 

Nash 1987

Nash, Steven A., ed. A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection. Dallas: Dallas Museum of Art; New York: Rizzoli, 1987. Exhibition catalogue. (1987 Dallas Museum of Art).

 

Nash et al. 1988

Nash, Steven A., et al. A century of modern sculpture: the collection of Patsy and Raymond Nasher: [exhibition] Reina Sofía Art Center. Madrid: Ministry of Culture, General Directorate of Fine Arts and Archives, National Exhibition Center, 1988. Exhibition catalogue. (1987 Dallas Museum of Art).

 

Nash et al. 1996

Nash, Steven A., et al. A Century of Sculpture: The Nasher Collection. New York: Solomon R. Guggenheim Foundation, 1996. (1996–97 San Francisco FAM).

 

National Collection of Fine Arts 1966

National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. Helen Frankenthaler, Ellsworth Kelly, Roy Lichtenstein, Jules Olitski: XXXIII International Biennial Exhibition of Art, Venice, June 18–October 16, 1966, Washington, D.C., December 1, 1966–January 15, 1967. Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1966. Exhibition catalogue. (1966 Venice Biennial).

 

National Collection of Fine Arts 1969a

National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. Dispariția și reapariția imaginii: pictura americană de după 1945 : expoziție organizată în cadrul Programului internațional de artă de către Colecția Națională a Artelor Frumoase. Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1969. Exhibition catalogue. (1969 Bucharest Sala Dalles).

 

National Collection of Fine Arts 1969b

National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. The Disappearance and reappearance of the image: Americké malířství po roce 1945; výstavu uspořádal Mezinárodní program umění, Národní sbírka výtvarného umění. Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1969. Exhibition catalogue. (1969 Bucharest Sala Dalles).

 

National Collection of Fine Arts 1969d

International Art Program, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. The Disappearance and Reappearance of the Image: American Painting since 1945: Bibliography. Washington, D.C.: International Art Program, Smithsonian Institution, 1969.

 

National Collection of Fine Arts 1975

National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. Images of an Era: The American Poster, 1945–75. Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1975. Exhibition catalogue. (1975 Washington, D.C., Corcoran).

 

National Gallery of Art 1968

National Gallery of Art, Washington, D.C. Paintings from the Albright-Knox Art Gallery, Buffalo, New York. Washington, D.C.: National Gallery of Art, 1968. Exhibition catalogue. (1968 Washington, D.C., NGA).

 

National Gallery of Art 2009

The Robert and Jane Meyerhoff collection: Selected Works. Washington, D.C.: National Gallery of Art, 2009.

 

National Gallery of Australia 1992

National Gallery of Australia, Canberra. An Introduction to the National Gallery of Australia. Canberra: National Gallery of Australia, 1992.

 

National Museum of Modern Art 1966

National Museum of Modern Art, Toyko. Two Decades of American Painting. Tokyo: National Museum of Modern Art, 1966. Exhibition catalogue. (1966 Tokyo National Museum of Modern Art).

 

Nationalgalerie and Kunstverein 1971

Nationalgalerie and Neuer Berliner Kunstverein. Metamorphose des Dinges : Kunst und Antikunst 1910–1970. Brüssel: La Connaissance, 1971. Exhibition catalogue. (1971a Brussels Palais des Beaux-Arts).

 

Navarro Arisa 1991

Navarro Arisa, Juan José. “Una escultura de 20 metros de Lichtenstein se erigirá en el puerto de Barcelona.” El país, June 29, 1991.

 

Navarro Arisa 1992

Navarro Arisa, Juan José. “Roy Lichtenstein, pintor: ‘En Neuva York el arte no tiene apoyo social como en Barcelona.” El país, July 10, 1992, p. 27.

 

Neff 1985

Neff, Terry Ann R. Selections from the William J. Hokin Collection. Chicago: Museum of Contemporary Art, 1985. Exhibition catalogue. (1985 Chicago MCA).

 

Neher 1978

Neher. “Dennis Masback’s Paintings.” Artforum 16, no. 7 (March 1978), pp. 50–53.

 

Nelson 1962

Nelson, Nels. “Junk Yard Art: A Smashing Success.” Philadelphia Daily News, October 30, 1962, p. 72.

 

Nelson 1967

Nelson, Nels. “Dropout Housewife Finds Pop Is Something to Live With.” Philadelphia Daily News, November 20, 1967, p. 4.

 

1. Nelson 1985

Nelson, Liam. “Big Names at Bard: Milton Avery Professors Exhibit Their Recent Art Works.” Woodstock Times (Woodstock [N.Y.]), [1985], pp. 31–32.

 

Nemser 1972

Nemser, Cindy. “Books: Roy Lichtenstein by Diane Waldman.” Arts Magazine (New York) 46, no. 4 (February 1972), p. 20.

 

Nesbit 1975

Nesbit, Margaret S. “Roy Lichtenstein: Birth of a Style, 1961–1963.” In Richard Brown Baker Collects! A Selection of Contemporary Art from the Richard Brown Baker Collection, by Yale University Art Gallery, New Haven, pp. 62–71. New Haven: Yale University Art Gallery, 1975. Exhibition catalogue.

 

Netter 1968

Netter, Maria. “Comics und Abstraktion.” Die Weltwoche (Zurich) (March 1, 1968), p. 29.

 

Neue Galerie der Stadt Linz and Wallraf-Richartz-Museum 1974

Neue Galerie der Stadt Linz, Wolfgang-Gurlitt-Museum, Linz, and Wallraf-Richartz-Museum, Cologne. Kunst der sechziger Jahre: Internat. Graphik in Beispielen d. Sammlung Ludwig, Köln.Exh. cat. Linz: Neue Galerie der Stadt Linz, 1974. Exhibition catalogue. (1974 Linz Wolfgang-Gurlitt).

 

Neue Galerie Joanneum [1978]

Neue Galerie am Landesmuseum Joanneum, Graz. Von Arakawa bis Warhol: Grafik aus den USA aus der Sammlung Rischner. Ed. Werner Fenz. Graz: Neue Galerie am Landesmuseum Joanneum, [1978]. Exhibition catalogue. (1978 Graz Neue Galerie).

 

Neuendorf 1964

Neuendorf, Hans R. “Ist Pop Art das Letzte?” Schöner Wohnen (Hamburg) (December 1964), pp. 52–56.

 

Neuendorf 2017

Neuendorf, Henri. “The Strange but True Story of Roy Lichtenstein’s Ill-Fated America’s Cup Sailboat.” ArtNet News (May 1, 2017). View online (news.artnet.com)

 

Neugass 1969

Neugass, Fritz. “Roy Lichtenstein: Zur grossen Retrospektive im Guggenheim Museum.” Das Kunstwerk 23, nos. 1–2 (October–November 1969), pp. 78–79.

 

New York Magazine 1971

“Roy Lichtenstein.” New York Magazine, nos. 4–5 (1971).

 

New York Times 1954

“Art Week Offers 3 Major Displays.” New York Times, March 8, 1954, p. 24.

 

New York Times 1963a

“Avant-Garde Art Going to the Fair.” New York Times, October 5, 1963, p. 17.

 

New York Times 1963b

“Exhibition of Art Spans 4 Centuries.” New York Times, November 28, 1963, p. 36.

 

New York Times 1964a

“Southampton Plans a Show of Pop Art.” New York Times, August 26, 1964, p. 36.

 

New York Times 1964b

“2 Westchester Women Enlist Artists in Channel 13 Drive.” New York Times, December 13, 1964, p. 136.

 

New York Times 1965

“Pop Art Display to Raise Funds for Mentally Ill.” New York Times, February 22, 1965, p. 17.

 

New York Times 1967

“Antiwar Art Show Raises $8,000 in Day.” New York Times, October 20, 1967, p. 38.

 

New York Times 1968

“Two News Magazine Covers Share the Same Theme This Week.” New York Times, June 18, 1968, p. 24.

 

New York Times 1993

“A Stroll Up the Ramp with Roy Lichtenstein.” New York Times, October 31, 1993, p. H39.

 

New York Times 1995

Barni, Andrea. “Where the Dots Came From.” New York Times, February 12, 1995.

 

New York Times 2003

“Lichtenstein on the Roof.” New York Times, April 1, 2003, p. D8.

 

New York Times 2012a

“Coming Attractions.” New York Times, April 15, 2012, p. 4.

 

New York Times 2012b

“A Lichtenstein Turns Up After 42 Years.” New York Times, August 2, 2012, p. C3.

 

New Yorker 2001

“Roy Lichtenstein Brushstrokes: Four Decades.” The New Yorker, November 12, 2001, p. 28.

 

New Yorker 2003

“Art: Museums and Libraries/Metropolitan Museum.” The New Yorker, May 19, 2003, p. 20.

 

Newark Museum 2001

Newark Museum of Art. Picturing America. Newark, NJ: The Museum, 2001. Exhibition catalogue. (2001 Newark, N.J., Newark Museum).

 

Newland 2006

Newland, Joseph N., ed. The Skowhegan School of Painting and Sculpture: 60 Years. Waterville, Maine: Colby College Museum of Art, 2006. Exhibition catalogue. (2006 Waterville Colby).

 

D. Newman and Benton 1964

Newman, David, and Robert Benton. “The New Sentimentality.” Esquire 62, no. 1, pp. 25–31.

 

M. Newman 1980

Newman, Michael. “Two American Artists.” Arts Review (London) 32, no. 21 (October 24, 1980), p. 481.

 

Newport Harbor 1980

Newport Harbor Art Museum. Betty Asher’s Cups. Newport Beach, Calif. 1980. Exhibition brochure. (1980 Newport Beach Sullivan).

 

Newsom 1965

Newsom, Jim. “Luncheon Circuit: Baked Potato on Gouache Sounds Good to Reporter.” Citizen-News (Hollywood, Los Angeles, Calif.), June 3, 1965.

 

Newsweek 1962

“Everything Clear Now?” Newsweek 59, no. 9 (February 26, 1962), pp. 86–87.

 

Newsweek 1963a

“American Panorama.” Newsweek 26 (December 2, 1963), p. 91.

 

Newsweek 1963b

“Four Centuries of American Art.” Newsweek (December 2, 1963), p. 91.

 

Newsweek 1963c

“Pop Goes the Easel.” Newsweek 61, no. 13 (April 1, 1963), p. 80.

 

Newsweek 1963d

“Pops or Robbers? The Big Question.” Newsweek 62, no. 12 (September 16, 1963), p. 90.

 

Newsweek 1964

“Discredited Merchandise.” Newsweek (November 9, 1964), pp. 94, 96.

 

Newsweek 1965a

“Vanity Fair: The New York Art Scene.” Newsweek (January 4, 1965), pp. 54–59.

 

Newsweek 1965b

“O Say Can You See.” Newsweek (January 11, 1965).

 

Newsweek 1966

“The Story of Pop.” Newsweek 67 (April 25, 1966), pp. 56–58, 61.

 

NGV and AGNSW 1967

National Gallery of Victoria, Melbourne, and Art Gallery of New South Wales, Sydney. Two Decades of American Painting. Melbourne: National Gallery of Victoria; Sydney: Art Gallery of New South Wales, 1967. Exhibition catalogue. (1966 Tokyo National Museum of Modern Art).

 

Nice GAC 1979

Galerie d’Art Contemporain des Musées de Nice. Pop art américain aujourd’hui. Nice: Galerie d’Art Contemporain des Musées de Nice, 1979. Exhibition catalogue. (1979 Nice GAC).

 

Nickas 2003

Nickas, Robert. After the Observatory. New York: Paula Cooper Gallery, 2003. Exhibition catalogue. (2002 New York Cooper).

 

Nielsen 1968

Nielsen, H. J. “Adskilligt pa foranledning af Documenta 4.” Louisiana revy (Humlebaek, Denmark) 9, no. 3 (1969), pp. 13–16.

 

Nieves and Winzen 2005

Nieves, Marysol, and Matthias Winzen. The Figurative Impulse: Works from the UBS Art Collection/El impulso figurativo: Obras de la Colección de Arte UBS. San Juan: Museo de Arte de Puerto Rico; Zurich: UBS Art Collection, 2005. Exhibition catalogue. (2005 San Juan MAPR).

 

Nihon Kagakkai 2003

Nihon Kagakkai (Chemical Society of Japan). Kagakutte so iu koto! Yume ga hirogaru bunshi no sekai (Chemistry is like that: The world of molecules can make dreams come true). Kyoto: Kagaku Dojin, 2003.

 

Niigata Prefectural and Niigata Bandaijima Art 2003

Niigata Prefectural Museum of Modern Art and Niigata Bandaijima Art Museum, Niigata. Selection 100: Niigata Kenritsu Kindai Bijutsukan, Niigata Kenritsu Bandaijima Bijutsukan. Niigata: Niigata Prefectural Museum of Modern Art and Niigata Bandaijima Art Museum, 2003.

 

Nilson 1996

Nilson, Lisbet. “Torsten Lilja: ‘A Different Way of Looking.'” ARTnews 95, no. 8 (September 1996), pp. 79–80.

 

Nilsson 2003

Nilsson, Michael. “The King of Pop: Roy Lichtenstein.” Spirit Magazine (Malmö), no. 3 (2003), pp. 24–26.

 

Noah 1977

Noah, Barbara. “Lichtenstein’s Ceramics.” Artweek 8, no. 11 (March 12, 1977), pp. 5–6.

 

Noble et al. 2018

Noble, Paul, et al. Paul Noble: New Works. San Francisco: Gagosian Gallery, 2018. Exhibition catalogue.

 

Nodelman 1967

Nodelman, Sheldon. “Sixties Art: Some Philosophical Perspectives.” Perspecta 11 (1967), pp. 72–89.

 

Nonomura 1994

Nonomura, Fumihiro. “Roy Lichtenstein.” BT 6 [Bijutsu techō] (Tokyo) 46, no. 689 (June 1994), pp. 84–87.

 

Nora 1988

Nora, Léone. “La fin du bureau de Balzac.” Connaissance des arts (July–August 1988), pp. 89–96.

 

Nordland 1962

Nordland, Gerald. My Country ‘Tis of Thee. Los Angeles: Dwan Gallery, 1962. Exhibition catalogue. Unpaginated. (1962 Los Angeles Dwan).

 

Nordland 1963

Nordland, Gerald. “Pop Goes the West.” Arts 37, no. 5 (February 1963), p. 60.

 

Nordland 1964

Nordland, Gerald. “Collecting in Los Angeles.” Artforum 11, no. 12 (Summer 1964), pp. 12–18.

 

Norrie 1988

Norrie, Jane. “The Drawings of Roy Lichtenstein.” Arts Review (London) 40, no. 12 (June 17, 1988), p. 426.

 

Norton Gallery of Art 1990

Southeast Bank Collects: A Corporation Views Contemporary Art. West Palm Beach, Fla.: Norton Gallery of Art, 1990. (1990–91 West Palm Beach Norton).

 

Notre Dame 1969

University of Notre Dame Art Gallery. Selections from the Richard Brown Baker Collection. Notre Dame, Ind.: University of Notre Dame Art Gallery, 1969. Exhibition catalogue. (1969 Notre Dame Art Gallery).

 

Novaes 2005

Novaes. “Wham! Blam! Pow! Roy.” Folha De S. Paulo, September 20, 2005, p. E1.

 

Novas 1975a

Novas, Himilce. “Dorothy Lichtenstein: La vida y el arte de una mujer liberada.” Fascinación 2, no. 1 (1975), pp. 34–35, 101.

 

Novas 1975b

Novas, Himilce. “Roy Lichtenstein: Representante de hoy ante el mañana.” Fascinación 2, no. 1 (1975), pp. 36–37.

 

Nowak 1982

Nowak, Ann. “A Talk with Lichtenstein: A Quiet, Pastel Man Paints in Loud, Flamboyant Colors.” Southampton [N.Y.] Press, August 5, 1982, p. B1.

 

Nuremberg 1971

Nürnberg Kunsthalle. “Was die Schönheit sei, das weiß ich nicht,” Künstler, Theorie, Werk: Katalog zur zweiten Biennale, Nürnberg, 1971. Schauberg: Verlag DuMont, 1971. Exhibition catalogue. (1971 Nuremberg Kunsthalle).

 

Nuridsany 1991

Nuridsany, Michel. “Lichtenstein: ‘Au fond je n’ai pas changé.'” Figaro (Paris), June 25, 1991, p. 25.

 

NZ 1973

“Zu Gast in Basel: Roy Lichtenstein.” NZ (National-Zeitung, Basel), no. 189 (June 20, 1973), p. 15.

 

O’Brien 2009

O’Brien, William, Jr. “Experts in Expediency.” Log (New York), no. 17 (Fall 2009), pp. 83–92.

 

O’Callaghan 1967

O’Callaghan, John. “Liverpool-Launching Pad Revisited.” Los Angeles Times, April 23, 1967, C1–C2.

 

O’Doherty 1962a

O’Doherty, Brian. “Art: Avant-Garde Revolt: ‘New Realists’ Mock U.S. Culture in Exhibition at Sidney Janis Gallery.” New York Times, October 31, 1962, p. 41.

 

O’Doherty 1962b

O’Doherty, Brian. “Pop Goes the New Art.” New York Times, November 4, 1962, sec. 2, p. 23.

 

O’Doherty 1963

O’Doherty, Brian. “Lichtenstein: Doubtful but Definite Triumph of the Banal.” New York Times, October 27, 1963, sec. 2, p. 21.

 

O’Doherty 1976

O’Doherty, Brian. “Inside the White Cube Part II: The Eye and the Spectator.” Artforum 14, no. 8 (April 1976), pp. 26–34.

 

O’Mahoney 1996

O’Mahoney, John. “Buried Treasure in Big Apple.” New York Post, August 27, 1996, p. 38.

 

O’Neil 1981

O’Neil, Thomas. “The Redefinition of Roy Lichtenstein.” Museum (May–June 1981).

 

O’Steen 2008

O’Steen, Danielle. “Trade Secrets.” Art and Auction 31, no. 9 (May 2008), pp. 172–81.

 

Oakland University 1966

Oakland University Art Gallery, Rochester, Mich. A Point of View: Selected Paintings and Drawings from the Richard Brown Baker Collection. Rochester, Mich.: Oakland University Art Gallery, 1966. Exhibition catalogue. (1966 Rochester, Mich., Oakland University).

 

Obrist 2013

Obrist, Hans Ulrich. “Hans Ulrich Obrist in Conversation with Mayen Beckmann.” In Lichtenstein: Expressionism, by Gagosian Gallery, Paris, pp. 26–32. Paris: Gagosian Gallery, 2013. Exhibition catalogue.

 

Observer 1969

“Op Posters Open Art Show.” Observer (Cleveland), September 5, 1969, p. 7.

 

Ocvirk et al. 1968

Ocvirk, Otto G., et al. Art Fundamentals: Theory and Practice. Dubuque, Iowa: W. C. Brown Co. 1968.

 

Öffentliche Kunstsammlung Basel 1997

Öffentliche Kunstsammlung Basel. Öffentliche Kunstsammlung Basel: 20. Jahrhundert. Ed. Katharina Katz. Basel: Öffentliche Kunstsammlung Basel, 1997.

 

Ohio State University 1989

Ohio State University, Columbus. “Art on a Grand Scale: Roy Lichtenstein.” In Saluting Ohio State University Alumni Artists in New York, p. 6. Columbus: Ohio State University, 1989.

 

Ohio State University at Newark 1994

Ohio State University at Newark, Newark, Ohio. Roy Lichtenstein: Pre-Pop, 1948–1960. Newark: Ohio State University at Newark, 1994. Exhibition catalogue. (1994 Newark, Ohio, OSU).

 

Ohio State University Monthly 1952

Ohio State University, Columbus. “Presents Art Exhibition.” Ohio State University Monthly (April 15, 1952), p. 33.

 

Ohlig and Hogen 1999

Ohlig, Rudolf, and Hildegard Hogen, eds. Auf dem Weg zur “Weltkultur”: Das zwanzigste Jahrhundert. Kunst und Kultur 6. Leipzig: F. A. Brockhaus, 1999.

 

Olitski, Water Color Association, and Institute of Contemporary Arts 1967

Olitski, Jules, Washington Water Color Association, and Institute of Contemporary Arts. 69th National Exhibition, April 30–May 27, 1967, at the Institute of Contemporary Arts. Washington, D.C.: Washington Water Color Association, 1967. Exhibition catalogue. (1967 Washington, D.C., ICA).

 

Oliva 1976

Oliva, Achille Bonito. Drawing/Transparence, disegno/trasparenza. [Rome]: Cataloghi Altro/La Nuova Foglio Editrice, 1976. Exhibition catalogue. (1976 Rome Cannaviello).

 

Ollie and Renzio 1974

Ollie, Jennifer, and Tonidel Renzio. “London.” Art and Artists 9, no. 3 (June 1974), pp. 38–41.

 

Olofsson 1964

Olofsson, Rune Pär. “Kristet Valfiskemen är detta Konst?” Idun/Vecko-journalen (Stockholm), February 28, 1964, pp. 15–16, 19–20.

 

Ono 1992

Ono, Masaharu. Yakudōsuru gendai bijutsu (Dynamic contemporary art) Meiga to deau bijutsukan/Art Compass 6. Toyko: Shogakukan, 1992.

 

Ordovas 2017

Ordovas, Pilar. Marilyn, Flowers, Lips, Gun, Mirror, Cactus. London: Ordovas, 2017. Exhibition catalogue.

 

Oresman 1983

Oresman, Janice C. Still Life Today. Washington, D.C.: Federal Reserve Board, 1983. Exhibition catalogue. (1980 New York Goddard-Riverside).

 

Original Editions 1965a

Original Editions, New York. 11 Pop Artists. Vol. 1. New York: Original Editions, 1965.

 

Original Editions 1965b

Original Editions, New York. 11 Pop Artists. Vol. 3. New York: Original Editions, 1966.

 

Original Editions 1966

Original Editions, New York. 11 Pop Artists. Vol. 2. New York: Original Editions, 1966.

 

Original Editions 1967

Original Editions, New York. Ten Landscapes. New York: Original Editions with Leo Castelli Gallery, 1967.

 

Orlandini 1967

Orlandini, Marisa Volpi. “La Pop Art 1.” In L’arte moderna, pp. 129–60. Milan: Fratelli Fabbri Editori, 1967. 2nd ed., 1975.

 

Orlando 1965

Orlando, Ruggero. “Il pennello nell’occhio: A che punto è la Pop Art un anno dopo le polemiche della Biennale.” L’europeo (December 19, 1965), pp. 42–45.

 

Osaka 1970

Expo Museum of Fine Arts, Osaka. Discovery of Harmony/Découverte de l’harmonie/Chōwa no hakken. Vol. 5, Contemporary Trends/Le dynamisme du présent/Gendai no yakudō. Osaka: Japan Association for the 1970 World Exposition, 1970. Exhibition catalogue. (1970a Osaka Expo).

 

Osborn 1967

Osborn, Michelle. “Pop Goes the Billboard!” Evening Bulletin (Philadelphia), December 1, 1967, pp. 49–50.

 

Osborne 1988

Osborne, Ellen. “Lichtenstein: Right on Target: Pop Artist Visits Princeton.” The Kiosk (Princeton, N.J.), March 31, 1988.

 

Osterwold 1992

Osterwold, Tilman. Pop Art. Cologne: Taschen, 1992.

 

Ostrom 1964

Ostrom, Brita. “Art Weekend Panel Discusses Pros, Cons of New Art Trend.” Caellian (Douglass College, Rutgers University, New Brunswick, N.J.), April 10, 1964, p. 2.

 

Oswego 1958a

“Campbell, Breland Win Exhibit Prizes.” Oswegonian (Oswego, N.Y.), May 25, 1958, p. 1.

 

Oswego 1958b

“Faculty, Students Exhibit Art Work.” Oswegonian (Oswego, N.Y.), April 29, 1958, p. 1.

 

Oswego 1958c

“Mr. Lichtenstein Exhibits Paintings.” Oswegonian (Oswego, N.Y.), May 13, 1958, p. 4.

 

Oswego 1958d

“Paintings Shown.” Oswegonian (Oswego, N.Y.), April 6, 1959, p. 4.

 

Otis 1990

Otis, Lauren. “Une tradition d’avant-garde.” Vogue décoration.

 

Otte 1968

Otte, M. “Notizen zu Andy Warhol und Roy Lichtenstein.” Das Kunstwerk 21, nos. 9–10 (June–July 1968), pp. 54–56.

 

Our Times 1968

“Pop Art: A New Kind of Beauty, or Just Plain Junk?” Our Times: The Weekly Journal for Students of U.S. History and Problems of Democracy 33, no. 9 (November 6, 1968).

 

Out of Town Paper 1965

“The American Artist: He Has It Made.” Review of Pop Art by John Rublowsky and The Bride and the Bachelors: The Heretical Courtship in Modern Art by Calvin Tomkins. Out of Town Paper (September 1965).

 

Overy 1976

Overy, Paul. “Pop Art’s Capacity for Self-renewal.” London Times, April 20, 1976.

 

K. G. P. Hultén 1963

Hultén, Karl Gustav Pontus. “Om Pop-Kunsten.” Louisiana revy (Humlebaek, Denmark), no. 1 (September 1963), pp. 10–15.

 

K. G. P. Hultén 1987

Hulten, Karl Gustav Pontus, ed. The Arcimboldo Effect: Transformations of the Face from the 16th to the 20th Century. New York: Abbeville Press, 1987. Exhibition catalogue. (1987 Venice Grassi).

 

F. P. 1954

P., F. “There’s Fantasy in the Abstract: Lichtenstein’s Adult Primer.” ARTnews 53, no. 1 (March 1954), pp. 18, 63.

 

Pachnicke and Mensch 1998

Pachnicke, Peter, and Bernhard Mensch, eds. Oberhausen: Ludwig Institut, Schloss Oberhausen and Plitt-Verlag, 1995. Exhibition catalogue. (1998 Oberhausen Schloss Oberhausen).

 

Packard 1988

Packard, Vance. Die geheimen Verführer: Der Griff nach dem Unbewussten in Jedermann. Frankfurt am Main: Ullstein, 1988.

 

Packer 1977

Packer, William. “Three American Artists.” Financial Times (London), December 15, 1977.

 

Pagel 2002

Pagel, David. “Banal Ideas Give Way to Great Art.” Los Angeles Times, November 22, 2002, p. E20.

 

Palais des Beaux-Arts 1965

Palais des Beaux-Arts de Bruxelles/Paleis voor Schone Kunsten te Brussel. Pop art, nouveau réalisme, etc… Brussels: Palais des Beaux-Arts, 1965. Exhibition catalogue. Unpaginated. (1965 Brussels Palais des Beaux-Arts).

 

Palais des Beaux-Arts 1968

Palais des Beaux-Arts de Bruxelles. Quarante Ans D’Art Vivant. Hommage à Robert Giron/Veertig Jaar Levende Kunst. Hulde aan Robert Giron. Brussels: Palais des Beaux-Arts, 1968. Exhibition catalogue. Unpaginated. (1968 Brussels Palais des Beaux-Arts).

 

Palais des Beaux-Arts 1969

Palais des Beaux-Arts de Bruxelles. Disparition et réapparition de l’image peinture américaine depuis 1945. Gaan en keren van het beeld Amerikaanse schilderkunst na 1945. Brussels: Palais des Beaux-Arts de Bruxelles, 1969. Exhibition catalogue. (1969 Bucharest Sala Dalles).

 

Palais des Beaux-Arts 1971

Palais des Beaux-Arts de Bruxelles. Métamorphose de l’objet; art et anti—art, 1910–1970. Bruxelles: La Connaissance, 1971. Exhibition catalogue. (1971a Brussels Palais des Beaux-Arts).

 

Palais des Beaux–Arts 1977

Palais des Beaux-Arts de Bruxelles/Paleis voor Schone Kunsten te Brussel. American Art in Belgium. Brussels: Palais des Beaux-Arts de Bruxelles/Paleis voor Schone Kunsten te Brussel, 1977. Exhibition catalogue. (1977 Brussels Palais des Beaux-Arts).

 

Palais des Beaux–Arts, Charleroi 1985

Palais des Beaux-Arts, Charleroi. Autour de la B. D.: Palais des beaux-arts, Charleroi. Charleroi: Palais des Beaux-Arts; Brussels: Lebeer-Hossmann, 1985. Exhibition catalogue.

 

Palais des Festivals 1986

Palais des Festivals, Cannes. L’art de notre temps. N.p.: Sari-Seeri, 1986. Exhibition catalogue. (1986 Cannes Palais des Festivals).

 

Palette 1982

Palette, Jim. “Le roi Lichtenstein à Paris, un tramé nommé désir.” Libération (Paris), September 28, 1982, pp. 24–25.

 

Palladian-Times 1957

“Joins OSTC Faculty.” Palladian-Times (Oswego, N.Y.), September 24, 1957, p. 5.

 

Palladian-Times 1959

Palladian-Times (Oswego, N.Y.), June 1, 1959.

 

Palmé 1975

Palmé, Martine. “L’Amérique au microscope.” Les nouvelles litteraires (Paris) (February 17, 1975).

 

Palmer 1967

Palmer, Larry. “At Pasadena Museum: Lichtenstein Shows His Famous Pop Art.” Star-News (Pasadena), April 18, 1967, pp. 17, 24.

 

Paniagua 1962

Paniagua, Lita. “El arte ‘Pop.” Kewa (Mexico), no. 25, p. 72.

 

Papadakis 1992

Papadakis, Andreas C., ed. Pop Art. Art and Design Profile 24. London: Academy Editions; New York: St. Martin’s Press, 1992.

 

Papadakis, Farrow, and Hodges 1991

Papadakis, Andreas C., Clare Farrow, and Nicola Hodges, eds. New Art: An International Survey. New York: Rizzoli; London: Academy Editions, 1991.

 

Paparoni 2010a

Paparoni, Demetrio. “Lichtenstein: Grids Silence and Art After Manet.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio, pp. 49–67. Milan: Skira Editore, 2010. Exhibition catalogue.

 

Paparoni 2010b

Paparoni, Demetrio. “Lichtenstein: La griglia, il silenzio e l’arte dopo Manet.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio, pp. 49–67. Milan: Skira [Italian edition], 2010. Exhibition catalogue.

 

Paparoni 2010c

Paparoni, Demetrio. “Lichtenstein, das Raster, das Schweigen und die Kunst nach Manet.” In Lichtenstein: Kunst als Motiv, edited by Gianni Mercurio, pp. 49–67. Cologne: DuMont, 2010. Exhibition catalogue.

 

Pappas 1965

Pappas, George. “Art/Pop.” School of Arts (State College, Pennsylvania) 64, no. 8 (April 1965), pp. 40–41.

 

Paquet 1994

Paquet, Bernard. “Roy Lichtenstein: Des images à consommer.” Vie des arts (Montreal) 39, no. 154 (Spring 1994), pp. 14–19.

 

A. Parks 1997

Parks, Addison. “Roy Lichtenstein: Landscapes in the Chinese Style.” artsMEDIA (May 1997).

 

S. Parks 2002

Parks, Steve. “A Moving Work: Once by the WTC, Sculpture Gets a New Home.” Newsday, April 3, 2002, p. B3.

 

Parrasch 1992

Franklin Parrasch Gallery, New York. The Endowed Chair. New York: Franklin Parrasch Gallery, 1992. Exhibition catalogue. (1992 New York Parrasch).

 

Parrish Art Museum 1995

Parrish Art Museum, Southampton, N.Y. The Prints of Roy Lichtenstein. Southampton, N.Y.: Parrish Art Museum, 1995. Exhibition brochure. (1994b Washington NGA).

 

Pascal 1966

Pascal, David. “Interview with Roy Lichtenstein.” Giff-Wiff (Paris), no. 20 (May 1966), pp. 6–15.

 

Pascale 2004

Pascale, Mark. “Alka Seltzer.” In Notable Acquisitions at the Art Institute of Chicago. Museum Studies 30, no. 1, pp. 90–91, 96. Chicago: Art Institute of Chicago, 2004.

 

Passetto 1982

Passetto, Lucio. “La leggenda del ‘Pop.'” Playmen (September 1982).

 

Paton 2007

Paton, William. “An Ironic Icon.” Christie’s Magazine (New York) (January–February 2007), pp. 72–73.

 

Patton 1990

Patton, Phil. “‘High and Low’: Modern Art Meets Popular Culture.” Smithsonian 21, no. 8 (November 1990), pp. 138–49.

 

Paula Cooper Gallery 2011

Paula Cooper Gallery, New York. Entablature Paintings: Roy Lichtenstein. New York: Paula Cooper Gallery, 2011. Exhibition catalogue. Unpaginated. (2011 New York Cooper).

 

PCN 1981

“Roy Lichtenstein.” The Print Collector’s Newsletter 12, no. 3 (July–August 1981), p. 83.

 

Pée 1968

Pée, Herbert. Studio f im Museum Ulm: Querschnitt durch die moderne Kunst von Paul Klee bis Roy Lichtenstein. Ulm: Museum Ulm, 1968. Exhibition catalogue. (1968 Ulm Museum).

 

Peer 1977

Peer, Elizabeth. “Two Cities.” Newsweek 89, no. 24 (June 13, 1977), p. 65.

 

Pellegrini 1966

Pellegrini, Aldo. New Tendencies in Art. Translated by Robin Carson. New York: Crown, 1966.

 

Pennsylvania 1969

Pennsylvania Academy of the Fine Arts and Philadelphia Water Color Club. The One Hundred and Sixty-fourth Annual Exhibition. Catalogue listing of exhibition. Philadelphia: Pennsylvania Academy of the Fine Arts and Philadelphia Water Color Club, 1969.

 

Pennsylvania 1976

Pennsylvania Academy of the Fine Arts, Philadelphia. In This Academy: The Pennsylvania Academy of the Fine Arts, 1805–1976: A Special Bicentennial Exhibition Organized by the Pennsylvania Academy of the Fine Arts. Philadelphia: Pennsylvania Academy of the Fine Arts, 1976. Exhibition catalogue. (1976 Philadelphia PAFA).

 

Penrose 1964

Penrose, Roland. A Study for An Exhibition of Violence in Contemporary Art. London: Institute of Contemporary Art, 1964. Exhibition catalogue. (1964 London ICA).

 

Penson 1988

Penson Gallery, New York. Gianfranco Gorgoni: Altered Images. New York: Penson Gallery, 1988. Exhibition catalogue. (1988 New York Penson).

 

Perazzi 1991

Perazzi, Mario. “Roy Lichtenstein.” Max 8, no. 3 (March 1991), pp. 162–67.

 

Perlmutter 1975

Perlmutter, Elizabeth Frank. “Reviews: Roy Lichtenstein.” ARTnews 74, no. 1 (January 1975), pp. 93, 106.

 

Perreault 1967

Perreault, John. “Minimal Art: Clearing the Air.” Village Voice (New York), January 12, 1967, p. 11.

 

Perreault 1969a

Perreault, John. “Art.” Village Voice (New York), October 2, 1969, p. 17.

 

Perreault 1969b

Perreault, John. “Painting.” In Grolier Encyclopedia Yearbook, 1969, pp. 336–38. Grolier.

 

Perreault 1971

Perreault, John. “Snotty Remarks.” Village Voice (New York) 16, no. 12 (March 25, 1971), p. 17.

 

Perreault 1974

Perreault, John. “‘Classic’ Pop Revisited.” Art in America 62, no. 2 (March–April 1974), pp. 64–68.

 

Perreault 1977

Perreault, John. “Fun and Games.” SoHo Weekly News 5, no. 10 (December 8, 1977), p. 20.

 

Perrelli 1982

Perrelli, Gianni. “Un po’ di Picasso e un po’ di Paperino.” Europeo (March 31, 1982).

 

Perrone 1978

Perrone, Jeff. “Reviews.” Artforum 16, no. 6 (February 1978), pp. 65–67.

 

E. Peters 1992

Peters, E. Brooks. “Baker’s Dozen.” Quest (March 1992), p. 35.

 

J. Peters 1969

Peters, John Brod. “Warhol, Albers, Lichtenstein, Johns in New Helman Gallery Exhibition.” St. Louis Globe Democrat, August 31, 1969.

 

J. Peters 1973

Peters, John Brod. “Roy Lichtenstein Works Shown at Clayton Gallery.” St. Louis Globe Democrat, January 20–21, 1973, p. F8.

 

Peterson 2006

Peterson, Kristen. “Abstract Art through Comics.” Las Vegas Sun, September 6, 2006, p. 7.

 

Petherbridge 1988

Petherbridge, Deanna. “Importance of Drawing Conclusions.” Financial Times (London), June 11, 1988.

 

Petra 1994

“Punkte zum Ausrasten.” Petra (October 1994).

 

Petranzan 1996

Petranzan, Margherita. Gae Aulenti. Milan: Rizzoli, 1996.

 

Petricca 1989

Petricca, Stefano. “Roy Lichtenstein.” Leader 6, no. 6, pp. 47–48.

 

Petrovic-Casanova 1979

Petrovic-Casanova, Beatrice. “Grazie, Herr Ludwig!” Bolaffiarte (Turin) 10, no. 90 (July 1979).

 

Phelps 1963

Phelps, Julia Gray. The Richard Brown Baker Collection of Contemporary Art. Wellesley: Jewett Arts Center, Wellesley College, 1963. Exhibition catalogue. (1963 Wellesley Jewett).

 

Philadelphia College 1978

Philadelphia College of Art. Point. Philadelphia: Philadelphia College of Art, 1978. Exhibition catalogue. (1978 Philadelphia College of Art).

 

Philadelphia Magazine 1967

“Sign of the Times.” Philadelphia Magazine 58, no. 12 (December 1967), p. 32.

 

Philbin 1994

Philbin, Ann. The Return of the Cadavre Exquis. New York: Drawing Center, 1994. Exhibition catalogue. (1993 New York Drawing Center).

 

Philbrook 1964

Philbrook Art Center, Tulsa. Collectors Choice IV. [Tulsa: Philbrook Art Center], 1964. Exhibition catalogue. (1964 Tulsa Philbrook).

 

Philliips, New York 2017

Phillips, New York. Roy Lichtenstein: Woman: Sunlight, Moonlight, 1996. New York: Phillips, 2017.

 

Phillips 1983

Phillips, Lisa. Twentieth Century Sculpture: Process and Presence. New York: Whitney Museum of American Art, 1983. Exhibition catalogue. (1983 New York Whitney Philip Morris).

 

D. Phillips 1982

Phillips, Deborah C. “Looking for Relief? Woodcuts Are Back.” ARTnews 81, no. 4 (April 1982), pp. 92–96.

 

L. Phillips 1982

Phillips, Lisa. Surveying the Seventies: Selections from the Permanent Collection of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1982. Exhibition catalogue.

 

L. Phillips 1999

Phillips, Lisa. The American Century: Art and Culture, 1950–2000. New York: Whitney Museum of American Art, 1999. Exhibition catalogue. (1999 New York Whitney).

 

L. Phillips 2006b

Phillips, Lisa. Roy Lichtenstein dibujos: Animated Life/Vida animada. Buenos Aires: Fundación Eduardo F. Costantini, 2006. Exhibition catalogue. (2005 São Paulo Ohtake).

 

Phillips [2005]

Phillips, Lisa. Roy Lichtenstein: Desenhos: Vida animada / Drawings: Animated Life. São Paulo: Instituto Tomie Ohtake, [2005]. Exhibition catalogue. (2005 São Paulo Ohtake).

 

L. Phillips [2006]a

Phillips, Lisa. Roy Lichtenstein: Desenhos: Vida animada/Drawings: Animated Life. São Paulo: Instituto Tomie Ohtake, 2006. Exhibition catalogue. (2005 São Paulo Ohtake).

 

Picard 1964

Picard, Lil. “The New School of New York.” Das Kunstwerk 18, no. 6 (December 1964), pp. 26, 37.

 

Picard [1969]

Piccard [sic], [Lil]. “Roy Lichtenstein.” The East Village Other (New York) 4, no. 44 [1969], p. 10.

 

Pierre 1969

Pierre, José. “Pop chocolat.” L’oeil, nos. 176–77 (August–September 1969), pp. 38–43, 94.

 

Pierre 1971

Pierre, José. Pop Art: Paintings, Sculptures. Little Library of Art. London: Methuen; New York: Tudor Publishing, 1971.

 

Pierre 1975

Pierre, José. Le pop art: Dictionnaire de poche. Paris: Hazan, 1975.

 

Pieszak 1977

Pieszak, Devonna. “The Packaging of Vulgarity: Will It Double Your Pleasure?” New Art Examiner 4, no. 6 (March 1977), p. 6.

 

Piguet 1991

Piguet, P. L’oeil, no. 431 (June 1991), p. 94.

 

Pincus 1995

Pincus, Robert L. “Top of the Pop.” San Diego Union-Tribune, March 7, 1995, E1, E3.

 

Pincus 1997

Pincus, Robert L. “The Prince of Pop.” Jewish News, November 21, 1997, p. 87.

 

Pincus-Witten 1971

Pincus-Witten, Robert. “New York.” Artforum 9, no. 9 (May 1971), pp. 75–77.

 

Pincus-Witten 1982

Pincus-Witten, Robert. Leo Castelli: Gentle Snapshots. Ed. Barbara Jakobson. Zurich: Galerie Bruno Bischofberger, 1982. Exhibition catalogue.

 

Pincus-Witten 1984

Pincus-Witten, Robert. Roy Lichtenstein: A Drawing Retrospective. New York: James Goodman Gallery, 1984. Exhibition catalogue. Unpaginated. (1984 New York J. Goodman).

 

Pincus-Witten 2010a

Pincus-Witten, Robert. “Connecting the Dots.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio, pp. 69–75. Milan: Skira Editore, 2010. Exhibition catalogue. Essay translated from the English by Michael Haggerty.

 

Pincus-Witten 2010b

Pincus-Witten, Robert. “Connettendo i punti.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio, pp. 69–75. Milan: Skira [Italian edition], 2010. Exhibition catalogue. Essay translated from the English by Michael Haggerty.

 

Pincus-Witten 2010c

Pincus-Witten, Robert. “Connecting the Dots – eine Verbindung der Punkte.” In Lichtenstein: Kunst als Motiv, edited by Gianni Mercurio, pp. 69–75. Cologne: DuMont, 2010. Exhibition catalogue. Translated from the English by [  ].

 

Pinharanda 2006

Pinharanda, João. Liberdade de imprensa: Colecção Berardo. Lisbon: Diário de Notícias, 2006. Exhibition catalogue. (2006 Lisbon Diário de Notícias).

 

Pinte 1991

Pinte, Jean-Louis. “Roy Lichtenstein par la bande.” Figaroscope (Paris), June 12–18, 1991, p. 50.

 

Pinto and Manzù 1967

Pinto, Sandra, and Pio Manzù, ed. Nuove tecniche d’immagine: 6a Biennale d’Arte Repubblica di San Marino. Venice: Alfieri, 1967. Exhibition catalogue.

 

Plagens 1966

Plagens, Peter. “Present-Day Styles and Ready-Made Criticism.” Artforum 5, no. 4 (December 1966), pp. 36–39.

 

Plagens 1971

Plagens, Peter. “Los Angeles.” Artforum 10, no. 2 (October 1971), pp. 86–90.

 

Plagens 1993

Plagens, Peter. “Lichtenstein on the Line.” Newsweek 122, no. 16 (October 18, 1993), pp. 81–82.

 

Plain Dealer 1966

“Lichtenstein: A Second Look.” Plain Dealer (Cleveland), December 11, 1966, pp. 8–G.

 

Plain Dealer 1969

“Roy Lichtenstein to Visit for Panel Talk, Exhibit.” Plain Dealer (Cleveland), February 4, 1969, pp. 24–E.

 

Plain Dealer 1997

“Roy Lichtenstein, 73, Was a Pioneer of Pop Art.” Plain Dealer (Cleveland), September 30, 1997, p. B7.

 

Plaisance 2006

Plaisance, Mike. “‘Blam!’ Teacher Fires at Art Auction.” Sunday Republican (Springfield), November 26, 2006, A1, A19.

 

Platzker and Wyckoff 2000

Platzker, David, and Elizabeth Wyckoff. Hard Pressed: 600 Years of Prints and Process. New York: Hudson Hills Press and International Print Center, 2000. Exhibition catalogue. (2000 New York AXA).

 

Pluchart 1966a

Pluchart, François. “Au Salon de mai l’abstraction est morte.” Combat-art (Paris), May 9, 1966, p. 7.

 

Pluchart 1966b

Pluchart, François. “La fièvre monte à Venise.” Combat-art (Paris), June 13, 1966, p. 9.

 

Plumb 1964

Plumb, Barbara. “Advertising Poster Art Is Effective Wall Decoration, Too.” New York Times, February 22, 1964, p. 13.

 

PNC 1970a

“Prints & Portfolios Published.” Print Collector’s Newsletter 1, no. 3 (July–August 1970), pp. 58–59.

 

PNC 1970b

“Prints & Portfolios Published.” Print Collector’s Newsletter 1, no. 4 (September–October 1970), pp. 85–88.

 

PNC 1971

“Prints & Portfolios Published.” Print Collector’s Newsletter 2, no. 2 (May–June 1971), pp. 33–36.

 

PNC 1972a

“Prints & Portfolios Published.” Print Collector’s Newsletter 3, no. 4 (September–October 1972), pp. 84–85.

 

PNC 1972b

“Prints & Portfolios Published.” Print Collector’s Newsletter 3, no. 5 (November–December 1972), pp. 107–108.

 

PNC 1973

“Prints & Portfolios Published.” Print Collector’s Newsletter 4, no. 4 (September–October 1973), pp. 85–86.

 

PNC 1974a

“Prints & Portfolios Published.” Print Collector’s Newsletter 5, no. 1 (March–April 1974), pp. 12–14.

 

PNC 1974b

“Prints & Portfolios Published.” Print Collector’s Newsletter 5, no. 2 (May–June 1974), pp. 40–42.

 

PNC 1976

“Prints & Portfolios Published.” Print Collector’s Newsletter 7, no. 3 (July–August 1976), pp. 86–89.

 

PNC 1978

“Prints & Portfolios Published.” Print Collector’s Newsletter 9, no. 3 (July–August 1978), p. 91.

 

PNC 1980a

“Prints & Portfolios Published.” Print Collector’s Newsletter 11, no. 1 (March–April 1980), p. 17.

 

PNC 1980b

“Prints & Portfolios Published.” Print Collector’s Newsletter 11, no. 5 (November–December 1980), pp. 179–80.

 

PNC 1983a

“Prints & Portfolios Published.” Print Collector’s Newsletter 13, no. 6 (January–February 1983), p. 218.

 

PNC 1983b

“Prints & Portfolios Published.” Print Collector’s Newsletter 14, no. 1 (March–April 1983), p. 19.

 

PNC 1984

“Prints & Portfolios Published.” Print Collector’s Newsletter 15, no. 2 (May–June 1984), pp. 63–66.

 

PNC 1986

“Prints & Portfolios Published.” Print Collector’s Newsletter 16, no. 6 (January–February 1986), p. 216.

 

PNC 1987

“Prints & Portfolios Published.” Print Collector’s Newsletter 17, no. 6 (January–February 1987), p. 209.

 

PNC 1988

“Prints & Portfolios Published.” Print Collector’s Newsletter 19, no. 5 (November–December 1988), p. 191.

 

PNC 1989a

“Prints & Portfolios Published.” Print Collector’s Newsletter 20, no. 2 (May–June 1989), p. 64.

 

PNC 1989b

“Prints & Portfolios Published.” Print Collector’s Newsletter 20, no. 3 (July–August 1989), p. 103.

 

PNC 1990

“Prints & Portfolios Published.” Print Collector’s Newsletter 21, no. 5 (November–December 1989), p. 187.

 

PNC 1996

“Prints & Portfolios Published.” Print Collector’s Newsletter 27, no. 2 (May–June 1996), p. 64.

 

Pocono Record 1965

“Pop Goes Art, for Art’s Sake.” Pocono Record (The Stroudsburgs, Pennsylvania), March 3, 1965, p. 5.

 

Pohl, Ströher, and Pohl 1982

Pohl, Erika, Ursula Ströher, and Gerhard Pohl, eds. Karl Ströher: Sammler und Sammlung. Stuttgart: Dr. Cantz’sche Druckerei, 1982.

 

Polcari 1991

Polcari, Stephen. “Roy Lichtenstein/Leo Castelli: October 10, 1991–January 25, 1992.” Archives of American Art: A Salute to Roy Lichtenstein (October 10, 1991).

 

Polemic 1957

Polemic (Polemic Society of Western Reserve University, Cleveland, and the Adelbert College Student Council, Cleveland) 2, no. 1 (spring 1957), p. 21.

 

Polemic 1959

Polemic (Polemic Society of Western Reserve University, Cleveland, and the Adelbert College Student Council, Cleveland) 4, no. 1 (spring 1959), cover.

 

Poli et al. 2012

Poli, Francesco, et al. Conserving Contemporary Art: Issues, Methods, Materials, and Research. Los Angeles: Getty Conservation Institute, 2012.

 

Polier 1962

Polier, Betsy. “News and Views of the Galleries: Paintings a Century Apart Are at Mi Chou.” Manhattan 2, no. 50 (August 16, 1962).

 

Politi 1968

Politi, Giancarlo. “L’immaginazione e il potere.” Flash Art (Rome), no. 9 (November–December 1968).

 

Polk 1964

Polk, Peggy. “Ex-Ohioan a Leader in Pop Art.” Cleveland Press, April 3, 1964.

 

Pollack 1997

Pollack, Barbara. “Smoke Gets in Your Eyes.” ARTnews 96, no. 8 (September 1997), p. 28.

 

Polonsky 1982

Polonsky, Linda. “The Iconology of Pop Art.” MA thesis, University of South Africa, Pretoria.

 

Pommereau 2013a

Pommereau, Claude, ed. Roy Lichtenstein au Centre Pompidou. Issy-les-Moulineaux, France: Beaux Arts Éditions, 2013.

 

Pompidou 2013

Centre National d’Art et de Culture Georges Pompidou. Roy Lichtenstein: L’Exposition/The Exhibition. Paris: Centre National d’Art et de Culture Georges Pompidou, 2013. Exhibition catalogue. (2012 Chicago Art Institute).

 

Pop-Sammlung Beck 1970

Beck, Heinz. Pop-Sammlung Beck. Düsseldorf: Rheinland-Verlag, 1970.

 

Portable Press 1964

Portable Press. Roy Lichtenstein. New York: Leo Castelli, 1964. Exhibition handout with collection of color slides. (1964d New York Castelli).

 

F. Porter 1952

P[orter], F[airfield]. “Roy Lichtenstein.” Artnews 50, no. 9 (January 1952), p. 67.

 

F. Porter 1953

P[orter]., F[airfield]. “Roy Lichtenstein.” ARTnews 51, no. 10 (February 1953), p. 74.

 

F. Porter 1954

Porter, Fairfield. “Lichtenstein’s Adult Primer.” ARTnews 53, no. 19 (March 1954), pp. 18, 63.

 

Portoghesi 1963

Portoghesi, Paolo, ed. Aspetti dell’arte contemporanea: Rassegna internazionale architettura, pittura, scultura, grafica. Rome: Edizioni dell’Ateneo, 1963. Exhibition catalogue. (1963 L’Aquila Castello Cinquecentesco).

 

Power 1997

Power, Amy. “Lichtenstein Excelled at Art and Life.” Ohio State Lantern, October 1, 1997, p. 9.

 

Powers 1966

Powers, John G. Selections from the John G. Powers Collection Presented by the Larry Aldrich Museum. Ridgefield, Conn.: Larry Aldrich Museum, 1966. Exhibition catalogue. (1966 Ridgefield Aldrich).

 

Pozzi 1973

Pozzi, Lucio. “Leo Castelli: L’arte migliore è seguita solo da pochiss.” Bolaffiarte 4, no. 34 (November 1973), pp. 32–37.

 

Prampolini 1968

Prampolini, Ida Rodríguez. “¿Qué ha pasado con la pintura?” Anales del Instituto de Investigaciones Estéticas (Universidad Nacional Autónoma de México, Mexico City) 10, no. 37 (1968), pp. 105–15.

 

Prange 1996

Prange, Regine. Jackson Pollock: Number 32, 1950: Die Malerei als Gegenwart. Frankfurt am Main: Fischer Taschenbuch-Verlag, 1996.

 

Prat 2006

Prat, Véronique. “Roy Lichtenstein: Un héros de bande dessinée.” Figaro magazine (Paris), January 21, 2006, pp. 78–83.

 

M. Preston 1981

Preston, Malcolm. “Still Lifes by East End Painters.” Newsday, April 29, 1981, p. II.

 

S. Preston 1957

P[reston], S[tuart]. “Pastels by Mimi Boyer at Bradley.” New York Times, January 9, 1957, p. 34.

 

S. Preston 1962

Preston, Stuart. “Hartford Galaxy: Exceptional Shows of Art Past and Present at Wadsworth Atheneum.” New York Times, August 19, 1962, p. X17.

 

S. Preston 1963

Preston, Stuart. “On Display: All-Out Series of Pop Art: ‘Six Painters and the Object’ Exhibited at Guggenheim.” New York Times, March 21, 1963, p. 8.

 

S. Preston 1964

Preston, Stuart. “Rear and Advance Guard Marching.” New York Times, November 1, 1964, p. 25.

 

S. Preston 1965

Preston, Stuart. “Art History’s Many Turning Points.” New York Times, January 17, 1965, p. X19.

 

Princeton 2007

Princeton University Art Museum. Pop Art: Contemporary Perspectives. Princeton, N.J.: Trustees of Princeton University, 2007. Exhibition catalogue. (2007 Princeton Art Museum).

 

Print 1966

“Word and Image.” Print 20, no. 1 (January–February 1966), pp. 18–19.

 

Pritchett 1963

Pritchett, V. S. “The American in My Mind.” Holiday (Philadelphia) 34, no. 1 (July 1963), pp. 28–41, 80–83.

 

Prodhon 1983

Prodhon, François-Claire. “Roy Lichtenstein, 1970–1980.” Flash Art, no. 110 (January 1983), p. 72.

 

Prometheus 1963

“The Directions of Painting in 1962–63.” Prometheus 6 (February 1963), pp. 1, 3.

 

Provinciaal Museum 1981

Provinciaal Museum voor Moderne Kunst, Ieper. Kunst in/als vraag: Negatie-integratie van Dada tot heden in België. Ieper: Provinciaal Museum voor Moderne Kunst, 1981.

 

Pulitzer 2007

Pulitzer Foundation for the Arts, St. Louis. Water. St. Louis: Pulitzer Foundation for the Arts, 2007. Exhibition catalogue. Unpaginated. (2007 St. Louis Pulitzer).

 

Pulitzer 2011

Pulitzer Foundation for the Arts, St. Louis. Dreamscapes. St. Louis: Pulitzer Foundation for the Arts, 2011. Exhibition brochure.

 

Purdie 1975

Purdie, James. “The Sixties’ Rebels Are Building Anew.” Globe and Mail (Toronto), October 18, 1975, p. 30.

 

Puri 2002

Puri, Madhu. “Underground Art.” Art and Auction 24, no. 9 (October 2002), p. 149.

 

Quadri e sculture 1997

“Roy Lichtenstein: Si evitino improvvisate mitologie.” Quadri e sculture, no. 26 (June–July 1997), pp. 32–33.

 

Quantril 1978

Quantril, Malcolm. Art International (summer 1978), p. 47.

 

Quindlen 1977

Quindlen, Anna. “Joan Mondale Finds SoHo More Than So-So.” New York Times, May 12, 1977, p. B1.

 

Quirinale 2007

Scuderie del Quirinale, Rome. Pop Art 1956–1968. Milan: Silvana Editoriale, 2007. Exhibition catalogue. (2007 Rome Quirinale).

 

RA Magazine 1991

RA Magazine. Special issue, Pop, no. 32 (Fall 1991).

 

Radcliffe College 1968

Radcliffe College, Cambridge, Mass. Pop Art Drawings. Cambridge, Mass.: Radcliffe College, 1968. Exhibition catalogue. (1968 Cambridge, Mass., Radcliffe).

 

Ragon 1964

Ragon, Michel. “L’académisme et l’art d’avant-garde.” Jardin des arts (Paris), no. 115 (June 1964), pp. 22–32.

 

Ragon 1965

Ragon, Michel. “Où en est l’art américain?” Jardin des arts (Paris), no. 124 (March 1965), pp. 2–11.

 

Ramírez 2005

Ramírez, Juan Antonio. “Lichtenstein, en proceso.” In Lichtenstein: En proceso, by Fundación Juan March, Madrid. Translated from the Spanish by Deborah L. Roldán, pp. 13–23 (Spanish), 94–100 (English). Madrid: Fundación Juan March, 2005. Exhibition catalogue.

 

Ratcliff 1969

Ratcliff, Carter. “New York.” Art International 13, no. 9 (November 1969), pp. 74–77.

 

Ratcliff 1972

Ratcliff, Carter. “New York Letter.” Art International 16, no. 3 (March 20, 1972), pp. 28–37.

 

Ratcliff 1975

Ratcliff, Carter. “New York Letter.” Art International 19, no. 10 (December 20, 1975), pp. 37–44.

 

Ratcliff 1978

Ratcliff, Carter. “The Art Establishment: Rising Stars vs. the Machine.” New York Magazine 11, no. 48 (November 27, 1978), pp. 53–58.

 

Ratcliff 1978

Ratcliff, Carter. “Making It in the Art World: A Climber’s Guide.” New York Magazine 11, no. 48 (November 27, 1978), pp. 67–71.

 

Ratcliff 1978

Ratcliff, Carter. “Roy Lichtenstein at Castelli Downtown and Blum/Helman.” Art in America 66, no. 2 (March 1978), p. 134.

 

Ratcliff 1981a

Ratcliff, Carter. “In Detail: Matisse’s Dance.” Portfolio (New York) 3, no. 4 (July–August 1981), pp. 38–45.

 

Ratcliff 1981b

Ratcliff, Carter. “Lichtenstein: Creating Art from Art.” Harper’s Bazaar 114, no. 3240 (November 1981), pp. 32, 34, 38, 72.

 

Ratcliff 1985

Ratcliff, Carter. “The Collectors: Contemporary Cast.” Architectural Digest 42 (February 1985), pp. 118–25.

 

Ratcliff 1989a

Radcliffe [sic], Carter (photographs by Bob Adelman). “The Profits of Pop.” The Correspondent Magazine (Northampshire) (November 1989), pp. 22–26.

 

Ratcliff 1989b

Ratcliff, Carter. “Roy Lichtenstein: Donald Duck et Picasso.” Art Press, no. 140 (October 1989), pp. 12–19.

 

Ratcliff 1989c

Ratcliff, Carter. “The Work of Roy Lichtenstein in the Age of Walter Benjamin’s and Jean Baudrillard’s Popularity.” Art in America 77, no. 2 (February 1989), pp. 110–23, 177.

 

Ratcliff 2002

Ratcliff, Carter. “Covering All the Bases: Two Views.” Art in America 90, no. 7 (July 2002), pp. 82–85.

 

Rattemeyer 2009

Rattemeyer, Christian. Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection. New York: Museum of Modern Art, 2009. Exhibition catalogue.

 

Ravitz 1966

Ravitz, Mark. “Techniques Used by Roy Lichtenstein.” 3 Lively Arts High School of Music and Art, New York (1966), p. 27.

 

Raymond 1971

Raymond, Herbert. “New York. Two.” Art and Artists 6, no. 4 (July 1971), pp. 60–61.

 

Raynor 1985

Raynor, Vivian. “Art: Roy Lichtenstein and His Irony within Irony.” New York Times, December 13, 1985, p. C25.

 

Raynor 1995

Raynor, Vivian. “A Chaotic Show, but with Many Pieces Worth Another Look.” New York Times, August 27, 1995, p. 16.

 

Read 1965

Read, Herbert. “The Disintegration of Form in Modern Art.” Studio International 169, no. 864 (April 1965), pp. 144–55.

 

Reardon 1986

Reardon, J. “Ikkyu Sojun: Zen Buddhist Verse.” Oriental Art, n.s., 32, no. 1 (Fall 1986), pp. 288–96.

 

Reif 1965

Reif, Rita. “Artists Make Use of Crafts to Turn a Loft into a Home.” New York Times, January 5, 1965, p. 22.

 

Reif 1968

Reif, Rita. “You Go Past the ‘O’ and Under the ‘N’ . . .” New York Times, November 15, 1968, p. 51.

 

Reif 1972

Reif, Rita. “Putting Down the Brush and Painting on a Loom.” New York Times, September 29, 1972, p. 48.

 

Reif 1989

Reif, Rita. “Auctions: Pop Art from the Collection of a West German Collector’s Daughter.” New York Times, March 10, 1989, p. C24.

 

Reif 2003a

Reif, Rita. “How Much Is That Storefront in the Window?” New York Times, May 18, 2003, p. 31.

 

Reif 2003b

Reif, Rita. “Painters Who Found the Wonder of Ceramics.” New York Times, January 26, 2003, p. 39.

 

Reina Sofía 1989

Centro de Arte Reina Sofía, Madrid. Colección Beyeler. Madrid: Ministerio de Cultura, Dirección General de Bellas Artes y Archivos, 1989. Exhibition catalogue. (1989 Madrid Reina Sofía).

 

Reinhardt 1999

Reinhardt, Brigitte. Stiftung Sammlung Kurt Fried: Internationale Kunst der 1950er bis 1980er Jahre. Ulm: Ulmer Museum, 1999.

 

Reinhold-Brown 1988

Reinhold-Brown Gallery, New York. SMS: A Collection of Original Multiples in Six Portfolios Published in 1968 by the Letter Edged in Black Press. New York: Reinhold-Brown Gallery, 1988. Exhibition catalogue. (1988 New York Reinhold-Brown).

 

Reinholz 1997

Reinholz, Mary. “Lichtenstein Was In ‘Top Form’ at Time of Death, Colleagues Say.” Art Business News 24, no. 12 (November 1997), p. 8.

 

Reisner 1963

Reisner, Bob. “Entertainment.” Newsweek (April 1963), p. 9.

 

Renard 1983

Renard, Delphine. “Roy Lichtenstein.” Flash Art, no. 112 (May 1983), p. 73.

 

Reneman 1967

Reneman, Max. “Roy Lichtenstein: Het verminkte beeld.” De linie (Amsterdam) (1967), p. 9.

 

Restany 1963a

Restany, Pierre. “Le nouveau réalisme à la conquête de New York.” Art International 7, no. 1 (January 1963), pp. 29–36.

 

Restany 1963b

Restany, Pierre. “Le raz de marée aux USA.” Domus, no. 399 (February 1963), pp. 33–35.

 

Restany 1966a

Restany, Pierre. “Mechanische Malerei.” Das Kunstwerk 10, nos. 5–6 (February–March 1966).

 

Restany 1966b

Restany, Pierre. “Le pop-art: Un nouvel humanisme américain.” Aujourd’hui USA, nos. 55–56 (December 1966–January 1967), pp. 121–22.

 

Restany 1966c

Restany, Pierre. “Venezia 33 Biennale.” Domus, no. 441 (August 1966), pp. 37–48.

 

Restany 1967

Restany, Pierre. “Mechanische Malerei.” Das Kunstwerk 20, nos. 5–6 (February–March 1967), pp. 3–19.

 

Restany 1981

Restany, Pierre. “Cologne 1981: Le nouveau réalisme entre le néo-dada et le pop.” Art Press, no. 48 (May 1981), pp. 11–12.

 

Restany 1991

Restany, Pierre. “Artes magnus: Metafora dell’oggetto.” Arte in: Bimestrale di critica e d’informazione delle arti visive 4, no. 17 (September–October 1991), p. 72.

 

Reuther 1982

Reuther, L. “Roy Lichtenstein.” Frankfurter Rundschau, no. 90 (1982), p. 22.

 

Review 1962

“Arts Council Presents New Art Form—’Art 1963: A New Vocabulary’—Exhibit Opens October 25.” The Review: Young Men’s and Young Women’s Hebrew Association of Philadelphia 45, no. 33 (October 19, 1962), p. 1.

 

Rey 1983

Rey, J. D. “Lo real y sus sombras o el equívoco pintura-foto.” Cimal (TK), no. 18 (1983), pp. 9–16.

 

Richard 1988

Richard, Paul. “The Teeming Images of Roy Lichtenstein: At the Corcoran, a Delightful Retrospective.” Washington Post, September 27, 1988, C1–C2.

 

Richard 1997

Richard, Paul. “Art’s Comic Genius.” Washington Post, September 30, 1997, E1, E8.

 

E. Richardson 1993

Richardson, Elizabeth. “Those Lichtenstein Women.” Harper’s Bazaar 126, no. 3383 (October 1993), pp. 232–37.

 

J. Richardson 1966

Richardson, John Adkins. “Dada, Camp, and the Mode Called Pop.” Journal of Aesthetics and Art Criticism 24, no. 4 (Summer 1966), pp. 549–58.

 

J. Richardson 1992

Richardson, John Adkins. Art: The Way It Is. New York: Harry N. Abrams, 1992.

 

T. Richardson 1987

Richardson, Trevor. Contemporary American Collage, 1960–1986. Amherst, Mass.: Herter Art Gallery, University of Massachusetts, Amherst, 1987. Exhibition catalogue. (1987 Amherst Herter).

 

W. Richter and Weisweiler 1977

Richter, Wolfgang, and Hermann Weisweiler. Kunststadt Aachen. Cologne: Greven, 1977.

 

H. Richter 1982

Richter, Horst. “Eklektizistisches Museum moderne Kunst.” Weltkunst 52, no. 8 (April 15, 1982), p. 1069.

 

H. Richter 1998

Richter, Horst. Geschichte der Malerei im 20. Jahrhundert: Stile und Künstler. Cologne: DuMont, 1998.

 

K. Richter 2000

Richter, Klaus. Kunst der Moderne vom Impressionismus bis Heute. Prestel-Taschenlexikon. Munich: Prestel Verlag, 2000.

 

Rickert 1989

Rickert, Mathias. “Tobias Hirschmann.” Cimaise 36, no. 202 (September–October 1989), pp. 161–66.

 

Ricour 1970

Ricour, Monique. “Paris.” Art International 14, no. 5 (May 1970), pp. 69–72.

 

Riley 1992a

Riley, Charles A., II. “Interview/Entretien.” In Roy Lichtenstein, edited by Chantal Michetti-Prod’Hom and Asher B. Edelman with Susanne Hilpert, pp. 22–27. Pully/Lausanne: FAE Musée d’Art Contemporain, 1992. Exhibition catalogue. Translated from the English by Diana de Rham.

 

Riley 1992b

Riley, Charles A., II. “Speculations/Spéculations.” In Roy Lichtenstein, edited by Chantal Michetti-Prod’Hom and Asher B. Edelman with Susanne Hilpert, pp. 10–12. Pully/Lausanne: FAE Musée d’Art Contemporain, 1992. Exhibition catalogue.

 

Riley 1995a

Riley, Charles A., II. Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music, and Psychology. Hanover, N.H.: University Press of New England, 1995.

 

Riley 1995b

Riley, Charles A., II. “Roy Lichtenstein: The Spectrum of Speculation.” In Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music, and Psychology, pp. 185–93. Hanover, N.H.: University Press of New England, 1995.

 

Ríos 1991

Ríos, Julián. “Picasso, pintor y modelo (reflexiones sobre ‘Reflexiones sobre el pintor y su modelo’ de Roy Lichtenstein).” El paseante, nos. 18–19 (1991), pp. 32–33.

 

RISD 1964

Museum of Art, Rhode Island School of Design, Providence. Paintings and Constructions of the 1960’s Selected from the Richard Brown Baker Collection. Providence: Museum of Art, Rhode Island School of Design, 1964. Exhibition catalogue. (1964 Providence RISD).

 

RISD 1965

Museum of Art, Rhode Island School of Design, Providence. Contemporary Boxes and Wall Sculpture. Providence: Museum of Art, Rhode Island School of Design, 1965. Exhibition catalogue. (1965 Providence RISD).

 

RISD 1967

Museum of Art, Rhode Island School of Design, Providence. Exchange Exhibition, Exhibition Exchange: From the Collection of Rose Art Museum, Brandeis University; from the collection of the Museum of Art, Rhode Island School of Design, Providence. Providence: Museum of Art, Rhode Island School of Design; Waltham, Mass.:: Poses Institute of Fine Arts, Brandeis University, 1967. Exhibition catalogue. (1967 Providence RISD).

 

RISD 1971

Museum of Art, Rhode Island School of Design, Providence. Contemporary American Sculpture: Selection 2. Providence: Museum of Art, Rhode Island School of Design, 1971. Exhibition catalogue. (1971 Providence RISD).

 

RISD 1973

Museum of Art, Rhode Island School of Design, Providence. Selection III: Contemporary Graphics from the Museum’s Collection. Providence: Museum of Art, Rhode Island School of Design, 1973. Exhibition catalogue. (1973a Providence RISD).

 

RISD Bulletin 1970

“Twentieth Century.” Rhode Island School of Design Bulletin 56, no. 4 (Summer 1970), p. 46.

 

Roanoke Museum of Fine Arts 1990

Roanoke Museum of Fine Arts. The Common Wealth. Edited by Ruth Stevens Appelhof. Roanoke, Va.: Roanoke Museum of Fine Arts, 1990. (1990–91 Roanoke, Va. MFA).

 

Robbert et al. 1985

Robbert, Louise, et al. Amerikanskt 80-tal: Måleri, skulptur, textil: Neue Galerie, Sammlung Ludwig Aachen. Stockholm: Liljevalchs Konsthall, 1985. Exhibition catalogue. (1985 Stockholm Liljevalchs).

 

D. Robbins 1966

Robbins, Daniel. Recent Still Life. Providence: Museum of Art, Rhode Island School of Design, 1966. Exhibition catalogue. (1966a Providence RISD).

 

K. Robbins 2006

Robbins, Kadee, ed. The Kirk Varnedoe Collection. Savannah: Telfair Museum of Art, 2006. Exhibition catalogue. (2006 Savannah Telfair).

 

C. Roberts 1962

Roberts, Colette. “Lettre de New York.” Aujourd’hui: Art et architecture 6, no. 37 (June 1962), pp. 48–49.

 

C. Roberts 1964

Roberts, Colette. “Les expositions à New York.” Aujourd’hui: Art et architecture 8, no. 44 (January 1964), pp. 96–97.

 

C. Roberts 1966

Roberts, Colette. “Lettre de New York.” Aujourd’hui: Art et architecture 9, no. 52 (February 1966), p. 91.

 

C. Roberts 1967

Roberts, Colette. “Interview de Roy Lichtenstein.” Aujourd’hui: Art et architecture 10, nos. 55–56 (January 1967), pp. 123–27.

 

K. Roberts 1963

Roberts, Keith. “Current and Forthcoming Exhibitions: London.” The Burlington Magazine 105, no. 729 (December 1963), pp. 574–78.

 

K. Roberts 1968

Roberts, Keith. “Current and Forthcoming Exhibitions: London.” The Burlington Magazine 110, no. 779 (February 1968), pp. 107–8.

 

K. Roberts 1976a

Roberts, Keith. “Roy Lichtenstein and the Popular Image.” The Burlington Magazine 118, no. 880 (July 1976), p. 515.

 

K. Roberts 1976b

Roberts, Keith. “Roy Lichtenstein: The Mayor Gallery.” The Burlington Magazine 118, no. 880 (July 1976), p. 332.

 

A. Robertson and Strickland-Constable 1985

Robertson, Alexander, and Miranda Strickland-Constable. The Irresistible Object: Still Life, 1600–1985. Leeds, United Kingdom: Leeds City Art Galleries, 1985.

 

J. Robertson 1985a

Robertson, Jean. Roy Lichtenstein As Sculptor: Recent Works, 1977–1984. Columbus, Ohio: Columbus Museum of Art, 1985. Exhibition brochure. Unpaginated. (1985 Columbus Museum of Art).

 

J. Robertson 1985b

Robertson, Jean. Roy Lichtenstein As Sculptor: Recent Works, 1977–1984. Columbus, Ohio: Columbus Museum of Art, 1985. Exhibition brochure. Published for Gibbes Art Gallery and Spoleto Festival U.S.A., Charleston, S.C. Unpaginated. (1985 Columbus Museum of Art).

 

J. Robertson 1985c

Robertson, Jean. Roy Lichtenstein As Sculptor: Recent Works, 1977–1984. Columbus, Ohio: Columbus Museum of Art, 1985. Exhibition brochure. Published for Walker Art Center, Minneapolis, Minn. Unpaginated. (1985 Columbus Museum of Art).

 

J. Robertson 1985d

Robertson, Jean. Roy Lichtenstein As Sculptor: Recent Works, 1977–1984. Columbus, Ohio: Columbus Museum of Art, 1985. Exhibition brochure. Published for Contemporary Arts Museum, Houston, Tex. Unpaginated. (1985 Columbus Museum of Art).

 

E. Robinson 2011

Robinson, Edward. “Lambrecht/Lichtenstein.” In Roy Lichtenstein in His Studio, by Laurie Lambrecht, pp. 113–25. New York: Monacelli Press, 2011.

 

K. Robinson 1988

Robinson, Kate. “Lichtenstein and Pop.” Sunday Independent (CITY), February 14, 1988.

 

Rockman 1964

Rockman, Arnold. “Superman Comes to the Art Gallery.” Canadian Art 21, no. 1 (January–February 1964), pp. 18–22.

 

Rodríguez 1962

Rodríguez, Ida. “La cultura en México: ‘Nacimiento (y muerte) del ‘Nuevo realismo.'” Supplement to Siempre! (Mexico City), no. 71 (June 26, 1963), pp. 1–13.

 

Rodriguez 2001

Rodriguez, Jennifer Michele. “Tracing the Cultural Memory in the Rio Grande Valley: Mexican-American Dichos, Proverbs Interpreted through Art.” MFA thesis, University of Texas-Pan American, Edinburg, 2001.

 

Rogers 2001

Rogers, Pat. “Hamptons Art History Still Fresh.” Southampton [N.Y.] Press, June 28, 2001, B3, B10.

 

Rondeau 2012

Rondeau, James. “Pop Geometries.” In Roy Lichtenstein: A Retrospective, by Rondeau and Sheena Wagstaff, pp. 78–87. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

Rondeau and Sheena Wagstaff 2012

Rondeau, James, and Sheena Wagstaff. Roy Lichtenstein: A Retrospective. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue. (2012 Chicago Art Institute).

 

Ronte 1971

Ronte, Dieter, ed. Hurra!? Vom Unsinn des Krieges. Cologne: Wallraf-Richartz-Museum, 19971. Exhibition catalogue. (1971 Cologne Wallraf-Richartz).

 

Ronte 1982

Ronte, Dieter. Museum moderner Kunst, Palais Liechtenstein, Museum des 20. Jahrhunderts Wien. Braunschweig: Westermann Verlag, 1982.

 

Ronte 1983

Ronte, Dieter. Das Museum moderner Kunst in Wien und die Österreichische Ludwig-Stiftung: Internationale Kunst seit 1960. Budapest: Műcsarnok, 1983. Exhibition catalogue. (1983 Budapest Mücsarnok).

 

Rooks 1999

Rooks, Michael. “Roy Lichtenstein: Interiors.” In Roy Lichtenstein: Interiors, by Museum of Contemporary Art, Chicago, pp. 13–18. Chicago: Museum of Contemporary Art, 1999. Exhibition catalogue.

 

Rooks 2005

Rooks, Michael. “Inside Out, Outside in Roy Lichtenstein’s Interiors.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider, pp. 149–53 (unpaginated). Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue.

 

Ropac 1995a

Ropac, Thaddaeus, ed. The Muse? Transforming the Image of Woman in Contemporary Art: An Exhibition of the Galerie Thaddaeus Ropac and the Salzburg Festival 1995. Salzburg: Verlag Anton Pustet, 1995. Exhibition catalogue. Translated from the German by Elizabeth Mortimer and Gail Schamberger. (1995 Salzburg Ropac).

 

Ropac 1995b

Ropac, Thaddaeus, ed. Die Muse? Transforming the Image of Woman in Contemporary Art: Eine Ausstellung der Galerie Thaddaeus Ropac in Zusammenarbeit mit den Salzburger Festspielen 1995. Salzburg: Verlag Anton Pustet, 1995. Exhibition catalogue. (1995 Salzburg Ropac).

 

Ropac 1996

Galerie Thaddaeus Ropac, Salzburg. Picasso: A Contemporary Dialogue. Salzburg: Galerie Thaddaeus Ropac, 1996. Exhibition catalogue. (1996 Salzburg Ropac).

 

Rorimer 1974

Rorimer, Anne. Idea and Image in Recent Art. Chicago: Art Institute of Chicago, 1974. Exhibition catalogue. (1974 Chicago Art Institute).

 

Rorimer 1985

Rorimer, Anne. “Up and Down, In and Out, Step by Step, a Sculpture, a Work by Daniel Buren.” Museum Studies 11, no. 2 (spring 1985), pp. 148–49.

 

Rorimer 2004

Rorimer, Anne. New Art in the 60s and 70s: Redefining Reality. New York: Thames & Hudson, 2004.

 

Rosa 2017

Rosa, Joseph. Victors for Art: Michigan’s Alumni Collectors. Ann Arbor, MI: University of Michigan Museum of Art, 2017. Exhibition catalogue. (2017 Ann Arbor University of Michigan).

 

Rosc 1967

Rosc ’67. Dublin: Royal Dublin Society and National Museum, Dublin, 1967. Exhibition catalogue. (1967 Dublin National Museum).

 

Barbara Rose 1963a

Rose, Barbara. “Dada förr och nu.” Palatten 24, no. 1 (1963), pp. 7–12.

 

Barbara Rose 1963b

Rose, Barbara. “Dada Then and Now.” Art International 7, no. 1 (January 1963), pp. 22–28.

 

Barbara Rose 1963c

Rose, Barbara. “Pop Art at the Guggenheim.” Art International 7, no. 5 (May 25, 1963), pp. 20–22.

 

Barbara Rose 1964a

Rose, Barbara. “New York Letter.” Art International 8, no. 1 (February 1964), p. 41.

 

Barbara Rose 1964b

Rose, Barbara. “New York Letter.” Art International 8, no. 10 (December 1964), pp. 47–51.

 

Barbara Rose 1965

Rose, Barbara. “Pop in Perspective.” Encounter 25, no. 2 (August 1965), pp. 59–63.

 

Barbara Rose 1967

Rose, Barbara. American Art since 1900: A Critical History. New York: F. A. Praeger, 1967.

 

Barbara Rose 1968

Rose, Barbara, ed. Readings in American Art since 1900: A Documentary Survey. New York: F. A. Praeger, 1968.

 

Barbara Rose 1969a

Rose, Barbara. American Painting: The Twentieth Century. Cleveland: World, 1969.

 

Barbara Rose 1969b

Rose, Barbara. “Vogue’s Spotlight: Art.” Vogue 153, no. 4 (February 15, 1969), p. 54.

 

Barbara Rose 1971

Rose, Barbara. “Collecting Film-Art: Off the Canvas and into the Can.” Vogue 157, no. 6 (March 15, 1971), p. 74.

 

Barbara Rose 1973

Rose, Barbara. “Art: How to Know More Than What You Like.” New York Magazine 6, no. 33 (August 13, 1973), p. 53.

 

Barbara Rose 1974

Rose, Barbara. “1961 and All That.” New York Magazine 7, no. 13 (April 1, 1974), p. 73.

 

Barbara Rose 1975

Rose, Barbara. American Art Since 1900. New York: Praeger, 1975.

 

Barbara Rose 1979

Rose, Barbara. Roy Lichtenstein: Entablature Series. Cardiff: National Museum of Wales, 1979. Exhibition catalogue. (1979 Cardiff National Museum).

 

Barbara Rose 1986

Rose, Barbara. American Painting: The Twentieth Century. New York: Skira/Rizzoli, 1986.

 

Barbara Rose 1987

Rose, Barbara. The Barcelona Plazas: A Preview of an Urban Experience. New York: Spanish Institute, 1987. Exhibition catalogue. (1987 New York Spanish Institute).

 

Barbara Rose 1988

Rose, Barbara. Autocritique: Essays on Art and Anti-Art, 1963–1987. New York: Weidenfeld & Nicolson, 1988. Exhibition catalogue.

 

Barbara Rose and Sandler 1967

Rose, Barbara, and Irving Sandler. “Sensibility of the Sixties.” Art in America 55, no. 1 (January–February 1967), p. 45.

 

Bernice Rose 1976a

Rose, Bernice. Drawing Now. New York: Museum of Modern Art, 1976. Exhibition catalogue. (1976a New York MoMA).

 

Bernice Rose 1976b

Rose, Bernice. Zeichnung Heute/Drawing Now. Zurich: Kunsthaus Zürich, 1976. Exhibition catalogue. (1976a New York MoMA).

 

Bernice Rose 1977

Rose, Bernice. Drawing Now. Tel Aviv: Tel Aviv Museum, 1977. Exhibition catalogue. (1976a New York MoMA).

 

Bernice Rose 1988

Rose, Bernice. Roy Lichtenstein: Die Zeichnungen 1961–1986. Munich: Hirmer, 1988. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (1987a New York MoMA).

 

Bernice Rose 2014

Rose, Bernice. “Il disegno come ‘proiezione.'” In Roy Lichtenstein: Opera prima, by Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 54–199. Milan: Skira Editore, 2014. Exhibition catalogue.

 

Bernice Rose 2015

Rose, Bernice. “Drawing as ‘Projection.'” In Roy Lichtenstein: Drawing First. 50 Years of Works on Paper, Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 44–191. Milan: Skira Editore, 2015. Exhibition catalogue.

 

Rosenberg 1962

Rosenberg, Harold. “The Art Galleries: The Game of Illusion.” The New Yorker (November 24, 1962), pp. 161–62, 165–67.

 

Rosenberg 1964

Rosenberg, Harold. The Anxious Object: Art Today and Its Audience. New York: Horizon, 1964.

 

Rosenberg 1966

Rosenberg, Harold. “From Pollock to Pop: Twenty Years of Painting and Sculpture.” Holiday 39, no. 3 (March 1966), pp. 96–104, 136–40.

 

Rosenberg 1969a

Rosenberg, Harold. Artworks and Packages. New York: Delta, 1969.

 

Rosenberg 1969b

Rosenberg, Harold. “The Art World: Marilyn Mondrian.” The New Yorker (November 8, 1969), pp. 167–76.

 

Rosenberg 1972

Rosenberg, Harold. The De-definition of Art: Action Art to Pop to Earthworks. London: Secker and Warburg, 1972.

 

Rosenberg 1977

Rosenberg, Harold. Arte USA. Madrid: Fundación Juan March, 1977. (1977 Madrid Fundación March).

 

Rosenblum 1954

Rosenblum, Robert. “Roy F. Lichtenstein.” Art Digest 29, no. 10 (February 15, 1954), p. 22.

 

Rosenblum 1963a

Rosenblum, Robert. [no title]. In Lichtenstein, by Alain Jouffroy, Ellen H. Johnson, and Robert Rosenblum. Paris: Galerie Ileana Sonnabend, 1963. Exhibition catalogue. Unpaginated.

 

Rosenblum 1963b

Rosenblum, Robert. “Roy Lichtenstein and the ‘Realist’ Revolt/La rivolta ‘realista’ americana: Lichtenstein.” Metro, no. 8 (April 1963), pp. 38–45.

 

Rosenblum 1964

Rosenblum, Robert. “Pop Art and Non-Pop Art.” Art and Literature (Lausanne) 5 (Summer 1964), pp. 80–93.

 

Rosenblum 1966

Rosenblum, Robert. “Pop and Non-Pop: An Essay in Distinction.” Canadian Art 23, no. 1 (January 1966), pp. 50–54.

 

Rosenblum 1982

Rosenblum, Robert. “Roy Lichtenstein à Paris.” L’oeil, no. 328 (November 1982), pp. 40–45.

 

Rosenblum 1984

Rosenblum, Robert. The Tremaine Collection: 20th-Century Masters, the Spirit of Modernism. Hartford, Conn.: Wadsworth Atheneum, 1984. Exhibition catalogue.

 

Rosenblum 1989

Rosenblum, Robert. “Introduction.” In Roy Lichtenstein: “The Mirror Paintings”, by Mary Boone Gallery, New York, unpaginated. New York: Mary Boone Gallery, 1989. Exhibition catalogue.

 

Rosenblum 1991

Rosenblum, Robert. “Roy Lichtenstein: Past, Present, Future/Roy Lichtenstein: Passé, present, future.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 34–53.

 

Rosenblum 1999b

Rosenblum, Robert. On Modern American Art: Selected Essays. New York: Harry N. Abrams, 1999.

 

Rosenblum 2001

Rosenblum, Robert. “Roy Lichtenstein’s ‘Rhapsody in Black and White.'” In Roy Lichtenstein: Early Black and White Paintings, by Gagosian Gallery, New York, pp. 9–30. New York: Gagosian Gallery, 2001. Exhibition catalogue.

 

Rosenblum 2003

Rosenblum, Robert. “Roy Lichtenstein’s ‘Rhapsodie in Schwarz und Weiß.'” In Roy Lichtenstein, by Kunstforum Wien, pp. 11–15. Vienna: Kunstforum Wien; Wolfratshausen: Edition Minerva Hermann Farnung, 2003. Exhibition catalogue.

 

Rosenblum 2005

Rosenblum, Robert. “In the Car.” In Post-War and Contemporary Art Evening, November 8, 2005, by Christie’s New York, pp. 110–14. New York: Christie’s New York, 2005.

 

M. Rosenthal and Stuckey 1987

Rosenthal, Mark, and Charles F. Stuckey. A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop. Philadelphia: Fabric Workshop and Graduate School of Fine Arts, University of Pennsylvania, 1987. Exhibition catalogue. (1987 Philadelphia Fabric Workshop).

 

M. Rosenthal 1983

Rosenthal, Mark. “The Structured Subject in Contemporary Art: Reflections on Works in the Twentieth-Century Galleries.” Philadelphia Museum of Art Bulletin 79, no. 340 (Fall 1983), pp. 1–24.

 

M. Rosenthal 1995

Rosenthal, Mark. Critiques of Pure Abstraction. New York: Independent Curators Incorporated, 1995.

 

Rosenzweig 1980

Rosenzweig, Phyllis. The Fifties: Aspects of Painting in New York. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1980. Exhibition catalogue. (1980 Washington, D.C., Hirshhorn).

 

Rosing 1975a

Rosing, Larry. “Matisse and Contemporary Art.” Arts Magazine (New York) 49, no. 9 (May 1975), pp. 68–69.

 

Rosing 1975b

Rosing, Larry. “Roy Lichtenstein.” Arts Magazine (New York) 50, no. 4 (December 1975), p. 5.

 

Roslyn Harbor 1990

Nassau County Museum of Art, Roslyn Harbor, N.Y. Two Decades of American Art: The Sixties and Seventies. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 1990. Exhibition catalogue. (1990 Roslyn Harbor Nassau County Museum).

 

Ross 2012

Ross, Barbara. “A 4M Art Find.” Daily News (New York), August 1, 2012, p. 26.

 

Ross et al. 1996

Ross, Mairi, et al. Friends of Art and Preservation in Embassies Tenth Anniversary. Washington, D.C.: Friends of Art and Preservation in Embassies, 1996.

 

Rothkopf 2001

Rothkopf, Scott. “Varoom!” In Pop Art: The John and Kimiko Powers Collection, ed. Donald Kennison and Jessie Washburne-Harris, pp. 124–28. New York: Gagosian Gallery, 2001. Exhibition catalogue.

 

Rothkopf 2002

Rothkopf, Scott. “Yesterday’s Tomorrow.” In Roy Lichtenstein: Times Square Mural, by Roy Lichtenstein Foundation and Mitchell-Innes and Nash, New York. New York: Roy Lichtenstein Foundation and Mitchell-Innes and Nash, 2002. Exhibition catalogue.

 

Rotzler and Beyeler (Galerie) 1989

Rotzler, Willy, and Galerie Beyeler. Wege zur Abstraktion. Basel: Galerie Beyeler, 1989. Exhibition catalogue. (1989 Basel Galerie Beyeler).

 

Rotzler et al. 1970

Rotzler, Willy, et al. Das lebenslängliche Interview: Die Sammlung Erna und Curt Burgauer. Sankt Gallen: Erker Verlag, 1970.

 

Roudaille 1964

Roudaille, Georges. “Au XXe Salon de Mai: Le Pop Art tour nu.” Les lettres francaise, May 1964, p. 12.

 

Rousseau and Protais 2013

Rousseau, Éloi and Protais, Johann. Roy Lichtenstein. Paris: Larousse, 2013.

 

Rowell 1997

Rowell, Margit. Objects of Desire: The Modern Still Life. New York: Museum of Modern Art, 1997. Exhibition catalogue. (1997 New York MoMA).

 

Rowthorn 1995

Rowthorn, Chris. “Lichtenstein Aims for the Absurd.” Japan Times, November 18, 1995, p. 17.

 

Rubin Greenberg Van Doren 1999

Lawrence Rubin Greenberg Van Doren Fine Art. Roy Lichtenstein. New York: Lawrence Rubin Greenberg Van Doren Fine Art, 1999. Exhibition catalogue. Unpaginated. (1999 New York Rubin Greenberg Van Doren).

 

D. Rubin 1979

Rubin, David S. Black and White Are Colors: Paintings of the 1950s–1970s. Claremont: Montgomery Art Gallery, Pomona College, 1979. Exhibition catalogue. (1979 Claremont Montgomery).

 

S. Rubin 2008

Rubin, Susan Goldman. Whaam! The Art and Life of Roy Lichtenstein. New York: Abrams Books for Young Readers, 2008.

 

Rubinfien 1978

Rubinfien, Leo. “Report from Albany: ‘New York: The State of Art.'” Art in America 66, no. 2 (March 1978), pp. 70–71, 73.

 

Rublowsky 1965

Rublowsky, John (photographs by Ken Heyman). Pop Art: Images of the American Dream. New York: Basic Books, 1965.

 

Rudenstine 1988

Rudenstine, Angelica Zander. Modern Painting, Drawing, and Sculpture Collected by Emily and Joseph Pulitzer, Jr. Cambridge, Mass.: Harvard University Art Museums, 1988.

 

Rudikoff 1963

Rudikoff, Sonia. “New Realists in New York.” Art International 7, no. 1 (January 1963), pp. 39–41.

 

Ruhrberg 1979

Ruhrberg, Karl, ed. Handbuch Museum Ludwig: Kunst des 20. Jahrhunderts: Gemälde, Skulpturen, Collagen, Objekte, Environments. Cologne: Museum Ludwig, 1979.

 

Ruhrberg 1981

Ruhrberg, Karl. Neuerwerbungen, 1980–81. Cologne: Wallraf-Richartz-Museum and Museum Ludwig, 1981. Exhibition catalogue. (1981 Cologne Wallraf-Richartz).

 

Ruhrberg 1982

Ruhrberg, Karl. “Kunst über Kunst: Roy Lichtenstein.” Museen der Stadt Köln Bulletin, no. 2 (1982).

 

Ruhrberg 1986

Ruhrberg, Karl. Kunst im 20. Jahrhundert: Das Museum Ludwig, Köln. Stuttgart: Klett-Cotta, 1986.

 

Ruhrberg 1998

Ruhrberg, Karl, ed. Kunst des 20. Jahrhunderts. 2 vols. Cologne: Taschen, 1998.

 

Ruiz de la Mata 1966a

Ruiz de la Mata, Ernesto J. “Art: Pop Prints.” San Juan [Puerto Rico] Review 3, no. 4 (June 1966), pp. 41–44.

 

J. Russell and Gablik 1969a

Russell, John, and Suzi Gablik. Pop Art. London: Hayward Gallery, 1969. Exhibition catalogue. (1969 London Hayward).

 

J. Russell and Gablik 1969b

Russell, John, and Suzi Gablik, eds. Pop Art Redefined. London: Thames and Hudson, 1969.

 

D. Russell 1995

Russell, Danny. “You Know: He’s the ‘Brushstrokes’ Guy.” Other Paper (Columbus, Ohio), March 2–8, 1995, pp. 1, 3.

 

J. Russell 1968

Russell, John. “Zoom in on the Classics.” Sunday Times (London), January 14, 1968, p. 50.

 

J. Russell 1969a

Russell, John. “Art Moderne: Roy Lichtenstein, Pop No. 1.” Connaissance des arts, no. 212 (October 1969), pp. 19, 21, 23.

 

J. Russell 1969b

Russell, John. “Pop Reappraised.” Art in America 57, no. 4 (July–August 1969), pp. 78–89.

 

J. Russell 1969c

Russell, John. “Portfolio of Prints in Honor of Meyer Shapiro.” New York Times, October 26, 1974, p. 26.

 

J. Russell 1974a

Russell, John. “Art: Monumental Lichtenstein Works.” New York Times, November 2, 1974, p. 24.

 

J. Russell 1974b

Russell, John. “Art: Renoir, Working and Having Fun: His Attitudes Reflected in a Show of 59 Works.” New York Times, October 26, 1974, p. 21.

 

J. Russell 1974c

Russell, John. “Persistent Pop.” New York Times Magazine, July 21, 1974, pp. 6, 25–27, 30–34.

 

J. Russell 1975

Russell, John. The Great Divide 1950–70. New York: Museum of Modern Art, 1975.

 

J. Russell 1976

Russell, John. “American Artists Redefine America with Bold Strokes.” New York Times, November 7, 1976, sec. 2, pp. 1, 23.

 

J. Russell 1977

Russell, John. “Autobiography of a Car.” New York Times, August 19, 1977, p. C14.

 

J. Russell 1981a

Russell, John. “Art: Randy Stevens, Glittery Satirist.” New York Times, January 2, 1981, p. C21.

 

J. Russell 1981b

Russell, John. The Meanings of Modern Art. New York: Harper and Row, 1981.

 

J. Russell 1982

Russell, John. “Seeing More Than Just Fun in Lichtenstein.” New York Times, September 5, 1982, sec. 2, p. 17.

 

J. Russell 1983

Russell, John. “Lichtenstein Has Not Lost His Power to Provoke.” New York Times, December 18, 1983, sec. 2, p. 33.

 

J. Russell 1984

Russell, John. “Art: The Irony of de Chirico.” New York Times, April 27, 1984, p. C21.

 

J. Russell 1987a

Russell, John. “Art: The Huge Images of Gilbert and George.” New York Times, June 5, 1987, p. C24.

 

J. Russell 1987b

Russell, John. “Roy Lichtenstein and Ellsworth Kelly.” New York Times, June 5, 1987.

 

J. Russell 1987c

Russell, John. “A Show of Lichtenstein’s Gentle Drawings.” New York Times, March 13, 1987, C1, C28.

 

P. Russell 1967

Russell, Paul. “St. John: The New Brunswick Museum, Eleven Pop Artists, the New Image.” ArtsCanada, no. 24 (January 1967), 5 (supplement).

 

Rutgers 1996

Mason Gross School of the Arts, Rutgers, the State University of New Jersey, New Brunswick. 15 Degrees from Rutgers: Charting New Directions in Contemporary Art. New Brunswick, N.J.: Mason Gross School of the Arts, Rutgers, the State University of New Jersey, 1996. Exhibition brochure. (1996 New Brunswick, N.J., Mason Gross).

 

Ryan 1984

Ryan, David. The Pop Art Print. Fort Worth: Fort Worth Art Museum, 1984. Exhibition catalogue. (1984 Fort Worth Art Museum).

 

Rychlik 1991

Rychlik, Otmar. Alles rennet, rettet, flüchtet: Sport in der Kunst. Mürzzuschlag, Austria: Walter Buchebner-Gesellschaft, 1991. Exhibition catalogue. (1991 Mürzzuschlag Buchebner).

 

Rykwert 1968

Rykwert, Joseph. “Mostra a Londra.” Domus, no. 459 (February 1968), p. 31.

 

Saarinen 1963

Saarinen, Aline B. “Explosion of Pop Art.” Vogue 141, no. 8 (April 15, 1963), pp. 86–87, 134, 136, 142.

 

Sachs 1963

Sachs, Samuel, II. A New Realist Supplementary. Ann Arbor: Michigan, 1963. Exhibition brochure. (1963 New York Guggenheim).

 

Sachs 1998

Sachs, Sid. Pop Abstraction. Philadelphia: Museum of American Art of the Pennsylvania Academy of the Fine Arts, 1998. Exhibition brochure. (1998 Philadelphia PAFA).

 

Saff 1986

Saff, Donald. Roy Lichtenstein: New Prints and Sculptures from Graphicstudio Published by Graphicstudio and Waddington Graphics. [Stockholm]: Wetterling Gallery, 1989. Exhibition catalogue. Unpaginated. (1989 Gothenburg Wetterling).

 

Saff Tech Arts and Knoedler 1992

Saff Tech Arts, Oxford, Md., and Knoedler and Company, New York. Roy Lichtenstein: Water Lilies. Oxford, Md.: Saff Tech Arts; New York: Knoedler and Co. 1992. Exhibition catalogue. Unpaginated. (1992b Chicago Gray).

 

Sag Harbor Express 2014

“Lichtenstein Outside The Parrish.” The Sag Harbor Express, April 10, 2014, p. B3.

 

Saint-Roch 1991

Musée Saint-Roch, Issoudun, France. Roy Lichtenstein: Panorama de l’oeuvre gravé. Issoudun, France: Musée Saint-Roch, 1991. Exhibition catalogue. (1991 Paris Grand Palais).

 

Salle 2009

Salle, David. “Roy Lichtenstein.” In Art at Colby: Celebrating the Fiftieth Anniversary of the Colby College Museum of Art, by Colby College Museum of Art, Waterville, Maine. Waterville, Maine: Colby College Museum of Art, 2009.

 

Salle 2010

Salle, David. “Roy Lichtenstein’s Reflection Paintings.” In Roy Lichtenstein Reflected, by Mitchell-Innes and Nash, pp. 7–14. New York: Mitchell-Innes and Nash, 2010. Exhibition catalogue.

 

Salle 2018

Salle, David. How to see: looking, talking, and thinking about art. New York: W.W. Norton.

 

Salus 2006

Salus, Carol. “Roy Lichtenstein: Mosaicist, 1950s and 1990s.” Ceramics: Art and Perception (Sydney), no. 66 (December 2006), pp. 77–82.

 

Salus 2008

Salus, Carol. “The Self-Portraits of Roy Lichtenstein: Some Reflections and Re-Definitions.” The International Journal of the Arts in Society (Melbourne) 2, no. 4 (2008), pp. 89–97.

 

Salvador Dalí Museum 2005

Salvador Dalí Museum, St. Petersburg, Fla. Pollock to Pop: America’s Brush with Dalí. St. Petersburg, Fla.: Salvador Dalí Museum Editions, 2005. Exhibition catalogue. (2005 St. Petersburg, Fla., Dalí).

 

Salvi 1982

Salvi, Sergio. “Gutenberg e Lichtenstein.” In Roy Lichtenstein 1970–1980, by Jack Cowart. Translated from the English by Stefania Coppi, pp. 13–15. Florence: Electa, 1982.

 

Salvi, Becker, and Pedrini 1987

Salvi, Sergio, Wolfgang Becker, and Enrico Pedrini. Pop Art, America Europa, dalla Collezione Ludwig. Milan: Electa, 1987. Exhibition catalogue. (1987 Florence Forte di Belvedere).

 

Salzillo 1982

Salzillo, William. Drawings, Watercolors, and Prints by Contemporary Masters. Clinton, N.Y.: Root Art Center, Hamilton College, 1982. Exhibition catalogue. (1982 Clinton Root).

 

San Diego 1990

San Diego Museum of Contemporary Art, La Jolla. San Diego Museum of Contemporary Art: Selections From the Permanent Collection. La Jolla: San Diego Museum of Contemporary Art, 1990. Exhibition catalogue. (1990 Durham, N.C., Duke).

 

San Diego State University 1980

University Gallery, San Diego State University. Selections from the Michael Crichton Collection. San Diego: University Gallery, San Diego State University, 1980. Exhibition catalogue. (1980 San Diego State University).

 

San Francisco 1968

San Francisco Museum of Art. Untitled, 1968*. San Francisco: San Francisco Museum of Art, 1968. Exhibition catalogue. (1968 San Francisco Museum of Art).

 

San Francisco 1973

San Francisco Museum of Art. A Selection of American and European Paintings from the Richard Brown Baker Collection. San Francisco: San Francisco Museum of Art, 1973. Exhibition catalogue. (1973 San Francisco Museum of Art).

 

San Francisco 1982

San Francisco Museum of Modern Art. The Works of Edward Ruscha. New York: Hudson Hills Press in association with the San Francisco Museum of Modern Art, 1982. Exhibition catalogue.

 

San Francisco Art Institute 1966

San Francisco Art Institute. The Current Moment in Art. San Francisco: San Francisco Art Institute, 1966.

 

San Francisco Examiner 1967b

“There’s New POWer in POP Creations.” San Francisco Examiner and News, April 17, 1967.

 

Sanches 2000

Sanches, Rui. Um olhar sobre a Colecção Berardo/A Look at the Berardo Collection. Cadernos do museu 1. Sintra: Sintra Museu de Arte Moderna, Colecção Berardo, 2000. Exhibition catalogue. (2000a Sintra Museu).

 

Sandberg 1967

Sandberg, John. “Some Traditional Aspects of Pop Art.” Art Journal 26, no. 3 (Spring 1967), pp. 228–33, 245.

 

Sandler 1962a

Sandler, Irving. “In the Art Galleries.” New York Post, February 18, 1962.

 

Sandler 1962b

Sandler, Irving. “In the Art Galleries.” New York Post, November 18, 1962.

 

Sandler 1962c

Sandler, Irving. “In the Art Galleries.” New York Post, December 2, 1962.

 

Sandler 1963

Sandler, Irving. “In the Art Galleries.” New York Post, October 6, 1963.

 

Sandler 1965

Sandler, Irving. “The New Cool-Art.” Art in America 53, no. 1 (February 1965), pp. 96–101.

 

Sandler 1978

Sandler, Irving. The New York School: The Painters and Sculptors of the Fifties. New York: Harper and Row, 1978.

 

Sandler 1988

Sandler, Irving. American Art of the 1960s. New York: Harper and Row, 1988.

 

Sanford 1962

Sanford, Robert K. “Art and Artists: Which Way Is Modern Art Going? Hold Your Breath and Watch the Soup Cans.” Kansas City Star, October 21, 1962, sec. D, pp. 1–2.

 

Sanford 1963

Sanford, Robert K. “Round and Round, Pop Goes the Art.” Kansas City Star, April 28, 1963, p. G4.

 

Sansegundo 2006

Sansegundo, Sheridan. “Roy Lichtenstein: Radical Works, Quiet Life.” East Hampton [N.Y.] Star, November 16, 2006.

 

Santa Barbara Museum of Art 1967

Santa Barbara Museum of Art. Three Young Collections: Selections from the Collections of Donald and Lynn Factor, Dennis and Brooke Hopper, André and Dory Previn. [Santa Barbara: Santa Barbara Museum of Art, 1967]. Exhibition catalogue. (1967 Santa Barbara Museum of Art).

 

Sarah Lawrence Gallery 1977

Sarah Lawrence Gallery, Sarah Lawrence College, Bronxville, N.Y. Ferrara, Lichtenstein, Nevelson, Ryman. Bronxville, N.Y.: Sarah Lawrence Gallery, Sarah Lawrence College, 1977. Exhibition catalogue. (1977 Bronxville Sarah Lawrence).

 

Sarajas-Korte 1969

Sarajas-Korte, Salme. Ars 69 Helsinki. Helsinki: Ateneumin Taidemuseo, 1969. Exhibition catalogue. (1969 Helsinki Ateneumin).

 

Sauderländer 2005

Sauderländer, Katrin, ed. Karl Ströher: Eine Sammlergeschichte. Frankfurt am Main: Revolver, 2005.

 

Sauré 1965

Sauré, Wolfgang. “Marzotto-Skandal, Yves Klein, Warhol, und Lichtenstein: Ausstellungen in Paris.” Das Kunstwerk 19, no. 2 (August 1965), pp. 28, 37.

 

Sausset 2007

Sausset, Damien. “Juin, le mois de l’art contemporain.” Connaissance des arts, no. 650 (June 2007), pp. 48–60.

 

Sauvage 1962

Sauvage, Tristan (Arturo Schwarz), ed. International Anthology of Contemporary Engraving. Vol. 5, The International Avant-Garde: America Discovered. Milan: Galleria Schwarz, 1962.

 

Sawin 1957

S[awin], M[artica]. “Roy Lichtenstein.” Arts Magazine (New York) 31, no. 4 (January 1957), p. 52.

 

Scene 1962

“The Art of Lichtenstein.” Scene (New York) 8, no. 4 (August 1962), pp. 41–43.

 

Schaff 1980

Schaff, David. “A Conversation with Roy Lichtenstein.” Art International 23, no. 9 (January–February 1980), pp. 28–38.

 

Schall 2000

Schall, Jan, ed. Tempus Fugit: Time Flies. Kansas City, Mo.: Nelson-Atkins Museum of Art, 2000. Exhibition catalogue. (2000 Kansas City Nelson-Atkins).

 

Schenck 1973

Schenck, Axel. Künstlerlexikon: Biographien der großen Maler, Bildhauer und Baumeister. Vol. 1. Reinbek bei Hamburg: Rowohlt Taschenbuch-Verlag, 1973.

 

Schepers 1984

Schepers, Heiner, ed. Pop Art: Roy Lichtenstein, Claes Oldenburg, James Rosenquist, Andy Warhol, Tom Wesselmann, Mel Ramos, Ed Ruscha. Lingen, Germany: Kunstverein Lingen, 1984. Exhibition catalogue. (1984 Lingen Wilhelmshöhe).

 

Scheps 1995

Scheps, Marc, ed. Unser Jahrhundert: Menschenbilder, Bilderwelten. Munich: Prestel Verlag, 1995. Exhibition catalogue. (1995 Cologne Ludwig).

 

Scherr 2001

Scherr, Apollinaire. “Lichtenstein’s Strokes of Irony and Genius.” Art and Auction 23 (December 2001), p. 148.

 

Schickel 1964

Schickel, Richard. “A Hole-in-the-Head View of America.” Book Week, New York Herald Tribune, February 23, 1964, pp. 4, 8.

 

Schiffrin 1993

Schiffrin, Anya. “El Guggenheim revisa el arte pop de Lichtenstein, a los 30 años de su eclosión.” La vanguardia (Barcelona), October 10, 1993, p. 54.

 

Schjeldahl 1971

Schjeldahl, Peter. “The Artist for Whom ‘Style’ Is All.” New York Times, March 21, 1971, p. B21.

 

Schjeldahl 1991

Schjeldahl, Peter. “The Knight/Le Chevalier.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 54–69.

 

Schjeldahl 1997

Schjeldahl, Peter. “His Royness: Roy Lichtenstein, 1923–1997.” Village Voice (New York), October 21, 1997, p. 101.

 

Schjeldahl 1999

Schjeldahl, Peter. “The Art World: All That Jazz.” The New Yorker (October 18 and 25, 1999), pp. 244, 246, 249.

 

Schjeldahl 2001

Schjeldahl, Peter. “The Art World: Lucky Strokes: A Luminous Show of Lichtensteins.” The New Yorker (November 19, 2001), pp. 86–87.

 

Schlanger 1966

Schlanger, Jeff. “Ceramics and Pop: Roy Lichtenstein.” Craft Horizons 26, no. 1 (January–February 1966), pp. 42–43.

 

Schlocker 1975

Schlocker, Georges. “Roy Lichtenstein auf der Suche nach der Identität.” Tages-Anzeiger (Zurich), January 24, 1975, p. 21.

 

Schmahmann 1987

Schmahmann, Brenda Lynn. “Roy Lichtenstein’s Critique of Modernist Theories: The Post-1960 Works.” MA thesis, University of the Witwatersrand, Johannesburg, 1987.

 

Schmahmann 1988a

Schmahmann, Brenda. “The Drawings of Roy Lichtenstein.” De arte (Pretoria) 37 (April 1988), pp. 100–101.

 

Schmahmann 1988b

Schmahmann, Brenda. “‘Parody’ and ‘Satire’ in the Works of Roy Lichtenstein.” The South African Journal of Cultural and Art History 2, no. 2 (April 1988), pp. 129–34.

 

Schmahmann 1988c

Schmahmann, Brenda. “Roy Lichtenstein’s Critique of Modernism.” De arte (Pretoria) 37 (April 1988), pp. 50–57.

 

Schmahmann 1989

Schmahmann, Brenda. “Dialogues, Debates and Disputes: Early Responses to American Pop Art.” De arte (Pretoria) 39 (April 1989), pp. 24–31.

 

Schmahmann 1990a

Schmahmann, Brenda. “Loplop As Pop: Bird Imagery in Roy Lichtenstein’s ‘Surrealist’ and ‘Amerind/Surreal’ Works.” Paper submitted to History Department, University of the Witswaterstand, Johannesburg, January 1990.

 

Schmahmann 1990b

Schmahmann, Brenda. “Loplop As Pop: Bird Imagery in Roy Lichtenstein’s ‘Surrealist’ and ‘Amerind/Surreal’ Works.” The South African Journal of Art and Architectural History 1, no. 3 (September 1990), pp. 98–105.

 

Schmahmann 1990c

Schmahmann, Brenda. “Pop Prints of the 1970s.” The South African Journal of Art and Architectural History 1, no. 3 (September 1990), pp. 118–20.

 

Schmahmann 1991

Schmahmann, Brenda. Loplop As Pop: Bird Imagery in Roy Lichtenstein’s ‘Surrealist’ and ‘Amerind/Surreal’ Works. Johannesburg: University of the Witwatersrand, 1991.

 

Schmahmann 1992

Schmahmann, Brenda. “Roy Lichtenstein’s Critique of Modernist Theories: The Comic Book Paintings.” Acta varia 2 (1992), pp. 88–100.

 

Schmahmann 2013

Schmahmann, Brenda. “A Brush with Expression: Roy Lichtenstein’s Interchanges with Modernism.” In Lichtenstein: Expressionism, by Gagosian Gallery, Paris, pp. 12–16. Paris: Gagosian Gallery, 2013. Exhibition catalogue.

 

Schmalenbach 1974

Schmalenbach, Werner. Picasso to Lichtenstein: Masterpieces of Twentieth-Century Art from the Nordrhein-Westfalen Collection in Düsseldorf. London: Tate Gallery, 1974. Exhibition catalogue. (1974 London Tate).

 

Schmalenbach 1986

Schmalenbach, Werner. Bilder des 20. Jahrhunderts: Die Kunstsammlung Nordrhein-Westfalen, Düsseldorf. Munich: Prestel Verlag, 1986.

 

Schmalenbach 1990

Schmalenbach, Werner. Masterpieces of Twentieth-Century Art from the Kunstsammlung Nordrhein-Westfalen, Düsseldorf. Munich: Prestel Verlag, 1990.

 

K. Schmidt and Ursprung 1999

Schmidt, Katharina, and Philip Ursprung, eds. White Fire, Flying Man: Amerikanische Kunst 1959–1999 in Basel: Werke aus der Öffentlichen Kunstsammlung Basel und der Emanuel Hoffmann-Stiftung. Basel: Öffentliche Kunstsammlung Basel, 1999. Exhibition catalogue.

 

D. Schmidt 1968

Schmidt, Dana Adams. “Lichtenstein Whaams London with Retrospective at the Tate.” New York Times, January 28, 1968, p. 64.

 

Schmied 1968

Schmied, Wieland. “Notizen zu Roy Lichtenstein.” In Roy Lichtenstein, Tate Gallery, London, pp. 49–50. Herford: Bussesche Verlagshandlung, 1968. Exhibition catalogue.

 

Schmied 1968

Schmied, Wieland. “Notizen zu Roy Lichtenstein.” In Roy Lichtenstein, Kestner-Gesellschaft, Hannover, pp. 5–9. Hannover: Kestner-Gesellschaft, 1968. Exhibition catalogue.

 

Schmied 1975

Schmied, Wieland. Roy Lichtenstein: Zeichnungen. Berlin: Nationalgalerie, Staatliche Museen Preussischer Kulturbesitz, 1975. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (1975 Paris CNAC).

 

Schmied et al. 2004

Schmied, Wieland, et al. Harenberg Museum der Malerei: 525 Meisterwerke aus sieben Jahrhunderten. Mannheim: Bibliographisches Institut, 2004.

 

A. Schneider and Langner 1993

Schneider, Angela, and Christian Langner. Wege der Moderne: Die Sammlung Beyeler. Berlin: Staatliche Museen zu Berlin, Preussischer Kulturbesitz, 1993. Exhibition catalogue. (1993 Berlin Nationalgalerie).

 

E. Schneider 2005a

Schneider, Eckhard. “Classic of the New.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider, pp. 11–13. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue.

 

E. Schneider 2005b

Schneider, Eckhard, ed. Roy Lichtenstein: Classic of the New. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue. (2005 Bregenz Kunsthaus).

 

E. Schneider 2005c

Schneider, Eckhard, ed. Roy Lichtenstein: Klassik des Neuen. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue. (2005 Bregenz Kunsthaus).

 

P. Schneider 1963

Schneider, Pierre. “Biennale: Le Pop art à Paris.” L’Express (Paris) (October 10, 1963).

 

Schnitzer Museum of Art 2009

Jordan Schnitzer Museum of Art, University of Oregon. Lasting Legacies: The First 75 Years, Selections from the Collection of the Jordan Schnitzer Museum of Art. Eugene, Ore.: Jordan Schnitzer Museum of Art, University of Oregon, 2009. Exhibition catalogue. (2009 Eugene Schnitzer).

 

Schoener 1963

Schoener, Allon T. An American Viewpoint, 1963. Cincinnati: Contemporary Arts Center, 1963. Exhibition catalogue. (1963 Cincinnati CAC).

 

Scholastic 1984a

Scholastic. “A New Way of Seeing.” Art & Man 14, no. 6 (April–May 1984), pp. 2–5.

 

Scholastic 1984b

Scholastic. “Reclining Figure by Roy Lichtenstein: Art and Man Masterpiece of the Month No. 6.” Art and Man 14, no. 6 (April–May 1984), pp. 8–10.

 

Scholz–Wanckel [1965]

Scholz-Wanckel, Katharina. Pop Import: Eine selektive Abhandlung über Pop Artisten. Hamburg: Matari Verlag, [1965].

 

Schrage 1986

Schrage, Dieter, ed. Standards: Malerei im 20. Jahrhundert vorgestellt von der Österreichischen Ludwig-Stiftung für Kunst und Wissenschaft. Salzburg: Österreichische Ludwig-Stiftung für Kunst und Wissenschaft, 1986. Exhibition catalogue. (1986 Salzburg Festspielhaus).

 

Schrey 1982

Schrey, W. G. “Ein ‘neuer’ Lichtenstein in der Kunsthalle.” Köln im… (April 1982).

 

Schröder 2005

Schröder, Karo. Roy Lichtenstein. Aachen: Flotainment, 2005.

 

Schug 1992

Schug, Albert. Die Kunst unseres Jahrhunderts. Cologne: Naumann and Göbel, 1992.

 

Schulze 1963

Schulze, Franz. “On Modern American Painting.” Apollo (London) 78, no. 20 (October 1963), pp. 274–80.

 

Schulze 1977

Schulze, Franz. “Pop Art without Zowie: Lichtenstein’s New Cool.” Chicago Daily News, February 5–6, 1977, Panorama sec., p. 12.

 

Schuyler 1957

S[chuyler], J[ames]. “Roy F. Lichtenstein.” ARTnews 55, no. 10 (February 1957), p. 12.

 

Schuyler 1974

Schuyler, James. “Roy Lichtenstein at Castelli.” Art in America 62, no. 6 (November–December 1974), pp. 117–18.

 

Schwabsky 1987

Schwabsky, Barry. “Roy Lichtenstein.” Flash Art, no. 135 (summer 1987), p. 97.

 

Schwabsky 1996

Schwabsky, Barry. “Distinguished Alumni Help Rutgers Inaugurate Its New Arts Center.” New York Times, March 3, 1996, p. 7.

 

Schwabsky 2000

Schwabsky, Barry. “The Aesthetics of Comics. By David Carrier.” Art on Paper 5, no. 2 (November–December 2000), pp. 94–95.

 

C. Schwartz and Perrell 1999

Schwartz, Constance, and Franklin Hill Perrell. Contemporary American Masters: The 1960s. Roslyn Harbor: Nassau County Museum of Art, 1999. Exhibition catalogue. (1999 Roslyn Harbor Nassau County Museum).

 

C. Schwartz and Perrell 2008

Schwartz, Constance, and Franklin Hill Perrell. Pop and Op. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 2008. Exhibition catalogue. (2008 Roslyn Harbor Nassau County Museum).

 

C. Schwartz 1993

Long Island Collections: The Guilded Age to the 1990s. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 1993. Exhibition catalogue. (1993 Roslyn Harbor Nassau County Museum).

 

P. Schwartz 1965

Schwartz, Paul Waldo. “New Turn in Course of Pop Art.” New York Times International Edition, June 15, 1965.

 

P. Schwartz 1968

Schwartz, Paul. “Anti-Humanism in Art.” Studio International 175, no. 899 (April 1968), pp. 168–69.

 

Schweitzer 1994

Schweitzer, Hermann F. “Denkmal, denk mal, Anti-Denkmal: Ein Rundgang durch das Museum Ludwig in Köln.” Kunst und Unterricht, no. 184 (1994), pp. 16–21.

 

Schwendener 2012

Schwendener, Martha. “It’s the ’60s; Detach Yourself.” New York Times, January 13, 2012, p. C34.

 

Scogin 2001

Scogin, Hugh T., Jr. Rocks and Art: Nature Found and Made. New York: Chambers Fine Art, 2001. Exhibition catalogue. (2002 New York Chambers).

 

Scott 1989

Scott, David. The Modern Art Collection: Trinity College, Dublin. Dublin: Trinity College Press, 1989.

 

Scott-James 1968

Scott-James, Anne. “Nice Money.” Daily Mail (London), January 11, 1968.

 

Sebök 1981

Sebök, Zoltán. “Pop Art and Pop Press Kitsch: The Comic-Strip Paintings of Roy Lichtenstein.” Interpress Grafik (Budapest), no. 4 (1981), pp. 64–68, 73–80.

 

Seckel-Klein et al. 1977

Seckel-Klein, Hélène, et al. Paris–New York. Paris: Musée National d’Art Moderne, Centre National d’Art et de Culture Georges Pompidou, 1977. Exhibition catalogue. (1977 Paris MNAM).

 

Seckler 1962

Seckler, Dorothy Gees. “Folklore of the Banal.” Art in America 50, no. 4 (Winter 1962), pp. 56–61.

 

Sefton 1965

Sefton, Douglas. “Making the Scene: 2G, 3G, Pop Goes the Easel! The Artists Think It’s All in Fun.” Daily News (New York), August 4, 1965, p. 40.

 

Segato 1980

Segato, G. “L’aggressività visiva: La pop art.” D’ars 21, no. 94 (December 1980), pp. 46–53.

 

Seiberling 1964

Seiberling, Dorothy (photographs by John Loengard). “Is He the Worst Artist in the U.S.?” Life 56, no. 5 (January 31, 1964), pp. 79–81, 83.

 

Seibu 1988

Seibu Museum of Art, Karuizawa, Japan. Contemporary American Art. Seoul: Ho-Am Gallery; Karuizawa, Japan: Seibu Museum of Art, 1988. Exhibition catalogue. (1988 Seoul Ho-Am).

 

Seidel et al. 2017

Seidel, Stephanie, et al. The Everywhere Studio. Miami, Fla.: Institute of Contemporary Art; Munich: Del Monico Books-Preste, 2017. Exhibition catalogue.

 

Seidner 1993

Seidner, David. “Roy Lichtenstein.” Vogue (Paris), no. 739 (September 1993), pp. 210–15.

 

Seitz 1992

Seitz, William C. Art in the Age of Aquarius, 1955–1970. Washington, D.C.: Smithsonian Institution Press, 1992.

 

Seitz and Goodrich 1967

Seitz, William C., and Lloyd Goodrich. São Paulo 9: United States of America/Estados Unidos da America. Washington, D.C.: Smithsonian Institution Press for the National Collection of Fine Arts, 1967. Exhibition catalogue. (1967 São Paulo Bienal).

 

Seldis 1963

Seldis, Henry J. “The ‘Pop’ Art Trend: This, Too, Will Pass.” Los Angeles Times, Calendar, August 4, 1963, p. 3.

 

Seldis 1967a

Seldis, Henry J. “The Pontificator of Pop.” Los Angeles Times, Calendar, April 30, 1967, p. 34.

 

Seldis 1967b

Seldis, Henry J. “Roy Lichtenstein: ‘Pop’ Formalist.” Los Angeles Times, Calendar, April 23, 1967, p. 34.

 

Seldis 1968a

Seldis, Henry J. “Lichtenstein Art in New Direction.” Los Angeles Times, Part IV, April 22, 1968, p. 13.

 

Seldis 1968b

Seldis, Henry J. “Many Mini Things at Lytton Center.” Los Angeles Times, Part IV, January 5, 1968, p. 6.

 

Seldis 1971a

Seldis, Henry J. “Artists, Industry Meet in a Catalytic Confrontation.” Los Angeles Times, Calendar, May 9, 1971, p. 46.

 

Seldis 1971b

Seldis, Henry J. “County Museum Exhibit Mates Art and Technology.” Los Angeles Times, Calendar, May 16, 1971, pp. 1, 47, 50.

 

Seldis 1975

S[eldis]., H[enry]. J. “Art Walk.” Los Angeles Times, April 18, 1975, sec. 4, p. 11.

 

Selvig 1968

Selvig, Forrest Hall. “Whitney Annual: Sculpture 1968.” Arts Magazine (New York) 43, no. 3 (December 1968–January 1969), pp. 25–27.

 

Selz 1963a

Selz, Peter. “Pop Goes the Artist.” Partisan Review 30 (Summer 1963), pp. 313–16.

 

Selz 1963b

Selz, Peter. “A Symposium on Pop Art.” Arts Magazine (New York) 37, no. 7 (April 1963), pp. 36–45.

 

Selz 1966

Selz, Peter. Seven Decades, 1895–1965: Crosscurrents in Modern Art. New York: Public Education Association, 1966. Exhibition catalogue. (1966 New York Cordier and Ekstrom).

 

Selz 1970

Selz, Peter. American Painting 1970. Richmond: Virginia Museum, 1970. Exhibition catalogue. (1970 Richmond, Va., VMFA).

 

Selz 1981

Selz, Peter. Art in Our Times: A Pictorial History, 1890–1980. New York: Harry N. Abrams, 1981.

 

Senouf 1997

Senouf, Yan. “Connecting with Dots: New Perspective on Lichtenstein at MFA.” Patriot Ledger (Quincy, Mass.), March 29, 1997, p. 29.

 

Sensoy 2013

Şensoy, Sara. “Dorothy Lichtenstein.” Bone Magazine (Istanbul) (May 2013), pp. 62–66.

 

Serafini 2000

Serafini, Giuliano. Lichtenstein. Florence: Giunti, 2000.

 

Serraller 2007

Serraller, Francisco Calvo. “Roy Lichtenstein: La infinita complejidad de lo simple.” Galeria Antiqvaria, no. 258 (2007), pp. 34–38.

 

Services Culturel Américains 1976

Services Culturel Américains, en France, Paris. USA: 40 Affiches 1966–75. Paris: Services Culturel Américains en France, 1976. Exhibition catalogue. (1976 Paris Services Culturel Américains).

 

Severinghaus, Dorothy Miller, and Rosenblum 1984

Severinghaus, J. Walter, Dorothy C. Miller, and Robert Rosenblum. Art at Work: The Chase Manhattan Collection. Edited by Marshall Lee. New York: E. P. Dutton in association with the International Archive of Art, 1984.

 

Seward 1963

Seward, George R. “Editor’s Letters.” ARTnews 62, no. 6 (October 1963), p. 6.

 

Sezon Museum of Art 1998

Sezon Museum of Art, Tokyo. Pop Art Spirits: Masterpieces from the Ludwig Collection. Tokyo: Sezon Museum of Art, 1998. Exhibition catalogue. (1998 Tokyo Sezon).

 

Sezon, Hyogo Prefectural Museum, and Asahi Shimbun 1991

Sezon Museum of Art; Hyogo Prefectural Museum of Modern Art, Kobe; and Division of Cultural Projects, Asahi Shimbun. Geijutsu to kōkoku ten zuroku/Art et Publicité. Tokyo: Asahi Shinbun, 1991. Exhibition catalogue. (1991 Tokyo Sezon).

 

Shafrazi 2009

Shafrazi, Tony, ed. Dennis Hopper: Photographs 1961–1967. Cologne: Taschen, 2009.

 

Shafrazi Gallery 1990

Tony Shafrazi Gallery, New York. American Masters of the 60’s: Early and Late Works. New York: Tony Shafrazi Gallery, 1990. Exhibition catalogue. (1990 New York Shafrazi).

 

B. Shapiro 1972

Shapiro, Barbara Stern. “Reviews and Previews: Roy Lichtenstein.” ARTnews 71, no. 1 (March 1972), p. 18.

 

B. Shapiro 1977

Shapiro, Barbara Stern. Drawings for Outdoor Sculpture: 1946–1977. New York: John Weber Gallery, 1977. Exhibition catalogue. (1977 New York Weber).

 

B. Shapiro 1997

Shapiro, Barbara Stern. Roy Lichtenstein: Landscapes in the Chinese Style. Boston: Museum of Fine Arts, 1997. Exhibition brochure. (1997 Boston MFA).

 

D. Shapiro 1990

Shapiro, David. “Intervista del 1980.” In Lichtenstein: La grafica, edited by Nina Sundell, pp. 43–49. Milan: Electa, 1990. Exhibition catalogue.

 

D. Shapiro 1991

Shapiro, David. “The Unbearable Lightness of Roy Lichtenstein/L’insoutenable légèreté de Roy Lichtenstein.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 132–49.

 

M. Shapiro 1986

Shapiro, Michael Edward. “Twentieth-Century American Sculpture.” St. Louis Art Museum Bulletin 18, no. 2 (Winter 1986), pp. 1–40.

 

Sharpless 1964

Sharpless, Ti-Grace. The Atmosphere of ’64. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1964. Exhibition catalogue. (1964 Philadelphia ICA).

 

Shearer 2013

Shearer, Christine Fowler. “Joseph O’Sickey: A Life of Art.” In Joseph O’Sickey: Unifying Art, Life and Love, by Shearer and Steven Litt, pp. 15–29. Canton, Ohio: Canton Museum of Art, 2013. Exhibition catalogue.

 

Shearer and Litt 2013

Shearer, Christine Fowler, and Steven Litt. Joseph O’Sickey: Unifying Art, Life and Love. Canton, Ohio: Canton Art Museum of Art, 2013. Exhibition catalogue.

 

Sheehan 1989

Susan Sheehan Gallery. American Prints from the Sixties. New York: Susan Sheehan Gallery, 1989. Exhibition catalogue. (1989 New York Sheehan).

 

Sheets 2005

Sheets, Hilarie M. “Roy Lichtenstein: Mitchell-Innes and Nash and Gagosian.” ARTnews 104, no. 11 (December 2005), p. 140.

 

Sheffield Telegraph 1968

“Pop at the Tate.” Sheffield Telegraph, January 6, 1968.

 

J. Shepherd 2005

Shepherd, Jan. “Subway Art.” Boston Globe, June 26, 2005, p. M2.

 

M. Shepherd 1979

Shepherd, Michael. “American Painting in the 1970s.” Arts Review (London) 31, no. 15 (August 3, 1979), p. 399.

 

H. Sherman 1952a

Sherman, Hoyt. Recent Paintings: Roy F. Lichtenstein. New York: John Heller Gallery, 1952. Exhibition catalogue. (1953 New York Heller).

 

H. Sherman 1975

Sherman, Hoyt. Roy Lichtenstein. Columbus: Sullivan Gallery, Ohio State University. Exhibition brochure. (1975 Columbus Sullivant).

 

M. Sherman 1997

Sherman, Mary. “Lichtenstein Applies His Style to Chinese Landscapes.” Boston Herald, March 21, 1997, p. S13.

 

Sherwin Miller Museum 2012

Sherwin Miller Museum of Jewish Art. Roy Lichtenstein: American Identity. Tulsa: Sherwin Miller Museum of Jewish Art, 2012. Exhibition brochure.

 

Shields 1951

Shields, Winifred. “Ohio Artists Are Sensitive to Character of Home State.” Kansas City Star, May 11, 1951.

 

Shimasaki 1999

Shimasaki, Yoshinobu. “Poppu āto no tanjō (The birth of pop art).” BT 6 [Bijutsu techō] (Tokyo) 51, no. 780 (December 1999), pp. 1–16.

 

Shinjuku I-Land 1995

Shinjuku I-Land. Shinjuku I-Land Public Art Project. Tokyo: Housing and Urban Development Corporation, Tokyo Branch, 1995.

 

Shinoda 1988

Shinoda, Tazmi. “Lichtenstein’s Mural: A Purgatory of ‘Merry-Go-Round.'” Mizue (Tokyo), no. 947 (summer 1988), pp. 3–23.

 

Shirey 1968

Shirey, David. “Icons.” Newsweek, July 15, 1968, p. 85.

 

Shirey 1970

Shirey, David L. “American Pop Really Turns on German Art Lovers.” New York Times, November 27, 1970, p. 46.

 

Shirey 1971

Shirey, David L. “Drawings by Lichtenstein Stress Pop.” New York Times, November 13, 1971, p. 29.

 

Show 1963

“Which Twin Is the Phony?” Show 3, no. 2 (February 1963), pp. 88–91.

 

Sidney Janis Gallery 1992

20th Century Masters on Paper. New York: Sidney Janis Gallery, 1992. Unpaginated. (1992 New York Janis).

 

J. Siegel 1968

Siegel, Jeanne. “Documenta IV: Homage to the Americans?” Arts 43, no. 1 (September–October 1968), pp. 37–41.

 

K. Siegel 2002

Siegel, Katy. “Roy Lichtenstein: Mitchell-Innes and Nash.” Artforum International 40 (January 2002), p. 138.

 

Siegfried 1969a

Siegfried, Joan. “The Spirit of the Comics.” Art and Artists 4, no. 9 (December 1969), pp. 18–21.

 

Silberman 2012

Silberman, Robert. “Roy Lichtenstein: Chicago, Washington, London and Paris.” The Burlington Magazine 154 (October 2012), pp. 736–37.

 

Silver 2003

Silver, Kenneth E. JFK and Art. London: Frances Lincoln in association with Bruce Museum, Greenwich, Conn. 2003. Exhibition catalogue.

 

Silver 2010

Silver, Kenneth E. “What about Brad? Lichtenstein’s Men.” In Roy Lichtenstein: Mostly Men, by Leo Castelli, New York, pp. 5–29. New York: Leo Castelli, 2010. Exhibition catalogue.

 

Silver 2014

Silver, Kenneth E. “Walls: Johns, Lichtenstein, Trompe l’Oeil, and Art History.” In Castelli Gallery, New York, Jasper Johns and Roy Lichtenstein: Walls, pp. 3–33. New York: Castelli Gallery, 2014. Exhibition catalogue.

 

Silver 2017

Silver, Kenneth E. Roy Lichtenstein: Re-Figure. New York: Leo Castelli, 2017. Exhibition catalogue. (2016–17 New York Castelli).

 

Simmen 1989

Simmen, Jeannot. “Ursprünge eines Pop-Klassikers.” Berliner Kunstblatt (January–February 1989), p. 67.

 

Simonian 1995a

Simonian, Karen. “Lichtenstein on the Wexner, Art and ‘Brushstrokes.'” Other Paper (Columbus, Ohio), September 21–27, 1995, p. 12.

 

Simonian 1995b

Simonian, Karen. “Welcome Home, Roy.” Other Paper (Columbus, Ohio), March 20, 1995, pp. 1, 3.

 

Simpson 1980

Simpson, I. “Modern Art.” Artist (U.K.) 95, no. 2 (February 1980), pp. 11–14.

 

Sims 1979

Sims, Patterson. The Decade in Review: Selections from the 1970s. New York: Whitney Museum of American Art, 1979. Exhibition brochure. (1980 New York Whitney).

 

Sims 1985

Sims, Patterson. Whitney Museum of American Art: Selected Works from the Permanent Collection. New York: Whitney Museum of American Art, 1985.

 

Sims 1988

Sims, Patterson. Twentieth-Century American Art: Highlights of the Permanent Collection. New York: Whitney Museum of American Art at Equitable Center, 1988. Exhibition brochure.

 

Singapore Art Museum [1998]

Singapore Art Museum. Roy Lichtenstein: Landscapes in the Chinese Style. Singapore: National Heritage Board, Singapore Art Museum, [1998]. Exhibition catalogue. Unpaginated. (1997 Boston MFA).

 

Singerman 1986

Singerman, Howard, ed. Individuals: A Selected History of Contemporary Art. Los Angeles: Museum of Contemporary Art; New York: Abbeville Press, 1986. Exhibition catalogue. (1986 Los Angeles MOCA).

 

Sintra Museu 1996

Sintra Museu de Arte Moderna, Colecção Berardo. The Berardo Collection: Sintra Museum of Art. Sintra: Sintra Museu de Arte Moderna, Colecção Berardo, 1996. Exhibition catalogue. (1997 Sintra Museu).

 

Sisario 2003

Sisario, Ben. “Arts Briefing: Atlanta: A Gift of a (Cartoon) House.” New York Times, November 25, 2003, p. E2.

 

Skinner 1967

Skinner, Olivia. “Art Subjects from Kitchen and Garage.” St. Louis Post-Dispatch Everyday Magazine, August 29, 1967, pp. 1, 3.

 

Skira 1974

“Les interrogations de la réalité.” In Skira annuel: Art actuel, pp. 10–37. Geneva: Éditions Skira, 1974.

 

Skurka 1975

Skurka, Norma. “Spare is more.” New York Times, April 20, 1975, Design sec., pp. 92–93.

 

Slatkin 1968

Charles E. Slatkin Galleries, New York. American Tapestries. New York: Charles E. Slatkin Galleries, 1968. Exhibition catalogue. (1968a New York Radich).

 

Slatkin 1970

Charles E. Slatkin Galleries, New York. Modern Master Tapestries. New York: Charles E. Slatkin Galleries, 1970. Unpaginated. Brochure.

 

Slifkin 2011

Slifkin, Robert. “Philip Guston’s Return to Figuration and the ‘1930s Renaissance’ of the 1960s.” Art Bulletin 92, no. 2 (June 2011), pp. 220–42.

 

Slifkin 2017

Slifkin, Robert. “The Empty Room and the End of Man.” Experience: Terra Foundation Essays 4 (2017).

 

Smith Kramer Art Connections 1983

Smith Kramer Art Connections. American works on paper: 100 years of American art history. Kansas City, MO: Lowell Press, 1983. Exhibition catalogue. (1983 Davenport Art Gallery).

 

Gordon Smith 1963

Smith, Gordon. Mixed Media and Pop Art. Buffalo: Albright-Knox Art Gallery, 1963. Exhibition catalogue. (1963 Buffalo Albright-Knox).

 

Griffin Smith 1974

Smith, Griffin. “Bathtubs, Boxes and Art.” Miami Herald, April 14, 1974, G1, G6.

 

Griffin Smith 1976

Smith, Griffin. “Pop Art’s Lichtenstein Fuels a Furor.” Miami Herald, April 11, 1976, p. H2.

 

J. Smith 1997

Smith, J. Y. “Pop Art Pioneer Roy Lichtenstein Dies.” Washington Post, September 30, 1997, p. B6.

 

Patrick Smith 1986

Smith, Patrick S. Andy Warhol’s Art and Films. Ann Arbor: UMI Research Press, 1986.

 

Peter Smith 1974

Smith, Peter. “Roy Lichtenstein.” Flash Art, nos. 46–47 (June 1974), p. 56.

 

Peter Smith 1989

Smith, Peter. “Flash Art Reprint: Roy Lichtenstein (Recent Paintings).” Flash Art, no. 148 (October 1989), p. 93.

 

R. Smith 1975

Smith, Roberta. “Reviews.” Artforum 13, no. 6 (February 1975), pp. 63–66.

 

R. Smith 1989

Smith, Roberta. “Art: ‘Amerika’ by Tim Rollins and K.O.S.” New York Times, November 3, 1989, p. C33.

 

R. Smith 1990

Smith, Roberta. “High and Low Culture Meet on a One-Way Street.” New York Times, October 5, 1990, C1, C25.

 

R. Smith 1992a

Smith, Roberta. “Inviting (If Fanciful) Rooms by Roy Lichtenstein.” New York Times, June 2, 1992, p. C23.

 

R. Smith 1992b

Smith, Roberta. “Long Island Shows: Small, Closely Focused and Odd: East Hampton.” New York Times, August 21, 1992, p. C22.

 

R. Smith 1994a

Smith, Roberta. “Lichtenstein.” Atelier (Tokyo), no. 803 (1994), pp. 4–38.

 

R. Smith 1994b

Smith, Roberta. “A Surprise from Lichtenstein Prints Show.” New York Times, December 22, 1994, p. C7.

 

R. Smith 2005

Smith, Roberta. “Roy Lichtenstein.” New York Times, October 21, 2005, p. E36.

 

R. Smith 2007

Smith, Roberta. “Art in Review: Roy Lichtenstein.” New York Times, January 12, 2007, p. E42.

 

R. Smith 2008

Smith, Roberta. “The Painter Who Adored Women.” New York Times, June 11, 2008, E1, E5.

 

Sokolov 1997

Sokolov, Raymond. “The Gallery: Asian Invasion of Atlantic Rim.” Wall Street Journal, June 5, 1997, p. A20.

 

A. Solomon 1963a

Solomon, Alan. “The New Art.” Art International 7, no. 7 (September 1963), pp. 37–40.

 

A. Solomon 1963b

Solomon, Alan. The Popular Image Exhibition. Washington, D.C.: Washington Gallery of Modern Art, 1963. Exhibition catalogue. (1963b Washington, D.C., Washington Gallery of Modern Art).

 

A. Solomon 1963c

Solomon, Alan. The Popular Image. London: Institute of Contemporary Arts, 1963. Exhibition catalogue. (1963 London ICA).

 

A. Solomon 1964a

Solomon, Alan. “The New American Art.” Art International 8, no. 2 (March 1964), pp. 50–55.

 

A. Solomon 1964b

Solomon, Alan. American Pop Art. Amsterdam: Stedelijk Museum, 1964. Exhibition catalogue. Unpaginated. (1964 Stockholm Moderna Museet).

 

A. Solomon 1964c

Solomon, Alan. “Den nye amerikanske kunst.” Louisiana revy (Humlebaek, Denmark), no. 4 (April 1964), pp. 2–3.

 

A. Solomon 1966a

Solomon, Alan. “American Art between Two Biennales.” Metro, no. 11 (1966), pp. 24–35.

 

A. Solomon 1966c

Solomon, Alan. “Studies in Iconography: The Master of the Crying Girl.” Art in America 54, no. 2 (March–April 1966), pp. 96–97.

 

A. Solomon 1967a

Solomon, Alan. American Painting Now. Boston: Institute of Contemporary Art, 1967. Exhibition catalogue. (1967 Montreal Expo).

 

A. Solomon 1967b

Solomon, Alan (photographs by Ugo Mulas). New York: The New Art Scene. New York: Holt, Rinehart and Winston, 1967.

 

A. Solomon 1969

Solomon, Alan. Painting in New York: 1944 to 1969. Pasadena: Pasadena Art Museum, 1969. Exhibition catalogue. (1969 Pasadena, Tex., Pasadena Art Museum).

 

E. Solomon 1973

Solomon, Elke M. American Drawings, 1963–1973. New York: Whitney Museum of American Art, 1973. Exhibition catalogue. (1973b New York Whitney).

 

Sonnabend 1965

Galerie Sonnabend, Paris. Roy Lichtenstein. Paris: Galerie Ileana Sonnabend, 1965. Exhibition catalogue. Unpaginated. (1965 Paris Sonnabend).

 

M. Sonnabend 1963

Sonnabend, Michael. Lichtenstein (Prima personale in Italia). Turin: Galleria il Punto Arte Moderna, 1963. Exhibition brochure. Unpaginated. (1963b Paris Sonnabend).

 

Sorin 1968

Sorin, Raphaël. “Le classicisme du hot dog.” La quinzaine littéraire, no. 42 (January 1968), pp. 16–17.

 

Sorman 1992

Sorman, Guy. “Roy Lichtenstein, roi du Pop.” Figaro magazine (Paris), February 22, 1992, pp. 3, 67–70.

 

Sorrentino 1962

Sorrentino, Gilbert. “Kitsch into Art: The New Realism.” Kulchur (New York) 2, no. 8 (Winter 1962), pp. 10–23.

 

Sotheby’s 2006

Sotheby’s, New York. Sinking Sun by Roy Lichtenstein. New York: Sotheby’s, 2006.

 

Sotheby, Parke-Bernet, New York 1972

Sotheby, Parke-Bernet, New York. Post War and Contemporary Paintings, Drawings, Sculpture and Prints, May 15, 1972. New York: Sotheby, Parke-Bernet, 1972.

 

Sottsass 1963

Sottsass, Ettore, Jr. “Dada, New Dada, New Realists.” Domus, no. 399 (February 1963), pp. 27–28, 30.

 

Sottsass 1966

Sottsass, Ettore Jr. “Memoires di panna montata.” Domus, no. 442 (September 1966), pp. 43–45.

 

Sottsass 2005

Sottsass, Ettore, Jr. “Roy Lichtenstein.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider, pp. 210–11. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue.

 

Soulillou et al. 1998

Soulillou, Jacques, et al. L’Envers du décor: Dimensions décoratives dans l’art du XXe siècle. Villeneuve—d’Ascq: Musée d’art moderne de Lille Métropole, 1998. Exhibition catalogue. (1998 Villeneuve d’Ascq Musée d’Art Moderne).

 

Sousa 2005

Sousa, Ana Paula. “Exposição: Imagens da fantasia consumista.” CartaCapital (São Paulo) 12, no. 360 (September 21, 2005), p. 72.

 

South Texas 1974

Art Museum of South Texas, Corpus Christi. Eight Artists: Dan Christensen, Neil Jenney, Don Judd, Roy Lichtenstein, Robert Rauschenberg, Gary Stephan, Cy Twombly, Peter Young. Corpus Christi: Art Museum of South Texas, Corpus Christi, 1974. Exhibition catalogue. A second catalogue published for Miami Art Center with different cover. (1974 Corpus Christi Art Museum).

 

Southampton Press 1995a

“Lichtenstein Installation.” Southampton [N.Y.] Press, July 20, 1995.

 

Southampton Press 1995b

“A Pioneer in Modern Printmaking at Parrish.” Southampton [N.Y.] Press, October 26, 1995, B1, B7.

 

Southampton Press 1995c

“Previews and Postscripts: Prints at the Parrish.” Southampton [N.Y.] Press, September 7, 1995, p. 25.

 

Southampton Press 1995d

“Rare Statement.” Southampton [N.Y.] Press, August 24, 1995, p. 12.

 

Southampton Press 1995e

“A Toast to Lichtenstein.” Southampton [N.Y.] Press, August 24, 1995, p. 4.

 

Soutif 2005

Soutif, Daniel. L’art du XXe siècle, 1939–2002. Paris: Citadelles et Mazenod, 2005.

 

Spector 1999

Spector, Naomi. “Plane Talk: Notes on Roy Lichtenstein’s Sculptures.” In Lichtenstein: Sculpture and Drawings, by Corcoran Gallery of Art, Washington, D.C., pp. 33–35. Washington, D.C.: Corcoran Gallery of Art, 1999. Exhibition catalogue.

 

Speed 2003

B. Speed Art Museum, Louisville. Reverie: Works from the Collection of Douglas S. Cramer. Louisville: J. B. Speed Art Museum, 2003. Exhibition catalogue. (2003 Louisville Speed).

 

Spencer 1993

Spencer, Susan. “Looking at Lichtenstein.” Diversion: For Physicians at Leisure (September 1993), pp. 107–9.

 

Sperone 1975

Sperone, Gian Enzo. Jim Dine, Roy Lichtenstein, Morris Louis, Michelangelo Pistoletto, Robert Rauschenberg, Mario Schifano, Frank Stella, Cy Twombly, Andy Warhol. Turin: G. E. Sperone, 1975.

 

Spicer 1968

Spicer, John. “It’s . . . It’s Not a Painting, Is It?” Daily Mail (London), January 6, 1968.

 

Spiegel 2002

Spiegel, Josef, ed. Oops: Kunst auf Plattencovern. Schöppingen, Germany: Stiftung Künstlerdorf Schöppingen, 2002.

 

Spiel and Sarnitz 1987

Spiel, Hilde and Sabina Sarnitz. Luna Luna. André Heller. München: Wilhelm Heyne Verlag, 1987.

 

Spies and Weber 2007

Spies, Werner, and C. Sylvia Weber, eds. Liebe auf den ersten Blick: Hundert Neuerwerbungen der Sammlung Würth. Künzelsau, Germany: Swiridoff Verlag, 2007. Exhibition catalogue. (2007 Künzelsau Würth).

 

Squirru 1963a

Squirru, Rafael. “Editor’s Letters.” ARTnews 62, no. 6 (October 1963), p. 6.

 

Squirru 1963b

Squirru, Rafael. “Pop Art or the Art of Things.” Américas (Washington, D.C.) 15, no. 7 (July 1963), pp. 15–21.

 

Squirru 1965

Squirru, Rafael. “The Culture We Share.” Américas (Washington, D.C.) (April 1965).

 

St. Louis 1979

“Recent Acquisition: ‘Fishbowl II’ by Roy Lichtenstein.” St. Louis Art Museum Bulletin 15, no. 2 (April–June 1979), pp. 177–80.

 

Staatliche Kunsthalle Baden-Baden 1976

Twentieth-Century American Drawing: Three Avant-Garde Generations. Baden-Baden: Staatliche Kunsthalle Baden-Baden, 1976. Supplement with German text and gallery installation views at Baden-Baden. (1976a New York Guggenheim).

 

Stacy 1950

Stacy, Harold A. “Two Columbus Artists Awarded top Watercolor Prizes.” Columbus Dispatch, November 5, 1950, 16—F.

 

Stadt und Land 1995

“Lichtenstein Ikonen der Großstadt-Zivilisation.” Stadt und Land (December 1995–January 1996), xiv–xv.

 

Städtische Galerie 1988

Städtische Galerie im Prinz-Max-Palais. Zurück zur Natur, aber wie? Kunst der letzten 20 Jahre. Karlsruhe: Die Galerie, 1988. Exhibition catalogue. (1988 Karlsruhe Städtische Galerie).

 

Städtisches Museum Mönchengladbach 1968

Städtisches Museum Mönchengladbach. Beleg: Kunstwerke der zweiten Hälfte des 20. Jahrhunderts aus dem Besitz der Stadt Mönchengladbach. Mönchengladbach: Städtisches Museum Mönchengladbach, 1968. Exhibition catalogue. (1968 Mönchengladbach Städtisches Museum).

 

Stanford 1987

The Anderson Collection: Two Decades of American Graphics, 1967–1987. Stanford, Calif.: Board of Trustees of the Leland Stanford Junior University, 1987. Exhibition catalogue. (1987 Stanford UMA).

 

Staniszewski 1985

Staniszewski, Mary Anne. “Pop’s Public Relations.” Art and Text, no. 19 (October–December 1985), pp. 83–87.

 

Stavitsky 2017

Stavitsky, Gail. “Roy Lichtenstein (New York, 1923–1997).” In Matisse and American Art, by John Cauman and Savitsky, pp. 159–65. Montclair, N.J.: Montclair Art Museum, 2017. Exhibition catalogue.

 

Stavitsky and Johnson 2005a

Stavitsky, Gail, and Twig Johnson. “Roy Lichtenstein: American Indian Encounters.” American Art Review (Leawood) 17, no. 6 (November–December 2005), pp. 124–29, 159.

 

Stavitsky and Johnson 2005b

Stavitsky, Gail, and Twig Johnson. Roy Lichtenstein: American Indian Encounters. Montclair, N.J.: Montclair Art Museum, 2005. Exhibition catalogue. (2005 Montclair Art Museum).

 

Stebbins 1976

Stebbins, Theodore E., Jr. American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present. New York: Harper and Row, 1976.

 

Stedelijk 1967

Stedelijk Museum, Amsterdam. Roy Lichtenstein. Amsterdam: Stedelijk Museum, 1967. Exhibition catalogue. Unpaginated. Includes loose illustration inserts. (1967 Amsterdam Stedelijk).

 

Stedelijk 1983

Stedelijk Museum, Amsterdam. 15 artistes contre l’apartheid; 15 artists against apartheid;15 Künstler gegen Apartheid. Paris: S.P.A.M, 1983. Exhibition catalogue. (1983 Amsterdam Stedelijk).

 

Stedelijk van Abbemuseum 1967

Stedelijk van Abbemuseum, Eindhoven. Artypo: Kunst, gemaakt met behulp van grafische technieken. Eindhoven: Grafische School, 1967. Exhibition catalogue. Unpaginated. (1967a Eindhoven van Abbemuseum).

 

Stedelijk van Abbemuseum 1971

Stedelijk van Abbemuseum, Eindhoven. Experiment in grafiek: Gemini G.E.L. Eindhoven: [Stedelijk van Abbemuseum], 1971. Exhibition catalogue. (1971 Eindhoven van Abbemuseum).

 

Steffen 2004

Steffen, Barbara, ed. Visions of America: Zeitgenössische Kunst aus der Sammlung Essl und der Sonnabend Collection, New York/Contemporary Art from the Essl Collection and the Sonnabend Collection, New York. Klosterneuburg: Edition Sammlung Essl, 2004. Exhibition catalogue. (2004 Klosterneuburg Essl).

 

Stein 2017

Stein, Judith E. Eye of the Sixties: Richard Bellamy and the Transformation of Modern Art. New York: Farrar, Straus and Giroux, 2017.

 

D. Stein 1988

Stein, Daniel L. “All Systems Slow: How Everything from Glass to the Economy Takes Shape.” The Sciences (New York) 28, no. 5 (September–October 1988), pp. 22–29.

 

J. Stein 1982

Stein, Jean. Edie: An American Biography. Edited by Stein and George Plimpton. New York: Alfred A. Knopf, 1982.

 

Steiner 1988

Steiner, Wendy. Pictures of Romance: Form against Context in Painting and Literature. Chicago: University of Chicago Press, 1988.

 

Steinhart 2005

Steinhart, Matthias. “Das Spiel mit der Antike: Archäologisches zu Roy Lichtensteins ‘Kosmologie.'” Antike Welt: Zeitschrift für Archäologie und Kulturgeschichte 36, no. 1 (2005), pp. 71–79.

 

Steinhauer 2005

Steinhauer, Jennifer. “The Arts Administration.” New York Times, October 23, 2005, Arts and Leisure, sec. 2, pp. 1, 18.

 

Steininger 2003a

Steininger, Florian. “Katalog.” In Roy Lichtenstein, by Kunstforum Wien, pp. 28–128. Vienna: Kunstforum Wien; Wolfratshausen: Edition Minerva Hermann Farnung, 2003. Exhibition catalogue.

 

Steininger 2003b

Steininger, Florian. “Roy Lichtenstein: Leben und Werk.” In Roy Lichtenstein, by Kunstforum Wien. Vienna: Kunstforum Wien; Wolfratshausen: Edition Minerva Hermann Farnung, 2003. Exhibition catalogue.

 

Stemmler 1989

Stemmler, Dierk. Pop Art und Umfeld: Druckgraphik aus der Sammlung Etzold. Mönchengladbach: Städtisches Museum Abteiberg Mönchengladbach, 1989. Exhibition catalogue. (1989 Mönchengladbach Städtisches Museum Abteiberg).

 

Stephens 1986

Stephens, Suzanne. “An Equitable Relationship?” Art in America 74, no. 5 (May 1986), pp. 116–23.

 

Sterckx 1972

Sterckx, Pierre. “Lichtenstein: Le Mondrian du Pop.” Clés pour les arts 18 (February 1972), pp. 11–14.

 

Sterckx 1991

Sterckx, Pierre. “De la physique de Lichtenstein.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 110–121.

 

Sterckx 2007

Sterckx, Pierre. 50 géants américains: Comment New York a détrôné l’Europe. Boulogne-Billancourt (Hauts-de-Seine): Beaux-Arts Éditions, 2007. Exhibition catalogue.

 

Sterckx 2013

Sterckx, Pierre. “Roy Lichtenstein: l’ironie, connaît pas!” Beaux Arts Éditions (June 2013), pp. 54–57.

 

Sternberg 1984

Sternberg, Ruth. “Roy Lichtenstein: A Man, His Work, and His Thoughts.” OSU Alumni Magazine (Columbus) 75, no. 11 (July–August 1984), pp. 6–7, 37–38.

 

Stevens 1981

Stevens, Mark. “Style for Style’s Sake.” Newsweek 97, no. 21 (May 25, 1981), p. 93.

 

Stewart 2006

Stewart, Garrett. The Look of Reading: Book, Painting, Text. Chicago: University of Chicago Press, 2006.

 

Stich 1987

Stich, Sidra. Made in U.S.A.: An Americanization in Modern Art, the ’50s and ’60s. Berkeley: University of California Press, 1987. Exhibition catalogue. (1987 Berkeley UAM).

 

Stiles 1969

Stiles, Knute. “‘Untitled ’68’: The San Francisco Annual Becomes an Invitational.” Artforum 7, no. 5 (January 1969), pp. 50–52.

 

Stitleman 1973

Stitleman, Paul. “Reviews: New York.” Arts Magazine (New York) 47, no. 6 (April 1973), p. 74.

 

Stone-Jones 1979

Stone-Jones, Gareth. “Roy Lichtenstein: Entablatures.” Arts Review (London) 31, no. 6 (March 1979), p. 154.

 

Storr 1996

Storr, Robert. “New Jersey Transit Gloria Mundi.” In 15 Degrees from Rutgers: Charting New Directions in Contemporary Art, by Mason Gross School of the Arts, Rutgers, the State University of New Jersey, New Brunswick, unpaginated. New Brunswick, N.J.: Mason Gross School of the Arts, Rutgers, the State University of New Jersey, 1996. Exhibition brochure.

 

Strassfield 1991

Strassfield, Christina Mossaides. Aspects of Collage. Southampton, N.Y.: Guild Hall Museum, 1991. Exhibition catalogue. (1991a East Hampton Guild Hall).

 

Strassmeyer 1969

Strassmeyer, Mary. “Artist Draws Interest Here.” Plain Dealer (Cleveland), February 12, 1969, p. C4.

 

Straus 1995

Straus, Cees. Pop Art. Rotterdam: Kunsthal Rotterdam, 1995. Exhibition catalogue. (1995 Rotterdam Kunsthal).

 

Strelow 1967

Strelow, Hans. “Ein Klassiker des Comic: Zu einer Roy-Lichtenstein-Ausstellung in Amsterdam.” Zeit (Hamburg), November 24, 1967, p. 19.

 

Strick 1988

Strick, Jeremy. Twentieth-Century Art: Selections for the Tenth Anniversary of the East Building. Washington, D.C.: National Gallery of Art, 1988. Exhibition catalogue. (1988 Washington, D.C., NGA).

 

Strickland 1993

Strickland, Carol. “A Fresh Look at Pop Painter Roy Lichtenstein.” Christian Science Monitor, October 19, 1993, p. 12.

 

Strickland 1997

Strickland, Carol. “Roy Lichtenstein: Keen Observer of Life’s Little Ironies.” Christian Science Monitor, October 3, 1997, p. 11.

 

Stroud 2002

Stroud, Marion Boulton. New Material As New Media: The Fabric Workshop and Museum. Cambridge, Mass.: MIT Press; Philadelphia: Fabric Workshop and Museum, 2002. Exhibition catalogue. (2003 Philadelphia Fabric Workshop).

 

Stuckey 1977

Stuckey, Charles F. “Another Side of Jackson Pollock.” Art in America 65, no. 6 (November–December 1977), pp. 81–91.

 

Stuckey 2005

Stuckey, Charles. “Lichtenstein and Surrealism.” In Roy Lichtenstein: Conversations with Surrealism, by Mitchell-Innes and Nash, New York, unpaginated. New York: Mitchell-Innes and Nash, 2005. Exhibition catalogue.

 

Styron 1980

Styron, Thomas W. American Figure Painting, 1950–1980. Norfolk, Va.: Chrysler Museum, 1980. Exhibition catalogue. (1980 Norfolk Chrysler).

 

Suenaga 2000

Suenaga, Terukazu. Nijisseiki no bijutsu/The Concise History of the 20th Century Art. Tokyo: Bijutsu Shuppansha, 2000.

 

D. Sullivan 1968

Sullivan, Dan. “Artists Agree on Boycott of Chicago Showings.” New York Times, September 5, 1968, p. 41.

 

K. Sullivan 1993

Sullivan, Kimberly. “Gala Raises $250,000 for Art Museum.” Press Community Newspapers (Cincinnati), January 20, 1993, B1–B2.

 

M. Sullivan 1994

Sullivan, Meg. “Rattling Art World’s Cage: Lichtenstein Continues Mining Lowbrow Vein.” Daily News: L.A. Life, February 1, 1994, pp. 1, 16.

 

Sunday Bulletin 1962

“Art Consists of Anything: Exhibitors Prove It at YMHA.” Sunday Bulletin (Philadelphia), October 28, 1962, p. 24.

 

Sunday Home News 1961

“Douglass Art Professor’s Works May Arouse Appetites.” Sunday Home News (New Brunswick, N.J.), January 15, 1961, p. 26.

 

Sundell 1988

Sundell, Nina Castelli. The Turning Point: Art and Politics in 1968. Cleveland: Cleveland Center for Contemporary Art, 1988. Exhibition catalogue. (1988 Cleveland Center).

 

Sundell 1990

Sundell, Nina, ed. Lichtenstein: La grafica. Milan: Electa, 1990. Exhibition catalogue. (1990 Trento Albere).

 

Sundell and Nathanson 1976

Sundell, Nina, and Carol Nathanson. American Pop Art and the Culture of the Sixties. Cleveland: New Gallery of Contemporary Art, 1976. Exhibition catalogue. (1976 Cleveland New Gallery).

 

Sussman 1978

Sussman, Elizabeth. Roy Lichtenstein: The Modern Work, 1965–1970. Boston: Institute of Contemporary Art, 1978. Exhibition catalogue. Unpaginated. (1978 Boston ICA).

 

Sutinen 1980

Sutinen, Paul. “Roy Lichtenstein.” Willamette [Oregon] Fresh Weekly, March 4–10, 1980, p. 5.

 

Sverbeyeff 1965

Sverbeyeff, Elizabeth. “Life with Pop.” New York Times Magazine, May 2, 1965, pp. 98–99.

 

Sweeney 1968

Sweeney, James Johnson. Signals in the ‘Sixties. Honolulu: Honolulu Academy of Arts, 1968. Exhibition catalogue. (1968 Honolulu Academy).

 

Swenson 1962

Swenson, G[ene]. R. “The New American ‘Sign Painters.'” ARTnews 61, no. 5 (September 1962), pp. 44–47, 60–62.

 

Swenson 1963

Swenson, Gene R. “What Is Pop Art? Answers from Eight Painters, Part I: Jim Dine, Robert Indiana, Roy Lichtenstein, Andy Warhol.” ARTnews 62, no. 7 (November 1963), pp. 24–25, 62–64.

 

Swenson 1966

Swenson, Gene R. The Other Tradition. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1966. Exhibition catalogue. (1966a Philadelphia ICA).

 

Sydney 1986

Sydney, Clare. Flower Painting. Oxford, England: Phaidon Press, 1986.

 

Sylvester 1964a

Sylvester, David. “Art in a Coke Climate.” Sunday Times Colour Magazine (London), January 26, 1964, pp. 14–23.

 

Sylvester 1964b

Sylvester, David. “New York Takeover: How Did It Happen?” Sunday Times Colour Magazine (London), April 24, 1964, pp. 24–31, 34.

 

Sylvester 1969

Sylvester, David (photographs by Snowdon). “The Ironic Lichtenstein Who Takes Soulful Subjects and Paints Them with Cool.” Vogue 154, no. 5 (September 15, 1969), pp. 142–45, 168–69.

 

Sylvester 1997

Sylvester, David. Some Kind of Reality: Roy Lichtenstein Interviewed by David Sylvester in 1966 and 1997. London: Anthony d’Offay Gallery, 1997. Exhibition catalogue. (1997 Zurich Rubin).

 

Sylvester 2001

Sylvester, David. Interviews with American Artists. London: Pimlico, 2001.

 

Symmes 2008

Symmes, Marilyn, ed. Pop Art and After: Prints and Pop Culture. New Brunswick, N.J.: Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey, 2008. Exhibition catalogue. (2008 New Brunswick, N.J., Zimmerli).

 

Tadini 1991

Tadini, Emilio. “Les figures de Lichtenstein ou l’archivage du visible.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 84–93.

 

Taggart 2007

Hollis Taggart Galleries, New York. Pathways and Parallels: Roads to Abstract Expressionism. New York: Hollis Taggart Galleries, 2007. Exhibition catalogue. (2007 New York Taggart).

 

Taittinger 1997

Taittinger, Claude. Champagner von Taittinger. Paris: Stock, 1997.

 

Takamatsu City Museum 1988

Takamatsu City Museum of Art, Takamatsu. Takamatsu-shi Bijutsukan shūzōhin zuroku 1988/The Collection of Takamatsu City Museum of Art. Takamatsu: Takamatsu City Museum of Art, 1988.

 

Takamatsu City Museum 1994

Takamatsu City Museum of Art, Takamatsu. Takamatsu-shi Bijutsukan shūzōhin mokuroku/The Collection of Takamatsu City Museum of Art. Vol. 2. Takamatsu: Takamatsu City Museum of Art, 1994.

 

Takanawa Bijutsukan 1985

Takanawa Bijutsukan, ed. Gendai bijutsu no dōkō: Karuizawa Zaidan Hōjin Takanawa Bijutsukan shūzōhin katarogu (Trends in contemporary art: Catalogue of the Museum of Modern Art, Seibu, Takanawa). Karuizawa: Karuizawa Zaidan Hōjin Takanawa Bijutsukan (Museum of Modern Art, Seibu), 1985.

 

Takeshi and Murakami 2003

Takeshi, Bīto (Beat Takeshi), and Takashi Murakami. Tsū āto (Two art). Tokyo: PIA Corporation, 2003.

 

Tallman 1989

Tallman, Susan. “Prints and Editions: Reproductive Acts.” Arts Magazine (New York) 64, no. 1 (September 1989), pp. 21–22.

 

Tamblyn 1987

Tamblyn, Christine. “Berkeley: Made in U.S.A., University Art Museum.” ARTnews 86, no. 8 (October 1987), p. 197.

 

Tancock 1971

Tancock, John L. Multiples: The First Decade. Philadelphia: Philadelphia Museum of Art, 1971. Exhibition catalogue. (1971a Philadelphia Museum of Art).

 

Tang 2002

Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, N.Y. From Pop to Now: Selections from the Sonnabend Collection. Ed. Margaret Sundell. Saratoga Springs, N.Y.: Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2002. Exhibition catalogue. (2002 Saratoga Springs Tang).

 

Tanglewood 1965

Tanglewood Press. New York Ten. New York: Tanglewood Press, 1965.

 

Tanglewood 1967

Tanglewood Press. Ten from Leo Castelli. New York: Tanglewood Press, 1967.

 

Tanglewood 1968

Tanglewood Press. Ten from Leo Castelli. New York: Tanglewood Press, 1968.

 

Tani, Kitamura, and Ishikawa 2002

Tani, Arata, Junko Kitamura, and Jun Ishikawa, eds. Vitality in Modernism: Collection from Iwaki City Art Museum. Utsunomiya: Utsunomiya Museum of Art, 2002. Exhibition catalogue. (2002 Utsunomiya Museum of Art).

 

Tannenbaum and Stroud 2003

Tannenbaum, Judith, and Marion Boulton Stroud. On the Wall: Contemporary Wallpaper. Providence: Museum of Art, Rhode Island School of Design; Philadelphia: Fabric Workshop and Museum, 2003. Exhibition catalogue. (2003 Providence RISD).

 

Tannous 1979

Tannous, David. “Report from Washington: Big-Name Biennial, Plus . . .” Art in America 67, no. 4 (July–August 1979), pp. 24–25.

 

Tarzan 1976

Tarzan, Deloris. “Lichtenstein steps in prints, tapestries.” The Seattle Times, February 10, 1976, p. D11.

 

Tate 1968a

Tate Gallery, London. Roy Lichtenstein. Herford: Bussesche Verlagshandlung, 1968. Exhibition catalogue. (1967 Amsterdam Stedelijk).

 

Tate 1968b

Tate Gallery, London. Roy Lichtenstein. London: Tate Gallery, 1968. Exhibition catalogue. (1967 Amsterdam Stedelijk).

 

Tate Liverpool 1993

Tate Gallery Liverpool. Roy Lichtenstein. Liverpool: Tate Gallery Liverpool, 1993. Exhibition catalogue. (1992 Pully-Lausanne FAE).

 

Taylor 2014

Taylor, Alex J. “The Calder Problem: Mobiles, Modern Taste, and Mass Culture.” Oxford Art Journal 37, no. 1 (2014), pp. 29–45.

 

A. Taylor 1969

Taylor, Angela. “Artists Make Capital of Old Bank Building with Their Studios.” New York Times, May 6, 1969, p. 50.

 

John Taylor 2004

Taylor, John Russell. “Dotting the Eyes in the Strip Show.” The Times (London), February 25, 2004, pp. 12–13.

 

Joshua Taylor 1976

Taylor, Joshua C. America As Art. Washington, D.C.: Smithsonian Institution Press for the National Collection of Fine Arts, 1976.

 

P. Taylor 1988

Taylor, Paul. Leo Castelli, 142 Greene Street: Last Show: Ellsworth Kelly, Roy Lichtenstein, Richard Serra, Frank Stella. New York: Leo Castelli Gallery, 1988. Exhibition catalogue. Unpaginated. (1988b New York Castelli).

 

P. Taylor 1989a

Taylor, Paul. “Lichtenstein’s Latest Is a Perfectly Pop Thing to Do.” New York Times, July 9, 1989, sec. 2, pp. 33; 35.

 

P. Taylor 1989b

Taylor, Paul, ed. Post-Pop Art. Cambridge, Mass.: MIT Press, 1989.

 

Tehran 1978

Tehran Museum of Contemporary Art. The Ludwig Collection. Tehran: Tehran Museum of Contemporary Art, 1978. Exhibition catalogue. (1978 Tehran MCA).

 

Tel Aviv 1981

Tel Aviv Museum. Louisiana Visits the Tel Aviv Museum. Tel Aviv: Tel Aviv Museum, 1981. Exhibition catalogue. (1981 Tel Aviv Museum).

 

Tel Aviv Museum of Art 2010

Tel Aviv Museum of Art, Tel Aviv. Pesalim ‘al galgalim: mivḥar mekhoniyot me-osfim Yiśre ‘elim u-Mekhonit ha-omanut shel Roi Likhṭenshṭain/Sculptures on Wheels: Selected Cars from Israeli Collections and Roy Lichtenstein’s Art Car. Tel Aviv: Tel Aviv Museum of Art, 2010. Exhibition catalogue. (2010 Tel Aviv Museum).

 

Temin 1997a

Temin, Christine. “Pop Art Pioneer’s Signature Was Style Based on Comic Book Art.” Boston Globe, September 30, 1997, E1, E6.

 

Temin 1997b

Temin, Christine. “West Meets East with a Pop!” Boston Globe, March 21, 1997, C1, C12.

 

Temkin 2005

Temkin, Ann. Contemporary Voices: Works from the UBS Art Collection. New York: Museum of Modern Art, 2005. Exhibition catalogue. (2005 New York MoMA).

 

Templon 1982

Templon, Daniel. “Ça n’apporte rien . . . , mais c’est agréable à faire.” Égoïste, no. 6 (1982), pp. 66–68.

 

Templon (Fondation) 1989

Fondation Daniel Templon, Fréjus, France. L’exposition inaugurale. Fréjus, France: Fondation Daniel Templon, Musée Temporaire, 1989. Exhibition catalogue. (1989 Fréjus Templon).

 

Templon (Fondation) 1991

Fondation Daniel Templon, Fréjus, France. La sculpture contemporaine après 1970. Fréjus, France: Musée Temporaire, 1991. Exhibition catalogue. (1991 Fréjus Templon).

 

Templon (Galerie) 1984

Galerie Daniel Templon, Paris. Daniel Templon, 1978–1983. Paris: Daniel Templon, [1984].

 

Templon (Galerie) 1991

Galerie Daniel Templon, Paris. Roy Lichtenstein: Collages, Brushstroke Landscapes, Reflections on Comics, Interiors. Paris: Galerie Daniel Templon, 1991. Exhibition catalogue. (1991 Paris Templon).

 

Templon (Galerie) 2006

Galerie Daniel Templon, Paris. 40 ans. Paris: Communic’Art, 2006.

 

Templon (Galerie) 2016

Daniel Templon Galerie, Paris. Galerie Templon: 50 Years. Edited by Daniel Templon. Paris: Galerie Daniel Templon, 2016. In French.

 

Ténèze 2009

Ténèze, Annabelle. “Pop George.” Les cahiers du Musée national d’art moderne, no. 110 (Winter 2009–10), pp. 39–61.

 

Ténèze 2010a

Ténèze, Annabelle. “Making an Original from a Copy.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio, pp. 77–85. Milan: Skira Editore, 2010. Exhibition catalogue.

 

Ténèze 2010b

Ténèze, Annabelle. “Far della copia un originale.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio, pp. 77–85. Milan: Skira [Italian edition], 2010. Exhibition catalogue.

 

Ténèze 2010c

Ténèze, Annabelle. “Lichtenstein und die Kopie, die keine ist.” In Lichtenstein: Kunst als Motiv, edited by Gianni Mercurio, pp. 77–85. Cologne: DuMont, 2010. Exhibition catalogue.

 

Ténèze 2013

Ténèze, Annabelle. “Pop Art History: Peindre l’histoire de l’art par Roy Lichtenstein.” In Roy Lichtenstein, edited by Camille Morineau, pp. 95–103. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

M. Terbell 1970

Terbell, Melinda. “Los Angeles.” Arts Magazine (New York) 45, no. 1 (September–October 1970), pp. 53–54.

 

T. Terbell 1969

Terbell, Thomas J., Jr. Recent Acquisitions 1969. Pasadena: Pasadena Art Museum, 1969. Exhibition catalogue.

 

Tesseydre 1975

Tesseydre, Bernard. “Trois voyageurs téméraires.” Le nouvel observateur (February 10, 1975).

 

Theil 2014

Theil, Andrea C. “I quaderni di schizzi di Roy Lichtenstein.” In Roy Lichtenstein: Opera prima, Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 242–57. Milan: Skira Editore, 2014. Exhibition catalogue.

 

Theil 2015

Theil, Andrea C. “Roy Lichtenstein’s Sketchbooks.” In Roy Lichtenstein: Drawing First. 50 Years of Works on Paper, Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 233–248. Milan: Skira Editore, 2015. Exhibition catalogue.

 

Thévoz 1968

Thévoz, Michel. “L’image et son double.” Le point (Brussels), no. 15 (April 1968), pp. 26–27.

 

Thévoz 1984

Thévoz, Michel. The Painted Body: The Illusions of Reality. New York: Rizzoli; Geneva: Skira, 1984.

 

Third Century 1975

The Third Century. New York: APC Editions, 1975.

 

Thomas Ammann Fine Art 1987

Thomas Ammann Fine Art, Zurich. 10 Years: Thomas Ammann Fine Art Zurich, 1977–1987: Impressionist and 20th Century Masters. Zurich: Thomas Ammann Fine Art, 1987. Exhibition catalogue.

 

Thomas Ammann Fine Art 1989

Thomas Ammann Fine Art, Zurich. Faces and Figures. Zurich: Matthieu AG, 1989. Exhibition catalogue. (1989 Zurich Ammann).

 

Thomas Ammann Fine Art AG 1990

Major Works from the Weisman Collection and Other Private Collections. Zurich: Thomas Ammann Fine Art AG, 1990. Unpaginated.

 

Daniel Thomas 1971

Thomas, Daniel. “The Art Collectors 10: John Kaldor.” Art and Australia 8, no. 4 (Fall 1971), pp. 312–23.

 

Denis Thomas 1977

Thomas, Denis. Battle Art: Images of War. Oxford, England: Phaidon Press; New York: E. P. Dutton, 1977.

 

K. Thomas 1971

Thomas, Karin. Bis Heute: Stilgeschichte der bildenden Kunst im 20. Jahrhundert. Cologne: M. DuMont Schauberg, 1971.

 

D. Thompson 1968

Thompson, David. “Pop Hero.” Listener (London) 79, no. 2,024 (January 11, 1968), pp. 33–34.

 

Thurtle 2000

Thurtle, Phillip. “The Unbearable Depth of the Surface: Lichtenstein’s Landscapes.” In Shifting Ground: Transformed Views of the American Landscape, by Rhonda Lane Howard, pp. 38–42. Seattle: Henry Art Gallery, University of Washington, 2000. Exhibition catalogue. (2000 Seattle Henry).

 

Tibbs 1963

Tibbs, Thomas S. Signs of the Times. Paintings by Twelve Contemporary Pop Artists 1963 3. Des Moines: Des Moines Art Center, 1963. Exhibition catalogue. (1963 Des Moines, Iowa, Des Moines Art Center).

 

Tighe 1981

Tighe, Mary Ann. “Roy Lichtenstein, 1970–1980.” House and Garden 153, no. 12 (December 1981), pp. 6–8.

 

Tillandier 1964

Tillandier, Yvon. XXe salon de mai. Paris: Musée d’Art Moderne de la Ville de Paris, 1964. Exhibition catalogue. (1964 Paris Musée d’Art Moderne).

 

Tillim 1962a

Tillim, Sidney. “In the Galleries: Roy Lichtenstein and the Hudson River School.” Arts Magazine (New York) 37, no. 1 (October 1962), pp. 55–56.

 

Tillim 1962b

Tillim, Sidney. “In the Galleries: The New Realists.” Arts Magazine (New York) 37, no. 3 (December 1962), pp. 43–44.

 

Tillim 1965

Tillim, Sidney. “Towards a Literary Revival?” Arts Magazine (New York) 39, no. 9 (May–June 1965), pp. 30–33.

 

Tillim 1968

Tillim, Sidney. “Lichtenstein’s Sculpture.” Artforum 6, no. 5 (January 1968), pp. 22–24.

 

Time 1962a

“Art.” Time 80, no. 20 (November 16, 1962), p. 55.

 

Time 1962b

“The Slice-of-Cake School.” Time 79, no. 19 (May 11, 1962), p. 52.

 

Time 1963a

“Art: Pop Pop.” Time 82, no. 9 (August 30, 1963), p. 40.

 

Time 1963b

“Pop Art: Cult of the Commonplace.” Time 81, no. 18 (May 3, 1963), pp. 69–72.

 

Time 1967

“Painting: Kidding Everybody.” Time 89, no. 25 (June 23, 1967), pp. 72–73.

 

Time 1968

“Rosenquist and Lichtenstein Are Alive.” Time 91, no. 4 (January 26, 1968), p. 56.

 

Time 1969

“Art Deco.” Time 94, no. 19 (November 7, 1969), p. 74.

 

Times 1995

“Brenau Spotlights Another Major Pop Artist.” Times (Gainesville, Ga.), March 17, 1995, p. C6.

 

Ting 1965

Ting, Walasse. 1¢ Life. Ed. Sam Francis. Bern: E. W. Kornfeld, 1965. Exhibition catalogue. (1965 Bern Kornfeld und Klipstein).

 

Ting 1966

Ting, Walasse. “Near One-Cent Life.” ARTnews 65, no. 3 (May 1966), pp. 38–39.

 

Tjardes 1991

Tjardes, Isle. “Roy Lichtenstein in der Galerie Hans Strelow: Popeyes Sohn schreit.” Düsseldorfer Feuilleton, no. 229, October 2, 1991.

 

Tochigi Prefectural 1988

Tochigi Prefectural Museum of Fine Arts, Utsunomiya. American Art since 1945. Utsunomiya: Tochigi Prefectural Museum of Fine Arts, 1988. Exhibition catalogue. (1988 Tochigi Prefectural Museum).

 

Toledo 1976

Toledo Museum of Art, Ohio. Heritage and Horizon: American Painting, 1776–1976. Toledo: [Toledo Museum of Art, 1976]. Exhibition catalogue. Unpaginated. (1976a Buffalo Albright-Knox).

 

Tomkins 1964

Tomkins, Calvin. “You Think This Is a Supermarket? No Hold Your Hats . . . It’s an Art Gallery; Art or Not, It’s Food for Thought.” Life 57, no. 21 (November 20, 1964), pp. 138–40, 143–44.

 

Tomkins 1980

Tomkins, Calvin. Off the Wall: Robert Rauschenberg and the Art World of Our Time. New York: Doubleday and Co. 1980.

 

Tomkins 1981

Tomkins, Calvin. “The Antic Muse.” The New Yorker (August 17, 1981), pp. 80–83.

 

Tomkins 1988a

Tomkins, Calvin. “Introduction.” In Roy Lichtenstein: Mural with Blue Brushstroke, by Tomkins (photographs by Bob Adelman), pp. 7–29. New York: Harry N. Abrams, 1988.

 

Tomkins 1988b

Tomkins, Calvin (photographs by Bob Adelman). Roy Lichtenstein: Mural with Blue Brushstroke. New York: Harry N. Abrams, 1988.

 

Tomkins 1993

Tomkins, Calvin (photographs by Bruce Weber). “The Prince of Pop.” Ed. Hamish Bowles. Vogue 153, no. 8 (September 1993), pp. 516–21, 584, 586–88.

 

Tomkins 1996

Tomkins, Calvin. “The Good China.” The New Yorker (September 30, 1996), p. 91.

 

Tomkins and Weinberg 1998

Tomkins, Calvin, and Jonathan Weinberg. The Geldzaher Porfolio. West Hollywood, CA: The Estate Project for Artists with AIDS, 1998.

 

Tono 1983

Tono, Yoshiaki, ed. Homage to Leo Castelli. Tokyo: Seibu Department Store, 1983. Exhibition catalogue. (1983 Tokyo Seibu).

 

Yoshiaki Tono 1963a

Tono, Yoshiaki. “Is Action Painting Over?” Mizue (Tokyo), no. 699 (May 1963), pp. 38–52.

 

Yoshiaki Tono 1966

Tono, Yoshiaki. “Before and After the Pop Art.” Mizue (Tokyo), no. 742 (November 1966).

 

Yoshiaki Tono 1972

Tono, Yoshiaki, ed. Art Now. Vol. 6, The Independent Object. Tokyo: Kodansha Ltd. 1972.

 

Yoshiaki Tono 1975

Tono, Yoshiaki. “American Pop Art . . . and After.” Mizue (Tokyo) 2, no. 839 (February 1975), pp. 5–29.

 

Yoshiaki Tono 1984

Tono, Yoshiaki. “Lichtenstein, the Next Period.” In Lichtenstein, by Nantenshi Gallery, Tokyo. Tokyo: Nantenshi Gallery, 1984. Exhibition catalogue.

 

Yukio Tono 1971

Tono, Yukio. “New York School of Art, Catalyst for Change.” Trends 5 (1971).

 

Townsend 1967

Townsend, Benjamin. “Albright-Knox-Buffalo: Work in Progress.” ARTnews 65, no. 9 (January 1967), pp. 30–38, 66–71.

 

Toyama Kenritsu Kindai, Hyōgo Kenritsu Kindai, and Tochigi Kenritsu 1983

Toyama Kenritsu Kindai Bijutsukan, Hyōgo Kenritsu Kindai Bijutsukan, and Tochigi Kenritsu Bijutuskan, eds. Gendai hanga, Rondon–Nyū Yōku  (Contemporary prints, London–New York). Japan: Asahi Kyapitaru, 1983. Exhibition catalogue. (1984 Toyama Modern Art).

 

Toyota 2004

Toyota Municipal Museum of Art, Toyota. Water Level of Image: Transformation and Reflection of Narcissus. Toyota: Toyota Municipal Museum of Art, 2004. Exhibition catalogue. (2004 Toyota Municipal Museum of Art).

 

Trauring 2014a

Trauring, Michelle. “Roy Lichtenstein Returns.” The Southampton Press (New York), April 10, 2014, pp. B1, B3.

 

Trauring 2014b

Trauring, Michelle. “Brushtroke Brilliance.” The Southampton Press, April 24, 2014, B1, B3.

 

Treu and Schmidt 1976

Treu, Erwin, and Johann Karl Schmidt. Studio f: Sammlung Kurt Fried. Ulm: Ulmer Museum, 1976. Exhibition catalogue. (1976 Ulm Ulmer Museum).

 

Troelsen 1988

Troelsen, Anders. “Dette er (ikke) et billede: Rammer for en analyse af et Roy Lichtenstein-maleri.” Konsthistorisk tidskrift/Journal of Art History (Stockholm) 57, no. 2 (1988), pp. 79–88.

 

Troelsen 1994

Troelsen, Anders. Mod modernismen: Analyser af moderne kunst. Århus, Denmark: Aarhus Universitetsforlag, 1994.

 

Tröster 1994

Tröster, Christian. “Die Jahre vor Pop.” Vernissage Köln. Special issue, Roy Lichtenstein in München, no. 9 (September 1994), pp. 8–14.

 

Trotta 1966

Trotta, Geri. “Not to Be Missed: The American Art Scene.” Harper’s Bazaar 99, no. 3,056 (July 1966), pp. 80–85.

 

Truffaut 1994

Truffaut, Serge. “Lichtenstein: Le Roy du Pop.” Le devoir (Montreal), May 28–29, 1994, C1–2.

 

M. Tuchman 1970

Tuchman, Maurice. “Art and Technology.” Art in America 58, no. 2 (March 1970), pp. 78–79.

 

M. Tuchman 1971a

Tuchman, Maurice. Art and Technology: A Report on the Art and Technology Program of the Los Angeles County Museum of Art, 1967–1971. Los Angeles: Los Angeles County Museum of Art; New York: Viking Press, 1971. Exhibition catalogue.

 

M. Tuchman 1971b

Tuchman, Maurice. “An Introduction to ‘Art and Technology.” Studio International 181, no. 932 (April 1971), pp. 173–80.

 

M. Tuchman 1971c

Tuchman, Maurice. “Roy Lichtenstein.” In Art and Technology: A Report on the Art and Technology Program of the Los Angeles County Museum of Art, 1967–1971, by Tuchman, pp. 194–99. Los Angeles: Los Angeles County Museum of Art; New York: Viking Press, 1971. Exhibition catalogue. (1970b Osaka Expo).

 

P. Tuchman 1970

Tuchman, Phyllis. “American Art in Germany: The History of a Phenomenon.” Artforum 9, no. 3 (November 1970), pp. 58–69.

 

P. Tuchman 1974

Tuchman, Phyllis. “Pop! Interviews with George Segal, Andy Warhol, Roy Lichtenstein, James Rosenquist, and Robert Indiana.” ARTnews 73, no. 5 (May 1974), pp. 24–29.

 

Tucker 2006

Tucker, Paul H. DoubleTake: From Monet to Lichtenstein, 28 Masterworks from the Paul Allen Family Collection. Seattle: Experience Music Project, 2006. Exhibition catalogue. (2006 Seattle Experience Music).

 

Joyceline Tully 2012

Tully, Joyceline. “Striptease: The Appeal and Irony of Roy Lichtenstein’s Comic-Strip Inspirations.” SC [Global Development Ltd.] (Singapore) (September–November 2012), pp. 36–37.

 

Judd Tully 1980

Tully, Judd. “Artists on Picasso.” Horizon 23, no. 4 (April 1980), pp. 48–50.

 

Judd Tully 1981

Tully, Judd. “Lichtenstein.” Horizon 24, no. 9 (September 1981), pp. 40–51.

 

Judd Tully 1987

Tully, Judd. “Sydney and Frances Lewis – The Quest for the Best in Art.'” Smithsonian (Washington, D.C.) 18, no. 8 (November 1987).

 

Judd Tully 1997

Tully, Judd. “Roy Lichtenstein, 1923–1997.” Art and Auction 20, no. 3 (November 1997), pp. 20–22.

 

Judd Tully 2005

Tully, Judd. “Sales Preview.” Art and Auction 29, no. 3 (November 2005), p. 210.

 

Tunner 1982

Tunner, Stefan. “Roy Lichtenstein.” Exposé (Remscheid) (October–November 1982), pp. 4–5.

 

Tunnicliffe and Jaspers 2014

Tunnicliffe, Wayne and Anneke Jaspers, eds. Pop to Popism. Sydney: Art Gallery of New South Wales, 2014. Exhibition catalogue. (2014 Sydney AGNSW).

 

Türk 2000

Türk, Klaus. Bilder der Arbeit: Eine ikonografische Anthologie. Wiesbaden: Westdeutscher Verlag, 2000.

 

Türr 1994

Türr, Karina. Farbe und Naturalismus in der Skulptur des 19. und 20. Jahrhunderts: Sculpturae vitam insufflat pictura. Mainz: P. von Zabern, 1994.

 

Tuten 1967a

Tuten, Frederic. “Books.” Arts Magazine (New York) 41, no. 4 (February 1967), p. 27.

 

Tuten 1967b

Tuten, Frederic. “In the Galleries: Castelli: Ten Years.” Arts Magazine (New York) 41, no. 5 (March 1967), pp. 56–57.

 

Tuten 1967c

Tuten, Frederic. “In the Galleries: Lichtenstein: Painting and Sculpture.” Arts Magazine (New York) 42, no. 1 (September–October 1967), p. 57.

 

Tuten 1967d

Tuten, Frederic. “In the Museums: Art in Process.” Arts Magazine (New York) 41, no. 6 (April 1967), pp. 54–55.

 

Tuten 1967e

Tuten, Frederic. “In the Museums: Art of the Sixties.” Arts Magazine (New York) 42, no. 1 (September–October 1967), pp. 51–52.

 

Tuten 1969a

Tuten, Frederic. “Art and Technology in California.” Vogue 153, no. 8 (April 15, 1969), p. 36.

 

Tuten 1969b

Tuten, Frederic. Lichtenstein at Gemini. Los Angeles: Gemini G.E.L. 1969.

 

Tuten 1986a

Tuten, Frederic. Roy Lichtenstein, Brushstrokes: Six Painted Reliefs. Mount Kisco, N.Y.: Tyler Ltd. 1986. Exhibition catalogue. (1987 Boston Segal).

 

Tuten 1986b

Tuten, Frederic. Roy Lichtenstein: Sculpture and Graphics, 1980–1986. Stockholm: Thordén Wetterling Galleries, 1986. Exhibition catalogue. (1986 Stockholm Wetterling).

 

Tuten 1991

Tuten, Frederic. Roy Lichtenstein/Frank Stella. Basel: Galerie Beyeler, 1991. Exhibition catalogue. (1991a Basel Galerie Beyeler).

 

Tuten 1992a

Tuten, Frederic. “Lichtenstein’s Lilies.” In Roy Lichtenstein: Water Lilies, by Saff Tech Arts, Oxford, Md., and Knoedler and Company, New York, unpaginated. Oxford, Md.: Saff Tech Arts; New York: Knoedler and Co. 1992. Exhibition catalogue.

 

Tuten 1998a

Tuten, Frederic. “Beauty Secrets.” Artforum International 36, no. 5 (January 1998), pp. 9–10.

 

Tuten 1998b

Tuten, Frederic. Roy Lichtenstein’s Last Still Life. Ithaca, N.Y.: Herbert F. Johnson Museum of Art, Cornell University, 1998. Exhibition catalogue. Unpaginated. (1998 Ithaca Johnson).

 

Tuten 1998c

Tuten, Frederic. Roy Lichtenstein’s Last Still Life. Milan: Galleria Lawrence Rubin, 1998. Exhibition catalogue. Alternate edition: Oxford, Md.: Saff and Company, 1998. Unpaginated. (1998 Ithaca Johnson).

 

Tuten 2001

Tuten, Frederic. “Roy’s Black and Whites.” In Roy Lichtenstein: Early Black and White Paintings, by Gagosian Gallery, New York, pp. 35–52. New York: Gagosian Gallery, 2001. Exhibition catalogue.

 

Tuten 2005

Tuten, Frederic. “The Conversation: Self Portrait with Cheese.” In Roy Lichtenstein: Conversations with Surrealism, by Mitchell-Innes and Nash, New York, unpaginated. New York: Mitchell-Innes and Nash, 2005. Exhibition catalogue.

 

Tuten 2010a

Tuten, Frederic. “Five Studies and Some Musical Notes.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio, pp. 87–93. Milan: Skira Editore, 2010. Exhibition catalogue.

 

Tuten 2010b

Tuten, Frederic. “Cinque Studie e Alcune Note Musicali.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio, pp. 87–93. Milan: Skira [Italian edition], 2010. Exhibition catalogue. Essay translated from the English by Michael Haggerty.

 

Tuten 2010c

Tuten, Frederic. “Fünf Ateliers und ein paar Noten.” In Lichtenstein: Kunst als Motiv, edited by Gianni Mercurio, pp. 87–93. Cologne: DuMont, 2010. Exhibition catalogue.

 

Tyler Graphics 1976

Roy Lichtenstein: Entablature Series. Bedford, N.Y.: Tyler Graphics Ltd. 1976. Unpaginated. (1976 New York Castelli Graphics).

 

Tyler Graphics 1994

Tyler Graphics Ltd. Roy Lichtenstein: Nudes. Mount Kisco, N.Y.: Tyler Graphics Ltd. 1994. Exhibition catalogue. (1994 Mount Kisco Tyler).

 

Tøjner 2003a

Tøjner, Poul Erik. “Fra idé til i dag.” Louisiana magasin (Humlebaek, Denmark), no. 10 (August 2003), pp. 2–7.

 

Tøjner 2003b

Tøjner, Poul Erik. “I Know How You Must Feel . . . .” In Roy Lichtenstein: All about Art, edited by Michael Juul Holm, Tøjner, and Martin Caiger-Smith, pp. 10–31. Humlebaek, Denmark: Louisiana Museum of Modern Art, 2003. Exhibition catalogue.

 

Tøjner 2003c

Tøjner, Poul Erik. “Lichtenstein på Louisiana.” Louisiana revy (Humlebaek, Denmark), no. 44 (August 1, 2003), pp. 4–7.

 

U.S. Academic Decathlon 1999a

United States Academic Decathlon, Los Alamitos, Calif. “Goldfish Bowl II.” In Innovations in the Fine Arts 1999, pp. 30–31. Los Alamitos, Calif.: United States Academic Decathlon, 1999.

 

U.S. Academic Decathlon 1999b

United States Academic Decathlon, Los Alamitos, Calif. Innovations in the Fine Arts 1999. Los Alamitos, Calif.: United States Academic Decathlon, 1999.

 

U.S. Embassy 1965

United States Embassy, Paris. U.S.A. nouvelle peinture: Exposition itinerante, 1965–66. Paris: American Embassy, 1965. Exhibition catalogue. (1965 Paris U.S. Embassy).

 

Uhl 2015

Uhl, Katharina. Kaleidoskop der Moderne: Chagall, Miró, Picasso und die Avantgarde. Vienna: Verlag für Moderne Kunst, 2015. Exhibition catalogue. (2015 Schwerin Staatliches Museum).

 

Ullén 1964

Ullén, Jan Olov. “Detta är pop-konst: Ölburkar och seriefigurer!” Stockholm-Tidningen, February 28, 1964, p. 26.

 

Ullman 2013

Ullmann, Charlotte. “Les aventures plastiques de Roy Lichtenstein.” Beaux Arts Éditions (June 2013), pp. 22–35.

 

Umland 1998

Umland, Anne. Pop Art: Selections from the Museum of Modern Art. Atlanta: High Museum of Art, 1998. Exhibition catalogue. (1998 Atlanta High).

 

Unger 1997

Unger, Miles. “Museum of Fine Arts: Roy Lichtenstein: Landscapes in the Chinese Style.” Art New England 18 (June–July 1997), p. 51.

 

UNH 1969

Scudder Art Gallery, Paul Creative Arts Center, University of New Hampshire, Durham. The Rose Art Museum Collection, Brandeis University at New Hampshire, Scudder Gallery, Paul Creative Arts Center, April 14–May 5. Durham, N.H.: Scudder Gallery, Paul Creative Arts Center, University of New Hampshire, 1969. Exhibition catalogue. (1969 Durham, N.H., Scudder).

 

University of California, Irvine 1969

Art Gallery, University of California, Irvine. New York: The Second Breakthrough, 1959–1964. Irvine: University of California, Irvine, 1969. Exhibition catalogue. (1969 Irvine University of California).

 

University of Colorado 1967

Department of Fine Arts, University of Colorado, Boulder. L.A.–N.Y. Drawings of the 1960’s. Boulder: University of Colorado, Boulder, 1967. Exhibition catalogue. (1967 Boulder University of Colorado).

 

University of Iowa Museum of Art 1975

University of Iowa Museum of Art, Iowa City. An Artist Collects: Ulfert Wilke, Selections from Five Continents. Iowa City: University of Iowa Museum of Art, 1975. Exhibition catalogue. (1975 Iowa City University of Iowa).

 

University of Maryland 1970

Art Gallery, University of Maryland, College Park. Editions in Plastic: An International Survey of Works of Art Involving the Use of Plastic and Published in Editions. College Park: University of Maryland, 1970. Exhibition catalogue. (1970 College Park University of Maryland).

 

University of North Carolina, Charlotte 2007

University of North Carolina, Charlotte. The Lona-Frey Collection at Rowe Arts Gallery. Charlotte: University of North Carolina, Charlotte, 2007. Exhibition catalogue. (2007 Charlotte Rowe).

 

University of Rhode Island 1964

University of Rhode Island, Kingston, R.I. Watercolors, Drawings and Collages from the Collection of Richard Brown Baker. Kingston, R.I.: University of Rhode Island, 1964.

 

University of South Florida 1967

University of South Florida, Tampa. Mid-Twentieth Century Drawings and Collages: A Selection from the Collection of Richard Brown Baker. Tampa: University of South Florida, 1967. Exhibition catalogue. (1967 Tampa USF).

 

University of Texas 1966

University Art Museum, University of Texas, Austin. Drawings &. Austin: University of Texas, Austin, 1966. Exhibition catalogue. (1966 Austin University of Texas).

 

University of Wyoming Art Museum 2005

University of Wyoming Art Museum, Laramie. Toro!! The Bull in Human History, Art, and Sports. Laramie: University of Wyoming Art Museum, 2005. Exhibition catalogue. (2005 Laramie UWAM).

 

Unruh 1994

Unruh, Rainer. “Jung, sexy und trickreich.” Vernissage Köln. Special issue, Roy Lichtenstein in München, no. 9 (September 1994), pp. 60–66.

 

Updike 1993

Updike, John. “Big, Bright and Bendayed.” The New York Review of Books 60, no. 21 (December 16, 1993), pp. 4–6.

 

Updike 2000

Updike, Robin. “Pop Star: There was nothing slapdash about Roy Lichtenstein’s art.” The Seattle Times, January 20, 2000, p. E5.

 

USIS Gallery 1977

United States Information Service Gallery, American Embassy, London. American Art at Home in Britain: The Last Four Decades. London: United States Information Service Gallery and Contemporary Art Society, 1977. Exhibition catalogue. (1977 London American Embassy).

 

B. Valentin 1994

Valentin, Beate. “Das Kunstwerke im Kreislauf der Warenwelt.” Handelsblatt (Dusseldorf), November 11, 1999.

 

É. Valentin 1991

Valentin, Éric. “Les ‘Brushstrokes’ selon Arthur Danto.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 94–108.

 

Vallese 2003

Vallese, Gloria. “Come si diventa un Lichtenstein.” Arte (Milan), no. 362 (October 2003), pp. 120–27.

 

van Bruggen 1985

van Bruggen, Coosje. “Gerhard Richter: Painting As a Moral Act.” Artforum International 23, no. 9 (May 1985), pp. 82–91.

 

van Caldenborgh and Roesink 1993

van Caldenborgh, Yvette, and Macha Roesink. A Collection: Made in the U.S.A. Translated from the Dutch by Lynn George. Rotterdam: Caldic Collection, 1993. Exhibition catalogue.

 

van den Haag 1971

van den Haag, Ernest. “Art and the Mass Audience.” Art in America 59, no. 4 (July–August 1971), p. 55.

 

van der Marck 1968

van der Marck, Jan. Violence in Recent American Art. Chicago: Museum of Contemporary Art, 1968. Exhibition catalogue. Unpaginated. (1968b Chicago MCA).

 

van der Marck 1973

van der Marck, Jan. American Art: Third Quarter Century. Seattle: Seattle Art Museum, 1973. Exhibition catalogue. (1973 Seattle Art Museum).

 

van der Marck 1998

van der Marck, Jan. Art and the American Experience. Kalamazoo: Kalamazoo Institute of Arts, 1998. Exhibition catalogue. (1998 Kalamazoo Institute).

 

van Gelder 2000a

van Gelder, Lawrence. “Footlights: Look Again.” New York Times, January 13, 2000, p. E1.

 

van Gelder 2000b

van Gelder, Lawrence. “Footlights: Production Lines.” New York Times, May 31, 2000, p. E1.

 

van Gelder 2001

van Gelder, Lawrence. “Footlights: Double Take.” New York Times, December 6, 2001, p. E1.

 

van Gelder 2002a

van Gelder, Lawrence. “Footlights: Good Works.” New York Times, January 17, 2002, p. E1.

 

van Gelder 2002b

van Gelder, Lawrence. “Footlights: On the Wall.” New York Times, September 4, 2002, p. E1.

 

van Gelder 2002c

van Gelder, Lawrence. “Footlights: Sea Sight.” New York Times, May 16, 2002, p. E1.

 

van Gelder 2003

van Gelder, Lawrence. “Arts Brief: On Its Roof: Lichtenstein.” New York Times, April 30, 2003, p. E2.

 

Vanidades 1987

“Roy Lichtenstein en Nueva York.” Vanidades (Mexico City) (Fall 1987).

 

Varian 1965

Varian, Elayne H. Art in Process: The Visual Development of a Painting. New York: Finch College Museum of Art, 1966. Exhibition catalogue. (1965 New York Finch).

 

Varian 1967

Varian, Elayne H. Art in Process: The Visual Development of a Collage. New York: Finch College Museum of Art, 1967. Exhibition catalogue. (1967 New York Finch).

 

Varian 1973

Varian, Elayne H. The Private Collection of Martha Jackson. [College Park, Md.]: [University of Maryland Art Gallery], 1973. Exhibition catalogue. (1973 College Park University of Maryland).

 

Varian 1982

Varian, Elayne H. 20/20: Twenty Galleries, Twenty Years. New York: Grace Borgenicht Gallery, 1982. Exhibition catalogue. (1982 New York Borgenicht/Dintenfass).

 

Varnedoe 1976

Varnedoe, Kirk. “The Self and Others in Modern Portraits.” ARTnews 75, no. 8 (October 1976), pp. 64–67, 69–70.

 

Varnedoe 1990

Varnedoe, Kirk. A Fine Disregard: What Makes Modern Art Modern. New York: Harry N. Abrams, 1990.

 

Varnedoe and Gopnik 1990a

Varnedoe, Kirk, and Adam Gopnik. High and Low: Modern Art and Popular Culture. New York: Museum of Modern Art, 1990. Exhibition catalogue. (1990 New York MoMA).

 

Varnedoe and Gopnik 1990b

Varnedoe, Kirk, and Adam Gopnik, eds. Modern Art and Popular Culture: Readings in High and Low. New York: Harry N. Abrams, 1990. (1990 New York MoMA).

 

Vasarely et al. 2001

Vasarely, Victor, et al. Digital Premonition: The Charles Simonyi Collection. [U.S.]: [publisher not identified], [2001?].

 

Venable 2017

Venable, Charles. Newfields: a place for nature & the arts. Indianapolis: Indianapolis Museum of Art, 2017.

 

Venet 2011

Venet, Diane, ed. From Picasso to Jeff Koons: The artist as jeweler. Milan: Skira, 2011. Exhibition catalogue. (2011 New York MAD).

 

Venezia 2001

Venezia, Mike. Roy Lichtenstein. Getting to Know the World’s Greatest Artists. New York: Children’s Press, 2001.

 

Verlomme 1975

Verlomme, Hugo. “Roy Lichtenstein et le secret de la Grande pyramide.” Le quotidien de Paris, January 16, 1975.

 

Vernissage Köln 1994

Vernissage Köln. Special issue, Roy Lichtenstein in München, no. 9 (September 1994).

 

Vienna MUMOK 1979a

Museum Moderner Kunst, Vienna. Museum moderner Kunst: Kunst der letzten 30 Jahre. Vienna: Gesellschaft der Freunde des Museums Moderner Kunst, 1979.

 

Vienna MUMOK 1979b

Museum Moderner Kunst, Vienna. Museum moderner Kunst, Sammlung Ludwig. Vienna: Gesellschaft der Freunde des Museums Moderner Kunst, 1979.

 

Vienna MUMOK 2001

Die Sammlung: Museum moderner Kunst Stiftung Ludwig Wien. Vienna: Museum Moderner Kunst Stiftung Ludwig, 2001.

 

Viladas 1986

Viladas, Pilar. “Equitable: Art for All.” Progressive Architecture 67, no. 5 (May 1986), pp. 25–26.

 

Village Star 1992

“With a Little Help from Our Friends.” Village Star (New York) (Spring 1992), p. 4.

 

Virginia Museum of Fine Arts 1974

Twelve American Painters. Richmond: Virginia Museum of Fine Arts, 1974. (1974 Richmond, Va., VMFA).

 

Virilio 1979

Virilio, Paul. “Der Beschleunigungs-Staat oder, Vom Wohnsitz zum Schleudersitz.” In Panik Stadt, ed. Centre de Création Industrielle and Ulrich Conrads. Braunschweig: F. Vieweg, 1979.

 

Vivaldi 1963

Vivaldi, Cesare. “A proposito di ‘nuova figurazione.'” Almanacco letterario Bompiani (1963).

 

Vogel 2014

Vogel, Carol. “Inside Art.” New York Times, June 20, 2014, p. C22.

 

C. Vogel 1993

Vogel, Carol. “Making the Best of Lean Times at the Auctions.” New York Times, April 30, 1993, C1, C32.

 

C. Vogel 1995a

Vogel, Carol. “Inside Art: Christie’s Contemporary Sale.” New York Times, May 5, 1995, p. C24.

 

C. Vogel 1995b

Vogel, Carol. “Inside Art: Didn’t Leave Home.” New York Times, January 13, 1995, p. C28.

 

C. Vogel 1995c

Vogel, Carol. “Inside Art: Expensive in Tokyo.” New York Times, July 14, 1995, p. C24.

 

C. Vogel 1995d

Vogel, Carol. “Inside Art: Loyalty to Art and Yale.” New York Times, June 9, 1995, p. C26.

 

C. Vogel 1995e

Vogel, Carol. “Second Night of Caution at Auction.” New York Times, May 4, 1995, p. C19.

 

C. Vogel 1997a

Vogel, Carol. “Inside Art: A Stocking Full of Art.” New York Times, January 10, 1997, p. A24.

 

C. Vogel 1997b

Vogel, Carol. “Pop Art Rules at Week’s Second Auction.” New York Times, May 8, 1997, p. B7.

 

C. Vogel 1998

Vogel, Carol. “Inside Art: Lichtenstein Gets His Wish.” New York Times, January 16, 1998, p. E38.

 

C. Vogel 1999

Vogel, Carol. “Inside Art: Lichtenstein Collection.” New York Times, June 4, 1999, p. E30.

 

C. Vogel 2000

Vogel, Carol. “Inside Art: Auctioneers Trading Up.” New York Times, February 4, 2000, p. E30.

 

C. Vogel 2001a

Vogel, Carol. “High Energy and Prices at Contemporary-Art Sale.” New York Times, November 15, 2001, p. D9.

 

C. Vogel 2001b

Vogel, Carol. “Inside Art: A Plum to Sotheby’s.” New York Times, July 13, 2001, p. E29.

 

C. Vogel 2001c

Vogel, Carol. “Inside Art: At One Stroke.” New York Times, October 12, 2001, p. E32.

 

C. Vogel 2001d

Vogel, Carol. “Inside Art: Lichtenstein’s Legacy.” New York Times, January 26, 2001, p. E33.

 

C. Vogel 2002a

Vogel, Carol. “Art and Anxiety: Economic Fears Cast Shadows over Fall Auctions.” New York Times, October 31, 2002, E1, E5.

 

C. Vogel 2002b

Vogel, Carol. “Auction Season’s Finale Sets Records for 6 Artists.” New York Times, November 14, 2002, p. B12.

 

C. Vogel 2002c

Vogel, Carol. “Inside Art: Gifts to Modern Honor Varnedoe.” New York Times, February 1, 2002, p. E34.

 

C. Vogel 2002d

Vogel, Carol. “Inside Art: Next Stop, Times Square.” New York Times, July 5, 2002, p. E32.

 

C. Vogel 2002e

Vogel, Carol. “The Modern Gets a Trove from Corporate Collection.” New York Times, April 11, 2002, E1, E3.

 

C. Vogel 2002f

Vogel, Carol. “Seagram’s Owners Are Preparing Its Art Collection for Auction.” New York Times, December 12, 2002, E1, E12.

 

C. Vogel 2002g

Vogel, Carol. “With Huge Gift, the Whitney Is No Longer a Poor Cousin.” New York Times, August 3, 2002, A1, B15.

 

C. Vogel 2003a

Vogel, Carol. “An Art Collection Grows on a Maryland Farm.” New York Times, August 18, 2003, E1, E5.

 

C. Vogel 2003b

Vogel, Carol. “Inside Art: A Lichtenstein for Washington.” New York Times, January 10, 2003, p. E43.

 

C. Vogel 2003c

Vogel, Carol. “Inside Art: Raising Lichtenstein in Manhattan.” New York Times, November 17, 2003, E31–E32.

 

C. Vogel 2004

Vogel, Carol. “Sotheby’s Tops Estimate with 100 Percent Sale Result.” New York Times, May 13, 2004, p. B6.

 

C. Vogel 2005a

Vogel, Carol. “Lichtenstein Drawings for the National Gallery.” New York Times, April 8, 2005, p. E30.

 

C. Vogel 2005b

Vogel, Carol. “Noted Collections Bolster Christie’s Fall Sales.” New York Times, October 27, 2005, E1, E7.

 

C. Vogel 2005c

Vogel, Carol. “Two Pop Beauties Face Off, and Warhol’s ‘Liz’ Wins.” New York Times, May 11, 2005, p. B4.

 

C. Vogel 2006

Vogel, Carol. “Missing Indians Join Lichtenstein Show.” New York Times, September 22, 2006, p. E26.

 

M. Vogel 1997

Vogel, Matthias. “Schachtelträume ganz flach.” Neue Zürcher Zeitung, January 10, 1997.

 

Vogt 1981

Vogt, Paul. Contemporary Painting. Translated from the German by Robert Erich Wolf. New York: Harry N. Abrams, 1981.

 

Vogue 1987

“Screens by Artists: Revealing, Concealing, Anything but Modest.” Vogue (New York) (March 1987).

 

von Arnim 1981

von Arnim, Gabriele. “Long Island: Wo New Yorks Malerfürsten leben.” Art: Das Kunstmagazin (Hamburg), no. 1 (January 1981), pp. 20–39.

 

von Arnim 1986

von Arnim, Gabriele (photographs by Abe Frajndlich). “Roy Lichtenstein.” Frankfurter allgemeine Magazin, February 7, 1986, pp. 10–17.

 

von der Osten and Keller 1971

von der Osten, Gerd, and Horst Keller, eds. Kunst der sechziger Jahre/Art of the Sixties: Sammlung Ludwig im Wallraf-Richartz-Museum. 5th ed. Cologne: Wallraf-Richartz-Museum, 1971.

 

von Groschwitz 1967

von Groschwitz, Gustave. 1967: Pittsburgh International. Pittsburgh: Museum of Art, Carnegie Institute, 1967. Exhibition catalogue. (1967 Pittsburgh Carnegie).

 

von Hassell 1988

von Hassell, Christa. “Ein Pop-Star kommt zurück.” Pan (Offenburg), no. 7 (September 1988), pp. 62–67.

 

von Kageneck 1980

von Kageneck, Christian. “Pop-Art.” Das Kunstwerk 33, no. 4 (1980), p. 69.

 

von Malotki 1982

von Malotki, Hans T. “ERCO Lichtbericht.” Special issue, Museum Abteiberg Mönchengladbach: Kunst, Architektur und Licht, no. 15 (October 1982), pp. 2–21.

 

von Meier 1966

von Meier, Kurt. “Los Angeles–San Francisco Letter.” Art International 10, no. 7 (September 15, 1966), pp. 39–42.

 

von Meier 1967a

von Meier, Kurt. “Los Angeles: American Sculpture of the Sixties.” Art International 11, no. 6 (Summer 1967), pp. 64–68.

 

von Meier 1967b

von Meier, Kurt. “Los Angeles.” Art International 11, no. 8 (October 20, 1967), pp. 57–61.

 

von Meier 1967c

von Meier, Kurt. Mixed Masters. Houston: University of St. Thomas, 1967. Exhibition catalogue. (1967 Houston St. Thomas).

 

von Richthofen 1991

von Richthofen, Alice. “Punkt, Punkt, Pinselstrich: Entgegen aller Trends und Moden bleibt Lichtenstein immer Lichtenstein.” Überblick (Düsseldorf), no. 10 (October 1991), p. 84.

 

Vorwerk & Co. Teppichwerke 2008

Vorwerk & Co. Teppichwerke. Zeit Raum 125/Time Espaces 125. Hameln: Vorwerk & Co. Teppichwerke, 2008.

 

Vrij Nederland 1967

“Roy Lichtenstein: We waren trouwens niet zo pop als Iedereen dacht.” Vrij Nederland (Amsterdam) (November 11, 1967).

 

Wachmeister 1997a

Wachmeister, Marika. “Roy Lichtenstein: En lågmäld popkonstnär.” Femina (Sweden), no. 8 (August 1994), pp. 94–99.

 

Wachmeister 1997b

Wachmeister, Marika. “Saknaden av en odödig.” Kristianstadsbladet, October 9, 1997, p. 5.

 

Wachunas 1995

Wachunas, Tom. “Roy Lichtenstein.” Dialogue 18, no. 6 (November–December 1995), p. 18.

 

Waddington 1985

Waddington Galleries, London. Groups VIII. London: The Galleries, c. 1984. Exhibition catalogue. (1985 London Waddington).

 

Waddington 1988

Waddington Galleries, London. Twentieth-Century Works. London: Waddington Galleries, 1988. Exhibition catalogue. (1988 London Waddington).

 

Waddington 1989

Waddington Galleries, London. Roy Lichtenstein: Brushstroke Figures, 1987–1989. London: Waddington Graphics in association with GraphicStudio, Tampa, 1989. Exhibition catalogue. (1989 London Waddington).

 

Wadsworth 1964

Wadsworth Atheneum, Hartford, Conn. Ten Works/Ten Painters. Hartford, Conn.: Wadsworth Atheneum, 1964.

 

Wadsworth 1984

Wadsworth Atheneum, Hartford, Conn. The Tremaine Collection: 20th Century Masters, the Spirit of Modernism. Hartford, Conn.: Wadsworth Atheneum, 1984. Exhibition catalogue. (1984 Hartford Wadsworth).

 

Wadsworth 2001

Wadsworth Atheneum Museum of Art, Hartford, Conn. Noncomposition: Fifteen Case Studies. Hartford, Conn.: Wadsworth Atheneum Museum of Art, 2001. Exhibition brochure. (2001–02 Hartford Wadsworth).

 

Wagstaff 2012

Wagstaff, Sheena. “Late Nudes.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Wagstaff, pp. 94–104. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

Samuel Wagstaff 1964

Wagstaff, Samuel J. “Paintings to Think About.” ARTnews 62, no. 9 (January 1964), pp. 38, 62.

 

Samuel Wagstaff 1966

Wagstaff, Samuel J. Multiples Gallery, Inc. New York: Multiples Gallery, 1966. Exhibition catalogue.

 

Sheena Wagstaff 1987

Wagstaff, Sheena. Comic Iconoclasm: An Exhibition. London: Institute of Contemporary Arts, 1987. Exhibition catalogue. (1987 London ICA).

 

Wäinö Aaltonen Museo 2003

Wäinö Aaltonen Museo, Turku. Pop International. Keuruu, Finland: Otavan Kirjapaino Oy, 2003. Exhibition catalogue. (2003 Turku Wäinö Aaltonen).

 

Waite 1968

Waite, Margaret. “The Total Museum: A Twentieth Century Concept.” Art Calendar (Los Angeles) 2, no. 9 (September–October 1968), pp. 21–34.

 

Wakabayashi, Shirao, and Kamino 2003

Wakabayashi, Naoki, Ryūtarō Shirao, and Yoshiharu Kamino, ed. Imēji henshū (Editing images). Tokyo: Musashino Bijutsu Daigaku Shuppankyoku, 2003.

 

Waldman 1967

Waldman, Diane. “Remarkable Commonplace.” ARTnews 66, no. 6 (October 1967), pp. 28–31, 65–67.

 

Waldman 1970

Waldman, Diane. “Introduction.” In Roy Lichtenstein: Drawings and Prints, by Paul Bianchini. 1st ed. Lausanne: Publications IRL, 1970. 2nd ed. New York: Chelsea House Publishers, [1970]. 3rd ed. Secaucus, N.J.: Wellfleet Books, 1988.

 

Waldman 1971

Waldman, Diane. Roy Lichtenstein. New York: Harry N. Abrams, 1971.

 

Waldman 1974–75

Waldman, Diane. “Une interview de Lichtenstein.” Art Press, no. 15 (December 1974–January 1975), pp. 6–7.

 

Waldman 1976

Waldman, Diane. Twentieth-Century American Drawing: Three Avant-Garde Generations. New York: Solomon R. Guggenheim Foundation, 1976. Exhibition catalogue. (1976a New York Guggenheim).

 

Waldman 1985

Waldman, Diane. Transformations in Sculpture: Four Decades in American and European Art. New York: Solomon R. Guggenheim Foundation, 1985. Exhibition catalogue. (1985 New York Guggenheim).

 

Waldman 1993a

Waldman, Diane. Roy Lichtenstein. New York: Solomon R. Guggenheim Foundation, 1993. Exhibition catalogue. Dutch and French supplements published in 1995 for the Brussels venue with summaries of Waldman’s catalogue essay and lists of additional artworks exhibited there. (1993 New York Guggenheim).

 

Waldman 1993b

Waldman, Diane. Roy Lichtenstein. Rizzoli Art Series. New York: Rizzoli, 1993.

 

Waldman 1993c

Waldman, Diane. “Wham! Blam! Pow! Roy Lichtenstein!” ARTnews 92, no. 9 (November 1993), pp. 134–39.

 

Waldman 1994

Waldman, Diane. Roy Lichtenstein. New York: Solomon R. Guggenheim Foundation, 1994. Exhibition catalogue. Supplement published for Munich venue with list of additional artworks exhibited there. (1993 New York Guggenheim).

 

Waldman 1999

Waldman, Diane. Roy Lichtenstein, Riflessi/Reflections. Milan: Electa, 1999. Exhibition catalogue. (1999 Rome del Bramante).

 

Waldman 2000

Waldman, Diane. Roy Lichtenstein: Spiegelbilder 1963–1997. Wolfsburg: Kunstmuseum Wolfsburg, 2000. Exhibition catalogue. (1999 Rome del Bramante).

 

Wall 1988

Wall, Åsa. “Popkonstens ironiske mästare här.” Svenska dagbladet (Stockholm), October 28, 1988.

 

Wallace 2013

Wallace, Ian. “Something to Do: Manufacturing Roy Lichtenstein’s Sculptures.” In Lichtenstein Sculptor, by Germano Celant, pp. 33–37. Milan: Skira Editore, 2013. Exhibition catalogue.

 

Wallach 1981

Wallach, Amei. “Lichtenstein and Life after Pop.” New York Newsday, September 20, 1981, sec. 2.

 

Wallach 1986

Wallach, Amei. “Lobbying for Art.” New York Newsday, February 9, 1986, sec. 2, p. 4.

 

Wallach 1987

Wallach, Amei. “The Art behind His Anti-Art.” New York Newsday, March 15, 1987, sec. 2, pp. 4–5, 16.

 

Wallach 1992

Wallach, Amei. “At Lunch with Lichtenstein and Castelli: A Conversation with Roy and Leo.” New York Newsday, February 12, 1992, sec. 2, pp. 51–52.

 

Wallach 1993

Wallach, Amei. “Vrooming into Art History.” Fanfare (New York) (October 3, 1993).

 

Wallraf-Richartz 1970

Wallraf-Richartz-Museum. Romantik? Landschaft von dazumal bis PopRomantik? Landschaft von dazumal bis Pop. Cologne: [Wallraf-Richartz-Museum], 1970. Exhibition catalogue. (1970 Cologne Wallraf-Richartz).

 

Wallraf-Richartz 1981

Wallraf-Richartz-Museum, Cologne. Wallraf-Richartz-Jahrbuch: Westdeutsches Jahrbuch für Kunstgeschichte. Vol. 42. Cologne: E. A. Seemann, 1981.

 

Walsh 2011

Walsh, Dan. “The Entablatures.” In Entablature Paintings: Roy Lichtenstein, by Paula Cooper Gallery, New York, unpaginated. New York: Paula Cooper Gallery, 2011. Exhibition catalogue.

 

Walther 1995

Walther, Ingo F., ed. Malerei der Welt: Eine Kunstgeschichte in 900 Bildanalysen. Cologne: Taschen, 1995.

 

Walther 1998

Walther, Ingo F., ed. Kunst des 20. Jahrhunderts. Cologne: Taschen, 1998.

 

Warhol and Dalton 1966

Warhol, Andy, and David Dalton, eds. “12 Paintings from the Powers’ Collection.” Aspen, the Magazine in a Box (Roaring Fork Press, New York), no. 3, item 8 (December 1966).

 

Warhol and Hackett 1980

Warhol, Andy, and Pat Hackett. Popism: The Warhol Sixties. New York: Harcourt Brace Jovanovich, 1980.

 

Warnock 1967

Warnock, Anne E. 20th Century American Painting. Grand Rapids: Grand Rapids Art Museum, 1967. Exhibition catalogue. (1967 Grand Rapids Art Museum).

 

Warnod 1966

Warnod, Jeanine. “Peinture américaine en Europe.” Le figaro, June 30, 1966, p. 16.

 

Warnod 1975

Warnod, Jeanine. “Lichtenstein: les fonds de tiroir du pape du Pop’art.” Le figaro (Paris), January 14, 1975.

 

Washington Post 1966

“She Heads Symphony Ball Committee.” Washington Post, May 22, 1966, p. F3.

 

Watkins 1996

Watkins, Eileen. “Rutgers Artists Throw Housewarming Party.” Star-Ledger (Newark, N.J.), March 20, 1996, p. 50.

 

Watrous 1984

Watrous, James. American Printmaking: A Century of American Printmaking, 1880–1980. Madison: University of Wisconsin Press, 1984.

 

Wattolik 2005a

Wattolik, Eva. Die Parodie im Frühwerk Roy Lichtensteins: Comic-Gemälde 1961–1964. Weimar: Verlag und Datenbank für Geisteswissenchaften, 2005.

 

Wattolik 2005b

Wattolik, Eva. “Roy Lichtenstein and Parody: Countermelodies and Parallel Melodies.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider, pp. 70–73. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue.

 

Webb 1988

Webb, Gary. “Columbus ‘banana’ may split.” Plain Dealer (Cleveland), May 28, 1988, pp. 1–A, 12–A.

 

B. Weber 1997

Weber, Bruce. “Master Class.” L’uomo Vogue (June 1997), p. 312.

 

J. Weber 1970

Weber, Jürgen. Pop Art: Happenings und Neue Realisten. Munich: Heinz Moos Verlag, 1970.

 

Wedewer 1978

Wedewer, Rolf. Landschaftsmalerei zwischen Traum und Wirklichkeit: Idylle und Konflikt. Cologne: DuMont, 1978.

 

Weeks 1971

Weeks, Edward F. Contemporary Selections 1971. Birmingham, Ala.: Birmingham Museum of Art, 1971. Exhibition catalogue. (1971 Birmingham Museum of Art).

 

Wehn 1967

Wehn, F. Teri. “No Strings Attached’: The Janis Gift.” Art in America 55, no. 6 (November–December 1967), pp. 70–75.

 

Wehrlin 1968

Wehrlin, François. L’art vivant, 1965–1968. Saint-Paul-de-Vence, France: Fondation Maeght, 1968. Exhibition catalogue. (1968 Saint-Paul-de-Vence Maeght).

 

Weichardt 1972

Weichardt, Jürgen. “Neue Landschaft.” Magazin Kunst: Das deutschsprachige Kunstmagazin 12, no. 45 (1972).

 

Weideman 2006

Weideman, Paul. “Native Influence.” Pasatiempo: The New Mexican’s Weekly Magazine of Arts, Entertainment and Culture (Santa Fe), February 3–9, 2006, pp. 44–46.

 

Weigle 1963

Weigle, Edith. “The Wonderful World of Art: American Show Zaniest Yet.” Chicago Daily Tribune, January 6, 1963, p. F4.

 

Weinraub 2001

Weinraub, Bernard. “Power Meets Modern Art in Los Angeles.” New York Times, November 26, 2001, E1, E5.

 

Weintraub 1985

Weintraub, Linda. The Maximal Implications of the Minimal Line. Annandale-on-Hudson, N.Y.: Edith C. Blum Art Institute, Bard College, 1985. Exhibition catalogue. (1985a Annandale-on-Hudson Blum Art Institute).

 

Weintraub 1990

Weintraub, Linda, ed. Art What Thou Eat: Images of Food in American Art. Annandale-on-Hudson, N.Y.: Edith C. Blum Art Institute, Bard College; Mount Kisco, N.Y.: Moyer Bell Limited, 1990. Exhibition catalogue. (1990 Annandale-on-Hudson Blum Art Institute).

 

Weisman Foundation 2008

Frederick R. Weisman Philanthropic Foundation. Frederick R. Weisman Art Foundation Collection. Ed. Sylvia Lord. Los Angeles: Frederick R. Weisman Philanthropic Foundation, 2008.

 

E. Weiss and Kollberg 2001

Weiss, Evelyn, and Gerhard Kollberg, eds. Von Matisse bis Morimura: Werke aus der Sammlung Ludwig. Cologne: Museum Ludwig, 2001. Exhibition catalogue.

 

E. Weiss 1969

Weiss, Evelyn. “Kunst der 60er Jahre.” Artis: Zeitschrift für alte und neue Kunst (Bern) (October 1969), pp. 19–21.

 

E. Weiss 1971

Weiss, Evelyn. “Kunst in Kunst: Das Zitat in der Pop-Art.” Aachener Kunstblätter (1971), pp. 215–36.

 

E. Weiss 1973

Weiss, Evelyn. Prospect 73: Maler, Painters, Peintres. Düsseldorf: Städtische Kunsthalle Düsseldorf, 1973. Exhibition catalogue. (1973 Düsseldorf Städtische Kunsthalle).

 

M. Weiss 1995a

Weiss, Marion Wolberg. “Art Commentary: ‘The Prints of Roy Lichtenstein’ at the Parrish.” Dan’s Papers (Southampton, N.Y.) (September 29, 1995), p. 60.

 

M/ Weiss 1995b

Weiss, Marion Wolberg. “Honoring the Artist: Roy Lichtenstein.” Dan’s Papers (Southampton, N.Y.) (September 8, 1995), pp. 66, 73.

 

Welish 1971

Welish, Marjorie. “In the Museums: Lichtenstein at S.V.A.” Arts Magazine (New York) 46, no. 3 (December 1971–January 1972), p. 56.

 

Welish 1984

Welish, Marjorie. “Where Art Comes First.” House and Garden 156, no. 8 (August 1984), pp. 116–23, 166, 168.

 

Welsh 1966

Welsh, Robert. “The Growing Influence of Piet Mondrian.” Canadian Art 23, no. 1 (January 1966), pp. 44–49.

 

Wen 1989

Wen, George. “Hélène Bokanowski: Parquet and Pop.” ARTnews 88, no. 7 (September 1989), pp. 97–98, 100.

 

Wendler 1995

Wendler, Lutz. “Der Mensch als Bewußtseinsmaschine.” Weltstadt Hamburg, February 10, 1995, p. H6.

 

Wendover 1962

Wendover, Richard. “Art Exhibit Opens.” Union College Concordiensis (Schenectady), October 12, 1962, p. 3.

 

Westfälisches Volksblatt 1994

“Markanter Meister fast aller Stile.” Westfälisches Volksblatt, December 8, 1994.

 

Wetterling 1988

Heland Wetterling Gallery, Stockholm. Roy Lichtenstein: Imperfect. Stockholm: Heland Wetterling Gallery, 1988. Exhibition catalogue. Unpaginated. (1988 Stockholm Wetterling).

 

Weyergraf 1975

Weyergraf, Clara. “Städtisches Museum Mönchengladbach, Neuerwerbungen der Kunstmuseen in Nordrhein-Westfalen 1974.” In Wallraf-Richartz-Jahrbuch: Westdeutsches Jahrbuch für Kunstgeschichte, vol. 37, by Wallraf-Richartz-Museum, Cologne, p. 333. Cologne: E. A. Seemann, 1975.

 

Wheeler 1991

Wheeler, Daniel. Art since Mid-Century: 1945 to the Present. New York: Vendome Press, 1991.

 

Where 1999

“Reflections of a Pop Life.” Where (Rome) (December 1999), pp. 18–19.

 

Whitford 1974

Whitford, Frank. “Roy Lichtenstein: Parody and Paradox.” In Roy Lichtenstein: Recent Paintings, by Mayor Gallery, London. London: Mayor Gallery, 1974. Exhibition catalogue.

 

Whitford 1993

Whitford, Frank. “Repro Man.” Sunday Times (London), February 4, 1993, sec. 8, pp. 18–19.

 

Whiting 1992

Whiting, Cécile. “Borrowed Spots: The Gendering of Comic Books, Lichtenstein’s Paintings, and Dishwater Detergent.” American Art 6, no. 2 (Spring 1992), pp. 9–35.

 

Whiting 1996

Whiting, Cécile. “Pop at Home.” In Domesticity and Modernism, ed. Christopher Reed, pp. 81–94. London: Thames and Hudson, 1996.

 

Whiting 1997

Whiting, Cécile. A Taste for Pop: Pop Art, Gender, and Consumer Culture. Cambridge, England: Cambridge University Press, 1997.

 

Whitney 1966

Whitney, David. “La galerie souterraine de Philip Johnson.” Quadrum (Brussels), no. 20 (1966), pp. 155–58.

 

Whitney 1967

Whitney, David, ed. Leo Castelli: Ten Years. New York: Leo Castelli, 1967. Exhibition catalogue. Unpaginated. (1967a New York Castelli).

 

Whitney Museum 1965a

Whitney Museum of American Art, New York. 1965 Annual Exhibition: Contemporary American Painting. New York: Whitney Museum of American Art, 1965. Exhibition catalogue. Unpaginated. (1965b New York Whitney).

 

Whitney Museum 1965b

Whitney Museum of American Art, New York. A Decade of American Drawings, 1955–1965. New York: Whitney Museum of American Art. Exhibition catalogue. (1965a New York Whitney).

 

Whitney Museum 1966

Whitney Museum of American Art, New York. Annual Exhibition 1966: Contemporary Sculpture and Prints. New York: Whitney Museum of American Art, 1966. Exhibition catalogue. (1966–67 New York Whitney).

 

Whitney Museum 1967

Whitney Museum of American Art, New York. 1967 Annual Exhibition: Contemporary American Painting. New York: Whitney Museum of American Art, 1967. Exhibition catalogue. (1967 New York Whitney).

 

Whitney Museum 1969a

Whitney Museum of American Art, New York. 1969 Annual Exhibition: Contemporary American Painting. New York: Whitney Museum of American Art, 1969. Exhibition catalogue. Unpaginated. (1969b New York Whitney).

 

Whitney Museum 1969b

Whitney Museum of American Art, New York. Contemporary American Sculpture, Selection 2. New York: Whitney Museum of American Art, 1969. Exhibition catalogue. (1969a New York Whitney).

 

Whitney Museum 1972

Whitney Museum of American Art, New York. 1972 Annual Exhibition: Contemporary American Painting. New York: Whitney Museum of American Art, 1972. Exhibition catalogue. (1972 New York Whitney).

 

Whitney Museum 1973

Whitney Museum of American Art, New York. 1973 Biennial Exhibition: Contemporary American Art. New York: Whitney Museum of American Art, 1973. Exhibition catalogue. (1973a New York Whitney).

 

Whitney Museum 1975

Whitney Museum of American Art, New York. 25 STILLS. New York: Whitney Museum of American Art, 1975. Exhibition catalogue. (1975 New York Whitney Downtown).

 

Whitney Museum 1979

Whitney Museum of American Art. 1979 Biennial Exhibition. New York: Whitney Museum of American Art, 1979. Exhibition catalogue. (1979 New York Whitney).

 

Whitney Museum 1982

Whitney Museum of American Art, New York. Focus on the Figure: Twenty Years. New York: Whitney Museum of American Art, 1982. Exhibition catalogue. (1982a New York Whitney).

 

Whitney Museum 1987

Whitney Museum of American Art, New York. Alternate Routes: Through the Permanent Collection. New York: Whitney Museum of American Art, 1987. Exhibition catalogue.

 

Whitney Museum 1988b

Whitney Museum of American Art, New York. Modes of Address: Language in Art since 1960. New York: Whitney Museum of American Art, 1988. Exhibition catalogue. (1988b New York Whitney Downtown).

 

Whitney Museum 1990a

Whitney Museum of American Art, New York. The Charade of Mastery: Deciphering Modernism in Contemporary Art. New York: Whitney Museum of American Art, 1990. Exhibition catalogue. (1990 New York Whitney Downtown).

 

Whitney Museum 1991a

Whitney Museum of American Art, New York. Constructing American Identity. New York: Whitney Museum of American Art, 1991. Exhibition catalogue. (1991 New York Whitney Downtown).

 

Whitney Museum 1991b

Whitney Museum of American Art, New York. 1991 Biennial Exhibition. New York: Whitney Museum of American Art, 1991. Exhibition catalogue. (1991 New York Whitney).

 

Whitney Museum 2005

Whitney Museum of American Art, New York. Picturing America: selections from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 2005. Exhibition catalogue. (2005 Nagasaki Prefectural).

 

Whitney Museum [1968]

Whitney Museum of American Art, New York. 1968 Annual Exhibition: Contemporary American Sculpture. New York: Whitney Museum of American Art, [1968]. Exhibition catalogue. (1968 New York Whitney).

 

Wholden 1963

Wholden, Rosalind G. “My Country ‘Tis of Thee, Dwan Gallery.” Artforum 1, no. 8 (February 1963), p. 20.

 

Wick 1969

Wick, Rainer. “Pop und Reklame: Roy Lichtenstein und die kommerzielle Kunst.” Graphik 22, no. 3 (March 1969), pp. 20–25, 44–45.

 

Wilke 1966

Wilke, Ulfert. As Found: An Experiment in Selective Seeing. Boston: Institute of Contemporary Art, 1966. Exhibition catalogue. (1966 Boston ICA).

 

Willard 1964

Willard, Charlotte. “Dealers’-Eye View.” Art in America 52, no. 2 (April 1964), pp. 120, 122–23, 125–27, 130, 132, 134.

 

B. Williams 1997

Williams, Brooke. “Lichtenstein Turns East.” Impact 21 2, no. 4 (April 1997), pp. 48–50.

 

G. Williams 1968

Williams, Griffith. “Cartoon Colour That Screams.” Western Mail, January 13, 1968.

 

H. Williams 1965

Williams, Herman Warner, Jr. 29th Biennial Exhibition of Contemporary American Painting. Washington, D.C.: Corcoran Gallery of Art, 1965. Exhibition catalogue. (1965 Washington, D.C., Corcoran).

 

R. Williams 1982

Williams, Ron G. Roy Lichtenstein at Colorado State University. Fort Collins: Colorado State University, 1982. Exhibition catalogue. (1982 Fort Collins CSU).

 

S. Williams 1968

Williams, Sheldon. “Wham! Krunch! It’s the Lichtenstein Show!” Look of London (January 13, 1968).

 

Willis 1970

Willis, Thomas. “Artist Keeps His Cool in Anti World.” Chicago Tribune, February 1, 1970, sec. 5, p. 129.

 

Wilmerding 1983

Wilmerding, John. Important information inside: The Art of John F. Peto and the Idea of Still—Life Painting in the Nineteenth—Century America. Washington: National Gallery of Art, 1983. Exhibition catalogue.

 

Wilmerding 2010

Wilmerding, John. “Roy Lichtenstein’s Still Lifes: Conversations with Art History.” In Roy Lichtenstein: Still Lifes, by Gagosian Gallery, New York. New York: Gagosian Gallery, 2010. Exhibition catalogue.

 

Wilmerding 2013

Wilmerding, John. The Pop Object: The Still Life Tradition in Pop Art. New York: Acquavella Galleries: Rizzoli, 2013. Exhibition catalogue. (2013 New York Acquavella).

 

B. Wilson 1991

Wilson, Beth. Geometries of Color: American Post-Painterly Abstraction. New York: Stux Modern, 1991. Exhibition catalogue. (1991 New York Stux).

 

J. Wilson 1995

Wilson, Janet. “Lichtenstein: Kissing Cousins.” ARTnews 94, no. 1 (January 1995), p. 116.

 

S. Wilson 1974

Wilson, Simon. Pop. London: Thames and Hudson, 1974.

 

S. Wilson 1975

Wilson, Simon. Pop Art. Munich: Droemer-Knaur, 1975.

 

W. Wilson 1969a

W[ilson], W[illiam]. “Art Walk.” Los Angeles Times, February 7, 1969, p. 17.

 

W. Wilson 1969b

Wilson, William. “Lichtenstein Borrows from Movies’ Bag.” Los Angeles Times, February 26, 1969, sec. 4, pp. 1, 7.

 

W. Wilson 1971

Wilson, William. “A Blending of Art, Technology.” Los Angeles Times, May 13, 1971, pp. 1, 7.

 

W. Wilson 1978

Wilson, William. “Art Walk: A Critical Guide to the Galleries, Venice.” Los Angeles Times, February 3, 1978, p. 4.

 

W. Wilson 1986

Wilson, William. “The Art Galleries: Santa Monica.” Los Angeles Times, December 19, 1986, Part VI, p. 20.

 

Winebrenner 1967

Winebrenner, D.K. “Goodman Show is Likely to Startle.” Buffalo Courier-Express (Buffalo), March 23, 1967, p. 9.

 

Wingen 1987

Wingen, Ed. “Roy Lichtenstein in OverHolland.” June 26, 1987, p. T13.

 

Winzer 1980

Winzer, Fritz. Kunstmuseen in der Bundesrepublik Deutschland. Braunschweig: Westermann, 1980.

 

Witt 1978

Witt, Gary, ed. American Masters of the Sixties and Seventies: Selections from the Collection of Jan and Ronald K. Greenberg. Memphis: Brooks Memorial Art Gallery, 1978. Exhibition catalogue. (1978 Memphis Brooks Memorial).

 

Wolf 1989

Wolf, Toni Lesser. “The Intimate Art.” ARTnews 88 (November 1989), pp. 122–27.

 

Wolfe 1975

Wolfe, Tom. “The Painted Word.” Harper’s Magazine (April 1975), pp. 57, 85–88, 92.

 

Wolff 1987

Wolff, Theodore F. “Lichtenstein’s Drawings Steal the Show at MOMA.” Christian Science Monitor, March 30, 1987.

 

Wolff 1990

Wolff, Theodore F. “Gagosian Gallery’s Summer Exhibition.” Christian Science Monitor, August 13, 1990, p. 10.

 

Wolfram 1969
Wolfram, Eddie. “Pop Art Undefined.” Art and Artists 4, no. 6 (September 1969), pp. 18–19.

 

Wolfram 1972
Wolfram, Eddie. “Books: Roy Lichtenstein by Diane Waldman.” Art and Artists 7, no. 1 (April 1972), p. 60.

 

Woodard 1993
Woodard, Kathy. “Art for the Artist’s Sake.” The Good Life: 55+ (Columbus, Ohio) 1, no. 3 (October 1993), pp. 1,6.

 

Woodward 1990
Woodward, Richard B. “Blue Period.” Investment Vision (September–October 1990), pp. 56–60.

 

Wooten 1969

Wooten, Dick. “Pop of Pop Art.” Cleveland Press Magazine, February 15, 1969.

 

Wortz 1978a

Wortz, Melinda. “From ‘Metamagic’ to Mother Earth.” ARTnews 77, no. 6 (Summer 1978), p. 175.

 

Wortz 1978b

Wortz, Melinda. “New Editions.” ARTnews 77, no. 7 (September 1978), pp. 102, 107.

 

Wosk 1984

Wosk, J. H. “The Aeroplane in Art.” Art and Artists, no. 219 (December 1984), pp. 23–28.

 

Wosk 1986

Wosk, J. H. “The Impact of Technology on the Human Image in Art.” Leonardo 19, no. 2 (1986), pp. 145–52.

 

Wretholm 1964

Wretholm, Eugen. “Men ädetta konst?” Idun veckojournalen (Stockholm), February 28, 1964, pp. 16–19, 47.

 

Wullen and Ebert eds. 2006

Wullen, Moritz, and Bernd Ebert, eds. Der Ball ist rund: Kreis Kugel Kosmos. Berlin: Pergamonmuseum, Staatliche Museen zu Berlin, 2006. Exhibition catalogue. (2006 Berlin Pergamonmuseum).

 

Wyk 2013

Wyk, Gary van. Pop Art: 50 Works of Art You Should Know. Munich: Prestel Verlag, 2013.

 

Xiongfei and Lizhou 2002

Xiongfei, Hou, and Yang Lizhou, eds. Traditional Charm: Exhibition of Contemporary Works of Fine Arts of China National Museum of Fine Arts and International Works of Art Donated by Peter Ludwig and Irene Ludwig. Chengdu: Chengdu Contemporary Art Museum/Chengdu Shidai Chubanshe, 2002. (1999 Shanghai Art Museum).

 

XIX Olympiad [1969]

Organizing Committee of the Games of the XIX Olympiad. Mexico 68. Vol. 4,  L’Olympiade culturelle/The Cultural Olympiad. Mexico City: Organizing Committee of the Games of the XIX Olympiad, [1969].

 

XXe siècle 1964

Jouffroy, Alain. “Une révision moderne du scaré.” XXe siècle (Paris and Milan) n.s., 26, no. 23 (May 1964), pp. 86–98.

 

Yale 1963

Yale University Art Gallery, New Haven. Two Modern Collectors: Susan Morse Hilles, Richard Brown Baker. New Haven: Yale University Art Gallery, 1963. Exhibition catalogue. (1963 New Haven Yale).

 

Yale 1975

Yale University Art Gallery, New Haven. Richard Brown Baker Collects! A Selection of Contemporary Art from the Richard Brown Baker Collection. New Haven: Yale University Art Gallery, 1975. Exhibition catalogue. (1975 New Haven Yale).

 

Yale 2008
Yale University Art Gallery Bulletin (2008).

 

Yanase 1994a

Yanase, Kaoru. “Interview with the Artist.” BT 6 [Bijutsu techō] (Tokyo) 46, no. 689 (June 1994), pp. 16–19.

 

Yanase 1994b

Yanase, Kaoru. “Roy Lichtenstein: Interview with Diane Waldman.” BT 6 [Bijutsu techō] (Tokyo) 46, no. 689 (June 1994), pp. 88–91.

 

Yanase 1994c

Yanase, Kaoru. “Roy Lichtenstein: Interview with Leo Castelli.” BT 6 [Bijutsu techō] (Tokyo) 46, no. 689 (June 1994), pp. 92–93.

 

Yanase 1995a

Yanase, Kaoru. “Interview with Kenneth Tyler.” In Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Sukagawa City, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1995.

 

Yanase 1995b

Yanase, Kaoru. “Interview with Roy Lichtenstein.” In Supplement to Center for Contemporary Graphic Art, ed. Hiroshi Minamishima and Hideyuki Kido. Sukagawa City, Japan: Tyler Graphics Archive Collection, 1995.

 

Yediot Aharonot 1987

Sgan-Cohen, Michael. “Interview with Roy Lichtenstein.” Yediot Aharonot: Weekly Supplement [November 13, 1987?].

 

Yeladim nifgashim n.d.

Yeladim nifgashim ʻim yetsirot omanut: ‘erkat temunot (Children meet with artistic creations: Group of pictures). N.p.: Miśrad ha-ḥinukh ha-tarbut ṿeha-sporț, ha-Minhal ha-pedagogi, n.d.

 

Yokohama Museum 1992

Yokohama Museum of Art, Yokohama. Hanga geijutsu no kyōen: Kenesu Tairā to kyoshōtachi, 1963–1992/Innovation in Collaborative Printmaking: Kenneth Tyler, 1963–1992. Tokyo: Yomiuri Shimbun and Japan Association of Art Museums, 1992. Exhibition catalogue. (1992 Yokohama Museum of Art).

 

Yonemura 2002

Yonemura, Noriko. Sūra: tenbyō o koete (Seurat: Beyond pointillism). Rikuyusha Art View. Tokyo: Rikuyosha, 2002.

 

Yood 1998

Yood, James. “Chicago: Roy Lichtenstein/Richard Gray Gallery.” Artforum International 36, no. 8 (April 1998), p. 121.

 

York 1969

York University, Toronto. American Art of the Sixties in Toronto Private Collections. Toronto: York University, 1969. Exhibition catalogue. (1969 Toronto York).

 

Yorkshire Post 1968

“Leading ‘Pop’ Artist.” Yorkshire Post (Leeds), December 23, 1968.

 

Yoshiaki Tono 1963b

Tono, Yoshiaki, ed. “Statements by Contemporary Artists.” Mizue (Tokyo), no. 700 (June 1963), p. 28.

 

Yoshiaki Tono 1971

Tono, Yoshiaki, ed. Art Now. Vol. 4, The Pop Image of Man. Tokyo: Kodansha Ltd. 1971.

 

Yoshioka 2000

Yoshioka, Hiroshi. “Ripurodakushon: Seimei to bunka no seitaikei’ (Reproduction: The ecosystem of life and culture).” In Jōhō no uchū to hen’yōsuru hyōgen (The universe of information and the transformation of expression). Information Design 6. Kyoto: Kyoto University of Art and Design, 2000, pp. 6–27.

 

J. Young 1970

Young, Joseph E. “Lichtenstein: Printmaker.” Art and Artists 4, no. 12 (March 1970), pp. 50–53.

 

J. Young 1971a

Young, Joseph E. “Los Angeles.” Art International 15, no. 5 (May 20, 1971), pp. 77–79.

 

J. Young 1971b

Young, Joseph E. “Los Angeles.” Art International 15, no. 10 (December 20, 1971), pp. 68–73.

 

M. Young 1978

Young, M. S. “Primitive to Pop.” Apollo, n.s., 107, no. 194 (April 1978), pp. 284–89.

 

Zacharias 1984

Zacharias, Thomas. Blick der Moderne: Einführung in ihre Kunst. Munich: Verlag Schnell und Steiner, 1984.

 

Zacharias 2014

Zacharias, Thomas. “Lichtenstein disegna.” In Roy Lichtenstein: Opera prima, by Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 212–39. Milan: Skira Editore, 2014. Exhibition catalogue.

 

Zacharias 2015

Zacharias, Thomas. “Lichtenstein Draws.” In Roy Lichtenstein: Drawing First. 50 Years of Works on Paper, Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 202–231. Milan: Skira Editore, 2015. Exhibition catalogue.

 

Zandell 2006

Zandell, Jane. “Review: Memories of the Late Roy Lichtenstein.” Dan’s Papers (Bridgehampton, N.Y.), November 17, 2006, pp. 22, 33.

 

Zänker 1981

Zänker, Jürgen. “Walter Benjamins Kunstwerk-Aufsatz im Lichte der Pop-Art: Dargestellt am Beispiel Roy Lichtensteins.” In Wallraf-Richartz-Jahrbuch: Westdeutsches Jahrbuch für Kunstgeschichte, vol. 42, by Wallraf-Richartz-Museum, Cologne, pp. 303–24. Cologne: E. A. Seemann, 1981.

 

Zänker 1989

Zänker, Jürgen. “Hochkunst und Massenkultur: Hamilton, Warhol, Lichtenstein, Richter.” Funkkolleg Moderne Kunst. Studienbegleitbrief 10. Weinheim, Germany: Beltz Verlag, 1989.

 

Zeldin 1966

Zeldin, Arthur. “Pop! Went the Whirling McLuhan-ish Happening.” Toronto Daily Star, September 29, 1966, p. 30.

 

Zerner 1975

Zerner, Henri. The Graphic Art of Roy Lichtenstein. Cambridge, Mass.: Fogg Art Museum, Harvard University, 1975. Exhibition catalogue. (1975 Cambridge, Mass., Fogg).

 

Zevi 1964

Zevi, Tullia. “The Biennale: How Evil Is Pop Art?” The New Republic 151, no. 12 (September 19, 1964), pp. 32–33.

 

Ziegler 1968

Galerie Renée Ziegler, Zurich. Lithographien, Serigraphen, Radierungen, Objekte. Zurich: Galerie Renée Ziegler, 1968.

 

Ziegler 1995

Ziegler, Roger P. “Critic at Large: Artist’s Bright Idea.” Southampton [N.Y.] Press, September 14, 1995.

 

Zierler 1974

William Zierler, New York. American Works on Paper, 1944–1974. New York: William Zierler, 1974. Exhibition catalogue. (1974 New York Zierler).

 

Zimmer 1978

Zimmer, William. “Roy Lichtenstein/William Eggleston.” Arts Magazine (New York) 52, no. 7 (March 1978), p. 25.

 

Zimmer 2002

Zimmer, William. “Setting Out on Journeys and Yearning for Home.” New York Times, September 15, 2002, p. 9.

 

Zimmerli 1989

Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey, New Brunswick. Surface Printing in the 1980s: Lithographs, Screenprints, and Monotypes from the Rutgers Archives for Printmaking Studios. New Brunswick, N.J.: Rutgers, the State University of New Jersey, 1989. Exhibition catalogue. (1989 New Brunswick, N.J., Zimmerli).

 

Zimmerman 1993

Zimmerman, David. “Roy Lichtenstein: Finding Art in Everyday Places.” USA Today, October 26, 1993, p. D3.

 

Zimmerman 1997

Zimmerman, David. “In the Sixties, Lichtenstein Made Pop Art Pop.” USA Today, September 30, 1997, p. D6.

 

Zimmermann 1970

Zimmermann, Hans Dieter. Comic Strips: Vom Geist der Superhelden: Colloquium zur Theorie der Bildergeschichte in der Akademie der Künste Berlin. Berlin: Gebrüder Mann Verlag, 1970.

 

Ziolkowski 1990

Ziolkowski, Thad. “Roy Lichtenstein.” Arts Magazine (New York) 64, no. 5 (January 1990), p. 79.

 

ZKM 2005

ZKM, Zentrum für Kunst und Medientechnologie. Exit: Ausstieg aus dem Bild. Karlsruhe: Zentrum für Kunst und Medientechnologie, 2005. Exhibition catalogue. (2005 Karlsruhe ZKM).

 

Zuck 1995

Zuck, Barbara. “OSU to Be Final Stop for Lichtenstein Retrospective.” Columbus [Ohio] Dispatch, March 2, 1995, p. E7.

 

Zurcher and Jaffé 1965

Zurcher, J., and H. L. C. Jaffé. Pop-art. Amsterdam: Stichting IVIO, 1965.

 

Zurmühl 1981

Zurmühl, Jonny. “Dokumentation: Westkunst.” Kunstforum International, nos. 44–45 (May–August 1981), p. 102.

 

Zwirner & Wirth 2005

Zwirner & Wirth, New York. Pop: Roy Lichtenstein, Konrad Lueg, Claes Oldenburg, Sigmar Polke, Gerhard Richter, Andy Warhol. New York: Zwirner & Wirth, 2005. Exhibition catalogue. (2005 New York Zwirner and Wirth).

 

¡Ahora! 1965

“La Bienal de Washington.” ¡Ahora! (Dominican Republic), no. 12 (December 18, 1965), pp. 20–24.

 

 

 

updated 3/17/2021