BIBLIOGRAPHY

D. M. R. JH. J. R. The Bibliography includes selected publications which discuss and/or reproduce the artist’s work. Entries are listed alphabetically. 

 

65 Thompson 1989

65 Thompson Street, New York. Roy Lichtenstein: Bronze Sculpture, 1976–1989. New York: 65 Thompson Street, 1989. Exhibition catalogue. (1989 New York 65 Thompson).

 

F. A. 1967a

A., F. “Pop Art Parodies with the Ben Day Dot.” San Francisco Sunday Examiner and Chronicle, 1967, p. 38.

 

F. A. 1963

A., J. “Paris Art Notebook: From Pop to Metaphysical Landscape.” New York Herald Tribune (Paris), June 15, 1963.

 

Aachen 1970

Neue Galerie Aachen. Klischee und Antiklischee: Bildformen der Gegenwart. Aachen: Neue Galerie Aachen and Gebrüder Achilles, 1970. Exhibition catalogue. Unpaginated. (1970 Aachen Neue Galerie).

 

Aachen 1972

Neue Galerie Aachen. Neue Galerie der Stadt Aachen, der Bestand ’72: Kunst um 1970/Art around 1970. Cologne: W. König, 1972. Exhibition catalogue.

 

Abadie 1975a

Abadie, Daniel. “Les dessins de Roy Lichtenstein.” XXe siècle (Paris and Milan), n.s., 37, no. 44 (June 1975), pp. 176–77.

 

Abadie 1975b

Abadie, Daniel. Roy Lichtenstein: Dessins sans bande. Département des Arts Plastiques, Centre Beaubourg. Paris: Centre National d’Art Contemporain, 1975. Exhibition catalogue. (1975 Paris CNAC).

 

Abadie 1991

Abadie, Daniel. “La peinture en miroir.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 151–56.

 

Abanco 1990

Abanco, Lola Donaire. “Las figuras de Roy Lichtenstein.” Cerámica, no. 37 (1990), pp. 33–35.

 

Abbott 1986

Abbott, L.L. “Comic Art: Characteristics and Potentialities of a Narrative Medium.” Journal of Popular Culture 19, no. 4 (Spring 1986), pp. 155–76.

 

Accademia Ligustica di Belle Arti 1972

Accademia Ligustica di Belle Arti, Palazzo Reale, Genoa. Immagine per la città. Genoa: Ente Manifestazioni Genovesi, 1972. Exhibition catalogue. (1972 Genoa Accademia).

 

Ackley 1984

Ackley, Clifford S. 10 Painters and Sculptors Draw: Richard Diebenkorn, Jim Dine, Jasper Johns, Alex Katz, Ellsworth Kelly, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Cy Twombly. Boston: Museum of Fine Arts, 1984. Exhibition catalogue. Unpaginated. (1984 Boston MFA).

 

Ackley 1998

Ackley, Clifford S. PhotoImage: Printmaking 60s to 90s. Boston: Museum of Fine Arts, 1998. Exhibition catalogue. (1998 Boston MFA).

 

Acquavella Galleries 2015

Acquavella Galleries, New York. Off Canvas: Drawings. New York: Acquavella Galleries, 2015. Exhibition catalogue.

 

ADAA 1963

Art Dealers Association of America, New York. Review of the Season 1962–1963: Paintings, Drawings, Prints, Sculpture: First Annual Retrospective Exhibition. New York: Art Dealers Association of America, 1963. Exhibition catalogue. (1963 New York Parke-Bernet).

 

Adachi et al. 2001

Adachi, Shinzō, et al. Kaiga jisshū II (The practice of painting II). Osaka: Osaka University of Arts Correspondence School Division, 2001.

 

B. Adams 1992a

Adams, Brooks. “New Pop Reflections.” Art in America 80, no. 7 (July 1992), pp. 88–91.

 

B. Adams 1992b

Adams, Brooks. “Roy Lichtenstein’s Interiors.” Atelier (Tokyo), no. 784 (June 1992), pp. 4–25. In Japanese and English.

 

H. Adams 1978

Adams, Hugh. Art of the Sixties. Oxford, England: Phaidon Press, 1978.

 

Adcock 1983
Adcock, Craig. Roy Lichtenstein: Graphics. Tallahassee: Fine Arts Gallery, School of Visual Arts, Florida State University, 1983. Exhibition catalogue. (1983 Tallahassee Fine Arts Gallery).

 

Adcock 1985
Adcock, Craig. “Why Marcel Duchamp’s Old Hat Still Addresses the Situation to the Nines.” Arts Magazine (New York)  59, no. 7 (March 1985), p. 75.

 

Adelman 2005a

Adelman, Bob. “The Lost Lichtenstein.” Sunday Times Magazine (London), July 10, 2005, pp. 38–43.

 

Adelman 2005b

Adelman, Bob. “Pentimenti: A Bonanza of Buried Lichtenstein Treasures.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider, pp. 196–209. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue.

 

Adelman and Kennedy 2008

Adelman, Bob, and William John Kennedy. I Shot Warhol, Wesselmann, Lichtenstein, Rosenquist, and Indiana: Photographs by Bob Adelman and William John Kennedy. Boca Raton: Boca Raton Museum of Art, 2008. Exhibition catalogue. (2008 Boca Raton Museum).

 

Adelman and Tomkins 1987

Adelman, Bob, and Calvin Tomkins. The Art of Roy Lichtenstein: Mural with Blue Brushstroke. New York: Arcade Publishing, 1987. Excerpts of interview, Conversation During Mural With Blue Brush Stroke…

 

Adelman and Tomkins 1994

Adelman, Bob, and Calvin Tomkins. Mural with Blue Brushstroke/Fresque au coup de pinceau bleu. Translated from the English by Anne Le Bot. Rennes: Altinea, 1994.

 

E. Adler 1986

Adler, Edward Jerome. American Painting and the Vietnam War. Ann Arbor: University Microfilms International, 1986.

 

S. Adler 1994

Adler, Sabine. “Reichtum ist lächerlich.” t2, no. 15–16 (October 1994).

 

Adrian 1977

Adrian, Dennis. Recent Portraiture. Chicago: The Renaissance Society at The University of Chicago, 1977. Exhibition brochure. (1977 Chicago Renaissance Society).

 

Adriani 1999

Adriani, Götz, ed. Kunst Sammeln: Museum für Neue Kunst, ZKM Karlsruhe. Ostfildern-Ruit, Germany: Hatje Cantz, 1999.

 

Adriani and Meyer-Büser 2002

Adriani, Götz, and Susanne Meyer-Büser. Museum für neue Kunst, ZKM Karlsruhe. Prestel-Museumsführer. Munich, Germany: Prestel Verlag, 2002.

 

Advertiser’s Weekly 1967

“Whaam’ and After.” Advertiser’s Weekly (London), December 22, 1967.

 

AFA 1964

American Federation of Arts, New York. Cross Section of Contemporary Art. New York: American Federation of Arts, 1964.

 

Aguignier 2013

Aguignier, Camille. Bonjour monsieur Matisse! recontre(s). Les—Moulineaux: Beaux Arts Éditions, 2013. Exhibition catalogue. (2013 Nice MAMAC).

 

Aguilar 1999

Aguilar, Sergi. Senyals públics: Apunts sobre intervencions artístiques a l’espai urbà. Edited by Patronat Municipal de Cultura, Mataró, Spain. Mataró, Spain: Patronat Municipal de Cultura, 1999. Exhibition catalogue. (1999 Mataró Can Palauet).

 

Ahlander 1963a

Ahlander, Leslie Judd. “Pop Art Festival Hailed.” Washington Post, May 26, 1963, p. G10.

 

Ahlander 1963b

Ahlander, Leslie Judd. “Washington Gallery Shows Pop Art.” Washington Post, April 21, 1963, p. 66.

 

Akademie-Galerie 2010

Akademie-Galerie, die Neue Sammlung, Düsseldorf. Mit Kopf und Hand: Variationen zur Zeichnung. Bönen, Germany: Kettler, 2010. Exhibition catalogue. (2010 Düsseldorf Akademie-Galerie).

 

Akita 1981

Akita, Norikazu. “Kagirinaki Pessimism.” Mizue (Tokyo), no. 921 (December 1981), pp. 80–85.

 

Alarcó 2014

Alarcó, Paloma. Pop Art Myths. Madrid, Spain: Museo Thyssen-Bornemisza, 2014. Exhibition catalogue. (2014 Madrid Thyssen-Bornemisza).

 

Alarcó 2014a

Alarcó, Paloma. Mitos del Pop. Madrid, Spain: Museo Thyssen-Bornemisza, 2014. Exhibition catalogue.

 

Albert White Gallery 1975

Roy Lichtenstein: Paintings and Graphics. Toronto: Albert White Gallery, 1976. Exhibition brochure. (1975 Toronto White).

 

Albrecht 1990

Albrecht, Urs. Kunst der achtziger Jahre aus der Sammlung Marx/Art of the Eighties from the Marx Collection. Edited by Art21 ’90 Basel. Basel: Art International Kunstmesse, 1990. Exhibition catalogue.

 

J. Albrecht 1987

Albrecht, Juerg. “‘Fountain by R. Mutt’: Marcel Duchamp zum 100. Geburtstag.” Pantheon 45 (1987), pp. 160–71.

 

Albuquerque Tribune 1964

“Pop Art Show Open with Faculty Exhibit.” Albuquerque Tribune, January 18, 1964, p. A5.

 

Aldrich 1968

Aldrich, Larry. Highlights of the 1967–68 Art Season. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1968. Exhibition catalogue. Unpaginated. (1968a Ridgefield Aldrich).

 

Aldrich Museum 1965

Larry Aldrich Museum, Ridgefield, Conn. Art of the 50’s and 60’s: Selections from the Richard Brown Baker Collection. Ridgefield, Conn.: Larry Aldrich Museum, 1965. Exhibition catalogue. (1965 Ridgefield Aldrich).

 

Aldrich Museum 1968

Aldrich Museum of Contemporary Art. Art of the 60’s: Selections from the Collection of Hanford Young. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1968. Exhibition catalogue. Unpaginated. (1968b Ridgefield Aldrich).

 

Aldrich Museum 1994

30 Years: Art in the Present Tense, The Aldrich’s Curatorial History, 1964-1994. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1994. Exhibition catalogue. Unpaginated. (1994 Ridgefield Aldrich).

 

Aldrich Museum 1998

Aldrich Museum of Contemporary Art, Ridgefield, Conn. Roy Lichtenstein: Prints from the Collection of John and Kimiko Powers. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1998. Exhibition brochure. (1998 Ridgefield Aldrich).

 

Alec’s 1995

“Roy Lichtenstein – Die Retrospektive.” Alec’s (1995), p. 9.

 

D. Alexander and Ryan 2015

Alexander, Darsie, and Bartholomew Ryan, eds. International Pop. Minneapolis: Walker Art Center, 2015. Exhibition catalogue.

 

P. Alexander 1992

Alexander, Paul. “What Happened to Andy’s Treasures?” New York Magazine 25, no. 4 (January 27, 1992), pp. 26–31.

 

Alfieri 1962

Alfieri, Bruno. “USA: Verso la fine della pittura ‘astratta’?/Vers la fin de la peinture ‘abstraite’?/Towards the End of ‘Abstract’ Painting?” Metro (Milan), nos. 4–5 (May 30, 1962), pp. 4–13.

 

Alfieri 1965a

Alfieri, Bruno. “L’avvenire dell’arte: Una nuova dimensione operativa/The Arts’ Future: A New Operational Dimension.” Metro (Milan), no. 9 (1965), pp. 8–13.

 

Alfieri 1965b

Alfieri, Bruno. “La condizione dell’arte: ‘Pop’ uguale ‘non popolare’/The Arts’ Condition: ‘Pop’ Means ‘Not Popular.'” Metro (Milan), no. 9 (1965), pp. 5–7.

 

Alfieri 1966

Alfieri, Bruno. “Diario critico II/A Critic’s Journal II.” Translated by Lucia Krasnik. Metro (Milan), no. 10 (1966), pp. 4–13.

 

Alfieri 1968?

Alfieri, Bruno. “Come Andare Avanti.” Metro (Milan), no. 14, pp. 81–88.

 

Alfieri 1975

Alfieri, Bruno. “I tre moschettieri della Pop Art americana: Lichtenstein a Basilea.” July 2, 1975.

 

Alge 1969

Alge, Marjorie. “A Gallery Full of People and Pop.” Cleveland Press, February 15, 1969.

 

Alkema 2013a

Alkema, Hanna. “Coups de pinceau à la Caisse des dépôts et consignations, 1988.” In Roy Lichtenstein, edited by Camille Morineau, p. 255. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Alkema 2013b

Alkema, Hanna. “Lichtenstein et Gemini G.E.L.” In Roy Lichtenstein, edited by Camille Morineau, p. 251. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Alkema 2013c

Alkema, Hanna. “Mural with Blue Brushstroke, 1986.” In Roy Lichtenstein, edited by Camille Morineau, p. 254. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Alkema 2013d

Alkema, Hanna. “Roy Lichtenstein: Sculpture.” In Roy Lichtenstein, edited by Camille Morineau, p. 253. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Allara 1981

Allara, Pamela. “The Scope of Boston Art Is Much Broader Than It Would Appear.” ARTnews 80, no. 9 (November 1981), pp. 126–31.

 

Allen Memorial 1980

Allen Memorial Art Gallery, Oberlin College, Oberlin. From Reinhardt to Christo: Works Acquired through the Benefaction of the Late Ruth C. Roush. Oberlin, Ohio: Allen Memorial Art Gallery, 1980. Exhibition catalogue. (1980 Oberlin Allen).

 

Alloway 1963a

Alloway, Lawrence. “Notes on Five New York Painters.” In David D. Galloway, ed. The Buffalo Fine Arts Academy/Albright-Knox Art Gallery: Gallery 26, no. 2 (Fall 1963), pp. 13–20.

 

Alloway 1963b

Alloway, Lawrence. Six Painters and the Object. New York: Solomon R. Guggenheim Foundation, 1963. Exhibition catalogue. Unpaginated. (1963 New York Guggenheim).

 

Alloway 1964

Alloway, Lawrence. American Drawings. New York: Solomon R. Guggenheim Foundation, 1964. Exhibition catalogue. (1964 New York Guggenheim).

 

Alloway 1965

Alloway, Lawrence. Word and Image. New York: Solomon R. Guggenheim, 1965. Exhibition catalogue. (1965 New York Guggenheim).

 

Alloway 1967a

Alloway, Lawrence. Roy Lichtenstein: Exhibitions of Paintings and Sculpture. Cincinnati: Contemporary Arts Center, 1967. Exhibition catalogue. Unpaginated. (1967 Cincinnati CAC).

 

Alloway 1967b

Alloway, Lawrence. “Roy Lichtenstein’s Period Style: From the ‘Thirties to the ‘Sixties and Back.” Arts Magazine (New York) 42, no. 1 (September–October 1967), pp. 24–29.

 

Alloway 1968a

Alloway, Lawrence. “Pop Art: The Words.” Auction (New York) 1, no. 4 (February 1968), pp. 6–9.

 

Alloway 1968b

Alloway, Lawrence. “Roy Lichtenstein.” Studio International 175, no. 896 (January 1968), pp. 25–31.

 

Alloway 1968c

Alloway, Lawrence. The Venice Biennale, 1895–1968: From Salon to Goldfish Bowl. Greenwich, Conn.: New York Graphic Society, 1968.

 

Alloway 1969a

Alloway, Lawrence. “Art: Borrowing Techniques of Other Artists.” The Nation (July 28, 1969), pp. 92–93.

 

Alloway 1969b

Alloway, Lawrence. “Popular Culture and Pop Art.” Studio International 178, no. 913 (July 1969), pp. 16–21.

 

Alloway 1972

Alloway, Lawrence. “On Style: An Examination of Roy Lichtenstein’s Development, despite a New Monograph on the Artist.” Artforum 10, no. 7 (March 1972), pp. 53–59.

 

Alloway 1974

Alloway, Lawrence. American Pop Art. New York: Whitney Museum of American Art, 1974. Exhibition catalogue. (1974 New York Whitney).

 

Alloway 1975

Alloway, Lawrence. Topics in American Art since 1945. New York: W.W. Norton, 1975.

 

Alloway 1979a

Alloway, Lawrence. “Art.” The Nation (June 2, 1979), pp. 644–45.

 

Alloway 1979b

Alloway, Lawrence. Mirrors and Entablatures. Stony Brook: Art Gallery, Fine Arts Center, State University of New York, 1979. Exhibition brochure. (1979 Stony Brook SUNY).

 

Alloway 1981

Alloway, Lawrence. “Reassessing Roy Lichtenstein.” Portfolio (New York) 3, no. 4 (July–August 1981), pp. 50–55.

 

Alloway 1983

Alloway, Lawrence. Roy Lichtenstein. New York: Abbeville Press, 1983.

 

Alloway 1984

Alloway, Lawrence. Roy Lichtenstein. Munich: Bucher, 1984.

 

Alloway 1989

Alloway, Lawrence. “Roy Lichtenstein’s Mirrors.” In Roy Lichtenstein: “The Mirror Paintings”, by Mary Boone Gallery, New York, unpaginated. New York: Mary Boone Gallery, 1989. Exhibition catalogue.

 

Alloway and Livingstone 1987

Alloway, Lawrence, and Marco Livingstone. Pop Art U.S.A.–U.K: American and British Artists of the ’60s in the ’80s. Tokyo: Odakyu Grand Gallery, 1987. Exhibition catalogue. (1987 Tokyo Odakyu).

 

Alloway et al. 1988

Alloway, Lawrence, et al. Modern Dreams: The Rise and Fall and Rise of Pop. New York: Institute for Contemporary Art; Cambridge, Mass.: MIT Press, 1988.

 

Alte Oper 1981

Alte Oper, Frankfurt am Main. Phoenix: Alte Oper Frankfurt. Frankfurt am Main: Alte Oper, Konzert und Kongresszentrum, 1981. Exhibition catalogue. (1981 Frankfurt Alte Oper).

 

Altmayer 2013

Altmayer, Anastasia. “Roy Lichtenstein: sort de sa case.” Arts Magazine (Paris), no. 78 (July–August 2013), pp. 96–100.

 

Altshuler 1994

Altshuler, Bruce. The Avant-Garde in Exhibition: New Art in the 20th Century. New York: Abrams, 1994.

 

Amaral 1963

Amaral, Aracy. “1963 em arte: Nova York.” O estado de São Paulo (December 7, 1963), p. 6.

 

Amaya 1965b

Amaya, Mario. Pop As Art: A Survey of the New Super-Realism. London: Institute of Contemporary Arts, 1968.

 

Amaya 1968a

Amaya, Mario. The Obsessive Image, 1960–1968. London: Institute of Contemporary Arts, 1968. Exhibition catalogue. (1968 London ICA).

 

Amaya 1968b

Amaya, Mario. “Tales of Love and War.” Financial Times (London), January 9, 1968.

 

Amaya 1970

Amaya, Mario. “Collectors: Mr. and Mrs. Jack W. Glenn.” Art in America 58, no. 2 (March–April 1970), pp. 86–93.

 

Amaya 1978

Amaya, Mario (photographs by Horst). “Architectural Digest Visits: Roy Lichtenstein.” Architectural Digest (London) 35, no. 6 (July–August 1978), pp. 82–87, 144.

 

Amaya 1984

Amaya, Mario. “Scaling the Heights, de Kooning into Lichtenstein.” Studio International 196, no. 1004 (1984), pp. 41–42.

 

American Artist 1986

“Vicki Lou’s Letters from Long Island.” American Artist 50, no. 532 (November 1986), pp. 20, 22, 100.

 

American Indian Artists Inc. 2013

American Indian Artists Inc. The Old Becomes the New: New York Contemporary Native American Art Movement and the New York School. New York: American Indian Artists Inc. (AMERINDA), 2013.

 

Ammann 1968

Ammann, Jean-Christophe. “Roy Lichtenstein.” Werk 55, no. 4 (April 1968), pp. 278–79.

 

Ammann and Präger 1991

Ammann, Jean-Christophe, and Christmut Präger. Museum für Moderne Kunst und Sammlung Ströher. Schriften zur Sammlung des Museums für Moderne Kunst Frankfurt am Main. Frankfurt am Main: Museum für Moderne Kunst, 1991.

 

Ammann and Weinberg 1996

Ammann, Jean-Christophe, and Adam D. Weinberg. Views from Abroad: European Perspectives on American Art 2/Die Entdeckung des anderen: Ein europäischer Blick auf die amerikanische Kunst 2. New York: Harry N. Abrams, Inc. 1996. Exhibition catalogue. (1996 New York Whitney).

 

Anders-Cavendish 1982

Anders-Cavendish, Michel. “Spotlights aus Frankreich.” Style (1982), p. 302.

 

D. Anderson 1976

Anderson, Dennis R. Three Hundred Years of American Art in the Chrysler Museum. Norfolk, Va.: Chrysler Museum at Norfolk, 1976. Exhibition catalogue.

 

R. Anderson 1981

Anderson, Richard E. New Dimensions in Drawing, 1950–1980. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1981. Exhibition catalogue. Unpaginated. (1981 Ridgefield Aldrich).

 

Andre 2001

Andre, Mila. “Artsmart.” Daily News (New York), November 17, 2001, p. 31.

 

Andreae 1969

Andreae, Christopher. “Trying to Shock—Himself.” Christian Science Monitor, September 18, 1969, sec. 2, p. 11.

 

Anna 1999

Anna, Susanne, ed. Global Fun: Kunst und Design von Mondrian, Gehry, Versace and Friends. Ostfildern-Ruit, Germany: Hatje Cantz, 1999. Exhibition catalogue.

 

Antin 1966

Antin, David. “Pop: Ein paar klärende Bemerkungen.” Das Kunstwerk 19, no. 10–12 (April–June 1966), pp. 8, 111.

 

Aquila 1974

Aquila, Emily H. Pop Art and After. Williamstown, Mass.: Williams College Museum of Art, 1974. Exhibition catalogue. (1974 Williamstown WCMA).

 

Aquin 2003

Aquin, Stéphane, ed. Global Village: The 1960s. Montreal: Montreal Museum of Fine Arts in association with Snoeck Publishers, 2003. Exhibition catalogue.

 

Archer 1997

Archer, Michael. Art since 1960. London: Thames and Hudson, 1997.

 

Architectural Digest 1972

“Living with Arp, Belling, Duchamp, Johns, Kelly, Leger, Lichtenstein, Morandi, Noland, Oldenburg, Schlemmer, Stella, Storrs, Warhol.” Architectural Digest (September–October 1972), pp. 42–45, 107–8.

 

Architectural Forum 1968

“Decor…and Signs.” Architectural Forum 128, no. 2 (March 1968), p. 84.

 

Archives of American Art Journal 2007

Archives of American Art Journal. Special issue, The 60s, 46, nos. 3–4 (fall 2007).

 

Arditi 1996

Arditi, Fiamma. “Lichtenstein, il pop è un paesaggio bianco.” La stampa (Turin), September 27, 1996, p. 23.

 

Arditi 1997

Arditi, Fiamma. “Roy Lichtenstein: L’anima gioiosa del Pop.” La stampa (Turin), October 1, 1997, p. 23.

 

Argonauta 1970

Argonauta. “Avanguardia americana.” Il capitalé (June 1970), pp. 37–38.

 

Arias-Misson and Sarenco 1984

Arias-Misson, Alain and Sarenco. “Roy Lichtenstein, Pictor optimus.” Lotta Poetica, tereza serie, series 3 Year 1, number 1 (January 1987), pp. 27–33.

 

T. Armstrong and Growe 1981

Armstrong, Tom, and Bernd Growe. Amerikanische Malerei 1930–1980. Munich: Haus der Kunst, 1981. Exhibition catalogue. (1981 Munich Haus der Kunst).

 

E. Armstrong and McGuire 1989

Armstrong, Elizabeth, and Sheila McGuire. First Impressions: Early Prints by Forty-Six Contemporary Artists. New York: Hudson Hills Press in association with Walker Art Center, Minneapolis, 1989. Exhibition catalogue. (1989 Minneapolis Walker).

 

E. Armstrong 1984

Armstrong, Elizabeth. Prints from Tyler Graphics. Minneapolis: Walker Art Center, 1984. Exhibition catalogue. (1984 Minneapolis Walker).

 

E. Armstrong et al. 1987

Armstrong, Elizabeth, et al. Tyler Graphics: The Extended Image. Minneapolis: Walker Art Center; New York: Abbeville Press, 1987.

 

M. Armstrong 1990

Armstrong, Matthew. “Searching High and Low.” MoMA: The Members Quarterly of the Museum of Modern Art (New York) 2, no. 6 (fall 1990), pp. 4–8, 16–17.

 

R. Armstrong 1984

Armstrong, Richard. “Cheez Whiz.” Artforum International 22, no. 8 (April 1984), pp. 61–65.

 

Arnason 1968

Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. New York: Harry N. Abrams, 1968.

 

Arnason 1977

Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. 2nd ed. New York: Harry N. Abrams, 1977.

 

Arnason 1986

Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. Revised ed. Updated by Daniel Wheeler. New York: Harry N. Abrams, 1986.

 

Aronson 1995

Aronson, Steven M. L. “Architectural Digest Visits: Leo Castelli, the Legendary Art Dealer’s Fifth Avenue Collection.” Architectural Digest (October 1995), pp. 142–49, 226–27.

 

Arquitectura 1963

“Advertencia con indiscutibles fondos filosóficos.” Arquitectura (Mexico City), no. 18 (June 1963), pp. 120–26.

 

Arroyue 1985

Arroyue, Francisco J. “Identité picturale et indentité nationale.” Colóquio: Artes (Lisbon), no. 67 (1985).

 

Art and Antiques 1984

“Artful Artifacts.” Art and Antiques (December 1984), pp. 7, 69.

 

Art and Artists 1969

Daley, Janet. “Pop Vulgarism.” Art and Artists 4, no. 4 (July 1969), pp. 44–45.

 

Art Gallery, University of New Mexico 1964

Art Gallery, University of New Mexico, Albuquerque. Selections from the L. M. Asher Family Collection. Albuquerque: Art Gallery, University of New Mexico, 1964. Exhibition catalogue. (1964 Albuquerque UNM).

 

Art in America 1966

“A Holiday Selection: Print Review.” Art in America 54 (November–December 1966), p. 60.

 

Art in Embassies 1977–1988

Art in Embassies. Villa Taverna: official residence of the United States Ambassador to Italy. [n.p], between 1977 and 1981. Unpaginated.

 

Art Institute of Chicago 1963

Art Institute of Chicago. 66th Annual American Exhibition: Directions in Contemporary Painting and Sculpture. Chicago: Art Institute of Chicago, 1963. Exhibition catalogue. Unpaginated. (1963 Chicago Art Institute).

 

Art Institute of Chicago 1966

Art Institute of Chicago. 26th Annual Exhibition by the Society for Contemporary American Art. Chicago: Art Institute of Chicago, 1966. Exhibition catalogue. (1966 Chicago Art Institute).

 

Art Institute of Chicago 1972

Art Institute of Chicago. Seventieth American Exhibition. Chicago: Art Institute of Chicago, 1972. Exhibition catalogue. (1972 Chicago Art Institute).

 

Art Institute of Chicago 1975

Art Institute of Chicago. The Small Scale in Contemporary Art. Chicago: Art Institute of Chicago, 1975. Exhibition catalogue. (1975 Chicago Art Institute).

 

Art Institute of Chicago 1976

Art Institute of Chicago. Seventy-Second American Exhibition. Chicago: Art Institute of Chicago, 1976. Exhibition catalogue. (1976 Chicago Art Institute).

 

Art Institute of Chicago 2000

Art Institute of Chicago. Treasures from the Art Institute of Chicago. Chicago: Art Institute of Chicago, 2000.

 

Art Market Report 2007

The Art Market Report (Hollis Taggart Galleries, New York) (Spring–Summer 2007).

 

Art Newspaper 2001

“Lichtenstein’s Brushstrokes Legacy at Mitchell-Innes and Nash While Gagosian Installs ‘Brushtroke’ at the Seagram Building Plaza.” Art Newspaper 12, no. 119 (November 2001), pp. 72–73.

 

Art Students League 1967

American Masters: Art Students League. New York: Art Students League, 1967. (1967 Quincy, Ill., Quincy Art Center).

 

Art Students League 1975

Art Students League, New York. The Kennedy Galleries Are Host to the Hundredth Anniversary Exhibition of Paintings and Sculptures by 100 Artists Associated with the Art Students League of New York. New York: Art Students League of New York, 1975. Exhibition catalogue. (1975 New York Kennedy).

 

Art Students League News 1962

“The New Realists: Pacesetters or Passés?” Art Students League News 15, no. 9 (December 1962), unpaginated.

 

Art Voices 1962

“Leo Castelli: Avant Garde Dealer Discovers ‘Breakthrough’ Artists.” Art Voices (New York) 1, no. 2 (November 1962), p. 27.

 

Art Voices [1964?]

“Castelli Group.” Art Voices (New York).

 

Arte Contemporanea 1967

“Opere viste.” Arte Contemporanea (November 1967).

 

Arte oggi 1964

Arte oggi (Rome). Special issue, Cos’è la pop art? Inchiesta 6, no. 21 (September 1964), pp. 5–48.

 

Arteaga 1999

Arteaga, Agustín. “Roy Lichtenstein: Recognizable Images.” In Lichtenstein: Sculpture and Drawings, by Corcoran Gallery of Art, Washington, D.C., pp. 37–55. Washington, D.C.: Corcoran Gallery of Art, 1999. Exhibition catalogue.

 

Artes plásticas [n.d.]

“Nuevas estructuras, nuevos símbolos.” Artes plásticas.

 

Arti 1993

“American Art in the 20th Century: Painting and Sculpture (1913–1993): A Major Exhibition in Berlin and London.” Arti 13 (January–February 1993), pp. 186–89.

 

Artis 1998

Artis and Committee for “The Prints of Roy Lichtenstein.” The Prints of Roy Lichtenstein: Cosmos of His Art, 1948–1997. [n.p.]: Artis and Committee for “The Prints of Roy Lichtenstein”, 1998. Exhibition catalogue. (1998 Tokyo Odakyu).

 

Artists United 1993

Artists United for Nature e.V. Artists United for Nature 1993. Munich: Artists United for Nature e.V. 1993. Brochure.

 

Artists United News 1994

Artists United for Nature e.V. “Columbus Reist um die Welt.” Artists United for Nature News (Munich) (1994).

 

Artner 1977a

Artner, Alan G. “Roy Lichtenstein: Richard Gray Gallery.” ARTnews 76, no. 4 (April 1977), p. 94.

 

Artner 1977b

Artner, Alan G. “Roy Lichtenstein: Ruler of Pop’s Cartoon Kingdom.” Chicago Tribune, January 23, 1977, Arts and Fun, secs. 6–7, p. 5.

 

Artner 1984

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Clare Bell 2014

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Berman 2005

Berman, Avis. “‘Joy and Bravura and Irreverence’: Roy Lichtenstein and Images of Women.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider, pp. 138–44. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue.

 

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Boatto 1966

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Bois 2005

Bois, Yve-Alain. “Conférence diapos: Les séries Perfect et imperfect de Roy Lichtenstein.” Les cahiers du Musée national d’art moderne, no. 93 (Fall 2005), pp. 48–61.

 

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Brooklyn Museum 1980

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Brougher 1989

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Doris Brown 1963

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G. Brown 1964

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J. C. Brown 1964

Brown, J. Carter. “A Barbeque in the Shrine?” Washington Post, December 6, 1964, p. G13.

 

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W. Brown 1964

Brown, William. “The New Humor Explosion.” Show 4, no. 10 (November 1964), pp. 30, 33.

 

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Brozan, Nadine. “Chronicle: A Lichtenstein Artwork Goes Global.” New York Times, June 6, 1995, p. B2.

 

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Brundage and Reiring 1977

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Bruner 1952

Bruner, Louise. “Kindergarten Dept.: Calls New Exhibit Doodling, Not Art.” Cleveland News, March 1, 1952, p. 16.

 

Bruner 1963

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Bruner 1964

Bruner, Louise. “The Curious Case of Roy Lichtenstein.” Blade (Toledo, Ohio), March 22, 1964, p. F4.

 

Bruner 1969

Bruner, Louise. “The World of Art: Local Collectors Reflect a City’s Artistic Climate.” Blade (Toledo, Ohio), February 23, 1969, p. 101.

 

Bruner 1971

Bruner, Louise. “Painting a Picture of What 1960s Were About.” Blade (Toledo, Ohio), March 14, 1971, p. 4.

 

Brunius 1964

Brunius, Clas. “Pop-guld frän sophögen.” Kultursidan (Stockholm), February 29, 1964, p. 4.

 

Brutvan et al. 1982

Brutvan, Cheryl A., et al. In Our Time: Houston’s Contemporary Arts Museum, 1948–1982. Houston: Contemporary Arts Museum, 1982. Exhibition catalogue. (1982b Houston CAM).

 

BT 6 1979

“Roy Lichtenstein.” BT 6 [Bijutsu techō 6] (Tokyo) (September 1979), pp. 172–85.

 

BT 6 1992

“Roy Lichtenstein.” BT 6 [Bijutsu techō 6] (Tokyo) 44, no. 651 (March 1992), pp. 40–41.

 

BT 6 1994a

“Roy Lichtenstein: After Master Pieces.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 48–55.

 

BT 6 1994b

“Roy Lichtenstein: Brushstrokes.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 58–61.

 

BT 6 1994c

“Roy Lichtenstein: Comic Strips and Advertising Images.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 20–31.

 

BT 6 1994d

“Roy Lichtenstein: From the Retrospective Show at the Guggenheim Museum.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 44–47.

 

BT 6 1994e

“Roy Lichtenstein: Mirror and Interior.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 62–69.

 

BT 6 1994f

“Roy Lichtenstein: Sculptures.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 56–57.

 

BT 6 1994g

“Roy Lichtenstein 60’s–90’s.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994).

 

BT 6 1994h

“Roy Lichtenstein: Still Lifes.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 38–43.

 

BT 6 1994i

“Roy Lichtenstein: Toward Geometry.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 32–37.

 

Buchloh 1982

Buchloh, Benjamin. “Parody and Appropriation in Francis Picabia, Pop, and Sigmar Polke.” Artforum 20, no. 7 (March 1982), pp. 28–34.

 

Buchloh 1994

Buchloh, Benjamin H.D. “Residual Resemblance: Three Notes on the Ends of Portraiture.” In Face–Off: The Portrait in Recent Art, by Melissa Feldman. Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 1994. Exhibition catalogue.

 

Budde and Weiss 1973

Budde, Rainer, and Evelyn Weiss with Johann Karl Schmidt. Katalog der Bildwerke und Objekte, Neuzugänge seit 1965 im Wallraf-Richartz-Museum mit Teilen der Sammlung Ludwig. Cologne: W. Müller, 1973.

 

Bulteau 2000

Bulteau, Michel. Breast Pocket Notes sur Roy Lichtenstein. Paris: L’Échoppe, 2000.

 

Bünder Kunsthaus 1972

Bünder Kunsthaus. Amerikanische Graphik seit 1960. Chur: Bünder Kunsthaus, 1972. Exhibition catalogue. (1972 Chur Bündner).

 

Burchard 1994

Burchard, Hank. “Lichtenstein’s Top Pop Art.” Washington Post, November 4, 1994, p. G55.

 

Burden 1974

Burden, Carter. Selected Works from the Collection of Carter Burden. New York: Marlborough Gallery, 1974. Exhibition catalogue. (1974 New York Marlborough).

 

Bürgi 1988

Bürgi, Bernhard, ed. Rot, Gelb, Blau: Die Primärfarben in der Kunst des 20. Jahrhunderts. Stuttgart: Verlag Gerd Hatje; Teufen, Switzerland: Arthur Niggli, 1988. Exhibition catalogue. (1988 Sankt Gallen Kunstmuseum).

 

Bürgi and Pakesch 2002

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Burke 1997

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Burn 1974

Burn, Guy. “Roy Lichtenstein.” Arts Review (London) 26, no. 8 (April 19, 1974), p. 204.

 

Burn 1977

Burn, Guy. “A Real Surrealist in London.” Apollo, n.s., 106, no. 189 (November 1977), p. 422.

 

Burn 1986

Burn, Guy. “Prints.” Arts Review (London) 38, no. 1 (January 17, 1986), pp. 8–9.

 

Burnham 1971a

Burnham, Jack. “Corporate Art.” Artforum 10, no. 2 (October 1971), pp. 66–71.

 

Burnham 1971b

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Burr 1968

Burr, James. “London Galleries: Barren Belligerence.” Apollo, n.s., 87, no. 72 (February 1968), pp. 147–49.

 

Burr 1974

Burr, James. “Roy Lichtenstein: Mayor Gallery.” Apollo, n.s., 99, no. 147 (May 1974), p. 373.

 

Burr 1976

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Burr 1984

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Burrows 1952

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Burstein 1981

Burstein, Patricia. “Artist Roy Lichtenstein Has Laid Low for a Decade, but He Isn’t Reduced to Yard Sales.” People 15, no. 22 (June 8, 1981), pp. 84–86.

 

Busby 1993

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Busch 1988

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Busche 1976

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Busche 1977b

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Busche 1978a

Busche, Ernst A. “Interview mit Roy Lichtenstein.” Das Kunstwerk 31, no. 1 (February 1978), pp. 14–25.

 

Busche 1978b

Busche, Ernst A. “Roy Lichtenstein: An Interview.” New York Arts Journal, no. 9 (April–May 1978), pp. 11–12.

 

Busche 1983a

Busche, Ernst A. Lichtenstein. Translated from the German by Katherine J. Michaelsen. New York: Leo Castelli, 1983. Exhibition catalogue. Unpaginated. (1983c New York Castelli).

 

Busche 1983b

Busche, Ernst. “Roy Lichtenstein: Das Frühwerk, 1942–1960.” PhD diss., Freie Universität Berlin, 1983.

 

Busche 1988

Busche, Ernst A. Roy Lichtenstein: Das Frühwerk, 1942–1960. Berlin: Gebr. Mann Verlag, 1988.

 

Busche 1989a

Busche, Ernst A. Roy Lichtenstein: Pop Paintings, 1961–1969. Schirmer’s Visual Library. Translated from the German by Paul Kremmel. New York: W. W. Norton and Company, 1989.

 

Busche 1989b

Busche, Ernst A. Roy Lichtenstein: Pop-Paintings, 1961–1969. Schirmer’s visuelle Bibliothek 6. Munich: Schirmer/Mosel, 1989. In German.

 

Busche 1989c

Busche, Ernst A. Roy Lichtenstein: Peintures pop, 1961–1969. Bibliothèque visuelle 6. Translated from the German. Munich: Schirmer/Mosel, 1989.

 

Büsser 2001

Büsser, Martin. Pop Art. Hamburg: Rotbuch-Verlag, 2001.

 

Butler Institute 1951

Butler Institute of American Art, Youngstown. 16th Annual New Year Show: An Exhibition of . . . Oil and Water Color Paintings by Artists of the United States. Youngstown: Butler Institute of American Art, 1951. Exhibition catalogue. (1951 Youngstown Butler).

 

Butler Institute 1954

Butler Institute of American Art, Youngstown. 19th Annual Midyear Show: An Exhibition of . . . Oil and Water Color Paintings by Artists of the United States. Youngstown: Butler Institute of American Art, 1954. Exhibition catalogue. (1954 Youngstown Butler).

 

Butler Institute 1955

Butler Institute of American Art, Youngstown. 20th Annual Midyear Show: An Exhibition of . . . Oil and Water Color Paintings by Artists of the United States. Youngstown: Butler Institute of American Art, 1955. Exhibition catalogue. (1955 Youngstown Butler).

 

Butler Institute 1956

Butler Institute of American Art, Youngstown. 21st Annual Midyear Show: An Exhibition of . . . Oil and Water Color Paintings by Artists of the United States. Youngstown: Butler Institute of American Art, 1956. Exhibition catalogue. (1956 Youngstown Butler).

 

Butler Institute 1970

Butler Institute of American Art, Youngstown. 35 Years in Retrospect, 1936–1970. Youngstown: Butler Institute of American Art, 1970. Exhibition catalogue. (1971 Youngstown Butler).

 

Butler Institute 1979

Butler Institute of American Art, Youngstown. 43rd Annual Midyear Show. Youngstown: Butler Institute of American Art, 1979. Exhibition brochure. (1979 Youngstown Butler).

 

Butler Institute 1983

Butler Institute of American Art, Youngstown. The Ponderosa Collection. Youngstown: Butler Institute of American Art, 1983. Exhibition brochure. (1983 Youngstown Butler).

 

Butler Institute 1986b

Butler Institute of American Art, Youngstown. 50th National Midyear Exhibition. Youngstown: Butler Institute of American Art, 1986. Exhibition catalogue. (1986a Youngstown Butler).

 

Butler Institute 1987

Leo Castelli: A Tribute Exhibition. Youngstown, Ohio: Butler Institute of American Art, 1987. (1987 Youngstown Butler).

 

Butler Institute 1990

Butler Institute of American Art, Youngstown. Small Masterwork Paintings from the Butler Institute of American Art. Youngstown: Butler Institute of American Art, 1986. Exhibition brochure. (1990 St. Paul MMA).

 

J. Butler 1970

Butler, Joseph T. “The American Way with Art: Roy Lichtenstein at the Solomon R. Guggenheim Museum.” Connoisseur 173, no. 695 (January 1970), pp. 73–75.

 

S. Butler 1979

Butler, Susan L., ed. Late Twentieth-Century Art from the Sydney and Frances Lewis Foundation. Richmond, Va.: Sydney and Frances Lewis Foundation, 1979. Exhibition catalogue. (1979 Philadelphia ICA).

 

C & M Arts 2001

C & M Arts. Naked since 1950. New York: C & M Arts, 2001. Exhibition catalogue. (2001b New York C & M Arts).

 

C&M Arts 1997

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Cabanne 1964

Cabanne, Pierre. “L’Amérique proclame la fin de l’École de Paris et lance le Pop Art pour coloniser l’Europe.” Arts (Paris), no. 968 (June 24–30, 1964), p. 16.

 

Caellian 1961

“Gallery Exhibit Oil Paintings.” The Caellian (New Brunswick, N.J., Douglass College, Rutgers University), January 13, 1961, p. 3.

 

Caellian 1964

“‘Sex on Campus’ to Be Featured at ’64 Voorhees Assembly Series.” The Caellian (New Brunswick, N.J., Douglass College, Rutgers University), May 14, 1964, p. 1.

 

Calamandrei 1969

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Calamandrei 1982

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CalArts Today 1977

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Calas 1964

Calas, Nicolas. “Art Journal: Anti-Pop Is Here.” Village Voice (New York), March 19, 1964.

 

Calas 1966

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Calas 1968

Calas, Nicolas. Art in the Age of Risk and Other Essays. New York: E. P. Dutton and Co. 1968.

 

Calas 1969

Calas, Nicolas. “Roy Lichtenstein: Insight through Irony.” Arts Magazine (New York) 44, no. 1 (September–October 1969), pp. 29–33.

 

Calas and Calas 1971

Calas, Nicolas, and Elena Calas. Icons and Images of the Sixties. New York: E. P. Dutton and Co. 1971.

 

Caldwell 2002

Caldwell, Susan Havens. The Art of the Sixties. Norman: Fred Jones Jr. Museum of Art, University of Oklahoma, 2002. Exhibition catalogue. (2002 Norman FJJMA).

 

California Institute of the Arts 1977

California Institute of the Arts, 1977. Roy Lichtenstein at CalArts: Drawings and Collages from the Artist’s Collection. Valencia, Calif.: California Institute of the Arts, 1977. Exhibition catalogue. (1977 Valencia, Calif., CalArts).

 

Calvesi 1963

Calvesi, Maurizio. “Ricognizione e reportage.” Collage (December 1963).

 

Calvesi 1966a

Calvesi, Maurizio. American Pop Artists: Sono presenti con le loro opere gli artisti: D’Arcangelo, Jim Dine, Roy Lichtenstein, Rosenquist, Andy Warhol, Wesley, Tom Wesselmann. Genoa: Galleria la Bertesca, 1966.

 

Calvesi 1966c

Calvesi, Maurizio. “Lichtenstein: Pittore globale/Lichtenstein: A Global Painter/Lichtenstein: Peintre global.” Fantazaria (Rome). Special issue, Lichtenstein, edited by Alberto Boatto and Giordano Falzoni, 1, no. 2 (July–August 1966).

 

Calvesi 1975

Calvesi, Maurizio. Le due avanguardie. Vol. 2, Informale, New Dada, Pop Art. Bari: Editori Laterza, 1975.

 

Calvocoressi 2017a

Calvocoressi, Richard. Georg Baselitz Roy Lichtenstein. Uckfield: Gagosian Gallery, 2017. Exhibition catalogue. (2017 London Frieze Masters Gagosian).

 

Calvocoressi 2017b

Calvocoressi, Richard. Remembering Bilderstreit: George Baselitz, Roy Lichtenstein. London: Gagosian Gallery, 2017. Exhibition catalogue.

 

Camber Porter 1983

Camber Porter, Melinda. Melinda Camber Porter in Conversation with Roy Lichtenstein [New York, December 15, 1983]. Melinda Camber Porter Archive of Creative Works: Volume 1, Number 2. Edited by Joseph R. Flicek. Blake Press, 2015. [Discussion centered on Greene Street Mural].

 

Cameron 1989

Cameron, Dan. Selections from the Collection of Marc and Livia Straus. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1986. Exhibition catalogue. (1989 Ridgefield Aldrich).

 

Camnitzer 1982

Camnitzer, Luis. “Roy Lichtenstein en el Museo Whitney de Nueva York, 1970–80.” Arte en Colombia, no. 18 (June 1982), pp. 57–60.

 

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L. Campbell 1951

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L. Campbell 1963

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L. Campbell 2002

Campbell, Lawrence. ARTnews 101, no. 10 (November 2002), p. 251.

 

R. Campbell 1976

Campbell, R. M. “New Directions for Lichtenstein’s Parodies.” Seattle Post-Intelligencer, January 25, 1976.

 

Campredon 1991

Association Campredon art et culture. Les artistes décident de jouer. L’Isle-sur-la-Sorgue: Association Campredon art et culture, 1991. Exhibition catalogue. (1991 Campredon).

 

Canaday 1962

Canaday, John. “An Open Letter to X.” New York Times, August 19, 1962, p. 109.

 

Canaday 1964a

Canaday, John. “Art: From Clean Fun to Plain Smut: ‘Girlie Exhibit’ Opens at Pace Gallery.” New York Times, January 7, 1964, p. 31.

 

Canaday 1964b

Canaday, John. “Good Show: The International in Pittsburgh.” New York Times, November 1, 1964, p. X25.

 

Canaday 1964c

Canaday, John. “Hello, Goodbye.” New York Times, January 12, 1964.

 

Canaday 1964d

Canaday, John. “Pop Art Sells On and On—Why?” New York Times Magazine, May 31, 1964, sec. 6, 7, 48, pp. 52–53.

 

Canaday 1966a

Canaday, John. “Art: Galaxy of Cartoon Stars on View.” New York Times, May 8, 1966, p. 44.

 

Canaday 1966b

Canaday, John. “Show Biz Triumphs Over Art.” New York Times, July 5, 1966.

 

Canaday 1967

Canaday, John. “Exorcism in Montreal.” New York Times, April 30, 1967, p. D23.

 

Canaday 1969a

Canaday, John. “Art: The Lichtenstein Retrospective.” New York Times, September 20, 1969, p. 25.

 

Canaday 1969b

Canaday, John. “Roy Lichtenstein and His Great Big Yacht.” New York Times, September 21, 1969, p. 29.

 

Canaday 1972

Canaday, John. “Roy Lichtenstein.” New York Times, January 29, 1972, p. 25.

 

Candela 2012

Candela, Iria. “Picasso in Two Acts.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff, pp. 36–45. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

Candela 2014

Candela, Iria. “Roy Lichtenstein: BMW 320 Group 5, 1977.” In BMW art cars, edited by Thomas Girst, pp. 60–69. Ostfildern: Hatje Cantz Verlag, 2014.

 

Canemaker 1991

Canemaker, John. “Popeye Meets Warhol.” Traveler 26 (July 1991), pp. 90–91.

 

CAPC 1979

Centre d’Arts Plastiques Contemporains de Bordeaux. L’art depuis 1960: Collection Ludwig. Bordeaux: CAPC Centre d’Arts Plastiques Contemporains de Bordeaux, 1978. Exhibition catalogue. Unpaginated. (1979 Bordeaux CAPC).

 

Capital 1970

“Capital Kunst Kompass.” Capital, no. 10 (October 1970), pp. 143–56.

 

Carboni 1978

Carboni, Massimo. Arte: Storia dell’arte. Livorno: Galleria Peccolo, 1978. Exhibition catalogue. (1978 Livorno Peccolo).

 

Carey 1965

Carey, Martin. The New American Realism. Worcester, Mass.: Worcester Art Museum, 1965. Exhibition catalogue. Unpaginated. (1965 Worcester, Mass., Worcester Art Museum).

 

Carlin and Sheena Wagstaff 1983

Carlin, John, and Sheena Wagstaff. The Comic Art Show: Cartoons in Painting and Popular Culture. New York: Fantagraphics Books, 1983. Exhibition catalogue. (1983 New York Whitney Downtown).

 

Carmean and S. Hunter 1980

Carmean, E. A., Jr., and Sam Hunter. The Morton G. Neumann Family Collection: Selected Works. Washington, D.C.: National Gallery of Art, 1980. Exhibition catalogue. (1980 Washington, D.C., NGA).

 

Carosella 2008

Carosella, Mary Beth. “Roy Lichtenstein.” In This Is Not to Be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles, by Museum of Contemporary Art, Los Angeles, pp. 174–75. Los Angeles: Museum of Contemporary Art, 2008.

 

Carr 1997

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Carrier 1979

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Carty 1988

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Caruso 1993

Caruso, Joyce. “Toon Spirit.” Mademoiselle 99 (July 1993), pp. 66–67.

 

Carvajal 2001

Carvajal, Doreen. “New Museum (Sort of) for St. Louis: The Pulitzer Art Collection Will Welcome Visitor, Up to a Point.” New York Times, January 15, 2001, E1, E3.

 

Casa Vogue 1971

“A Milano la casa esperimento di Gae Aulenti.” Casa Vogue, no. 11 (Nov.–Dec. 1971), pp. 58–63.

 

Casorati 1987

Casorati, Cecilia. Segno Americano. Grafica Anni 60/70. Milan: Fabbri, Bompiani, Sonzogno, Etas, 1987. Exhibition catalogue. (1987 Turin Galleria Civica).

 

Casper 1966

Casper, Foy C., Jr. Contemporary Art USA. Norfolk, Va.: Norfolk Museum of Arts and Sciences, 1966. Exhibition catalogue. (1966 Norfolk, Va., Arts and Sciences).

 

Cassel 2003

Cassel, Valerie. Splat, Boom, Pow! The Influence of Cartoons in Contemporary Art. Houston: Contemporary Arts Museum, 2003. (2003 Houston CAM).

 

Castelli 1977

Leo Castelli, New York. Leo Castelli: Twenty Years. New York: Leo Castelli, 1977.

 

Castelli 1988

Leo Castelli, New York. Castelli Graphics 1969–1988. New York: Leo Castelli, 1988.

 

Castelli 2010

Leo Castelli, New York. Roy Lichtenstein: Mostly Men. New York: Leo Castelli, 2010. Exhibition catalogue. (2010 New York Castelli).

 

Castelli 2016

Leo Castelli, New York. A Dialogue: Donald Judd, Roy Lichtenstein, Kenneth Noland. New York: Leo Castelli, 2016. Exhibition catalogue. (2016 New York Castelli).

 

Castelli Gallery 2011

Castelli Gallery, New York. Reflected in the mirror there was a shadow. New York: Leo Castelli, 2011. Exhibition catalogue. (2011 New York Castelli).

 

Castelli Gallery 2014

Castelli Gallery, New York. Jasper Johns and Roy Lichtenstein: Walls. New York: Castelli Gallery, 2014. Exhibition catalogue. (2014 New York Castelli).

 

L. Castelli et al. 1988

Castelli, Leo, John Coplans, Alanna Heiss, Betsey Johnson, Roy Lichtenstein, and Claes Oldenburg. “An Observed Conversation.” In Modern Dreams: The Rise and Fall and Rise of Pop, by Lawrence Alloway et al., pp. 87–102. New York: Institute for Contemporary Art; Cambridge, Mass.: MIT Press, 1988.

 

Castleman 1971

Castleman, Riva. Technics and Creativity II: Gemini GEL. New York: Museum of Modern Art, 1971. Exhibition catalogue. (1971a New York MoMA).

 

Castleman 1973a

Castleman, Riva. Modern Art in Prints. New York: Museum of Modern Art, 1973. Exhibition catalogue. (1973 Perth Western Australian Art Gallery).

 

Castleman 1973b

Castleman, Riva. Modern Prints since 1942. London: Barrie and Jenkins, 1973.

 

Castleman 1991a

Castelman, Riva. For 25 Years: Gemini G.E.L. New York: Museum of Modern Art, 1991. Exhibition brochure. (1991b New York MoMA).

 

Castleman 1991b

Castleman, Riva. Seven Master Printmakers: Innovations in the Eighties. New York: Museum of Modern Art, 1991. Exhibition catalogue. (1991a New York MoMA).

 

Cateforis 1999

Cateforis, David, ed. Decade of Transformation: American Art of the 1960s. Lawrence, Kans.: Spencer Museum of Art, The University of Kansas, 1999. (1999 Lawrence, Kan., Spencer).

 

Cathcart 1978

Cathcart, Linda L. American Painting of the 1970s. Buffalo: Albright-Knox Art Gallery, 1978. Exhibition catalogue. (1978 Buffalo Albright-Knox).

 

Cathcart 1982

Cathcart, Linda L. The Americans: The Collage. Houston: Contemporary Arts Museum of Houston, 1982. (1982a Houston CAM).

 

Cathcart 1983

Cathcart, Linda L. American Still Life, 1945–1983. Houston: Contemporary Arts Museum, 1983. Exhibition catalogue. (1983 Houston CAM).

 

Catoir 1982

Catoir, Barbara. “Kunsthalle Ausstellung: Roy Lichtenstein 1970–1980.” Pantheon 40, no. 2 (April–June 1982), pp. 141–42.

 

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Cauman, John, et al. Matisse and American Art. Montclair, N.J.: Montclair Art Museum, 2017. Exhibition catalogue. (2017 Montclair Art Museum).

 

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Cavaliere 1977a

Cavaliere, Barbara. “Group Show.” Arts Magazine 52, no. 2 (October 1977), pp. 18–19.

 

Cavaliere 1977b

Cavaliere, Barbara. “Pop Plus.” Arts Magazine 53, no. 2 (October 1977), p. 23.

 

Cavaliere 1981

Cavaliere, Barbara. “Roy Lichtenstein.” Flash Art, no. 105 (December 1981–January 1982), p. 54.

 

Cavalli-Björkman and Nilsson 1995

Cavalli-Björkman, Görel, and Bo Nilsson. Still Leben. Stockholm: Nationalmuseum; Höganäs, Sweden: Bra Böcker, 1995. Exhibition catalogue. (1995 Stockholm Nationalmuseum).

 

CCGA and Tyler Graphics Archive 1995

Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Sukagawa City, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1995.

 

CCGA and Tyler Graphics Archive 1995a

Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Gendai Gurafikku Āto Sentā shūzōhin zuroku 1995/Center for Contemporary Graphic Art and Tyler Graphics Archive Collection. Sukagawa City, Japan: Gendai Gurafikku Āto Senta, 1995.

 

CCGA and Tyler Graphics Archive 1995b

Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Prints of Roy Lichtenstein: Entablatures—Nudes. Sukagawa City, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1995. Exhibition catalogue. (1995b Fukushima CCGA).

 

Celant 1966

Celant, Germano. “Esposizioni: XXXIII Biennale internazionale d’arte: Padiglioni stranieri.” Casabella, no. 308 (August 1966), pp. 64–66.

 

Celant 1973

Celant, Germano. Record As Artwork: 1959–73. Translated by Linguists Club. London: Royal College of Art, 1973. Exhibition catalogue.

 

Celant 1980

Celant, Germano. Das Bild einer Geschichte 1956–1976: Die Sammlung Panza di Biumo. Milan: Electa, 1980.

 

Celant 1996

Celant, Germano, ed. Looking at Fashion: Biennale di Firenze. Milan: Skira Editore, 1996. Exhibition catalogue. (1996–97 Florence Biennial).

 

Celant 1997a

Celant, Germano, ed. Art/Fashion. New York: DAP with Skira Editore, 1997. Exhibition catalogue. (1996–97 Florence Biennial).

 

Celant 1997b

Celant, Germano. La Biennale di Venezia: 47 Esposizione Internazionale d’Arte: Future, Present, Past. Milan: Electa, 1997. Exhibition catalogue. (1997 Venice Biennial).

 

Celant 2012

Celant, Germano, ed. The Small Utopia/Ars multiplicata. Venice: Fondazione Prada, 2012. Exhibition catalogue.

 

Celant 2013a

Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue. (2013 Venice Vedova).

 

Celant 2013b

Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue. Includes insert with Italian translation of catalogue essays. (2013 Venice Vedova).

 

Celant and Dennison 2006

Celant, Germano, and Lisa Dennison, eds. New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography, and Video. Milan: Skira; Monaco: Grimaldi Forum, 2006. Exhibition catalogue. (2006 Monte Carlo Grimaldi).

 

Centre Culturel Américain 1963

Centre Culturel Américain. De A à Z: 31 peintures américaines choisis par The Art Institute of Chicago. Paris: Centre Culturel Américain, 1963. Exhibition catalogue. (1963 Chicago Art Institute).

 

Centro Cultural de Belém 2000

Instituto Nacional de Bellas Artes, Mexico City. Roy Lichtenstein: Imagens reconhecíveis. Translated by Helena Cardoso. Mexico City: Instituto Nacional de Bellas Artes and Landucci Editores, 2000. Exhibition catalogue. (1998 Mexico City Museo del Palacio).

 

Cerrato 1995

Cerrato, Giuseppe. “Premiere: Lichtensteins reifes Werk.” Schweizer illustrierte (June 26, 1995), pp. 65–66.

 

Chadwick 1981

Chadwick, Anna-Mei. “The Arts Reviewed: United States of America. Roy Lichtenstein (1970–1980).” Connoisseur 207, no. 831 (May 1981), pp. 6–9.

 

Chafetz 1970

Chafetz, Sidney. “Four Early Lichtenstein Prints.” Artist’s Proof 10 (1970), pp. 48–52.

 

Chambers 1975

Chambers, Marlene. The Virginia and Bagley Wright Collection: American Art since 1960. Denver: Denver Art Museum, 1975. Exhibition catalogue. (1975 Denver Art Museum).

 

Chan 2005

Chan, Sewell. “Access to Art with a MetroCard Swipe.” New York Times, June 30, 2005, p. E3.

 

Charbonneaux 1987

Charbonneaux, C. “Le pop paie: Les grandes ventes aux enchères de tableaux se sont multipliées à New York.” Connaissance des arts, no. 420 (February 1987), p. 27.

 

Chávarri 1983

Chávarri, Raúl. “Lichtenstein y Warhol.” Cuadernos hispanoamericanos (Madrid), no. 398 (1983), pp. 393–97.

 

Cheekwood 1985

Cheekwood Fine Arts Center. A Decade of British and American Screenprints, 1967–1977. Nashville: Cheekwood Fine Arts Center, 1985. Exhibition catalogue. Unpaginated. (1985 Nashville Cheekwood).

 

Chevalier 1970

Chevalier, Denys. “Lichtenstein: Du plan au volume.” Lettres françaises (March 18, 1970), p. 27.

 

Chicago Tribune 1997

“Artist Roy Lichtenstein, a Leader of Pop Painting.” Chicago Tribune, September 20, 1997, p. 10.

 

Chirico 1982

Chirico, Robert F. “Some Reflections on Sound and Silence in the Visual Arts.” Arts Magazine (New York) 56, no. 8 (April 1982), pp. 101–5.

 

Christie’s Magazine 2005

Christie’s Magazine. Special issue, Roy Lichtenstein’s In the Car 22, no. 6 (November 2005).

 

Christie’s New York 2005a

Christie’s New York. Post-War and Contemporary Art Evening, November 8, 2005. New York: Christie’s New York, 2005.

 

Christie’s New York 2005b

Christie’s New York. Roy Lichtenstein In the Car Published on the Occasion of Its Post-War and Contemporary Art Evening Sale, Tuesday, 8 November, 2005. New York: Christie’s New York, 2005.

 

Christie’s New York 2007

Christie’s New York. “Roy Lichtenstein: Landscape with Column.” Christie’s New York: Post-War and Contemporary Art, May 16, 2007. New York: Christie’s New York, 2007, pp. 72–75.

 

Christie’s New York 2010

Christie’s New York. Roy Lichtenstein’s Ohhh . . . Alright . . . New York: Christie’s New York, 2010.

 

Christie’s New York 2011

Christie’s New York. I Can See the Whole Room! . . . and There’s Nobody in It! New York: Christie’s New York, 2011.

 

Christie’s New York 2013

Christie’s New York, New York. Roy Lichtenstein’s Woman with Flowered Hat. New York: Christie’s New York, 2013.

 

Christie’s New York 2014

Christie’s New York. Roy Lichtenstein: Keds. New York: Christie’s New York, 2014.

 

Christoph 1994

Christoph, Horst. “Takka Takka, Whaam!” Profil (Vienna), no. 41 (October 11, 1994), pp. 100, 102.

 

G. Christy 1965

Christy, George. “What’s Popping in the Arts.” Town and Country 119, no. 4,510 (May 1965), pp. 82–83, 141–42.

 

M. Christy 1978

Christy, Marian. “To Artist Roy Lichtenstein, Fame Is $250,000 a Pop.” Boston Globe, November 12, 1978, p. B3.

 

Chryslee 1995

Chryslee, Gail J. “The Construction of a Rhetorical Response to Visual Art: A Case Study of ‘Brushstrokes in Flight.'” PhD diss., Ohio State University, Columbus, 1995.

 

Cikovsky et al. 2005

Cikovsky, Nicolai, Jr., et al. In Private Hands: 200 Years of American Painting. Philadelphia: Pennsylvania Academy of the Fine Arts, 2005. Exhibition catalogue. (2005 Philadelphia PAFA).

 

City-Galerie 1965

City-Galerie Bruno Bischofberger. Pop Art. Zurich: City-Galerie Bruno Bischofberger, 1965. Exhibition catalogue. (1965 Zurich City-Galerie).

 

Civico Museo d’Arte Contemporanea 1972

Civico Museo d’Arte Contemporanea. Metamorfosi dell’oggetto. Milano: Palazzo Reale, 1972. Exhibition catalogue. (1971a Brussels Palais des Beaux-Arts).

 

A. Clark 1963

Clark, Anthony M. “The Changing Past of American Art.” The Art Gallery (Ivoryton, Conn.), 7, no. 3 (December 1963), p. 13.

 

G. Clark 1979

Clark, Garth. A Century of Ceramics in the United States, 1878–1978: A Study of Its Development. New York: E. P. Dutton and Co. 1979. Exhibition catalogue. (1979 Syracuse Everson).

 

Claypole 2004

Claypole, Jonty. “Inspired by Tears: Real Pain Lies behind Lichtenstein’s Crying Girls.” Times (London), February 25, 2004, p. 13.

 

Clearwater 2001

Clearwater, Bonnie. Roy Lichtenstein: Inside/Outside. North Miami: Museum of Contemporary Art, 2001. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (2001 North Miami MOCA).

 

Cleveland News 1952

“s It Art—Or Dizzy? Town’s in a Tizzy.” Cleveland News, March 13, 1952, Home Magazine sec., p. 18.

 

Cleveland News 1955

“America Flavors Show.” Cleveland News, January 8, 1955, p. 6.

 

Cleveland News 1965

“Two Bold Moderns Open Show.” Cleveland News, January 8, 1956.

 

Cleveland Plain Dealer 1953a

“Artist Wins Prize.” Cleveland Plain Dealer, November 15, 1953.

 

Cleveland Plain Dealer 1953b

“Ohio State University.” Cleveland Plain Dealer, November 22, 1953.

 

Cleveland Plain Dealer 1957

“Around the Art Realm.” Cleveland Plain Dealer, January 27, 1957, pp. 15–F.

 

Cleveland Plain Dealer 1966

“Lichtenstein: A Second Look.” Plain Dealer (Cleveland), December 11, 1966.

 

Cleveland Press 1952

“Six Local Artists in Big N.Y. Show.” Cleveland Press, October 1952.

 

Cleveland Press 1957

“City’s Culture Is Enjoying Spectacular Expansion.” Cleveland Press, January 4, 1957.

 

Cleveland Press 1969

“Pop Artist Lichtenstein Returns for Lecture, Exhibit.” Cleveland Press, February 8, 1969.

 

Cleveland Press 1976

“Lichtenstein Is Display Subject.” Cleveland Press, January 3, 1976.

 

Close 1997

Close, Chuck. “Roy Lichtenstein.” In The Portraits Speak: Chuck Close in Conversation with 27 of His Subjects, edited by Joanne Kesten. New York: Art Resources Transfer Press, 1997.

 

Codognato 1980

Codognato, Attilio, ed. Pop Art: Evoluzione di una generazione. Milan: Electa, 1980. Published on the occasion of an exhibition with the same title at Palazzo Grassi, Venice. (1980 Venice Palazzo Grassi).

 

Codognato et al. 1992

Codognato, Attilio, et al. American Art, 1930–1970. Milan: Gruppo Editoriale Fabbri-Bompiani, 1992. Exhibition catalogue. (1992 Turin Lingotto Fiere).

 

Coe 1963

Coe, Ralph T. Popular Art: Artistic Projections of Common American Symbols. Kansas City, Mo.: Nelson-Atkins Museum of Art, 1963. Exhibition catalogue. (1963 Kansas City Nelson-Atkins).

 

Coe 1965

Coe, Ralph T. Kansas City Collects: A Selection of Works of Art Privately Owned in the Greater Kansas City Area. Kansas City, Mo.: Nelson Gallery and Atkins Museum, 1965. Exhibition catalogue. (1965 Kansas City Nelson-Atkins).

 

Coen 1989

Coen, Ester. “Artisti: Roy Lichtenstein.” Vernissage Supplement no. 1 (May 1989), unpaginated.

 

Coffey 1967

Coffey, Patricia. “Ever See a Black and White Sunset?” Bulletin (Philadelphia), 1967.

 

D. Cohen 1997

Cohen, David. “Roy Lichtenstein.” Independent (London), October 1, 1997, p. 19.

 

D. Cohen 2005

Cohen, David. “Gallery Going: The Anti-Artist of Pop Art.” New York Sun, October 6, 2005.

 

D. Cohen 2008

Cohen, David. “Dotted ‘Girls’ Go Up at Gagosian.” New York Sun, May 12, 2008, pp. 1, 14.

 

R. Cohen 1985a

Cohen, Ronny H. “The Medium Isn’t the Message.” ARTnews 84, no. 8 (October 1985), pp. 74–81.

 

R. Cohen 1985b

Cohen, Ronny H. “Prints about Art.” Print Collector’s Newsletter 16, no. 5 (November–December 1985), pp. 164–68.

 

R. Cohen 1989

Cohen, Ronny. “Art Is Priceless.” Art and Auction (June 1989), pp. 166–171.

 

Cohen-Solal 2010a

Cohen-Solal, Annie. Leo and His Circle: The Life of Leo Castelli. Translated from the French by Cohen-Solal and Mark Polizzotti. New York: Alfred A. Knopf, 2010.

 

Colangelo 2003

Colangelo, Lisa L. “Bloomberg Shows Plenty of Art: City Hall Exhibits Four Sculptures.” Daily News (New York), November 18, 2003, p. 3.

 

Colby 1978

Colby College Museum of Art, Waterville, Maine. Drawings from Maine collections. Waterville, ME: Colby College Museum of Art, 1987. Exhibition catalogue. (1978 Waterville, Maine, Colby).

 

Colby 2009

Colby College Museum of Art, Waterville, Maine. Art at Colby: Celebrating the Fiftieth Anniversary of the Colby College Museum of Art. Waterville, Maine: Colby College Museum of Art, 2009.

 

R. Coleman 1964

Coleman, Roger. “The Gulbenkian Exhibition.” Art International 8, nos. 5–6 (Summer 1964), p. 96.

 

S. Coleman 2001

Coleman, Sarah. “Hopper at Home.” ARTnews 100, no. 10 (November 2001), p. 43.

 

T. Collins and Milazzo 1991

Collins, Tricia, and Richard Milazzo. Who Framed Modern Art, or, the Quantitative Life of Roger Rabbit. New York: Sidney Janis Gallery, 1991. Exhibition catalogue. (1991 New York Janis).

 

B. Collins 2003

Collins, Bradford R. “Modern Romance: Lichtenstein’s Comic Book Paintings.” American Art 17, no. 2 (Summer 2003), pp. 60–85.

 

J. Collins et al. 1983

Collins, Judith, David A. Anfam, David Chandler et al. Techniques of Modern Masters. London: Macdonald, 1983.

 

Columbus Art League 1949

Columbus Art League. Thirty-Ninth Annual Exhibition. Ohio: Columbus Gallery of Fine Arts, 1949. Exhibition catalogue. (1949 Columbus Gallery of Fine Arts).

 

Columbus Dispatch 1997

“Roy Lichtenstein: OSU Graduate Became a Star of Pop Art.” Columbus Dispatch, October 2, 1997, p. A10.

 

Combat-art 1963

“Minuterie.” Combat-art (Paris), June 10, 1963, p. 2.

 

Comi 1991

Comi, Enrico R. “Conversazione con Leo Castelli/Conversation with Leo Castelli.” Spazio umano/Human Space (1991), pp. 33–99.

 

Cominotti 1966

Cominotti, Hansi. “È Stato un Triestino di New York L’Uomo di Punta della Pop-Art.” Il Piccolo (Trieste), June 27, 1966.

 

Compton 1970

Compton, Michael. Pop Art. Feltham, England: Hamlyn House, 1970.

 

Compton 1976

Compton, Michael. Art since 1945. Milton Keynes, England: Open University Press, 1976.

 

Connaissance des arts 1981

“A Question of Appearances: Talk with Roy Lichtenstein.” Connaissance des arts (March 1981).

 

Connaissance des arts 1990

“Dossier.” Connaissance des arts, no. 464 (October 1990), pp. 112–13.

 

Connelly 1992

Connelly, John. “Roy Lichtenstein.” Flash Art, no. 164 (May–June 1992), p. 113.

 

Conroy 1995

Conroy, Sarah Booth. “Chronicles—America’s Ambassadors of Art.” Washington Post, June 12, 1995, p. D3.

 

Constable 1964

Constable, Rosalind. “New York’s Avant-Garde, and How It Got There.” New York: The Sunday Herald Tribune Magazine. Special issue, The Avant-Garde, May 17, 1964, pp. 6–10.

 

Contemporary Arts Center 1970

Contemporary Arts Center, Cincinnati. Monumental Art. Cincinnati: Contemporary Arts Center, 1970. Exhibition catalogue. (1970 Cincinnati CAC).

 

Contemporary Arts Museum 1972

Contemporary Arts Museum, Houston. Roy Lichtenstein. Houston: Contemporary Arts Museum, 1972. Exhibition catalogue. (1972 Houston CAM).

 

Contemporary Arts Museum 2004

Perspectives@25: A Quarter Century of New Art in Houston. Houston: Contemporary Arts Museum, 2004. (2004–05 Houston CAM).

 

Contemporary Great Masters 1992

Contemporary Great Masters: Roy Lichtenstein. Tokyo: Kodansha Ltd. 1992.

 

Conti 1993

Conti, Marina. “Felice d’aver fatto Pop: Intervista con Roy Lichtenstein.” L’espresso (Rome), no. 41 (October 17, 1993), pp. 124–25, 127, 129.

 

Conway and Kirk 1977

Conway, Madeleine, and Nancy Kirk, eds. (photographs by Blaine Waller). The Museum of Modern Art Artists’ Cookbook: 155 Recipes: Conversations with Thirty Contemporary Painters and Sculptors. New York: Museum of Modern Art, 1977.

 

Cooke 1986

Cooke, Lynne. In Tandem: The Painter-Sculptor in the Twentieth Century. London: Whitechapel Art Gallery, 1986. Exhibition catalogue. (1986 London Whitechapel).

 

Cooper 2012

Cooper, Harry. “On the Dot.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff, pp. 26–35. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

Cooper 2014

Cooper, Harry. Modernism from the National Gallery of Art. San Francisco: Fine Arts Museums of San Francisco, 2014. Exhibition catalogue.

 

Coplans 1962

Coplans, John. “The New Paintings of Common Objects.” Artforum 1, no. 6 (November 1962), pp. 26–29.

 

Coplans 1963b

Coplans, John. “Notes from San Francisco.” Art International 7, no. 8 (October 25, 1963), pp. 91–94.

 

Coplans 1963c

Coplans, John. “Pop Art, USA.” Artforum 2, no. 4 (October 1963), pp. 27–30.

 

Coplans 1963d

Coplans, John. Pop Art USA. Oakland: Oakland Art Museum and California College of Arts and Crafts, 1963. Exhibition catalogue. (1963 Oakland Art Museum).

 

Coplans 1967a

Coplans, John. “Roy Lichtenstein: An Interview.” In Roy Lichtenstein, by Coplans, pp. 12–16. Pasadena, Tex.: Pasadena Art Museum, 1967. Exhibition catalogue.

 

Coplans 1967b

Coplans, John. Roy Lichtenstein. Pasadena, Tex.: Pasadena Art Museum, 1967. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (1967 Pasadena, Calif., Pasadena Art Museum).

 

Coplans 1967c

Coplans, John. “Talking with Roy Lichtenstein.” Artforum 5, no. 9 (May 1967), pp. 34–39.

 

Coplans 1970a

Coplans, John. “Early Warhol: The Systematic Evolution of the Impersonal Style.” Artforum 8, no. 7 (March 1970), pp. 52–59.

 

Coplans 1970b

Coplans, John. “Interview: Roy Lichtenstein by John Coplans.” In Roy Lichtenstein: Graphics, Reliefs and Sculptures, 1969–1970, by Coplans, pp. 7–11. Irvine: University of California, Irvine; Los Angeles: Gemini G.E.L. 1970. Exhibition catalogue.

 

Coplans 1970c

Coplans, John. “Lichtenstein’s Graphic Works.” Studio International 180, no. 928 (December 1970), pp. 263–65.

 

Coplans 1970d

Coplans, John. Roy Lichtenstein: Graphics, Reliefs and Sculptures, 1969–1970. Irvine: University of California, Irvine; Los Angeles: Gemini G.E.L. 1970. Exhibition catalogue. (1970 Irvine University of California).

 

Coplans 1972

Coplans, John, ed. Roy Lichtenstein. New York: Praeger Publishers, 1972.

 

Coplans 1973

Coplans, John. Roy Lichtenstein: Trompe l’Oeil Paintings. Minneapolis: Locksley Shea Gallery, 1973. Exhibition catalogue. Unpaginated. (1973 Minneapolis Locksley Shea).

 

Coplans 1975

Coplans, John. “Pasadena’s Collapse and the Simon Takeover: Diary of a Disaster.” Artforum 13, no. 6 (February 1975), pp. 28–45.

 

Coplans 1977

Coplans, John. Roy Lichtenstein: Gemälde und Graphik, 1962–1977. Mannheim: Mannheimer Kunstverein, 1977. Exhibition brochure. (1977 Mannheim Kunstverein).

 

Copley 1968

Copley, Bill. SMS (Shit Must Stop). New York: Letter Edged in Black Press, 1968.

 

Coppel et al 2017

Coppel, Stephen, et al. The American Dream: Pop to the Present. London: Thames & Hudson in collaboration with the British Museum, 2017. Exhibition catalogue.

 

Corcoran 1971

Corcoran Gallery of Art, Washington, D.C. Thirty-Second Biennial Exhibition of Contemporary American Painting. Washington, D.C.: Corcoran Gallery of Art, 1970. Exhibition catalogue. (1971a Washington, D.C., Corcoran).

 

Corcoran 1999

Corcoran Gallery of Art, Washington, D.C. Lichtenstein: Sculpture and Drawings. Washington, D.C.: Corcoran Gallery of Art, 1999. Exhibition brochure. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (1998 Mexico City Museo del Palacio).

 

Cork 1991

Cork, Richard. “POP: Yesterday’s Rebels, Today’s Old Masters.” Telegraph Magazine (London), May 11, 1991, pp. 30–40.

 

Cork 1997

Cork, Richard. “Roy Lichtenstein: The Last Interview.” London Times, October 4–10, 1997, Metro sec., p. 26.

 

Corlett 1994

Corlett, Mary Lee. The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948–1993. New York: Hudson Hills Press in association with the National Gallery of Art, Washington, D.C. 1994. (1994b Washington NGA).

 

Corlett 2002

Corlett, Mary Lee. The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948–1997. New York: Hudson Hills Press in association with the National Gallery of Art, Washington, D.C. 2002.

 

Cornell University 2008

History of Art Majors’ Society, Cornell University, Ithaca, N.Y. Exquisite Corpus: Interacting with the Fragmented Body. Ithaca, N.Y: Herbert F. Johnson Museum of Art, Cornell University, 2008. Exhibition catalogue. (2008 Ithaca Johnson).

 

Corriere della Sera 1966

“Il Fenomeno Pop: Il Fumetto nei Musei.” Corriere della Sera, June 2, 1966.

 

Cosmopolitan Magazine 1965

“‘Girl in Mirror’ painted by Roy Lichtenstein.” Cosmopolitan Magazine 158, no. 5 (May 1965), p. 117.

 

Cotter 1999

Cotter, Holland. “Monumental Pleasure in a Capital of Art.” New York Times, August 6, 1999, E37, E39.

 

Cotter 2002a

Cotter, Holland. “A Gift to the Whitney, for New Yorkers to Open.” New York Times, October 25, 2002, p. E38.

 

Cotter 2002b

Cotter, Holland. “Tombs, Pop Tarts and Parties.” New York Times, August 23, 2002, E29, E31.

 

Cottingham 2008

Cottingham, Robert. Here’s the Thing: The Single Object Still Life. Katonah, N.Y.: Katonah Museum of Art, 2008. Exhibition catalogue. (2008 Katonah Museum).

 

Couperie et al. 1967

Couperie, Pierre, Proto Destefanis, Édouard François, Maurice Horn, Claude Moliterni, and Gerald Gassiot-Talabot. Bande dessinée et figuration narrative. Paris: Musée des Arts Décoratif, 1967. (1967 Paris MAD).

 

Couturier 2013

Couturier, Elisabeth. “Roy Lichtenstein: Le vrai roi du Pop Art?” Paris Match, July 18–24, 2013, pp. 22–24.

 

Cowart 1979

Cowart, Jack. “Recent Acquisition: Fishbowl II by Roy Lichtenstein.” The St. Louis Art Museum Bulletin (April–June 1979), pp. 177–80.

 

Cowart 1981a

Cowart, Jack. “Roy Lichtenstein: 1970–1980. Beyond Pop.” American Artist 45, no. 468 (July 1981), pp. 42–49, 91.

 

Cowart 1981b

Cowart, Jack. Roy Lichtenstein 1970–1980. New York: Hudson Hills Press in association with the St. Louis Art Museum, 1981. Exhibition catalogue. (1981 St. Louis Art Museum).

 

Cowart 1982a

Cowart, Jack. Roy Lichtenstein 1970–1980. Translated from the English by Nicolas Hepp. Munich: Prestel Verlag, 1982. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (1981 St. Louis Art Museum).

 

Cowart 1982b

Cowart, Jack. Roy Lichtenstein 1970–1980. Translated from the English by Stefania Coppi. Florence: Electa, 1982. Exhibition catalogue. (1981 St. Louis Art Museum).

 

Cowart 1983

Cowart, Jack. Roy Lichtenstein 1970–1980. Tokyo: Seibu Museum of Art, 1983. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (1981 St. Louis Art Museum).

 

Cowart 1992

Cowart, Jack. Roy Lichtenstein: Three Decades of Sculpture. East Hampton, N.Y.: Guild Hall Museum, 1992. Exhibition catalogue. Unpaginated. (1992 East Hampton Guild Hall).

 

Cowart 2014

Cowart, Jack. “I disegni in bianco e nero di Lichtenstein.” In Roy Lichtenstein: Opera prima, by Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 202–9. Milan: Skira Editore, 2014. Exhibition catalogue.

 

Cowart 2015

Cowart, Jack. “Lichtenstein’s Black-and-White Drawings.” In Roy Lichtenstein: Drawing First. 50 Years of Works on Paper, Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 192–201. Milan: Skira Editore, 2015. Exhibition catalogue.

 

Cox 1996

Cox, Petey. “Pop Art Shows Miami Collectors Had Foresight, Verve.” Miami Today, September 26, 1996, p. 14.

 

Cras 2013

Cras, Sophie. “Céramiques, éditions et Brushstrokes chez Leo Castelli, 1965.” In Roy Lichtenstein, edited by Camille Morineau, p. 248. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Crawford 2006

Crawford, Holly. “Disney et le Pop Art.” In Il était une fois Walt Disney: Aux sources de l’art des studios Disney, Galeries nationales du Grand Palais, Paris and Musée des beaux-arts de Montréal, pp. 251–264. Paris: Éditions de a Réunion des musée nationaux, 2006. Exhibition catalogue.

 

Crehan 1959

C[rehan], H[ubert]. “Reviews and Previews.” ARTnews 58, no. 5 (September 1959), p. 11.

 

Crespo 1970a

Crespo, Ángel. Roy Lichtenstein y el Arte Pop. Mayagüez: Universidad de Puerto Rico, 1970. Exhibition catalogue. (1970 Mayagüez Universidad de Puerto Rico).

 

Crespo 1970b

Crespo, Ángel. “Roy Lichtenstein y el Arte Pop.” Revista de arte/The Art Review (Universidad de Puerto Rico, Mayagüez), no. 5 (June 1970), pp. 7–39.

 

Crevier 1975

Crevier, Richard. “Roy Lichtenstein: Une peinture sans mystère.” France nouvelle (February 17, 1975), pp. 28–29.

 

Crichton 1974

Crichton, Fenella. “London Letter.” Art International 18, no. 5 (May 1974), pp. 45–48, 77.

 

Crichton 1976a

Crichton, Fenella. “Lichtenstein’s Futurism.” Art International 20, no. 6 (Summer 1976), p. 49.

 

Crichton 1976b

Crichton, Fenella. “London Letter.” Art International (Zurich) 20, no. 6 (Summer 1976), pp. 14–20, 49–51.

 

Crichton 1976c

Crichton, Fenella. “Paris and the F.I.A.C.” Art International 20, no. 10 (December 1976), pp. 37–43.

 

Crimp 1973

Crimp, Douglas. “New York Letter.” Art International 17, no. 6 (Summer 1973), pp. 88–90.

 

Crispolti 1966

Crispolti, Enrico. La pop art. Milan: Fratelli Fabbri Editori, 1966.

 

Crocker 1993

Crocker, Mary Beth. “Arty Party: Art Museum Rushes in New Era, New Look with Grand Gala.” Cincinnati Enquirer, January 11, 1993, C1, C7.

 

Crook and Learner 2000

Crook, Jo, and Tom Learner. The Impact of Modern Painters. London: Tate Gallery Publishing, 2000.

 

Crow 1991

Crow, Thomas. “The Children’s Hour.” Artforum International 30, no. 4 (December 1991), pp. 84–88.

 

Crow 1996

Crow, Thomas. Rise of the Sixties: American and European Art in the Era of Dissent. New York: Harry N. Abrams; London: Orion, 1996.

 

Cueff 2013

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Dubreuil-Blondin 1980b

Dubreuil-Blondin, Nicole. “Roy Lichtenstein: L’atelier d’artiste ou l’auto-référence dans le pop.” Parachute, no. 19 (summer 1980), pp. 13–18.

 

Duckers and Schoenberger 1981

Duckers, Alexander, and Angela Schoenberger. Druckgraphik: Wandlungen eines Mediums seit 1945. Berlin: Kupferstichkabinett, Nationalgalerie, Staatliche Museen Preussischer Kulturbesitz, 1981. Exhibition catalogue. (1981 Berlin Kupferstichkabinett).

 

Ducousset 1975

Ducousset, R. “Epidémie de parodies.” Connaissance des arts, no. 281 (July 1975), pp. 66–73.

 

Dudar 1965

Dudar, Helen. “Pop Art Explosion.” New York Post, February 14, 1965, p. 25.

 

Duffy 1981

Duffy, Robert W. “Getting Lichtenstein Show on Road.” St. Louis Post-Dispatch: Sunday Magazine, April 19, 1981, pp. 6–11.

 

Dulac 1975

Dulac, Sebastien. “Cocktail de Paris: Entrée de Roy Lichtenstein.” L’echo de la Bourse (Brussels) (1975).

 

Duncan 1993

Duncan, Michael. “Painterly Pop.” Art in America 81, no. 7 (July 1993), pp. 86–89, 117.

 

Dunlop 1968

Dunlop, Ian. “Comic-Strip Pictures Pull in the Crowds at the Tate.” South Wales Echo (Cardiff), January 15, 1968.

 

Dunne 2012

Dunne, Nathan. Roy Lichtenstein. London: Tate, 2012. Exhibition catalogue. (2012 Chicago Art Institute).

 

Dunne 2013

Dunne, Nathan. Roy Lichtenstein. London: Tate, 2013. Exhibition catalogue. (2012 Chicago Art Institute).

 

Düsseldorfer Stadtpost 1971

“Erste Institute in Stoffeln bezugsfertig.” Düsseldorfer Stadtpost, March 12, 1971.

 

East Hampton Star 1995

“Roy Lichtenstein Prints at the Parrish.” East Hampton [N.Y.] Star (September 7, 1995), p. 25.

 

East Hampton Star 1997

“Roy Lichtenstein, Pop Art Pioneer.” East Hampton [N.Y.] Star, October 2, 1997, p. 12.

 

Ebert-Schifferer 2002

Ebert-Schifferer, Sybille. Deceptions and Illusions: Five Centuries of Trompe l’Oeil Painting. Washington, D.C.: National Gallery of Art, 2002. Exhibition catalogue. (2002 Washington, D.C., NGA).

 

Ebony 2002

Ebony, David. “Front Page: World Trade Center Art Works Destroyed.” Art in America 90, no. 1 (January 2002), p. 27.

 

Eccher 2014

Eccher, Danilo. “Opera prima.” In Roy Lichtenstein: Opera prima, by Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 18–41. Milan: Skira Editore, 2014. Exhibition catalogue.

 

Eccher 2015

Eccher, Danilo. “Opera prima.” In Roy Lichtenstein: Drawing First. 50 Years of Works on Paper, Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 8–33. Milan: Skira Editore, 2015. Exhibition catalogue.

 

Economist 1994

“Roy Lichtenstein’s Cartoons.” The Economist 330, no. 7844 (January 8, 1994), p. 85.

 

Economist 1997

“Roy Lichtenstein.” The Economist 345, no. 8037 (October 4, 1997), p. 94.

 

Edgar 1962

E[dgar], N[atalie]. “Reviews and Previews: Roy Lichtenstein [Castelli].” ARTnews 61, no. 1 (March 1962), p. 14.

 

E. Edwards 1978

Edwards, Ellen. “Miami Beach: Lichtenstein’s Mermaid.” ARTnews 77, no. 6 (Summer 1978), pp. 176, 178.

 

E. Edwards 1979

Edwards, Ellen. “Lichtenstein Makes a ‘Mermaid.'” Miami Herald, September 2, 1979, Lively Arts, sec. L, L1, L4.

 

F. Edwards 1964

Edwards, Folke. “Vad vill Pop?” Stockholm-Tidningen, February 29, 1964, p. 7.

 

Ehrlich 1979

Ehrlich, Robbie. “Roy Lichtenstein.” Arts Magazine (New York) 54, no. 1 (September 1979), pp. 34–35.

 

Eissenhauer 1993

Eissenhauer, Michael, ed. LudwigsLust: Die Sammlung Peter und Irene Ludwig. Nuremberg: Germanisches Nationalmuseum, 1993. Exhibition catalogue. (1993 Nuremberg Germanisches Nationalmuseum).

 

Eklund 1964

Eklund, Hans. “Pop: En seriös historia.” AftonBladet (Stockholm), February 28, 1964, p. 3.

 

Ekserdjian 2014

Ekserdjian, David. Casting Modernity: Bronze in the XXth Century. New York: Mnuchin Gallery, 2014. Exhibition catalogue. (2014 New York Mnuchin).

 

Elefante 1966

Galleria e Torchio l’Elefante, Venice. Dine, Lichtenstein, Oldenburg, Rosenquist, Warhol, Wesselmann. Venice: Galleria l’Elefante, 1966. Exhibition catalogue. (1966 Venice Elefante).

 

Eliot 1966

Eliot, Alexander. “Biennale: It Isn’t Art; It’s a Trade Fair.” Life (July 25, 1966), pp. 66–67.

 

Elite 1966

Elite: Le arti e gli stili in ogni tempo e paese: La Pop Art. Milan: Fratelli Fabbri Editori, 1966.

 

Elkoff 1965

Elkoff, Marvin. “The American Painter As a Blue Chip.” Esquire 62, no. 1 (January 1965), pp. 36–41.

 

Elle Decor 2001

“Strokes of Genius.” Elle Decor 12, no. 7 (November 2001), p. 52.

 

Ellenzweig 1974

Ellenzweig, Allen. “Roy Lichtenstein.” Arts Magazine (New York)  49, no. 3 (November 1974), p. 22.

 

Ellenzweig 1977

Ellenzweig, Allen. “Group Show.” Arts Magazine (New York) 52, no. 2 (October 1977), pp. 18–19.

 

Ellenzweig et al. 1976

Ellenzweig, Allen, et al. A Selection of American Art: The Skowhegan School, 1946–1976. Boston: Institute of Contemporary Art, 1976. Exhibition catalogue. (1976 Boston ICA).

 

Ellmann 1988

Ellmann, Lucy. “From Chic to Shit.” New Statesman and Society (London) 1, no. 1 (June 10, 1988), pp. 49–50.

 

Elsevier 1987

“Schilderen of het gedrukt staat.” Elsevier (Amsterdam) 43, no. 29 (July 18, 1987), pp. 14–18.

 

Elwood 1983

Elwood, Sean, ed. The 1984 Show. New York: Ronald Feldman Fine Arts, Inc., and the Village Voice, 1983. Exhibition catalogue. (1983 New York Feldman).

 

Engels 1978

Engels, Mathias T., ed. 100 Meisterwerke neuerer Malerei: Erwerbungen nordrhein-westfälischer Museen, 1962–1977. Recklinghausen: Aurel Bongers, 1978.

 

Enright 1994

Enright, Robert. “Pop Goes the Tradition: An Interview with Roy Lichtenstein.” Border Crossings (Ontario) 13, no. 3 (August 1994), pp. 18–29.

 

Entenmann 1965

Entenmann, Raymond T. Master Drawings from Degas to Lichtenstein. Fort Worth: Fort Worth Art Center, 1965. Exhibition catalogue. (1965 Fort Worth Art Center).

 

Ephron 1967

Ephron, Nora. “After Blam, What?” New York Post, April 21, 1967.

 

Época 2005

“O artista do cotidiano.” Época (São Paulo) (September 19, 2005), p. 120.

 

Ernst 2004

Ernst, Eric. “The Best, Not Just the Brightest.” Southampton [N.Y.] Press, July 29, 2004, p. B6.

 

Ernst 2006

Ernst, Eric. “‘Primitive’ before Art Went Pop.” Southampton [N.Y.] Press, October 19, 2006, p. B4.

 

Eröffnungen 1964

Eröffnungen: Magazin für Literatur und bildende Kunst (Vienna) (1964).

 

Esman 1999

Esman, Abigail R. “Bargain or Bust.” Art on Paper (New York) 3, no. 4 (March–April 1999), p. 20.

 

Esterow 1991

Esterow, Milton. “Roy Lichtenstein: How Could You Be Much Luckier Than I Am?” ARTnews 90, no. 5 (May 1991), pp. 85–88, 90–91.

 

Esterow 1992

Esterow, Milton. “‘How Could You Be Much Luckier Than I Am?.'” In Roy Lichtenstein Interiors: Collages, by Galerie Ulysses, Vienna. Vienna: Galerie Ulysses, 1992. Exhibition catalogue.

 

Ethniki Pinakothiki 1982

Ethniki Pinakothiki. American Painting 1900–1982. Athens, Greece: Ethniki Pinakothiki, 1982. Exhibition catalogue. (1982 Athens, Greece, Ethniki Pinakothiki).

 

Europäisches Forum 1965

Europäisches Forum Alpbach. Dada bis Heute: Dada, Surreal, Popart, Opart, Funktional, Moral, Neuer Real: Ismus. Linz: Neue Galerie der Stadt Linz, 1965. Exhibition catalogue. (1965 Alpbach Forum).

 

Europäisches Kulturzentrum in Thüringen 1992

Europäisches Kulturzentrum in Thüringen. Werke der amerikanischen Moderne aus dem Ludwig Forum für Internationale Kunst. Leipzig: Europäisches Kulturzentrum in Thüringen, 1992. Exhibition brochure. (1992 Leipzig Europäisches Kulturzentrum).

 

Evening Standard 1968

“No Stereotype.” Evening Standard (London), January 5, 1968.

 

Evening Times 1976

“A Pair of Good Draws.” Evening Times (Trenton, N.J.), February 28, 1976.

 

Ewald 1999

Ewald, Elin Lake. An Analysis of the Effect of Economic Recessions from 1973 to 1993 on the Auction Value of Paintings by Eight Contemporary Artists. PhD diss., School of Education, New York University, New York, 1999.

 

F.S. 1963

“From the Comics to Art Exhibit.” Chicago Daily News, January 26, 1963, p. 13.

 

Faberman et al. 2005

Faberman, Hilarie I., et al. Picasso to Thiebaud: Modern and Contemporary Art from the Collections of Stanford University Alumni and Friends. Stanford: Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, 2005. Exhibition catalogue. (2005 Stanford Cantor).

 

Fabri 1969

Fabri, Ralph. “Roy Lichtenstein at the Guggenheim.” Today’s Art, October 18, 1969, pp. 8–10.

 

Factor 1963

Factor, Don. “Six Painters and the Object and Six More.” Artforum 2, no. 3 (September 1963), pp. 13–14.

 

Fagiolo dell-Arco 1966

Fagiolo dell-Arco, Maurizio. “La ragione pura-practica di Lichtenstein.” Collage, no. 6 (1966), pp. 62–68.

 

Fagiolo dell-Arco 1970

Fagiolo dell-Arco, Maurizio. “Lichtenstein suona il piano/Lichtenstein at the Piano (A Photoreportage by Gianni Berengo-Gardin).” Metro, nos. 16–17 (August 1970), pp. 217–35.

 

Failing 1986

Failing, Patricia. “Los Angeles Gets a New Temple of Art.” ARTnews 85, no. 9 (November 1986), pp. 88–94.

 

Fallon 1988

Fallon, Brian. “Reviews: Lichtenstein Drawings at Douglas Hyde.” Irish Times, January 22, 1988.

 

Farrell 2008

Farrell, Jennifer. “Reflections on a Gift: Richard Brown Baker and Roy Lichtenstein.” Yale University Art Gallery Bulletin (2008), pp. 47–63.

 

Farrell 2011

Farrell, Jennifer. Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art. New Haven: Yale, 2011.

 

Faton-Boyancé 2013

Faton-Boyancé, Jeanne, ed. L’objet d’art. Special issue, Roy Lichtenstein exposition au Centre Pompidou, no. 69 (July 2013).

 

Faust 1978

Faust, Wolfgang Max. “Bilder und Worte: Anmerkungen zur Sprache als Medium der bildenden Kunst in 20. Jahrhundert.” KUNSTmagazin 18, no. 3 (1978), pp. 21–32.

 

Feaver 1974

Feaver, W[illiam]. “The Artists.” Vogue (London) (November–December 1974), pp. 7, 117–18, 156–61.

 

Fedders 2006

Fedders, Kristin Utter. Pop Art at the 1964/65 New York World’s Fair. Ann Arbor: UMI, [2006].

 

Fehlemann 2002

Fehlemann, Sabine. Sammlung Rosenkrantz im Von der Heydt-Museum. Wuppertal, Germany: Von der Heydt-Museum, 2002. Exhibition catalogue. (2002 Wuppertal Von der Heydt).

 

Feigenbaum ca. late 1960s

Feigenbaum, Robert. “‘Roy Lichtenstein The Comic Artist.'” College paper, ca. late 1960s.

 

Feinblatt and Davis 1980

Feinblatt, Ebria, and Bruce Davis. Los Angeles Prints, 1883–1980. Los Angeles: Los Angeles County Museum of Art, 1980. Exhibition catalogue. (1980 Los Angeles LACMA).

 

Feinstein 1987

Feinstein, Roni. Contemporary Diptychs: Divided Visions. Stamford, Conn.: Whitney Museum of American Art, Fairfield County, 1987. Exhibition catalogue. (1987 Stamford Whitney).

 

Feinstein 1988

Feinstein, Roni. American Print Renaissance, 1958–1988. New York: Whitney Museum of American Art, 1988. Exhibition catalogue. (1988 Stamford Whitney).

 

Feinstein 2002

Feinstein, Roni. “Lichtenstein: Seeing Is Believing.” Art in America 90, no. 7 (July 2002), pp. 78–81, 109.

 

Feinstein 2008

Feinstein, Roni. Circa 1958: Breaking Ground in American Art. Chapel Hill: Ackland Art Museum, University of North Carolina at Chapel Hill, 2008. Exhibition catalogue. (2008 Chapel Hill Ackland).

 

Felsen 1997

Felsen, Sidney B. “A Pop Icon Is Remembered for His Humor and Kindness.” Los Angeles Times, October 1, 1997, p. F1.

 

Fenwick 1979

Fenwick, Henry. “Seven Artists: [Roy Lichtenstein interviewed by Henry Fenwick].” Radio Times Magazine (London: BBC) 224, no. 2904 (July 5, 1979), pp. 10–11.

 

Ferrier 1967

Ferrier, Jean-Louis. “Exposition: Lichtenstein digère les bandes dessinées.” L’express (Paris) (November 1967).

 

Feversham 1963

Feversham, Harry. “It’s Revolting, It’s a Bore, It’s Kitsch, It’s Insulting, It’s a Tour de Force, It’s Phony, It Gives One Pause (and Gas)—But Is It Art?” Collector’s Quarterly Report 1, no. 2 (spring 1963), pp. 36–38.

 

Field 1971

Field, Richard S. Silkscreen: History of a Medium. Philadelphia: Philadelphia Museum of Art, 1971. Exhibition catalogue. (1971b Philadelphia Museum of Art).

 

Field 1972

Field, Richard S. “Silkscreen, the Media Medium.” ARTnews 70, no. 9 (January 1972), pp. 40–43, 74–75.

 

Field 1982

Field, Richard S. “On Recent Woodcuts.” The Print Collector’s Newsletter 13, no. 1 (March–April 1982), pp. 1–6.

 

Figuerola-Ferrettti 1983

Figuerola-Ferrettti, Luis. “El arte en Madrid.” Goya (Madrid), no. 173 (March–April 1983), pp. 321–22.

 

Filler 1993

Filler, Martin. “Pop’s Granddad.” Vanity Fair 56, no. 8 (August 1993), pp. 128–35, 149–53.

 

Filler 2012

Filler, Martin. “Cool: Roy Lichtenstein and Andy Warhol.” The New York Review of Books 59, no. 11 (June 21, 2012), pp. 40–44.

 

Finch 1968

Finch, Christopher. Pop Art: Object and Image. London: Studio Vista, 1968; New York: E. P. Dutton and Co. 1968.

 

Finch 1972

Finch, Christopher. “Breaking the Print Barrier.” ARTnews 70, no. 9 (January 1972), pp. 34–39.

 

Finckh 1997

Finckh, Gerhard, ed. Die Maler und ihre Skulpturen: Von Edgar Degas bis Gerhard Richter. Essen: Museum Folkwang, 1997. Exhibition catalogue.

 

Findsen 1997

Findsen, Owen. “CAC Exhibit Artist’s Last: Roy Lichtenstein Show Is a Landmark.” Cincinnati Enquirer, November 16, 1997, p. F2.

 

Fine 2013

Fine, Ruth. “Les originaux dupliqués du duplicateur d’images.” In Roy Lichtenstein, edited by Camille Morineau, pp. 187–95. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue. Essay translated from the English by Jean-François Cornu.

 

Fine and Corlett 1991

Fine, Ruth, and Mary Lee Corlett. Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida. Washington, D.C.: National Gallery of Art, 1991. Exhibition catalogue. (1991 Washington, D.C., NGA).

 

Fine and Felsen 2013

Fine, Ruth, and Sidney B. Felsen. “Ruth Fine in Conversation with Sidney B. Felsen.” In Lichtenstein: Expressionism, by Gagosian Gallery, Paris., pp. 94–106. Paris: Gagosian Gallery, 2013. Exhibition catalogue.

 

Fine Arts Gallery 1974

Fine Arts Gallery of San Diego, San Diego. Monumental Paintings of the 60’s. San Diego: Fine Arts Gallery of San Diego, 1974. Unpaginated. (1974 San Diego Fine Arts Gallery).

 

Fineberg 2000

Fineberg, Jonathan David. Art since 1940: Strategies of Being. 2nd ed. Upper Saddle River, N.J.: Prentice Hall Press, 2000. Exhibition catalogue.

 

Fischer and Fischer 1974

Fischer, Harry and Wolfgang Fischer. “Paintings by Colville, Lichtenstein and Linder.” In Universe of Art IV: Important 19th and 20th Century Paintings, Drawings, Sculpture and Graphics, Fischer Fine Art Limited, pp. 3–20. London: Fischer Fine Art Ltd. 1974. Exhibition catalogue.

 

Fischer Fine Art Limited 1974

Fischer Fine Art Limited. Universe of Art IV: Important 19th and 20th Century Paintings, Drawings, Sculpture and Graphics. London: Fischer Fine Art Ltd. 1974. Exhibition catalogue. (1974 Stuttgart Fischer).

 

A. Fischer 1997

Fischer, Alfred M. Made in USA: Pop Art aus dem Museum Ludwig. Cologne: Museum Ludwig, 1997. Exhibition catalogue. (1997 Insel Mainau Schloss).

 

P. Fischer 2002

Fischer, Peter, ed. Abstraction, Gesture, Ecriture: Paintings from the Daros Collection. Zurich: Alesco AG and Scalo, 1999.

 

V. Fischer 1989

Fischer, Volker. Bodenreform: Teppichboden von Künstlern und Architekten/Maquettes par des artistes et des architectes/Carpets by Artists and Architects. Berlin: Ernst and Sohn, 1989. (1989 Frankfurt Architekturmuseum).

 

Fitschen 2002

Fitschen, Jürgen. Die Pop Art und die zeitgenössische Bildhauerkunst. Bremen: Gerhard-Marcks-Stiftung, 2002. Exhibition catalogue.

 

Fitzgerald 1995

Fitzgerald, Michael C. Picassoid. New York: Whitney Museum of American Art, 1995. Exhibition catalogue. (1995a New York Whitney).

 

Fitzgerald 2006

Fitzgerald, Michael C. Picasso and American Art. New Haven: Yale University Press in association with the Whitney Museum of American Art, New York, 2006. Exhibition catalogue. (2006 New York Whitney).

 

Fitzsimmons 1952

Fitzsimmons, James. “Roy Lichtenstein.” Art Digest 27, no. 7 (January 1, 1952), p. 20.

 

Fitzwilliam 1977

Fitzwilliam Museum, Cambridge, England. Jubilation: American Art during the Reign of Elizabeth II. Cambridge, England: Fitzwilliam Museum, 1977. Exhibition catalogue. (1977 Cambridge, U.K., Fitzwilliam).

 

Flaccavento 1962

Flaccavento, Denise. “Faculty Art Show.” Caellian (New Brunswick, N.J., Douglass College, Rutgers University), October 12, 1962, p. 6.

 

Flaccavento 1964

Flaccavento, Denise. “Tercentenary Exhibit Shows Controversial Cross Section.” Caellian (New Brunswick, N.J., Douglass College, Rutgers University), February 14, 1964, p. 5.

 

FLAG 2014b

FLAG Art Foundation, New York. Roy Lichtenstein: Nudes and Interiors. New York: FLAG Art Foundation, 2014. Exhibition catalogue. (2014a New York FLAG).

 

Flam 1987

Flam, Jack. “The Gallery: Getting Small at MoMA.” Wall Street Journal, May 19, 1987, p. 26.

 

Flamini 2004

Flamini, Roland. “Inside the Beltway.” Town and Country 158, no. 5290 (July 2004), p. 57.

 

Flash Art 1997

“Roy Lichtenstein: A King of Pop.” Flash Art, no. 197 (November–December 1997), pp. 50–51.

 

Fleming 1982

Fleming, Marie L. Pop Art: Prints and Multiples. Calgary: Glenbow Museum, 1982. Exhibition catalogue. (1982 Calgary Glenbow).

 

Flemming [1985]

Flemming, Klaus. Pop Art. Materialien für den Kunstunterricht im Museum 1. Mönchengladbach: Städtisches Museum Abteiberg, [1985].

 

Flint Institute 1978

Flint Institute of the Arts. Art and the Automobile. Flint, Mich.: Flint, Mich, Flint Institute of the Arts. Exhibition catalogue. (1978 Flint Institute).

 

Focus 1994a

“Cowboys und Indianer.” Focus, no. 42 (October 17, 1994), p. 122.

 

Focus 1994b

“Der Intellektuelle der Pop.” Focus, no. 42 (October 17, 1994), p. 121.

 

Fondation Maeght 1967

Fondation Marguerite et Aimé Maeght. Dix ans d’art vivant 1955–1965. Saint-Paul-de-Vence: Fondation Maeght, 1967. Exhibition catalogue. (1967 Saint-Paul-de-Vence Maeght).

 

Fondation Vincent van Gogh 1990

Fondation Vincent van Gogh, Arles. Roy Lichtenstein, Robert Rauschenberg: 38 oeuvres gravées de 1965 à 1989. Arles: Fondation Vincent van Gogh, 1990.

 

Fondazione Mimmo Rotella 2014

Casta della Memoria-Fondazione Mimmo Rotella, Catzanaro, Italy. Aurelio Amendola, Roy Lichtenstein 1976. Milan, Italy: Silvana Editoriale, 2014. Exhibition catalogue.

 

Forgey 1979

Forgey, Benjamin. “At the Corcoran Gallery, a Small but Stunning Biennial Presents Work of Five Top American Painters.” Smithsonian 9, no. 11 (1979), pp. 80–87.

 

Forman 1997

Forman, Debbie. “Lichtenstein Dots His Landscapes with Beauty.” Cape Cod Times, April 5, 1997, B1–B2.

 

Forsha 1983

Forsha, Linda. A Contemporary Collection on Loan from the Rothschild Bank, AG, Zürich. La Jolla: Museum of Contemporary Art San Diego, 1983. Exhibition catalogue. (1983 La Jolla MCA).

 

Fortune et al. 2014

Fortune, Brandon Brame, Wendy Wick Reaves, and David C. Ward with Patricia Quealy. Face Value: Portraiture in the Age of Abstraction. Washington, D.C.: National Portrait Gallery, Smithsonian Institution, in association with D. Giles, London, 2014. Exhibition catalogue. (2014 Washington, D.C., NPG).

 

Foster 2003

Foster, Carter E. Drawing Modern: Works from the Agnes Gund Collection. [Cleveland]: Cleveland Museum of Art, 2003. (2003 Cleveland Museum).

 

Foster 2017

Foster, Hal. Roy Lichtenstein 1961–63. New York: Craig F. Starr Gallery, 2017. Exhibition catalogue.

 

E. Foster and Watson 2008

Foster, Elena, and Rowan Watson. Blood on Paper. London: Victoria and Albert Museum and Ivory Press, 2008. Exhibition catalogue. Thirty-eight illustrated foldouts. Unpaginated. (2008 London V & A).

 

H. Foster 2011

Foster, Hal. “The Hardest Kind of Archetype”: Reflections on Roy Lichtenstein. Edinburgh: Trustees of the National Galleries of Scotland and VARIE, 2011.

 

S. Foster 2004

Foster, Stephen C. La odisea americana, 1945–1980: El debate de la modernidad/An American Odyssey, 1945–1980: Debating Modernism. Madrid: Círculo de Bellas Artes, 2004. Exhibition catalogue. (2004 Madrid Círculo).

 

Fourcade 1978

Xavier Fourcade. Twentieth-Century Paintings and Sculpture: Brancusi to Lichtenstein. New York: Xavier Fourcade, 1978. Exhibition catalogue. Unpaginated. (1978a New York Fourcade).

 

Fourcade 1983

Xavier Fourcade. In Honor of de Kooning: Bacon, Balthus, Baselitz, Berlant, Chamberlain, Crozier, de Kooning, Dubuffet, Freud, Hague, Heizer, Johns, Lichtenstein, Marden, Mitchell, Morley, Murphy, Rockburne, Segal. New York: Xavier Fourcade, 1983. Exhibition catalogue. Unpaginated. (1983 New York Fourcade).

 

Fox 1997

Fox, Catherine. “Roy Lichtenstein: Contributed to Pop Art’s Ambiguity Fifteen Minutes of Well-Deserved Fame—Early in Career.” Atlanta Constitution Journal, September 30, 1997, p. A15.

 

Frackman 1974

Frackman, Noel. “Group Show: Blum Helman.” Arts Magazine (New York) 49, no. 4 (December 1974), p. 7.

 

Frail 1971

Frail, David. “Look at Two of the Country’s Most Famous Pop Artists: Lichtenstein . . .” Newsday (Long Island), September 4, 1971, W6–W7, W19.

 

Franc 1992

Franc, Helen M. An Invitation to See: 150 Works from the Museum of Modern Art. New York: Museum of Modern Art, 1992.

 

Francis 2013

Francis, Mark, ed. The Show Is Over. London: Gagosian Gallery, 2013. Exhibition catalogue. (2013 London Gagosian).

 

Frank 1975

Frank, Peter. “New Editions: Mirrors of the Mind.” ARTnews 74, no. 7 (September 1975), p. 50.

 

Frank 1976

Frank, Peter. “New York Reviews.” ARTnews 75, no. 1 (January 1976), p. 122.

 

Frank 1978

Frank, Peter. “New York Reviews: Roy Lichtenstein.” ARTnews 77, no. 4 (April 1978), pp. 157–58.

 

Frankel 1952

Frankel, James. “At the Art Colony.” Cleveland Press, March 1, 1952, p. 7.

 

Frankel 1954

Frankel, James. “Museum Show Draws Top Artists.” Cleveland Press, October 2, 1954.

 

Frankel 1955

Frankel, James. “Duchy of Lichtenstein.” Cleveland Press, January 8, 1955.

 

Frankenstein 1963

Frankenstein, Alfred. “Music and Art: Gorky’s Stature Keeps Growing.” San Francisco Sunday Chronicle, January 6, 1963, p. 17.

 

Frankenstein 1966

Frankenstein, Alfred. “American Art and American Moods.” Art in America 54, no. 2 (March–April 1966), pp. 76–87.

 

Frankenstein 1974

Frankenstein, Alfred. “Fooling the Eye.” Artforum 12, no. 9 (May 1974), pp. 32–35.

 

Frankfurter Kunstverein 1989

Frankfurter Kunstverein. Hauptwerke des Museums moderner Kunst in Wien: Von Gustav Klimt bis Andy Warhol. Frankfurt am Main: Frankfurter Kunstverein, 1989. Exhibition catalogue. (1989 Frankfurt Kunstverein).

 

Franzke 1982

Franzke, Andreas. Skulpturen und Objekte von Malern des 20. Jahrhunderts. Cologne: DuMont, 1982.

 

Fremont-Smith 1968

Eliot, Fremont-Smith. “A Bard without Apologies (review of In Memory of My Feelings).” New York TImes, January 19, 1968, p. 45.

 

Freud 1993

Freud, Bella. “M-Maybe, 1965, by Roy Lichtenstein.” Telegraph Magazine (London), September 11, 1993, p. 31.

 

Freudenheim 1983

Freudenheim, Susan. “Fort Worth: Possessed by Pop Art.” Texas Homes 7, no. 7 (July 1983), pp. 96–104.

 

Fried 1963

Fried, Michael. “New York Letter.” Art International 7, no. 9 (December 1963), pp. 66–68.

 

Friedman 1969

Friedman, Martin. Castelli at Dayton’s. Minneapolis: Dayton’s Gallery 12, 1969. Exhibition catalogue. (1969 Minneapolis Dayton’s).

 

Friedrich and Dahlem 1968a

Friedrich, Six, and Franz Dahlem, eds. Sammlung 1968 Karl Ströher. Munich: Galerie-Verein/Neue Pinakothek, Haus der Kunst, 1968. Exhibition catalogue. (1968 Munich Galerie-Verein/Neue Pinakothek).

 

Friedrich and Dahlem 1968b

Friedrich, Six, and Franz Dahlem, eds. Sammlung 1968 Karl Ströher. Hamburg: Kunstverein Hamburg, 1968. Exhibition catalogue. (1968 Munich Galerie-Verein/Neue Pinakothek).

 

Friedrich and Dahlem 1969

Friedrich, Six, and Franz Dahlem, eds. Sammlung 1968 Karl Ströher. Exhibition catalogue.

 

Frigerio 1965

Frigerio, Simone. “Les expositions à l’étranger.” Aujourd’hui art et architecture 9, no. 49 (April 1965), pp. 46–47.

 

Frigerio 1966

Frigerio, Simone. “Les expositions à Paris: Lichtenstein.” Aujourd’hui art et architecture 9, no. 52 (February 1966), p. 76.

 

Frigerio 1975

Frigerio, Simone. “Parigi: Stagione invernale, verso la riconquista del primato artistico.” D’ars 16, nos. 73–74 (March–April 1975), pp. 70–75.

 

Frisach 1998

Frisach, Montse. “Obres del MACBA visiten les comarques barcelonines.” Avui (Barcelona), November 13, 1998.

 

Froment and Borel 1988

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Fundación Juan March 1988

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Fundación Juan March 2005

Fundación Juan March, Madrid. Lichtenstein: En proceso. Madrid: Fundación Juan March, 2005. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (2005 Cuenca Arte Abstracto).

 

Fundación Juan March 2007a

Fundación Juan March, Madrid. Roy Lichtenstein: Beginning to End. Madrid: Fundación Juan March, 2007. Exhibition catalogue. (2005 Cuenca Arte Abstracto).

 

Fundación Juan March 2007b

Fundación Juan March, Madrid. Roy Lichtenstein: De principio a fin. Madrid: Fundación Juan March, 2007. Exhibition catalogue. (2005 Cuenca Arte Abstracto).

 

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Furuyama 1993

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Gagosian Galley, New York. Go Figure. New York: Gagosian Gallery, 2009. Exhibition catalogue. (2009a New York Gagosian).

 

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Gassiot-Talabot 1964

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Gassiot-Talbot 1965

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Gatling 1965

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Geldzahler 1970

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Geldzahler 1983a

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Geldzahler 1983b

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Gelsenkirchen 1967

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Gemeentelijk Casino 1970

Gemeentelijk Casino, Knokke het Zoute. Pop art, nieuwe figuratie/nouveau réalisme. Brussels: A. de Rache, 1970.

 

Gemeentemuseum 1964

Haags Gemeentemuseum. Nieuwe Realisten. The Hague, Netherlands: Haags Gemeentemuseum, 1964. Exhibition catalogue. (1964 Hague Gemeentemuseum).

 

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Haags Gemeentemuseum. Miniature Museum Ria and Lex Daniëls. The Hague, Netherlands: Haags Gemeentemuseum, 2013. Exhibition catalogue. (2013–18 Hague Gemeentemuseum).

 

Genauer 1969

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Genaur 1963

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Genaur 1964

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Genocchio 2005b

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Geracimos 1995

Geracimos, Ann. “Spirited Day for Art Lovers.” Washington Times, June 12, 1995, p. C12.

 

Gerdts 1967

Gerdts, William. American Still-Life Painting, 1913–1967. New York: American Federation of Arts, 1967.

 

Gervasoni 1986

Gervasoni, Marie-George, ed. XLII Esposizione Internazionale d’Arte, la Biennale di Venezia: Arte e Scienza. Milan: Electa, 1986. Exhibition catalogue. (1986 Venice Biennial).

 

Gether and Reenberg 1999

Gether, Christian, and Holger Reenberg. Amerikanske mestervoerker fra Lilja Samlingen: Rauschenberg, Lichtenstein, Rosenquist. Ishøj, Denmark: Arken Museum for Moderne Kunst, 1999. Exhibition catalogue. (1999 Ishøj Arken).

 

Getlein 1966

Getlein, F. “Americans in Venice.” New Republic 155, nos. 4–5 (July 30, 1966), pp. 37–38.

 

Geyer 1994

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Gibbs 2014

Gibbs, Ewan. “Drawing Inspiration.” In Roy Lichtenstein: Nudes and Interiors, by FLAG Art Foundation, pp. 13–17. New York: FLAG Art Foundation, 2014. Exhibition catalogue.

 

Gibian 1965

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Gilmour 1987

Gilmour, Pat. Tyler Graphics Catalogue Raisonné, 1974–1985. New York: Abbeville Press; Minneapolis: Walker Art Center, 1987.

 

Gilmour 1989

Gilmour, Pat. Ken Tyler: 25 Glorious Years. Stockholm: Heland Wetterling Gallery, 1989. Exhibition catalogue. (1989 Stockholm Wetterling).

 

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Gilson, Nancy. “Patriarch of Pop.” Columbus Dispatch, September 17, 1995, F1–F2.

 

Girst 2014

Girst, Thomas, ed. BMW art cars. Ostfildern: Hatje Cantz Verlag, 2014.

 

Gitre 2008

Gitre, Edward Joseph Khair. “America Adjusted: Conformity, Boredom, and the Modern Self, c. 1920–1980.” PhD diss., Rutgers University, the State University of New Jersey, New Brunswick, 2008.

 

Giusti 1975

Giusti, H. A. “Da New York, il centro artistico mondiale.” D’ars 16, nos. 73–74 (March–April 1975), pp. 64–69.

 

Gladstone 1985

Gladstone, Valerie. “Roy Lichtenstein: See the Artist at Work, Like Michelangelo Painting the Sistine Chapel.” Daily News (New York), December 1, 1985, Sunday’s People, p. 6.

 

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Glauber, Robert. Violence in Recent American Art. Chicago: Museum of Contemporary Art, 1968. Exhibition catalogue.

 

Glenn 1977a

Glenn, Constance W. [uncredited]. “Roy Lichtenstein: Ceramic Sculpture.” Ceramics Monthly 25, no. 5 (May 1977), pp. 40–45.

 

Glenn 1977b

Glenn, Constance W. Roy Lichtenstein: Ceramic Sculpture. Long Beach: California State University, Long Beach, 1977. Exhibition catalogue. (1977 Long Beach CSU).

 

Glenn 1981

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Glenn, Constance W. The Great American Pop Art Store: Multiples of the Sixties. Long Beach: University Art Museum College of the Arts, California State University, Long Beach, 1997. Exhibition catalogue. (1997 Long Beach CSU).

 

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Glowen 1976

Glowen, Ronald. “De Kooning and Lichtenstein.” Artweek (Castro Valley, Calif.) 7, no. 9 (February 28, 1976), p. 3.

 

Glózer 1981

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Glueck 1964a

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Glueck 1964b

Glueck, Grace. “Art Notes: Tchelitchew.” New York Times, March 15, 1964, p. X24.

 

Glueck 1964c

Glueck, Grace. “Art Rite: Opening Night.” New York Times Sunday Magazine, December 13, 1964, p. 44.

 

Glueck 1965

Glueck, Grace. “Vassar Bids Art Historian Adieu.” New York Times, June 5, 1965, p. 28.

 

Glueck 1966a

Glueck, Grace. “Art: Drawing Society’s Road Show.” New York Times, November 26, 1966, p. 31.

 

Glueck 1966b

Glueck, Grace. “Home-Grown Art Blooms in U.S. Missions.” New York Times, January 30, 1966, p. X24.

 

Glueck 1967a

Glueck, Grace. “New York Gallery Notes: Think Up a New Brand Name?” Art in America 55, no. 5 (September–October 1967), pp. 108–11.

 

Glueck 1967b

Glueck, Grace. “Valuable Painting: Handle with Care.” New York Times, April 2, 1967, p. 115.

 

Glueck 1968a

Glueck, Grace. “Art Notes: Documenta: It Beats the Biennale.” New York Times, July 7, 1968, p. 20D.

 

Glueck 1968b

Glueck, Grace. “Los Angeles Museum Playing Matchmaker.” New York Times, December 13, 1968, p. 56.

 

Glueck 1969a

Glueck, Grace. “BLAM!! To the Top of Pop.” New York Times, September 21, 1969, sec. 2, p. 31.

 

Glueck 1969b

Glueck, Grace. “Coast Art: Industry Project Blossoms.” New York Times, April 17, 1969, p. 54.

 

Glueck 1969c

Glueck, Grace. “Hanging Henry’s Show.” New York Times, August 3, 1969, p. D21.

 

Glueck 1969d

Glueck, Grace. “Los Angeles Regains Vigor As an Art Center.” New York Times, May 29, 1969, p. 42.

 

Glueck 1970

Glueck, Grace. “Artists to Withdraw Work at Biennale.” New York Times, June 6, 1970, p. 27.

 

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Glueck, Grace. “More Art Than Meets the Eye.” New York Times, July 11, 1971, p. D22.

 

Glueck 1971b

Glueck, Grace. “New York: Visual Riches and Recessionary Blues.” Art in America 59, no. 2 (March–April 1971), pp. 42–47.

 

Glueck 1976

Glueck, Grace. “Art People.” New York Times, July 30, 1976, p. 48.

 

Glueck 1977

Glueck, Grace. “Scenery Takes a Bow in Queens.” New York Times, December 30, 1977, p. C1.

 

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Glueck, Grace. “Art: Lyrical Sculptures of George Sugarman.” New York Times, January 18, 1980, p. 17.

 

Glueck 1980b

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Glusberg 1967

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Goldin 1966b

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Hirshhorn 1999

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Regarding Beauty: A View of the Late 20th Century. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1999. Exhibition catalogue. (1999 Washington, D.C. Hirshhorn).

 

Hirshhorn and Haus der Kunst 1999

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., and Haus der Kunst, Munich. Beauty Now: Die Schönheit in der Kunst am Ende des 20. Jahrhunderts. Ostfildern-Ruit, Germany: Hatje Cantz, 1999. Exhibition catalogue. (1999 Washington, D.C. Hirshhorn).

 

Ho 1998

Ho, Janet. “American Pop Icon Was Dotty about Chinese Art.” Straits Times, February 18, 1998, pp. 2–3.

 

Ho-Am 1988

Ho-Am Gallery, Seoul. Nyu Yok hyŏndae misuljŏn/Contemporary Art from New York. Seoul: Ho-Am Gallery, 1988. Exhibition catalogue. (1988 Seoul Ho-Am).

 

Hoberman 1982

Hoberman, J. “Love and Death in the American Supermarketplace.” Village Voice (New York), November 9, 1982, pp. 1–2.

 

Hochschule für Grafik und Buchkunst 1984

Galerie der Hochschule für Grafik und Buchkunst, Leipzig. Amerikanische Pop Art aus der Sammlung Ludwig Köln. Leipzig: Galerie der Hochschule für Grafik und Buchkunst, 1984. Exhibition brochure. (1984 Leipzig Hochschule).

 

Hodge 1966

Hodge, G. Stuart. Flint Invitational. Flint: Flint Institute of Arts, 1966. Exhibition catalogue. (1966 Flint Institute).

 

Hoesterey 1976

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Hoffman and Weiermair 1983

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J. Hoffman, Driscole, and Zahler 1977

Hoffman, Jay, Dee Driscole, and Mary Clare Zahler. A Study in Regional Taste: The May Show 1919–1975. Cleveland: Cleveland Museum of Art, 1977. Exhibition catalogue. (1977 Cleveland Museum).

 

P. Hoffman 1970

Hoffman, Paul. “35th Art Biennale Beset by Problems at Venice Opening.” New York Times, June 24, 1970, p. 38.

 

Hoffmann 1974

Hoffmann, D. “Keine Angst vor Pop.” Scala 12 (1974).

 

Hoffmann 1988

Hoffmann, Dieter. “Roy Lichtenstein: Reklame und Comic-Welt.” Kunst (Munich), no. 3 (March 1988), p. 182.

 

Hofmaier 2003

Hofmaier, James. The Sixties: Lichtenstein, Warhol, Wesselmann, Rosenquist. Munich: Galerie Daniel Blau, 2003. Exhibition catalogue.

 

Hofmann 1964a

Hofmann, Werner. Neue Realisten und Pop Art. Berlin: Akademie der Künste, 1964. Exhibition catalogue. (1964 Berlin Akademie).

 

Hofmann 1964b

Hofmann, Werner. Pop, Etc. Vienna: Museum des 20, Jahrhunderts, 1964. Exhibition catalogue. (1964 Vienna Museum des 20. Jh.).

 

H. Hohl 1971

Hohl, Hanna. “Roy Lichtensteins Serie der Haystacks nach Monets Meules: Eine Neuerwerbung des Kupferstichkabinetts.” In Jahrbuch der Hamburger Kunstsammlungen, vol. 18, by Wallraf-Richartz-Museum, Cologne, pp. 167–70. Hamburg: Dr. Ernst Hauswedell und Co. Verlag, 1971.

 

R. Hohl 1972

Hohl, Reinhold. Highlights. Basel: Galerie Beyeler, 1972. Exhibition catalogue.

 

R. Hohl 1975

Hohl, Reinhold. Paysages après l’Impressionnisme. Basel: Galerie Beyeler, 1975. Exhibition catalogue. (1975 Basel Galerie Beyeler).

 

R. Hohl 1978

Hohl, Reinhold. The Silent Dialogue: The Still Life in the 20th Century. Basel: Galerie Beyeler, 1978. Exhibition catalogue. (1978b Basel Galerie Beyeler).

 

R. Hohl 1979

Hohl, Reinhold. Maestros del siglo XX: Naturaleza muerta. Madrid: Fundación Juan March, 1979. Unpaginated. (1979 Madrid Fundación March).

 

R. Hohl 1985

Hohl, Reinhold. Black and White: From Manet to Kiefer. Basel: Galerie Beyeler, 1985. Exhibition catalogue. (1985 Basel Galerie Beyeler).

 

Höke 1966

Höke, Bernhard, ed. Mit Beiträgen von Jürgen Becker, Max Bense, E. Gomringer, G. Rühm, W. Vostell, E. Williams, Roy Lichtenstein, Nam June Paik, Diter Rot. Berlin: Christian Grützmacher, 1966.

 

J. Holland 1969

Holland, Julian. “Pop Goes the Easel.” Daily Mail (London), July 7, 1969, p. 8.

 

M. Holland 1967

Holland, Mary. “Mr. Pop Comes to Town.” London Observer, December 31, 1967, p. 7.

 

Hollein 1983

Hollein, Hans. “Abteiberg Museum Mönchengladbach.” GA Document (Tokyo) 6 (1983).

 

Holm, Tøjner, and Caiger-Smith 2003a

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Holm, Tøjner, and Caiger-Smith 2003b

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Holzhauer 1994

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Homem 2017

Homem, Antonio. Attorno alla Pop art nella Sonnabend Collection. Da Johns e Rauschenberg a Warhol e Lichtenstein e a Koons. Venezia: Lineadacqua, 2017.

 

Homem and Rylands 2011a

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Homem, Antonio, and Philip Rylands. Ileana Sonnabend: Un ritratto italiano. Venice: Peggy Guggenheim Collection, 2011. Exhibition catalogue.

 

Hong Kong Museum of Art 1998

Hong Kong Museum of Art. Roy Lichtenstein: Landscapes in Chinese Style. Hong Kong: Hong Kong Museum of Art, 1998. Exhibition catalogue. Unpaginated. (1997 Boston MFA).

 

Honisch and Jensen 1976

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Honnef 1969a

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Honnef 1969b

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Honnef 1970

Honnef, Klaus. “Die Sammlung Ludwig.” In Die Kunst und das schöne Heim: Monatsschrift für Malerei, Plastik, Graphik, Architektur und Wohnkultur.

 

Honnef 2004

Honnef, Klaus. Pop Art. Ed. Uta Grosenick. Cologne: Taschen, 2004.

 

Honnef, Krüger, and Taylor 1976

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Honour and Fleming 1982

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Honour and Fleming 1983

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B. Hopkins 1976

Hopkins, Budd. “New York.” Artforum 14, no. 5 (January 1976), pp. 57–60.

 

D. Hopkins 2000

Hopkins, David. After Modern Art, 1945–2000. Oxford, England: Oxford University Press, 2000.

 

J. Hopkins 1963

Hopkins, John F. “Introduction.” In Invited Group Show: 12 American Artists, by Heckscher Museum, Huntington, N.Y. Huntington, N.Y.: Heckscher Museum, 1963. Exhibition brochure. (1963 Huntington, N.Y., Heckscher).

 

Horowitz 1963

Horowitz, Leonard. “Art: Six Characters in Search of an Art Movement.” Village Voice (New York), April 4, 1963, p. 11.

 

Horowitz 1985

Horowitz, Ikhail. “Avery Profs get ‘A’s at Bard.” Sunday Freeman (Kingston [N.Y.]), May 19, 1985, p. 33.

 

Houdek 1967

Houdek, Dick. “Is Pop Art A Sign of Decadent Life?” Tempo/Los Angeles Herald-Examiner California Living, April 30, 1967, p. 38.

 

Hough and Zakian 1992

Hough, Katherine Plake, and Michael Zakian. Transforming the Western Image in 20th Century American Art. Palm Springs: Palm Springs Desert Museum, 1992. Exhibition catalogue. (1992 Palm Springs Desert Museum).

 

Houle 1994

Houle, Alain. “Bande dessinée histoire: Roy Lichtenstein.” Magazine parcours: Arts et vie (Montreal) 40 (summer 1994), pp. 9–11, 82.

 

Jan Howard 1995

Howard, Jan. “Reflections of ‘The Prints of Roy Lichtenstein.'” The Print Collector’s Newsletter 26, no. 3 (July–August 1995), pp. 82–86.

 

Jane Howard 1964

Howard, Jane. “A Creative Capacity to Astonish: Terry Southern, Author Who Blasts Smugness.” Life 57, no. 8 (August 21, 1964), pp. 39–40, 42.

 

R. Howard 2000

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Hudson 1966a

Hudson, Andrew. “Biennale Begins Season, at Last.” Washington Post, December 4, 1966, p. G1.

 

Hudson 1966b

Hudson, Andrew. “Op! Pop! Bang!” Washington Post, February 13, 1966, p. G1.

 

Huffman and Hutchinson, eds. 2006

Huffman, Kathy Rae, and James Hutchinson, eds. 20: Twenty: a Timeline of Cornerhouse Exhibitions 1985-2005. Manchester: Cornerhouse, 2006. Exhibition catalogue. (2005 Manchester, U.K., Cornerhouse).

 

Hughes 1971

Hughes, Robert. “The Revival of Prints.” Time 97, no. 3 (January 18, 1971), p. 56.

 

Hughes 1974

Hughes, Robert. “The Instant Nostalgia of Pop.” Time 103, no. 15 (April 15, 1974), p. 81.

 

Hughes 1981a

Hughes, Robert. “All-American Mannerist.” Time 117, no. 25 (June 22, 1981), pp. 60–61.

 

Hughes 1981b

Hughes, Robert. The Shock of the New. New York: Alfred A. Knopf, Inc. 1981.

 

Hughes 1988

Hughes, Robert. “The Private Eye of Steve Martin.” House and Garden 160, no. 4 (April 1988), pp. 142–45, 214, 216.

 

Hughes 1993

Hughes, Robert. “The Image Duplicator.” Time 142, no. 19 (November 8, 1993), pp. 83–84.

 

Hughes 1997a

Hughes, Robert. “Breaking the Mold.” Time special issue (Spring 1997), pp. 76–85.

 

Hughes 1997b

Hughes, Robert. “Pop’s Most Popular: With Humor and Style, Roy Lichtenstein Made Beauty Out of ‘Trash.'” Time 150, no. 15 (October 13, 1997), p. 101.

 

Hülsen-Esch, Körner, and Wiener 2014

Hülsen-Esch, Andrea von, Hans Körner, and Jürgen Wiener, ed. CampusKunst: Heinrich-Heine-Universität Düsseldorf. Düsseldorf: Düsseldorf University Press, 2014.

 

M. Hunter 1977

Hunter, Marjorie. “Carter Meets Five American Artists Who Portrayed His Inauguration.” New York Times, June 15, 1977, sec. 2, p. 12.

 

S. Hunter 1963a

Hunter, Sam. An Exhibition of the Poses Institute of Fine Arts, Brandeis University: Recent Acquisitions, the Gevirtz-Mnuchin Collection and Related Gifts. New York: Kootz Gallery, 1963. Exhibition brochure. (1963 New York Kootz).

 

S. Hunter 1963b

Hunter, Sam. New Directions in American Painting. Waltham, Mass.: Poses Institute of Fine Arts, Brandeis University, 1963. Exhibition catalogue. Unpaginated. (1963 Utica Munson-Williams-Proctor).

 

S. Hunter 1966a

Hunter, Sam. “Art since 1945.” In New Art Around the World: Painting and Sculpture, by Will Grohmann and Hunter, pp. 9–58. New York: Harry N. Abrams, 1966.

 

S. Hunter 1966b

Hunter, Sam. The Harry N. Abrams Family Collection. New York: Jewish Museum, 1966. Exhibition catalogue. (1966 New York Jewish Museum).

 

Hunter 1969

Hunter, Sam. “Neorealismo, Assemblage, Pop Art in America.” L’arte moderna (Milan) 13, no. 112 (1969), pp. 121–60.

 

S. Hunter 1970

Hunter, Sam. La pittura americana del dopoguerra. Milan: Fratelli Fabbri Editori, 1970.

 

S. Hunter 1972

Hunter, Sam. American Art of the 20th Century. New York: Harry N. Abrams, 1972.

 

S. Hunter 1974

Hunter, Sam. Amerikanische Nachkriegsmalerei. Translated from the English by Otto Wilck. Munich: Galerie Schuler, 1974.

 

S. Hunter 1984

Hunter, Sam. Masters of the Sixties: From New Realism to Pop Art. New York: Marisa del Re Gallery, 1984. Exhibition catalogue. (1984 New York Marisa del Re).

 

S. Hunter et al. 1984

Hunter, Sam, et al. The Museum of Modern Art, New York: The History and the Collection. New York: Harry N. Abrams in association with the Museum of Modern Art, 1984.

 

S. Hunter et al. 1985

Hunter, Sam, et al. Selections from the Ileana and Michael Sonnabend Collection: Works from the 1950s and 1960s. Princeton, N.J.: Princeton University Art Museum, 1985. Exhibition catalogue. (1985 Princeton Art Museum).

 

S. Hunter 1986

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture since 1940. Fort Lauderdale: Fort Lauderdale Museum of Art; New York: Abbeville Press, 1986. Exhibition catalogue. (1986 Fort Lauderdale Museum of Art).

 

S. Hunter 1987

Hunter, Sam. “Advertisement: Public Sculpture in Monte Carlo.” ARTnews 86, no. 4 (April 1987), pp. 49, 72.

 

S. Hunter 1991

Hunter, Sam. A View from the Sixties: Selections from the Leo Castelli Collection and the Michael and Ileana Sonnabend Collection. East Hampton, N.Y.: Guild Hall Museum, 1991. Exhibition catalogue. (1991b East Hampton Guild Hall).

 

Hurlburt 1997

Hurlburt, Roger. “What Makes Roy Pop.” Sun-Sentinel (Fort Lauderdale), October 5, 1997, p. F3.

 

Hutchinson 1988

Hutchinson, John. “Lichtenstein’s Object Art.” Sunday Press (Dublin), January 24, 1988.

 

Huther 1982

Huther, Christian. “Kunst über Kunst?” Main-Echo, no. 72, March 28, 1982.

 

Hyuga 1975

Hyuga, A. “Artists of Pop 1: Sawako Goda.” Mizue (Tokyo), no. 838 (January 1975), pp. 74–85.

 

I.D. 1992

“New + Notable.” I.D. 39 (November–December 1992), p. 75.

 

Iannetti Lanzone 1987

Iannetti Lanzone Gallery. After Pollock, Three Decades of Diversity: A Selection of American and European Painting and Sculpture from 1957–1987. San Francisco: Iannetti Lanzone Gallery, [1987]. Exhibition catalogue. (1987 San Francisco Iannetti and Lanzone).

 

IBEU, Copacabana 1998

Instituto Brasil-Estados Unidos, Copacabana. Artistas norte-americanos: Helen Frankenthaler, Roy Lichtenstein, James Rosenquist, Frank Stella. Rio de Janeiro: Instituto Brasil-Estados Unidos, Copacabana, 1998. Exhibition catalogue. (1998 Rio de Janeiro IBEU).

 

ICA, Boston 1986

Institute of Contemporary Art, Boston. Endgame: Reference and Simulation in Recent Painting and Sculpture. Cambridge, Mass.: MIT Press, 1986. Exhibition catalogue. (1986 Boston ICA).

 

ICA, Philadelphia 1969

Institute of Contemporary Art, University of Pennsylvania, Philadelphia. The Spirit of the Comics. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1969. Exhibition catalogue. Unpaginated. (1969 Philadelphia ICA).

 

ICI 1997

ICI (Independent Curators Inc.). The Leo Book: ICI Salutes Leo Castelli. New York: ICI, 1997.

 

Iden and Lauter 1985

Iden, Peter, and Rolf Lauter, eds. Bilder für Frankfurt: Bestandskatalog des Museums für moderne Kunst. Munich: Prestel Verlag, 1985. Exhibition catalogue. (1985 Frankfurt Architekturmuseum).

 

Iden and Lauter 1987

Iden, Peter, and Rolf Lauter, eds. Dalla Pop Art americana alla nuova figurazione: Opere del Museo d’Arte Moderna di Francoforte. Milan: Mazzotta, 1987. Exhibition catalogue. (1987 Milan Padiglione).

 

Iida 1972

Iida, Yoshikuni. “Roi Rihitenshutain: Paradokusu no kaiga, mata wa hihyōteki kaiga o hihyō suru (Roy Lichtenstein: Paradoxical pictures, or, critiquing critical pictures).” Kikan geijutsu (Arts quarterly) 6, no. 3, issue 22 (summer 1972), pp. 74–97.

 

IMA 2014

Indianapolis Museum of Art. “Recent Acquisition: ‘Five Brushstrokes’ by Roy Lichtenstein.” IMA Magazine (September–December 2014), pp. 10–11.

 

Imbert 1986

Didier Imbert Fine Art. Pop Art 61–65. Paris: Didier Imbert Fine Art, 1986. Exhibition catalogue. (1986 Paris Imbert).

 

Indiana 1984

Indiana, Gary. “Disappearing Mural.” Art in America 72, no. 3 (March 1984), pp. 102–7.

 

Indiana University 1970

Indiana University Art Museum, Bloomington, Ind. The American Scene, 1900–1970: An Exhibition of Twentieth Century Painting Held in Honor of the Sesquincentennial of Indiana University. Bloomington, Ind.: Indiana University Art Museum, 1970. Exhibition catalogue. (1970 Bloomington Indiana University).

 

Indianapolis Bulletin 1969

Bulletin (Indianapolis Museum of Art). Special issue, Painting and Sculpture Today! ’69 55, no. 3 (1969).

 

Indianapolis Museum of Art 1970

Indianapolis Museum of Art. Painting and Sculpture Today. Indianapolis: Contemporary Art Society and the Indianapolis Museum of Art, 1970. Exhibition catalogue. (1970 Indianapolis Museum of Art).

 

Indianapolis Museum of Art 1972

Indianapolis Museum of Art. Painting and Sculpture Today 1972. Indianapolis: Contemporary Art Society and the Indianapolis Museum of Art, 1972. Exhibition catalogue. (1972 Indianapolis Museum of Art).

 

Indianapolis Star 1978

“Lichtenstein’s Works Open Gallery Season.” Indianapolis Star, September 3, 1978, sec. 8, p. 11.

 

Instituto Nacional de Bellas Artes 1998

Instituto Nacional de Bellas Artes. Roy Lichtenstein. Mexico City: Instituto Nacional de Bellas Artes and Landucci Editores, 1998. Exhibition catalogue. (1998 Mexico City Museo del Palacio).

 

Instituto Nacional de Bellas Artes 1999

Instituto Nacional de Bellas Artes, Mexico City. Roy Lichtenstein. Imágenes Reconocibles. Mexico City: Instituto Nacional de Bellas Artes and Landucci Editores, 1999. Monograph. (1998 Mexico City Museo del Palacio).

 

Irvine 1967

University of California, Irvine. A Selection of Paintings and Sculptures from the Collection of Mr. and Mrs. Robert Rowan. Irvine: University of California, Irvine, 1967. Exhibition catalogue. (1967 Irvine University of California).

 

Irwin 1966

Irwin, David. “Pop Art and Surrealism.” Studio International 171, no. 877 (May 1966), pp. 187–91.

 

Isaacson 1970

Isaacson, Philip. “Skowhegan’s Galaxy.” Maine Sunday Telegram (Portland), November 15, 1970.

 

Isenberg 2002

Isenberg, Barbara. “An L.A. Art Story.” Los Angeles Times, September 22, 2002, pp. 4–5, 80.

 

Isles 2012

Isles, Chrissie. “See-Sickness: Roy Lichtenstein’s Moving Pictures.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff, pp. 52–61. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

Isola 1995

Isola, Marina. “Going Dotty over Roy Lichtenstein.” Fort Worth Star-Telegram, May 28, 1995, F1, F6.

 

Itoi 1994

Itoi, Kay. “‘Girl’ Trouble at MOCA.” ARTnews 93, no. 10 (December 1994), pp. 53–54.

 

Itoi 2000

Itoi, Kay. “Chastened for ‘Waste.” ARTnews 99, no. 4 (April 2000), p. 84.

 

Jacobs Gallery 1989

Nicola Jacobs Gallery. Subject/Object. London: Nicola Jacobs Gallery, 1989. Exhibition catalogue. (1989 London Jacobs).

 

Jay Jacobs 1966

Jacobs, Jay. “The Print Emerges.” Arts Magazine (New York) 40, no. 5 (March 1966), pp. 26–36.

 

Jay Jacobs 1969

Jacobs, Jay. “Collector: Joseph H. Hirshhorn.” Art in America 57, no. 4 (July–August 1969), pp. 56–71.

 

Joseph Jacobs 1989

Jacobs, Joseph. Contemporary Perspectives 1: Abstraction in Question. Sarasota: John and Mable Ringling Museum of Art, 1989. Exhibition catalogue. (1989 Sarasota Ringling).

 

Jaguer 1965

Jaguer, Édouard. “Second Movement.” Helise (Paris), p. 65.

 

J. James 1996

James, Jamie. Pop Art: Colour Library. London: Phaidon Press, 1996.

 

L. James 1988a

James, Laurence J. “Artnotes: Columbus Discovers Italy.” New Art Examiner 15, no. 11 (Summer 1988), p. 64.

 

L. James 1988b

James, Laurence J. “Brushstrokes in Flight.” ARTnews 87, no. 9 (November 1988), p. 17.

 

Jancène 1997

Jancène, France. Les mots dans la peinture pop américaine: Jasper Johns, Andy Warhol et Roy Lichtenstein. Lille: ANRT, 1997.

 

Janis 1962

Sidney Janis Gallery, New York. The New Realists. New York: Sidney Janis Gallery, 1962. Exhibition catalogue. Unpaginated. (1962 New York Janis).

 

Janis 1964

Sidney Janis Gallery, New York. A Selection of 20th Century Art of 3 Generations. New York: Sidney Janis Gallery, 1964. Exhibition catalogue. (1964 New York Janis).

 

Janis 1972a

Sidney Janis Gallery, New York. Abstract Expressionism and Pop Art. New York: Sidney Janis Gallery, 1972. Exhibition catalogue. (1972a New York Janis).

 

Janis 1972b

Sidney Janis Gallery, New York. Colossal Scale: The Appeal of the Gigantic Representational Image for Today’s Artist. New York: Sidney Janis Gallery, 1972. Exhibition catalogue. Unpaginated. (1972b New York Janis).

 

Janis 1994

Sidney Janis Gallery, New York. 20th Century Masters. New York: Sidney Janis Gallery, 1994. Exhibition catalogue. Unpaginated. (1994a New York Janis).

 

Janis Gallery 1974

Sidney Janis Gallery, New York. 25 Years of Janis: Part 2, From Pollock to Pop, Op and Sharp—Focus Realism. Worcester, MA: Davis Press, Inc. 1974. Exhibition catalogue. (1974 New York Janis).

 

D. Janson 1968

Janson, Donald. “Anti-Daley Art Put in Show in Chicago.” New York Times, October 24, 1968, p. 40.

 

H. W. Janson 1969

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H. W. Janson 1986

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Jedell 1998

Jedell, Joan. “Looking at Roy.” East Hampton [N.Y.] Star, July 1988.

 

Jeffrey 1979

Jeffrey, Ian. Reality and Artifice. London: Arts Council of Great Britain, 1979. Exhibition catalogue. (1979 Carlisle Museum).

 

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M. Jensen et al. 2004

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Jerrold Morris International Gallery 1963

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Jewish Museum 1969

Jewish Museum, New York. Superlimited: Books, Boxes and Things. New York: Jewish Museum, 1969. Exhibition catalogue. (1969 New York Jewish Museum).

 

Jhaveri 2013

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Jimusho and TG Concepts 2003

Jimusho, Taniguchi, and TG Concepts Inc., ed. Kami ni kakareta sekaiten (A paper stroll: An international exhibition of works on paper)/Master Drawings from the Collection of the Arkansas Arts Center Foundation. Gifu: TG Concepts Inc. 2003. Exhibition catalogue.

 

Joachimides and N. Rosenthal 1993

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Jodidio 1981

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John Berggruen Gallery 1971

John Berggruen Gallery, San Francisco. Roy Lichtenstein: A Retrospective of Prints, 1962–1971. San Francisco: John Berggruen Gallery, 1971. Exhibition catalogue. (1971 San Francisco Berggruen).

 

Johnson 1963

Johnson, Ellen H. [no title]. In Lichtenstein, by Alain Jouffroy, Ellen H. Johnson, and Robert Rosenblum. Paris: Galerie Ileana Sonnabend, 1963. Exhibition catalogue. Unpaginated.

 

Johnson Museum 1995

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Johnson Museum 2014

Herbert F. Johnson Museum of Art, Cornell University. Enticing the Eye/Exploring Frame. Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 2014. Exhibition catalogue.

 

C. Johnson 1969a

Johnson, Charlotte Buel. “Introducing New Art to Children.” Instructor (Dansville, N.Y.) 79, no. 1 (August–September 1969), pp. 89–91.

 

C. Johnson 1972

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E. Johnson 1963

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Johnson, Ellen H. “The Image Duplicators: Lichtenstein, Rauschenberg, and Warhol.” Canadian Art 23, no. 1 (January 1966), pp. 12–19.

 

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E. Johnson 1976

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E. Johnson 1982

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Johnson, Ellen H. Fragments Recalled at Eighty: The Art Memoirs of Ellen H. Johnson. Ed. Athena Tacha. North Vancouver: Gallerie Publications, 1993.

 

K. Johnson 1999

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Museum Haus Lange, Krefeld. Pow! Werke der Pop Art aus der Sammlung Lauffs. Krefeld: Krefelder Kunstmuseen, 2002. Exhibition catalogue. (2002 Krefeld Lange).

 

Kriebel 1968

Kriebel, Charles. [no title]. Home Furnishings Daily (October 23, 1968), pp. 6–7.

 

Kries and Schwartz-Clauss 2012

Kries, Mateo, and Mathias Schwartz-Clauss, eds. Pop Art Design. Weil am Rhein: Vitra Design Museum, 2012. Exhibition catalogue. (2012 Weil am Rhein Vitra).

 

Kuenzi 1963

Kuenzi, André. “Gstaad capitale du ‘Pop Art.” Gazette de Lausanne, September 2, 1963, p. 8.

 

Kuenzi 1966

Kuenzi, André. “Le Pop art deviant art officiel.” Gazette de Lausanne, December 29, 1966, p. 7.

 

Kuenzi 1968

Kuenzi, André. “Kunsthalle de Berne: Roy Lichtenstein.” [Title unknown] (1968).

 

Kuh 1962

Kuh, Katherine. “Art in America in 1962: A Balance Sheet.” Saturday Review (New York) 45, no. 36 (September 8, 1962), special section A–P.

 

Kuipers and Ashworth 1996

Kuipers, Dean, and Chris Ashworth, eds. Ray Gun: Out of Control. New York: Simon and Schuster, 1996.

 

Kultermann 1969a

Kultermann, Udo. Neue Formen des Bildes. Tübingen: Verlag Ernst Wasmuth, 1969.

 

Kultermann 1969b

Kultermann, Udo. The New Painting. New York: Praeger, 1969.

 

Kultermann 1985

Kultermann, Udo. “Picasso in Contemporary Art.” Vie des arts 30, no. 119 (June 1985), pp. 30–35, 101.

 

Kunitz 2007

Kunitz, Daniel. “Art in Brief.” New York Sun, January 4, 2007.

 

Kunst-aktuell 1994

“Gipfel des Anti-Populären.” Kunst-aktuell (November 1994), pp. 10–11.

 

Kunstforum Wien 2003

Kunstforum Wien, Vienna. Roy Lichtenstein. Edited by Ingried Brugger and Florian Steininger. Vienna: Kunstforum Wien; Wolfratshausen: Edition Minerva Hermann Farnung, 2003. Exhibition catalogue. (2003 Vienna Kunstforum).

 

Kunsthalle Basel 1971

Kunsthalle Basel. Metamorphose des Dinges: Kunst und Antikunst 1910–1970: Kunsthalle Basel. Brüssel: La Connaissance, 1971. Exhibition catalogue. (1971a Brussels Palais des Beaux-Arts).

 

Kunsthalle Bern 1968

Kunsthalle Bern. Roy Lichtenstein. Bern: Kunsthalle Bern, 1968. Exhibition broadside. Unpaginated. (1967 Amsterdam Stedelijk).

 

Kunsthalle Darmstadt 1968

Kunsthalle Darmstadt. Menschenbilder. Darmstadt: [Kunsthalle Darmstadt], 1968. Exhibition catalogue. (1968 Darmstadt Kunsthalle).

 

Kunsthalle Köln 1971

Kunsthalle Köln in association with Verein progressiver deutscher Kunsthändler, Cologne. Kölner Kunstmarkt 1 (spring 1971).

 

Kunsthalle Wien 1993

Kunsthalle Wien, Vienna. Die Sprache der Kunst: Die Beziehung von Bild und Text in der Kunst des 20. Jahrhunderts. Ed. Eleonora Louis and Toni Stooss. Ostfildern-Ruit, Germany: Hatje Cantz, 1993. Exhibition catalogue.

 

Kunsthaus Zürich 1970

Kunsthaus Zürich. Peau de Lion. Zürich: Kunsthaus Zürich, 1970. Exhibition brochure. (Both venues used the same brochure. For the Karlsruhe venue, the German title and exhibition dates were added to the front cover). (1970 Zurich Kunsthaus).

 

Kunsthaus Zürich 1985

Kunsthaus Zürich. 36 Werke aus der Sammlung Erna und Curt Burgauer: Geschenke und ein versprochenes Legat. Zurich: Kunsthaus Zürich, 1985. Exhibition catalogue. (1985 Zurich Kunsthaus).

 

Kunstmarkt 1967

Verein Progressiver Deutscher Kunsthändler Köln. Kunstmarkt 67. Cologne: [Verein Progressiver Deutscher Kunsthändler Köln], 1967. (1967 Cologne Gürzenich).

 

Kunstmuseum Luzern 1973

Kunstmuseum Luzern. Ein grosses Jahrzehnt amerikanischer Kunst. Lucerne: Kunstmuseum Luzern, 1973. Exhibition catalogue. Unpaginated. (1973 Lucerne Kunstmuseum).

 

Kunstsammlung Nordrhein-Westfalen 1975

Kunstsammlung Nordrhein-Westfalen. Malerei des zwanzigsten Jahrhunderts: Katalog [der Erwerbungen 1962–1974]. Düsseldorf: Kunstsammlung Nordrhein-Westfalen, 1975.

 

Kunstsammlung Nordrhein-Westfalen 1977

Kunstsammlung Nordrhein-Westfalen. Amerikaner: Kunst aus USA nach 1950. Düsseldorf: Kunstsammlung Nordrhein-Westfalen, 1977. Exhibition catalogue. (1977 Düsseldorf Kunstsammlung).

 

Kunstverein Hannover 1982

Kunstverein Hannover. Spiegelbilder. Hannover: Kunstverein Hannover, 1982. Exhibition catalogue. (1982 Hannover Kunstverein).

 

Kunstverein Sankt Gallen 1966

Kunstverein Sankt Gallen. Amerikanische Kunst in schweizer Besitz. Sankt Gallen: Kunstmuseum Sankt Gallen, 1966. Exhibition catalogue. (1966 Sankt Gallen Kunstmuseum).

 

Kunstwerk 1964

“Pop Art Diskussion.” Das Kunstwerk 17, no. 10 (April 1964), pp. 2–32.

 

Kunstwerk 1966

“Amerikanische Kunst aus schweizer Besitz.” Das Kunstwerk 20, nos. 3–4 (December 1966–January 1967), p. 68.

 

Kunzle 1984

Kunzle, David. “Pop Art As Consumerist Realism.” Studies in Visual Communication 10, no. 2 (Spring 1984), pp. 16–33.

 

Kupper 1973

Kupper, Hans Jürg. “Licht um Mr. Lichtenstein.” Basler Nachrichten, no. 141, June 20, 1973, p. 9.

 

Kurtz 1972

Kurtz, Bruce. “Interview with Giuseppe Panza di Biumo.” Arts Magazine (New York) 46, no. 5 (March 1972), pp. 41–43.

 

Kushner 2010

Kushner, Marilyn Satin. Donald Saff: Art in Collaboration. Munich: DelMonico Books, Prestel, 2010.

 

Kuspit 1976

Kuspit, Donald. “Pop Art: A Reactionary Realism.” Art Journal 36, no. 1 (Fall 1976), pp. 31–38.

 

Kuspit 1977

Kuspit, Donald. “New York Today: Some Artists Comment.” Art in America 65, no. 5 (September 1977), pp. 82–83.

 

Kuspit 1979a

Kuspit, Donald. “Lichtenstein and the Collective Unconscious of Style.” Art in America 67, no. 3 (May—June 1979), pp. 100–105.

 

Kuspit 1979b

Kuspit, Donald. Roy Lichtenstein: Recent Work. Coral Gables, Fla.: Lowe Art Museum, University of Miami, 1979. Exhibition brochure. (1979 Coral Gables Lowe).

 

Kuspit 1981

Kuspit, Donald. “Elemental Realities.” Art in America 69, no. 1 (January 1981), pp. 78–87.

 

Kuspit 1983

Kuspit, Donald. “Uncivil War.” Artforum International 21, no. 8 (April 1983), pp. 34–43.

 

Kuspit 1988

Kuspit, Donald. “Roy Lichtenstein.” Artforum International 26, no. 9 (May 1988), pp. 141–42.

 

Kuspit 1997

Kuspit, Donald. Feminine Image. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 1997. Exhibition catalogue. (1997 Roslyn Harbor Nassau County Museum).

 

Kuspit and Sardo 2000

Kuspit, Donald, and Delfim Sardo. Colecção Berardo Collection 1917–1999. Belém: Centro Cultural de Belém, 2000. Exhibition catalogue. (2000 Belém Centro Cultural).

 

Kuthy et al. 1978

Kuthy, Sandor, et al. Das Museum of Modern Art New York zu Gast im Kunstmuseum Bern und Museum Ludwig Köln. New York: Museum of Modern Art, 1978. Exhibition catalogue. (1979 Bern Kunstmuseum).

 

Kutner 1979

Kutner, Janet. “SMU’s Drawing Show Packed with Surprises.” Dallas Morning News, March 13, 1979, p. C7.

 

Kyoto Costume Institute 2009

Kyoto Costume Institute. Luxury in Fashion Reconsidered. Kyoto: Kyoto Costume Institute, 2009. Exhibition catalogue. (2009 Kyoto National Museum of Modern Art).

 

L’espresso 1989

“Rifarò le pagine gialle: Colloquio con Roy Lichtenstein.” L’espresso (Rome) 6, no. 31 (August 6, 1989), pp. 84–85.

 

L’Humanité 1975

“Roy Lichtenstein.” L’Humanité (Paris) (February 7, 1975).

 

La Montagne 1996

La Montagne. “Tombée de Métier: Un hommage à Monet pour la Bibliothèque Nationale de France.” La Montagne (Clermont—Ferrand), December 14, 1996.

 

Lacey 1977

Lacey, J. “Roy Lichtenstein: New Sculpture.” Arts Review (London), no. 29 (November 11, 1977), p. 680.

 

Laddey 1967

Laddey, Virginia. “Roy Lichtenstein: Innovates Pop-Op-Whot Not.” Press-Telegram (Long Beach, Calif.), April 30, 1967.

 

Lafayette College 1984

Morris R. Williams Center for the Arts, Lafayette College, Easton, Pa. The Esman Collection: Paintings, Sculpture and Prints from the 1960s, ’70s. Easton, Pa.: Morris R. Williams Center for the Arts, Lafayette College, 1984. Exhibition catalogue. (1984 Easton Williams).

 

Lalit Kala 1966

Lalit Kala Academy, New Delhi. Two Decades of American Painting. [New Delhi]: [Lalit Kala Academy], [1966]. (1966 Tokyo National Museum of Modern Art).

 

Lamarche-Vadel 1982

Lamarche-Vadel, Bernard. “Roy Lichtenstein, entretien au magnétophone.” Artistes, no. 11 (June–July 1982), pp. 45–49.

 

Lambirth 2013

Lambirth, Andrew. “How Roy Lichtenstein Became Weighed Down with Superficiality.” The Spectator (March 9, 2013).

 

Lambrecht 1993

Lambrecht, Laurie. “Lens on Lichtenstein.” Art and Antiques 15, no. 8 (October 1993), pp. 62–67.

 

Lambrecht 2009

Lambrecht, Laurie. “Inside Roy Lichtenstein’s Studio.” The Southampton [N.Y.] Review 3, no. 1 (Spring 2009), pp. 114–26.

 

Lambrecht 2011

Lambrecht, Laurie. Roy Lichtenstein in His Studio. New York: Monacelli Press, 2011.

 

Lanchner 2009

Lanchner, Carolyn. Roy Lichtenstein. New York: Museum of Modern Art, 2009.

 

Landau, Talalay, and Talalay 1993

Landau, Ellen G., Marjorie Talalay, and Anselm Talalay. 25 Years: A Retrospective. Cleveland: Cleveland Center for Contemporary Art, 1993. Exhibition catalogue. (1993b Cleveland Center).

 

Landes 2017

Landes, Jennifer. “Roy Lichtenstein’s Mermaid Resurfaces.” East Hampton [N.Y.] Star, May 18, 2017.

 

Landesmuseum 1972

Westfälisches Landesmuseum für Kunst und Kulturgeschichte. Everybody Knows: Sammlung Dr. Hubert und Marie-Thérèse Peeters, Brügge. Münster: Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 1972. Exhibition catalogue. (1972 Münster Landesmuseum).

 

Landi 2006

Landi, Ann. “The Picasso Challenge.” ARTnews 105, no. 9 (October 2006), pp. 150–57.

 

Lanes 1967

Lanes, Jerrold. “Current and Forthcoming Exhibitions: New York.” The Burlington Magazine 109, no. 777 (December 1967), pp. 724–28.

 

Langemeyer and Peters 1979

Langemeyer, Gerhard, and Hans-Albert Peters. Stilleben in Europa. Münster: Landschaftsverband Westfalen-Lippe, 1979. Exhibition catalogue. (1979 Münster Landesmuseum).

 

Langsner 1962

Langsner, Jules. “Los Angeles Letter, September 1962.” Art International 6, no. 9 (November 1962), pp. 49–52.

 

Langui 1964

Langui, Emile. “La figure humaine dans la peinture depuis Picasso.” Quadrum, no. 17, no. 4 (1964), pp. 4–22.

 

D. Larsen 1967

Larsen, Dave. “Only a ZAP Won’t Get BANG from Power of This Pop Art.” Los Angeles Times, Part II, April 14, 1967, pp. 1–2.

 

H. Larson 2003

Larson, Hilary J. “Lichtenstein Prints on the Block for Love of a Cause.” Southampton [N.Y.] Press, May 29, 2003, B1, B9.

 

K. Larson 1974

Larson, Kay. “Words in Print.” Print Collector’s Newsletter 5, no. 3 (July–August 1974), pp. 53–56.

 

K. Larson 1981

Larson, Kay. “Art: Roy Lichtenstein’s Pow!’s Have Been Replaced by Painterly Decorum.” New York Magazine 14, no. 37 (September 21, 1981), pp. 34–35.

 

K. Larson 1987

Larson, Kay. “The Luck of the Draw.” New York Magazine 20, no. 20 (May 18, 1987), pp. 98–99.

 

K. Larson 1993

Larson, Kay. “Pop of Ages.” New York Magazine 26, no. 42 (October 25, 1993), pp. 101–2.

 

Lascault 1975

Lascault, Gilbert. “Léger: L’anti récits.” XXe siècle (Paris and Milan), n.s., 37, no. 45 (December 1975), pp. 55–62.

 

Lauf et al. 2016

Lauf, Cornelia. Wall to Wall: Carpets by Artists. Edited by Megan Lykins Reich. Cologne: Verlag der Buchhandlung Walther König, 2016. Exhibition catalogue. (2016–17 Cleveland MOCA).

 

Laus 1965

Laus, Harry. “Lichtenstein e a Pop-Art.” Jornal do Brasil (Rio de Janeiro), November 11, 1965.

 

Lauter 1994

Lauter, Rolf. Das Museum für Moderne Kunst und die Sammlung Ströher: Zur Geschichte einer Privatsammlung. Frankfurt am Main: Societäts-Verlag, 1994. Exhibition catalogue. (1994 Frankfurt Jahrhunderthalle).

 

Lauter 1995

Lauter, Rolf, ed. Kunst in Frankfurt: 1945 bis Heute. Frankfurt am Main: Societäts-Verlag, 1995.

 

Lautman 1985

Lautman, Victoria. “Roy Lichtenstein.” Arts Magazine (New York) 59, no. 6 (February 1985), p. 12.

 

Lavell 1981

Lavell, Stephen. “Lichtenstein.” Arts Review (London) 33, no. 22 (November 6, 1981), pp. 493–94.

 

Lavrador 2013a

Lavrador, Judicaël. “Sous l’exubérance des toiles, une precision maniaque.” Beaux Arts Éditions (June 2013), pp. 14–21.

 

Lavrador 2013b

Lavrador, Judicaël. “Les coulisses de l’art élues superstars du tableau.” Beaux Arts Éditions (June 2013), pp. 42–44.

 

Lavrador 2013c

Lavrador, Judicaël. “Lichtenstein: Pasticheur des grands maîtres.” Beaux Arts Éditions (June 2013), pp. 46–53.

 

Lawford 1971

Lawford, Valentine. “A Reflection of Now: Mr. and Mrs. Gardner Cowles’s New York Apartment Brilliantly Mirrors Today’s Surge for Nonstop Space.” Vogue 158, no. 6 (October 1, 1971), pp. 181–85, 191.

 

Lawrence 2012

Lawrence, James. “Studio Artist.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff, pp. 72–77. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

James Lawrence 2010

Lawrence, James. “Roy Lichtenstein: New York.” The Burlington Magazine 152, no. 1289 (August 2010), pp. 569–70.

 

Jill Lawrence 1970

Lawrence, Jill. “The Roy Lichtenstein Exhibit.” North West Art, no. 2 (3–4, 1970), p. 15.

 

Lawson 1979

Lawson, Thomas. “Roy Lichtenstein.” Flash Art/Heute Kunst, nos. 90–91 (June–July 1979), p. 46.

 

Le monde 1963

“Lichtenstein.” Le monde (Paris), June 7, 1963, p. 9.

 

Lebaillif 1988

Lebaillif, Pierre. “La lettre du mécénat.” Galeries, no. 25 (June–July 1988), p. 7.

 

Lebensztejn 1975

Lebensztejn, Jean-Claude. “Eight Statements [on Matisse].” Art in America 63, no. 4 (July–August 1975), pp. 67–69.

 

LeBrun 1980

LeBrun, Margaret. “Major New York Artist Visits Campus.” Spectator (Eau Claire, Wis.), February 7, 1980, p. 16.

 

Leddy 1995

Leddy, Kim. “Homecoming.” Columbus Alive, September 20–26, 1995, p. 6.

 

Lee Gallery 1984

Janie C. Lee Gallery, Houston. Master Drawings 1928–1984. Houston: Janie C. Lee Gallery, 1984. Exhibition catalogue. (1984 Houston Lee).

 

Leering 1967

Leering, Jean. Kompas 3: Schilderkunst na 1945 uit New York/Paintings after 1945 in New York. Eindhoven: Stedelijk van Abbemuseum, 1967. Exhibition catalogue. (1967b Eindhoven van Abbemuseum).

 

Leering and Wember 1967

Leering, Jean, and Wember, Paul. Kompass New York: Malerei nach 1945 aus New York/Paintings after 1945 in New York. Frankfurt am Main: Frankfurter Kunstverein, 1967. Exhibition catalogue. (1967b Eindhoven van Abbemuseum).

 

Leering et al. 1968

Leering, J[ean]., et al. ‘three blind mice’ | De collecties: Visser, Peeters, Becht. Eindhoven: Stedelijk van Abbemuseum, 1968. Exhibition catalogue. (1968 Eindhoven van Abbemuseum).

 

Leggio and Weiley 1991

Leggio, James, and Susan Weiley, eds. American Art of the 1960s. Studies in Modern Art 1. New York: Museum of Modern Art, 1991.

 

Legrand 2013

Legrand, François. “Arrêts sur images.” Connaissance des arts. Special issue, Roy Lichtenstein, edited by Francis Morel, no. 589, pp. 48–63.

 

Lehmbeck 2011

Lehmbeck, Leah, ed. Proof: The Rise of Printmaking in Southern California. Pasadena: Norton Simon Art Foundation, 2011. Exhibition catalogue.

 

Leider 1967

Leider, Philip. “American Sculpture at the Los Angeles County Museum of Art.” Artforum 5, no. 10 (June 1967), pp. 6–11.

 

Leinz 1996

Leinz, Gottlieb. Die Malerei des 20. Jahrhunderts. Erlangen: Müller, 1996.

 

Lelyveld 1967

Lelyveld, Joseph. “Modern U.S. Art Stirs New Delhi.” New York Times, April 10, 1967, p. 32.

 

Lenson 1963

Lenson, Michael. “The Realm of Art.” Newark Sunday Times, April 21, 1963, p. W14.

 

Leopold 1962

Leopold, Eunice. “‘Y’ Exhibition a Curious Phenomenon.” Pennsylvania Guardian, November 2, 1962, p. 11.

 

Lequeux 2013

Lequeux, Emmanuelle. “‘Roy Lichtenstein a piqué leur sens de l’humour à Klee, Miró et Picasso.'” Beaux-Arts Éditions (June 2013), pp. 4–6.

 

Lerman 1962

Lerman, Leo. “The Village Idea.” Mademoiselle 55, no. 2 (June 1962), pp. 68–71.

 

Lerman 1963

Lerman, Leo. “Treasures on Campus: Pop Goes Brandeis!” Mademoiselle 58, no. 2 (December 1963), pp. 74–75.

 

Leroy 1997

Leroy, Bridget. “Roy Lichtenstein Dead at 73.” Independent (Southampton, N.Y.), October 1, 1997, p. 8.

 

Leslie 1997

Leslie, Richard. Pop Art: A New Generation of Style. New York: Todtri Productions, 1997.

 

Lévêque 1963

Lévêque, Jean-Jacques. “Lichtenstein: Objectivé.” Arts (Paris) (June 12–18, 1963), p. 12.

 

Lévêque 1967

Lévêque, Jean-Jacques. “Les pops sont-ils nos naïfs?” Arts (Paris) 75 (March 1–7, 1967), pp. 34–49.

 

Lévêque 1975

Lévêque, Jean-Jacques. “Lichtenstein, héraut de la bande dessinée.” Galerie-jardin des arts (Paris), no. 143 (January 1975), pp. 40–41.

 

P. Levi 1998

Levi, Paolo. Pop Art un’esperienza internazionale. Turin: Elede Editrice, 1998. Exhibition catalogue. (1998 Turin SDA).

 

B. Levin 2005

Levin, Bob. “Why Roy Lichtenstein Is a Greater Artist Than Ghastly Ingels.” In Outlaws, Rebels, Freethinkers and Pirates: Essays on Cartoons and Cartoonists, pp. 183–90. Seattle: Fantagraphics Books, 2005.

 

G. Levin 1987

Levin, Gail. The Thyssen-Bornemisza Collection: Twentieth-Century American Painting. London: Sotheby’s Publications, 1987.

 

K. Levin 1984a

Levin, Kim. “The Clone Zone.” Village Voice (New York), May 15, 1984, p. 91.

 

K. Levin 1984b

Levin, Kim. “Roy Lichtenstein.” Village Voice (New York), January 17, 1984, p. 3.

 

K. Levin 1988

Levin, Kim. “Lichtenstein’s Picassos: 1962–1964.” Village Voice (New York), February 23, 1988, p. 86.

 

Levine 1987

Levine, Angela. “Object Lesson.” Jerusalem Post Magazine, November 6, 1987, p. 10.

 

Lewis 1974

Lewis, Jo An. “Lichtenstein’s Pop Art Has Wit for Long Life.” Washington Star-News, June 19, 1974, p. D3.

 

Lewis 1979

Lewis, Jo An. “‘Setting Standards’ at the Corcoran.” ARTnews 78, no. 4 (April 1979), pp. 85, 88–89.

 

Lewis 1994

Lewis, Jo An. “Roy Lichtenstein’s Natural Progression.” Washington Post, October 30, 1994, p. G7.

 

Lewis 1997

Lewis, Jo An. “National Gallery’s New Year’s Bounty: Pop Art, Calders among Gifts.” Washington Post, January 10, 1997, D1–D2.

 

Lichtenstein 2013

Lichtenstein, Roy. Ce que je crée, c’est de la forme: Entretiens, 1963–1997: Roy Lichtenstein. Paris, France: Éditions du Centre Pompidou, 2013.

 

R. Lichtenstein and A. Solomon 1966

Lichtenstein, Roy, and Alan Solomon. “Conversation with Roy Lichtenstein.” Transcript of television interview edited by Lichtenstein. ca. 1966. Roy Lichtenstein Foundation Archives.

 

R. Lichtenstein and Alloway 1983

Lichtenstein, Roy, and Lawrence Alloway. “Artist’s Statements.” In Roy Lichtenstein, by Lawrence Alloway, pp. 105–7. New York: Abbeville Press, 1983.

 

R. Lichtenstein and Alloway 1990

Lichtenstein, Roy, and Lawrence Alloway. “Intervista del 1983.” In Lichtenstein: La grafica, edited by Nina Sundell, pp. 37–41. Milan: Electa, 1990. Exhibition catalogue.

 

R. Lichtenstein and D. Shapiro 1980a

Lichtenstein, Roy, and David Shapiro. “Grande unificazione.” In Pop Art: Evoluzione di una generazione, edited by Attilio Codognato, pp. 63–78. Milan: Electa, 1980.

 

Lichtenstein and Passin 1989

Lichtenstein, Roy, and Herbert Passin. “The Era That Gave Birth to Pop Art: Roy Lichtenstein and Herbert Passin.” Asteion, no. 13 (summer 1989), pp. 120–35.

 

R. Lichtenstein and Sorge 1996

Lichtenstein, Roy, and Helmut Sorge. “‘Talent und Wille reichen nicht.'” Der Spiegel special, no. 12 (December 1996), pp. 76–78. View online (magazin.spiegel.de)

 

R. Lichtenstein and Waldman 1971

Lichtenstein, Roy, and Diane Waldman. “Lichtenstein Interviewed by Diane Waldman.” In Roy Lichtenstein, by Waldman, pp. 25–28. New York: Harry N. Abrams, 1971.

 

Lichtenstein Foundation and Mitchell-Innes & Nash 2002

Roy Lichtenstein Foundation and Mitchell-Innes & Nash, New York. Roy Lichtenstein: Times Square Mural. New York: Roy Lichtenstein Foundation and Mitchell-Innes & Nash, 2002. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (2002 New York Mitchell-Innes and Nash).

 

D. Lichtenstein 1999a

Lichtenstein, Dorothy. “The Misanthrope Manqué: Through a Glass Lightly.” In Roy Lichtenstein: Interiors, by Museum of Contemporary Art, Chicago, pp. 19–21. Chicago: Museum of Contemporary Art, 1999. Exhibition catalogue.

 

D. Lichtenstein 2005

Lichtenstein, Dorothy. “Salute to Kunsthaus Bregenz.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider, p. 9. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue.

 

D. Lichtenstein 2014

Lichtenstein, Dorothy. “Il disegno come origine.” In Roy Lichtenstein: Opera prima, by Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 44–51. Milan: Skira Editore, 2014. Exhibition catalogue.

 

D. Lichtenstein 2015

Lichtenstein, Dorothy. “Drawing as Source.” In Roy Lichtenstein: Drawing First. 50 Years of Works on Paper, Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 34–43. Milan: Skira Editore, 2015. Exhibition catalogue.

 

R. Lichtenstein 1949

Lichtenstein, Roy Fox. “Paintings, Drawings, and Pastels: A Thesis.” MFA thesis, Ohio State University, Columbus, 1949.

 

R. Lichtenstein 1952

Lichtenstein, Roy. “Don’t Look for Ideas.” Cleveland News: Home Magazine, March 13, 1952, p. 19.

 

R. Lichtenstein 1965

Lichtenstein, Roy. “Four Drawings: Roy Lichtenstein.” Artforum 3, no. 4 (January 1965), pp. 34–35.

 

R. Lichtenstein 1969

Lichtenstein, Roy. “Roy Lichtenstein . . . Modern Sculpture with Velvet Rope.” Art Now: New York 1, no. 1 (January 1969), unpaginated.

 

R. Lichtenstein 1971

Lichtenstein, Roy. Drawings and Prints. New York: Chelsea House, 1971.

 

R. Lichtenstein 1972

Lichtenstein, Roy. “Letters.” Artforum 10, no. 10 (June 1972), p. 6.

 

R. Lichtenstein 1977b

Lichtenstein, Roy. “Roy Lichtenstein.” In The Museum of Modern Art Artists’ Cookbook: 155 Recipes: Conversations with Thirty Contemporary Painters and Sculptors, edited by Madeleine Conway and Nancy Kirk. Photographs by Blaine Waller, pp. 87–89. New York: Museum of Modern Art, 1977.

 

R. Lichtenstein 1981a

Lichtenstein, Roy. Letter. In the Arts (Ohio State University, Columbus). 1981.

 

R. Lichtenstein 1981b

Lichtenstein, Roy. “Study for ‘Yellow Apple’ and ‘Yellow Apple.'” Artforum 20, no. 1 (September 1981), pp. 64–65.

 

R. Lichtenstein 1982

Lichtenstein, Roy. “Roy Lichtenstein.” In Edie: An American Biography, by Jean Stein; edited by Stein and George Plimpton. New York: Alfred A. Knopf, 1982.

 

R. Lichtenstein 1982a

Lichtenstein, Roy. “Roy Lichtenstein.” Art City Times, April 13, 1982, p. 9.

 

R. Lichtenstein 1987

Lichtenstein, Roy. “Roy Lichtenstein: Painter/Sculptor.” In The School of Visual Arts Guide to Careers, edited by Elisabeth Jakab. New York: McGraw-Hill, 1987. Interview of….

 

R. Lichtenstein 2005

Lichtenstein, Roy Fox. “Paintings, Drawings, and Pastels.” In Roy Lichtenstein: Conversations with Surrealism, by Mitchell-Innes & Nash, New York, unpaginated. New York: Mitchell-Innes & Nash, 2005. Exhibition catalogue.

 

R. Lichtenstein 2007

Lichtenstein, Roy Fox. Paintings, Drawings, and Pastels: A Thesis by Roy Fox Lichtenstein/Roy Fox Lichtenstein: Pinturas, dibujos y pasteles: Una tesis. Madrid: Fundación Juan March, 2007.

 

Lida 1987a

Lida, David. “Pop Goes the Easel: Roy Lichtenstein.” Women’s Wear Daily, May 5, 1987, p. 28.

 

Lida 1987b

Lida, David. “The Prince of Pop.” Women’s Wear Daily, May 18–25, 1987, p. 22.

 

Lieberman 1966

Lieberman, William S. London/New York/Hollywood: A New Look in Prints. New York: Museum of Modern Art, 1966. Exhibition brochure. (1966b New York MoMA).

 

Lieberman 1968

Lieberman, William S. “Introduction.” In Ten from Leo Castelli. New York: Tanglewood Press, 1968.

 

Liebmann 1992

Liebmann, Lisa. “Roy Lichtenstein.” Interview 22 (March 1992), p. 32.

 

Life 1962

“Something New Is Cooking.” Life 52, no. 24 (June 15, 1962), pp. 115–16, 119–20.

 

Life 1963a

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Life 1963b

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Life 1965

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Lippard 1966c

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Livingston 1968a

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Lord 1964a

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Lovejoy 1992

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Lowe Art Museum 1976

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Lowe Gallery 1984

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Lynton 1966b

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MAMAC 1997

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Mamiya 1992

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McGee, Celia. “Pop on Top This Summer at the Met.” Daily News (New York), May 2, 2003, p. 59.

 

McGee 2005

McGee, Celia. “MTA Exhibit Tracks 20 Years of the City’s ‘Public Art.'” Daily News (New York), June 30, 2005, p. 46.

 

McKendry 1970

McKendry, John J. Prints by Nine New York Painters: Jim Dine, Helen Frankenthaler, Jasper Johns, Roy Lichtenstein, Robert Motherwell, Barnett Newman, Robert Rauschenberg, Larry Rivers, James Rosenquist. New York: Metropolitan Museum of Art, 1970. Exhibition catalogue. (1969c New York MMA).

 

McKenna 1990

McKenna, Kristine. “Cautionary Tale in Comic Book Form.” Los Angeles Times, November 6, 1990, p. F6.

 

McKenzie 1994

McKenzie, Michael. “The World According to Roy.” SunStorm/Fine Art (New York) (Spring 1994), pp. 33–36.

 

McKetta 2012

McKetta, Dorothy Jean. “The Leo Castelli Gallery in Metro Magazine: American Approaches to Post-Abstract Figuration in an Italian Context.” MA thesis, University of Texas, Austin, 2012.

 

McKinney 2003

McKinney, Michael P. “The House That Roy Built.” Providence Journal, March 27, 2003, G1, G4.

 

McMullen 1975

McMullen, Roy. “The Visual Arts.” Saturday Review. Special issue, America’s Impact on the World, 1776–1976 (December 13, 1975), pp. 98–103.

 

McNulty 1967

McNulty, Kneeland. Stampe di due mondi: Mostra dell’arte della stampa americana e italiana/Prints of Two Worlds: An Exhibition of American and Italian Print-making. Translated from the English by Sandra Gray. [Philadelphia: Philadelphia Museum of Art], 1967. Exhibition catalogue. (1967 Rome Tyler School).

 

McShine 1989

McShine, Kynaston, ed. Andy Warhol: A Retrospective. New York: Museum of Modern Art, 1989. Exhibition catalogue.

 

Meadows and Turner 2001

Meadows, Gail, and Elisa Turner. “Artist among Those Missing in World Trade Center Attack.” Miami Herald, September 20, 2001, p. C1.

 

Measham 1977

Measham, Terry. Moderne Malerei nach 1945. Luxembourg: Hasso Ebeling International Publishing, 1977.

 

Mecklenburg et al. 2015

Mecklenburg, Virginia M., et al. Crosscurrents: Modern Art from the Sam Rose and Julie Walters Collection. Washington, D.C.: Smithsonian American Art Museum in association with D. Giles Limited, London, 2015. Exhibition catalogue. (2015–16 Washington, D.C. Smithsonian).

 

Medici et al. 1975

Medici, Roberto, Museum der Stadt Solothurn, and Kunstverein Solothurn. Aspekte aus neueren Solothurner Sammlungen: 125 Jahre Kunstverein Solothurn: Museum der Stadt Solothurn. Solothurn: Kunstverein Solothurn, 1975. Exhibition catalogue. (1975 Solothurn Museum der Stadt).

 

Medinger 1977

Medinger, Beatrix Hauser. “Roy Lichtenstein.” In Ferrara, Lichtenstein, Nevelson, Ryman, by Sarah Lawrence Gallery, Sarah Lawrence College, Bronxville, N.Y., unpaginated. Bronxville, N.Y.: Sarah Lawrence Gallery, Sarah Lawrence College, 1977. Exhibition catalogue.

 

Melikian 1991

Melikian, Souren. “Pop Art: Resurrecting an Old Joke.” International Herald Tribune, September 14–15, 1991, p. 7.

 

Mellow 1967a

Mellow, James R. “New York Letter.” Art International (December 1967), pp. 72–76.

 

Mellow 1967b

Mellow, James R. “New York: The New York Art Scene.” New York Times Book Review, September 10, 1967, pp. 7, 62.

 

Mellow 1972

Mellow, James R. “Silkscreening: Any Number Can Play.” New York Times, January 30, 1972, sec. 2, p. 25.

 

Mellow 1974

Mellow, James R. “A Pop-Art Star Finds New Inspiration in Matisse.” New York Times, November 10, 1974.

 

Melo 2002

Melo, Alexandre. Cadernos do Museu (Sintra Museu de Arte Moderna). Special issue, Colecção Berardo: Arte Pop & Ca., edited by Marina Sequeira Costa, no. 3 (2002).

 

Melo et al. 2004

Melo, Alexandre, et al. Pop Art & Co.: The Berardo Collection: Sintra Museu de Arte Moderna. Tokyo: TBS Television, 2004.

 

Melville 1964a

Melville, Robert. “The Avant-Garde at the Tate.” New Statesman (London), May 1, 1964, p. 695.

 

Melville 1964b

Melville, Robert. “Prospect for the Future.” Architectural Review 136, no. 810 (August 1964), pp. 134–36.

 

Melville 1964c

Melville, Robert. “Surrealist and Others.” Architectural Review 135, no. 804 (February 1964), pp. 137–40.

 

Melville 1965

Melville, Robert. “The Amazing Continuity.” Architectural Review 138, no. 821 (July 1965), pp. 55–57.

 

Melville 1966

Melville, Robert. “The New Classicism.” Architectural Review 139, no. 828 (February 1966), pp. 145–47.

 

Melville 1967

Melville, Robert. “Battlepieces and Girls.” Architectural Review 141, no. 842 (April 1967), pp. 289–91.

 

Melville 1968a

Melville, Robert. “I Know How You Must Feel, Roy.” Architectural Review 143, no. 854 (April 1968), pp. 291–94.

 

Melville 1968b

Melville, Robert. “Whaam!” New Statesman (London), January 12, 1968, p. 50.

 

Melville 1971

Melville, Robert. “The Gallery: Humanity Proscribed.” Architectural Review 149, no. 888 (February 1971), pp. 111–16.

 

Memorial Art Gallery, Rochester 1964

Memorial Art Gallery, University of Rochester, Rochester, N.Y. In Focus: A Look at Realism in Art. Rochester, N.Y.: Memorial Art Gallery, University of Rochester, 1964. Exhibition catalogue. (1964 Rochester, N.Y., Memorial).

 

Memorial Union Art Gallery, Davis 1969

Memorial Union Art Gallery, University of California, Davis. Roy Lichtenstein, Rouen Cathedrals and Haystacks: Lithographs from Gemini. Davis: Memorial Union Art Gallery, University of California, Davis, 1969. Exhibition catalogue. (1969 Davis Memorial).

 

Mendelowitz 1967

Mendelowitz, Daniel M. Drawing. New York: Holt, Rinehart and Winston, 1967.

 

Mendelssohn 1997

Mendelssohn, Joanna. “Pop Art Creator’s Bubbles of Genius.” Australian, October 1, 1997, p. 16.

 

Meneguzzo 2014

Meneguzzo, Marco, ed. (photographs by Aurelio Amendola). Aurelio Amendola: Roy Lichtenstein 1977. Cinisello Balsamo, Italy: Silvana Editoriale, 2014. Exhibition catalogue.

 

Menil 2001

Menil Collection, Houston. Pop Art: US/UK Connections, 1956–1966. Houston: Menil Collection, 2001. Exhibition catalogue. (2001 Houston Menil).

 

Menna 1966

Menna, Filiberto. “The Organized Perception of Lichtenstein.” Fantazaria (Rome). Special issue, Lichtenstein, edited by Alberto Boatto and Giordano Falzoni, 1, no. 2 (July–August 1966), pp. 32–35 (Italian), 62–65 (English), 78–81 (French).

 

Mercurio 2010a

Mercurio, Gianni. Lichtenstein: Kunst als Motiv. Cologne: DuMont, 2010. Exhibition catalogue. (2010 Milan Triennale).

 

Mercurio 2010b

Mercurio, Gianni. “Modern Postmodern: Roy Lichtenstein.” In Roy Lichtenstein: Meditations on Art, edited by Mercurio, pp. 31–47. Milan: Skira Editore, 2010. Exhibition catalogue.

 

Mercurio 2010c

Mercurio, Gianni, ed. Roy Lichtenstein: Meditations on Art. Milan: Skira Editore, 2010. Exhibition catalogue. (2010 Milan Triennale).

 

Mercurio 2010d

Mercurio, Gianni, ed. Roy Lichtenstein: Meditations on Art. Milan: Skira Editore, 2010. Exhibition catalogue. In Italian. (2010 Milan Triennale).

 

Mercurio 2010e

Mercurio, Gianni. “Modern Postmodern: Roy Lichtenstein.” In Roy Lichtenstein: Meditations on Art, edited by Mercurio, pp. 31–47. Milan: Skira [Italian edition], 2010. Exhibition catalogue.

 

Mercurio 2010f

Mercurio, Gianni. “Modern Postmodern: Roy Lichtenstein.” In Lichtenstein: Kunst als Motiv, edited by Mercurio, pp. 31–47. Cologne: DuMont, 2010. Exhibition catalogue.

 

Meridian International Center 2002

Meridian International Center, Washington, D.C. True Colors: Meditations on the American Spirit. Washington, D.C.: Meridian International Center, 2002. Exhibition catalogue. (2002 Washington, D.C., Meridian).

 

Merkert 1970

Merkert, G. J. “Pop Art.” Merian 9, no. 23 (1970).

 

Metken 1970

Metken, Günter. Comics. Frankfurt am Main: Fischer Taschenbuch Verlag, 1970.

 

Metken 1971

Metken, Günter. “Das Gesetz der Serie; wie Künstler Comic nutzen.” Das Kunstwerk 24, no. 5 (September 1971), pp. 29–35.

 

Metropolitan 1952

Metropolitan Museum of Art, New York. American Water Colors, Drawings, and Prints, 1952: A National Competitive Exhibition. Cambridge, Mass.: Harvard University Press for the Metropolitan Museum of Art, New York, 1952. Exhibition catalogue. (1952 New York MMA).

 

Metropolitan 1969

Metropolitan Museum of Art, New York. Prints by Five New York Painters: Jim Dine, Roy Lichtenstein, Robert Rauschenberg, Larry Rivers, James Rosenquist. New York: Metropolitan Museum of Art, 1969. Exhibition catalogue. (1969a New York MMA).

 

Metz 1966

Metz, Kathryn. “The Thirty-Third Venice Biennale of Art.” Arts and Architecture 83, no. 9 (October 1966), pp. 32–34.

 

Metzgen 1971

Metzgen, Sigrid. “Die verkehrte Welt: Wenn bilderbogen Kunst anregen.” Das Kunstwerk 5, no. 24 (September 1971), pp. 3–28.

 

Metzger 1997

Metzger, Rainer. Antlitz: Gesicht, Kopf und Portrait in der zeitgenössischen Kunst/Countenance: Face, Head, and Portrait in Contemporary Art. Ed. Nikolaus Ruzicska. Salzburg and Paris: Galerie Thaddaeus Ropac, 1997.

 

Metzler 1952

Metzler, Paul B. “16 Gallery Exhibitions Produce Biggest Art Week of Season.” Cleveland Plain Dealer, March 16, 1952, p. D26.

 

Metzler 1955

Metzler, Paul B. “Trio at Art Colony.” Cleveland Plain Dealer, January 9, 1955, p. D30.

 

Meyer 1973

Meyer, Jean-Claude. “Les illusions optiques de Roy Lichtenstein.” XXe siècle (Paris and Milan) n.s., 35, no. 41 (December 1973), pp. 88–93.

 

Meyers 2010

Meyers, Terry R. “Roy Lichtenstein: The Black-and-White Drawings, 1961–1968.” The Brooklyn Rail (November 2010), p. 42.

 

Micha 1983

Micha, René. “Lettre de Paris.” Art International 26, no. 1 (January–March 1983), pp. 61–70.

 

Michel 1963

Michel, Jacques. “A travers les galeries: L’art industriel.” Le Monde (Paris), June 25, 1965, p. 12.

 

Michel 1966

Michel, Jacques. “Rive gauche en festival.” Le monde (Paris), May 13, 1966, p. 13.

 

Michelson 1969

Michelson, Annette. “Pop Art Redefined.” New York Times Book Review, October 26, 1969, p. 7.

 

Michetti-Prod’Hom and Edelman 1992

Michetti-Prod’Hom, Chantal, and Asher B. Edelman, with Susanne Hilpert, eds. Roy Lichtenstein. Pully/Lausanne: FAE Musée d’Art Contemporain, 1992. Exhibition catalogue. (1992 Pully-Lausanne FAE).

 

Michigan Artrain and Cranbrook [1980]

Michigan Artrain, Ann Arbor, and Cranbrook Academy of Art Museum, Bloomfield Hills. The Changing Canvas. Exhibition catalogue. [N.p.: Michigan Artrain, 1980]. (1980 Ann Arbor Michigan Artrain).

 

Michler 1996

Michler, Ralf. “Roy Lichtenstein: Die häufigsten Druckgraphic–Fälshungen auf dem Kunstmarkt.” Weltkunst 66 (August 1, 1996), pp. 1707–8.

 

C. Miller 1989

Miller, Corinne, et al. Images of Women. Leeds: Leeds City Art Galleries, 1989. Exhibition catalogue. (1989 Leeds City Art Galleries).

 

Dorothy Miller 1967

Miller, Dorothy C. The 1960s: Painting and Sculpture from the Museum Collection. New York: Museum of Modern Art, 1967. Exhibition catalogue.

 

Millet 1973

Millet, Catherine. “Aspects de l’art actuel: Une interview d’Ileana Sonnabend.” Art Press, no. 7 (November–December 1973), pp. 18–19.

 

Millis 1997

Millis, Christopher. “Pride of Place: Lichtenstein Isn’t Joking This Time.” Boston Phoenix, April 4–10, 1997, p. 8.

 

Milwaukee 1967

Art History Gallery, University of Wisconsin, Milwaukee. The Last Twenty Years in Contemporary Painting: Selections from the Collection of Richard Brown Baker. Milwaukee: Art History Gallery, University of Wisconsin, Milwaukee, 1967. Exhibition catalogue. (1967 Milwaukee University of Wisconsin).

 

Milwaukee Art Center 1969

Milwaukee Art Center, Milwaukee. Directions 2: Aspects of a New Realism. Milwaukee: Milwaukee Art Center, 1969.

 

Minami 1995

Minami, Yusuke. Revolution: Art of the Sixties from Warhol to Beuys. Tokyo: Museum of Contemporary Art, 1995. Exhibition catalogue. (1995 Tokyo Museum of Contemporary Art).

 

Minami 2007

Minami, Yusuke, et al. 20-seiki bijutsu tanken: Ātisutotachi no mittsu no bōken monogatari: Kokuritsu Shin Bijutsukan kaikan kinenten/Living in the Material World: “Things” in Art of the 20th Century and Beyond. Tokyo: National Art Center, 2007. Exhibition catalogue. (2007 Tokyo National Art Center).

 

Minamishima 1995

Minamishima, Hiroshi. “20th Century Isolation.” In Prints of Roy Lichtenstein: Entablatures—Nudes, by Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan, pp. 2–3 (Japanese), 4–5 (English). Sukagawa City, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1995. Exhibition catalogue.

 

Mink 1994a

Mink, Janis. “Auf den Punkt gebracht.” Vernissage Köln. Special issue, Roy Lichtenstein in München, no. 9 (September 1994), pp. 55–59.

 

Mink 1994b

Mink, Janis. “In meinem Innersten bin ich ein abstrakter Expressionist.” Vernissage Köln. Special issue, Roy Lichtenstein in München, no. 9 (September 1994), pp. 48–54.

 

Minola et al. 2000a

Minola, Anna, Maria Cristina Mundici, Francesco Poli et al. Luci in galleria: Da Warhol al 2000: Gian Enzo Sperone: 35 anni di mostre fra Europa e America. Turin: Hopefulmonster, 2000. Exhibition catalogue. (2000–01 Palazzo Cavour).

 

Minola et al. 2000b

Minola, Anna, Maria Cristina Mundici, Francesco Poli et al. Gian Enzo Sperone, Torino-Roma-New York: 35 anni di mostre tra Europa e America. Torino: Hopefulmonster, 2000.

 

Minturn 2004

Minturn, Kent. “Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art.” Archives of American Art Journal 44, nos. 1–2 (2004), pp. 47–51.

 

Mishory 2000

Mishory, Alec (Ali&#311 Mishori). Toldot ha-omanut: Mavo kelali (Art History: An Introduction). Tel Aviv: Open University of Israel, 2000.

 

Mitchell 2015

Mitchell, Mark D. The Art of American Still Life: Audubon to Warhol. Philadelphia: Philadelphia Museum of Art, 2015. Exhibition catalogue.

 

Mitchell-Innes and Nash 1998

Mitchell-Innes and Nash, New York. Master Drawings of the Twentieth Century. New York: Mitchell-Innes and Nash, 1998. (1998 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2001

Mitchell-Innes and Nash, New York. Roy Lichtenstein: Brushstrokes, Four Decades. New York: Mitchell-Innes and Nash, 2001. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (2001 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2002

Mitchell-Innes and Nash, New York. Roy Lichtenstein: Brushstrokes, Four Decades. Zurich: De Pury & Luxembourg, 2002. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (2001 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2005

Mitchell-Innes and Nash, New York. Roy Lichtenstein: Conversations with Surrealism. New York: Mitchell-Innes and Nash, 2005. Exhibition catalogue. Unpaginated. (2005 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2007

Mitchell-Innes and Nash, New York. Material: An Exhibition of Mixed Media Sculpture. New York: Mitchell-Innes and Nash, 2007. Exhibition catalogue. (2007 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2010

Mitchell-Innes and Nash, New York. Roy Lichtenstein Reflected. New York: Mitchell-Innes and Nash, 2010. Exhibition catalogue. (2010 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2011

Mitchell-Innes and Nash, New York. Roy Lichtenstein: Interior Collages. New York: Mitchell-Innes and Nash, 2011. Exhibition brochure. Unpaginated. (2011 London Pavilion).

 

Mittelrheinisches Landesmuseum 1980

Mittelrheinisches Landesmuseum, Mainz. Führer durch das Mittelrheinische Landesmuseum in Mainz. Mainz: Mittelrheinisches Landesmuseum, 1980.

 

Mizue 1992

“Roy Lichtenstein.” Mizue (Tokyo), no. 963 (summer 1992), pp. 40–43.

 

Modern Master Tapestries 1974

Modern Master Tapestries. The Charles E. Slatkin Collections of Contemporary Tapestries and Sculptures. New York: Modern Master Tapestries, [1974].

 

Moderna Museet 1973

Moderna Museet, Stockholm. New York Collection for Stockholm. [Stockholm: Moderna Museet, 1973]. Exhibition catalogue. (1973 Stockholm Moderna Museet).

 

Moderna Museet 2004

Moderna Museet, Stockholm. The Pontus Hultén Collection. Stockholm: Moderna Museet, 2004. Exhibition catalogue. (2004 Stockholm Moderna Museet).

 

Moeglin-Delcroix 1990

Moeglin-Delcroix, Anne. “Eaux de mémoire, jeux de miroir: Sur quelques citations dans la gravure Pop art.” Nouvelles de l’estampe, nos. 112–13 (October 1990), pp. 35–41.

 

Moffett 1974

Moffett, Kenworth. “Pop Art: Two Views.” ARTnews 73 (May 1974), pp. 31–32.

 

Molière 2013

Molière. Dom Juan ou Le Festin de Pierre. Edited by Georges Couton. Paris: Editions Gallimard, 2013.

 

A. Molina 1970

Molina, Antonio J. “La labor de CAAM en favor del arte.” Artes visuales 1, no. 1 (May 1970), pp. 12–14.

 

C. Molina 2005

Molina, Camila. “O pop que desennou a América.” O estado de S. Paulo, September 20, 2005, p. D3.

 

Möller 1969

Möller, Thordis, ed. Sammlung 1968 Karl Ströher. Munich: Klein & Volbert, 1969. Exhibition catalogue. (1968 Munich Galerie-Verein/Neue Pinakothek).

 

Mollison and Murray 1982

Mollison, James, and Laura Murray, eds. Australian National Gallery: An introduction. Canberra: Australian National Gallery, 1982.

 

Molotsky 1999

Molotsky, Irvin. “A Sculpture Garden at the National Gallery.” New York Times, May 9, 1999, p. 3.

 

MoMA 1966

Museum of Modern Art, New York. Art in the mirror: an exhibition. New York: Museum of Modern Art, 1966. Exhibition catalogue. (1966e New York MoMA).

 

MoMA 1967

Museum of Modern Art, New York. Contemporary American Still Life. New York: Museum of Modern Art, 1967. Exhibition brochure. Unpaginated. (1967 Oswego State University College).

 

MoMA 1999

Museum of Modern Art, New York. Roy Lichtenstein: Functional Multiples, Multiple Functions. New York: Museum of Modern Art, 1999. Exhibition brochure.

 

MoMA [1966]

Museum of Modern Art, New York. Greetings! An Exhibition of Personal, Seasonal and Holiday Greetings. New York: Museum of Modern Art, [1966]. Exhibition catalogue. Unpaginated. (1966a New York MoMA).

 

MoMA Bulletin 1987

The Museum of Modern Art Members Bulletin. “A Parody of the Painterly Gesture: The Depicted Brushstroke in the Drawings of Roy Lichtenstein.” The Museum of Modern Art Members Bulletin, no. 42 (Winter 1987), p. 5.

 

Monachesi 2001

Monachesi, Luce, ed. La gloria di New York: Artisti americani dalla Collezione Ludwig/The Glory of New York: American Artists from the Ludwig Collection. St. Petersburg: Palace Editions, 2001. Exhibition catalogue. (2001 Rome Corso).

 

Mönchengladbach 1988

Kunst der Gegenwart, 1960 bis Ende der 80er Jahre: Bestandskatalog. Mönchengladbach: Städtisches Museum Abteiberg Mönchengladbach, 1988.

 

Monnier 1968

Monnier, Jacques. “Roy Lichtenstein.” Tribune de Lausanne, March 17, 1968, p. 13.

 

Monroe 1997a

Monroe, Robert. “Pop Artist Roy Lichtenstein Dies at 73: Pioneer Painted Oversized Images with Dots, Humor.” Boston Globe, September 30, 1997, p. D19.

 

Monroe 1997b

Monroe, Robert. “Roy Lichtenstein: Pop Artist Turned Cliches into Classics with the Stroke of Brush.” San Diego Union-Tribune, September 20, 1997, p. A1.

 

Moody 2002

Moody, Rick. “Report on Miniaturization.” In Roy Lichtenstein: Times Square Mural, by Roy Lichtenstein Foundation and Mitchell-Innes and Nash, New York. New York: Roy Lichtenstein Foundation and Mitchell-Innes and Nash, 2002. Exhibition catalogue.

 

Moore 1975

Moore College of Art. North, East, West, South, and Middle: An Exhibition of Contemporary American Drawings by Rafael Ferrer [and others]. Philadelphia: Moore College of Art, 1975. Exhibition catalogue. Unpaginated. (1975 Philadelphia Moore).

 

Moorhouse 2007

Moorhouse, Paul. Pop Art Portraits. London: National Portrait Gallery, 2007. Exhibition catalogue. (2007 London NPG).

 

Moorman 1984

Moorman, Margaret. “Roy Lichtenstein.” ARTnews 83, no. 7 (September 1984), p. 160.

 

Morel 2013

Morel, Francis, ed. Connaissance des arts. Special issue, Roy Lichtenstein, no. 589 (2013).

 

D. Morgan 1994

Morgan, Dahlia. American Art Today: Heads Only. Miami: Art Museum at Florida International University, 1994. Exhibition catalogue. (1994 Miami FIU).

 

Stuart Morgan 1978

Morgan, Stuart. “About Art about Art.” Arts Magazine (New York) 53, no. 1 (September 1978), pp. 148–49.

 

Susan Morgan 1994

Morgan, Susan. “A Few Good Colors Are Plenty.” Los Angeles Times Calendar, January 30, 1994, pp. 4–5, 68, 70.

 

Morineau 2013a

Morineau, Camille. “Lichtenstein pop, postmoderne et classique.” In Roy Lichtenstein, edited by Morineau, pp. 21–27. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

Morineau 2013b

Morineau, Camille, ed. Roy Lichtenstein. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue. (2012 Chicago Art Institute).

 

Morineau and Alkema 2013

Morineau, Camille, and Hanna Alkema. “Top of the Pop.” Code couleur 17 (September–December 2013), pp. 16–21.

 

Morison 1983

Morison, Catherine. “Roy Lichtenstein’s Studio.” FN Fashion News (Tokyo) 4, no. 11 (Winter 1983).

 

Morphet 1968

Morphet, Richard. “Roy Lichtenstein.” In Roy Lichtenstein, Tate Gallery, London, pp. 15–46. London: Tate Gallery, 1968. Exhibition catalogue.

 

Morphet 1968

Morphet, Richard. “Roy Lichtenstein.” In Roy Lichtenstein, Tate Gallery, London, pp. 15–48. Herford: Bussesche Verlagshandlung, 1968. Exhibition catalogue.

 

Morphet 1977b

Morphet, Richard. Roy Lichtenstein: Sculpture. London: Mayor Gallery; New York: Leo Castelli Gallery, 1977. Exhibition catalogue. Unpaginated. (1977b London Mayor; 1977c New York Castelli).

 

Morris 1997

Morris, Roderick Conway. “The Touch of the Brush: Parting of the Ways in Venice.” International Herald Tribune, June 14–15, 1997, p. 6.

 

Morse Hilles and Baker 1963

Morse Hilles, Susan, and Richard Brown Baker. “Two in the First Row.” Art in America 51, no. 5 (October 1963), pp. 88–91.

 

Mosely 1987

Mosely, Charlotte. “Monte Carlo Sculpture ’87.” ARTnews 86, no. 8 (October 1987), p. 201.

 

Mosset and G. Müller 1979

Mosset, Olivier, and Gregoire Müller. “Could Leonardo da Vinci Make It in New York Today?” Flash Art, nos. 88–89 (March–April 1979), pp. 26–27.

 

Moufarrege 1984

Moufarrege, Nicolas A. “Roy Lichtenstein.” Flash Art, no. 116 (March 1984), p. 38.

 

Mower 1979

Mower, David. “Through the Looking Glass and What the Artist Found There.” Art International 23, nos. 5–6 (September 1979), pp. 63–70.

 

Muchnic 1990

Muchnic, Suzanne. “Pop ‘Kiss’ Sets Record As N.Y. Art Sales Open.” Los Angeles Times, May 8, 1990, p. A24.

 

Muchnic 2011

Muchnic, Suzanne. “Lichtenstein Sculpture Gets a Brush-Up.” Los Angeles Times, August 7, 2011, p. E10.

 

Muir 1993

Muir, Kate. “Joining the Dots: Kate Muir Meets Roy Lichtenstein.” Times Magazine (London), March 27, 1993, pp. 8–11.

 

Mukherjee 1996

Mukherjee, Tiarra. “Pop Goes the Easel.” Entertainment Weekly, nos. 341–42 (August 23, 1996), p. 14.

 

G. Muller 1968

Muller, Grégoire. “Paris: Art’s Common Market.” Art and Artists 2, no. 10 (January 1968), pp. 45–47.

 

K. Müller 1988

Müller, Kathrin Bettina. “Verfremdung muß Sein.” Berlin Independent Daily, November 26, 1988.

 

M. Müller 2011

Müller, Markus, ed. Who Is Who: Eddy Novarro and the Avant-Garde from the 50s to the 70s. Cologne: Wienand, [2011]. Exhibition catalogue. (2011 Münster Kunstmuseum Pablo Picasso).

 

Müller-Hauck and Orzechowski 1968

Müller-Hauck, Janni, and Lothar Orzechowski. Stichworte zur aktuellen Kunst. Kassel: Druck und Verlag Kassel, 1968.

 

Mullins 1997

Mullins, John J. “Lichtenstein’s Art Has Never Looked So Good.” Taunton Daily Gazette, March 27, 1997.

 

Multiples and Castelli Graphics 1975a

Multiples and Castelli Graphics, New York. Mirrors of the Mind. A portfolio of prints and objects. New York: Multiples and Castelli Graphics, 1975. Exhibition catalogue. (1975 New York Multiples).

 

Multiples and Castelli Graphics 1975b

Multiples and Castelli Graphics, New York. Mirrors of the Mind. New York: Multiples and Castelli Graphics, 1975. Exhibition catalogue. (1975 New York Multiples).

 

Murphy 2005

Murphy, Theodore. “Autumn in Museums: In Private Hands: 200 Years of American Painting.” Wall Street Journal, September 9, 2005, p. W2.

 

Murray 1982

Murray, Laura, ed. Australian National Gallery. Canberra: Australian National Gallery, 1982.

 

Musashino Bijutsu Daigaku 2002

Musashino Bijutsu Daigaku and Aburae Gakka Kenkyūshitsu, eds. Kaiga: Sozai, gihō (Painting: Materials, techniques). Musashino: Musashino Bijutsu Daigaku Shuppankyoku, 2002.

 

Musée Cantonal 1963

Musée Cantonal des Beaux-Arts, Lausanne. 1re salon international de galeries pilotes. Lausanne: Musée Cantonal des Beaux-Arts, 1963. Exhibition catalogue. (1963 Lausanne Musée Cantonal).

 

Musée d’Art Contemporain 1988

Musée d’Art Contemporain. La couleur seule: L’expérience du monochrome. Lyon: Ville de Lyon with the collaboration of Musées de France and Centre National des Arts Plastiques, 1988. Exhibition catalogue. (1988 Lyon St. Pierre).

 

Musée d’Orsay 2010

Musée d’Orsay, Réunion des Musées Nationaux, Paris. Claude Monet, 1840–1926: Galeries Nationales, Grand Palais, Paris. Paris: Musée d’Orsay, Réunion des Musées Nationaux, 2010. Exhibition catalogue.

 

Musée de la Poste 1992

Musée de la Poste, Paris. Les Partenaires des couleurs de l’argent. Paris: Musée de la Poste, 1992. Exhibition catalogue. (1991 Paris Poste).

 

Musée des Beaux-Arts 2000

Musée des Beaux-Arts, Rouen. À travers le miroir de Bonnard à Buren. Paris: Éditions de la Réunion des Musées Nationaux; Rouen: Musée des Beaux-Arts, 2000. Exhibition catalogue. (2000 Rouen Musée des Beaux-Arts).

 

Musée des Beaux-Arts 2001

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Museo Nacional de Bellas Artes 1969

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Museum of Fine Arts, Houston 1971

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Museums of the World 2001

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Netter 1968

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New York Times 1963a

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New York Times 1963b

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New York Times 1964a

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New York Times 1964b

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New York Times 1965

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New York Times 1967

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New York Times 1968

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Newark Museum 2001

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Newsweek 1964

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NGV and AGNSW 1967

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Nice GAC 1979

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Nihon Kagakkai (Chemical Society of Japan). Kagakutte so iu koto! Yume ga hirogaru bunshi no sekai (Chemistry is like that: The world of molecules can make dreams come true). Kyoto: Kagaku Dojin, 2003.

 

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Oresman, Janice C. Still Life Today. Washington, D.C.: Federal Reserve Board, 1983. Exhibition catalogue. (1980 New York Goddard-Riverside).

 

Original Editions 1965a

Original Editions, New York. 11 Pop Artists. Vol. 1. New York: Original Editions, 1965.

 

Original Editions 1965b

Original Editions, New York. 11 Pop Artists. Vol. 3. New York: Original Editions, 1966.

 

Original Editions 1966

Original Editions, New York. 11 Pop Artists. Vol. 2. New York: Original Editions, 1966.

 

Original Editions 1967

Original Editions, New York. Ten Landscapes. New York: Original Editions with Leo Castelli Gallery, 1967.

 

Orlandini 1967

Orlandini, Marisa Volpi. “La Pop Art 1.” In L’arte moderna, pp. 129–60. Milan: Fratelli Fabbri Editori, 1967. 2nd ed., 1975.

 

Orlando 1965

Orlando, Ruggero. “Il pennello nell’occhio: A che punto è la Pop Art un anno dopo le polemiche della Biennale.” L’europeo (December 19, 1965), pp. 42–45.

 

Osaka 1970

Expo Museum of Fine Arts, Osaka. Discovery of Harmony/Découverte de l’harmonie/Chōwa no hakken. Vol. 5, Contemporary Trends/Le dynamisme du présent/Gendai no yakudō. Osaka: Japan Association for the 1970 World Exposition, 1970. Exhibition catalogue. (1970a Osaka Expo).

 

Osborn 1967

Osborn, Michelle. “Pop Goes the Billboard!” Evening Bulletin (Philadelphia), December 1, 1967, pp. 49–50.

 

Osborne 1988

Osborne, Ellen. “Lichtenstein: Right on Target: Pop Artist Visits Princeton.” The Kiosk (Princeton, N.J.), March 31, 1988.

 

Osterwold 1992

Osterwold, Tilman. Pop Art. Cologne: Taschen, 1992.

 

Ostrom 1964

Ostrom, Brita. “Art Weekend Panel Discusses Pros, Cons of New Art Trend.” Caellian (Douglass College, Rutgers University, New Brunswick, N.J.), April 10, 1964, p. 2.

 

Oswego 1958a

“Campbell, Breland Win Exhibit Prizes.” Oswegonian (Oswego, N.Y.), May 25, 1958, p. 1.

 

Oswego 1958b

“Faculty, Students Exhibit Art Work.” Oswegonian (Oswego, N.Y.), April 29, 1958, p. 1.

 

Oswego 1958c

“Mr. Lichtenstein Exhibits Paintings.” Oswegonian (Oswego, N.Y.), May 13, 1958, p. 4.

 

Oswego 1958d

“Paintings Shown.” Oswegonian (Oswego, N.Y.), April 6, 1959, p. 4.

 

Otis 1990

Otis, Lauren. “Une tradition d’avant-garde.” Vogue décoration.

 

Otte 1968

Otte, M. “Notizen zu Andy Warhol und Roy Lichtenstein.” Das Kunstwerk 21, nos. 9–10 (June–July 1968), pp. 54–56.

 

Our Times 1968

“Pop Art: A New Kind of Beauty, or Just Plain Junk?” Our Times: The Weekly Journal for Students of U.S. History and Problems of Democracy 33, no. 9 (November 6, 1968).

 

Out of Town Paper 1965

“The American Artist: He Has It Made.” Review of Pop Art by John Rublowsky and The Bride and the Bachelors: The Heretical Courtship in Modern Art by Calvin Tomkins. Out of Town Paper (September 1965).

 

Overy 1976

Overy, Paul. “Pop Art’s Capacity for Self-renewal.” London Times, April 20, 1976.

 

K. G. P. Hultén 1963

Hultén, Karl Gustav Pontus. “Om Pop-Kunsten.” Louisiana revy (Humlebaek, Denmark), no. 1 (September 1963), pp. 10–15.

 

K. G. P. Hultén 1987

Hulten, Karl Gustav Pontus, ed. The Arcimboldo Effect: Transformations of the Face from the 16th to the 20th Century. New York: Abbeville Press, 1987. Exhibition catalogue. (1987 Venice Grassi).

 

F. P. 1954

P., F. “There’s Fantasy in the Abstract: Lichtenstein’s Adult Primer.” ARTnews 53, no. 1 (March 1954), pp. 18, 63.

 

Pachnicke and Mensch 1998

Pachnicke, Peter, and Bernhard Mensch, eds. Oberhausen: Ludwig Institut, Schloss Oberhausen and Plitt-Verlag, 1995. Exhibition catalogue. (1998 Oberhausen Schloss Oberhausen).

 

Packard 1988

Packard, Vance. Die geheimen Verführer: Der Griff nach dem Unbewussten in Jedermann. Frankfurt am Main: Ullstein, 1988.

 

Packer 1977

Packer, William. “Three American Artists.” Financial Times (London), December 15, 1977.

 

Pagel 2002

Pagel, David. “Banal Ideas Give Way to Great Art.” Los Angeles Times, November 22, 2002, p. E20.

 

Palais des Beaux-Arts 1965

Palais des Beaux-Arts de Bruxelles/Paleis voor Schone Kunsten te Brussel. Pop art, nouveau réalisme, etc… Brussels: Palais des Beaux-Arts, 1965. Exhibition catalogue. Unpaginated. (1965 Brussels Palais des Beaux-Arts).

 

Palais des Beaux-Arts 1968

Palais des Beaux-Arts de Bruxelles. Quarante Ans D’Art Vivant. Hommage à Robert Giron/Veertig Jaar Levende Kunst. Hulde aan Robert Giron. Brussels: Palais des Beaux-Arts, 1968. Exhibition catalogue. Unpaginated. (1968 Brussels Palais des Beaux-Arts).

 

Palais des Beaux-Arts 1969

Palais des Beaux-Arts de Bruxelles. Disparition et réapparition de l’image peinture américaine depuis 1945. Gaan en keren van het beeld Amerikaanse schilderkunst na 1945. Brussels: Palais des Beaux-Arts de Bruxelles, 1969. Exhibition catalogue. (1969 Bucharest Sala Dalles).

 

Palais des Beaux-Arts 1971

Palais des Beaux-Arts de Bruxelles. Métamorphose de l’objet; art et anti—art, 1910–1970. Bruxelles: La Connaissance, 1971. Exhibition catalogue. (1971a Brussels Palais des Beaux-Arts).

 

Palais des Beaux–Arts 1977

Palais des Beaux-Arts de Bruxelles/Paleis voor Schone Kunsten te Brussel. American Art in Belgium. Brussels: Palais des Beaux-Arts de Bruxelles/Paleis voor Schone Kunsten te Brussel, 1977. Exhibition catalogue. (1977 Brussels Palais des Beaux-Arts).

 

Palais des Beaux–Arts, Charleroi 1985

Palais des Beaux-Arts, Charleroi. Autour de la B. D.: Palais des beaux-arts, Charleroi. Charleroi: Palais des Beaux-Arts; Brussels: Lebeer-Hossmann, 1985. Exhibition catalogue.

 

Palais des Festivals 1986

Palais des Festivals, Cannes. L’art de notre temps. N.p.: Sari-Seeri, 1986. Exhibition catalogue. (1986 Cannes Palais des Festivals).

 

Palette 1982

Palette, Jim. “Le roi Lichtenstein à Paris, un tramé nommé désir.” Libération (Paris), September 28, 1982, pp. 24–25.

 

Palladian-Times 1957

“Joins OSTC Faculty.” Palladian-Times (Oswego, N.Y.), September 24, 1957, p. 5.

 

Palladian-Times 1959

Palladian-Times (Oswego, N.Y.), June 1, 1959.

 

Palmé 1975

Palmé, Martine. “L’Amérique au microscope.” Les nouvelles litteraires (Paris) (February 17, 1975).

 

Palmer 1967

Palmer, Larry. “At Pasadena Museum: Lichtenstein Shows His Famous Pop Art.” Star-News (Pasadena), April 18, 1967, pp. 17, 24.

 

Paniagua 1962

Paniagua, Lita. “El arte ‘Pop.” Kewa (Mexico), no. 25, p. 72.

 

Papadakis 1992

Papadakis, Andreas C., ed. Pop Art. Art and Design Profile 24. London: Academy Editions; New York: St. Martin’s Press, 1992.

 

Papadakis, Farrow, and Hodges 1991

Papadakis, Andreas C., Clare Farrow, and Nicola Hodges, eds. New Art: An International Survey. New York: Rizzoli; London: Academy Editions, 1991.

 

Paparoni 2010a

Paparoni, Demetrio. “Lichtenstein: Grids Silence and Art After Manet.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio, pp. 49–67. Milan: Skira Editore, 2010. Exhibition catalogue.

 

Paparoni 2010b

Paparoni, Demetrio. “Lichtenstein: La griglia, il silenzio e l’arte dopo Manet.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio, pp. 49–67. Milan: Skira [Italian edition], 2010. Exhibition catalogue.

 

Paparoni 2010c

Paparoni, Demetrio. “Lichtenstein, das Raster, das Schweigen und die Kunst nach Manet.” In Lichtenstein: Kunst als Motiv, edited by Gianni Mercurio, pp. 49–67. Cologne: DuMont, 2010. Exhibition catalogue.

 

Pappas 1965

Pappas, George. “Art/Pop.” School of Arts (State College, Pennsylvania) 64, no. 8 (April 1965), pp. 40–41.

 

Paquet 1994

Paquet, Bernard. “Roy Lichtenstein: Des images à consommer.” Vie des arts (Montreal) 39, no. 154 (Spring 1994), pp. 14–19.

 

A. Parks 1997

Parks, Addison. “Roy Lichtenstein: Landscapes in the Chinese Style.” artsMEDIA (May 1997).

 

S. Parks 2002

Parks, Steve. “A Moving Work: Once by the WTC, Sculpture Gets a New Home.” Newsday, April 3, 2002, p. B3.

 

Parrasch 1992

Franklin Parrasch Gallery, New York. The Endowed Chair. New York: Franklin Parrasch Gallery, 1992. Exhibition catalogue. (1992 New York Parrasch).

 

Parrish Art Museum 1995

Parrish Art Museum, Southampton, N.Y. The Prints of Roy Lichtenstein. Southampton, N.Y.: Parrish Art Museum, 1995. Exhibition brochure. (1994b Washington NGA).

 

Pascal 1966

Pascal, David. “Interview with Roy Lichtenstein.” Giff-Wiff (Paris), no. 20 (May 1966), pp. 6–15.

 

Pascale 2004

Pascale, Mark. “Alka Seltzer.” In Notable Acquisitions at the Art Institute of Chicago. Museum Studies 30, no. 1, pp. 90–91, 96. Chicago: Art Institute of Chicago, 2004.

 

Passetto 1982

Passetto, Lucio. “La leggenda del ‘Pop.'” Playmen (September 1982).

 

Paton 2007

Paton, William. “An Ironic Icon.” Christie’s Magazine (New York) (January–February 2007), pp. 72–73.

 

Patton 1990

Patton, Phil. “‘High and Low’: Modern Art Meets Popular Culture.” Smithsonian 21, no. 8 (November 1990), pp. 138–49.

 

Paula Cooper Gallery 2011

Paula Cooper Gallery, New York. Entablature Paintings: Roy Lichtenstein. New York: Paula Cooper Gallery, 2011. Exhibition catalogue. Unpaginated. (2011 New York Cooper).

 

PCN 1981

“Roy Lichtenstein.” The Print Collector’s Newsletter 12, no. 3 (July–August 1981), p. 83.

 

Pée 1968

Pée, Herbert. Studio f im Museum Ulm: Querschnitt durch die moderne Kunst von Paul Klee bis Roy Lichtenstein. Ulm: Museum Ulm, 1968. Exhibition catalogue. (1968 Ulm Museum).

 

Peer 1977

Peer, Elizabeth. “Two Cities.” Newsweek 89, no. 24 (June 13, 1977), p. 65.

 

Pellegrini 1966

Pellegrini, Aldo. New Tendencies in Art. Translated by Robin Carson. New York: Crown, 1966.

 

Pennsylvania 1969

Pennsylvania Academy of the Fine Arts and Philadelphia Water Color Club. The One Hundred and Sixty-fourth Annual Exhibition. Catalogue listing of exhibition. Philadelphia: Pennsylvania Academy of the Fine Arts and Philadelphia Water Color Club, 1969.

 

Pennsylvania 1976

Pennsylvania Academy of the Fine Arts, Philadelphia. In This Academy: The Pennsylvania Academy of the Fine Arts, 1805–1976: A Special Bicentennial Exhibition Organized by the Pennsylvania Academy of the Fine Arts. Philadelphia: Pennsylvania Academy of the Fine Arts, 1976. Exhibition catalogue. (1976 Philadelphia PAFA).

 

Penrose 1964

Penrose, Roland. A Study for An Exhibition of Violence in Contemporary Art. London: Institute of Contemporary Art, 1964. Exhibition catalogue. (1964 London ICA).

 

Penson 1988

Penson Gallery, New York. Gianfranco Gorgoni: Altered Images. New York: Penson Gallery, 1988. Exhibition catalogue. (1988 New York Penson).

 

Perazzi 1991

Perazzi, Mario. “Roy Lichtenstein.” Max 8, no. 3 (March 1991), pp. 162–67.

 

Perlmutter 1975

Perlmutter, Elizabeth Frank. “Reviews: Roy Lichtenstein.” ARTnews 74, no. 1 (January 1975), pp. 93, 106.

 

Perreault 1967

Perreault, John. “Minimal Art: Clearing the Air.” Village Voice (New York), January 12, 1967, p. 11.

 

Perreault 1969a

Perreault, John. “Art.” Village Voice (New York), October 2, 1969, p. 17.

 

Perreault 1969b

Perreault, John. “Painting.” In Grolier Encyclopedia Yearbook, 1969, pp. 336–38. Grolier.

 

Perreault 1971

Perreault, John. “Snotty Remarks.” Village Voice (New York) 16, no. 12 (March 25, 1971), p. 17.

 

Perreault 1974

Perreault, John. “‘Classic’ Pop Revisited.” Art in America 62, no. 2 (March–April 1974), pp. 64–68.

 

Perreault 1977

Perreault, John. “Fun and Games.” SoHo Weekly News 5, no. 10 (December 8, 1977), p. 20.

 

Perrelli 1982

Perrelli, Gianni. “Un po’ di Picasso e un po’ di Paperino.” Europeo (March 31, 1982).

 

Perrone 1978

Perrone, Jeff. “Reviews.” Artforum 16, no. 6 (February 1978), pp. 65–67.

 

E. Peters 1992

Peters, E. Brooks. “Baker’s Dozen.” Quest (March 1992), p. 35.

 

J. Peters 1969

Peters, John Brod. “Warhol, Albers, Lichtenstein, Johns in New Helman Gallery Exhibition.” St. Louis Globe Democrat, August 31, 1969.

 

J. Peters 1973

Peters, John Brod. “Roy Lichtenstein Works Shown at Clayton Gallery.” St. Louis Globe Democrat, January 20–21, 1973, p. F8.

 

Peterson 2006

Peterson, Kristen. “Abstract Art through Comics.” Las Vegas Sun, September 6, 2006, p. 7.

 

Petherbridge 1988

Petherbridge, Deanna. “Importance of Drawing Conclusions.” Financial Times (London), June 11, 1988.

 

Petra 1994

“Punkte zum Ausrasten.” Petra (October 1994).

 

Petranzan 1996

Petranzan, Margherita. Gae Aulenti. Milan: Rizzoli, 1996.

 

Petricca 1989

Petricca, Stefano. “Roy Lichtenstein.” Leader 6, no. 6, pp. 47–48.

 

Petrovic-Casanova 1979

Petrovic-Casanova, Beatrice. “Grazie, Herr Ludwig!” Bolaffiarte (Turin) 10, no. 90 (July 1979).

 

Phelps 1963

Phelps, Julia Gray. The Richard Brown Baker Collection of Contemporary Art. Wellesley: Jewett Arts Center, Wellesley College, 1963. Exhibition catalogue. (1963 Wellesley Jewett).

 

Philadelphia College 1978

Philadelphia College of Art. Point. Philadelphia: Philadelphia College of Art, 1978. Exhibition catalogue. (1978 Philadelphia College of Art).

 

Philadelphia Magazine 1967

“Sign of the Times.” Philadelphia Magazine 58, no. 12 (December 1967), p. 32.

 

Philbin 1994

Philbin, Ann. The Return of the Cadavre Exquis. New York: Drawing Center, 1994. Exhibition catalogue. (1993 New York Drawing Center).

 

Philbrook 1964

Philbrook Art Center, Tulsa. Collectors Choice IV. [Tulsa: Philbrook Art Center], 1964. Exhibition catalogue. (1964 Tulsa Philbrook).

 

Philliips, New York 2017

Phillips, New York. Roy Lichtenstein: Woman: Sunlight, Moonlight, 1996. New York: Phillips, 2017.

 

Phillips 1983

Phillips, Lisa. Twentieth Century Sculpture: Process and Presence. New York: Whitney Museum of American Art, 1983. Exhibition catalogue. (1983 New York Whitney Philip Morris).

 

D. Phillips 1982

Phillips, Deborah C. “Looking for Relief? Woodcuts Are Back.” ARTnews 81, no. 4 (April 1982), pp. 92–96.

 

L. Phillips 1982

Phillips, Lisa. Surveying the Seventies: Selections from the Permanent Collection of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1982. Exhibition catalogue.

 

L. Phillips 1999

Phillips, Lisa. The American Century: Art and Culture, 1950–2000. New York: Whitney Museum of American Art, 1999. Exhibition catalogue. (1999 New York Whitney).

 

L. Phillips 2006b

Phillips, Lisa. Roy Lichtenstein dibujos: Animated Life/Vida animada. Buenos Aires: Fundación Eduardo F. Costantini, 2006. Exhibition catalogue. (2005 São Paulo Ohtake).

 

Phillips [2005]

Phillips, Lisa. Roy Lichtenstein: Desenhos: Vida animada / Drawings: Animated Life. São Paulo: Instituto Tomie Ohtake, [2005]. Exhibition catalogue. (2005 São Paulo Ohtake).

 

L. Phillips [2006]a

Phillips, Lisa. Roy Lichtenstein: Desenhos: Vida animada/Drawings: Animated Life. São Paulo: Instituto Tomie Ohtake, 2006. Exhibition catalogue. (2005 São Paulo Ohtake).

 

Picard 1964

Picard, Lil. “The New School of New York.” Das Kunstwerk 18, no. 6 (December 1964), pp. 26, 37.

 

Picard [1969]

Piccard [sic], [Lil]. “Roy Lichtenstein.” The East Village Other (New York) 4, no. 44 [1969], p. 10.

 

Pierre 1969

Pierre, José. “Pop chocolat.” L’oeil, nos. 176–77 (August–September 1969), pp. 38–43, 94.

 

Pierre 1971

Pierre, José. Pop Art: Paintings, Sculptures. Little Library of Art. London: Methuen; New York: Tudor Publishing, 1971.

 

Pierre 1975

Pierre, José. Le pop art: Dictionnaire de poche. Paris: Hazan, 1975.

 

Pieszak 1977

Pieszak, Devonna. “The Packaging of Vulgarity: Will It Double Your Pleasure?” New Art Examiner 4, no. 6 (March 1977), p. 6.

 

Piguet 1991

Piguet, P. L’oeil, no. 431 (June 1991), p. 94.

 

Pincus 1995

Pincus, Robert L. “Top of the Pop.” San Diego Union-Tribune, March 7, 1995, E1, E3.

 

Pincus 1997

Pincus, Robert L. “The Prince of Pop.” Jewish News, November 21, 1997, p. 87.

 

Pincus-Witten 1971

Pincus-Witten, Robert. “New York.” Artforum 9, no. 9 (May 1971), pp. 75–77.

 

Pincus-Witten 1982

Pincus-Witten, Robert. Leo Castelli: Gentle Snapshots. Ed. Barbara Jakobson. Zurich: Galerie Bruno Bischofberger, 1982. Exhibition catalogue.

 

Pincus-Witten 1984

Pincus-Witten, Robert. Roy Lichtenstein: A Drawing Retrospective. New York: James Goodman Gallery, 1984. Exhibition catalogue. Unpaginated. (1984 New York J. Goodman).

 

Pincus-Witten 2010a

Pincus-Witten, Robert. “Connecting the Dots.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio, pp. 69–75. Milan: Skira Editore, 2010. Exhibition catalogue. Essay translated from the English by Michael Haggerty.

 

Pincus-Witten 2010b

Pincus-Witten, Robert. “Connettendo i punti.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio, pp. 69–75. Milan: Skira [Italian edition], 2010. Exhibition catalogue. Essay translated from the English by Michael Haggerty.

 

Pincus-Witten 2010c

Pincus-Witten, Robert. “Connecting the Dots – eine Verbindung der Punkte.” In Lichtenstein: Kunst als Motiv, edited by Gianni Mercurio, pp. 69–75. Cologne: DuMont, 2010. Exhibition catalogue. Translated from the English by [  ].

 

Pinharanda 2006

Pinharanda, João. Liberdade de imprensa: Colecção Berardo. Lisbon: Diário de Notícias, 2006. Exhibition catalogue. (2006 Lisbon Diário de Notícias).

 

Pinte 1991

Pinte, Jean-Louis. “Roy Lichtenstein par la bande.” Figaroscope (Paris), June 12–18, 1991, p. 50.

 

Pinto and Manzù 1967

Pinto, Sandra, and Pio Manzù, ed. Nuove tecniche d’immagine: 6a Biennale d’Arte Repubblica di San Marino. Venice: Alfieri, 1967. Exhibition catalogue.

 

Plagens 1966

Plagens, Peter. “Present-Day Styles and Ready-Made Criticism.” Artforum 5, no. 4 (December 1966), pp. 36–39.

 

Plagens 1971

Plagens, Peter. “Los Angeles.” Artforum 10, no. 2 (October 1971), pp. 86–90.

 

Plagens 1993

Plagens, Peter. “Lichtenstein on the Line.” Newsweek 122, no. 16 (October 18, 1993), pp. 81–82.

 

Plain Dealer 1966

“Lichtenstein: A Second Look.” Plain Dealer (Cleveland), December 11, 1966, pp. 8–G.

 

Plain Dealer 1969

“Roy Lichtenstein to Visit for Panel Talk, Exhibit.” Plain Dealer (Cleveland), February 4, 1969, pp. 24–E.

 

Plain Dealer 1997

“Roy Lichtenstein, 73, Was a Pioneer of Pop Art.” Plain Dealer (Cleveland), September 30, 1997, p. B7.

 

Plaisance 2006

Plaisance, Mike. “‘Blam!’ Teacher Fires at Art Auction.” Sunday Republican (Springfield), November 26, 2006, A1, A19.

 

Platzker and Wyckoff 2000

Platzker, David, and Elizabeth Wyckoff. Hard Pressed: 600 Years of Prints and Process. New York: Hudson Hills Press and International Print Center, 2000. Exhibition catalogue. (2000 New York AXA).

 

Pluchart 1966a

Pluchart, François. “Au Salon de mai l’abstraction est morte.” Combat-art (Paris), May 9, 1966, p. 7.

 

Pluchart 1966b

Pluchart, François. “La fièvre monte à Venise.” Combat-art (Paris), June 13, 1966, p. 9.

 

Plumb 1964

Plumb, Barbara. “Advertising Poster Art Is Effective Wall Decoration, Too.” New York Times, February 22, 1964, p. 13.

 

PNC 1970a

“Prints & Portfolios Published.” Print Collector’s Newsletter 1, no. 3 (July–August 1970), pp. 58–59.

 

PNC 1970b

“Prints & Portfolios Published.” Print Collector’s Newsletter 1, no. 4 (September–October 1970), pp. 85–88.

 

PNC 1971

“Prints & Portfolios Published.” Print Collector’s Newsletter 2, no. 2 (May–June 1971), pp. 33–36.

 

PNC 1972a

“Prints & Portfolios Published.” Print Collector’s Newsletter 3, no. 4 (September–October 1972), pp. 84–85.

 

PNC 1972b

“Prints & Portfolios Published.” Print Collector’s Newsletter 3, no. 5 (November–December 1972), pp. 107–108.

 

PNC 1973

“Prints & Portfolios Published.” Print Collector’s Newsletter 4, no. 4 (September–October 1973), pp. 85–86.

 

PNC 1974a

“Prints & Portfolios Published.” Print Collector’s Newsletter 5, no. 1 (March–April 1974), pp. 12–14.

 

PNC 1974b

“Prints & Portfolios Published.” Print Collector’s Newsletter 5, no. 2 (May–June 1974), pp. 40–42.

 

PNC 1976

“Prints & Portfolios Published.” Print Collector’s Newsletter 7, no. 3 (July–August 1976), pp. 86–89.

 

PNC 1978

“Prints & Portfolios Published.” Print Collector’s Newsletter 9, no. 3 (July–August 1978), p. 91.

 

PNC 1980a

“Prints & Portfolios Published.” Print Collector’s Newsletter 11, no. 1 (March–April 1980), p. 17.

 

PNC 1980b

“Prints & Portfolios Published.” Print Collector’s Newsletter 11, no. 5 (November–December 1980), pp. 179–80.

 

PNC 1983a

“Prints & Portfolios Published.” Print Collector’s Newsletter 13, no. 6 (January–February 1983), p. 218.

 

PNC 1983b

“Prints & Portfolios Published.” Print Collector’s Newsletter 14, no. 1 (March–April 1983), p. 19.

 

PNC 1984

“Prints & Portfolios Published.” Print Collector’s Newsletter 15, no. 2 (May–June 1984), pp. 63–66.

 

PNC 1986

“Prints & Portfolios Published.” Print Collector’s Newsletter 16, no. 6 (January–February 1986), p. 216.

 

PNC 1987

“Prints & Portfolios Published.” Print Collector’s Newsletter 17, no. 6 (January–February 1987), p. 209.

 

PNC 1988

“Prints & Portfolios Published.” Print Collector’s Newsletter 19, no. 5 (November–December 1988), p. 191.

 

PNC 1989a

“Prints & Portfolios Published.” Print Collector’s Newsletter 20, no. 2 (May–June 1989), p. 64.

 

PNC 1989b

“Prints & Portfolios Published.” Print Collector’s Newsletter 20, no. 3 (July–August 1989), p. 103.

 

PNC 1990

“Prints & Portfolios Published.” Print Collector’s Newsletter 21, no. 5 (November–December 1989), p. 187.

 

PNC 1996

“Prints & Portfolios Published.” Print Collector’s Newsletter 27, no. 2 (May–June 1996), p. 64.

 

Pocono Record 1965

“Pop Goes Art, for Art’s Sake.” Pocono Record (The Stroudsburgs, Pennsylvania), March 3, 1965, p. 5.

 

Pohl, Ströher, and Pohl 1982

Pohl, Erika, Ursula Ströher, and Gerhard Pohl, eds. Karl Ströher: Sammler und Sammlung. Stuttgart: Dr. Cantz’sche Druckerei, 1982.

 

Polcari 1991

Polcari, Stephen. “Roy Lichtenstein/Leo Castelli: October 10, 1991–January 25, 1992.” Archives of American Art: A Salute to Roy Lichtenstein (October 10, 1991).

 

Polemic 1957

Polemic (Polemic Society of Western Reserve University, Cleveland, and the Adelbert College Student Council, Cleveland) 2, no. 1 (spring 1957), p. 21.

 

Polemic 1959

Polemic (Polemic Society of Western Reserve University, Cleveland, and the Adelbert College Student Council, Cleveland) 4, no. 1 (spring 1959), cover.

 

Poli et al. 2012

Poli, Francesco, et al. Conserving Contemporary Art: Issues, Methods, Materials, and Research. Los Angeles: Getty Conservation Institute, 2012.

 

Polier 1962

Polier, Betsy. “News and Views of the Galleries: Paintings a Century Apart Are at Mi Chou.” Manhattan 2, no. 50 (August 16, 1962).

 

Politi 1968

Politi, Giancarlo. “L’immaginazione e il potere.” Flash Art (Rome), no. 9 (November–December 1968).

 

Polk 1964

Polk, Peggy. “Ex-Ohioan a Leader in Pop Art.” Cleveland Press, April 3, 1964.

 

Pollack 1997

Pollack, Barbara. “Smoke Gets in Your Eyes.” ARTnews 96, no. 8 (September 1997), p. 28.

 

Polonsky 1982

Polonsky, Linda. “The Iconology of Pop Art.” MA thesis, University of South Africa, Pretoria.

 

Pommereau 2013a

Pommereau, Claude, ed. Roy Lichtenstein au Centre Pompidou. Issy-les-Moulineaux, France: Beaux Arts Éditions, 2013.

 

Pompidou 2013

Centre National d’Art et de Culture Georges Pompidou. Roy Lichtenstein: L’Exposition/The Exhibition. Paris: Centre National d’Art et de Culture Georges Pompidou, 2013. Exhibition catalogue. (2012 Chicago Art Institute).

 

Pop-Sammlung Beck 1970

Beck, Heinz. Pop-Sammlung Beck. Düsseldorf: Rheinland-Verlag, 1970.

 

Portable Press 1964

Portable Press. Roy Lichtenstein. New York: Leo Castelli, 1964. Exhibition handout with collection of color slides. (1964d New York Castelli).

 

F. Porter 1952

P[orter], F[airfield]. “Roy Lichtenstein.” Artnews 50, no. 9 (January 1952), p. 67.

 

F. Porter 1953

P[orter]., F[airfield]. “Roy Lichtenstein.” ARTnews 51, no. 10 (February 1953), p. 74.

 

F. Porter 1954

Porter, Fairfield. “Lichtenstein’s Adult Primer.” ARTnews 53, no. 19 (March 1954), pp. 18, 63.

 

Portoghesi 1963

Portoghesi, Paolo, ed. Aspetti dell’arte contemporanea: Rassegna internazionale architettura, pittura, scultura, grafica. Rome: Edizioni dell’Ateneo, 1963. Exhibition catalogue. (1963 L’Aquila Castello Cinquecentesco).

 

Power 1997

Power, Amy. “Lichtenstein Excelled at Art and Life.” Ohio State Lantern, October 1, 1997, p. 9.

 

Powers 1966

Powers, John G. Selections from the John G. Powers Collection Presented by the Larry Aldrich Museum. Ridgefield, Conn.: Larry Aldrich Museum, 1966. Exhibition catalogue. (1966 Ridgefield Aldrich).

 

Pozzi 1973

Pozzi, Lucio. “Leo Castelli: L’arte migliore è seguita solo da pochiss.” Bolaffiarte 4, no. 34 (November 1973), pp. 32–37.

 

Prampolini 1968

Prampolini, Ida Rodríguez. “¿Qué ha pasado con la pintura?” Anales del Instituto de Investigaciones Estéticas (Universidad Nacional Autónoma de México, Mexico City) 10, no. 37 (1968), pp. 105–15.

 

Prange 1996

Prange, Regine. Jackson Pollock: Number 32, 1950: Die Malerei als Gegenwart. Frankfurt am Main: Fischer Taschenbuch-Verlag, 1996.

 

Prat 2006

Prat, Véronique. “Roy Lichtenstein: Un héros de bande dessinée.” Figaro magazine (Paris), January 21, 2006, pp. 78–83.

 

M. Preston 1981

Preston, Malcolm. “Still Lifes by East End Painters.” Newsday, April 29, 1981, p. II.

 

S. Preston 1957

P[reston], S[tuart]. “Pastels by Mimi Boyer at Bradley.” New York Times, January 9, 1957, p. 34.

 

S. Preston 1962

Preston, Stuart. “Hartford Galaxy: Exceptional Shows of Art Past and Present at Wadsworth Atheneum.” New York Times, August 19, 1962, p. X17.

 

S. Preston 1963

Preston, Stuart. “On Display: All-Out Series of Pop Art: ‘Six Painters and the Object’ Exhibited at Guggenheim.” New York Times, March 21, 1963, p. 8.

 

S. Preston 1964

Preston, Stuart. “Rear and Advance Guard Marching.” New York Times, November 1, 1964, p. 25.

 

S. Preston 1965

Preston, Stuart. “Art History’s Many Turning Points.” New York Times, January 17, 1965, p. X19.

 

Princeton 2007

Princeton University Art Museum. Pop Art: Contemporary Perspectives. Princeton, N.J.: Trustees of Princeton University, 2007. Exhibition catalogue. (2007 Princeton Art Museum).

 

Print 1966

“Word and Image.” Print 20, no. 1 (January–February 1966), pp. 18–19.

 

Pritchett 1963

Pritchett, V. S. “The American in My Mind.” Holiday (Philadelphia) 34, no. 1 (July 1963), pp. 28–41, 80–83.

 

Prodhon 1983

Prodhon, François-Claire. “Roy Lichtenstein, 1970–1980.” Flash Art, no. 110 (January 1983), p. 72.

 

Prometheus 1963

“The Directions of Painting in 1962–63.” Prometheus 6 (February 1963), pp. 1, 3.

 

Provinciaal Museum 1981

Provinciaal Museum voor Moderne Kunst, Ieper. Kunst in/als vraag: Negatie-integratie van Dada tot heden in België. Ieper: Provinciaal Museum voor Moderne Kunst, 1981.

 

Pulitzer 2007

Pulitzer Foundation for the Arts, St. Louis. Water. St. Louis: Pulitzer Foundation for the Arts, 2007. Exhibition catalogue. Unpaginated. (2007 St. Louis Pulitzer).

 

Pulitzer 2011

Pulitzer Foundation for the Arts, St. Louis. Dreamscapes. St. Louis: Pulitzer Foundation for the Arts, 2011. Exhibition brochure.

 

Purdie 1975

Purdie, James. “The Sixties’ Rebels Are Building Anew.” Globe and Mail (Toronto), October 18, 1975, p. 30.

 

Puri 2002

Puri, Madhu. “Underground Art.” Art and Auction 24, no. 9 (October 2002), p. 149.

 

Quadri e sculture 1997

“Roy Lichtenstein: Si evitino improvvisate mitologie.” Quadri e sculture, no. 26 (June–July 1997), pp. 32–33.

 

Quantril 1978

Quantril, Malcolm. Art International (summer 1978), p. 47.

 

Quindlen 1977

Quindlen, Anna. “Joan Mondale Finds SoHo More Than So-So.” New York Times, May 12, 1977, p. B1.

 

Quirinale 2007

Scuderie del Quirinale, Rome. Pop Art 1956–1968. Milan: Silvana Editoriale, 2007. Exhibition catalogue. (2007 Rome Quirinale).

 

RA Magazine 1991

RA Magazine. Special issue, Pop, no. 32 (Fall 1991).

 

Radcliffe College 1968

Radcliffe College, Cambridge, Mass. Pop Art Drawings. Cambridge, Mass.: Radcliffe College, 1968. Exhibition catalogue. (1968 Cambridge, Mass., Radcliffe).

 

Ragon 1964

Ragon, Michel. “L’académisme et l’art d’avant-garde.” Jardin des arts (Paris), no. 115 (June 1964), pp. 22–32.

 

Ragon 1965

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Ramírez 2005

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Ratcliff 1969

Ratcliff, Carter. “New York.” Art International 13, no. 9 (November 1969), pp. 74–77.

 

Ratcliff 1972

Ratcliff, Carter. “New York Letter.” Art International 16, no. 3 (March 20, 1972), pp. 28–37.

 

Ratcliff 1975

Ratcliff, Carter. “New York Letter.” Art International 19, no. 10 (December 20, 1975), pp. 37–44.

 

Ratcliff 1978

Ratcliff, Carter. “The Art Establishment: Rising Stars vs. the Machine.” New York Magazine 11, no. 48 (November 27, 1978), pp. 53–58.

 

Ratcliff 1978

Ratcliff, Carter. “Making It in the Art World: A Climber’s Guide.” New York Magazine 11, no. 48 (November 27, 1978), pp. 67–71.

 

Ratcliff 1978

Ratcliff, Carter. “Roy Lichtenstein at Castelli Downtown and Blum/Helman.” Art in America 66, no. 2 (March 1978), p. 134.

 

Ratcliff 1981a

Ratcliff, Carter. “In Detail: Matisse’s Dance.” Portfolio (New York) 3, no. 4 (July–August 1981), pp. 38–45.

 

Ratcliff 1981b

Ratcliff, Carter. “Lichtenstein: Creating Art from Art.” Harper’s Bazaar 114, no. 3240 (November 1981), pp. 32, 34, 38, 72.

 

Ratcliff 1985

Ratcliff, Carter. “The Collectors: Contemporary Cast.” Architectural Digest 42 (February 1985), pp. 118–25.

 

Ratcliff 1989a

Radcliffe [sic], Carter (photographs by Bob Adelman). “The Profits of Pop.” The Correspondent Magazine (Northampshire) (November 1989), pp. 22–26.

 

Ratcliff 1989b

Ratcliff, Carter. “Roy Lichtenstein: Donald Duck et Picasso.” Art Press, no. 140 (October 1989), pp. 12–19.

 

Ratcliff 1989c

Ratcliff, Carter. “The Work of Roy Lichtenstein in the Age of Walter Benjamin’s and Jean Baudrillard’s Popularity.” Art in America 77, no. 2 (February 1989), pp. 110–23, 177.

 

Ratcliff 2002

Ratcliff, Carter. “Covering All the Bases: Two Views.” Art in America 90, no. 7 (July 2002), pp. 82–85.

 

Rattemeyer 2009

Rattemeyer, Christian. Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection. New York: Museum of Modern Art, 2009. Exhibition catalogue.

 

Ravitz 1966

Ravitz, Mark. “Techniques Used by Roy Lichtenstein.” 3 Lively Arts High School of Music and Art, New York (1966), p. 27.

 

Raymond 1971

Raymond, Herbert. “New York. Two.” Art and Artists 6, no. 4 (July 1971), pp. 60–61.

 

Raynor 1985

Raynor, Vivian. “Art: Roy Lichtenstein and His Irony within Irony.” New York Times, December 13, 1985, p. C25.

 

Raynor 1995

Raynor, Vivian. “A Chaotic Show, but with Many Pieces Worth Another Look.” New York Times, August 27, 1995, p. 16.

 

Read 1965

Read, Herbert. “The Disintegration of Form in Modern Art.” Studio International 169, no. 864 (April 1965), pp. 144–55.

 

Reardon 1986

Reardon, J. “Ikkyu Sojun: Zen Buddhist Verse.” Oriental Art, n.s., 32, no. 1 (Fall 1986), pp. 288–96.

 

Reif 1965

Reif, Rita. “Artists Make Use of Crafts to Turn a Loft into a Home.” New York Times, January 5, 1965, p. 22.

 

Reif 1968

Reif, Rita. “You Go Past the ‘O’ and Under the ‘N’ . . .” New York Times, November 15, 1968, p. 51.

 

Reif 1972

Reif, Rita. “Putting Down the Brush and Painting on a Loom.” New York Times, September 29, 1972, p. 48.

 

Reif 1989

Reif, Rita. “Auctions: Pop Art from the Collection of a West German Collector’s Daughter.” New York Times, March 10, 1989, p. C24.

 

Reif 2003a

Reif, Rita. “How Much Is That Storefront in the Window?” New York Times, May 18, 2003, p. 31.

 

Reif 2003b

Reif, Rita. “Painters Who Found the Wonder of Ceramics.” New York Times, January 26, 2003, p. 39.

 

Reina Sofía 1989

Centro de Arte Reina Sofía, Madrid. Colección Beyeler. Madrid: Ministerio de Cultura, Dirección General de Bellas Artes y Archivos, 1989. Exhibition catalogue. (1989 Madrid Reina Sofía).

 

Reinhardt 1999

Reinhardt, Brigitte. Stiftung Sammlung Kurt Fried: Internationale Kunst der 1950er bis 1980er Jahre. Ulm: Ulmer Museum, 1999.

 

Reinhold-Brown 1988

Reinhold-Brown Gallery, New York. SMS: A Collection of Original Multiples in Six Portfolios Published in 1968 by the Letter Edged in Black Press. New York: Reinhold-Brown Gallery, 1988. Exhibition catalogue. (1988 New York Reinhold-Brown).

 

Reinholz 1997

Reinholz, Mary. “Lichtenstein Was In ‘Top Form’ at Time of Death, Colleagues Say.” Art Business News 24, no. 12 (November 1997), p. 8.

 

Reisner 1963

Reisner, Bob. “Entertainment.” Newsweek (April 1963), p. 9.

 

Renard 1983

Renard, Delphine. “Roy Lichtenstein.” Flash Art, no. 112 (May 1983), p. 73.

 

Reneman 1967

Reneman, Max. “Roy Lichtenstein: Het verminkte beeld.” De linie (Amsterdam) (1967), p. 9.

 

Restany 1963a

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Restany 1963b

Restany, Pierre. “Le raz de marée aux USA.” Domus, no. 399 (February 1963), pp. 33–35.

 

Restany 1966a

Restany, Pierre. “Mechanische Malerei.” Das Kunstwerk 10, nos. 5–6 (February–March 1966).

 

Restany 1966b

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Restany 1966c

Restany, Pierre. “Venezia 33 Biennale.” Domus, no. 441 (August 1966), pp. 37–48.

 

Restany 1967

Restany, Pierre. “Mechanische Malerei.” Das Kunstwerk 20, nos. 5–6 (February–March 1967), pp. 3–19.

 

Restany 1981

Restany, Pierre. “Cologne 1981: Le nouveau réalisme entre le néo-dada et le pop.” Art Press, no. 48 (May 1981), pp. 11–12.

 

Restany 1991

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Reuther 1982

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Review 1962

“Arts Council Presents New Art Form—’Art 1963: A New Vocabulary’—Exhibit Opens October 25.” The Review: Young Men’s and Young Women’s Hebrew Association of Philadelphia 45, no. 33 (October 19, 1962), p. 1.

 

Rey 1983

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Richard 1988

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Richard 1997

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E. Richardson 1993

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J. Richardson 1966

Richardson, John Adkins. “Dada, Camp, and the Mode Called Pop.” Journal of Aesthetics and Art Criticism 24, no. 4 (Summer 1966), pp. 549–58.

 

J. Richardson 1992

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T. Richardson 1987

Richardson, Trevor. Contemporary American Collage, 1960–1986. Amherst, Mass.: Herter Art Gallery, University of Massachusetts, Amherst, 1987. Exhibition catalogue. (1987 Amherst Herter).

 

W. Richter and Weisweiler 1977

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H. Richter 1982

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H. Richter 1998

Richter, Horst. Geschichte der Malerei im 20. Jahrhundert: Stile und Künstler. Cologne: DuMont, 1998.

 

K. Richter 2000

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Rickert 1989

Rickert, Mathias. “Tobias Hirschmann.” Cimaise 36, no. 202 (September–October 1989), pp. 161–66.

 

Ricour 1970

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Riley 1992a

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Riley 1992b

Riley, Charles A., II. “Speculations/Spéculations.” In Roy Lichtenstein, edited by Chantal Michetti-Prod’Hom and Asher B. Edelman with Susanne Hilpert, pp. 10–12. Pully/Lausanne: FAE Musée d’Art Contemporain, 1992. Exhibition catalogue.

 

Riley 1995a

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Riley 1995b

Riley, Charles A., II. “Roy Lichtenstein: The Spectrum of Speculation.” In Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music, and Psychology, pp. 185–93. Hanover, N.H.: University Press of New England, 1995.

 

Ríos 1991

Ríos, Julián. “Picasso, pintor y modelo (reflexiones sobre ‘Reflexiones sobre el pintor y su modelo’ de Roy Lichtenstein).” El paseante, nos. 18–19 (1991), pp. 32–33.

 

RISD 1964

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RISD 1965

Museum of Art, Rhode Island School of Design, Providence. Contemporary Boxes and Wall Sculpture. Providence: Museum of Art, Rhode Island School of Design, 1965. Exhibition catalogue. (1965 Providence RISD).

 

RISD 1967

Museum of Art, Rhode Island School of Design, Providence. Exchange Exhibition, Exhibition Exchange: From the Collection of Rose Art Museum, Brandeis University; from the collection of the Museum of Art, Rhode Island School of Design, Providence. Providence: Museum of Art, Rhode Island School of Design; Waltham, Mass.:: Poses Institute of Fine Arts, Brandeis University, 1967. Exhibition catalogue. (1967 Providence RISD).

 

RISD 1971

Museum of Art, Rhode Island School of Design, Providence. Contemporary American Sculpture: Selection 2. Providence: Museum of Art, Rhode Island School of Design, 1971. Exhibition catalogue. (1971 Providence RISD).

 

RISD 1973

Museum of Art, Rhode Island School of Design, Providence. Selection III: Contemporary Graphics from the Museum’s Collection. Providence: Museum of Art, Rhode Island School of Design, 1973. Exhibition catalogue. (1973a Providence RISD).

 

RISD Bulletin 1970

“Twentieth Century.” Rhode Island School of Design Bulletin 56, no. 4 (Summer 1970), p. 46.

 

Roanoke Museum of Fine Arts 1990

Roanoke Museum of Fine Arts. The Common Wealth. Edited by Ruth Stevens Appelhof. Roanoke, Va.: Roanoke Museum of Fine Arts, 1990. (1990–91 Roanoke, Va. MFA).

 

Robbert et al. 1985

Robbert, Louise, et al. Amerikanskt 80-tal: Måleri, skulptur, textil: Neue Galerie, Sammlung Ludwig Aachen. Stockholm: Liljevalchs Konsthall, 1985. Exhibition catalogue. (1985 Stockholm Liljevalchs).

 

D. Robbins 1966

Robbins, Daniel. Recent Still Life. Providence: Museum of Art, Rhode Island School of Design, 1966. Exhibition catalogue. (1966a Providence RISD).

 

K. Robbins 2006

Robbins, Kadee, ed. The Kirk Varnedoe Collection. Savannah: Telfair Museum of Art, 2006. Exhibition catalogue. (2006 Savannah Telfair).

 

C. Roberts 1962

Roberts, Colette. “Lettre de New York.” Aujourd’hui: Art et architecture 6, no. 37 (June 1962), pp. 48–49.

 

C. Roberts 1964

Roberts, Colette. “Les expositions à New York.” Aujourd’hui: Art et architecture 8, no. 44 (January 1964), pp. 96–97.

 

C. Roberts 1966

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C. Roberts 1967

Roberts, Colette. “Interview de Roy Lichtenstein.” Aujourd’hui: Art et architecture 10, nos. 55–56 (January 1967), pp. 123–27.

 

K. Roberts 1963

Roberts, Keith. “Current and Forthcoming Exhibitions: London.” The Burlington Magazine 105, no. 729 (December 1963), pp. 574–78.

 

K. Roberts 1968

Roberts, Keith. “Current and Forthcoming Exhibitions: London.” The Burlington Magazine 110, no. 779 (February 1968), pp. 107–8.

 

K. Roberts 1976a

Roberts, Keith. “Roy Lichtenstein and the Popular Image.” The Burlington Magazine 118, no. 880 (July 1976), p. 515.

 

K. Roberts 1976b

Roberts, Keith. “Roy Lichtenstein: The Mayor Gallery.” The Burlington Magazine 118, no. 880 (July 1976), p. 332.

 

A. Robertson and Strickland-Constable 1985

Robertson, Alexander, and Miranda Strickland-Constable. The Irresistible Object: Still Life, 1600–1985. Leeds, United Kingdom: Leeds City Art Galleries, 1985.

 

J. Robertson 1985a

Robertson, Jean. Roy Lichtenstein As Sculptor: Recent Works, 1977–1984. Columbus, Ohio: Columbus Museum of Art, 1985. Exhibition brochure. Unpaginated. (1985 Columbus Museum of Art).

 

J. Robertson 1985b

Robertson, Jean. Roy Lichtenstein As Sculptor: Recent Works, 1977–1984. Columbus, Ohio: Columbus Museum of Art, 1985. Exhibition brochure. Published for Gibbes Art Gallery and Spoleto Festival U.S.A., Charleston, S.C. Unpaginated. (1985 Columbus Museum of Art).

 

J. Robertson 1985c

Robertson, Jean. Roy Lichtenstein As Sculptor: Recent Works, 1977–1984. Columbus, Ohio: Columbus Museum of Art, 1985. Exhibition brochure. Published for Walker Art Center, Minneapolis, Minn. Unpaginated. (1985 Columbus Museum of Art).

 

J. Robertson 1985d

Robertson, Jean. Roy Lichtenstein As Sculptor: Recent Works, 1977–1984. Columbus, Ohio: Columbus Museum of Art, 1985. Exhibition brochure. Published for Contemporary Arts Museum, Houston, Tex. Unpaginated. (1985 Columbus Museum of Art).

 

E. Robinson 2011

Robinson, Edward. “Lambrecht/Lichtenstein.” In Roy Lichtenstein in His Studio, by Laurie Lambrecht, pp. 113–25. New York: Monacelli Press, 2011.

 

K. Robinson 1988

Robinson, Kate. “Lichtenstein and Pop.” Sunday Independent (CITY), February 14, 1988.

 

Rockman 1964

Rockman, Arnold. “Superman Comes to the Art Gallery.” Canadian Art 21, no. 1 (January–February 1964), pp. 18–22.

 

Rodríguez 1962

Rodríguez, Ida. “La cultura en México: ‘Nacimiento (y muerte) del ‘Nuevo realismo.'” Supplement to Siempre! (Mexico City), no. 71 (June 26, 1963), pp. 1–13.

 

Rodriguez 2001

Rodriguez, Jennifer Michele. “Tracing the Cultural Memory in the Rio Grande Valley: Mexican-American Dichos, Proverbs Interpreted through Art.” MFA thesis, University of Texas-Pan American, Edinburg, 2001.

 

Rogers 2001

Rogers, Pat. “Hamptons Art History Still Fresh.” Southampton [N.Y.] Press, June 28, 2001, B3, B10.

 

Rondeau 2012

Rondeau, James. “Pop Geometries.” In Roy Lichtenstein: A Retrospective, by Rondeau and Sheena Wagstaff, pp. 78–87. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue.

 

Rondeau and Sheena Wagstaff 2012

Rondeau, James, and Sheena Wagstaff. Roy Lichtenstein: A Retrospective. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue. (2012 Chicago Art Institute).

 

Ronte 1971

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Ronte 1982

Ronte, Dieter. Museum moderner Kunst, Palais Liechtenstein, Museum des 20. Jahrhunderts Wien. Braunschweig: Westermann Verlag, 1982.

 

Ronte 1983

Ronte, Dieter. Das Museum moderner Kunst in Wien und die Österreichische Ludwig-Stiftung: Internationale Kunst seit 1960. Budapest: Műcsarnok, 1983. Exhibition catalogue. (1983 Budapest Mücsarnok).

 

Rooks 1999

Rooks, Michael. “Roy Lichtenstein: Interiors.” In Roy Lichtenstein: Interiors, by Museum of Contemporary Art, Chicago, pp. 13–18. Chicago: Museum of Contemporary Art, 1999. Exhibition catalogue.

 

Rooks 2005

Rooks, Michael. “Inside Out, Outside in Roy Lichtenstein’s Interiors.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider, pp. 149–53 (unpaginated). Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue.

 

Ropac 1995a

Ropac, Thaddaeus, ed. The Muse? Transforming the Image of Woman in Contemporary Art: An Exhibition of the Galerie Thaddaeus Ropac and the Salzburg Festival 1995. Salzburg: Verlag Anton Pustet, 1995. Exhibition catalogue. Translated from the German by Elizabeth Mortimer and Gail Schamberger. (1995 Salzburg Ropac).

 

Ropac 1995b

Ropac, Thaddaeus, ed. Die Muse? Transforming the Image of Woman in Contemporary Art: Eine Ausstellung der Galerie Thaddaeus Ropac in Zusammenarbeit mit den Salzburger Festspielen 1995. Salzburg: Verlag Anton Pustet, 1995. Exhibition catalogue. (1995 Salzburg Ropac).

 

Ropac 1996

Galerie Thaddaeus Ropac, Salzburg. Picasso: A Contemporary Dialogue. Salzburg: Galerie Thaddaeus Ropac, 1996. Exhibition catalogue. (1996 Salzburg Ropac).

 

Rorimer 1974

Rorimer, Anne. Idea and Image in Recent Art. Chicago: Art Institute of Chicago, 1974. Exhibition catalogue. (1974 Chicago Art Institute).

 

Rorimer 1985

Rorimer, Anne. “Up and Down, In and Out, Step by Step, a Sculpture, a Work by Daniel Buren.” Museum Studies 11, no. 2 (spring 1985), pp. 148–49.

 

Rorimer 2004

Rorimer, Anne. New Art in the 60s and 70s: Redefining Reality. New York: Thames & Hudson, 2004.

 

Rosa 2017

Rosa, Joseph. Victors for Art: Michigan’s Alumni Collectors. Ann Arbor, MI: University of Michigan Museum of Art, 2017. Exhibition catalogue. (2017 Ann Arbor University of Michigan).

 

Rosc 1967

Rosc ’67. Dublin: Royal Dublin Society and National Museum, Dublin, 1967. Exhibition catalogue. (1967 Dublin National Museum).

 

Barbara Rose 1963a

Rose, Barbara. “Dada förr och nu.” Palatten 24, no. 1 (1963), pp. 7–12.

 

Barbara Rose 1963b

Rose, Barbara. “Dada Then and Now.” Art International 7, no. 1 (January 1963), pp. 22–28.

 

Barbara Rose 1963c

Rose, Barbara. “Pop Art at the Guggenheim.” Art International 7, no. 5 (May 25, 1963), pp. 20–22.

 

Barbara Rose 1964a

Rose, Barbara. “New York Letter.” Art International 8, no. 1 (February 1964), p. 41.

 

Barbara Rose 1964b

Rose, Barbara. “New York Letter.” Art International 8, no. 10 (December 1964), pp. 47–51.

 

Barbara Rose 1965

Rose, Barbara. “Pop in Perspective.” Encounter 25, no. 2 (August 1965), pp. 59–63.

 

Barbara Rose 1967

Rose, Barbara. American Art since 1900: A Critical History. New York: F. A. Praeger, 1967.

 

Barbara Rose 1968

Rose, Barbara, ed. Readings in American Art since 1900: A Documentary Survey. New York: F. A. Praeger, 1968.

 

Barbara Rose 1969a

Rose, Barbara. American Painting: The Twentieth Century. Cleveland: World, 1969.

 

Barbara Rose 1969b

Rose, Barbara. “Vogue’s Spotlight: Art.” Vogue 153, no. 4 (February 15, 1969), p. 54.

 

Barbara Rose 1971

Rose, Barbara. “Collecting Film-Art: Off the Canvas and into the Can.” Vogue 157, no. 6 (March 15, 1971), p. 74.

 

Barbara Rose 1973

Rose, Barbara. “Art: How to Know More Than What You Like.” New York Magazine 6, no. 33 (August 13, 1973), p. 53.

 

Barbara Rose 1974

Rose, Barbara. “1961 and All That.” New York Magazine 7, no. 13 (April 1, 1974), p. 73.

 

Barbara Rose 1975

Rose, Barbara. American Art Since 1900. New York: Praeger, 1975.

 

Barbara Rose 1979

Rose, Barbara. Roy Lichtenstein: Entablature Series. Cardiff: National Museum of Wales, 1979. Exhibition catalogue. (1979 Cardiff National Museum).

 

Barbara Rose 1986

Rose, Barbara. American Painting: The Twentieth Century. New York: Skira/Rizzoli, 1986.

 

Barbara Rose 1987

Rose, Barbara. The Barcelona Plazas: A Preview of an Urban Experience. New York: Spanish Institute, 1987. Exhibition catalogue. (1987 New York Spanish Institute).

 

Barbara Rose 1988

Rose, Barbara. Autocritique: Essays on Art and Anti-Art, 1963–1987. New York: Weidenfeld & Nicolson, 1988. Exhibition catalogue.

 

Barbara Rose and Sandler 1967

Rose, Barbara, and Irving Sandler. “Sensibility of the Sixties.” Art in America 55, no. 1 (January–February 1967), p. 45.

 

Bernice Rose 1976a

Rose, Bernice. Drawing Now. New York: Museum of Modern Art, 1976. Exhibition catalogue. (1976a New York MoMA).

 

Bernice Rose 1976b

Rose, Bernice. Zeichnung Heute/Drawing Now. Zurich: Kunsthaus Zürich, 1976. Exhibition catalogue. (1976a New York MoMA).

 

Bernice Rose 1977

Rose, Bernice. Drawing Now. Tel Aviv: Tel Aviv Museum, 1977. Exhibition catalogue. (1976a New York MoMA).

 

Bernice Rose 1988

Rose, Bernice. Roy Lichtenstein: Die Zeichnungen 1961–1986. Munich: Hirmer, 1988. Exhibition catalogue. The checklist in this catalogue does not accurately reflect the ultimate selection of works exhibited. (1987a New York MoMA).

 

Bernice Rose 2014

Rose, Bernice. “Il disegno come ‘proiezione.'” In Roy Lichtenstein: Opera prima, by Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 54–199. Milan: Skira Editore, 2014. Exhibition catalogue.

 

Bernice Rose 2015

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Rosenberg 1962

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Schmahmann, Brenda. Loplop As Pop: Bird Imagery in Roy Lichtenstein’s ‘Surrealist’ and ‘Amerind/Surreal’ Works. Johannesburg: University of the Witwatersrand, 1991.

 

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Schmied 1968

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Schmied 1968

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Southampton Press 1995b

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Southampton Press 1995c

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Southampton Press 1995d

“Rare Statement.” Southampton [N.Y.] Press, August 24, 1995, p. 12.

 

Southampton Press 1995e

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Speed 2003

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Spencer 1993

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Sperone 1975

Sperone, Gian Enzo. Jim Dine, Roy Lichtenstein, Morris Louis, Michelangelo Pistoletto, Robert Rauschenberg, Mario Schifano, Frank Stella, Cy Twombly, Andy Warhol. Turin: G. E. Sperone, 1975.

 

Spicer 1968

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Spiegel 2002

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Spiel and Sarnitz 1987

Spiel, Hilde and Sabina Sarnitz. Luna Luna. André Heller. München: Wilhelm Heyne Verlag, 1987.

 

Spies and Weber 2007

Spies, Werner, and C. Sylvia Weber, eds. Liebe auf den ersten Blick: Hundert Neuerwerbungen der Sammlung Würth. Künzelsau, Germany: Swiridoff Verlag, 2007. Exhibition catalogue. (2007 Künzelsau Würth).

 

Squirru 1963a

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Squirru 1963b

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Squirru 1965

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St. Louis 1979

“Recent Acquisition: ‘Fishbowl II’ by Roy Lichtenstein.” St. Louis Art Museum Bulletin 15, no. 2 (April–June 1979), pp. 177–80.

 

Staatliche Kunsthalle Baden-Baden 1976

Twentieth-Century American Drawing: Three Avant-Garde Generations. Baden-Baden: Staatliche Kunsthalle Baden-Baden, 1976. Supplement with German text and gallery installation views at Baden-Baden. (1976a New York Guggenheim).

 

Stacy 1950

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Stadt und Land 1995

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Städtische Galerie 1988

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Städtisches Museum Mönchengladbach 1968

Städtisches Museum Mönchengladbach. Beleg: Kunstwerke der zweiten Hälfte des 20. Jahrhunderts aus dem Besitz der Stadt Mönchengladbach. Mönchengladbach: Städtisches Museum Mönchengladbach, 1968. Exhibition catalogue. (1968 Mönchengladbach Städtisches Museum).

 

Stanford 1987

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Staniszewski 1985

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Stavitsky 2017

Stavitsky, Gail. “Roy Lichtenstein (New York, 1923–1997).” In Matisse and American Art, by John Cauman and Savitsky, pp. 159–65. Montclair, N.J.: Montclair Art Museum, 2017. Exhibition catalogue.

 

Stavitsky and Johnson 2005a

Stavitsky, Gail, and Twig Johnson. “Roy Lichtenstein: American Indian Encounters.” American Art Review (Leawood) 17, no. 6 (November–December 2005), pp. 124–29, 159.

 

Stavitsky and Johnson 2005b

Stavitsky, Gail, and Twig Johnson. Roy Lichtenstein: American Indian Encounters. Montclair, N.J.: Montclair Art Museum, 2005. Exhibition catalogue. (2005 Montclair Art Museum).

 

Stebbins 1976

Stebbins, Theodore E., Jr. American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present. New York: Harper and Row, 1976.

 

Stedelijk 1967

Stedelijk Museum, Amsterdam. Roy Lichtenstein. Amsterdam: Stedelijk Museum, 1967. Exhibition catalogue. Unpaginated. Includes loose illustration inserts. (1967 Amsterdam Stedelijk).

 

Stedelijk 1983

Stedelijk Museum, Amsterdam. 15 artistes contre l’apartheid; 15 artists against apartheid;15 Künstler gegen Apartheid. Paris: S.P.A.M, 1983. Exhibition catalogue. (1983 Amsterdam Stedelijk).

 

Stedelijk van Abbemuseum 1967

Stedelijk van Abbemuseum, Eindhoven. Artypo: Kunst, gemaakt met behulp van grafische technieken. Eindhoven: Grafische School, 1967. Exhibition catalogue. Unpaginated. (1967a Eindhoven van Abbemuseum).

 

Stedelijk van Abbemuseum 1971

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Steffen 2004

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Stein 2017

Stein, Judith E. Eye of the Sixties: Richard Bellamy and the Transformation of Modern Art. New York: Farrar, Straus and Giroux, 2017.

 

D. Stein 1988

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J. Stein 1982

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Steiner 1988

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Steinhart 2005

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Steinhauer 2005

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Steininger 2003a

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Steininger 2003b

Steininger, Florian. “Roy Lichtenstein: Leben und Werk.” In Roy Lichtenstein, by Kunstforum Wien. Vienna: Kunstforum Wien; Wolfratshausen: Edition Minerva Hermann Farnung, 2003. Exhibition catalogue.

 

Stemmler 1989

Stemmler, Dierk. Pop Art und Umfeld: Druckgraphik aus der Sammlung Etzold. Mönchengladbach: Städtisches Museum Abteiberg Mönchengladbach, 1989. Exhibition catalogue. (1989 Mönchengladbach Städtisches Museum Abteiberg).

 

Stephens 1986

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Sterckx 1972

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Sterckx 1991

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Sterckx 2007

Sterckx, Pierre. 50 géants américains: Comment New York a détrôné l’Europe. Boulogne-Billancourt (Hauts-de-Seine): Beaux-Arts Éditions, 2007. Exhibition catalogue.

 

Sterckx 2013

Sterckx, Pierre. “Roy Lichtenstein: l’ironie, connaît pas!” Beaux Arts Éditions (June 2013), pp. 54–57.

 

Sternberg 1984

Sternberg, Ruth. “Roy Lichtenstein: A Man, His Work, and His Thoughts.” OSU Alumni Magazine (Columbus) 75, no. 11 (July–August 1984), pp. 6–7, 37–38.

 

Stevens 1981

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Stewart 2006

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Stich 1987

Stich, Sidra. Made in U.S.A.: An Americanization in Modern Art, the ’50s and ’60s. Berkeley: University of California Press, 1987. Exhibition catalogue. (1987 Berkeley UAM).

 

Stiles 1969

Stiles, Knute. “‘Untitled ’68’: The San Francisco Annual Becomes an Invitational.” Artforum 7, no. 5 (January 1969), pp. 50–52.

 

Stitleman 1973

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Stone-Jones 1979

Stone-Jones, Gareth. “Roy Lichtenstein: Entablatures.” Arts Review (London) 31, no. 6 (March 1979), p. 154.

 

Storr 1996

Storr, Robert. “New Jersey Transit Gloria Mundi.” In 15 Degrees from Rutgers: Charting New Directions in Contemporary Art, by Mason Gross School of the Arts, Rutgers, the State University of New Jersey, New Brunswick, unpaginated. New Brunswick, N.J.: Mason Gross School of the Arts, Rutgers, the State University of New Jersey, 1996. Exhibition brochure.

 

Strassfield 1991

Strassfield, Christina Mossaides. Aspects of Collage. Southampton, N.Y.: Guild Hall Museum, 1991. Exhibition catalogue. (1991a East Hampton Guild Hall).

 

Strassmeyer 1969

Strassmeyer, Mary. “Artist Draws Interest Here.” Plain Dealer (Cleveland), February 12, 1969, p. C4.

 

Straus 1995

Straus, Cees. Pop Art. Rotterdam: Kunsthal Rotterdam, 1995. Exhibition catalogue. (1995 Rotterdam Kunsthal).

 

Strelow 1967

Strelow, Hans. “Ein Klassiker des Comic: Zu einer Roy-Lichtenstein-Ausstellung in Amsterdam.” Zeit (Hamburg), November 24, 1967, p. 19.

 

Strick 1988

Strick, Jeremy. Twentieth-Century Art: Selections for the Tenth Anniversary of the East Building. Washington, D.C.: National Gallery of Art, 1988. Exhibition catalogue. (1988 Washington, D.C., NGA).

 

Strickland 1993

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Strickland 1997

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Stroud 2002

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Stuckey 1977

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Stuckey 2005

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Styron 1980

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Suenaga 2000

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D. Sullivan 1968

Sullivan, Dan. “Artists Agree on Boycott of Chicago Showings.” New York Times, September 5, 1968, p. 41.

 

K. Sullivan 1993

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M. Sullivan 1994

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Sunday Bulletin 1962

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Sunday Home News 1961

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Sundell 1990

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Sundell and Nathanson 1976

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Sussman 1978

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Sutinen 1980

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Sverbeyeff 1965

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Sweeney 1968

Sweeney, James Johnson. Signals in the ‘Sixties. Honolulu: Honolulu Academy of Arts, 1968. Exhibition catalogue. (1968 Honolulu Academy).

 

Swenson 1962

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Swenson 1963

Swenson, Gene R. “What Is Pop Art? Answers from Eight Painters, Part I: Jim Dine, Robert Indiana, Roy Lichtenstein, Andy Warhol.” ARTnews 62, no. 7 (November 1963), pp. 24–25, 62–64.

 

Swenson 1966

Swenson, Gene R. The Other Tradition. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1966. Exhibition catalogue. (1966a Philadelphia ICA).

 

Sydney 1986

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Sylvester 1964a

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Sylvester 1964b

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Sylvester 1969

Sylvester, David (photographs by Snowdon). “The Ironic Lichtenstein Who Takes Soulful Subjects and Paints Them with Cool.” Vogue 154, no. 5 (September 15, 1969), pp. 142–45, 168–69.

 

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Sylvester, David. Some Kind of Reality: Roy Lichtenstein Interviewed by David Sylvester in 1966 and 1997. London: Anthony d’Offay Gallery, 1997. Exhibition catalogue. (1997 Zurich Rubin).

 

Sylvester 2001

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Symmes 2008

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Tadini 1991

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Taittinger 1997

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Takamatsu City Museum 1988

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Takamatsu City Museum 1994

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Takanawa Bijutsukan 1985

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Tallman, Susan. “Prints and Editions: Reproductive Acts.” Arts Magazine (New York) 64, no. 1 (September 1989), pp. 21–22.

 

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Tancock, John L. Multiples: The First Decade. Philadelphia: Philadelphia Museum of Art, 1971. Exhibition catalogue. (1971a Philadelphia Museum of Art).

 

Tang 2002

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Tanglewood 1965

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Tanglewood 1967

Tanglewood Press. Ten from Leo Castelli. New York: Tanglewood Press, 1967.

 

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Tanglewood Press. Ten from Leo Castelli. New York: Tanglewood Press, 1968.

 

Tani, Kitamura, and Ishikawa 2002

Tani, Arata, Junko Kitamura, and Jun Ishikawa, eds. Vitality in Modernism: Collection from Iwaki City Art Museum. Utsunomiya: Utsunomiya Museum of Art, 2002. Exhibition catalogue. (2002 Utsunomiya Museum of Art).

 

Tannenbaum and Stroud 2003

Tannenbaum, Judith, and Marion Boulton Stroud. On the Wall: Contemporary Wallpaper. Providence: Museum of Art, Rhode Island School of Design; Philadelphia: Fabric Workshop and Museum, 2003. Exhibition catalogue. (2003 Providence RISD).

 

Tannous 1979

Tannous, David. “Report from Washington: Big-Name Biennial, Plus . . .” Art in America 67, no. 4 (July–August 1979), pp. 24–25.

 

Tarzan 1976

Tarzan, Deloris. “Lichtenstein steps in prints, tapestries.” The Seattle Times, February 10, 1976, p. D11.

 

Tate 1968a

Tate Gallery, London. Roy Lichtenstein. Herford: Bussesche Verlagshandlung, 1968. Exhibition catalogue. (1967 Amsterdam Stedelijk).

 

Tate 1968b

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Taylor 2014

Taylor, Alex J. “The Calder Problem: Mobiles, Modern Taste, and Mass Culture.” Oxford Art Journal 37, no. 1 (2014), pp. 29–45.

 

A. Taylor 1969

Taylor, Angela. “Artists Make Capital of Old Bank Building with Their Studios.” New York Times, May 6, 1969, p. 50.

 

John Taylor 2004

Taylor, John Russell. “Dotting the Eyes in the Strip Show.” The Times (London), February 25, 2004, pp. 12–13.

 

Joshua Taylor 1976

Taylor, Joshua C. America As Art. Washington, D.C.: Smithsonian Institution Press for the National Collection of Fine Arts, 1976.

 

P. Taylor 1988

Taylor, Paul. Leo Castelli, 142 Greene Street: Last Show: Ellsworth Kelly, Roy Lichtenstein, Richard Serra, Frank Stella. New York: Leo Castelli Gallery, 1988. Exhibition catalogue. Unpaginated. (1988b New York Castelli).

 

P. Taylor 1989a

Taylor, Paul. “Lichtenstein’s Latest Is a Perfectly Pop Thing to Do.” New York Times, July 9, 1989, sec. 2, pp. 33; 35.

 

P. Taylor 1989b

Taylor, Paul, ed. Post-Pop Art. Cambridge, Mass.: MIT Press, 1989.

 

Tehran 1978

Tehran Museum of Contemporary Art. The Ludwig Collection. Tehran: Tehran Museum of Contemporary Art, 1978. Exhibition catalogue. (1978 Tehran MCA).

 

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Tel Aviv Museum. Louisiana Visits the Tel Aviv Museum. Tel Aviv: Tel Aviv Museum, 1981. Exhibition catalogue. (1981 Tel Aviv Museum).

 

Tel Aviv Museum of Art 2010

Tel Aviv Museum of Art, Tel Aviv. Pesalim ‘al galgalim: mivḥar mekhoniyot me-osfim Yiśre ‘elim u-Mekhonit ha-omanut shel Roi Likhṭenshṭain/Sculptures on Wheels: Selected Cars from Israeli Collections and Roy Lichtenstein’s Art Car. Tel Aviv: Tel Aviv Museum of Art, 2010. Exhibition catalogue. (2010 Tel Aviv Museum).

 

Temin 1997a

Temin, Christine. “Pop Art Pioneer’s Signature Was Style Based on Comic Book Art.” Boston Globe, September 30, 1997, E1, E6.

 

Temin 1997b

Temin, Christine. “West Meets East with a Pop!” Boston Globe, March 21, 1997, C1, C12.

 

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Temkin, Ann. Contemporary Voices: Works from the UBS Art Collection. New York: Museum of Modern Art, 2005. Exhibition catalogue. (2005 New York MoMA).

 

Templon 1982

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Galerie Daniel Templon, Paris. Roy Lichtenstein: Collages, Brushstroke Landscapes, Reflections on Comics, Interiors. Paris: Galerie Daniel Templon, 1991. Exhibition catalogue. (1991 Paris Templon).

 

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Galerie Daniel Templon, Paris. 40 ans. Paris: Communic’Art, 2006.

 

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Ténèze 2010a

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Ténèze 2010b

Ténèze, Annabelle. “Far della copia un originale.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio, pp. 77–85. Milan: Skira [Italian edition], 2010. Exhibition catalogue.

 

Ténèze 2010c

Ténèze, Annabelle. “Lichtenstein und die Kopie, die keine ist.” In Lichtenstein: Kunst als Motiv, edited by Gianni Mercurio, pp. 77–85. Cologne: DuMont, 2010. Exhibition catalogue.

 

Ténèze 2013

Ténèze, Annabelle. “Pop Art History: Peindre l’histoire de l’art par Roy Lichtenstein.” In Roy Lichtenstein, edited by Camille Morineau, pp. 95–103. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue.

 

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Terbell, Melinda. “Los Angeles.” Arts Magazine (New York) 45, no. 1 (September–October 1970), pp. 53–54.

 

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Terbell, Thomas J., Jr. Recent Acquisitions 1969. Pasadena: Pasadena Art Museum, 1969. Exhibition catalogue.

 

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Thévoz 1984

Thévoz, Michel. The Painted Body: The Illusions of Reality. New York: Rizzoli; Geneva: Skira, 1984.

 

Third Century 1975

The Third Century. New York: APC Editions, 1975.

 

Thomas Ammann Fine Art 1987

Thomas Ammann Fine Art, Zurich. 10 Years: Thomas Ammann Fine Art Zurich, 1977–1987: Impressionist and 20th Century Masters. Zurich: Thomas Ammann Fine Art, 1987. Exhibition catalogue.

 

Thomas Ammann Fine Art 1989

Thomas Ammann Fine Art, Zurich. Faces and Figures. Zurich: Matthieu AG, 1989. Exhibition catalogue. (1989 Zurich Ammann).

 

Thomas Ammann Fine Art AG 1990

Major Works from the Weisman Collection and Other Private Collections. Zurich: Thomas Ammann Fine Art AG, 1990. Unpaginated.

 

Daniel Thomas 1971

Thomas, Daniel. “The Art Collectors 10: John Kaldor.” Art and Australia 8, no. 4 (Fall 1971), pp. 312–23.

 

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Thomas, Denis. Battle Art: Images of War. Oxford, England: Phaidon Press; New York: E. P. Dutton, 1977.

 

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Thomas, Karin. Bis Heute: Stilgeschichte der bildenden Kunst im 20. Jahrhundert. Cologne: M. DuMont Schauberg, 1971.

 

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Time 1963a

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“Painting: Kidding Everybody.” Time 89, no. 25 (June 23, 1967), pp. 72–73.

 

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Tuten 1967b

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Tuten 1967d

Tuten, Frederic. “In the Museums: Art in Process.” Arts Magazine (New York) 41, no. 6 (April 1967), pp. 54–55.

 

Tuten 1967e

Tuten, Frederic. “In the Museums: Art of the Sixties.” Arts Magazine (New York) 42, no. 1 (September–October 1967), pp. 51–52.

 

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Tuten 1969b

Tuten, Frederic. Lichtenstein at Gemini. Los Angeles: Gemini G.E.L. 1969.

 

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Tuten, Frederic. Roy Lichtenstein, Brushstrokes: Six Painted Reliefs. Mount Kisco, N.Y.: Tyler Ltd. 1986. Exhibition catalogue. (1987 Boston Segal).

 

Tuten 1986b

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Tuten, Frederic. Roy Lichtenstein/Frank Stella. Basel: Galerie Beyeler, 1991. Exhibition catalogue. (1991a Basel Galerie Beyeler).

 

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Tuten 1998b

Tuten, Frederic. Roy Lichtenstein’s Last Still Life. Ithaca, N.Y.: Herbert F. Johnson Museum of Art, Cornell University, 1998. Exhibition catalogue. Unpaginated. (1998 Ithaca Johnson).

 

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Wilson, William. “A Blending of Art, Technology.” Los Angeles Times, May 13, 1971, pp. 1, 7.

 

W. Wilson 1978

Wilson, William. “Art Walk: A Critical Guide to the Galleries, Venice.” Los Angeles Times, February 3, 1978, p. 4.

 

W. Wilson 1986

Wilson, William. “The Art Galleries: Santa Monica.” Los Angeles Times, December 19, 1986, Part VI, p. 20.

 

Winebrenner 1967

Winebrenner, D.K. “Goodman Show is Likely to Startle.” Buffalo Courier-Express (Buffalo), March 23, 1967, p. 9.

 

Wingen 1987

Wingen, Ed. “Roy Lichtenstein in OverHolland.” June 26, 1987, p. T13.

 

Winzer 1980

Winzer, Fritz. Kunstmuseen in der Bundesrepublik Deutschland. Braunschweig: Westermann, 1980.

 

Witt 1978

Witt, Gary, ed. American Masters of the Sixties and Seventies: Selections from the Collection of Jan and Ronald K. Greenberg. Memphis: Brooks Memorial Art Gallery, 1978. Exhibition catalogue. (1978 Memphis Brooks Memorial).

 

Wolf 1989

Wolf, Toni Lesser. “The Intimate Art.” ARTnews 88 (November 1989), pp. 122–27.

 

Wolfe 1975

Wolfe, Tom. “The Painted Word.” Harper’s Magazine (April 1975), pp. 57, 85–88, 92.

 

Wolff 1987

Wolff, Theodore F. “Lichtenstein’s Drawings Steal the Show at MOMA.” Christian Science Monitor, March 30, 1987.

 

Wolff 1990

Wolff, Theodore F. “Gagosian Gallery’s Summer Exhibition.” Christian Science Monitor, August 13, 1990, p. 10.

 

Wolfram 1969
Wolfram, Eddie. “Pop Art Undefined.” Art and Artists 4, no. 6 (September 1969), pp. 18–19.

 

Wolfram 1972
Wolfram, Eddie. “Books: Roy Lichtenstein by Diane Waldman.” Art and Artists 7, no. 1 (April 1972), p. 60.

 

Woodard 1993
Woodard, Kathy. “Art for the Artist’s Sake.” The Good Life: 55+ (Columbus, Ohio) 1, no. 3 (October 1993), pp. 1,6.

 

Woodward 1990
Woodward, Richard B. “Blue Period.” Investment Vision (September–October 1990), pp. 56–60.

 

Wooten 1969

Wooten, Dick. “Pop of Pop Art.” Cleveland Press Magazine, February 15, 1969.

 

Wortz 1978a

Wortz, Melinda. “From ‘Metamagic’ to Mother Earth.” ARTnews 77, no. 6 (Summer 1978), p. 175.

 

Wortz 1978b

Wortz, Melinda. “New Editions.” ARTnews 77, no. 7 (September 1978), pp. 102, 107.

 

Wosk 1984

Wosk, J. H. “The Aeroplane in Art.” Art and Artists, no. 219 (December 1984), pp. 23–28.

 

Wosk 1986

Wosk, J. H. “The Impact of Technology on the Human Image in Art.” Leonardo 19, no. 2 (1986), pp. 145–52.

 

Wretholm 1964

Wretholm, Eugen. “Men ädetta konst?” Idun veckojournalen (Stockholm), February 28, 1964, pp. 16–19, 47.

 

Wullen and Ebert eds. 2006

Wullen, Moritz, and Bernd Ebert, eds. Der Ball ist rund: Kreis Kugel Kosmos. Berlin: Pergamonmuseum, Staatliche Museen zu Berlin, 2006. Exhibition catalogue. (2006 Berlin Pergamonmuseum).

 

Wyk 2013

Wyk, Gary van. Pop Art: 50 Works of Art You Should Know. Munich: Prestel Verlag, 2013.

 

Xiongfei and Lizhou 2002

Xiongfei, Hou, and Yang Lizhou, eds. Traditional Charm: Exhibition of Contemporary Works of Fine Arts of China National Museum of Fine Arts and International Works of Art Donated by Peter Ludwig and Irene Ludwig. Chengdu: Chengdu Contemporary Art Museum/Chengdu Shidai Chubanshe, 2002. (1999 Shanghai Art Museum).

 

XIX Olympiad [1969]

Organizing Committee of the Games of the XIX Olympiad. Mexico 68. Vol. 4,  L’Olympiade culturelle/The Cultural Olympiad. Mexico City: Organizing Committee of the Games of the XIX Olympiad, [1969].

 

XXe siècle 1964

Jouffroy, Alain. “Une révision moderne du scaré.” XXe siècle (Paris and Milan) n.s., 26, no. 23 (May 1964), pp. 86–98.

 

Yale 1963

Yale University Art Gallery, New Haven. Two Modern Collectors: Susan Morse Hilles, Richard Brown Baker. New Haven: Yale University Art Gallery, 1963. Exhibition catalogue. (1963 New Haven Yale).

 

Yale 1975

Yale University Art Gallery, New Haven. Richard Brown Baker Collects! A Selection of Contemporary Art from the Richard Brown Baker Collection. New Haven: Yale University Art Gallery, 1975. Exhibition catalogue. (1975 New Haven Yale).

 

Yale 2008
Yale University Art Gallery Bulletin (2008).

 

Yanase 1994a

Yanase, Kaoru. “Interview with the Artist.” BT 6 [Bijutsu techō] (Tokyo) 46, no. 689 (June 1994), pp. 16–19.

 

Yanase 1994b

Yanase, Kaoru. “Roy Lichtenstein: Interview with Diane Waldman.” BT 6 [Bijutsu techō] (Tokyo) 46, no. 689 (June 1994), pp. 88–91.

 

Yanase 1994c

Yanase, Kaoru. “Roy Lichtenstein: Interview with Leo Castelli.” BT 6 [Bijutsu techō] (Tokyo) 46, no. 689 (June 1994), pp. 92–93.

 

Yanase 1995a

Yanase, Kaoru. “Interview with Kenneth Tyler.” In Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Sukagawa City, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1995.

 

Yanase 1995b

Yanase, Kaoru. “Interview with Roy Lichtenstein.” In Supplement to Center for Contemporary Graphic Art, ed. Hiroshi Minamishima and Hideyuki Kido. Sukagawa City, Japan: Tyler Graphics Archive Collection, 1995.

 

Yediot Aharonot 1987

Sgan-Cohen, Michael. “Interview with Roy Lichtenstein.” Yediot Aharonot: Weekly Supplement [November 13, 1987?].

 

Yeladim nifgashim n.d.

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Yokohama Museum 1992

Yokohama Museum of Art, Yokohama. Hanga geijutsu no kyōen: Kenesu Tairā to kyoshōtachi, 1963–1992/Innovation in Collaborative Printmaking: Kenneth Tyler, 1963–1992. Tokyo: Yomiuri Shimbun and Japan Association of Art Museums, 1992. Exhibition catalogue. (1992 Yokohama Museum of Art).

 

Yonemura 2002

Yonemura, Noriko. Sūra: tenbyō o koete (Seurat: Beyond pointillism). Rikuyusha Art View. Tokyo: Rikuyosha, 2002.

 

Yood 1998

Yood, James. “Chicago: Roy Lichtenstein/Richard Gray Gallery.” Artforum International 36, no. 8 (April 1998), p. 121.

 

York 1969

York University, Toronto. American Art of the Sixties in Toronto Private Collections. Toronto: York University, 1969. Exhibition catalogue. (1969 Toronto York).

 

Yorkshire Post 1968

“Leading ‘Pop’ Artist.” Yorkshire Post (Leeds), December 23, 1968.

 

Yoshiaki Tono 1963b

Tono, Yoshiaki, ed. “Statements by Contemporary Artists.” Mizue (Tokyo), no. 700 (June 1963), p. 28.

 

Yoshiaki Tono 1971

Tono, Yoshiaki, ed. Art Now. Vol. 4, The Pop Image of Man. Tokyo: Kodansha Ltd. 1971.

 

Yoshioka 2000

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J. Young 1970

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J. Young 1971a

Young, Joseph E. “Los Angeles.” Art International 15, no. 5 (May 20, 1971), pp. 77–79.

 

J. Young 1971b

Young, Joseph E. “Los Angeles.” Art International 15, no. 10 (December 20, 1971), pp. 68–73.

 

M. Young 1978

Young, M. S. “Primitive to Pop.” Apollo, n.s., 107, no. 194 (April 1978), pp. 284–89.

 

Zacharias 1984

Zacharias, Thomas. Blick der Moderne: Einführung in ihre Kunst. Munich: Verlag Schnell und Steiner, 1984.

 

Zacharias 2014

Zacharias, Thomas. “Lichtenstein disegna.” In Roy Lichtenstein: Opera prima, by Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 212–39. Milan: Skira Editore, 2014. Exhibition catalogue.

 

Zacharias 2015

Zacharias, Thomas. “Lichtenstein Draws.” In Roy Lichtenstein: Drawing First. 50 Years of Works on Paper, Galleria Civica d’Arte Moderna e Contemporanea, Turin, pp. 202–231. Milan: Skira Editore, 2015. Exhibition catalogue.

 

Zandell 2006

Zandell, Jane. “Review: Memories of the Late Roy Lichtenstein.” Dan’s Papers (Bridgehampton, N.Y.), November 17, 2006, pp. 22, 33.

 

Zänker 1981

Zänker, Jürgen. “Walter Benjamins Kunstwerk-Aufsatz im Lichte der Pop-Art: Dargestellt am Beispiel Roy Lichtensteins.” In Wallraf-Richartz-Jahrbuch: Westdeutsches Jahrbuch für Kunstgeschichte, vol. 42, by Wallraf-Richartz-Museum, Cologne, pp. 303–24. Cologne: E. A. Seemann, 1981.

 

Zänker 1989

Zänker, Jürgen. “Hochkunst und Massenkultur: Hamilton, Warhol, Lichtenstein, Richter.” Funkkolleg Moderne Kunst. Studienbegleitbrief 10. Weinheim, Germany: Beltz Verlag, 1989.

 

Zeldin 1966

Zeldin, Arthur. “Pop! Went the Whirling McLuhan-ish Happening.” Toronto Daily Star, September 29, 1966, p. 30.

 

Zerner 1975

Zerner, Henri. The Graphic Art of Roy Lichtenstein. Cambridge, Mass.: Fogg Art Museum, Harvard University, 1975. Exhibition catalogue. (1975 Cambridge, Mass., Fogg).

 

Zevi 1964

Zevi, Tullia. “The Biennale: How Evil Is Pop Art?” The New Republic 151, no. 12 (September 19, 1964), pp. 32–33.

 

Ziegler 1968

Galerie Renée Ziegler, Zurich. Lithographien, Serigraphen, Radierungen, Objekte. Zurich: Galerie Renée Ziegler, 1968.

 

Ziegler 1995

Ziegler, Roger P. “Critic at Large: Artist’s Bright Idea.” Southampton [N.Y.] Press, September 14, 1995.

 

Zierler 1974

William Zierler, New York. American Works on Paper, 1944–1974. New York: William Zierler, 1974. Exhibition catalogue. (1974 New York Zierler).

 

Zimmer 1978

Zimmer, William. “Roy Lichtenstein/William Eggleston.” Arts Magazine (New York) 52, no. 7 (March 1978), p. 25.

 

Zimmer 2002

Zimmer, William. “Setting Out on Journeys and Yearning for Home.” New York Times, September 15, 2002, p. 9.

 

Zimmerli 1989

Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey, New Brunswick. Surface Printing in the 1980s: Lithographs, Screenprints, and Monotypes from the Rutgers Archives for Printmaking Studios. New Brunswick, N.J.: Rutgers, the State University of New Jersey, 1989. Exhibition catalogue. (1989 New Brunswick, N.J., Zimmerli).

 

Zimmerman 1993

Zimmerman, David. “Roy Lichtenstein: Finding Art in Everyday Places.” USA Today, October 26, 1993, p. D3.

 

Zimmerman 1997

Zimmerman, David. “In the Sixties, Lichtenstein Made Pop Art Pop.” USA Today, September 30, 1997, p. D6.

 

Zimmermann 1970

Zimmermann, Hans Dieter. Comic Strips: Vom Geist der Superhelden: Colloquium zur Theorie der Bildergeschichte in der Akademie der Künste Berlin. Berlin: Gebrüder Mann Verlag, 1970.

 

Ziolkowski 1990

Ziolkowski, Thad. “Roy Lichtenstein.” Arts Magazine (New York) 64, no. 5 (January 1990), p. 79.

 

ZKM 2005

ZKM, Zentrum für Kunst und Medientechnologie. Exit: Ausstieg aus dem Bild. Karlsruhe: Zentrum für Kunst und Medientechnologie, 2005. Exhibition catalogue. (2005 Karlsruhe ZKM).

 

Zuck 1995

Zuck, Barbara. “OSU to Be Final Stop for Lichtenstein Retrospective.” Columbus [Ohio] Dispatch, March 2, 1995, p. E7.

 

Zurcher and Jaffé 1965

Zurcher, J., and H. L. C. Jaffé. Pop-art. Amsterdam: Stichting IVIO, 1965.

 

Zurmühl 1981

Zurmühl, Jonny. “Dokumentation: Westkunst.” Kunstforum International, nos. 44–45 (May–August 1981), p. 102.

 

Zwirner & Wirth 2005

Zwirner & Wirth, New York. Pop: Roy Lichtenstein, Konrad Lueg, Claes Oldenburg, Sigmar Polke, Gerhard Richter, Andy Warhol. New York: Zwirner & Wirth, 2005. Exhibition catalogue. (2005 New York Zwirner and Wirth).

 

¡Ahora! 1965

“La Bienal de Washington.” ¡Ahora! (Dominican Republic), no. 12 (December 18, 1965), pp. 20–24.

 

 

 

updated 3/17/2021

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