Installation view of Around Day’s End: Downtown New York, 1970-1986 (Whitney Museum of American Art, New York, September 3-October 25, 2020). From left to right: Jean-Michel Basquiat, Untitled (Plaid), 1982; Jean-Michel Basquiat, Untitled, 1982; Anton van Dalen, Street Woman on Car, 1977; Mel Bochner, Pier 18, Instruction Card: Measurement Series, 1971; Harry Shunk and János Kender, Mel Bochner, “Measurement Series,” 1971; Robert Morris, Pier 18, Instruction Card: Configurations in Anticipation of the Equinox Sunset, 1971; Harry Shunk and János Kender, Robert Morris, “3 Configurations in Anticipation of the Equinox Sunset,” 1971; William Wegman, Pier 18, Instruction Card: Bowling, 1971; Harry Shunk and János Kender, William Wegman, “Bowling,” 1971; Gordon Matta-Clark, Pier 18, Instruction Card: Parked Island Barges on the Hudson, 1971; Harry Shunk and János Kender, Gordon Matta-Clark, “Parked Island Barges on the Hudson,” 1971; Harry Shunk and János Kender, Gordon Matta-Clark, “Parked Island Barges on the Hudson,” 1971; Richard Serra, Pier 18, Instruction Card: untitled, 1971; Harry Shunk and János Kender, Richard Serra, “untitled,” 1971; Harry Shunk and János Kender, Richard Serra, “untitled,” 1971. Photograph by Ron Amstutz
Installation view of Around Day’s End: Downtown New York, 1970-1986 (Whitney Museum of American Art, New York, September 3-October 25, 2020). From left to right: Jean-Michel Basquiat, Untitled (Plaid), 1982; Jean-Michel Basquiat, Untitled, 1982; Anton van Dalen, Street Woman on Car, 1977; Mel Bochner, Pier 18, Instruction Card: Measurement Series, 1971; Harry Shunk and János Kender, Mel Bochner, “Measurement Series,” 1971; Robert Morris, Pier 18, Instruction Card: Configurations in Anticipation of the Equinox Sunset, 1971; Harry Shunk and János Kender, Robert Morris, “3 Configurations in Anticipation of the Equinox Sunset,” 1971; William Wegman, Pier 18, Instruction Card: Bowling, 1971; Harry Shunk and János Kender, William Wegman, “Bowling,” 1971; Gordon Matta-Clark, Pier 18, Instruction Card: Parked Island Barges on the Hudson, 1971; Harry Shunk and János Kender, Gordon Matta-Clark, “Parked Island Barges on the Hudson,” 1971; Harry Shunk and János Kender, Gordon Matta-Clark, “Parked Island Barges on the Hudson,” 1971; Richard Serra, Pier 18, Instruction Card: untitled, 1971; Harry Shunk and János Kender, Richard Serra, “untitled,” 1971; Harry Shunk and János Kender, Richard Serra, “untitled,” 1971. Photograph by Ron Amstutz
Installation view of Around Day’s End: Downtown New York, 1970-1986 (Whitney Museum of American Art, New York, September 3-October 25, 2020). Vitrine: Mel Bochner, Pier 18, Instruction Card: Measurement Series, 1971; Harry Shunk and János Kender, Mel Bochner, “Measurement Series,” 1971; Robert Morris, Pier 18, Instruction Card: Configurations in Anticipation of the Equinox Sunset, 1971; Harry Shunk and János Kender, Robert Morris, “3 Configurations in Anticipation of the Equinox Sunset,” 1971; William Wegman, Pier 18, Instruction Card: Bowling, 1971; Harry Shunk and János Kender, William Wegman, “Bowling,” 1971; Gordon Matta-Clark, Pier 18, Instruction Card: Parked Island Barges on the Hudson, 1971; Harry Shunk and János Kender, Gordon Matta-Clark, “Parked Island Barges on the Hudson,” 1971; Harry Shunk and János Kender, Gordon Matta-Clark, “Parked Island Barges on the Hudson,” 1971; Richard Serra, Pier 18, Instruction Card: untitled, 1971; Harry Shunk and János Kender, Richard Serra, “untitled,” 1971; Harry Shunk and János Kender, Richard Serra, “untitled,” 1971. Photograph by Ron Amstutz