BIBLIOGRAPHY

The Bibliography includes selected publications which discuss and/or reproduce the artist’s work. Entries are listed alphabetically.

 

65 Thompson 1989
65 Thompson Street, New York. Roy Lichtenstein: Bronze Sculpture, 1976–1989. New York: 65 Thompson Street, 1989. Exhibition catalogue. (1989 New York 65 Thompson).

 

J. A. 1963
A., J. “Paris Art Notebook: From Pop to Metaphysical Landscape.” New York Herald Tribune (Paris), June 15, 1963.

 

Aachen 1970
Neue Galerie Aachen. Klischee und Antiklischee: Bildformen der Gegenwart. Aachen: Neue Galerie Aachen and Gebrüder Achilles, 1970. Exhibition catalogue. (1970 Aachen Neue Galerie).

 

Aachen 1972
Neue Galerie Aachen. Neue Galerie der Stadt Aachen, der Bestand ’72: Kunst um 1970/Art around 1970. Cologne: W. König, 1972. Exhibition catalogue.

 

Abadie 1975a
Abadie, Daniel. “Les dessins de Roy Lichtenstein.” XXe siècle (Paris and Milan), n.s., 37, no. 44 (June 1975), pp. 176–77.

 

Abadie 1975b
Abadie, Daniel. Roy Lichtenstein: Dessins sans bande. Département des Arts Plastiques, Centre Beaubourg. Paris: Centre National d’Art Contemporain, 1975. Exhibition catalogue. (1975 Paris CNAC).

 

Abadie 1991
Abadie, Daniel. “La peinture en miroir.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 151–56.

 

Abanco 1990
Abanco, Lola Donaire. “Las figuras de Roy Lichtenstein.” Cerámica, no. 37 (1990), pp. 33–35.

 

Abbott 1986
Abbott, L.L. “Comic Art: Characteristics and Potentialities of a Narrative Medium.” Journal of Popular Culture 19, no. 4 (spring 1986), pp. 155–76.

 

Accademia Ligustica di Belle Arti 1972
Accademia Ligustica di Belle Arti, Palazzo Reale, Genoa. Immagine per la città. Genoa: Ente Manifestazioni Genovesi, 1972. Exhibition catalogue.

 

Ackley 1984
Ackley, Clifford S. 10 Painters and Sculptors Draw: Richard Diebenkorn, Jim Dine, Jasper Johns, Alex Katz, Ellsworth Kelly, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Cy Twombly. Boston: Museum of Fine Arts, 1984. Exhibition catalogue. (1984 Boston MFA).

 

Ackley 1998
Ackley, Clifford S. PhotoImage: Printmaking 60s to 90s. Boston: Museum of Fine Arts, 1998. Exhibition catalogue. (1998 Boston MFA).

 

ADAA 1963
Art Dealers Association of America, New York. Review of the Season 1962–1963: Paintings, Drawings, Prints, Sculpture: First Annual Retrospective Exhibition. New York: Art Dealers Association of America, 1963. Exhibition catalogue. (1963 New York Parke-Bernet).

 

Adachi et al. 2001
Adachi, Shinzō, et al. Kaiga jisshū II (The practice of painting II). Osaka: Osaka University of Arts Correspondence School Division, 2001.

 

B. Adams 1992a
Adams, Brooks. “New Pop Reflections.” Art in America 80, no. 7 (July 1992), pp. 88–91.

 

B. Adams 1992b
Adams, Brooks. “Roy Lichtenstein’s Interiors.” Atelier (Tokyo), no. 784 (June 1992), pp. 4–25.

 

H. Adams 1978
Adams, Hugh. Art of the Sixties. Oxford, England: Phaidon Press, 1978.

 

Adcock 1983
Adcock, Craig. Roy Lichtenstein: Graphics. Tallahassee: Fine Arts Gallery, School of Visual Arts, Florida State University, 1983. Exhibition catalogue. (1983 Tallahassee Fine Arts Gallery).

 

Adcock 1985
Adcock, Craig. “Why Marcel Duchamp’s Old Hat Still Addresses the Situation to the Nines.” Arts Magazine (New York) 59, no. 7 (March 1985), p. 75.

 

Adelman 2005a
Adelman, Bob. “The Lost Lichtenstein.” Sunday Times Magazine (London), July 10, 2005, pp. 38–43.

 

Adelman 2005b
Adelman, Bob. “Pentimenti: A Bonanza of Buried Lichtenstein Treasures.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005, pp. 196–209. Exhibition catalogue.

 

Adelman and Kennedy 2008
Adelman, Bob, and William John Kennedy. I Shot Warhol, Wesselmann, Lichtenstein, Rosenquist, and Indiana: Photographs by Bob Adelman and William John Kennedy. Boca Raton: Boca Raton Museum of Art, 2008. Exhibition catalogue. (2008 Boca Raton Museum).

 

Adelman and Tomkins 1987
Adelman, Bob, and Calvin Tomkins. The Art of Roy Lichtenstein: Mural with Blue Brushstroke. New York: Arcade Publishing, 1987.

 

Adelman and Tomkins 1994
Adelman, Bob, and Calvin Tomkins. Mural with Blue Brushstroke/Fresque au coup de pinceau bleu. Translated from the English by Anne Le Bot. Rennes: Altinea, 1994.

 

E. Adler 1986
Adler, Edward Jerome. American Painting and the Vietnam War. Ann Arbor: University Microfilms International, 1986.

 

S. Adler 1994
Adler, Sabine. “Reichtum ist lächerlich.” t2, no. 15–16 (October 1994).

 

Adriani 1999
Adriani, Götz, ed. Kunst Sammeln: Museum für Neue Kunst, ZKM Karlsruhe. Ostfildern-Ruit, Germany: Hatje Cantz, 1999.

 

Adriani and Meyer-Büser 2002
Adriani, Götz, and Susanne Meyer-Büser. Museum für neue Kunst, ZKM Karlsruhe. Prestel-Museumsführer. Munich, Germany: Prestel Verlag, 2002.

 

Advertiser’s Weekly 1967
“Whaam’ and After.” Advertiser’s Weekly (London), December 22, 1967.

 

AFA 1964
American Federation of Arts, New York. Cross Section of Contemporary Art. New York: American Federation of Arts, 1964.

 

Aguilar et al. 1999
Aguilar, Sergi, et al. Senyals públics. Apunts sobre intervencions artístiques a l’espai urbà. Mataró: Patronat Municipal de Cultura, 1999. Exhibition catalogue. (1999 Mataró Can Palauet).

 

Ahlander 1963a
Ahlander, Leslie Judd. “Pop Art Festival Hailed.” Washington Post, May 26, 1963, p. G10.

 

Ahlander 1963b
Ahlander, Leslie Judd. “Washington Gallery Shows Pop Art.” Washington Post, April 21, 1963, p. 66.

 

Akademie-Galerie 2010
Akademie-Galerie, die Neue Sammlung, Düsseldorf. Mit Kopf und Hand: Variationen zur Zeichnung. Bönen, Germany: Kettler, 2010. Exhibition catalogue. (2010 Düsseldorf Akademie-Galerie).

 

Akita 1981
Akita, Norikazu. “Kagirinaki Pessimism.” Mizue (Tokyo), no. 921 (December 1981), pp. 80–85.

 

Alarcó 2014
Alarcó, Paloma. Pop Art Myths. Madrid, Spain: Museo Thyssen-Bornemisza, 2014. Exhibition catalogue. (2014 Madrid Thyssen-Bornemisza).

 

Alarcó 2014a
Alarcó, Paloma. Mitos del Pop. Madrid, Spain: Museo Thyssen-Bornemisza, 2014. Exhibition catalogue.

 

Albrecht 1990
Albrecht, Urs. Kunst der achtziger Jahre aus der Sammlung Marx/Art of the Eighties from the Marx Collection. Ed. Art21 ’90 Basel. Basel: Art International Kunstmesse, 1990. Exhibition catalogue.

 

J. Albrecht 1987
Albrecht, Juerg. “‘Fountain by R. Mutt’: Marcel Duchamp zum 100. Geburtstag.” Pantheon 45 (1987), pp. 160–71.

 

Albright-Knox Art Gallery 1966
Albright-Knox Art Gallery, Buffalo. Contemporary Art: Acquisitions 1962–1965. Buffalo: Albright-Knox Art Gallery, [1966]. Exhibition catalogue. (1966 Buffalo Albright-Knox).

 

Albuquerque Tribune 1964
“Pop Art Show Open with Faculty Exhibit.” Albuquerque Tribune, January 18, 1964, p. A5.

 

Aldrich 1968
Aldrich, Larry. Highlights of the 1967–68 Art Season. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1968. Exhibition catalogue. (1968a Ridgefield Aldrich).

 

Aldrich Museum 1965
Larry Aldrich Museum, Museum Ridgefield, Conn. Art of the 50’s and 60’s: Selections from the Richard Brown Baker Collection. Ridgefield, Conn.: Larry Aldrich Museum, 1965. Exhibition catalogue. (1965 Ridgefield Aldrich).

 

Aldrich Museum 1968
Aldrich Museum of Contemporary Art. Art of the 60’s: Selections from the Collection of Hanford Young. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1968. Exhibition catalogue. (1968b Ridgefield Aldrich).

 

Aldrich Museum 1989
Aldrich Museum of Contemporary Art. Selections from the Collection of Marc and Livia Straus. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1989. Exhibition catalogue.

 

Aldrich Museum 1998
Aldrich Museum of Contemporary Art, Ridgefield, Conn. Roy Lichtenstein: Prints from the Collection of John and Kimiko Powers. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1998. Exhibition brochure. (1998 Ridgefield Aldrich).

 

Alec’s 1995
“Roy Lichtenstein – Die Retrospektive.” Alec’s (1995), p. 9.

 

Alexander 1992
Alexander, Paul. “What Happened to Andy’s Treasures?” New York Magazine 25, no. 4 (January 27, 1992), pp. 26–31.

 

Alexander and Ryan eds 2015
Alexander, Darsie, and Bartholomew Ryan, eds. International Pop. Minneapolis, Minnesota: Walker Art Center, 2015. Exhibition catalogue.

 

Alfieri 1962
Alfieri, Bruno. “USA: Verso la fine della pittura ‘astratta’?/Vers la fin de la peinture ‘abstraite’?/Towards the End of ‘Abstract’ Painting?” Metro (Milan), nos. 4–5 (May 30, 1962), pp. 4–13.

 

Alfieri 1965a
Alfieri, Bruno. “L’avvenire dell’arte: Una nuova dimensione operativa/The Arts’ Future: A New Operational Dimension.” Metro (Milan), no. 9 (1965), pp. 8–13.

 

Alfieri 1965b
Alfieri, Bruno. “La condizione dell’arte: ‘Pop’ uguale ‘non popolare’/The Arts’ Condition: ‘Pop’ Means ‘Not Popular’.” Metro (Milan), no. 9 (1965), pp. 5–7.

 

Alfieri 1966
Alfieri, Bruno. “Diario critico II/A Critic’s Journal II.” Translated by Lucia Krasnik. Metro (Milan), no. 10 (1966), pp. 4–13.

 

Alfieri 1968?
Alfieri, Bruno. “Come Andare Avanti.” Metro (Milan), no. 14, pp. 81–88.

 

Alfieri 1975
Alfieri, Bruno. “I tre moschettieri della Pop Art americana: Lichtenstein a Basilea.” July 2, 1975.

 

Alge 1969
Alge, Marjorie. “A Gallery Full of People and Pop.” Cleveland Press, February 15, 1969.

 

Alkema 2013a
Alkema, Hanna. “Coups de pinceau à la Caisse des dépôts et consignations, 1988.” In Roy Lichtenstein, edited by Camille Morineau. Paris: Éditions du Centre Pompidou, 2013, p. 255. Exhibition catalogue.

 

Alkema 2013b
Alkema, Hanna. “Lichtenstein et Gemini G.E.L.” In Roy Lichtenstein, edited by Camille Morineau. Paris: Éditions du Centre Pompidou, 2013, p. 251. Exhibition catalogue.

 

Alkema 2013c
Alkema, Hanna. “Mural with Blue Brushstroke, 1986.” In Roy Lichtenstein, edited by Camille Morineau. Paris: Éditions du Centre Pompidou, 2013, p. 254. Exhibition catalogue.

 

Alkema 2013d
Alkema, Hanna. “Roy Lichtenstein: Sculpture.” In Roy Lichtenstein, edited by Camille Morineau. Paris: Éditions du Centre Pompidou, 2013, p. 253. Exhibition catalogue.

 

Allara 1981
Allara, Pamela. “The Scope of Boston Art Is Much Broader Than It Would Appear.” ARTnews 80, no. 9 (November 1981), pp. 126–31.

 

Allen Memorial 1980
Allen Memorial Art Gallery, Oberlin College, Oberlin. From Reinhardt to Christo: Works Acquired through the Benefaction of the Late Ruth C. Roush. Oberlin, Ohio: Allen Memorial Art Gallery, 1980. Exhibition catalogue. (1980 Oberlin Allen).

 

Alloway 1963a
Alloway, Lawrence. “Notes on Five New York Painters.” In David D. Galloway, ed. The Buffalo Fine Arts Academy/Albright-Knox Art Gallery: Gallery 26, no. 2 (Fall 1963), pp. 13–20.

 

Alloway 1963b
Alloway, Lawrence. Six Painters and the Object. New York: Solomon R. Guggenheim Foundation, 1963. Exhibition catalogue. (1963 New York Guggenheim).

 

Alloway 1964
Alloway, Lawrence. American Drawings. New York: Solomon R. Guggenheim Foundation, 1964. Exhibition catalogue. (1964 New York Guggenheim).

 

Alloway 1965
Alloway, Lawrence. Word and Image. New York: Solomon R. Guggenheim, 1965. Exhibition catalogue. (1965 New York Guggenheim).

 

Alloway 1967a
Alloway, Lawrence. Roy Lichtenstein: Exhibitions of Paintings and Sculpture. Cincinnati: Contemporary Arts Center, 1967. Exhibition catalogue. (1967 Cincinnati CAC).

 

Alloway 1967b
Alloway, Lawrence. “Roy Lichtenstein’s Period Style: From the ‘Thirties to the ‘Sixties and Back.” Arts Magazine (New York) 42, no. 1 (September–October 1967), pp. 24–29.

 

Alloway 1968a
Alloway, Lawrence. “Pop Art: The Words.” Auction (New York) 1, no. 4 (February 1968), pp. 6–9.

 

Alloway 1968b
Alloway, Lawrence. “Roy Lichtenstein.” Studio International 175, no. 896 (January 1968), pp. 25–31.

 

Alloway 1968c
Alloway, Lawrence. The Venice Biennale, 1895–1968: From Salon to Goldfish Bowl. Greenwich, Conn.: New York Graphic Society, 1968.

 

Alloway 1969a
Alloway, Lawrence. “Art: Borrowing Techniques of Other Artists.” The Nation (July 28, 1969), pp. 92–93.

 

Alloway 1969b
Alloway, Lawrence. “Popular Culture and Pop Art.” Studio International 178, no. 913 (July 1969), pp. 16–21.

 

Alloway 1972
Alloway, Lawrence. “On Style: An Examination of Roy Lichtenstein’s Development, despite a New Monograph on the Artist.” Artforum 10, no. 7 (March 1972), pp. 53–59.

 

Alloway 1974
Alloway, Lawrence. American Pop Art. New York: Whitney Museum of American Art, 1974. Exhibition catalogue. (1974 New York Whitney).

 

Alloway 1975
Alloway, Lawrence. Topics in American Art since 1945. New York: W.W. Norton, 1975.

 

Alloway 1979a
Alloway, Lawrence. “Art.” The Nation (June 2, 1979), pp. 644–45.

 

Alloway 1979b
Alloway, Lawrence. Mirrors and Entablatures. Stony Brook: Art Gallery, Fine Arts Center, State University of New York, 1979. Exhibition catalogue. (1979 Stony Brook SUNY).

 

Alloway 1981
Alloway, Lawrence. “Reassessing Roy Lichtenstein.” Portfolio (New York) 3, no. 4 (July–August 1981), pp. 50–55.

 

Alloway 1983a
Alloway, Lawrence. “Artist’s Statements.” In Roy Lichtenstein, by Lawrence Alloway. New York: Abbeville Press, 1983, pp. 105–7.

 

Alloway 1983b
Alloway, Lawrence. Roy Lichtenstein. Munich: Bucher, 1984.

 

Alloway 1983c
Alloway, Lawrence. Roy Lichtenstein. New York: Abbeville Press, 1983.

 

Alloway 1989
Alloway, Lawrence. “Roy Lichtenstein’s Mirrors.” In Roy Lichtenstein: “The Mirror Paintings”, by Mary Boone Gallery, New York. New York: Mary Boone Gallery, 1989, unpaginated. Exhibition catalogue.

 

Alloway and Livingstone 1987
Alloway, Lawrence, and Marco Livingstone. Pop Art U.S.A.–U.K: American and British Artists of the ’60s in the ’80s. Tokyo: Odakyu Grand Gallery, 1987. Exhibition catalogue. (1987 Tokyo Odakyu).

 

Alloway et al. 1988
Alloway, Lawrence, et al. Modern Dreams: The Rise and Fall and Rise of Pop. New York: Institute for Contemporary Art; Cambridge, Mass.: MIT Press, 1988.

 

Alte Oper 1981
Alte Oper, Frankfurt am Main. Phoenix: Alte Oper Frankfurt. Frankfurt am Main: Alte Oper, Konzert und Kongresszentrum, 1981. Exhibition catalogue. (1981 Frankfurt Alte Oper).

 

Altmayer 2013
Altmayer, Anastasia. “Roy Lichtenstein: sort de sa case.” Arts Magazine (Paris)Archives of (July–August 2013), pp. 96–100.

 

Altshuler 1994
Altshuler, Bruce. The Avant-Garde in Exhibition: New Art in the 20th Century. New York: Abrams, 1994.

 

Amaral 1963
Amaral, Aracy. “1963 em arte: Nova York.” O estado de São Paulo (December 7, 1963), p. 6.

 

Amaya 1965b
Amaya, Mario. Pop As Art: A Survey of the New Super-Realism. London: Institute of Contemporary Arts, 1968.

 

Amaya 1968a
Amaya, Mario. The Obsessive Image, 1960–1968. London: Institute of Contemporary Arts, 1968. Exhibition catalogue. (1968 London ICA).

 

Amaya 1968b
Amaya, Mario. “Tales of Love and War.” Financial Times (London), January 9, 1968.

 

Amaya 1970
Amaya, Mario. “Collectors: Mr. and Mrs. Jack W. Glenn.” Art in America 58, no. 2 (March–April 1970), pp. 86–93.

 

Amaya 1978
Amaya, Mario (photographs by Horst). “Architectural Digest Visits: Roy Lichtenstein.” Architectural Digest (London) 35, no. 6 (July–August 1978), pp. 82–87, 144.

 

Amaya 1984
Amaya, Mario. “Scaling the Heights, de Kooning into Lichtenstein.” Studio International 196, no. 1004 (1984), pp. 41–42.

 

American Artist 1986
“Vicki Lou’s Letters from Long Island.” American Artist 50, no. 532 (November 1986), pp. 20, 22, 100.

 

American Indian Artists Inc. 2013
American Indian Artists Inc. The Old Becomes the New: New York Contemporary Native American Art Movement and the New York School. New York: American Indian Artists Inc. (AMERINDA), 2013.

 

Ammann 1968
Ammann, Jean-Christophe. “Roy Lichtenstein.” Werk 55, no. 4 (April 1968), pp. 278–79.

 

Ammann and Präger 1991
Ammann, Jean-Christophe, and Christmut Präger. Museum für Moderne Kunst und Sammlung Ströher. Schriften zur Sammlung des Museums für Moderne Kunst Frankfurt am Main. Frankfurt am Main: Museum für Moderne Kunst, 1991.

 

D. Anderson 1976
Anderson, Dennis R. Three Hundred Years of American Art in the Chrysler Museum. Norfolk, Va.: Chrysler Museum at Norfolk, 1976. Exhibition catalogue. (1976 Norfolk, Va., Chrysler).

 

R. Anderson 1981
Anderson, Richard E. New Dimensions in Drawing, 1950–1980. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1981. Exhibition catalogue. (1981 Ridgefield Aldrich).

 

Andre 2001
Andre, Mila. “Artsmart.” Daily News (New York), November 17, 2001, p. 31.

 

Andreae 1969
Andreae, Christopher. “Trying to Shock—Himself.” Christian Science Monitor, September 18, 1969, sec. 2, 11.

 

Anna 1999
Anna, Susanne, ed. Global Fun: Kunst und Design von Mondrian, Gehry, Versace and Friends. Ostfildern-Ruit, Germany: Hatje Cantz, 1999. Exhibition catalogue.

 

Antin 1966
Antin, David. “Pop: Ein paar klärende Bemerkungen.” Das Kunstwerk 19, no. 10–12 (April–June 1966), pp. 8, 111.

 

Aquila 1974
Aquila, Emily H. Pop Art and After. Williamstown, Mass.: Williams College Museum of Art, 1974. Exhibition catalogue. (1974 Williamstown WCMA).

 

Aquin 2003
Aquin, Stéphane, ed. Global Village: The 1960s. Montreal: Montreal Museum of Fine Arts in association with Snoeck Publishers, 2003. Exhibition catalogue.

 

Archer 1997
Archer, Michael. Art since 1960. London: Thames and Hudson, 1997.

 

Architectural Digest 1972
“Living with Arp, Belling, Duchamp, Johns, Kelly, Leger, Lichtenstein, Morandi, Noland, Oldenburg, Schlemmer, Stella, Storrs, Warhol.” Architectural Digest (September–October 1972), pp. 42–45, 107–8.

 

Architectural Forum 1968
“Decor…and Signs.” Architectural Forum 128, no. 2 (March 1968), p. 84.

 

Archives of American Art Journal 2007
Archives of American Art Journal. Special issue, The 60s, 46, nos. 3–4 (Fall 2007).

 

Arditi 1996
Arditi, Fiamma. “Lichtenstein, il pop è un paesaggio bianco.” La stampa (Turin), September 27, 1996, p. 23.

 

Arditi 1997
Arditi, Fiamma. “Roy Lichtenstein: L’anima gioiosa del Pop.” La stampa (Turin), October 1, 1997, p. 23.

 

Argonauta 1970
Argonauta. “Avanguardia americana.” Il capitalé (June 1970), pp. 37–38.

 

T. Armstrong and Growe 1981
Armstrong, Tom, and Bernd Growe. Amerikanische Malerei 1930–1980. Munich: Haus der Kunst, 1981. Exhibition catalogue. (1981 Munich Haus der Kunst).

 

T. Armstrong and Larsen 1989
Armstrong, Tom, and Susan C. Larsen. Art in Place: Fifteen Years of Acquisitions. New York: Whitney Museum of American Art, 1989. Exhibition catalogue. (1989a New York Whitney).

 

E. Armstrong and McGuire 1989
Armstrong, Elizabeth, and Sheila McGuire. First Impressions: Early Prints by Forty-Six Contemporary Artists. New York: Hudson Hills Press in association with Walker Art Center, Minneapolis, 1989. Exhibition catalogue. (1989 Minneapolis Walker).

 

E. Armstrong 1984
Armstrong, Elizabeth. Prints from Tyler Graphics. Minneapolis: Walker Art Center, 1984. Exhibition catalogue. (1984 Minneapolis Walker).

 

E. Armstrong et al. 1987
Armstrong, Elizabeth, et al. Tyler Graphics: The Extended Image. Minneapolis: Walker Art Center; New York: Abbeville Press, 1987.

 

M. Armstrong 1990
Armstrong, Matthew. “Searching High and Low.” MoMA: The Members Quarterly of the Museum of Modern Art (New York) 2, no. 6 (fall 1990), pp. 4–8, 16–17.

 

R. Armstrong 1984
Armstrong, Richard. “Cheez Whiz.” Artforum International 22, no. 8 (April 1984), pp. 61–65.

 

Arnason 1968
Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. New York: Harry N. Abrams, 1968.

 

Arnason 1977
Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. 2nd ed. New York: Harry N. Abrams, 1977.

 

Arnason 1986
Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. Revised ed. Updated by Daniel Wheeler. New York: Harry N. Abrams, 1986.

 

Aronson 1995
Aronson, Steven M. L. “Architectural Digest Visits: Leo Castelli, the Legendary Art Dealer’s Fifth Avenue Collection.” Architectural Digest (October 1995), pp. 142–49, 226–27.

 

Arquitectura 1963
“Advertencia con indiscutibles fondos filosóficos.” Arquitectura (Mexico City), no. 18 (June 1963), pp. 120–26.

 

Arroyue 1985
Arroyue, Francisco J. “Identité picturale et indentité nationale.” Colóquio: Artes (Lisbon), no. 67 (1985).

 

Art and Antiques 1984
“Artful Artifacts.” Art and Antiques (December 1984), pp. 7, 69.

 

Art and Artists 1969
Daley, Janet. “Pop Vulgarism.” Art and Artists 4, no. 4 (July 1969), pp. 44–45.

 

Art Gallery, University of New Mexico 1964
Art Gallery, University of New Mexico, Albuquerque. Selections from the L. M. Asher Family Collection. Albuquerque: Art Gallery, University of New Mexico, 1964. Exhibition catalogue.

 

Art Institute of Chicago 1963
Art Institute of Chicago. 66th Annual American Exhibition: Directions in Contemporary Painting and Sculpture. Chicago: Art Institute of Chicago, 1963. Exhibition catalogue. (1963 Chicago Art Institute).

 

Art Institute of Chicago 1966
Art Institute of Chicago. 26th Annual Exhibition by the Society for Contemporary American Art. Chicago: Art Institute of Chicago, 1966. Exhibition catalogue. (1966 Chicago Art Institute).

 

Art Institute of Chicago 1972
Art Institute of Chicago. Seventieth American Exhibition. Chicago: Art Institute of Chicago, 1972. Exhibition catalogue.

 

Art Institute of Chicago 1975
Art Institute of Chicago. The Small Scale in Contemporary Art. Chicago: Art Institute of Chicago, 1975. Exhibition catalogue. (1975 Chicago Art Institute).

 

Art Institute of Chicago 1976
Art Institute of Chicago. Seventy-Second American Exhibition. Chicago: Art Institute of Chicago, 1976. Exhibition catalogue. (1976 Chicago Art Institute).

 

Art Institute of Chicago 2000
Art Institute of Chicago. Treasures from the Art Institute of Chicago. Chicago: Art Institute of Chicago, 2000.

 

Art Market Report 2007
The Art Market Report (Hollis Taggart Galleries, New York) (Spring–Summer 2007).

 

Art Newspaper 2001
“Lichtenstein’s Brushstrokes Legacy at Mitchell-Innes and Nash While Gagosian Installs ‘Brushtroke’ at the Seagram Building Plaza.” Art Newspaper 12, no. 119 (November 2001), pp. 72–73.

 

Art Students League 1975
Art Students League, New York. The Kennedy Galleries Are Host to the Hundredth Anniversary Exhibition of Paintings and Sculptures by 100 Artists Associated with the Art Students League of New York. New York: Art Students League of New York, 1975. Exhibition catalogue. (1975 New York Kennedy).

 

Art Students League News 1962
“The New Realists: Pacesetters or Passés?” Art Students League News 15, no. 9 (December 1962), unpaginated.

 

Art Voices 1962
“Leo Castelli: Avant Garde Dealer Discovers ‘Breakthrough’ Artists.” Art Voices (New York) 1, no. 2 (November 1962), p. 27.

 

Art Voices [1964?]
“Castelli Group.” Art Voices (New York).

 

Arte Contemporanea 1967
“Opere viste.” Arte Contemporanea (November 1967).

 

Arte oggi 1964
Arte oggi (Rome). Special issue, Cos’è la pop art? Inchiesta 6, no. 21 (September 1964), pp. 5–48.

 

Arteaga 1999
Arteaga, Agustín. “Roy Lichtenstein: Recognizable Images.” In Lichtenstein: Sculpture and Drawings, by Corcoran Gallery of Art, Washington, D.C. Washington, D.C.: Corcoran Gallery of Art, 1999, pp. 37–55. Exhibition catalogue.

 

Artes plásticas [n.d.]
“Nuevas estructuras, nuevos símbolos.” Artes plásticas.

 

Arti 1993
“American Art in the 20th Century: Painting and Sculpture (1913–1993): A Major Exhibition in Berlin and London.” Arti 13 (January–February 1993), pp. 186–89.

 

Artis 1998
Artis and Committee for “The Prints of Roy Lichtenstein”. The Prints of Roy Lichtenstein: Cosmos of His Art, 1948–1997. [n.p.]: Artis and Committee for “The Prints of Roy Lichtenstein”, 1998. Exhibition catalogue. (1998 Tokyo Odakyu).

 

Artner 1977a
Artner, Alan G. “Roy Lichtenstein: Richard Gray Gallery.” ARTnews 76, no. 4 (April 1977), p. 94.

 

Artner 1977b
Artner, Alan G. “Roy Lichtenstein: Ruler of Pop’s Cartoon Kingdom.” Chicago Tribune, January 23, 1977, Arts and Fun, secs. 6–7, p. 5.

 

Artner 1984
Artner, Alan G. “Roy Lichtenstein: A Father of Pop Stretches beyond ’60s Cartoons.” Chicago Tribune, November 11, 1984, sec.13, p. 30.

 

Arts Advocate 1995
“The Celebration of a Student and His Teacher.” Arts Advocate: The Ohio State University College of the Arts 16, no. 1 (fall 1995), pp. 1, 7.

 

Arts Magazine 1970
“News of the Art World.” Arts Magazine (New York) 36, no. 2 (November 1970), p. 20.

 

Arts Magazine 1974
“Group Show.” Arts Magazine (New York) 49, no. 4 (December 1974), p. 7.

 

Artur 1994
“Man siehts oder man siehts nicht.” Artur 2 (1994), pp. 18–21.

 

Ashbery 1964
Ashbery, John. “Art and Artists: U.S. Takeover in Paris.” New York Herald Tribune, May 26, 1964, p. 5.

 

Ashbery 1965
Ashbery, John. “Pop Art Switches to Aggressive Neutral Banality.” New York Herald Tribune, June 15, 1965, p. 5.

 

Ashbery 1967
Ashbery, John. “Roy Lichtenstein.” In American Masters: Art Students League. New York: Art Students League, 1967. Exhibition catalogue. (1967 Quincy, Ill., Quincy Art Center).

 

Ashbery 1978
Ashbery, John. “Something Borrowed, Something New.” New York Magazine (August 7, 1978), pp. 54–55.

 

Asher-Faure 1990
Asher-Faure. Home. Los Angeles: Asher-Faure, 1990. Exhibition catalogue. (1990 Los Angeles Asher-Faure).

 

Ashton 1954a
A[shton], D[ore]. “Murch Oils Show Power of ‘Things’.” New York Times, March 11, 1954, p. 29.

 

Ashton 1954b
A[shton], D[ore]. “Other New Shows.” New York Times, March 3, 1954, p. 25.

 

Ashton 1962a
Ashton, Dore. “New York Report.” Das Kunstwerk 16, no. 4 (October 1962), pp. 26–27.

 

Ashton 1962b
Ashton, Dore. “New York Report.” Das Kunstwerk 16, nos. 5–6 (November 1962), p. 68.

 

Ashton 1964
Ashton, Dore. “On the Way to the Fair.” Studio International 168, no. 857 (September 1964), pp. 118–21.

 

Ashton 1968
Ashton, Dore. Social Comment in America. New York: Museum of Modern Art, 1968. Exhibition catalogue.

 

Ashton 1969
Ashton, Dore. “New York Commentary.” Studio International 178, no. 916 (November 1969), pp. 176–77.

 

Ashton 1970a
Ashton, Dore. “New York Commentary.” Studio International 179, no. 920 (March 1970), pp. 118–24.

 

Ashton 1970b
Ashton, Dore. L’art vivant aux États-Unis. Saint-Paul-de-Vence, France: Fondation Maeght, 1970. Exhibition catalogue. (1970 Saint-Paul-de-Vence Maeght).

 

Ashton 1974
Ashton, Dore. “Retrospective/Perspective, 1961/1974.” Arts Magazine (New York) 49, no. 1 (September 1974), pp. 34–39.

 

Äström 1964
Äström, Lars Erikstr. “Pop-mer eller mindre.” Svenska dagbladet (Stockholm), February 29, 1964, p. 5.

 

Atelier 1994
“A Major Retrospective Exhibition of Roy Lichtenstein: The Guggenheim Museum, Famed for Its Round Shape, Is Buried in 135 of the Artist’s Works.” Atelier: Magazine of International Art, no. 803, pp. 4–41.

 

Atkins 1996
Atkins, Robert. “Roy Lichtenstein: Where Are We Going?” Esquire Special (Tokyo) 10, no. 2 (February 1996), pp. 36–39.

 

Atkinson 1965
Atkinson, Tracy. Pop Art and the American Tradition. Milwaukee: Milwaukee Art Center, 1965. Exhibition catalogue. (1965 Milwaukee Art Center).

 

Atsuo 1995
Atsuo, Yasuda, ed. (Un)framing. Tokyo: Foundation Arc-en-Ciel, 1995. Exhibition catalogue. (1995 Tokyo Hara).

 

Auckland City Art Gallery 1969
Auckland City Art Gallery. Banners from New York: Auckland City Art Gallery Festival Exhibition. Auckland: Auckland City Art Gallery, 1971. Exhibition brochure. (1969 Auckland City Art Gallery).

 

Aue 1971
Aue, Walter. Typos I: Zeit/Beispiele. Bad Homburg: Tsamas Verlag, 1971.

 

Auer 1980
Auer, James. “Lichtenstein, Wit Style.” Journal (Eau Claire, Wis.), 1980.

 

Auer 1999
Auer, James. “Pow! Crak! Roy Is Back.” Milwaukee Journal Sentinel, September 30, 1999, pp. E1, E4.

 

Auffermann 1994
Auffermann, Verena. “Spiegelungen: Die große Roy-Lichtenstein-Retrospektive in München.” Frankfurter Rundschau, November 5, 1994.

 

Augur et al. 1982
Augur, Julie, et al. Leo Castelli and His Artists. Aspen: Aspen Center for the Visual Arts, 1982. Exhibition catalogue. (1982 La Jolla MCA).

 

Avedon 1965
Avedon, Richard, ed. “The Editor’s Guest Book.” Harper’s Bazaar (April 1965), p. 141.

 

Averty 2013
Averty, Christophe. “Mise en relief.” Connaissance des arts, no.589, pp. 40–47.

 

Averty 2013
Averty, Christophe. “Des points c’est tour?” Connaissance des arts, no.589, pp. 18–23.

 

Babington 2012
Babington, Jaklyn. Roy Lichtenstein: Pop Remix. Canberra: National Gallery of Australia, 2012. Exhibition catalogue. (2012 Mornington MPRG).

 

Bader 2000
Bader, Graham. “Roy Lichtenstein’s Absorbing Landscapes.” Art on Paper, no. 5 (November–December 2000), pp. 44–49.

 

Bader 2003
Bader, Graham. “Roy Lichtenstein’s Flatness.” Talk, June 15, 2003.

 

Bader 2005
Bader, Graham Paul. “Roy Lichtenstein, Pop and the Face of Painting in the 1960s.” PhD diss., Harvard University, Cambridge, Mass., 2005.

 

Bader 2006
Bader, Graham. “Donald’s Numbness.” Oxford Art Journal 29, no. 1 (March 2006), pp. 93–113.

 

Bader 2009
Bader, Graham, ed. Roy Lichtenstein. October Files 7. Cambridge, Mass.: MIT Press, 2009.

 

Bader 2010
Bader, Graham. Hall of Mirrors: Roy Lichtenstein and the Face of Painting in the 1960s. Cambridge, Mass.: MIT Press, 2010.

 

Bader 2010a
Bader, Graham. “Drawing Touch.” In Roy Lichtenstein: The Black-and-White Drawings, 1961–1968, by Isabelle Dervaux. Ostfildern, Germany: Hatje Cantz in association with Morgan Library & Museum, New York, 2010, pp. 43–51. Exhibition catalogue.

 

Bader 2011
Bader, Graham. “Emptied Gesture.” Artforum International 49, no. 10 (summer 2011), pp. 346–51.

 

Baigell 1966
Baigell, Matthew. “American Abstract Expressionism and Hard Edge: Some Comparisons.” Studio International 171, no. 873 (January 1966), pp. 10–15.

 

E. Baker 1966
Baker, Elizabeth C. “Reviews and Preview: Group Shows: Bianchini.” ARTnews 64, no. 10 (February 1966), p. 53.

 

E. Baker 1971
Baker, Elizabeth C. “The Glass of Fashion and the Mold of Form.” ARTnews 70, no. 2 (April 1971), pp. 40–41, 65–66.

 

E. Baker 1972
Baker, Elizabeth C. “Reviews and Previews: Roy Lichtenstein.” ARTnews 70, no. 9 (January 1972), p. 18.

 

E. Baker 1992
E[lizabeth]. C. B[aker]., ed. “Art and Politics: A Pre-election Symposium.” Art in America 80, no. 10 (October 1992), p. 40.

 

E. Baker 1997a
Baker, Elizabeth C. “Riding Horses on the Beach, Talking Art in a Loft.” New York Times, October 5, 1997, p. 50.

 

E. Baker 1997b
Baker, Elizabeth C. “Roy Lichtenstein, 1923–1997.” Art in America 85, no. 12 (December 1997), p. 21.

 

K. Baker 1977
Baker, Kenneth. “Expediency As Art.” OSM (September 30, 1977).

 

K. Baker 1997
Baker, Kenneth. “Lichtenstein: Connecting the Dots in a Unique Comic Vision.” San Francisco Chronicle, September 30, 1997, p. D1.

 

K. Baker 2004a
Baker, Kenneth. “Lichtenstein at Meyerovich.” San Francisco Chronicle: Datebook, October 23, 2004, p. E10.

 

K. Baker 2004b
Baker, Kenneth. “To Fully Connect with Lichtenstein’s Power and Significance, Start Where the SFMOMA Show Ends, and Finish Where It Starts.” San Francisco Chronicle: Datebook, October 22, 2004, pp. E1, E11.

 

R. Baker 1963
Baker, Richard Brown. “Two in the First Row.” Art in America: Museum Preview, no. 5 (1963), pp. 88–91.

 

R. Baker 1979
Baker, Richard Brown. Selections from the Collection of Richard Brown Baker. Princeton, N.J.: Squibb Gallery, 1979. Exhibition catalogue.

 

R. Baker 1985
Baker, Richard Brown. Fortissimo! Thirty Years from the Richard Brown Baker Collection of Contemporary Art. Providence: Museum of Art, Rhode Island School of Design, 1985. Exhibition catalogue. (1985 Providence RISD).

 

R. Baker 1999
Baker, Richard Brown. “The Days and Nights of a Collector.” The Paris Review (fall 1999), pp. 41, 152.

 

C. Baldwin 1973a
Baldwin, Carl. “Le penchant des peintres américains pour le réalisme.” Connaissance des arts, no. 254 (April 1973), pp. 112–20.

 

C. Baldwin 1973b
Baldwin, Carl. “Realism: The American Mainstream.” Realities (London), no. 276 (November 1973), pp. 42–51.

 

C. Baldwin 1974
Baldwin, Carl. “On the Nature of Pop.” Artforum 12, no. 10 (June 1974), pp. 34–37.

 

N. Baldwin 1970
Baldwin, Nick. “Pop Art! Des Moines Art Center Buys Roy Lichtenstein’s ‘The Great Pyramid’.” Des Moines Register, February 27, 1970, p. 22.

 

Ballatore 1975a
Ballatore, Sandy. “Lichtenstein Paintings and Sculpture.” Artweek 6, no. 23 (June 14, 1975), p. 5.

 

Ballatore 1975b
Ballatore, Sandy. “Roy Lichtenstein: Transitional Paintings.” Artweek 6, no. 17 (April 26, 1975), p. 3.

 

Bandera, Benedetti, and Crispolti 1963
Bandera, Antonio, Sandro Benedetti, and Enrico Crispolti. Aspetti dell’arte contemporanea: Rassegna internazionale: Architettura, pittura, scultura, grafica/Omaggio a Cagli: Retrospettiva antologica 1944–’63/Omaggio a Fontana: Retrospettiva antologica 1930–’63/Omaggio a Quaroni: Retrospettiva antologica 1947–’62. Rome: Edizioni dell’Ateneo, 1963. Exhibition catalogue.

 

Bandlow 2001a
Bandlow, Karen. “Roy Lichtenstein: Landscapes in the Chinese Style.” MA thesis, Ruprecht-Karls-Universität, Heidelberg, 2001.

 

Bandlow 2001b
Bandlow, Karen. “Roy Lichtenstein: Landscapes in the Chinese Style.” Translated from the German by Russell Stockman. MA thesis, Ruprecht-Karls-Universität, Heidelberg, 2001.

 

Bandlow 2005
Bandlow, Karen. “Roy Lichtenstein und Ostasien und Roy Lichtenstein.” PhD diss., Universität Heidelberg, 2005.

 

Bandlow 2006
Bandlow, Karen. “Nicht nur Warhols Mao: Mao Zedong in der Kunst von Roy Lichtenstein und Wang Ziwei.” Ostasiatische Zeitschrift (Cologne), no. 11 (spring 2006), pp. 55–59.

 

Bandlow 2007
Bandlow, Karen. Roy Lichtenstein und Ostasien. Studien zur internationalen Architektur- und Kunstgeschichte 59. Petersberg, Germany: Michael Imhof Verlag, 2007.

 

Bandlow-Bata 2011
Bandlow-Bata, Karen. “Roy LichtensteinLandscapes in the Chinese Style.” In Landscapes in the Chinese Style, by Gagosian Gallery, Hong Kong. Translated from the German by Ishbel Flett and Catherine Schelbert. Hong Kong: Gagosian Gallery, 2011, pp. 7–15. Exhibition catalogue.

 

Bankowsky 1988
Bankowsky, Jack. “Roy Lichtenstein.” Flash Art, no. 140 (May–June 1988), p. 105.

 

Bannard 1966
Bannard, Walter Darby. “Present-Day Art and Ready-Made Styles.” Artforum 5, no. 4 (December 1966), pp. 30–35.

 

Bannard 1970
Bannard, Walter Darby. “Notes on an Auction.” Artforum 9, no. 1 (September 1970), pp. 62–64.

 

Barilli 1982
Barilli, Renato. “Su Lichtenstein.” In Roy Lichtenstein 1970–1980, by Jack Cowart. Translated from the English by Stefania Coppi. Florence: Electa, 1982, pp. 9–12. Exhibition catalogue.

 

Barnett 1984
Barnett, Vivian Endicott. 100 Works by Modern Masters from the Guggenheim Museum. New York. Harry N. Abrams: 1984.

 

Baro 1968
Baro, Gene. “Roy Lichtenstein: Technique As Style.” Art International 12, no. 9 (November 1968), pp. 35–38.

 

Barozzi 1966
Barozzi, Paolo. “Roy Lichtenstein e i fumetti.” Tempo presente (Rome) 11, no. 1 (June 1966), pp. 59–62.

 

Barrio-Garay 1974
Barrio-Garay, José-Luis. “Crónica de Nueva York.” Goya (Madrid), no. 123 (November–December 1974), pp. 166–171.

 

Barro 2006
Barro, David. Sin título (El arte del siglo XX en la Colección Berardo). A Coruña, Spain: Fundación Pedro Barrié de la Maza, 2006. Exhibition catalogue. (2006 A Coruña Pedro Barrié).

 

Barron 1975
Barron, Stephanie. “Matisse and Contemporary Art: 1950–1970.” Arts Magazine (New York) 49, no. 9 (May 1975), pp. 66–67.

 

Barron 1982
Barron, Stephanie. “Painless Expressionism.” ARTnews 81, no. 7 (September 1982), pp. 64–65.

 

Barron and Draguet 2006
Barron, Stephanie, and Michel Draguet. Magritte and Contemporary Art: The Treachery of Images. Los Angeles: Los Angeles County Museum of Art; Ghent: Ludion, 2006. Exhibition catalogue. (2006b Los Angeles LACMA).

 

Barron and Zelevanksy 2001
Barron, Stephanie, and Lynn Zelevansky. Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections. Los Angeles: Los Angeles County Museum of Art in association with Harry N. Abrams, New York, 2001. Exhibition catalogue. (2001 Los Angeles LACMA).

 

Barry 1965
Barry, Edward. Chicago Tribune, June 20, 1965, pp. 1–2.

 

Bartsch 1979
Bartsch, Ingo. “Stilleben und Avantgarde.” In Stilleben in Europa, edited by Gerhard Langemeyer and Hans-Albert Peters. Münster: Landschaftsverband Westfalen-Lippe, 1979, pp. 514–38. Exhibition catalogue.

 

Basquin 1978
Basquin, Kit. “Early Lichtenstein.” Indianapolis: Washington Gallery, 1978. Exhibition brochure. (1978 Indianapolis Washington).

 

Bass 1992
Bass, Ruth. “Roy Lichtenstein.” ARTnews 91, no. 5 (May 1992), p. 122.

 

Bastian 1996
Bastian, Heiner. Sammlung Marx: Hamburger Bahnhof Museum für Gegenwart, Berlin. Vol. 2. Munich: Schirmer/Mosel, 1996.

 

Baticle and Georgel 1976
Baticle, Jeannine, and Pierre Georgel. Technique de la peinture: L’atelier. Paris: Éditions des Musée Nationaux, 1976. Exhibition catalogue. (1976 Paris Louvre).

 

Battcock 1966
Battcock, Gregory, ed. The New Art: A Critical Anthology. New York: E.P. Dutton and Co., 1966.

 

Battcock 1968
Battcock, Gregory, ed. Minimal Art: A Critical Anthology. New York: E.P. Dutton and Co., 1968.

 

Battcock 1970
Battcock, Gregory. “Wall Paintings and the Wall.” Arts Magazine (New York) 45, no. 3 (December–January 1970), pp. 24–26.

 

Battcock 1971
Battcock, Gregory. “New York.” Art and Artists 6, no. 3 (June 1971), pp. 58–59.

 

Bauer 2007
Bauer, Hans, ed. Kunst im Donau-Einkaufszentrum von 1967–2007. Regensburg: Erhardi, 2007.

 

Bauerle, Treu, and Meier-Grolman 1986
Bauerle, Dorothée, Erwin Treu, and Burkhard Meier-Grolman. Kunst nach 1945: Stiftung Sammlung Kurt Fried. Kataloge des Ulmer Museums 8. Ulm: Ulmer Museum, 1986.

 

Baum 1974
Baum, Peter, ed. Kunst der sechziger Jahre: Internationale Graphik in Beispielen der Sammlung Ludwig, Köln. Linz: Neue Galerie der Stadt Linz, 1974. Exhibition catalogue.

 

Baume 1995
Baume, Nicholas. From Christo and Jeanne-Claude to Jeff Koons: John Kaldor Art Projects and Collection. Sydney: Museum of Contemporary Art, 1995. Exhibition catalogue. (1995 Sydney MCA).

 

Baumgold 1968
Baumgold, Jule. “The Superstore.” New York Magazine 1, no. 33 (November 18, 1968), pp. 36–40.

 

Baur 1992
Baur, Eva-Gesine. “Mit allen Wassern gewaschen.” Rafael’s World, no.1 (1992), pp. 35–36.

 

Bay 1990
Bay, Timothy. Pop on Paper. New York: James Goodman Gallery, 1990. Exhibition catalogue. (1990 New York J. Goodman).

 

Alex Beam 2006
Beam, Alex. “Lichtenstein: Creator or Copycat?” Boston Globe, October 18, 2006, Living Arts sec., pp. D1–D2.

 

Alvin Beam 1970
Beam, Alvin. “Books for Christmas.” Plain Dealer (Cleveland), December 13, 1970, p. P7.

 

Beaucamp 1980
Beaucamp, Eduard. “Die Zukunft liegt in der Vergangenheit.” Frankfurter allgemeine Zeitung, no. 136, June 14, 1980.

 

Beaucamp 1982
Beaucamp, Eduard. “Jenseits von Pop.” Frankfurter allgemeine Zeitung, March 18, 1982.

 

J. Becker and Vostell 1965
Becker, Jürgen, and Wolf Vostell, eds. Happenings, Fluxus, Pop Art, Nouveau, Réalisme: Eine Dokumentation. Reinbek bei Hamburg: Rowohlt, 1965.

 

W. Becker 1969
Becker, Wolfgang. “Die Sammlung Ludwig im Wallraf-Richartz-Museum.” Köln: Vierteljahrschrift für die Freunde der Stadt, Verkehrsamt der Stadt Köln, no. 2 (1969), pp. 88–101.

 

W. Becker 1977
Becker, Wolfgang. Der ausgestellte Künstler: Museumskunst seit 45/The Artist Exhibited: Art for the Museum since 1945/L’artiste exposé: L’art de musée depuis 45. 2 vols. Aachen: Neue Galerie, Sammlung Ludwig, 1977.

 

W. Becker 1992
Becker, Wolfgang, ed. Ludwig Forum für internationale Kunst: Gemälde, Skulpturen, Installationen, Auswahl aus dem Bestand der Sammlungen. Aachen: Ludwig Forum für Internationale Kunst, 1992. Exhibition catalogue.

 

W. Becker 1999
Becker, Wolfgang. I Love Pop: Europa–USA Anni ’60: Mitologie del quotidiano. Milan: Electa, 1999. Exhibition catalogue. (1999 Rome Bramante).

 

W. Becker 2001
Becker, Wolfgang. Streit-Lust: For Argument’s Sake: Die Kunst der letzten 30 Jahre und die Sammlung Ludwig. Cologne: Wienand Verlag, 2001. Exhibition catalogue. (2001 Aachen Ludwig Forum).

 

Beeren 1966
Beeren, Wim. “De 33e biennale van Venetië.” Museumjournaal voor moderne Kunst 11, no. 6 (1966), pp. 144–55.

 

Celina Bell 1994
Bell, Celina. “The Jazz Age and a Pop Sage: Two Modern Painters Evoke the Spirit of Their Times.” Macleans (Montreal) 107, no. 29 (July 18, 1994), pp. 50–51.

 

Clare Bell 2010
Bell, Clare. “A Room.” In Roy Lichtenstein: The Black-and-White Drawings, 1961–1968, by Isabelle Dervaux. Ostfildern, Germany: Hatje Cantz in association with the Morgan Library &Berardi Museum, New York, 2010, pp. 64–75. Exhibition catalogue.

 

Clare Bell 2013a
Bell, Clare. “Concrete Siren: Roy Lichtenstein’s Mermaid.” In Lichtenstein Sculptor, by Germano Celant. Milan: Skira Editore, 2013, pp. 25–31. Exhibition catalogue.

 

Clare Bell 2013b
Bell, Clare. “Roy Lichtenstein: Ses outils de travail et l’élaboration d’un style.” In Roy Lichtenstein, edited by Camille Morineau. Paris: Éditions du Centre Pompidou, 2013, pp. 177–85. Exhibition catalogue. Essay translated from the English by Jean-François Allain.

 

Clare Bell 2014
Bell, Clare. “A Parable of Excess.” Art in America (December 2014), pp. 130–37.

 

Clare Bell 2015
Bell, Clare. “Beautiful Kitsch.” In Roy Lichtenstein: Between Sea and Sky, Guild Hall. East Hampton: Officina Libraria in collaboration with Guild Hall, East Hampton, New York, 2015, pp. 11–21. Exhibition catalogue.

 

J. Bell 1996
Bell, J. Bowyer. “Leo, Roy and Ground Zero: Thirty-Five Years On.” Review (New York) (October 1, 1996), pp. 1–5.

 

Belli 2002
Belli, Gabriella, ed. Le stanze dell’arte: Figure e immagini del XX secolo. Milan: Skira, 2002. Exhibition catalogue. (2002 Rovereto Museo di Arte Moderna).

 

Belt 1969
Belt, Byron. “Lichtenstein Pops into the Guggenheim.” Newhouse News.

 

Belz and Goldberg 1987
Belz, Carl, and Beth Goldberg. Postwar Paintings from Brandeis University. San Francisco: Art Museum Association of America, 1987. Exhibition catalogue. (1987 Miami FIU).

 

Benchley 1966
Benchley, Peter. “The Story of Pop: What It Is and How It Came to Be.” Newsweek 67 (April 25, 1966), pp. 56–58, 61.

 

Benedikt 1966a
Benedikt, Michael. “New York Letter.” Art International 10, no. 2 (February 1966), pp. 63–66.

 

Benedikt 1966b
Benedikt, Michael. “New York Letter.” Art International 10, no. 4 (April 1966), pp. 79–85.

 

Bengtsson et al. 1963
Bengtsson, Dick. Pop. Stockholm: Galleri Observatorium, 1963. Exhibition brochure. (1963 Stockholm Observatorium).

 

Benson 1962
Benson, Gertrude. “Non-Partisan Education: A Success Story.” Jewish Exponent (Philadelphia), November 16, 1962, p. 19.

 

Benthall 1968
Benthall, Jonathan. “Art As Programming: Reflexions on Roy Lichtenstein.” Cambridge [England] Quarterly (1968), pp. 107–14.

 

Berardo 2007
Museu Colecção Berardo. Museu Berardo: An Itinerary. London: Thames & Hudson in association with Museu Colecção Berardo, Lisbon, 2007.

 

Berg et al. 1961
Berg, Paul, et al. “About-Face from the Abstract.” St. Louis Post-Dispatch: Sunday Pictures, December 31, 1961, pp. 10–11.

 

Berger 1995
Berger, Laurel. “Dotting the Eyes.” ARTnews 94, no. 3 (March 1995), p. 25.

 

Berggruen 1995
John Berggruen Gallery, San Francisco. XXV Years: An Exhibition Celebrating the 25th Anniversary of John Berggruen Gallery. San Francisco: John Berggruen Gallery, 1995. Exhibition catalogue. (1995 San Francisco Berggruen).

 

Bergmark 1964a
Bergmark, Torsten. “Pop-den amerikanska drömmen.” Dagens nyheter (Stockholm), February 25, 1964, p. 3.

 

Bergmark 1964b
Bergmark, Torsten. “Svitch-blang pä Moderna museet.” Dagens Nyheter (Stockhom), February 29, 1964, p. 4.

 

Berkson 1965
B[erkson], W[illiam]. “In the Galleries: Warhol, Oldenburg, Lichtenstein.” Arts Magazine (New York) 39, nos. 8–9 (May–June 1965), pp. 59–60.

 

Berkson 1966a
Berkson, William. “In the Galleries: Roy Lichtenstein.” Arts Magazine (New York) 40, no. 3 (January 1966), pp. 54–55.

 

Berkson 1966b
Berkson, William. “In the Galleries: Ten from Rutgers.” Arts Magazine (New York) 40, no. 5 (March 1966), pp. 59–60.

 

Berkson 1987
Berkson, William. “Made in U.S.A.” Artforum International 26, no. 2 (October 1987), pp. 145–47.

 

Berman 1981
Berman, Avis. “Where’ve You Been Roy Lichtenstein?” Review (Eastern Airlines) (April 1981), pp. 62–67.

 

Berman 2002
Berman, Avis. “In a New Times Square, a Wink at Futures Past.” New York Times, September 1, 2002, pp. 1, 25.

 

Berman 2003
Berman, Avis. “The Transformations of Roy Lichtenstein: An Oral History.” In Roy Lichtenstein: All about Art, edited by Michael Juul Holm, Poul Erik Tøjner, and Martin Caiger-Smith. Humlebaek, Denmark: Louisiana Museum of Modern Art, 2003, pp. 114–33. Exhibition catalogue.

 

Berman 2005
Berman, Avis. “‘Joy and Bravura and Irreverence’: Roy Lichtenstein and Images of Women.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005, pp. 138–44. Exhibition catalogue.

 

Berman 2007
Berman, Avis. “En primera línea: Roy Lichtenstein en acción.” In Roy Lichtenstein: De principio a fin, by Fundación Juan March, Madrid. Translated from the English by Paloma Farré. Madrid: Fundación Juan March, 2007, pp. 116–35. Exhibition catalogue.

 

Bernadac 1991
Bernadac, Marie-Laure. “Picasso au tamis de Lichtenstein: Le style contre l’image.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 70–82.

 

Bernard and Thompson 1986
Bernard, April, and Mimi Thompson. “Roy Lichtenstein.” Bomb, no. 14 (winter 1986), pp. 22–27.

 

Berri 1990
Berri, Claude. Leo Castelli. Paris: Renn, 1990.

 

Berssenbrugge et al. 2016
Berssenbrugge, Mei-mei, et al. Drawing Then: Innovation and Influence in American Drawings of the Sixties. New York: Dominique Lévy, 2016. Exhibition catalogue.

 

Bertho 1984?
Bertho, Delphine.

 

Berwick 2002
Berwick, Carly. “ARTtalk: A Giant Stroke for Mankind.” ARTnews 101, no. 1 (January 2002), p. 27.

 

Berwick 2006
Berwick, Carly. “Roy Lichtenstein: American Indian Encounters.” ARTnews 105, no. 3 (March 2005), p. 142.

 

Beyeler 1996
Beyeler, Ernst, ed. The Exhibition from Swiss Private Collections. [n.p.]: Nippon Television Network Corp., 1996. Exhibition catalogue. (1996 Sapporo Hokkaido).

 

Beyeler (Fondation) 1997
Fondation Beyeler, Riehen, Switzerland. Fondation Beyeler. Munich: Prestel Verlag, 1997. Exhibition catalogue.

 

Beyeler (Fondation) 1998
Fondation Beyeler, Riehen, Switzerland. Roy Lichtenstein. Zurich: ProLitteris, 1998. Exhibition catalogue. (1998 Riehen Fondation Beyeler).

 

Beyeler (Fondation) 2000
Fondation Beyeler, Riehen, Switzerland. Neuzugänge 1998–2000: Paul Cézanne, Vincent van Gogh, Pablo Picasso, Fernard Léger, Marc Chagall, Paul Klee, Jean Dubuffet, Roy Lichtenstein, Andy Warhol, Antonio Tàpies, Christo. Riehen, Switzerland: Fondation Beyeler, 2000.

 

Beyeler (Fondation) 2002
Fondation Beyeler, Riehen, Switzerland. Claude Monet . . . bis zum digitalen Impressionismus. Munich: Prestel Verlag, 2002. Exhibition catalogue. (2002 Riehen Fondation Beyeler).

 

Beyeler (Fondation) 2003
Fondation Beyeler, Riehen, Switzerland. Neuzugänge 1998–2003: Vincent van Gogh, Paul Cézanne, Claude Monet, Pablo Picasso, Marc Chagall, Fernard Léger, Paul Klee, Hans Arp, Mark Rothko, Andy Warhol, Roy Lichtenstein, Jean Dubuffet, Antoni Tàpies, Anselm Kiefer, Ellsworth Kelly, Christo/Recent Acquisitions 1998–2003. Riehen, Switzerland: Fondation Beyeler; Wolfratshausen, Germany: Edition Minerva, 2003.

 

Beyeler (Fondation) 2007
Fondation Beyeler, Riehen, Switzerland. The Other Collection: Homage to Ernst and Hildy Beyeler. Riehen, Switzerland: Fondation Beyeler, 2007. Exhibition catalogue. (2007 Riehen Fondation Beyeler).

 

Beyeler (Fondation) 2008a
Fondation Beyeler, Riehen, Switzerland. Ansichten. Vol. 12, Roy Lichtenstein. Riehen, Switzerland: Fondation Beyeler, 2008.

 

Beyeler (Fondation) 2008b
Fondation Beyeler, Riehen, Switzerland. Fernand Léger: Paris–New York. Riehen, Switzerland: Fondation Beyeler, 2008. Exhibition catalogue. (2008 Riehen Fondation Beyeler).

 

Beyeler (Galerie) 1973
Galerie Beyeler, Basel. Roy Lichtenstein. Basel: Galerie Beyeler, 1973. Exhibition catalogue. (1973 Basel Galerie Beyeler).

 

Beyeler (Galerie) 1974
Galerie Beyeler, Basel. America on Paper: Drawings, Pastels, Gouaches, Temperas, Collages, Oils. Basel: Galerie Beyeler, 1974. Exhibition catalogue. (1974 Basel Galerie Beyeler).

 

Beyeler (Galerie) 1976
Galerie Beyeler, Basel. Autres dimensions: Collages, assemblages, reliefs . . . Basel: Galerie Beyeler, 1976. Exhibition catalogue. (1976a Basel Galerie Beyeler).

 

Beyeler (Galerie) 1978
Galerie Beyeler, Basel. Petits formats. Basel: Galerie Beyeler, 1978. Exhibition catalogue. (1978a Basel Galerie Beyeler).

 

Beyeler (Galerie) 1980
Galerie Beyeler, Basel. Lettres et chiffres/Schrift im Bild. Basel: Galerie Beyeler, 1980. Exhibition catalogue. (1980 Basel Galerie Beyeler).

 

Beyeler (Galerie) 1982
Galerie Beyeler, Basel. Portraits et figures. Basel: Galerie Beyeler, 1982. Exhibition catalogue. (1982 Basel Galerie Beyeler).

 

Beyeler (Galerie) 1993a
Galerie Beyeler, Basel. Magic Blue. Basel: Galerie Beyeler, 1993. Exhibition catalogue. (1993c Basel Galerie Beyeler).

 

Beyeler (Galerie) 1993b
Galerie Beyeler, Basel. New York on Paper. Basel: Galerie Beyeler, 1993. Exhibition catalogue. (1993b Basel Galerie Beyeler).

 

Beyeler (Galerie) 1995
Galerie Beyeler, Basel. Surrealismus: Traum des Jahrhunderts. Basel: Galerie Beyeler, 1995. Exhibition catalogue. (1995 Basel Galerie Beyeler).

 

Beyeler (Galerie) 2003
Galerie Beyeler, Basel. The Spirit of White. Basel: Galerie Beyeler, 2003. Exhibition catalogue. (2003 Basel Galerie Beyeler).

 

Bezzola 1997
Bezzola, Leonardo. Das Kunstmuseum Solothurn, 1972–1997. Solothurn: Kunstverein Solothurn, 1997.

 

Bianchini 1970
Bianchini, Paul. Roy Lichtenstein: Drawings and Prints. 1st ed. Lausanne: Publications IRL, 1970. 2nd ed. New York: Chelsea House Publishers, [1970]. 3rd ed. Secaucus, N.J.: Wellfleet Books, 1988.

 

Bianchini Gallery and Contemporary Arts Center 1966
Bianchini Gallery, New York, and Contemporary Arts Center, Cincinnati. Master Drawings: Pissarro to Lichtenstein. New York: Bianchini Gallery; Cincinnati: Contemporary Arts Center, 1966. Exhibition catalogue. (1966 New York Bianchini).

 

Bieber, España, and Ivy 2004
Bieber, Susanneh, Teresa España, and Jackie Ivy. Variations on a Theme: American Prints from Pop Art to Minimalism: A Selection from the Anderson Graphic Arts Collection. Fresno, Calif.: Fresno Metropolitan Museum, 2004. Exhibition catalogue. (2004 Fresno Metropolitan).

 

Biemel 1971
Biemel, Walter. “Pop-Art und Lebenswelt.” Aachener Kunstblätter 40 (1971), pp. 194–214.

 

Biennale 1966
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Biennale 1986
Edizioni la Biennale, Venice. XLII esposizione internazionale d’arte, la Biennale di Venezia: Arte e scienza. Milan: Electa, 1986. Exhibition catalogue. (1986 Venice Biennale).

 

Bigel 2013
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Bihalji-Merin 1969
Bihalji-Merin, Oto. Ende der Kunst im Zeitalter der Wissenschaft? Stuttgart: Kohlhammer, 1969.

 

Bild 1995
“Roy Lichtenstein: Seine Bilder schockten die Kunst-Szene.” Bild, February 10, 1995.

 

Bildende Künst 1978
Bildende Kunst (Verband bildender Künstler der Deutschen demokratischen Republik, Berlin) 1978, no. 3 (March 1978).

 

Billeter 1965
Billeter, E. “Pop im Examen: Lichtenstein, Oldenburg, Rosenquist, Rauschenberg, Segal.” Speculum artis (Constance), no. 9 (1965), pp. 28–33.

 

Bjorkman 1966
Bjorkman, Carol. “Zam! Yves Set to Jolt Paris Today.” Women’s Wear Daily, August 1, 1966, pp. 1, 4–5, 14.

 

Blair 2000
Blair, Cynthia. “Roy Lichtenstein: Pop Artist Paints in Southampton.” Newsday: Long Islander of the Century, October 17, 2000, p. A19.

 

Blakeston 1978
Blakeston, Oswell. “U.S.A. and U.K.” Arts Review (London), (September 15, 1978).

 

Bland 2006
Bland, Bartholomew F. “Portrait of Bessie: The Cow in American Art.” In Got Cow? Cattle in American Art, 1820–2000. Yonkers: Hudson River Museum, 2006. Exhibition catalogue. (2006 Yonkers Hudson River).

 

Blau 2006
Blau, Douglas. “Roy Lichtenstein Pilfered Planes and Lifted Lines.” Wall Street Journal, May 29, 1981, p. 21.

 

Blechen 1988
Blechen, Camilla. “Märchenhafte Vergangenheit.” Frankfurter allgemeine Zeitung.

 

Blok 1967
Blok, C. “Roy Lichtenstein.” Museumjournaal voor moderne Kunst 12, no. 10 (1967).

 

Bloodworth and Ayres 2006
Bloodworth, Sandra, and William Ayres. Along the Way: MTA Arts for Transit. New York: Monacelli Press, 2006.

 

Bloomfield 2001
Bloomfield, Anna. “Roy Lichtenstein: Yellow Vase, 1991.” In The Lenore and Burton Gold Collection of 20th-Century Art, High Museum of Art. Atlanta: High Museum of Art, 2001, pp. 60–61. Exhibition catalogue.

 

Blotkamp 1970
Blotkamp, Carel Hendrik. Na de beeldenstorm: Drie opstellen over recente beeldende kunst. Vlaardingen: Drukkerij Van Dooren, 1970.

 

Blum Gallery 1967
Irving Blum Gallery, Los Angeles. Paintings and Sculpture from the Gallery Collection. Los Angeles: Irving Blum Gallery, 1967. Exhibition catalogue. (1967 Los Angeles Blum).

 

BlumHelman 1987
BlumHelman Gallery, New York. Roy Lichtenstein: Pop Masterpieces 1961–1964. New York: BlumHelman Gallery, 1987. Exhibition catalogue. (1987 New York BlumHelman).

 

Bløndal 1991
Bløndal, Torsten, ed. Popart from the Lilja Collection: Dine, Rosenquist, Lichtenstein, Rauschenberg. Hellerup, Denmark: Edition Bløndal; Høvikodden, Norway: Sonia Henie-Niels Onstad Foundations; Odense: Kunsthallen Brandts Klaedefabrik, 1991. Exhibition catalogue. (1991 Høvikodden Henie-Onstad).

 

BMW 1993
BMW Public Relations. Art Cars: BMW Art Car Collection: Kunst am Automobil/Automobile Art. Munich: BMW, 1993.

 

Boatto 1964
Boatto, Alberto. “Incontri newyorkesi.” La fiera letteraria (December 6, 1964), p. 11.

 

Boatto 1966
Boatto, Alberto. “Il fumetto al microscopio/The Comicstrip under the microscope/La bande dessinée au microscope.” Fantazaria (Rome). Special issue, Lichtenstein, edited by Boatto and Giordano Falzoni, 1, no. 2 (July–August 1966), pp. 14–22 (Italian), 52–61 (English), 90–100 (French).

 

Boatto 1967
Boatto, Alberto. Pop Art in U.S.A.: Dichiarazioni di Dine, Johns, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Segal, Warhol. Milan: Lerici, 1967.

 

Boatto 1967
Boatto, Alberto. Pop Art. Milan: Lerici, 1967. 2nd ed. Bari: Laterza, 1983.

 

Boatto 2015a
Boatto, Alberto. Pop Art. Rome and Bari, Italy: Gius. Laterza & Figli Spa., 2015.

 

Boatto 2015b
Boatto, Alberto. “Il fumetto al microscopio: Lichtenstein.” In Pop Art, by Alberto Boatto. Rome and Bari, Italy: Gius. Laterza & Figli Spa., 2015, pp. 139–58.

 

Boatto 2015c
Boatto, Alberto. “Roy Lichtenstein.” In Pop Art, by Alberto Boatto. Rome and Bari, Italy: Gius. Laterza & Figli Spa., 2015, pp. 212–15.

 

Boatto and Falzoni 1966
Boatto, Alberto, and Giordano Falzoni, eds. Fantazaria (Rome). Special issue, Lichtenstein 1, no. 2 (July–August 1966).

 

Boca Raton Museum of Art 2005
Boca Raton Museum of Art. Boca Raton Collects: A Visual Feast of Promised Gifts and Bequests, Selections from the Dani and Jack Sonnenblick Collection and the Isadore Friedman Collection. Boca Raton: Boca Raton Museum of Art, 2005. Exhibition catalogue. (2005 Boca Raton Museum).

 

Bode 1994
Bode, Peter M. “Roy Lichtenstein: Am Anfang war der Comic Strip.” Art: Das Kunstmagazin (Hamburg), no. 10 (October 1994), pp. 14–29.

 

Böhm 1984
Böhm, Ekkehard, ed. Kultur-Tagebuch: 1900 bis Heute. Braunschweig: G. Westermann, 1984.

 

Boice 1973
Boice, Bruce. “Reviews.” Artforum 11, no. 9 (May 1973), pp. 79–83.

 

Boime 1968
Boime, Albert. “Roy Lichtenstein and the Comic Strip.” Art Journal 28, no. 2 (Winter 1968–69), pp. 155–59.

 

Bois 2002
Bois, Yve-Alain. “Roy Lichtenstein: Perfect/Imperfect.” In Roy Lichtenstein: Perfect/Imperfect, by Gagosian Gallery, Los Angeles. Los Angeles: Gagosian Gallery, 2002, pp. 9–20. Exhibition catalogue.

 

Bois 2005
Bois, Yve-Alain. “Conférence diapos: Les séries Perfect et imperfect de Roy Lichtenstein.” Les cahiers du Musée national d’art moderne, no. 93 (Fall 2005), pp. 48–61.

 

Bois 2011
Bois, Yve-Alain. “D’une pierre deux coups/Two Blows with One Stone.” In Entablature Paintings: Roy Lichtenstein, by Paula Cooper Gallery, New York. New York: Paula Cooper Gallery, 2011, unpaginated. Exhibition catalogue.

 

Bois 2012
Bois, Yve-Alain. “Two Birds with One Stone.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff. Chicago: Art Institute of Chicago, 2012, pp. 62–71. Exhibition catalogue.

 

Bompiani 1962
Bompiani, Valentino, ed. Almanacco letterario Bompiani. Milan: Bompiani, 1962.

 

Bonami and Frisa 2003
Bonami, Francesco, and Maria Luisa Frisa. Sogni e conflitti: La dittatura dello spettatore: 50a Esposizione internazionale d’arte/La Biennale di Venezia. Venice: Marsilio, 2003. Exhibition catalogue. (2003 Venice Biennale).

 

Bonetti 1997
Bonetti, David. “Roy Lichtenstein, 73, Pioneer of Pop Art Comic Books Inspired Witty, Colorful Paintings.” San Francisco Examiner, September 30, 1997, p. A15.

 

Bonito Oliva et al. 1989
Bonito Oliva, Achille, and Stefano Petricca, eds. Artoon: L’influenza del fumetto nelle arti visive del XX secolo. Naples: Electa, 1989. Exhibition catalogue. (1989 Rome Palazzo Civiltà).

 

Bonjour Max Ernst 1975
Bonjour Max Ernst. Paris: Éditions Georges Visat, 1975.

 

Bonnet 2008
Bonnet, Clémence. “Le recyclage des images dans l’art américain entre 1950 et 1970: Le Pop Art/Recycling and Reusing Images in American Art, from 1950 to 1970: Pop Art.” MA thesis, Université Paris VII-Denis Diderot, Paris, 2008.

 

Bony 1983
Bony, D’ Anne. Les Années 60. Paris: Editions du Regard, 1983.

 

Boorsch 1977
Boorsch, Suzanne. “New Editions: Entablatures.” ARTnews 76, no. 3 (March 1977), p. 110.

 

Boorsch 1980
Boorsch, Suzanne. “Roy Lichtenstein.” ARTnews 79, no. 7 (September 1980), p. 43.

 

Boorstin, Delling, and Voretzsch 1964
Boorstin, Daniel J., Manfred Delling, and Renate Voretzsch. Das Image oder was wurde aus dem amerikanischen Traum. Reinbek bei Hamburg: Rowohlt, 1964.

 

Borgeaud 1970
Borgeaud, Bernard. “Paris.” Arts Magazine (New York) 44, no. 7 (May 1970), pp. 53–54.

 

Boris 2001
Boris, Janet. Roy Lichtenstein. New York: Harry N. Abrams, 2001.

 

Borsick 1963
Borsick, Helen. “Roy Lichtenstein Makes Splash As Pop Artist.” Plain Dealer (Cleveland), April 28, 1963, p. 2G.

 

Borsick 1969b
Borsick, Helen. “Pop Artist Roy Lichtenstein Is Candid on Copying Others’ Art.” Plain Dealer (Cleveland), February 17, 1969, p. 26.

 

Borsick 1969a
Borsick, Helen. “Haystacks, Cathedrals and Posters.” Plain Dealer (Cleveland), September 7, 1969, pp. 8–F.

 

Borsick 1970
Borsick, Helen. “Technical Bent.” Plain Dealer (Cleveland), December 20, 1970, pp. 11–E.

 

Bott 1967
Bott, Gerhard. Malerei unserer Zeit: Versuch einer Übersicht und Deutung. Bad Homburg, 1967.

 

Bott 1980
Bott, Gerhard, ed. Stilleben/Natura morta im Wallraf-Richartz-Museum und im Museum Ludwig. Cologne: Museen der Stadt Köln, 1980. Exhibition catalogue. (1980 Cologne Wallraf-Richartz).

 

Bott and Adriani 1970
Bott, Gerhard, and Götz Adriani, eds. Bildnerische Ausdrucksformen, 1960–1970: Sammlung Karl Ströher im Hessischen Landesmuseum, Darmstadt. Darmstadt: Hessisches Landesmuseum, 1970. Exhibition catalogue. (1970 Darmstadt Landesmuseum).

 

Bottimonti 1991
Bottimonti, Adriana. “Gae Aulenti: L’architetto in interni.” Casamica. Supplement to Corriere della sera, nos. 1–2 (February 1, 2003), pp. 66–73.

 

Boudaille 1966
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Bougault 2013
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Bougault 2013
Bougault, Valérie. “Au-delà du Pop Art.” Connaissance des arts, no. 589, pp. 6–17.

 

Boullier 1963
Boullier, René. “Semaine éclectique: Grès, peintures et dessins.” Aux écoutes du monde (Paris) no, 45 (June 7, 1963), p. 43.

 

Bouniort et al. 1980
Bouniort, Jeanne, et al. “Le pop’art: le pop’art anglais et le pop’art américain.” Actualité des arts plastiques (Paris), no. 49 (1980).

 

Bourdon 1963
Bourdon, David, Jr. “Nya amerikanska realister.” Konstrevy (Stockholm) 39, no. 2 (1963), pp. 42–49, 78.

 

Bourdon 1964
Bourdon, David, Jr. “Roy Lichtenstein: Landscapes.” Village Voice (New York), October 29, 1964, pp. 9, 19.

 

Bourdon 1967
Bourdon, David. “Expo ’67.” Art International 11, no. 7 (September 20, 1967), p. 22.

 

Bourdon 1975
Bourdon, David. “Three Artists Draw on the Past.” Village Voice (New York), November 10, 1975, p. 112.

 

Bourdon 1978
Bourdon, David. “Art about Art: Whitney Museum of American Art; through September 24.” Vogue 168, no. 9 (September 1978), pp. 62, 64.

 

Bourdon 1980
Bourdon, David. “Made in U.S.A.” Portfolio (New York) 2, no. 5 (November–December 1980), pp. 42–49.

 

Bourdon 1981
Bourdon, David. “Roy Lichtenstein, 1970–1980.” Vogue 171, no. 6 (June 1981), pp. 40, 44.

 

Bouret 1965
Bouret, Jean. “Sept jours avec la peinture.” Letteres françaises, June 17–23, 1965, p. 11.

 

Bourgeois 1969
Bourgeois, Jean-Louis. “New York.” Artforum 8, no. 3 (November 1969), pp. 74–78.

 

Bourgois 1971
Bourgois, Christian, ed. Kitsch, no. 2 (February 1971).

 

Bourriaud 1991
Bourriaud, Nicolas. “Actualité de Roy Lichtenstein.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 158–67.

 

Bouvard 2013a
Bouvard, Émilie. “Le dernier style de Roy Lichtenstein.” In Roy Lichtenstein, edited by Camille Morineau. Paris: Éditions du Centre Pompidou, 2013, pp. 113–19. Exhibition catalogue.

 

Bouvard 2013b
Bouvard, Émilie. “Les expositions chez Ileana Sonnabend, Paris, 1963–1975.” In Roy Lichtenstein, edited by Camille Morineau. Paris: Éditions du Centre Pompidou, 2013, p. 247. Exhibition catalogue.

 

Bouvard 2013c
Bouvard, Émilie. “Lichtenstein au Centre national d’art contemporain, 1975.” In Roy Lichtenstein, edited by Camille Morineau. Paris: Éditions du Centre Pompidou, 2013, p. 252. Exhibition catalogue.

 

Bouvier 2008
Bouvier, Raphaël. “Léger and Lichtenstein.” In Fernand Léger: Paris–New York, by Fondation Beyeler, Riehen, Switzerland. Riehen, Switzerland: Fondation Beyeler, 2008, pp. 149–55. Exhibition catalogue.

 

Bouzerand 1991
Bouzerand, Jacques. “La marque Lichtenstein.” Le point (Paris), no. 976 (June 3, 1991), pp. 96–100.

 

Bowie 1996
Bowie, David. “The Closing Down.” In Ray Gun: Out of Control, edited by Dean Kuipers and Chris Ashworth. New York: Simon and Schuster, 1996.

 

Bowman and Sobel 1988
Bowman, Russell, and Dean Sobel. 1988: The World of Art Today. Milwaukee: Milwaukee Art Museum, 1988. Exhibition catalogue. (1988 Milwaukee Art Museum).

 

Bowman and Sobel 1990
Bowman, Russell, and Dean Sobel. Word As Image: American Art, 1960–1990. Milwaukee: Milwaukee Art Museum, 1990. Exhibition catalogue. (1990a Milwaukee Art Museum).

 

Bowness 1964
Bowness, Alan. “54/64: Painting and Sculpture of a Decade.” Studio International 167, no. 853 (May 1964), pp. 190–95.

 

Bowness et al. 1964
Bowness, Alan, et al. 54/64: Painting and Sculpture of a Decade. London: Tate Gallery, 1964. Exhibition catalogue. (1964 London Tate Gallery).

 

Brady 2000
Brady, Patrick. Cig Art 4: Where’s There’s Smoke; In Memory of Roy Lichtenstein. Corpus Christi: South Texas Institute for the Arts, 2000. Exhibition catalogue. (2000 Corpus Christi South Texas Institute).

 

Braet 1995
Braet, Jan. “Geestig om te Doen.” Knack 22 (Brussels) (May 31–June 6, 1995), pp. 86–88, 91–92.

 

Braff 1999
Braff, Phyllis. “Social Issues of the 90’s and Icons of the 60’s: ‘Pop Art’.” New York Times, June 13, 1999, p. 23.

 

Bragança de Miranda et al. 2003
Bragança de Miranda, José, et al. Corpus: Visions of the Body in the Berardo Collection. Belém: Centro Cultural de Belém, 2003. Exhibition catalogue. (2003 Belém Colecção Berardo).

 

Brandstätter and Balk 2000
Brandstätter, Christian, and Wolfgang Balk, eds. André Heller Bilderleben, Öffentliches und Privates, 1947–2000. Vienna: Deutscher Taschenbuch, 2000.

 

Brandt 1985
Brandt, Frederick R. Late 20th-Century Art: Selections from the Sydney and Frances Lewis Collection in the Virginia Museum of Fine Arts. Richmond, Va.: Virginia Museum of Fine Arts, 1985.

 

Brandt 1996
Brandt, Frederick R. Form over Function: Late 20th-Century Furniture from the Sydney and Frances Lewis Collection. Richmond, Va.: Marsh Art Gallery, University of Richmond, 1996. Exhibition catalogue. (1996 Richmond, Va., Marsh).

 

Brandt and Butler 1981
Brandt, Frederick R., and Susan L. Butler. Late Twentieth-Century Art from the Sydney and Frances Lewis Collection. Richmond, Va.: Sydney and Frances Lewis Foundation, 1981. Exhibition catalogue.

 

Bredow et al. 1976
Bredow, Barbara, et al. Schuhwerke: Aspekte zum Menschenbild. Nuremberg: Kunsthalle Nürnberg, 1976. Exhibition catalogue. (1976 Nuremberg Kunsthalle).

 

Breerette 1975
Breerette, Geneviève. “Figures de style et questions d’ordre plastique.” Le Monde (Paris), January 30, 1975.

 

Breerette 1982
Breerette, Geneviève. “Lichtenstein, le face à face.” Le Monde (Paris), September 23, 1982, p. 19.

 

Breitenbach and Cogswell 1967
Breitenbach, Edgar, and Margaret Cogswell. The American Poster: An Exhibition. New York: American Federation of Arts, [1967]. Exhibition catalogue.

 

Bremer 1971
Bremer, Nina. “The New York Art Scene.” Revista de arte/The Art Review (Universidad de Puerto Rico, Mayagüez) (June 1971), pp. 24–31.

 

Brenes nouvelles de France 1975
“Dessins de Lichtenstein au Centre National d’Art Contemporain.” Brenes nouvelles de France (February 1, 1975).

 

Brenson 1982
Brenson, Michael. “The Changing World of Roy Lichtenstein.” New York Times, August 10, 1982, p. C9.

 

Brenson 1986
Brenson, Michael. “Museum and Corporation: A Delicate Balance.” New York Times, February 23, 1986, sec. 2, pp. 1, 28.

 

Brest 1968
Brest, Jorge Romero. 11 artistas pop: “La nueva imagen”. Buenos Aires: Instituto Torcuato di Tella, 1968. Exhibition catalogue.

 

Brett 1968
Brett, Guy. “The Subtle Art of Roy Lichtenstein.” Times (London), January 8, 1968.

 

Brewster 1986
Brewster, Todd. “Pop Primer: Roy Lichtenstein’s Monumental Mural Explains the Modern Movement.” Life 9, no. 6 (June 1986), pp. 74–78.

 

Bridgehampton Sun 1980
“Artists Bare All.” Bridgehampton Sun, June 9, 1980.

 

Briggs 1980
Briggs, John. “Unshrouding the Muse: The Anatomy of Inspiration.” ARTnews 79, no. 4 (April 1980), pp. 52–55.

 

Brigitte 1994
“Berühmt mit Rasterpünktchen.” Brigitte 22 (1994).

 

Call 1997
Associated Press. “Artist Dots Landscape with His Unusual Style.” Brockton [Mass.] Enterprise, March 23, 1997, p. A3.

 

Brodsky 1993
Brodsky, Sascha. “Whamm! Roy Lichtenstein at the Guggenheim.” Manhattan Arts International (November–December 1993), pp. 6–7.

 

Bronfen 1992
Bronfen, Elisabeth. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester, England: Manchester University Press, 1992.

 

Brooklyn Center 1966
Brooklyn Center of Long Island University. Conditional Commitment . . . the Artist’s Terms: An International Exhibition of Painting and Sculpture. New York: Brooklyn Center of Long Island University, 1966. Exhibition catalogue.

 

Brooklyn Museum 1980
Brooklyn Museum, New York. American Drawing in Black and White: 1970–1980. New York: Brooklyn Museum, 1980. Exhibition catalogue. (1980b Brooklyn Museum).

 

Brougher 1989
Brougher, Kerry. Selections from the Beatrice and Philip Gersh Collection. Los Angeles: Museum of Contemporary Art, 1989. Exhibition catalogue.

 

J. C. Brown et al. 1985
Brown, J. Carter, et al. Gemini G.E.L.: Art and Collaboration. Washington, D.C.: National Gallery of Art; New York: Abbeville Press, 1985. Exhibition catalogue. (1984 Washington, D.C., NGA).

 

Brown University 1986
Department of Art, Brown University, Providence. Definitive Statements: American Art, 1964–66. Providence: Department of Art, Brown University, 1986. Exhibition catalogue. (1986 Providence Brown).

 

David Brown 1997
Brown, David J. Roy Lichtenstein: Man Hit by the 21st Century. Cincinnati: Contemporary Arts Center, 1997. Exhibition catalogue. (1997 Cincinnati CAC).

 

Doris Brown 1963
Brown, Doris. “Two Douglass Professors Are Leading the Pop Art Charge.” The Arts and Hobbies (New Brunswick, N.J.) (April 28, 1963), p. 20.

 

E. Brown 1992
Brown, Elizabeth A. “The Living Object”: The Art Collection of Ellen H. Johnson. Oberlin: Allen Memorial Art Museum, Oberlin College, 1992. Exhibition catalogue. (1992 Oberlin Allen).

 

E. Brown 2005
Brown, Elizabeth A. “Roy Lichtenstein: Prints and the Revolution.” In Roy Lichtenstein Prints, 1956–97: From the Collections of Jordan D. Schnitzer and His Family Foundation, by Museum of Art, Washington State University, Pullman. Edited by Michelle Piranio. Pullman: Museum of Art, Washington State University, 2005, pp. 53–63. Exhibition catalogue.

 

G. Brown 1964
Brown, Gordon. “Gallery Previews: The Emergence of an American Art.” Art Voices 3, no. 2 (February 1964), pp. 29–37.

 

J. C. Brown 1964
Brown, J. Carter. “A Barbeque in the Shrine?” Washington Post, December 6, 1964, p. G13.

 

Julia Brown and B. Johnson 1983
Brown, Julia, and Bridget Johnson, eds. The First Show: Painting and Sculpture from Eight Collections, 1940–1980. Los Angeles: Museum of Contemporary Art in association with the Arts Publisher, New York, [1983]. Exhibition catalogue. (1983 Los Angeles MOCA).

 

N. Brown 1964
Brown, William. “The New Humor Explosion.” Show 4, no. 10 (November 1964), pp. 30, 33.

 

Brozan 1995
Brozan, Nadine. “Chronicle: A Lichtenstein Artwork Goes Global.” New York Times, June 6, 1995, p. B2.

 

Bruce and Wells 2006
Bruce, Chris, and Keith Wells. Art and Context: The ’50s and ’60s. Pullman: Museum of Art, Washington State University, 2006. Exhibition catalogue. (2006 Pullman Museum of Art).

 

Bruce Museum 2007
Bruce Museum. Contemporary and Cutting Edge: Pleasures of Collecting, Part III. Greenwich, Conn.: Bruce Museum, 2007. Exhibition catalogue. (2007 Greenwich, Conn., Bruce).

 

Bruckner 1968
Bruckner, D. J. R. “The Art World Answers Chicago’s Mayor Daley.” Los Angeles Times/Calendar, October 20, 1968, pp. 1, 59.

 

Brüderlin 2003
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Brundage and Reiring 1977
Brundage, Susan, and Janelle Reiring, eds. Leo Castelli: Twenty Years. New York: Leo Castelli, 1977.

 

Bruner 1952
Bruner, Louise. “Kindergarten Dept.: Calls New Exhibit Doodling, Not Art.” Cleveland News, March 1, 1952, p. 16.

 

Bruner 1963
Bruner, Louise. “Art Should be Constructive.” Plain Dealer (Cleveland), May 16, 1963, p. 45.

 

Bruner 1964
Bruner, Louise. “The Curious Case of Roy Lichtenstein.” Blade (Toledo, Ohio), March 22, 1964, p. F4.

 

Bruner 1969
Bruner, Louise. “The World of Art: Local Collectors Reflect a City’s Artistic Climate.” Blade (Toledo, Ohio), February 23, 1969, p. 101.

 

Bruner 1971
Bruner, Louise. “Painting a Picture of What 1960s Were About.” Blade (Toledo, Ohio), March 14, 1971, p. 4.

 

Brunius 1964
Brunius, Clas. “Pop-guld frän sophögen.” Kultursidan (Stockholm), February 29, 1964, p. 4.

 

Brutvan et al. 1982
Brutvan, Cheryl A., et al. In Our Time: Houston’s Contemporary Arts Museum, 1948–1982. Houston: Contemporary Arts Museum, 1982. Exhibition catalogue. (1982b Houston CAM).

 

BT 6 1979
“Roy Lichtenstein.” BT 6 [Bijutsu techō 6] (Tokyo) (September 1979), pp. 172–85.

 

BT 6 1992
“Roy Lichtenstein.” BT 6 [Bijutsu techō 6] (Tokyo) 44, no. 651 (March 1992), pp. 40–41.

 

BT 6 1994a
“Roy Lichtenstein: After Master Pieces.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 48–55.

 

BT 6 1994b
“Roy Lichtenstein: Brushstrokes.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 58–61.

 

BT 6 1994c
“Roy Lichtenstein: Comic Strips and Advertising Images.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 20–31.

 

BT 6 1994d
“Roy Lichtenstein: From the Retrospective Show at the Guggenheim Museum.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 44–47.

 

BT 6 1994e
“Roy Lichtenstein: Mirror and Interior.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 62–69.

 

BT 6 1994f
“Roy Lichtenstein: Sculptures.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 56–57.

 

BT 6 1994g
“Roy Lichtenstein 60’s–90’s.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994).

 

BT 6 1994h
“Roy Lichtenstein: Still Lifes.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 38–43.

 

BT 6 1994i
“Roy Lichtenstein: Toward Geometry.” BT 6 [Bijutsu techō 6] (Tokyo) 46, no. 689 (June 1994), pp. 32–37.

 

Buchloh 1982
Buchloh, Benjamin. “Parody and Appropriation in Francis Picabia, Pop, and Sigmar Polke.” Artforum 20, no. 7 (March 1982), pp. 28–34.

 

Budde and Weiss 1973
Budde, Rainer, and Evelyn Weiss with Johann Karl Schmidt. Katalog der Bildwerke und Objekte, Neuzugänge seit 1965 im Wallraf-Richartz-Museum mit Teilen der Sammlung Ludwig. Cologne: W. Müller, 1973.

 

Bulteau 2000
Bulteau, Michel. Breast Pocket Notes sur Roy Lichtenstein. Paris: L’Échoppe, 2000.

 

Bünder Kunsthaus 1972
Bünder Kunsthaus. Amerikanische Graphik seit 1960. Chur: Bünder Kunsthaus, 1972. Exhibition catalogue. (1972 Chur Bündner).

 

Burchard 1994
Burchard, Hank. “Lichtenstein’s Top Pop Art.” Washington Post, November 4, 1994, p. G55.

 

Burden 1974
Burden, Carter. Selected Works from the Collection of Carter Burden. New York: Marlborough Gallery, 1974. Exhibition catalogue.

 

Bürgi 1988
Bürgi, Bernhard, ed. Rot, Gelb, Blau: Die Primärfarben in der Kunst des 20. Jahrhunderts. Stuttgart: Verlag Gerd Hatje; Teufen, Switzerland: Arthur Niggli, 1988. Exhibition catalogue. (1988 Sankt Gallen Kunstmuseum).

 

Bürgi and Pakesch 2002
Bürgi, Berhard Mendes, and Peter Pakesch, eds. Painting on the Move. Basel: Schwabe Verlag, 2002. Exhibition catalogue. (2002 Basel Kunstmuseum).

 

Burke 1997
Burke, Cathy. “Lichtenstein, Legend Dead at 73.” New York Post, September 30, 1997, p. 6.

 

Burn 1974
Burn, Guy. “Roy Lichtenstein.” Arts Review (London) 26, no. 8 (April 19, 1974), p. 204.

 

Burn 1977
Burn, Guy. “A Real Surrealist in London.” Apollo, n.s., 106, no. 189 (November 1977), p. 422.

 

Burn 1986
Burn, Guy. “Prints.” Arts Review (London) 38, no. 1 (January 17, 1986), pp. 8–9.

 

Burnham 1971a
Burnham, Jack. “Corporate Art.” Artforum 10, no. 2 (October 1971), pp. 66–71.

 

Burnham 1971b
Burnham, Jack. The Structure of Art. New York: George Braziller, 1971.

 

Burr 1968
Burr, James. “London Galleries: Barren Belligerence.” Apollo, n.s., 87, no. 72 (February 1968), pp. 147–49.

 

Burr 1974
Burr, James. “Roy Lichtenstein: Mayor Gallery.” Apollo, n.s., 99, no. 147 (May 1974), p. 373.

 

Burr 1976
Burr, James. “Roy Lichtenstein: Mayor Gallery.” Apollo, n.s., 103, no. 170 (April 1976), p. 329.

 

Burr 1984
Burr, James. “An American Classic.” Apollo, n.s., 119, no. 265 (March 1984), p. 221.

 

Burrows 1952
Burrows, Carlyle. “Two Artists.” New York Herald Tribune, January 6, 1952, sec. 4, p. 6.

 

Burstein 1981
Burstein, Patricia. “Artist Roy Lichtenstein Has Laid Low for a Decade, but He Isn’t Reduced to Yard Sales.” People 15, no. 22 (June 8, 1981), pp. 84–86.

 

Busby 1993
Busby, M. D. Art in Embassies Collection: Embassy of the United States of America. Santa Fé de Bogotá, Colombia: [n.p.], 1993. Exhibition catalogue.

 

Busche 1976
Busche, Ernst A. “Bericht aus London.” Das Kunstwerk 29, no. 6 (November 1976), pp. 95–96.

 

Busche 1977b
Busche, Ernst A. “Roy Lichtenstein.” Das Kunstwerk 30, no. 6 (December 1977), p. 90.

 

Busche 1978a
Busche, Ernst A. “Interview mit Roy Lichtenstein.” Das Kunstwerk 31, no. 1 (February 1978), pp. 14–25.

 

Busche 1978b
Busche, Ernst A. “Roy Lichtenstein: An Interview.” New York Arts Journal, no. 9 (April–May 1978), pp. 11–12.

 

Busche 1983a
Busche, Ernst A. Lichtenstein. Translated from the German by Katherine J. Michaelsen. New York: Leo Castelli, 1983. Exhibition catalogue. (1983c New York Castelli).

 

Busche 1983b
Busche, Ernst. “Roy Lichtenstein: Das Frühwerk, 1942–1960.” PhD diss., Freie Universität Berlin, 1983.

 

Busche 1988
Busche, Ernst A. Roy Lichtenstein: Das Frühwerk, 1942–1960. Berlin: Gebr. Mann Verlag, 1988.

 

Busche 1989
Busche, Ernst A. Roy Lichtenstein: Pop-Paintings 1961–1969. Munich: Schirmer/Mosel, 1989.

 

Büsser 2001
Büsser, Martin. Pop Art. Hamburg: Rotbuch-Verlag, 2001.

 

Butler Institute 1951
Butler Institute of American Art, Youngstown. 16th Annual New Year Show: An Exhibition of . . . Oil and Water Color Paintings by Artists of the United States. Youngstown: Butler Institute of American Art, 1951. Exhibition catalogue. (1951 Youngstown Butler).

 

Butler Institute 1954
Butler Institute of American Art, Youngstown. 19th Annual Midyear Show: An Exhibition of . . . Oil and Water Color Paintings by Artists of the United States. Youngstown: Butler Institute of American Art, 1954. Exhibition catalogue. (1954 Youngstown Butler).

 

Butler Institute 1955
Butler Institute of American Art, Youngstown. 20th Annual Midyear Show: An Exhibition of . . . Oil and Water Color Paintings by Artists of the United States. Youngstown: Butler Institute of American Art, 1955. Exhibition catalogue. (1955 Youngstown Butler).

 

Butler Institute 1956
Butler Institute of American Art, Youngstown. 21st Annual Midyear Show: An Exhibition of . . . Oil and Water Color Paintings by Artists of the United States. Youngstown: Butler Institute of American Art, 1956. Exhibition catalogue. (1956 Youngstown Butler).

 

Butler Institute 1970
Butler Institute of American Art, Youngstown. 35 Years in Retrospect, 1936–1970. Youngstown: Butler Institute of American Art, 1970. Exhibition catalogue. (1971 Youngstown Butler).

 

Butler Institute 1979
Butler Institute of American Art, Youngstown. 43rd Annual Midyear Show. Youngstown: Butler Institute of American Art, 1979. Exhibition brochure. (1979 Youngstown Butler).

 

Butler Institute 1983
Butler Institute of American Art, Youngstown. The Ponderosa Collection. Youngstown: Butler Institute of American Art, 1983. Exhibition brochure. (1983 Youngstown Butler).

 

Butler Institute 1986a
Butler Institute of American Art, Youngstown. American Works on Paper: 100 Years of American Art History. Youngstown: Butler Institute of American Art, 1986. Exhibition catalogue. (1986b Youngstown Butler).

 

Butler Institute 1986b
Butler Institute of American Art, Youngstown. 50th National Midyear Exhibition. Youngstown: Butler Institute of American Art, 1986. Exhibition catalogue.

 

Butler Institute 1990
Butler Institute of American Art, Youngstown. Small Masterwork Paintings from the Butler Institute of American Art. Youngstown: Butler Institute of American Art, 1986. Exhibition brochure. (1990 St. Paul MMA).

 

J. Butler 1970
Butler, Joseph T. “The American Way with Art: Roy Lichtenstein at the Solomon R. Guggenheim Museum.” Connoisseur 173, no. 695 (January 1970), pp. 73–75.

 

S. Butler 1979
Butler, Susan L., ed. Late Twentieth-Century Art from the Sydney and Frances Lewis Foundation. Richmond, Va.: Sydney and Frances Lewis Foundation, 1979. Exhibition catalogue. (1979 Philadelphia ICA).

 

C & M Arts 2001
C & M Arts. Naked since 1950. New York: C & M Arts, 2001. Exhibition catalogue. (2001b New York C & M Arts).

 

C&M Arts 1997
C&M Arts. American Works, 1945–1975. New York: C&M Arts, 1997. Exhibition catalogue. (1997 C&M Arts).

 

Cabanne 1964
Cabanne, Pierre. “L’Amérique proclame la fin de l’École de Paris et lance le Pop Art pour coloniser l’Europe.” Arts (Paris), no. 968 (June 24–30, 1964), p. 16.

 

Caellian 1961
“Gallery Exhibit Oil Paintings.” The Caellian (New Brunswick, N.J., Douglass College, Rutgers University), January 13, 1961, p. 3.

 

Caellian 1964
“‘Sex on Campus’ to Be Featured at ’64 Voorhees Assembly Series.” The Caellian (New Brunswick, N.J., Douglass College, Rutgers University), May 14, 1964, p. 1.

 

Calamandrei 1969
Calamandrei, Mauro. “Il mondo è una scultura.” L’espresso (Rome), no. 5 (February 1, 1969), pp. 4–17.

 

Calamandrei 1982
Calamandrei, Mauro. “Pop art, addio.” L’espresso (Rome) 28, no. 21 (March 30, 1982), pp. 138–48.

 

Calas 1964
Calas, Nicolas. “Art Journal: Anti-Pop Is Here.” Village Voice (New York), March 19, 1964.

 

Calas 1966
Calas, Nicolas. “Pop Icons.” In Lucy R. Lippard, ed. Pop Art. New York: Oxford University Press, 1966, pp. 163–71.

 

Calas 1968
Calas, Nicolas. Art in the Age of Risk and Other Essays. New York: E. P. Dutton and Co., 1968.

 

Calas 1969
Calas, Nicolas. “Roy Lichtenstein: Insight through Irony.” Arts Magazine (New York) 44, no. 1 (September–October 1969), pp. 29–33.

 

Calas 1975
Calas, Nicolas. Mirrors of the Mind. New York: Multiples and Castelli Graphics, 1975.

 

Calas and Calas 1971
Calas, Nicolas, and Elena Calas. Icons and Images of the Sixties. New York: E. P. Dutton and Co., 1971.

 

Caldwell 2002
Caldwell, Susan Havens. The Art of the Sixties. Norman: Fred Jones Jr. Museum of Art, University of Oklahoma, 2002. Exhibition catalogue. (2002 Norman FJJMA).

 

California Institute of the Arts 1977
California Institute of the Arts, 1977. Roy Lichtenstein at CalArts: Drawings and Collages from the Artist’s Collection. Valencia, Calif.: California Institute of the Arts, 1977. Exhibition catalogue. (1977 Valencia, Calif., CalArts).

 

Calvesi 1963
Calvesi, Maurizio. “Ricognizione e reportage.” Collage (December 1963).

 

Calvesi 1966a
Calvesi, Maurizio. American Pop Artists: Sono presenti con le loro opere gli artisti: D’Arcangelo, Jim Dine, Roy Lichtenstein, Rosenquist, Andy Warhol, Wesley, Tom Wesselmann. Genoa: Galleria la Bertesca, 1966.

 

Calvesi 1966c
Calvesi, Maurizio. “Lichtenstein: Pittore globale/Lichtenstein: A Global Painter/Lichtenstein: Peintre global.” Fantazaria (Rome). Special issue, Lichtenstein, edited by Alberto Boatto and Giordano Falzoni, 1, no. 2 (July–August 1966), pp. 24–31 (Italian), 44–51 (English), 82–89 (French).

 

Calvesi 1975
Calvesi, Maurizio. Le due avanguardie. Vol. 2, Informale, New Dada, Pop Art. Bari: Editori Laterza, 1975.

 

Cameron 1989
Cameron, Dan. Selections from the Collection of Marc and Livia Straus. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1986. Exhibition catalogue. (1989 Ridgefield Aldrich).

 

Camnitzer 1982
Camnitzer, Luis. “Roy Lichtenstein en el Museo Whitney de Nueva York, 1970–80.” Arte en Colombia, no. 18 (June 1982), pp. 57–60.

 

C. Campbell 1986
Campbell, Christopher. “Art of the Sixties: Soliloquies and Conversations.” In Definitive Statements: American Art, 1964–66, by Department of Art, Brown University, Providence. Providence: Department of Art, Brown University, 1986, pp. 17–32. Exhibition catalogue.

 

L. Campbell 1951
Campbell, Lawrence. “Roy Lichtenstein.” ARTnews 50, no. 3 (May 1951), pp. 56–57.

 

L. Campbell 1963
Campbell, Lawrence. “Reviews and Previews: Roy Lichtenstein.” ARTnews 62, no. 7 (November 1963), pp. 12–13.

 

L. Campbell 2002
Campbell, Lawrence. ARTnews 101, no. 10 (November 2002), p. 251.

 

R. Campbell 1976
Campbell, R. M. “New Directions for Lichtenstein’s Parodies.” Seattle Post-Intelligencer, January 25, 1976.

 

Campredon 1991
Association Campredon art et culture. Les artistes décident de jouer. L’Isle-sur-la-Sorgue: Association Campredon art et culture, 1991. Exhibition catalogue. (1991 Campredon).

 

Canaday 1962
Canaday, John. “An Open Letter to X.” New York Times, August 19, 1962, p. 109.

 

Canaday 1964a
Canaday, John. “Art: From Clean Fun to Plain Smut: ‘Girlie Exhibit’ Opens at Pace Gallery.” New York Times, January 7, 1964, p. 31.

 

Canaday 1964b
Canaday, John. “Good Show: The International in Pittsburgh.” New York Times, November 1, 1964, p. X25.

 

Canaday 1964c
Canaday, John. “Hello, Goodbye.” New York Times, January 12, 1964.

 

Canaday 1964d
Canaday, John. “Pop Art Sells On and On—Why?” New York Times Magazine, May 31, 1964, sec. 6, 7, 48, pp. 52–53.

 

Canaday 1966a
Canaday, John. “Art: Galaxy of Cartoon Stars on View.” New York Times, May 8, 1966, p. 44.

 

Canaday 1966b
Canaday, John. “Show Biz Triumphs Over Art.” New York Times, July 5, 1966.

 

Canaday 1967
Canaday, John. “Exorcism in Montreal.” New York Times, April 30, 1967, p. D23.

 

Canaday 1969a
Canaday, John. “Art: The Lichtenstein Retrospective.” New York Times, September 20, 1969, p. 25.

 

Canaday 1969b
Canaday, John. “Roy Lichtenstein and His Great Big Yacht.” New York Times, September 21, 1969, p. 29.

 

Canaday 1972
Canaday, John. “Roy Lichtenstein.” New York Times, January 29, 1972, p. 25.

 

Candela 2012
Candela, Iria. “Picasso in Two Acts.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff. Chicago: Art Institute of Chicago, 2012, pp. 36–45. Exhibition catalogue.

 

Candela 2014
Candela, Iria. “Roy Lichtenstein: BMW 320 Group 5, 1977.” In BMW art cars, edited by Thomas Girst. Ostfildern: Hatje Cantz Verlag, 2014, pp. 60–69.

 

Canemaker 1991
Canemaker, John. “Popeye Meets Warhol.” Traveler 26 (July 1991), pp. 90–91.

 

CAPC 1979
Centre d’Arts Plastiques Contemporains de Bordeaux. L’art depuis 1960: Collection Ludwig. Bordeaux: CAPC Centre d’Arts Plastiques Contemporains de Bordeaux, 1978. Exhibition catalogue. (1979 Bordeaux CAPC).

 

Capital 1970
Capital Kunst Kompass.” Capital, no. 10 (October 1970), pp. 143–56.

 

Carboni 1978
Carboni, Massimo. Arte: Storia dell’arte. Livorno: Galleria Peccolo, 1978. Exhibition catalogue. (1978 Livorno Peccolo).

 

Carey 1965
Carey, Martin. The New American Realism. Worcester, Mass.: Worcester Art Museum, 1965. Exhibition catalogue.

 

Carlin and Sheena Wagstaff 1983
Carlin, John, and Sheena Wagstaff. The Comic Art Show: Cartoons in Painting and Popular Culture. New York: Fantagraphics Books, 1983. Exhibition catalogue. (1983 New York Whitney Downtown).

 

Carmean and S. Hunter 1980
Carmean, E. A., Jr., and Sam Hunter. The Morton G. Neumann Family Collection: Selected Works. Washington, D.C.: National Gallery of Art, 1980. Exhibition catalogue. (1980 Washington, D.C., NGA).

 

Carosella 2008
Carosella, Mary Beth. “Roy Lichtenstein.” In This Is Not to Be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles, by Museum of Contemporary Art, Los Angeles. Los Angeles: Museum of Contemporary Art, 2008, pp. 174–75.

 

Carr 1997
Carr, C. “Remembering Roy.” Village Voice (New York), October 7, 1997, p. 53.

 

Carrier 1979
Carrier, David. “Recent Esthetics and the Criticism of Art.” Artforum 18, no. 2 (October 1979), pp. 41–47.

 

Carty 1988
Carty, Ciaran. “MoMA’s Momma Drawn to Art.” Sunday Tribune (Dublin), January 24, 1988.

 

Caruso 1993
Caruso, Joyce. “Toon Spirit.” Mademoiselle 99 (July 1993), pp. 66–67.

 

Carvajal 2001
Carvajal, Doreen. “New Museum (Sort of) for St. Louis: The Pulitzer Art Collection Will Welcome Visitor, Up to a Point.” New York Times, January 15, 2001, pp. E1, E3.

 

Casa Vogue 1971
“A Milano la casa esperimento di Gae Aulenti.” Casa Vogue, no. 11 (Nov.–Dec. 1971), pp. 58–63.

 

Casper 1966
Casper, Foy C., Jr. Contemporary Art USA. Norfolk, Va.: Norfolk Museum of Arts and Sciences, 1966. Exhibition catalogue. (1966 Norfolk, Va., Arts and Sciences).

 

Cassel 2003
Cassel, Valerie. Splat, Boom, Pow! The Influence of Cartoons in Contemporary Art. Houston: Contemporary Arts Museum, 2003.

 

Castelli 1977
Leo Castelli. Leo Castelli: Twenty Years. New York: Leo Castelli, 1977.

 

Castelli 1988
Leo Castelli. Castelli Graphics 1969–1988. New York: Leo Castelli, 1988.

 

Castelli 2010
Leo Castelli. Roy Lichtenstein: Mostly Men. New York: Leo Castelli, 2010. Exhibition catalogue. (2010 New York Castelli).

 

Castelli 2014
Castelli Gallery. Jasper Johns and Roy Lichtenstein: Walls. New York: Castelli Gallery, 2014. Exhibition catalogue.

 

Castelli et al. 1988
Castelli, Leo, John Coplans, Alanna Heiss, Betsey Johnson, Roy Lichtenstein, and Claes Oldenburg. “An Observed Conversation.” In Modern Dreams: The Rise and Fall and Rise of Pop, by Lawrence Alloway et al. New York: Institute for Contemporary Art; Cambridge, Mass.: MIT Press, 1988, pp. 87–102.

 

Castleman 1971
Castleman, Riva. Technics and Creativity II: Gemini GEL. New York: Museum of Modern Art, 1971. Exhibition catalogue. (1971a New York MoMA).

 

Castleman 1973a
Castleman, Riva. Modern Art in Prints. New York: Museum of Modern Art, 1973. Exhibition catalogue. (1973 Perth Western Australian Art Gallery).

 

Castleman 1973b
Castleman, Riva. Modern Prints since 1942. London: Barrie and Jenkins, 1973.

 

Castleman 1991a
Castelman, Riva. For 25 Years: Gemini G.E.L. New York: Museum of Modern Art, 1991. Exhibition brochure. (1991b New York MoMA).

 

Castleman 1991b
Castleman, Riva. Seven Master Printmakers: Innovations in the Eighties. New York: Museum of Modern Art, 1991. Exhibition catalogue. (1991a New York MoMA).

 

Cathcart 1978
Cathcart, Linda L. American Painting of the 1970s. Buffalo: Albright-Knox Art Gallery, 1978. Exhibition catalogue. (1978 Buffalo Albright-Knox).

 

Cathcart 1983
Cathcart, Linda L. American Still Life, 1945–1983. Houston: Contemporary Arts Museum, 1983. Exhibition catalogue. (1983 Houston CAM).

 

Catoir 1982
Catoir, Barbara. “Kunsthalle Ausstellung: Roy Lichtenstein 1970–1980.” Pantheon 40, no. 2 (April–June 1982), pp. 141–42.

 

Causey 1968
Causey, Andrew. “Art and the Popular.” Illustrated London News, January 20, 1968, p. 26.

 

Cavaliere 1977a
Cavaliere, Barbara. “Group Show.” Arts Magazine 52, no. 2 (October 1977), pp. 18–19.

 

Cavaliere 1977b
Cavaliere, Barbara. “Pop Plus.” Arts Magazine 53, no. 2 (October 1977), p. 23.

 

Cavaliere 1981
Cavaliere, Barbara. “Roy Lichtenstein.” Flash Art, no. 105 (December 1981–January 1982), p. 54.

 

Cavalli-Björkman and Nilsson 1995
Cavalli-Björkman, Görel, and Bo Nilsson. Still Leben. Stockholm: Nationalmuseum; Höganäs, Sweden: Bra Böcker, 1995. Exhibition catalogue. (1995 Stockholm Nationalmuseum).

 

CCGA and Tyler Graphics Archive 1995
Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Sukagawa City, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1995.

 

CCGA and Tyler Graphics Archive 1995a
Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Gendai Gurafikku Āto Sentā shūzōhin zuroku 1995/Center for Contemporary Graphic Art and Tyler Graphics Archive Collection. Sukagawa City, Japan: Gendai Gurafikku Āto Senta, 1995.

 

CCGA and Tyler Graphics Archive 1995b
Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Prints of Roy Lichtenstein: Entablatures—Nudes. Sukagawa City, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1995. Exhibition catalogue. (1995b Fukushima CCGA).

 

Celant 1966
Celant, Germano. “Esposizioni: XXXIII Biennale internazionale d’arte: Padiglioni stranieri.” Casabella, no. 308 (August 1966), pp. 64–66.

 

Celant 1973
Celant, Germano. Record As Artwork: 1959–73. Translated by Linguists Club. London: Royal College of Art, 1973. Exhibition catalogue.

 

Celant 1980
Celant, Germano. Das Bild einer Geschichte 1956–1976: Die Sammlung Panza di Biumo. Milan: Electa, 1980.

 

Celant 1996
Celant, Germano. Looking at Fashion. Milan: Skira Editore, 1996. Exhibition catalogue. (1996–97 Florence Biennale).

 

Celant 1997
Celant, Germano, ed. Art/Fashion. New York: DAP with Skira Editore, 1997. Exhibition catalogue.

 

Celant 2012
Celant, Germano, ed. The Small Utopia/Ars multiplicata. Venice: Fondazione Prada, 2012. Exhibition catalogue.

 

Celant 2013
Celant, Germano. Lichtenstein Sculptor. Milan: Skira Editore, 2013. Exhibition catalogue.

 

Celant and Dennison 2006
Celant, Germano, and Lisa Dennison, eds. New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography, and Video. Milan: Skira; Monaco: Grimaldi Forum, 2006. Exhibition catalogue. (2006 Monte Carlo Grimaldi).

 

Centre Culturel Américain 1963
Centre Culturel Américain. De A à Z: 31 peintures américaines choisis par The Art Institute of Chicago. Paris: Centre Culturel Américain, 1963. Exhibition catalogue. (1963 Chicago Art Institute).

 

Centro Cultural de Belém 2000
Instituto Nacional de Bellas Artes. Roy Lichtenstein. Imagens Reconhecíveis. Mexico City: Instituto Nacional de Bellas Artes and Landucci Editores, 2000. Exhibition catalogue. (1998 Mexico City Museo del Palacio).

 

Cerrato 1995
Cerrato, Giuseppe. “Premiere: Lichtensteins reifes Werk.” Schweizer illustrierte (June 26, 1995), pp. 65–66.

 

Chadwick 1981
Chadwick, Anna-Mei. “The Arts Reviewed: United States of America. Roy Lichtenstein (1970–1980).” Connoisseur 207, no. 831 (May 1981), pp. 6–9.

 

Chafetz 1970
Chafetz, Sidney. “Four Early Lichtenstein Prints.” Artist’s Proof 10 (1970), pp. 48–52.

 

Chambers 1975
Chambers, Marlene. The Virginia and Bagley Wright Collection: American Art since 1960. Denver: Denver Art Museum, 1975. Exhibition catalogue. (1975 Denver Art Museum).

 

Chan 2005
Chan, Sewell. “Access to Art with a MetroCard Swipe.” New York Times, June 30, 2005, p. E3.

 

Charbonneaux 1987
Charbonneaux, C. “Le pop paie: Les grandes ventes aux enchères de tableaux se sont multipliées à New York.” Connaissance des arts, no. 420 (February 1987), p. 27.

 

Chávarri 1983
Chávarri, Raúl. “Lichtenstein y Warhol.” Cuadernos hispanoamericanos (Madrid), no. 398 (1983), pp. 393–97.

 

Cheekwood 1985
Cheekwood Fine Arts Center. A Decade of British and American Screenprints. Nashville: Cheekwood Fine Arts Center, 1985. Exhibition catalogue. (1985 Nashville Cheekwood).

 

Chevalier 1970
Chevalier, Denys. “Lichtenstein: Du plan au volume.” Lettres françaises (March 18, 1970), p. 27.

 

Chicago Tribune 1997
“Artist Roy Lichtenstein, a Leader of Pop Painting.” Chicago Tribune, September 20, 1997, p. 10.

 

Chirico 1982
Chirico, Robert F. “Some Reflections on Sound and Silence in the Visual Arts.” Arts Magazine (New York) 56, no. 8 (April 1982), pp. 101–5.

 

Christie’s Magazine 2005
Christie’s Magazine. Special issue, Roy Lichtenstein’s In the Car 22, no. 6 (November 2005).

 

Christie’s New York 2005a
Christie’s New York. Post-War and Contemporary Art Evening, November 8, 2005. New York: Christie’s New York, 2005.

 

Christie’s New York 2005b
Christie’s New York. Roy Lichtenstein In the Car Published on the Occasion of Its Post-War and Contemporary Art Evening Sale, Tuesday, 8 November, 2005. New York: Christie’s New York, 2005.

 

Christie’s New York 2007
Christie’s New York. “Roy Lichtenstein: Landscape with Column.” Christie’s New York: Post-War and Contemporary Art, May 16, 2007. New York: Christie’s New York, 2007, pp. 72–75.

 

Christie’s New York 2010
Christie’s New York. Roy Lichtenstein’s Ohhh . . . Alright . . . New York: Christie’s New York, 2010.

 

Christie’s New York 2011
Christie’s New York. I Can See the Whole Room! . . . and There’s Nobody in It! New York: Christie’s New York, 2011.

 

Christie’s New York 2014
Christie’s New York. Roy Lichtenstein: Keds. New York: Christie’s New York, 2014.

 

Christie’s New York 2015
Christie’s New York. Woman with Flowered Hat. New York: Christie’s New York, 2015.

 

Christoph 1994
Christoph, Horst. “Takka Takka, Whaam!” Profil (Vienna), no. 41 (October 11, 1994), pp. 100, 102.

 

G. Christy 1965
Christy, George. “What’s Popping in the Arts.” Town and Country 119, no. 4,510 (May 1965), pp. 82–83, 141–42.

 

M. Christy 1978
Christy, Marian. “To Artist Roy Lichtenstein, Fame Is $250,000 a Pop.” Boston Globe, November 12, 1978, p. B3.

 

Chryslee 1995
Chryslee, Gail J. “The Construction of a Rhetorical Response to Visual Art: A Case Study of ‘Brushstrokes in Flight’.” PhD diss., Ohio State University, Columbus, 1995.

 

City-Galerie 1965
City-Galerie Bruno Bischofberger. Pop Art. Zurich: City-Galerie Bruno Bischofberger, 1965. Exhibition catalogue. (1965 Zurich City-Galerie).

 

A. Clark 1963
Clark, Anthony M. “The Changing Past of American Art.” The Art Gallery (Ivoryton, Conn.), 7, no. 3 (December 1963), p. 13.

 

G. Clark 1979
Clark, Garth. A Century of Ceramics in the United States, 1878–1978: A Study of Its Development. New York: E. P. Dutton and Co., 1979. Exhibition catalogue. (1979 Syracuse Everson).

 

Claypole 2004
Claypole, Jonty. “Inspired by Tears: Real Pain Lies behind Lichtenstein’s Crying Girls.” Times (London), February 25, 2004, p. 13.

 

Clearwater 2001
Clearwater, Bonnie. Roy Lichtenstein: Inside/Outside. North Miami: Museum of Contemporary Art, 2001. Exhibition catalogue. (2001 North Miami MOCA).

 

Cleveland News 1952
“Is It Art, or Dizzy? Town’s in a Tizzy.” Cleveland News, March 13, 1952, Home Magazine sec., p. 18.

 

Cleveland News 1955
“America Flavors Show.” Cleveland News, January 8, 1955, p. 6.

 

Cleveland News 1965
“Two Bold Moderns Open Show.” Cleveland News, January 8, 1956.

 

Cleveland Plain Dealer 1953a
“Artist Wins Prize.” Cleveland Plain Dealer, November 15, 1953.

 

Cleveland Plain Dealer 1953b
“Ohio State University.” Cleveland Plain Dealer, November 22, 1953.

 

Cleveland Plain Dealer 1957
“Around the Art Realm.” Cleveland Plain Dealer, January 27, 1957, pp. 15–F.

 

Cleveland Plain Dealer 1966
“Lichtenstein: A Second Look.” Cleveland Plain Dealer, December 11, 1966.

 

Cleveland Press 1952
“Six Local Artists in Big N.Y. Show.” Cleveland Press, October 1952.

 

Cleveland Press 1957
“City’s Culture Is Enjoying Spectacular Expansion.” Cleveland Press, January 4, 1957.

 

Cleveland Press 1969
“Pop Artist Lichtenstein Returns for Lecture, Exhibit.” Cleveland Press, February 8, 1969.

 

Cleveland Press 1976
“Lichtenstein Is Display Subject.” Cleveland Press, January 3, 1976.

 

Close 1997
Close, Chuck. “Roy Lichtenstein.” In The Portraits Speak: Chuck Close in Conversation with 27 of His Subjects, edited by Joanne Kesten. New York: Art Resources Transfer Press, 1997.

 

Codognato 1980
Codognato, Attilio. Pop Art: Evoluzione di una generazione. Milan: Electa, 1980. (1980 Venice Palazzo Grassi).

 

Codognato et al. 1992
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Coe 1963
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Coe 1965
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D. Cohen 2008
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R. Cohen 1985a
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R. Cohen 1985b
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Colangelo 2003
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Colby 2009
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Collins, Bradford R. “Modern Romance: Lichtenstein’s Comic Book Paintings.” American Art 17, no. 2 (Summer 2003), pp. 60–85.

 

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Combat-art 1963
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Contemporary Arts Center 1970
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Conway and Kirk 1977
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Coplans 1962
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Coplans 1963b
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Coplans 1963c
Coplans, John. “Pop Art, USA.” Artforum 2, no. 4 (October 1963), pp. 27–30.

 

Coplans 1963d
Coplans, John. Pop Art USA. Oakland: Oakland Art Museum and California College of Arts and Crafts, 1963. Exhibition catalogue. (1963 Oakland Art Museum).

 

Coplans 1967a
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Coplans 1967b
Coplans, John. Roy Lichtenstein. Pasadena, Tex.: Pasadena Art Museum, 1967. Exhibition catalogue. (1967 Pasadena, Calif., Pasadena Art Museum).

 

Coplans 1967c
Coplans, John. “Talking with Roy Lichtenstein.” Artforum 5, no. 9 (May 1967), pp. 34–39.

 

Coplans 1970a
Coplans, John. “Early Warhol: The Systematic Evolution of the Impersonal Style.” Artforum 8, no. 7 (March 1970), pp. 52–59.

 

Coplans 1970b
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Coplans 1970c
Coplans, John. “Lichtenstein’s Graphic Works.” Studio International 180, no. 928 (December 1970), pp. 263–65.

 

Coplans 1970d
Coplans, John. Roy Lichtenstein: Graphics, Reliefs and Sculptures, 1969–1970. Irvine: University of California, Irvine; Los Angeles: Gemini G.E.L., 1970. Exhibition catalogue. (1970 Irvine University of California).

 

Coplans 1972
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Coplans 1973
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Coplans 1975
Coplans, John. “Pasadena’s Collapse and the Simon Takeover: Diary of a Disaster.” Artforum 13, no. 6 (February 1975), pp. 28–45.

 

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Copley 1968
Copley, Bill. SMS (Shit Must Stop). New York: Letter Edged in Black Press, 1968.

 

Corcoran 1971
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Cornell University 2008
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Corriere della Sera 1966
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Cosmopolitan Magazine 1965
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Cowart 1982a
Cowart, Jack. Roy Lichtenstein 1970–1980. Trans. Nicolas Hepp. Munich: Prestel Verlag, 1982. Exhibition catalogue. (1981 St. Louis Art Museum).

 

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Cowart, Jack. Roy Lichtenstein 1970–1980. Tokyo: Seibu Museum of Art, 1983. Exhibition catalogue. (1981 St. Louis Art Museum).

 

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Cowart 2014
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Cowart 2015
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Crespo 1970b
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P. Cummings 1977
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P. Cummings 1985
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Daily Post 1993a
“Pop Art Legend in Tate Debut Date.” Daily Post (London), February 17, 1993.

 

Daily Post 1993b
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de Wilde, Edy L.L., ed. Expo Stedelijk. Helsinki, 1971. Exhibition catalogue. (1971 Helsinki Ateneum).

 

de Wilde et al. 1982
de Wilde, Edy, et al. ’60–’80: Attitudes, Concepts, Images. Amsterdam: Stedelijk Museum and Van Gennep, 1982. Exhibition catalogue.

 

Debailleux 1988
Debailleux, H.-F. “Roy Lichtenstein: La révolution est loin.” Libération (Paris), May 25, 1988, p. 36.

 

Debray 2013
Debray, Cécile. Bonjour Monsieur Matisse! Rencontre(s). [Issy-les-Moulineaux]: Beaux-Arts Éditions, 2013. Exhibition catalogue.

 

A. Decker 1991
Decker, Andrew. “Art a Go Go.” Atelier (Tokyo) (December 1991), pp. 58–61.

 

A. Decker 1997
Decker, Andrew. “Cybermoguls Move In.” ARTnews 96, no. 3 (March 1997), p. 33.

 

A. Decker 1998
Decker, Andrew. “Pop Goes the Easel.” Cigar Aficionado 6, no. 3 (March–April 1998), pp. 286–87, 289–90, 293, 295, 297.

 

K. Decker 1987
Decker, Karl Viktor. Landesmuseum Mainz. Munich: Magazinpresse, 1987.

 

Deitcher 1983
Deitcher, David [S.]. “Lichtenstein’s Expressionist Takes.” Art in America 71, no. 1 (January 1983), pp. 84–89.

 

Deitcher 1989
Deitcher, S. David. “Teaching the Late Modern Artist: From Mnemonics to the Technology of Gestalt.” PhD diss., City University of New York, New York, 1989.

 

del Guercio 1973
del Guercio, Antonio. “De l’action painting au pop art.” XXe siècle (Paris and Milan), n.s., no. 40 (June 1973), pp. 148–55.

 

del Renzio 1993
del Renzio, Toni. “Roy Lichtenstein: Reflections of U.S. Culture.” Art Monthly, no. 165 (April 1993), pp. 7–9.

 

Delatiner 1987
Delatiner, Barbara. “Guild Hall Honors Artistic Elite.” New York Times, December 6, 1987, p. C30.

 

Delaware Art Museum 1974
Delaware Art Museum, Wilmington. Contemporary American Paintings from the Lewis Collection. Wilmington: Delaware Art Museum, 1974. Exhibition catalogue. (1974 Wilmington, Del., Delaware Art Museum).

 

Delehanty 1986
Delehanty, Suzanne. The Window in Twentieth-Century Art. Purchase: Neuberger Museum, State University of New York at Purchase, 1986. Exhibition catalogue.

 

Delius 1995
Delius, Peter, ed. Geschichte der Malerei von der Renaissance bis Heute. Cologne: Könemann, 1995.

 

Dellinger 1995
Dellinger, Jade. “American Pop Impressions: A Changing Perspective.” Printmaking Today (1995).

 

Demetrion et al. 1985
Demetrion, James T., et al. Des Moines Art Center: Selected Paintings, Sculptures and Works on Paper. Des Moines: Des Moines Art Center, 1985.

 

Denson 1990
Denson, G. Roger. “Roy Lichtenstein.” Flash Art, no. 150 (January–February 1990), p. 130.

 

Denvir 1972
Denvir, Bernard. “Sensibility and Cybernetics.” Art International 16, no. 2 (February 20, 1972), pp. 64–66, 72.

 

Denvir 1973
Denvir, Bernard. “The Last Stronghold of Europe.” Art International 17, no. 5 (May 1973), pp. 98–101, 103.

 

DePaul 2008
DePaul University Art Museum, Chicago. 1968: Art and Politics in Chicago. Chicago: DePaul University Art Museum, 2008. Exhibition catalogue. (2008 Chicago DePaul).

 

Der Spiegel 1964
“Pop Art: Suppe fürs Volk.” Der Spiegel (November 11, 1964), pp. 136, 138–43.

 

Der Spiegel 1967
“Lichtenstein: Mythos von Mickey.” Der Spiegel, no. 51 (December 11, 1967).

 

Der Spiegel 1970
“Kunstmarkt: Lichtenstein: Sichere Sache.” Der Spiegel, no. 49 (November 20, 1970), p. 238.

 

Der Spiegel 1994
“Ich lass’ nur die Kleider weg.” Der Spiegel, no. 41 (October 10, 1994), pp. 236–43.

 

Derfner 1975
Derfner, Phyllis. “New York Letter.” Art International 19, no. 1 (January 20, 1975), pp. 44–48.

 

Dervaux 2010
Dervaux, Isabelle. Roy Lichtenstein: The Black-and-White Drawings, 1961–1968. Ostfildern, Germany: Hatje Cantz in association with the Morgan Library & Museum, New York, 2010. Exhibition catalogue. (2010 New York Morgan).

 

Dervaux 2011
Dervaux, Isabelle. Roy Lichtenstein: Black & White, 1961–1968. Translated by Andrea Bargenda, Barbara Holle, Marion Kagerer, Christian Quatmann, and Heike Reissig. Ostfildern, Germany: Hatje Cantz in association with the Morgan Library & Museum, New York, 2011. Exhibition catalogue. (2010 New York Morgan).

 

DeSalvo and Schimmel 1992
DeSalvo, Donna, and Paul Schimmel, eds. Hand-Painted Pop: American Art in Transition, 1955–62. Los Angeles: Museum of Contemporary Art, Los Angeles; New York: Rizzoli, 1992. Exhibition catalogue. (1992 Los Angeles MOCA).

 

Desmond and Lloyd 1992
Desmond, Michael, and Michael Lloyd. European and American Paintings and Sculptures 1870–1970 in the Australian National Gallery. Canberra: Australian National Gallery, 1992.

 

Detherridge 1996
Detherridge, Anna. Gli anni ’60: Le immagini al potere. Milan: Fondazione Mazzotta, 1996.

 

Di Forti 1993
Di Forti, Massimo. “L’arte a strisce di Roy-Paperino.” Il messaggero, October 19, 1993, p. 16.

 

Diamonstein 1974
Diamonstein, Barbaralee. “Caro, de Kooning, Indiana, Lichtenstein, Motherwell, and Nevelson on Picasso’s Influence.” ARTnews 73, no. 4 (April 1974), pp. 44–46.

 

Diamonstein 1975
Diamonstein, Barbaralee. “Thomas Messer: From the Bohemian Musical Life to the Guggenheim.” ARTnews 74, no. 8 (October 1975), pp. 66–70.

 

Diamonstein 1978
Diamonstein, Barbaralee. “Pop Art, Money, and the Present Scene: An Interview with Roy Lichtenstein and Leo Castelli.” Partisan Review 45, no. 1 (1978), pp. 80–93.

 

Diamonstein 1979
Diamonstein, Barbaralee. Inside New York’s Art World. New York: Rizzoli, 1979.

 

Die Zeit 1965
“Pop und Dada.” Die Zeit, January 8, 1965.

 

Diederich 2010
Diederich, Stephan. “Roy Lichtenstein, die Sammlung Ludwig und ein neues Bild.” In Lichtenstein: Kunst als Motiv, edited by Mercurio. Cologne: DuMont, 2010, pp. 18–27. Exhibition catalogue.

 

D. Diehl and E. Diehl 1968
Diehl, Digby, and Emil Diehl. “The Plastic Passions of Roy Lichtenstein.” Los Angeles Free Press, April 26, 1968, pp. 19, 20.

 

C. Diehl 1996
Diehl, Carol. “Roy Lichtenstein: Leo Castelli.” ARTnews 95, no. 11 (December 1996), p. 120.

 

M. Diehl 1989
Diehl, Matthew. “Picasso Was Here: Five Contemporary Artists Mine the Master.” Art and Antiques 6, no. 2 (February 1989), pp. 37, 38.

 

Diener 2003
Diener, Christian, and Gunter Sachs, eds. Gunter Sachs: Von Kunst, Kult und Charisma: Eine Publikation anlässlich der Ausstellung im Hamburger Museum für Kunst und Gewerbe. Munich: Knesebeck, 2003. Exhibition catalogue. (2003 Hamburg MKG).

 

Dienst 1965
Dienst, Rolf-Gunter. Pop-Art: Eine kritische Information. Wiesbaden: Rudolph Bechtld, 1965.

 

Dienst 1968a
Dienst, Rolf-Gunter. “Die documenta IV.” Das Kunstwerk 21, nos. 11–12 (August–September 1968), pp. 36–55.

 

Dienst 1968b
Dienst, Rolf-Gunter. Positionen: Malerische Malerei, plastische Plastik. Cologne: Verlag M. DuMont Schauberg, 1968.

 

Dietrich 1990
Dietrich, Nicolas. “Lichtenstein.” Les aventures de l’art, no. 2 (December 1990), pp. 76–83.

 

Dobbs 1979
Dobbs, Lillian. “‘Mermaid’ Gives Miami Beach a Symbol.” Miami News, September 7, 1979, Upbeat, sec. D, p. D1.

 

Dobson 1969
Dobson, Rona. “The Look of American Art from 1945 to Now.” International Herald Tribune, November 1–2, 1969, p. 7.

 

Documenta 1968
Documenta 4. Kassel: Kassel Druck + Verlag, 1968. Exhibition catalogue. (1968 Kassel Documenta).

 

Documenta 1977
Documenta 6. 3 vols. Kassel: Paul Dierichs, 1977. Exhibition catalogue. (1977 Kassel Documenta).

 

Domingo 1971a
Domingo, Willis. “New York Galleries.” Arts Magazine (New York) 45, no. 7 (May 1971), pp. 55–57.

 

Domingo 1971b
Domingo, Willis. “Roy Lichtenstein: Drawings and Prints.” Arts Magazine (New York) 45, no. 5 (March 1971).

 

Domino 2001
Domino, Christophe. Les années pop. Paris: Gallimard and Centre Georges Pompidou, 2001. Exhibition catalogue. (2001 Paris Pompidou).

 

Domus 1963
“mercanti d’arte: Leo Castelli, New York: La sua storia, la sua galleria.” Domus (Milan), no. 406 (September 9, 1963), pp. 43–48.

 

Donohoe 1962
Donohue, Victoria. “Surrealism Dominates ‘New Vocabulary’.” Philadelphia Inquirer, October 28, 1962, p. 8.

 

Döring 1998
Döring, Jürgen. Künstlerplakate: Picasso, Warhol, Beuys . . . Hamburg: Museum für Kunst und Gewerbe Hamburg, 1998. Exhibition catalogue. (1998 Hamburg Kunst und Gewerbe).

 

Döring 2008
Döring, Jürgen, and Claus von der Osten. Roy Lichtenstein: Posters. Munich: Prestel Verlag, 2008. Exhibition catalogue. (2008 Hamburg Kunst und Gewerbe).

 

Doris 1999
Doris, Sara Kathleen. “Pop Art and the Contest Over Culture.” PhD diss., Northwestern University, Evanston, 1999.

 

Doris 2007
Doris, Sara Kathleen. Pop Art and the Contest over American Culture. Cambridge, United Kingdom: Cambridge University Press, 2007.

 

Doris 2012
Doris, Sara. “Missing Modernism.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff. Chicago: Art Institute of Chicago, 2012, pp. 46–51. Exhibition catalogue.

 

Doris 2014
Doris, Sara. “Roy Lichtenstein’s Retromodernism.” American Art (University of Chicago Press in association with the Smithsonian American Art Museum) 28, no. 2 (Summer 2014), pp. 88–105.

 

Dorsey 1997a
Dorsey, John. “He Raised Comics to High Art: A Shy Man, Roy Lichtenstein Paid Homage to the Art of the Past with His Exuberant Works.” Baltimore Morning Sun, October 1, 1997, p. F1.

 

Dorsey 1997b
Dorsey, John. “Pop Art Master Lichtenstein Dies.” Baltimore Morning Sun, September 30, 1997, pp. A1, A5.

 

Dossin 1988
Dossin, Catherine Julie Marie. Stories of the Western Artworld, 1936–1986: From the “Fall of Paris” to the “Invasion of New York”. Ann Arbor: ProQuest (UMI), 2008.

 

Dossin 2011
Dossin, Catherine. “Pop begeistert: American Pop Art and the German People.” American Art (Smithsonian American Art Museum, Washington, D.C.) 25, no. 3 (Fall 2011), pp. 100–111.

 

Douglas 1966
Douglas, Juston. “Art for a Free Society.” Pictorial Living: The Journal-American’s Weekly Magazine (New York) (February 20, 1966), pp. 8–9.

 

Downey Museum of Art 1977
Downey Museum of Art, Downey, Calif. Déjà vu: Masterpieces Updated. Downey, Calif.: Downey Museum of Art, 1977. Exhibition catalogue. (1978 Downey Museum of Art).

 

Downey Museum of Art et al. 1977
Downey Museum of Art, Downey, Calif. Déjà-vu: Masterpieces Updated. Downey, Calif.: Downey Museum of Art, 1977. Exhibition catalogue.

 

Drawing Society 1965
Drawing Society, New York. The Drawing Society National Exhibition: 1965. New York: American Federation of Arts, 1965. Exhibition catalogue. (1965 Flint Institute).

 

Dreiss 1974a
Dreiss, Joseph. “Group Show: Castelli (Uptown).” Arts Magazine (New York) 49, no. 9 (October 1974), p. 67.

 

Dreiss 1975b
Dreiss, Joseph. “Roy Lichtenstein.” Arts Magazine (New York) 49, no. 5 (January 1975), pp. 13–14.

 

Druce 1988
Druce, Robert. “The Vanishing Reader: The Changing Role of Letters in Paintings.” Word and Image 4, no. 1 (January–March 1988), pp. 177–85.

 

Drugeon 2013a
Drugeon, Fanny. “Le créateur d’icônes.” L’objet d’art, no. 69 (July 2013), pp. 16–29.

 

Drugeon 2013b
Drugeon, Fanny. “L’expérimentateur de matériaux.” L’objet d’art, no. 69 (July 2013), pp. 30–37.

 

Drugeon 2013c
Drugeon, Fanny. “Lichtenstein et la scène artistique américaine.” L’objet d’art, no. 69 (July 2013), pp. 10–14.

 

Drugeon 2013e
Drugeon, Fanny. “Lichtenstein face à ses pairs.” L’objet d’art, no. 69 (July 2013), pp. 38–47.

 

Du 1973
Du (April 1973).

 

Du 1979
“Sammlung Ludwig.” Du: Die Zeitschrift für Kultur (Zurich), no. 1 (1979).

 

Du Plessix Gray 1965
Du Plessix Gray, Francine. “The House That Pop Art Built.” House and Garden 127, no. 5 (May 1965), pp. 158–64.

 

Dublin Event Guide 1988
“Exhibition: Roy Lichtenstein.” Dublin Event Guide (January 19–February 1, 1988).

 

DuBose 1970
Dubose, Lucius B. “Fine Art Goes Pop!!” The Baptist Student (May 1970), pp. 47–48.

 

Dubreuil-Blondin 1980a
Dubreuil-Blondin, Nicole. La fonction critique dans le Pop Art américain. Montreal: Presses de l’Université de Montréal, 1980.

 

Dubreuil-Blondin 1980b
Dubreuil-Blondin, Nicole. “Roy Lichtenstein: L’atelier d’artiste ou l’auto-référence dans le pop.” Parachute, no. 19 (summer 1980), pp. 13–18.

 

Duckers and Schoenberger 1981
Duckers, Alexander, and Angela Schoenberger. Druckgraphik: Wandlungen eines Mediums seit 1945. Berlin: Kupferstichkabinett, Nationalgalerie, Staatliche Museen Preussischer Kulturbesitz, 1981. Exhibition catalogue. (1981 Berlin Kupferstichkabinett).

 

Ducousset 1975
Ducousset, R. “Epidémie de parodies.” Connaissance des arts, no. 281 (July 1975), pp. 66–73.

 

Dudar 1965
Dudar, Helen. “Pop Art Explosion.” New York Post, February 14, 1965, p. 25.

 

Duffy 1981
Duffy, Robert W. “Getting Lichtenstein Show on Road.” St. Louis Post-Dispatch: Sunday Magazine, April 19, 1981, pp. 6–11.

 

Dulac 1975
Dulac, Sebastien. “Cocktail de Paris: Entrée de Roy Lichtenstein.” L’echo de la Bourse (Brussels) (1975).

 

Duncan 1993
Duncan, Michael. “Painterly Pop.” Art in America 81, no. 7 (July 1993), pp. 86–89, 117.

 

Dunlop 1968
Dunlop, Ian. “Comic-Strip Pictures Pull in the Crowds at the Tate.” South Wales Echo (Cardiff), January 15, 1968.

 

Dunne 2012
Dunne, Nathan. Roy Lichtenstein. London: Tate, 2012.

 

Düsseldorfer Stadtpost 1971
“Erste Institute in Stoffeln bezugsfertig.” Düsseldorfer Stadtpost, March 12, 1971.

 

East Hampton Star 1995
“Roy Lichtenstein Prints at the Parrish.” East Hampton [N.Y.] Star (September 7, 1995), p. 25.

 

East Hampton Star 1997
“Roy Lichtenstein, Pop Art Pioneer.” East Hampton [N.Y.] Star, October 2, 1997, p. 12.

 

Ebony 2002
Ebony, David. “Front Page: World Trade Center Art Works Destroyed.” Art in America 90, no. 1 (January 2002), p. 27.

 

Eccher 2014
Eccher, Danilo. “Opera prima.” In Roy Lichtenstein: Opera prima, by Galleria Civica d’Arte Moderna e Contemporanea, Turin. Milan: Skira, 2014, pp. 18–41. Exhibition catalogue.

 

Eccher 2015
Eccher, Danilo. “Opera prima.” In Roy Lichtenstein: Drawing First. 50 Years of Works on Paper, Galleria Civica d’Arte Moderna e Contemporanea, Turin. Milan: Skira, 2015, pp. 8–33. Exhibition catalogue.

 

Economist 1994
“Roy Lichtenstein’s Cartoons.” The Economist 330, no. 7844 (January 8, 1994), p. 85.

 

Economist 1997
“Roy Lichtenstein.” The Economist 345, no. 8037 (October 4, 1997), p. 94.

 

Edgar 1962
E[dgar], N[atalie]. “Reviews and Previews: Roy Lichtenstein [Castelli].” ARTnews 61, no. 1 (March 1962), p. 14.

 

E. Edwards 1978
Edwards, Ellen. “Miami Beach: Lichtenstein’s Mermaid.” ARTnews 77, no. 6 (Summer 1978), pp. 176, 178.

 

E. Edwards 1979
Edwards, Ellen. “Lichtenstein Makes a ‘Mermaid’.” Miami Herald, September 2, 1979, Lively Arts, sec. L, pp. L1, L4.

 

F. Edwards 1964
Edwards, Folke. “Vad vill Pop?” Stockholm-Tidningen, February 29, 1964, p. 7.

 

Ehrlich 1979
Ehrlich, Robbie. “Roy Lichtenstein.” Arts Magazine (New York) 54, no. 1 (September 1979), pp. 34–35.

 

Eissenhauer 1993
Eissenhauer, Michael, ed. LudwigsLust: Die Sammlung Peter und Irene Ludwig. Nuremberg: Germanisches Nationalmuseum, 1993. Exhibition catalogue. (1993 Nuremberg Germanisches Nationalmuseum).

 

Eklund 1964
Eklund, Hans. “Pop: En seriös historia.” AftonBladet (Stockholm), February 28, 1964, p. 3.

 

Ekserdjian 2014
Ekserdjian, David. Casting Modernity: Bronze in the XXth Century. New York: Mnuchin Gallery, 2014. Exhibition catalogue. (2014 New York Mnuchin).

 

Elefante 1966
Galleria e Torchio l’Elefante, Venice. Dine, Lichtenstein, Oldenburg, Rosenquist, Warhol, Wesselmann. Venice: Galleria l’Elefante, 1966. Exhibition catalogue. (1966 Venice Elefante).

 

Eliot 1966
Eliot, Alexander. “Biennale: It Isn’t Art; It’s a Trade Fair.” Life (July 25, 1966), pp. 66–67.

 

Elite 1966
Elite: Le arti e gli stili in ogni tempo e paese: La Pop Art. Milan: Fratelli Fabbri Editori, 1966.

 

Elkoff 1965
Elkoff, Marvin. “The American Painter As a Blue Chip.” Esquire 62, no. 1 (January 1965), pp. 36–41.

 

Elle Decor 2001
“Strokes of Genius.” Elle Decor 12, no. 7 (November 2001), p. 52.

 

Ellenzweig 1974
Ellenzweig, Allen. “Roy Lichtenstein.” Arts Magazine (New York) 49, no. 3 (November 1974), p. 22.

 

Ellenzweig 1977
Ellenzweig, Allen. “Group Show.” Arts Magazine (New York) 52, no. 2 (October 1977), pp. 18–19.

 

Ellenzweig et al. 1976
Ellenzweig, Allen, et al. A Selection of American Art: The Skowhegan School, 1946–1976. Boston: Institute of Contemporary Art, 1976. Exhibition catalogue. (1976 Boston ICA).

 

Ellmann 1988
Ellmann, Lucy. “From Chic to Shit.” New Statesman and Society (London) 1, no. 1 (June 10, 1988), pp. 49–50.

 

Elsevier 1987
“Schilderen of het gedrukt staat.” Elsevier (Amsterdam) 43, no. 29 (July 18, 1987), pp. 14–18.

 

Elwood 1983
Elwood, Sean, ed. The 1984 Show. New York: Ronald Feldman Fine Arts, Inc., and the Village Voice, 1983. Exhibition catalogue. (1983 New York Feldman).

 

Engels 1978
Engels, Mathias T., ed. 100 Meisterwerke neuerer Malerei: Erwerbungen nordrhein-westfälischer Museen, 1962–1977. Recklinghausen: Aurel Bongers, 1978.

 

Enright 1994
Enright, Robert. “Pop Goes the Tradition: An Interview with Roy Lichtenstein.” Border Crossings (Ontario) 13, no. 3 (August 1994), pp. 18–29.

 

Entenmann 1965
Entenmann, Raymond T. Master Drawings from Degas to Lichtenstein. Fort Worth: Fort Worth Art Center, 1965. Exhibition catalogue. (1965 Fort Worth Art Center).

 

Ephron 1967
Ephron, Nora. “After Blam, What?” New York Post, April 21, 1967.

 

Época 2005
“O artista do cotidiano.” Época (São Paulo) (September 19, 2005), p. 120.

 

Ernst 2004
Ernst, Eric. “The Best, Not Just the Brightest.” Southampton [N.Y.] Press, July 29, 2004, p. B6.

 

Ernst 2006
Ernst, Eric. “‘Primitive’ before Art Went Pop.” Southampton [N.Y.] Press, October 19, 2006, p. B4.

 

Eröffnungen 1964
Eröffnungen: Magazin für Literatur und bildende Kunst (Vienna) (1964).

 

Esman 1999
Esman, Abigail R. “Bargain or Bust.” Art on Paper (New York) 3, no. 4 (March–April 1999), p. 20.

 

Esterow 1991
Esterow, Milton. “Roy Lichtenstein: How Could You Be Much Luckier Than I Am?” ARTnews 90, no. 5 (May 1991), pp. 85–88, 90–91.

 

Esterow 1992
Esterow, Milton. “‘How Could You Be Much Luckier Than I Am?’.” In Roy Lichtenstein Interiors: Collages, by Galerie Ulysses, Vienna. Vienna: Galerie Ulysses, 1992. Exhibition catalogue.

 

Ethniki Pinakothiki 1982
Ethniki Pinakothiki. American Painting 1900–1982. Athens, Greece: Ethniki Pinakothiki, 1982. Exhibition catalogue. (1982 Athens, Greece, Ethniki Pinakothiki).

 

Europäisches Forum 1965
Europäisches Forum Alpbach. Dada bis Heute: Dada, Surreal, Popart, Opart, Funktional, Moral, Neuer Real: Ismus. Linz: Neue Galerie der Stadt Linz, 1965. Exhibition catalogue. (1965 Alpbach Forum).

 

Europäisches Kulturzentrum in Thüringen 1992
Europäisches Kulturzentrum in Thüringen. Werke der amerikanischen Moderne aus dem Ludwig Forum für Internationale Kunst. Leipzig: Europäisches Kulturzentrum in Thüringen, 1992. Exhibition brochure. (1992 Leipzig Europäisches Kulturzentrum).

 

Evening Standard 1968
“No Stereotype.” Evening Standard (London), January 5, 1968.

 

Evening Times 1976
“A Pair of Good Draws.” Evening Times (Trenton, N.J.), February 28, 1976.

 

Ewald 1999
Ewald, Elin Lake. An Analysis of the Effect of Economic Recessions from 1973 to 1993 on the Auction Value of Paintings by Eight Contemporary Artists. PhD diss., School of Education, New York University, New York, 1999.

 

F. A. 1967a
A., F. “Pop Art Parodies with the Ben Day Dot.” San Francisco Sunday Examiner and Chronicle, 1967, p. 38.

 

Faberman et al. 2005
Faberman, Hilarie I., et al. Picasso to Thiebaud: Modern and Contemporary Art from the Collections of Stanford University Alumni and Friends. Stanford: Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, 2005. Exhibition catalogue. (2005 Stanford Cantor).

 

Fabri 1969
Fabri, Ralph. “Roy Lichtenstein at the Guggenheim.” Today’s Art, October 18, 1969, pp. 8–10.

 

Factor 1963
Factor, Don. “Six Painters and the Object and Six More.” Artforum 2, no. 3 (September 1963), pp. 13–14.

 

Fagiolo dell-Arco 1965
Fagiolo dell-Arco, Maurizio. “La ragione pura-practica di Lichtenstein.” Collage (1965), pp. 62–68.

 

Fagiolo dell-Arco 1970
Fagiolo dell-Arco, Maurizio. “Lichtenstein suona il piano/Lichtenstein at the Piano (A Photoreportage by Gianni Berengo-Gardin).” Metro, nos. 16–17 (August 1970), pp. 217–35.

 

Fahlman et al. 1996
Fahlman, Betsy, et al. American Images: The SBC Collection of Twentieth-Century American Art. New York: Harry N. Abrams, Inc., Publishers, 1996.

 

Failing 1986
Failing, Patricia. “Los Angeles Gets a New Temple of Art.” ARTnews 85, no. 9 (November 1986), pp. 88–94.

 

Fallon 1988
Fallon, Brian. “Reviews: Lichtenstein Drawings at Douglas Hyde.” Irish Times, January 22, 1988.

 

Farrell 2008
Farrell, Jennifer. “Reflections on a Gift: Richard Brown Baker and Roy Lichtenstein.” Yale University Art Gallery Bulletin (2008), pp. 47–63.

 

Farrell 2011
Farrell, Jennifer. Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art. New Haven: Yale, 2011.

 

Faust 1978
Faust, Wolfgang Max. “Bilder und Worte: Anmerkungen zur Sprache als Medium der bildenden Kunst in 20. Jahrhundert.” KUNSTmagazin 18, no. 3 (1978), pp. 21–32.

 

Feaver 1974
Feaver, W[illiam]. “The Artists.” Vogue (London) (November–December 1974), pp. 7, 117–18, 156–61.

 

Fedders 2006
Fedders, Kristin Utter. Pop Art at the 1964/65 New York World’s Fair. Ann Arbor: UMI, [2006].

 

Fehlemann 2002
Fehlemann, Sabine. Sammlung Rosenkrantz im Von der Heydt-Museum. Wuppertal, Germany: Von der Heydt-Museum, 2002. Exhibition catalogue. (2002 Wuppertal Von der Heydt).

 

Feigenbaum ca. late 1960s
Feigenbaum, Robert. “Roy Lichtenstein The Comic Artist.” College paper, ca. late 1960s.

 

Feinblatt and Davis 1980
Feinblatt, Ebria, and Bruce Davis. Los Angeles Prints, 1883–1980. Los Angeles: Los Angeles County Museum of Art, 1980. Exhibition catalogue. (1980 Los Angeles LACMA).

 

Feinstein 1987
Feinstein, Roni. Contemporary Diptychs: Divided Visions. Stamford, Conn.: Whitney Museum of American Art, Fairfield County, 1987. Exhibition catalogue. (1987a Stamford Whitney).

 

Feinstein 1988
Feinstein, Roni. American Print Renaissance, 1958–1988. New York: Whitney Museum of American Art, 1988. Exhibition catalogue.

 

Feinstein 2002
Feinstein, Roni. “Lichtenstein: Seeing Is Believing.” Art in America 90, no. 7 (July 2002), pp. 76–109.

 

Feinstein 2008
Feinstein, Roni. Circa 1958: Breaking Ground in American Art. Chapel Hill: Ackland Art Museum, University of North Carolina at Chapel Hill, 2008. Exhibition catalogue. (2008 Chapel Hill Ackland).

 

Felsen 1997
Felsen, Sidney B. “A Pop Icon Is Remembered for His Humor and Kindness.” Los Angeles Times, October 1, 1997, p. F1.

 

Ferbell 1970
Terbell, Melinda. “Los Angeles.” Arts Magazine (New York) 45, no. 1 (September 1970), pp. 53–54.

 

Ferrier 1967
Ferrier, Jean-Louis. “Exposition: Lichtenstein digère les bandes dessinées.” L’express (Paris) (November 1967).

 

Feversham 1963
Feversham, Harry. “It’s Revolting, It’s a Bore, It’s Kitsch, It’s Insulting, It’s a Tour de Force, It’s Phony, It Gives One Pause (and Gas)—But Is It Art?” Collector’s Quarterly Report 1, no. 2 (spring 1963), pp. 36–38.

 

Field 1971
Field, Richard S. Silkscreen: History of a Medium. Philadelphia: Philadelphia Museum of Art, 1971. Exhibition catalogue. (1971b Philadelphia Museum of Art).

 

Field 1972
Field, Richard S. “Silkscreen, the Media Medium.” ARTnews 70, no. 9 (January 1972), pp. 40–43, 74–75.

 

Field 1982
Field, Richard S. “On Recent Woodcuts.” The Print Collector’s Newsletter 13, no. 1 (March–April 1982), pp. 1–6.

 

Figuerola-Ferrettti 1983
Figuerola-Ferrettti, Luis. “El arte en Madrid.” Goya (Madrid), no. 173 (March–April 1983), pp. 321–22.

 

Filler 1993
Filler, Martin. “Pop’s Granddad.” Vanity Fair 56, no. 8 (August 1993), pp. 128–35, 149–53.

 

Filler 2012
Filler, Martin. “Cool: Roy Lichtenstein and Andy Warhol.” The New York Review of Books 59, no. 11 (June 21, 2012), pp. 40–44.

 

Finch 1968
Finch, Christopher. Pop Art: Object and Image. London: Studio Vista, 1968; New York: E. P. Dutton and Co., 1968.

 

Finch 1972
Finch, Christopher. “Breaking the Print Barrier.” ARTnews 70, no. 9 (January 1972), pp. 34–39.

 

Finckh 1997
Finckh, Gerhard, ed. Die Maler und ihre Skulpturen: Von Edgar Degas bis Gerhard Richter. Essen: Museum Folkwang, 1997. Exhibition catalogue.

 

Findsen 1997
Findsen, Owen. “CAC Exhibit Artist’s Last: Roy Lichtenstein Show Is a Landmark.” Cincinnati Enquirer, November 16, 1997, p. F2.

 

Fine 2013
Fine, Ruth. “Les originaux dupliqués du duplicateur d’images.” In Roy Lichtenstein, edited by Camille Morineau. Paris: Éditions du Centre Pompidou, 2013, pp. 187–95. Exhibition catalogue. Essay translated from the English by Jean-François Cornu.

 

Fine and Felsen 2013
Fine, Ruth, and Sidney B. Felsen. “Ruth Fine in Conversation with Sidney B. Felsen.” In Lichtenstein: Expressionism, by Gagosian Gallery, Paris. Paris: Gagosian Gallery, 2013, pp. 94–106. Exhibition catalogue.

 

Fine Arts Gallery 1974
Fine Arts Gallery of San Diego, San Diego. Monumental Paintings of the 60’s. San Diego: Fine Arts Gallery of San Diego, 1974. (1974 San Diego Fine Arts Gallery).

 

Fineberg 2000
Fineberg, Jonathan David. Art since 1940: Strategies of Being. 2nd ed. Upper Saddle River, N.J.: Prentice Hall Press, 2000. Exhibition catalogue.

 

A. Fischer 1997
Fischer, Alfred M. Made in USA: Pop Art aus dem Museum Ludwig. Cologne: Museum Ludwig, 1997. Exhibition catalogue. (1997 Insel Mainau Schloss).

 

P. Fischer 2002
Fischer, Peter, ed. Abstraction, Gesture, Ecriture: Paintings from the Daros Collection. Zurich: Alesco AG and Scalo, 1999.

 

V. Fischer 1989
Fischer, Volker. Bodenreform: Teppichboden von Künstlern und Architekten/Maquettes par des artistes et des architectes/Carpets by Artists and Architects. Berlin: Ernst and Sohn, 1989.

 

Fitschen 2002
Fitschen, Jürgen. Die Pop Art und die zeitgenössische Bildhauerkunst. Bremen: Gerhard-Marcks-Stiftung, 2002. Exhibition catalogue.

 

Fitzgerald 1995
Fitzgerald, Michael C. Picassoid. New York: Whitney Museum of American Art, 1995. Exhibition catalogue. (1995a New York Whitney).

 

Fitzgerald 2006
Fitzgerald, Michael C. Picasso and American Art. New Haven: Yale University Press in association with the Whitney Museum of American Art, New York, 2006. Exhibition catalogue. (2006 New York Whitney).

 

Fitzsimmons 1952
Fitzsimmons, James. “Roy Lichtenstein.” Art Digest 27, no. 7 (January 1, 1952), p. 20.

 

Fitzwilliam 1977
Fitzwilliam Museum, Cambridge, England. Jubilation: American Art during the Reign of Elizabeth II. Cambridge, England: Fitzwilliam Museum, 1977. Exhibition catalogue.

 

Flaccavento 1962
Flaccavento, Denise. “Faculty Art Show.” Caellian (New Brunswick, N.J., Douglass College, Rutgers University), October 12, 1962, p. 6.

 

Flaccavento 1964
Flaccavento, Denise. “Tercentenary Exhibit Shows Controversial Cross Section.” Caellian (New Brunswick, N.J., Douglass College, Rutgers University), February 14, 1964, p. 5.

 

FLAG 2014b
FLAG Art Foundation, New York. Roy Lichtenstein: Nudes and Interiors. New York: FLAG Art Foundation, 2014. Exhibition catalogue. (2014a New York FLAG).

 

Flam 1987
Flam, Jack. “The Gallery: Getting Small at MoMA.” Wall Street Journal, May 19, 1987, p. 26.

 

Flamini 2004
Flamini, Roland. “Inside the Beltway.” Town and Country 158, no. 5290 (July 2004), p. 57.

 

Flash Art 1997
“Roy Lichtenstein: A King of Pop.” Flash Art, no. 197 (November–December 1997), pp. 50–51.

 

Fleming 1982
Fleming, Marie L. Pop Art: Prints and Multiples. Calgary: Glenbow Museum, 1982. Exhibition catalogue. (1982 Calgary Glenbow).

 

Flemming [1985]
Flemming, Klaus. Pop Art. Materialien für den Kunstunterricht im Museum 1. Mönchengladbach: Städtisches Museum Abteiberg, [1985].

 

Flint 1978
Flint Institute of the Arts. Art and the Automobile. Flint, Mich.: Flint, Mich, Flint Institute of the Arts. Exhibition catalogue. (1978 Flint Institute).

 

Focus 1994a
“Cowboys und Indianer.” Focus, no. 42 (October 17, 1994), p. 122.

 

Focus 1994b
“Der Intellektuelle der Pop.” Focus, no. 42 (October 17, 1994), p. 121.

 

Fondation Vincent van Gogh 1990
Fondation Vincent van Gogh, Arles. Roy Lichtenstein, Robert Rauschenberg: 38 oeuvres gravées de 1965 à 1989. Arles: Fondation Vincent van Gogh, 1990.

 

Fondazione Mimmo Rotella 2014
Casta della Memoria-Fondazione Mimmo Rotella, Catzanaro, Italy. Aurelio Amendola, Roy Lichtenstein 1976. Milan, Italy: Silvana Editoriale, 2014. Exhibition catalogue.

 

Forgey 1979
Forgey, Benjamin. “At the Corcoran Gallery, a Small but Stunning Biennial Presents Work of Five Top American Painters.” Smithsonian 9, no. 11 (1979), pp. 80–87.

 

Forman 1997
Forman, Debbie. “Lichtenstein Dots His Landscapes with Beauty.” Cape Cod Times, April 5, 1997, pp. B1–B2.

 

Forsha 1983
Forsha, Linda. A Contemporary Collection on Loan from the Rothschild Bank, AG, Zürich. La Jolla: Museum of Contemporary Art San Diego, 1983. Exhibition catalogue. (1983 La Jolla MCA).

 

Fortune et al. 2014
Fortune, Brandon Brame, Wendy Wick Reaves, and David C. Ward with Patricia Quealy. Face Value: Portraiture in the Age of Abstraction. Washington, D.C.: National Portrait Gallery, Smithsonian Institution, in association with D. Giles, London, 2014. Exhibition catalogue. (2014 Washington, D.C., NPG).

 

E. Foster and Watson 2008
Foster, Elena, and Rowan Watson. Blood on Paper. London: Victoria and Albert Museum and Ivory Press, 2008. Exhibition catalogue. (2008 London V & A).

 

H. Foster 2011
Foster, Hal. “The Hardest Kind of Archetype”: Reflections on Roy Lichtenstein. Edinburgh: Trustees of the National Galleries of Scotland and VARIE, 2011.

 

S. Foster 2004
Foster, Stephen C. La odisea americana, 1945–1980: El debate de la modernidad/An American Odyssey, 1945–1980: Debating Modernism. Madrid: Círculo de Bellas Artes, 2004. Exhibition catalogue. (2004 Madrid Círculo).

 

Fourcade 1978
Xavier Fourcade. Twentieth-Century Paintings and Sculpture: Brancusi to Lichtenstein. New York: Xavier Fourcade, 1978. Exhibition catalogue. (1978a New York Fourcade).

 

Fourcade 1983
Xavier Fourcade. In Honor of de Kooning: Bacon, Balthus, Baselitz, Berlant, Chamberlain, Crozier, de Kooning, Dubuffet, Freud, Hague, Heizer, Johns, Lichtenstein, Marden, Mitchell, Morley, Murphy, Rockburne, Segal. New York: Xavier Fourcade, 1983. Exhibition catalogue. (1983 New York Fourcade).

 

Fox 1997
Fox, Catherine. “Roy Lichtenstein: Contributed to Pop Art’s Ambiguity Fifteen Minutes of Well-Deserved Fame—Early in Career.” Atlanta Constitution Journal, September 30, 1997, p. A15.

 

Frackman 1974
Frackman, Noel. “Group Show: Blum Helman.” Arts Magazine (New York) 49, no. 4 (December 1974), p. 7.

 

Frail 1971
Frail, David. “Look at Two of the Country’s Most Famous Pop Artists: Lichtenstein . . .” Newsday (Long Island), September 4, 1971, pp. W6–W7, W19.

 

Franc 1992
Franc, Helen M. An Invitation to See: 150 Works from the Museum of Modern Art. New York: Museum of Modern Art, 1992.

 

Frank 1975
Frank, Peter. “New Editions: Mirrors of the Mind.” ARTnews 74, no. 7 (September 1975), p. 50.

 

Frank 1976
Frank, Peter. “New York Reviews.” ARTnews 75, no. 1 (January 1976), p. 122.

 

Frank 1978
Frank, Peter. “New York Reviews: Roy Lichtenstein.” ARTnews 77, no. 4 (April 1978), pp. 157–58.

 

Frankel 1952
Frankel, James. “At the Art Colony.” Cleveland Press, March 1, 1952, p. 7.

 

Frankel 1954
Frankel, James. “Museum Show Draws Top Artists.” Cleveland Press, October 2, 1954.

 

Frankel 1955
Frankel, James. “Duchy of Lichtenstein.” Cleveland Press, January 8, 1955.

 

Frankenstein 1963
Frankenstein, Alfred. “Music and Art: Gorky’s Stature Keeps Growing.” San Francisco Sunday Chronicle, January 6, 1963, p. 17.

 

Frankenstein 1966
Frankenstein, Alfred. “American Art and American Moods.” Art in America 54, no. 2 (March–April 1966), pp. 76–87.

 

Frankenstein 1974
Frankenstein, Alfred. “Fooling the Eye.” Artforum 12, no. 9 (May 1974), pp. 32–35.

 

Frankfurter Kunstverein 1989
Frankfurter Kunstverein. Hauptwerke des Museums moderner Kunst in Wien: Von Gustav Klimt bis Andy Warhol. Frankfurt am Main: Frankfurter Kunstverein, 1989. Exhibition catalogue. (1989 Frankfurt Kunstverein).

 

Franzke 1982
Franzke, Andreas. Skulpturen und Objekte von Malern des 20. Jahrhunderts. Cologne: DuMont, 1982.

 

Freud 1993
Freud, Bella. “M-Maybe, 1965, by Roy Lichtenstein.” Telegraph Magazine (London), September 11, 1993, p. 31.

 

Fried 1963
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Friedman 1969
Friedman, Martin. Castelli at Dayton’s. Minneapolis: Dayton’s Gallery 12, 1969. Exhibition catalogue. (1969 Minneapolis Dayton’s).

 

Friedrich and Dahlem 1968a
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Friedrich and Dahlem 1968b
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Friedrich and Dahlem 1969
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Frigerio 1965
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Frigerio 1966
Frigerio, Simone. “Les expositions à Paris: Lichtenstein.” Aujourd’hui art et architecture 9, no. 52 (February 1966), p. 76.

 

Frigerio 1975
Frigerio, Simone. “Parigi: Stagione invernale, verso la riconquista del primato artistico.” D’ars 16, nos. 73–74 (March–April 1975), pp. 70–75.

 

Frisach 1998
Frisach, Montse. “Obres del MACBA visiten les comarques barcelonines.” AVUI, November 13, 1998.

 

Froment and Borel 1988
Froment, Jean-Louis, and Michel Borel. Collection Sonnabend: 25 années de choix et d’activités d’Ileana et Michael Sonnabend. Bordeaux: Centre d’Arts Plastiques Contemporains de Bordeaux, 1988. Exhibition catalogue.

 

Frumkin 1974
Frumkin, Allan. 1961: American Painting in the Watershed Year. New York: Allan Frumkin Gallery, 1974. Exhibition catalogue. (1974 New York Frumkin).

 

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Fry, Edward. “Roy Lichtenstein’s Recent Landscapes.” Art and Literature 8 (Spring 1966), pp. 111–19.

 

Fry 1969
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J. Fuchs 1969
Fuchs, Juraj. “Maliarstvo Ameriky po roku 1945.” Praça, April 23, 1969, p. 6.

 

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Fundació “la Caixa” 1999
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Fundación Juan March 1988
Fundación Juan March, Madrid. Colección Leo Castelli. Translated from the English by Felicia de Casas and Antonio de Zubiaurre. Madrid: Fundación Juan March, 1988. Exhibition catalogue.

 

Fundación Juan March 2005
Fundación Juan March, Madrid. Lichtenstein: En proceso. Madrid: Fundación Juan March, 2005. Exhibition catalogue. (2005 Cuenca Arte Abstracto).

 

Fundación Juan March 2007a
Fundación Juan March, Madrid. Roy Lichtenstein: Beginning to End. Madrid: Fundación Juan March, 2007. Exhibition catalogue. (2005 Cuenca Arte Abstracto).

 

Fundación Juan March 2007b
Fundación Juan March, Madrid. Roy Lichtenstein: De principio a fin. Madrid: Fundación Juan March, 2007. Exhibition catalogue. (2005 Cuenca Arte Abstracto).

 

Fundación Juan March 2007c
Fundación Juan March, Madrid. Roy Lichtenstein: Évolution. Translated from the English by Delphine Billaut, Isabelle Choque, Aude Pasquier, and Maïca Sanconie. Madrid: Fundación Juan March; Paris: Pinacothèque de Paris, 2007. Exhibition catalogue. (2005 Cuenca Arte Abstracto).

 

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Furuyama 1993
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E. G. 1953
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Gabbiano 1990
Galleria il Gabbiano, Rome. Realtà e visione: Giorgio Morandi, Balthus, Robert Rauschenberg, Larry Rivers, William Bailey, Fernando Botero, Roy Lichtenstein, Piero Guccione. Rome: Galleria il Gabbiano, 1990. Exhibition catalogue. (1990 Rome Gabbiano).

 

Gablik 1969
Gablik, Suzi. “Protagonists of Pop.” Studio International 178, no. 913 (July 1969), pp. 9–16.

 

Gagosian, Hong Kong 2011
Gagosian Gallery Hong Kong. Landscapes in the Chinese Style. Hong Kong: Gagosian Gallery, 2011. Exhibition catalogue. (2011 Hong Kong Gagosian).

 

Gagosian, London 2004
Gagosian Gallery, London. Drawings. London: Gagosian Gallery, 2004. Exhibition catalogue.

 

Gagosian, London 2005
Gagosian Gallery, London. Imageless Icons: Abstract Thoughts. London: Gagosian Gallery, 2005. Exhibition catalogue. (2005a London Gagosian).

 

Gagosian, London 2007
Gagosian Gallery, London. Pop Art Is: Popular, Transient, Expendable, Low Cost, Mass Produced, Young, Witty, Sexy, Gimmicky, Glamorous, Big Business. London: Gagosian Gallery, 2007. Exhibition catalogue. (2007 London Gagosian).

 

Gagosian, Los Angeles 2002
Gagosian Gallery, Los Angeles. Roy Lichtenstein: Perfect/Imperfect. Los Angeles: Gagosian Gallery, 2002. Exhibition catalogue.

 

Gagosian, Moscow 2008
Gagosian Gallery, Moscow. For What You Are About to Receive. Moscow: Gagosian Gallery, 2008. Exhibition catalogue. (2008 Moscow Gagosian).

 

Gagosian, New York 1988
Gagosian Gallery, New York. Lichtenstein’s Picassos: 1962–1964. New York: Gagosian Gallery, 1988. Exhibition catalogue. (1988a New York Gagosian).

 

Gagosian, New York 2001
Gagosian Gallery, New York. Roy Lichtenstein: Early Black and White Paintings. New York: Gagosian Gallery, 2001. Exhibition catalogue. (2001b New York Gagosian).

 

Gagosian, New York 2002
Gagosian Gallery, New York. Ferus. New York: Gagosian Gallery, 2002. Exhibition catalogue.

 

Gagosian, New York 2004
Gagosian Gallery, New York. What’s Modern? New York: Gagosian Gallery, 2004. Exhibition catalogue. (2004 New York Gagosian).

 

Gagosian, New York 2005
Gagosian Gallery, New York. Roy Lichtenstein: Sculpture. Ed. Stefan Ratibor and Mark Francis. New York: Gagosian Gallery with the Roy Lichtenstein Foundation, New York, 2005. Exhibition catalogue. (2005b London Gagosian).

 

Gagosian, New York 2008
Gagosian Gallery, New York. Lichtenstein: Girls. New York: Gagosian Gallery, 2008. Exhibition catalogue. (2008a New York Gagosian).

 

Gagosian, New York 2009
Gagosian Galley, New York. Go Figure. New York: Gagosian Gallery, 2009. Exhibition catalogue. (2009 New York Gagosian).

 

Gagosian, New York 2010
Gagosian Gallery, New York. Roy Lichtenstein: Still Lifes. New York: Gagosian Gallery, 2010. Exhibition catalogue. (2010 New York Gagosian).

 

Gagosian, Paris 2013
Gagosian Gallery, Paris. Lichtenstein: Expressionism. Paris: Gagosian Gallery, 2013. Exhibition catalogue.

 

Galería Colibrí 1966
Galería Colibrí. 11 Pop Artists. San Juan, Puerto Rico: Galería Colibrí, 1966. (1966 Washington, D.C., National Collection).

 

Galeria Sztuki 1999
Galeria Sztuki Współczesnej Zacheta, Warsaw. Jim Dine, David Hockney, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Frank Stella: Współczesna grafika amerykańska z kolekcji Torstena Lilji (Jim Dine, David Hockney, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Frank Stella: The contemporary American graphics collection of Lilja Torsten). Joanna Młodzińska. Warsaw: Galeria Sztuki Współczesnej Zache̜ta, 1999. Exhibition catalogue.

 

Galerie 1900–2000 1988
Galerie 1900–2000. Pop Art: Roy Lichtenstein, Claes Oldenburg, James Rosenquist, Andy Warhol, Tom Wesselmann. Paris: Galerie 1900–2000, 1988. Exhibition catalogue. (1988 Paris 1900-2000).

 

Galerie Art Focus 1997
Galerie Art Focus, Zurich. Roy Lichtenstein. Zurich: Galerie Art Focus, 1997. Exhibition catalogue. (1997 Zurich Art Focus).

 

Galerie Bischofberger 1975
Galerie Bischofberger, Zurich, New York, and St. Moritz. Katalog 1975. Zurich, New York, and St. Moritz: Galerie Bischofberger, 1975.

 

Galerie Lawrence Rubin 1997
Galerie Lawrence Rubin, Zurich. Roy Lichtenstein: New Paintings. Zurich: Galerie Lawrence Rubin, 1997. Exhibition catalogue. (1997 Zurich Rubin).

 

Galerie Michael 1992
Galerie Michael, Darmstadt. Pop Art. Darmstadt: Galerie Michael, 1992. Exhibition catalogue. (1992 Michael).

 

Galerie Ulysses 1992
Galerie Ulysses, Vienna. Roy Lichtenstein Interiors: Collages. Vienna: Galerie Ulysses, 1992. Exhibition catalogue.

 

Galleria Civica d’Arte Moderna e Contemporanea 2014
Galleria Civica d’Arte Moderna e Contemporanea, Turin. Roy Lichtenstein: Opera prima. Edited by Danilo Eccher. Milan: Skira, 2014. Exhibition catalogue. (2014 Turin Galleria Civica).

 

Galleria Civica d’Arte Moderna e Contemporanea 2015
Galleria Civica d’Arte Moderna e Contemporanea, Turin. Roy Lichtenstein: Drawing First. 50 Years of Works on Paper. Edited by Danilo Eccher. Milan: Skira, 2015. Exhibition catalogue. (Revised English version). (2014 Turin Galleria Civica).

 

Gallivan 2005
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Galloway 1963
Galloway, David D., ed. The Buffalo Fine Arts Academy/Albright-Knox Art Gallery: Gallery Notes 26, no. 2 (fall 1963).

 

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Gandee, Charles. “Art à la Carte: Contemporary Artists Try Their Hand at Limited-Edition Porcelain.” House and Garden 163, no. 11 (November 1991), p. 198.

 

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Garcia, Guy D. “Pop for the People: Lichtenstein and Mural with Blue Brushstroke.” Time 127, no. 6 (February 10, 1986), p. 79.

 

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Garcia Lopes, Rodrigo. “Roy Lichtenstein.” Zone: Arts and Culture (Tempe), no. 6 (Spring 1992), pp. 22–27.

 

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H. Gardner 1970
Gardner, Helen. Gardner’s Art through the Ages. 5th ed. Revised by Horst de la Croix and Richard G. Tansey. New York: Harcourt, Brace and World, 1970.

 

P. Gardner 1978
Gardner, Paul. “Richard Baker’s Amazing Mini-Museum.” ARTnews 77, no. 1 (January 1978), pp. 44–48.

 

P. Gardner 1982
Gardner, Paul. “Will Success Spoil Bob and Jim, Louise and Larry?” ARTnews 81, no. 9 (November 1982), pp. 102–9.

 

P. Gardner 1992
Gardner, Paul. “Do Titles Really Matter?” ARTnews 91, no. 2 (February 1992), pp. 92–97.

 

Garver 1964
Garver, Thomas H. Recent American Drawings. Waltham, Mass.: Poses Institute of Fine Arts, Brandeis University, 1964. Exhibition catalogue. (1964 Waltham Rose).

 

Gassiot-Talabot 1964
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Gassiot-Talbot 1965
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Gassiot-Talbot, Gérald. “De la bande dessinée à l’histoire peinte.” XXe siècle (Paris and Milan), n.s., 37, no. 45 (December 1975), pp. 103–10.

 

Gatling 1965
Gatling, Eva Ingersoll. Pop Pop, Whence Pop. Huntington, N.Y.: Heckscher Museum, 1965. Exhibition catalogue.

 

Gaudibert 1976
Gaudibert, P. “L’ordre architectural en question.” Opus International, no. 59 (May 1976), pp. 29–30.

 

Gay 2008
Gay, Peter. Modernism: The Lure of Heresy, from Baudelaire to Beckett and Beyond. New York: W. W. Norton, 2008.

 

Gayford 2001
Gayford, Martin, and Jeff Koons. “Art and Books: Artists on Art: Jeff Koons on Roy Lichtenstein’s Untitled II (Brushstroke) (1966), Interview by Martin Gayford.” Daily Telegraph (London), December 8, 2001, p. A10.

 

Gazzettino 1966
“Una Biennale divertente.” Il gazzettino, June 15, 1966, p. 9.

 

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Gedda, Emilia. “Roy Lichtenstein.” Konstvärlden & Disajn (Stockholm), no. 4 (2003), pp. 44–49.

 

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Geist, Sidney. “Roy Lichtenstein.” Art Digest 27, no. 9 (February 1, 1953), p. 18.

 

Geldzahler 1966a
Geldzahler, Henry. “Frankenthaler, Kelly, Lichtenstein, Olitski.” Artforum 4, no. 10 (June 1966), pp. 32–38.

 

Geldzahler 1966b
Geldzahler, Henry. Frankenthaler, Ellsworth Kelly, Roy Lichtenstein, Jules Olitski. Washington: National Collection of Fine Arts, Smithsonian Institution, 1966. Exhibition catalogue.

 

Geldzahler 1969
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Geldzahler 1970
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Geldzahler, Henry. “Pop Art: Two Views.” ARTnews 73 (May 1974), pp. 30, 32.

 

Geldzahler 1983a
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Geldzahler 1983b
Geldzahler, Henry. “American Accents.” Artmagazine (Toronto) 14, nos. 63–64 (June–August 1983), pp. 13–17, 74–75.

 

Geldzahler 1985
Geldzahler, Henry. Pop Art, 1955–70. Sydney: International Cultural Corporation of Australia Limited, 1985. Exhibition catalogue. (1985 Sydney AGNSW).

 

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Geldzahler, Henry. “Lichtenstein’s Picassos: 1962–1964.” In Lichtenstein’s Picassos: 1962–1964, by Gagosian Gallery, New York. New York: Gagosian Gallery, 1988. Exhibition catalogue.

 

Geldzahler 1989
Geldzahler, Henry. “Locating the Mirror in Modernism: Roy Lichtenstein’s Mirror Paintings.” In Roy Lichtenstein: “The Mirror Paintings,” by Mary Boone Gallery, New York. New York: Mary Boone Gallery, 1989, unpaginated. Exhibition catalogue.

 

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Geldzahler, Henry. “Mural with Blue Brushstroke.” Graphis 48, no. 279 (May–June 1992), pp. 104–9.

 

Geldzahler 2015
Geldzahler, Henry. “Lichtenstein’s Picasso’s: 1962–1964.” In Christie’s, Woman with Flowered Hat. New York: Christie’s New York, pp. 33–45.

 

Gelsenkirchen 1967
Städtische Kunstausstellung Gelsenkirchen. Original Pop Art. Gelsenkirchen, Germany: Städtische Kunstausstellung Gelsenkirchen, 1967. Exhibition catalogue. (1967 Gelsenkirchen Kunstausstellung).

 

Gemeentelijk Casino 1970
Gemeentelijk Casino, Knokke het Zoute. Pop art, nieuwe figuratie/nouveau réalisme. Brussels: A. de Rache, 1970.

 

Gemeentemuseum 1964
Haags Gemeentemuseum. Nieuwe Realisten. The Hague, Netherlands: Haags Gemeentemuseum, 1964. Exhibition catalogue. (1964 Hague Gemeentemuseum).

 

Gemeentemuseum 2013
The Hague Gemeentemuseum. Miniature Museum Ria and Lex Daniëls. Zwaag: The Hague Gemeentemuseum, 2013. Exhibition catalogue. (2013–18 Hague Gemeentemuseum).

 

Genauer 1969
Genauer, Emily. “Art and Artist.” New York Post, September 27, 1969, p. 48.

 

Genaur 1963
Genaur, Emily. “Roy Lichtenstein.” New York Herald Tribune, September 28, 1963, p. 4.

 

Genaur 1964
Genaur, Emily. “The Most Avant of All.” New York: The Sunday Herald Tribune Magazine. Special issue, The Avant-Garde, May 17, 1964, pp. 38–39.

 

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Genocchio, Benjamin. “From Homages to Homer to Pop-Art Indians.” New York Times, September 11, 2005, New Jersey sec. (sec. 14), pp. 1, 14.

 

Genocchio 2005b
Genocchio, Benjamin. “A Pop Star’s Indian Period.” New York Times, October 23, 2005, New Jersey sec., p. 14.

 

Genocchio 2006
Genocchio, Benjamin. “(Native) American Beauty.” New York Times, Long Island edition, October 8, 2006, sec. 14, p. 12.

 

Genocchio 2008
Genocchio, Benjamin. “Odds and Ends of Op and Pop.” New York Times, Long Island edition, March 23, 2008, p. 8.

 

Gerdts 1967
Gerdts, William. American Still-Life Painting, 1913–1967. New York: American Federation of Arts, 1967.

 

Gether and Reenberg 1999
Gether, Christian, and Holger Reenberg. Amerikanske mestervoerker fra Lilja Samlingen: Rauschenberg, Lichtenstein, Rosenquist. Ishøj, Denmark: Arken Museum for Moderne Kunst, 1999. Exhibition catalogue. (1999 Ishøj Arken).

 

Getlein 1966
Getlein, F. “Americans in Venice.” New Republic 155, nos. 4–5 (July 30, 1966), pp. 37–38.

 

Geyer 1994
Geyer, Bernhard. Scheinwelten: Die Geschichte der Perspektive. Leipzig: E. A. Seemann, 1994.

 

Gibb 2004
Gibb, Mary. “Pop Art: Then and Now.” Collections: International Art and Culture (London) 9, no. 1, pp. 34–36, 38.

 

Gibbs 2014
Gibbs, Ewan. “Drawing Inspiration.” In Roy Lichtenstein: Nudes and Interiors, by FLAG Art Foundation. New York: FLAG Art Foundation, 2014, pp. 13–17. Exhibition catalogue.

 

Gibian 1965
Gibian, Cay. “Art: Current Trends, White Museum.” Ithaca Journal, April 19, 1965, p. 5.

 

Gilmour 1987
Gilmour, Pat. Tyler Graphics Catalogue Raisonné, 1974–1985. New York: Abbeville Press; Minneapolis: Walker Art Center, 1987.

 

Gilmour 1989
Gilmour, Pat. Ken Tyler: 25 Glorious Years. Stockholm: Heland Wetterling Gallery, 1989. Exhibition catalogue. (1989 Stockholm Wetterling).

 

Gilson 1995
Gilson, Nancy. “Patriarch of Pop.” Columbus Dispatch, September 17, 1995, pp. F1–F2.

 

Girst 2014
Girst, Thomas, ed. BMW art cars. Ostfildern: Hatje Cantz Verlag, 2014.

 

Gitre 2008
Gitre, Edward Joseph Khair. “America Adjusted: Conformity, Boredom, and the Modern Self, c. 1920–1980.” PhD diss., Rutgers University, the State University of New Jersey, New Brunswick, 2008.

 

Giusti 1975
Giusti, H. A. “Da New York, il centro artistico mondiale.” D’ars 16, nos. 73–74 (March–April 1975), pp. 64–69.

 

Gladstone 1985
Gladstone, Valerie. “Roy Lichtenstein: See the Artist at Work, Like Michelangelo Painting the Sistine Chapel.” Daily News (New York), December 1, 1985, Sunday’s People, p. 6.

 

Glauber 1968
Glauber, Robert. Violence in Recent American Art. Chicago: Museum of Contemporary Art, 1968. Exhibition catalogue.

 

Glenn 1977a
Glenn, Constance W. [uncredited]. “Roy Lichtenstein: Ceramic Sculpture.” Ceramics Monthly 25, no. 5 (May 1977), pp. 40–45.

 

Glenn 1977b
Glenn, Constance W. Roy Lichtenstein: Ceramic Sculpture. Long Beach: California State University, Long Beach, 1977. Exhibition catalogue. (1977 Long Beach CSU).

 

Glenn 1981
Glenn, Constance W. “The Collectors: Contemporary Art: Mr. and Mrs. John Martin Shea in Palm Springs.” Architectural Digest 38, no. 11 (November 1981), pp. 108–15.

 

Glenn and Glenn 1986
Glenn, Constance W., and Jack Glenn, eds. Roy Lichtenstein: Landscape Sketches 1984–1985. New York: Harry N. Abrams, 1986.

 

Gliewe 1994
Gliewe, Gert. “Der große Herold des American Way of Life.” Alendzeitung (Munich), October 14, 1994.

 

Glixon 1973
Glixon, Niel. “Is This Art?” Scholastic Voice (Englewood Cliffs, N.J.) (November 29, 1973), pp. 4–8.

 

Glowen 1976
Glowen, Ronald. “De Kooning and Lichtenstein.” Artweek (Castro Valley, Calif.) 7, no. 9 (February 28, 1976), p. 3.

 

Glózer 1981
Glózer, László, ed. Westkunst: Zeitgenössische Kunst seit 1939: Ausstellung der Museen der Stadt Köln 1981. Cologne: DuMont, 1981. Exhibition catalogue. (1981 Cologne Rheinhallen).

 

Glueck 1964a
Glueck, Grace. “Art Notes: Cutting Culture.” New York Times, February 23, 1964, p. X16.

 

Glueck 1964b
Glueck, Grace. “Art Notes: Tchelitchew.” New York Times, March 15, 1964, p. X24.

 

Glueck 1964c
Glueck, Grace. “Art Rite: Opening Night.” New York Times Sunday Magazine, December 13, 1964, p. 44.

 

Glueck 1965
Glueck, Grace. “Vassar Bids Art Historian Adieu.” New York Times, June 5, 1965, p. 28.

 

Glueck 1966a
Glueck, Grace. “Art: Drawing Society’s Road Show.” New York Times, November 26, 1966, p. 31.

 

Glueck 1966b
Glueck, Grace. “Home-Grown Art Blooms in U.S. Missions.” New York Times, January 30, 1966, p. X24.

 

Glueck 1967a
Glueck, Grace. “New York Gallery Notes: Think Up a New Brand Name?” Art in America 55, no. 5 (September–October 1967), pp. 108–11.

 

Glueck 1967b
Glueck, Grace. “Valuable Painting: Handle with Care.” New York Times, April 2, 1967, p. 115.

 

Glueck 1968a
Glueck, Grace. “Art Notes: Documenta: It Beats the Biennale.” New York Times, July 7, 1968, p. 20D.

 

Glueck 1968b
Glueck, Grace. “Los Angeles Museum Playing Matchmaker.” New York Times, December 13, 1968, p. 56.

 

Glueck 1969a
Glueck, Grace. “BLAM!! To the Top of Pop.” New York Times, September 21, 1969, sec. 2, p. 31.

 

Glueck 1969b
Glueck, Grace. “Coast Art: Industry Project Blossoms.” New York Times, April 17, 1969, p. 54.

 

Glueck 1969c
Glueck, Grace. “Hanging Henry’s Show.” New York Times, August 3, 1969, p. D21.

 

Glueck 1969d
Glueck, Grace. “Los Angeles Regains Vigor As an Art Center.” New York Times, May 29, 1969, p. 42.

 

Glueck 1970
Glueck, Grace. “Artists to Withdraw Work at Biennale.” New York Times, June 6, 1970, p. 27.

 

Glueck 1971a
Glueck, Grace. “More Art Than Meets the Eye.” New York Times, July 11, 1971, p. D22.

 

Glueck 1971b
Glueck, Grace. “New York: Visual Riches and Recessionary Blues.” Art in America 59, no. 2 (March–April 1971), pp. 42–47.

 

Glueck 1976
Glueck, Grace. “Art People.” New York Times, July 30, 1976, p. 48.

 

Glueck 1977
Glueck, Grace. “Scenery Takes a Bow in Queens.” New York Times, December 30, 1977, p. C1.

 

Glueck 1980a
Glueck, Grace. “Art: Lyrical Sculptures of George Sugarman.” New York Times, January 18, 1980, p. 17.

 

Glueck 1980b
Glueck, Grace. “How Picasso’s Vision Affects American Artists.” New York Times, June 22, 1980, sec. 2, p. 1.

 

Glueck 2005a
Glueck, Grace. “The Listings: ‘Homestyle’.” New York Times, April 29, 2005, p. E26.

 

Glueck 2005b
Glueck, Grace. “A Pop Artist’s Fascination with the First Americans.” New York Times, December 23, 2005, p. E42.

 

Glusberg 1966
Glusberg, Jorge. “Pop-art, un nuevo código.” Testigo (Buenos Aires) 4 (October–December 1966), pp. 80–94.

 

Glusberg 1967
Glusberg, Jorge. “Itinerario de un rebelde: En el estudio de Roy Lichtenstein.” Análisis, no. 315 (March 27, 1967), p. 43.

 

Goebel 2006
Goebel, Catherine Carter, ed. Liberal Arts through the Ages. Rock Island: Augustana College, 2006.

 

Goerg 1976
Goerg, Charles. Peinture américaine en Suisse, 1950–1965. Geneva: Musée d’Art et d’Histoire, 1976. Exhibition catalogue. (1976 Geneva Musée d’Art et d’Histoire).

 

Goetz 1994
Goetz, Joachim. “Bilder aus dem Bauchladen der Kunstgeschichte.” Dingolfinger Anzeiger, October, 22, 1994.

 

Gohr 1986a
Gohr, Siegfried. Museum Ludwig Cologne: Painters, Sculptures, Environments from Expressionism to the Present Day. Munich: Prestel Verlag, 1986.

 

Gohr 1986b
Gohr, Siegfried. Museum Ludwig Köln: Gemälde, Skulpturen, Environments vom Expressionismus bis zur Gegenwart. Munich: Prestel Verlag, 1986.

 

Gold 1987
Gold, Sylviane. “Lichtenstein Drawings: Heat beneath the Cool.” USA Today, March 17, 1987.

 

Goldberg 2013
Goldberg, Itzak. “Les Paysages ces lieux communs.” Connaissance des arts, no.589, pp. 34–39.

 

I. Goldberg 2007
Goldberg, Itzhak. “Roy Lichtenstein: La peinture en bulles.” Beaux-arts magazine (Levallois-Perret), no. 277 (July 2007), pp. 64–69.

 

V. Goldberg 1993
Goldberg, Vicki. “Still Subversive after All These Years.” New York Times, September 19, 1993, sec. 2, pp. 1, 37.

 

Goldin 1966a
Goldin, Amy. “In the Galleries: Master Drawings.” Arts Magazine (New York) 40, no. 5 (March 1966), p. 63.

 

Goldin 1966b
Goldin, Amy. “In the Museums: Word and Image.” Arts Magazine (New York) 40, no. 4 (February 1966), p. 54.

 

Goldman 1972
Goldman, Judith. “Exploring the Possibilities of the Print Medium.” ARTnews 72, no. 7 (September 1973), pp. 35–36.

 

Goldman 1977
Goldman, Judith. Art Off the Picture Press: Tyler Graphics Ltd. Hempstead, N.Y.: Emily Lowe Gallery, Hofstra University, 1977. Exhibition catalogue. (1977 Hempstead Lowe).

 

Goldman 1988
Goldman, Judith. In Honor of Leo Castelli Gallery’s Thirtieth Anniversary. Tokyo: Akira Ikeda Gallery, 1988. Exhibition catalogue. (1988 Tokyo Ikeda).

 

Goldman 1994
Goldman, Judith. The Pop Image: Prints and Multiples. New York: Marlborough Graphics, 1994. Exhibition catalogue. (1994 New York Marlborough Graphics).

 

A. Goldman 1966
Goldman, Albert. “Beer Cans in Bronze.” New York Times Book Review, January 30, 1966, pp. 14, 16.

 

J. Goldman 1982
Goldman, Judith. “Woodcuts: A Revival?” Portfolio (New York) 4, no. 6 (November–December 1982), pp. 66–71.

 

Golec 2008
Golec, Michael J. The Brillo Box Archive: Aesthetics, Design, and Art. Hanover, N.H.: Dartmouth College Press, 2008.

 

Golstenne 1991
Golstenne, Laurence. “Lichtenstein par Lichtenstein.” Beaux arts magazine (Paris) (June 1991).

 

Gomes 2000b
Gomes, Kathleen. “Pop escultural.” Cultura (Lisbon), May 12, 2000, p. 32.

 

Gómez Bedate 1970
Gómez Bedate, Pilar. “An Interview with Roy Lichtenstein.” Revista de arte/The Art Review (Universidad de Puerto Rico, Mayagüez), no. 5 (June 1970), pp. 3–6.

 

Good 1967
Good, Jeanne. “Lichtenstein Still Leads in Pop Art.” Citizen-News (Phenix City), April 15, 1967.

 

Goodman 2006
Goodman, James Neil. Roy Lichtenstein: Works on Paper. New York: James Goodman Gallery, 2006. Exhibition catalogue. (2006 New York J. Goodman).

 

Goodman Gallery 1965
James Goodman Gallery at the Park Lane. Spring 1965. Buffalo: James Goodman Gallery, 1965.

 

Goodrich 1966
Goodrich, Lloyd. Art of the United States: 1670–1966. New York: Whitney Museum of American Art, 1966. Exhibition catalogue.

 

Gopnik 1993
Gopnik, Adam. “The Wise Innocent.” The New Yorker 69, no. 37 (November 8, 1993), pp. 119–23.

 

Gopnik 1997
Gopnik, Adam. “The Modest Modernist.” The New Yorker (October 13, 1997), pp. 72–73.

 

Gorder 2001
Gorder, Erika B. Archival Assemblages: Rutgers and the Avant-garde, 1953–1964: An Exhibition. [New Brunswick, N.J.]: [Special Collections and University Archives, Rutgers University Libraries, the State University of New Jersey], 2001. Exhibition catalogue. (2001 New Brunswick, N.J., Rutgers Libraries).

 

Gordon 1968
Gordon, Alastair. “Art in the Modern Manner.” The Connoisseur 167, no. 673 (March 1968), p. 177.

 

Gordon 1983
Gordon, Alice (photographs by Peter Vitale). “An Artist’s Island Life: Roy and Dorothy Lichtenstein in Florida.” House and Garden 155, no. 7 (July 1983), pp. 106–12.

 

Gorgoni 1985
Gorgoni, Gianfranco. Beyond the Canvas: Artists of the Seventies and Eighties. New York: Rizzoli, 1985.

 

Gottschalk 1971
Gottschalk, Earl C., Jr. “What’s That Thing Resembling a Giant Salmon-Hued Ice Bag?” Wall Street Journal, May 5, 1971.

 

Goya 1974
“El estado del ‘Pop’ a principios de esta temporada.” Goya, no. 123 (November 1974), p. 169.

 

Grafly 1962
Grafly, Dorothy. “But Is It Art?” Philadelphia Inquirer, October 26, 1962.

 

D. Graham 1979
Graham, Dan. “Art in Relation to Architecture/Architecture in Relation to Art.” Artforum 17, no. 6 (February 1979), pp. 22–29.

 

Grand Palais des Champs-Elysées 1980
91e exposition Société des artistes indépendants. Paris: Grand Palais des Champs-Elysées, 1980.

 

Graphis 1998
“In Memoriam: Roy Lichtenstein (1923–1997).” Graphis, no. 313 (1998), p. 112.

 

Graulich 2001
Graulich, Heather. “Did You Take a Guess at Which of the Artworks on the Front Page Is Worth $4 Million?” Palm Beach Post, January 7, 2001, p. 81.

 

Gray 1963
Gray, Cleve. “Remburgers and Hambrandts.” Art in America 51, no. 6 (December 1963), pp. 118–29.

 

Gray Gallery 1988
Richard Gray Gallery, New York. Twentieth-Century Paintings and Sculptures: Avery, Chia, Cucci, de Kooning, Diebenkorn, Dubuffet, Francis, Gottlieb, Hockney, Hofmann, Léger, Lichtenstein, Lipchitz, Miró, Picasso, Smith, Vuillard, Warhol. New York: Richard Gray Gallery, 1988. Exhibition catalogue. (1988 New York Gray).

 

Gray Gallery 1997
Richard Gray Gallery, New York. Roy Lichtenstein: Recent Drawings and Sculpture. Chicago: Richard Gray Gallery, 1997. Exhibition catalogue. (1997 Chicago Gray).

 

Gray Gallery 2010
Richard Gray Gallery, New York and Chicago. Roy Lichtenstein: Modern Paintings. New York and Chicago: Richard Gray Gallery, 2010. Exhibition catalogue.

 

C. Gray 1965
Gray, Cleve. “The Portfolio Collector.” Art in America 53, no. 3 (June 1965), pp. 93–95.

 

Great History of Art 1997
Modan āto no miryoku: Nijisseiki āto no jidai o chōbō suru (The appeal of modern art: Surveying the art of the 20th century). Great History of Art. Kyoto: Dōhōsha Shuppan, 1997.

 

Green 1964
Green, Samuel Adams. The New Art. Middletown, Conn.: Davison Art Center, Wesleyan University, 1964. Exhibition catalogue. (1964 Middletown, Conn., Davison).

 

Green 1966
Green, Samuel Adams. New Art in Philadelphia. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1966. Exhibition catalogue. (1966b Philadelphia ICA).

 

Green 1969
Green, Samuel Adams. American Painting: The 1960’s. New York: American Federation of Arts, 1969. Exhibition catalogue. (1969 Athens University of Georgia).

 

Greenberg and Jordan 1991
Greenberg, Jan, and Sandra Jordan. The Painter’s Eye. New York: Delacorte, 1991.

 

Greene 1994
Greene, David A. “Roy Lichtenstein.” Art Issues, no. 33 (May–June 1994), p. 36.

 

Greenfeld 1966
Greenfeld, Josh. “Sort of the Svengali of Pop.” New York Times Magazine, May 8, 1966, pp. 34–35, 38, 40, 42, 45–46, 48, 50, 52, 55.

 

Gregory 2014
Gregory, Mary. “Pop Sculpture.” Pulse Magazine (Patchogue, New York) (July/August 2014), p. 97.

 

Greig 1992
Greig, Geordie. “Still Popping Along.” Sunday Times (London), February 9, 1992, p. 10.

 

Grenville 2008
Grenville, Bruce, ed. Krazy! The Delirious World of Anime + Comics + Video Games + Art. Vancouver: Vancouver Art Gallery and Douglas and McIntyre, 2008. Exhibition catalogue. (2008 Vancouver Art Gallery).

 

Grinke 1968
Grinke, Paul. “Comic Cuts.” Spectator (London) (January 12, 1968).

 

Groos and Schimpf 2012
Groos, Ulrike, and Simone Schimpf, eds. Rasterfahndung: Das Raster in der Kunst nach 1945. Stuttgart: Kunstmuseum Stuttgart; Cologne: Wienand, 2012. Exhibition catalogue.

 

Gross 1967
Gross, Ronald. Pop Poems. New York: Simon and Schuster, 1967.

 

R. Gross 1968
Gross, Ronald. “Pop Poems.” Art in America 56, no. 2 (March–April 1968), pp. 76–79.

 

Grossberg 1965
Grossberg, Jacob. “In the Museums: Art in Process.” Arts Magazine (New York) 39, no. 7 (April 1965), p. 54.

 

Gruen 1963
Gruen, John. “Mystiques, Anyone?” New York: The Sunday Herald Tribune Magazine, September 29, 1963, p. 53.

 

Gruen 1965
Gruen, John. “Kitsch As Kitsch Can.” New York Herald Tribune, December 5, 1965, p. 39.

 

Gruen 1968
Gruen, John. “Art in New York.” New York (September 2, 1968), p. 13.

 

Gruen 1969
Gruen, John. “‘So What?’ Indeed!” New York Herald Tribune, September 22, 1969, p. 59.

 

Gruen 1971
Gruen, John. “Drawn and Quartered.” New York Magazine 4, no. 3 (January 18, 1971), p. 41.

 

Gruen 1976
Gruen, John. “Roy Lichtenstein: From Outrageous Parody to Iconographic Elegance.” ARTnews 75, no. 3 (March 1976), pp. 39–42.

 

Gruen 1985
Gruen, John. “Artist’s Dialogue: Roy Lichtenstein: Bold Strokes of Wit and Wisdom.” Architectural Digest 42, no. 9 (September 1985), pp. 52, 56, 60, 62.

 

Grundbacher 1982
Grundbacher, François. “Exakt neutral: Roy Lichtenstein im Musée des Arts Décoratifs.” Du, no. 12 (1982), pp. 104, 106.

 

Gruninger 1983
Gruninger, Pamela. Modern Still Life. Stamford: Whitney Museum of American Art, Fairfield County, 1983. Exhibition brochure.

 

Guangdong 2000
Guangdong Museum of Art. Die bekannten deutschen Kunstsammler, Peter und Irene Ludwig, schenken China Kunstwerke aus aller Welt. Shanghai: Shanghai Art Museum, 2000. Exhibition catalogue. (1999 Shanghai Art Museum).

 

Guardian 1968
“Royal Road to Roy.” Guardian (London), January 9, 1968.

 

Gudebus 1988
Gudebus, Lesley J. “Daring Drawings.” Continental (Austin, Tex.) (September 1988).

 

Guggenheim 1976
Solomon R. Guggenheim Museum. Acquisition Priorities: Aspects of Postwar Painting in America. New York: Solomon R. Guggenheim Museum, 1976. Exhibition catalogue. (1976b New York Guggenheim).

 

Guggenheim 1992
Solomon R. Guggenheim Museum. Guggenheim Museum: A to Z. New York: Solomon R. Guggenheim Museum, 1992.

 

Guigui 1993
Guigui, Jacqueline. “Roy Lichtenstein: The High Priest of Pop Art.” Spotlight (October 1993), pp. 12–16.

 

Guild Hall 1992
Guild Hall. Roy Lichtenstein: Three Decades of Sculpture. East Hampton, N.Y.: Guild Hall Museum, 1992. Exhibition catalogue.

 

Guild Hall 2015
Guild Hall. Roy Lichtenstein: Between Sea and Sky. East Hampton: Officina Libraria in collaboration with Guild Hall, East Hampton, New York, 2015. Exhibition catalogue. (2015 East Hampton Guild Hall).

 

Guilleminot 2008
Guilleminot, Adrien. “Ça bouge, mais comment?” Arts Magazine (Paris), no. 23 (April 2008), pp. 80–81.

 

Gumpert and Wallis 1991
Gumpert, Lynn, and Brian Wallis. Beyond the Frame: American Art 1960–1990. Tokyo: Committee for Beyond the Frame, 1991. Exhibition catalogue. (1991 Tokyo Setagaya).

 

Gunter 1992
Gunter, Carl A. Semantics of Programming Languages: Structures and Techniques. Cambridge, Mass.: MIT Press, 1992.

 

Gural 2001
Gural, Natasha. “Diversity of Artist’s Technique on Display.” Greenwich [Conn.] Time, November 7, 2001, p. A11.

 

Gutierrez 1988
Gutierrez, Raul. “Roy and John.” The Kiosk (Princeton, N.J.), March 31, 1988.

 

Gutman 1968
Gutman, Walter. The Dominant Woman. New York: Contemporary Study Wing, Museum of Art, Finch College, 1968. Exhibition catalogue. (1968 New York Finch).

 

Haacke 1999
Haacke, Hans. Ansichts Sachen/Viewing Matters. Düsseldorf: Düsseldorf, 1999. Exhibition catalogue. (1996 Rotterdam Boijmans).

 

Haas 1953
Haas, Irvin. “The Print Collector: November Color Prints.” ARTnews 52, no. 7 (November 1953), pp. 65–66.

 

Hagen 1995
Hagen, Charles. “In Connecticut, a Collector’s Eclecticism.” New York Times, July 14, 1995, p. C16.

 

Hahn 1965a
Hahn, Otto. “L’art à New York: L’Op chasse le Pop.” L’express (Paris) (April 26–May 2, 1965), pp. 88–90.

 

Hahn 1965b
Hahn, Otto. “Galeries: La peinture au tire-ligne.” L’express (Paris) (June 21–27, 1965).

 

Hahn 1965c
Hahn, Otto. “Lettre de Paris: La peinture mécanique.” Art International 9, no. 6 (September 1965), pp. 70–76.

 

Hahn 1966
Hahn, Otto. “Roy Lichtenstein.” Ed. James Fitzsimmons. Translated by Arnold Rosin. Art International 10, no. 6 (summer 1966), pp. 64, 66–69.

 

Hahn 1968
Hahn, Otto. “Le magnat du shampooing rafle le Pop art.” L’express (Paris) (September 2–8, 1968), p. 55.

 

Hahn 1974
Hahn, Otto. “Roy Lichtenstein.” Art Press, no. 15 (December 1974–January 1975), pp. 4–5.

 

Hahn 1982
Hahn, Otto. “Les miroirs de Lichtenstein.” L’express (Paris) (September 24–30, 1982), pp. 23, 25.

 

Hahn 1991
Hahn, Otto. “L’étendard du Pop art.” L’express (Paris) (June 6, 1991).

 

Halasz 1973
Halasz, Piri. “Silk-Screen Show Opening in Orange.” New York Times, July 15, 1973, p. 74.

 

D. Hall 1997
Hall, David. “Roy Lichtenstein.” Art Monthly, no. 211 (November 1997), p. 23.

 

J. Hall 2003
Hall, John M. “The Shape of Things to Come.” HC and G (Hamptons Cottages and Gardens) 2, no. 8 (September–October 2003), pp. 96–105.

 

L. Hall 1983
Hall, Lee. “Material Pleasures.” House and Garden 155, no. 4 (April 1983), pp. 6, 8, 12.

 

Halle 1999
Halle, Howard. “Art Reviews: U.S.A. Today: Part II of the Whitney’s ‘American Century’ Is Better Than Part I, but It Still Doesn’t Make the Grade.” Time Out New York (October 7–14, 1999), p. 83.

 

Hamburger Abendblatt
“Roy-Lichtenstein-Retrospektive in den Deichtorhallen.” Hamburger Abendblatt, February 10, 1995, p. 6.

 

Hamburger Abendblatt 1995a
“Deichtorhallen: Roy Lichtenstein zu Besuch in Hamburg.” Hamburger Abendblatt, 1995, p. 7.

 

Hamburger Bahnhof 2007
Hamburger Bahnhof Museum für Gegenwart. Andy Warhol, Roy Lichtenstein, Robert Rauschenberg, Cy Twombly, Anselm Kiefer. Baden-Baden: Frieder Burda Museum, 2007. Exhibition catalogue. (2007 Baden-Baden Burda).

 

Hamilton 1968
Hamilton, Richard. “Roy Lichtenstein.” Studio International 175, no. 896 (January 1968), pp. 20–24.

 

Hannover Kestner-Gesellschaft 1973
Hannover Kestner-Gesellschaft. Hommage à Picasso. Hannover: Hannover Kestner-Gesellschaft, 1973. Exhibition catalogue. (1973 Hannover Kestner).

 

Hanover 1966
Hanover Gallery, London. The Poetic Image. London: Hanover Gallery, 1966. Exhibition catalogue.

 

Harb 1994
Harb, Karl. “Mehr als Ikonen der Pop-Art Der Blick auf ein Lebenswerk.” Salzburger Nachrichten, October 25, 1994.

 

Harff 1969
Harff, Illi-Maria. OK America. Winnipeg: Winnipeg Art Gallery, 1969. Exhibition catalogue. (1969 Winnipeg WAG).

 

Harkness 2014
Harkness, Hilary. “A Nude of One’s Own.” In Roy Lichtenstein: Nudes and Interiors, by FLAG Art Foundation. New York: FLAG Art Foundation, 2014, pp. 9–11. Exhibition catalogue.

 

Harlin 2005
Harlin, Tayt. “New York’s Real Underground Art Scene.” New York Sun, June 30, 2005, p. 15.

 

Harper’s Bazaar 1963
“The Avant-Garde Fifty Years Later.” Harper’s Bazaar (May 1963), pp. 156–59.

 

Harper’s Bazaar 1987
“Artsmart.” Harper’s Bazaar (March 1987).

 

Harris 1993
Harris, Jonathan. “Modernism and Culture in the USA, 1930–60.” In Paul Wood, Francis Frascina, Harris, and Charles Harrison. Modernism in Dispute: Art since the Forties. New Haven: Yale University Press in association with the Open University, London, 1993, pp. 2–76.

 

Harrison 1976
Harrison, Helen A. “Lichtenstein Uses Mirrors.” New York Times, November 4, 1979, p. 23.

 

Harrison 1980
Harrison, Helen A. “By an Artist Who Paid His Dues.” New York Times, September 28, 1980, p. 13.

 

Harrison 1981
Harrison, Helen A. “Lively Experiments with the Still Life.” New York Times, May 3, 1981, p. 22.

 

Harrison 1982b
Harrison, Helen A. “Printmaking by Hamptons Artists.” New York Times, October 31, 1982, p. 24.

 

Harrison 1997
Harrison, Helen A. “Recalling Roy Lichtenstein on Long Island.” New York Times, October 15, 1997, p. 15.

 

Harrison 2004
Harrison, Helen A. “The Big Brushes from the East End: ‘Academy of the Arts’.” New York Times, July 25, 2004, p. LI8.

 

Harten 2000
Harten, Jürgen, ed. Das fünfte Element, Geld oder Kunst: Ein fabelhaftes Lexikon zu einer verlorenen Enzyklopädie. Cologne: DuMont, 2000. Exhibition catalogue. (2000 Düsseldorf Kunsthalle).

 

Hartt 1989
Hartt, Frederick. Art: A History of Painting, Sculpture, Architecture. 3rd ed. New York: Harry N. Abrams, 1989.

 

Harvey 1979
Harvey, Donald. Seven Artists at Tyler Graphics Ltd. Athens, Ohio: Trisolini Gallery, Ohio University, 1979. Exhibition catalogue. (1979 Athens, Ohio, Trisolini).

 

Hasegawa 1991
Hasegawa, Tokushichi. Lichtenstein, Rauschenberg, Rosenquist: Gendai Amerika sakka sanninten (Lichtenstein, Rauschenberg, Rosenquist: Exhibition of three modern American artists). Tokyo: Galerie Nichido, 1991. Exhibition catalogue. (1991 Tokyo Nichido).

 

Haskell 1984
Haskell, Barbara. Blam! The Explosion of Pop, Minimalism, and Performance, 1958–1964. New York: Whitney Museum of American Art, 1984. Exhibition catalogue. (1984 New York Whitney).

 

Haus der Kunst 1994
Haus der Kunst, Munich. Roy Lichtenstein: Die Retrospektive. Munich: Haus der Kunst, 1994. Supplement to exhibition catalogue (Waldman 1993b).

 

Hayat 1990
Hayat, Yves J., ed. Art Collectors. Vol. 1. Paris: Éditions Numero 5, 1990.

 

Haydon 1965
Haydon, Harold. “Art: Works A-Poppin’ at Ravinia.” Chicago Sun-Times, July 4, 1965, p. 3.

 

Hayes 1997
Hayes, Mary Eshbaugh. “Lichtenstein ‘Pops’ Back onto the Aspen Scene.” Aspen Times, July 12–13, 1997, pp. B4, B10.

 

Haywood 1994
Haywood, Robert E. Pop! A Print Survey of the Pop Art Style from the Collection of Leo Castelli. Gainesville, Georgia: Brenau University, 1994. Exhibition catalogue. (1994a Gainesville, Ga., Brenau).

 

Healy 2003
Healy, Patrick. “A Pop Art Jigsaw Puzzle Is Assembled Deftly.” New York Times, November 17, 2003, p. B4.

 

Heard 1976
Heard, James. “Lichtenstein.” Arts Review (London) 28, no. 8 (April 16, 1976), p. 182.

 

Heartney 1987
Heartney, Eleanor. “Master of the Benday Dot.” ARTnews 86, no. 6 (summer 1987), p. 210.

 

Heartney 1988
Heartney, Eleanor. “Roy Lichtenstein.” ARTnews 87, no. 5 (May 1988), p. 165.

 

Heartney 1989a
Heartney, Eleanor. “Blindness and Insight.” ARTnews 88, no. 8 (October 1989), pp. 27–28.

 

Heartney 1989b
Heartney, Eleanor. “Joint Ventures.” ARTnews 88, no. 2 (February 1989), p. 15.

 

Heartney 1997
Heartney, Eleanor. “Roy Lichtenstein at Leo Castelli.” Art in America 85, no. 2 (February 1997), p. 99.

 

Heckscher 1969
Heckscher Museum. The Changing Face of War. Huntington, N.Y.: Heckscher Museum, 1969. Exhibition brochure. (1969 Huntington, N.Y., Heckscher).

 

Heffernan 1987
Heffernan, James A. W., ed. Space, Time, Image, Sign: Essays on Literature and the Visual Arts. New York: Peter Lang, 1987.

 

Heiferman and Phillips 1989
Heiferman, Marvin, and Lisa Phillips. Image World: Art and Media Culture. New York: Whitney Museum of American Art, 1989. Exhibition catalogue. (1989b New York Whitney).

 

Helander 2008
Helander, Bruce. Learning to See: An Artist’s View on Contemporary Artists from Artschwager to Zakanitch. Ed. Susan Hall. West Palm Beach, Fla.: Star Group International, 2008.

 

Helman Gallery 1999
Joseph Helman Gallery. Pop Masterworks: Lichtenstein, Oldenburg, Warhol. New York: Joseph Helman Gallery, 1999. Exhibition catalogue. (1999 New York Helman).

 

Hendra 1993
Hendra, Tony. Brad ’61: Portrait of the Artist As a Young Man. New York: Pantheon Books, 1993.

 

Hendrick 1967
Hendrick, Kimmis. “‘Which Comics Do You Read, Mr. Lichtenstein?’.” Christian Science Monitor, April 29, 1967, p. 6.

 

Hendricks 2000
Hendricks, Norine S. “Pop Goes the Artist: Roy Lichtenstein.” Timeline (Ohio Historical Society, Columbus) 17, no. 5 (September–October 2000), pp. 14–37.

 

Hendrickson 1988a
Hendrickson, Janis. Roy Lichtenstein. Cologne: Benedikt Taschen, 1988.

 

Hendrickson 1988b
Hendrickson, Janis. Roy Lichtenstein: Die Ironie des Banalen. Translated from the English by Jannik Storm. Cologne: Benedikt Taschen, 1988.

 

Henn 1987
Henn, Ulrike. “Keine Rede mehr von Pop.” Art: Das Kunstmagazin (Hamburg), no. 4 (April 1987), pp. 52–62.

 

Hennessey 1978
Hennessey, William J. Artists Look at Art. Lawrence: Helen Foresman Spencer Museum of Art, University of Kansas, 1978. Exhibition catalogue. (1978 Lawrence Spencer Museum).

 

Henning 1966
Henning, Edward B. Roy Lichtenstein. Cleveland: Cleveland Museum of Art, 1966. Exhibition catalogue.

 

Henning 1973
Henning, Edward B. “Reconstruction: A Painting by Jasper Johns.” Bulletin of the Cleveland Museum of Art 60, no. 8 (October 1973), pp. 234–41.

 

C. Henry 2002
Henry, Clare. “Next Stop: Lichtenstein.” Financial Times (New York), September 14–15, 2002, p. 8.

 

G. Henry 1970
Henry, Gerrit. “New York.” Art International 14, no. 10 (December 25, 1970), pp. 75–80.

 

G. Henry 1971
Henry, Gerrit. “New York Letter.” Art International 15, no. 5 (May 20, 1971), pp. 73–74, 84.

 

G. Henry 1973
Henry, Gerrit. “Reviews and Previews: Roy Lichtenstein.” ARTnews 72, no. 4 (April 1973), p. 77.

 

Herget 1963
Herget, Holly. “OSU Professor Collects ‘Pop’ Art.” Ohio State [Columbus] Lantern, February 7, 1963, p. 3.

 

Hermand 1971
Hermand, Jost. Pop International: Eine kritische Analyse. Frankfurt am Main: Athenäum, 1971.

 

Herms Drath 1971
Herms Drath, Viola. “The Thirty-Second Corcoran Biennial: Art As Visual Event.” Art International 15, no. 5 (May 20, 1971), pp. 40–44.

 

Herzka 1965
Herzka, Dorothy. Pop Art One. New York: Publishing Institute of American Art, 1965.

 

T. Hess 1974
Hess, Thomas. “Macho Ado About Nothing.” New York Magazine 7, no. 47 (November 25, 1974), p. 99.

 

W. Hess 1970
Hess, Walter. “Materialien zum Problem der Realität in der gegenwärtigen Kunst.” Argo (1970), pp. 420–39.

 

Het Parool 1967
“Pop Art-pionier Lichtenstein.” Het Parool (Amsterdam), November 4, 1967.

 

Heyler 2015
Heyler, Joanne. The Broad Collection. Munich: Prestel Verlag, 2015.

 

Heyliger 1975
Heyligers, Claude. “Roy Lichtenstein.” Journal du Racing (February 1975), p. 23.

 

Hickey 2010
Hickey, Dave. “Roy Lichtenstein’s Modern Paintings: Dylan Goes Electric.” In Roy Lichtenstein: Modern Paintings, by Richard Gray Gallery, New York and Chicago. New York and Chicago: Richard Gray Gallery, 2010, pp. 9–13. Exhibition catalogue.

 

Hillier 1971
Hillier, Bevis. The World of Art Deco. New York: E. P. Dutton and Co., 1971. Exhibition catalogue. (1971 Bloomfield Hills Cranbrook).

 

Hills 1969
Hills, Patricia. Drawings/Studies/Prints. 1969. Roy Lichtenstein Foundation Archives.

 

Hilton 1993
Hilton, Tim. “Whaam! Pop! The Bubble Bursts.” Sunday Review (London), February 28, 1993.

 

Hindry 1990
Hindry, Ann, ed. Claude Berri rencontre Leo Castelli. Paris: Banque de l’Union Occidentale, 1990.

 

Hindry 2013
Hindry, Ann. “Un peintre décidément à contre-courant.” In Roy Lichtenstein. Paris: Beaux Arts Éditions, 2013, pp. 9–11.

 

Hindry 2013a
Hindry, Ann. “L’ascension tardive et tumulteuse d’un géant de l’art: Un peinture décidément à contre-courant.” In Roy Lichtenstein au Centre Pompidou. Paris: Beaux-Arts Éditions, 2013, pp. 9–15.

 

Hindry 2013b
Hindry, Ann. “Des bulles, des histoires d’amour, des scènes de guerre: Par la BD, Lichtenstein réinvente la peinture.” In Roy Lichtenstein au Centre Pompidou. Paris: Beaux-Arts Éditions, 2013, pp. 37–41.

 

Hindry 2013c
Hindry, Ann. “Par la BD, Lichtenstein réinvente la peinture.” In Roy Lichtenstein. Paris: Beaux Arts Éditions, 2013, pp. 36–41.

 

Hindry 2013d
Hindry, Ann. “Roy Lichtenstein: L’art mis au point.” Beaux arts magazine (Paris) (July 2013), pp. 68–77.

 

Hinkle 2015
Hinkle, Annette. “The Unexpected View.” The Sag Harbor Express (Sag Harbor, New York), September 17, 2015, pp. B1, B2.

 

Hiromoto 1994
Hiromoto, Nobuyuki. “Roy Lichtenstein.” BT 6 [Bijutsu techō] (Tokyo) 46, no. 689 (June 1994), pp. 70–83.

 

Hiromoto 2003
Hiromoto, Nobuyuki. Neko mo daisuki gendai āto (Cats love contemporary art too). Kyoto: Tankosha, 2003.

 

Hiromoto and Nakajima 2006
Hiromoto, Nobuyuki, and Keiko Nakajima, eds. Joy Pop! Pop Art 1960s to 2000s: From Lichtenstein and Warhol to the Current Generation. Tokyo: Yomiuri Shimbun and Japan Association of Art Museums, 2006. Exhibition catalogue.

 

Hirshhorn 1999
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Regarding Beauty: A View of the Late 20th Century. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1999. Exhibition catalogue. (1999 Washington, D.C. Hirshhorn).

 

Hirshhorn and Haus der Kunst 1999
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., and Haus der Kunst, Munich. Beauty Now: Die Schönheit in der Kunst am Ende des 20. Jahrhunderts. Ostfildern-Ruit, Germany: Hatje Cantz, 1999. Exhibition catalogue. (1999 Washington, D.C. Hirshhorn).

 

Ho 1998
Ho, Janet. “American Pop Icon Was Dotty about Chinese Art.” Straits Times, February 18, 1998, pp. 2–3.

 

Ho-Am 1988
Ho-Am Gallery, Seoul. Nyu Yok hyŏndae misuljŏn/Contemporary Art from New York. Seoul: Ho-Am Gallery, 1988. Exhibition catalogue.

 

Hoberman 1982
Hoberman, J. “Love and Death in the American Supermarketplace.” Village Voice (New York), November 9, 1982, pp. 1–2.

 

Hochschule für Grafik und Buchkunst 1984
Galerie der Hochschule für Grafik und Buchkunst, Leipzig. Amerikanische Pop Art aus der Sammlung Ludwig Köln. Leipzig: Galerie der Hochschule für Grafik und Buchkunst, 1984. Exhibition brochure.

 

Hodge 1966
Hodge, G. Stuart. Flint Invitational. Flint: Flint Institute of Arts, 1966. Exhibition catalogue. (1966 Flint Institute).

 

Hoesterey 1976
Hoesterey, Ingeborg. “New York.” Art International 20, nos. 2–3 (February–March 1976), pp. 56–65.

 

J. Hoffman, Driscole, and Zahler 1977
Hoffman, Jay, Dee Driscole, and Mary Clare Zahler. A Study in Regional Taste: The May Show 1919–1975. Cleveland: Cleveland Museum of Art, 1977. Exhibition catalogue. (1977 Cleveland Museum).

 

P. Hoffman 1970
Hoffman, Paul. “35th Art Biennale Beset by Problems at Venice Opening.” New York Times, June 24, 1970, p. 38.

 

Hoffmann 1974
Hoffmann, D. “Keine Angst vor Pop.” Scala 12 (1974).

 

Hoffmann 1988
Hoffmann, Dieter. “Roy Lichtenstein: Reklame und Comic-Welt.” Kunst (Munich), no. 3 (March 1988), p. 182.

 

Hofmaier 2003
Hofmaier, James. The Sixties: Lichtenstein, Warhol, Wesselmann, Rosenquist. Munich: Galerie Daniel Blau, 2003. Exhibition catalogue.

 

Hofmann 1964a
Hofmann, Werner. Neue Realisten und Pop Art. Berlin: Akademie der Künste, 1964. Exhibition catalogue. (1964 Berlin Akademie).

 

Hofmann 1964b
Hofmann, Werner. Pop, Etc. Vienna: Museum des 20, Jahrhunderts, 1964. Exhibition catalogue. (1964 Vienna Museum des 20. Jh.).

 

H. Hohl 1971
Hohl, Hanna. “Roy Lichtensteins Serie der Haystacks nach Monets Meules: Eine Neuerwerbung des Kupferstichkabinetts.” In Jahrbuch der Hamburger Kunstsammlungen, vol. 16, by Wallraf-Richartz-Museum, Cologne. Hamburg: Dr. Ernst Hauswedell und Co. Verlag, 1971, pp. 167–70.

 

R. Hohl 1972
Hohl, Reinhold. Highlights. Basel: Galerie Beyeler, 1972. Exhibition catalogue.

 

R. Hohl 1975
Hohl, Reinhold. Paysages après l’Impressionnisme. Basel: Galerie Beyeler, 1975. Exhibition catalogue. (1975 Basel Galerie Beyeler).

 

R. Hohl 1978
Hohl, Reinhold. The Silent Dialogue: The Still Life in the 20th Century. Basel: Galerie Beyeler, 1978. Exhibition catalogue. (1978b Basel Galerie Beyeler).

 

R. Hohl 1985
Hohl, Reinhold. Black and White: From Manet to Kiefer. Basel: Galerie Beyeler, 1985. Exhibition catalogue. (1985 Basel Galerie Beyeler).

 

Höke 1966
Höke, Bernhard, ed. Mit Beiträgen von Jürgen Becker, Max Bense, E. Gomringer, G. Rühm, W. Vostell, E. Williams, Roy Lichtenstein, Nam June Paik, Diter Rot. Berlin: Christian Grützmacher, 1966.

 

J. Holland 1969
Holland, Julian. “Pop Goes the Easel.” Daily Mail (London), July 7, 1969, p. 8.

 

M. Holland 1967
Holland, Mary. “Mr. Pop Comes to Town.” London Observer, December 31, 1967, p. 7.

 

Hollein 1983
Hollein, Hans. “Abteiberg Museum Mönchengladbach.” GA Document (Tokyo) 6 (1983).

 

Holm, Tøjner, and Caiger-Smith 2003a
Holm, Michael Juul, Poul Erik Tøjner, and Martin Caiger-Smith, eds. Roy Lichtenstein: All about Art. Humlebaek, Denmark: Louisiana Museum of Modern Art, 2003. Exhibition catalogue. (2003 Humlebaek Louisiana).

 

Holm, Tøjner, and Caiger-Smith 2003b
Holm, Michael Juul, Poul Erik Tøjner, and Martin Caiger-Smith, eds. Roy Lichtenstein: All about Art. Humlebaek, Denmark: Louisiana Museum of Modern Art, 2003. Exhibition catalogue. (2003 Humlebaek Louisiana).

 

Holzhauer 1994
Holzhauer, Angela. “Comics für Fortgeschrittene.” Lippische Landeszeitung, November 3, 1994.

 

Homem and Rylands 2011a
Homem, Antonio, and Philip Rylands. Ileana Sonnabend: An Italian Portrait. New York: Solomon R. Guggenheim Foundation, 2011. Exhibition catalogue.

 

Homem and Rylands 2011b
Homem, Antonio, and Philip Rylands. Ileana Sonnabend: Un ritratto italiano. Venice: Peggy Guggenheim Collection, 2011. Exhibition catalogue.

 

Hong Kong Museum of Art 1998
Hong Kong Museum of Art. Roy Lichtenstein: Landscapes in Chinese Style. Hong Kong: Hong Kong Museum of Art, 1998. Exhibition catalogue. (1997 Boston MFA).

 

Honisch and Jensen 1976
Honisch, Dieter, and Jens Christian Jensen, eds. Amerikanische Kunst von 1945 bis Heute: Kunst der USA in europäischen Sammlungen. Cologne: DuMont, 1976.

 

Honnef 1969a
Honnef, Klaus. Aktuelle Kunst: Ein Rundgang durch die Ausstellung. Aachen: Suermondt-Museum, 1969. Exhibition catalogue. (1969 Aachen Suermondt).

 

Honnef 1969b
Honnef, Klaus. Heutige Kunst: Kleiner Katalog. Aachen: Suermondt-Museum, 1969.

 

Honnef 1970
Honnef, Klaus. “Die Sammlung Ludwig.” In Die Kunst und das schöne Heim: Monatsschrift für Malerei, Plastik, Graphik, Architektur und Wohnkultur.

 

Honnef 2004
Honnef, Klaus. Pop Art. Ed. Uta Grosenick. Cologne: Taschen, 2004.

 

Honnef, Krüger, and Taylor 1976
Honnef, Klaus, Ingeborg Krüger, and Joshua C. Taylor, eds. 200 Jahre amerikanische Malerei, 1776–1976. Bonn: Rheinisches Landesmuseum, 1976. Exhibition catalogue. (1976 Bonn Landesmuseum).

 

Honour and Fleming 1982
Honour, Hugh, and John Fleming. A World History of Art. London: Macmillan, 1982.

 

Honour and Fleming 1983
Honour, Hugh, and John Fleming. Weltgeschichte der Kunst. Munich: Prestel Verlag, 1983.

 

B. Hopkins 1976
Hopkins, Budd. “New York.” Artforum 14, no. 5 (January 1976), pp. 57–60.

 

D. Hopkins 2000
Hopkins, David. After Modern Art, 1945–2000. Oxford, England: Oxford University Press, 2000.

 

J. Hopkins 1963
Hopkins, John F. “Introduction.” In Invited Group Show: 12 American Artists, by Heckscher Museum, Huntington, N.Y. Huntington, N.Y.: Heckscher Museum, 1963. Exhibition brochure. (1963 Huntington, N.Y., Heckscher).

 

Hopps 1971
Hopps, Walter. Thirty-Second Biennial Exhibition of Contemporary American Painting. Washington, D.C.: Corcoran Gallery of Art, 1971. Exhibition catalogue.

 

Horowitz 1963
Horowitz, Leonard. “Art: Six Characters in Search of an Art Movement.” Village Voice (New York), April 4, 1963, p. 11.

 

Houdek 1967
Houdek, Dick. “Is Pop Art A Sign of Decadent Life?” Tempo/Los Angeles Herald-Examiner California Living, April 30, 1967, p. 38.

 

Hough and Zakian 1992
Hough, Katherine Plake, and Michael Zakian. Transforming the Western Image in 20th Century American Art. Palm Springs: Palm Springs Desert Museum, 1992. Exhibition catalogue. (1992 Palm Springs Desert Museum).

 

Houle 1994
Houle, Alain. “Bande dessinée histoire: Roy Lichtenstein.” Magazine parcours: Arts et vie (Montreal) 40 (summer 1994), pp. 9–11, 82.

 

Houston 1972
Contemporary Arts Museum, Houston. Roy Lichtenstein. Houston: Contemporary Arts Museum, 1972. Exhibition catalogue. (1972 Houston CAM).

 

Jan Howard 1995
Howard, Jan. “Reflections of ‘The Prints of Roy Lichtenstein’.” The Print Collector’s Newsletter 26, no. 3 (July–August 1995), pp. 82–86.

 

Jane Howard 1964
Howard, Jane. “A Creative Capacity to Astonish: Terry Southern, Author Who Blasts Smugness.” Life 57, no. 8 (August 21, 1964), pp. 39–40, 42.

 

R. Howard 2000
Howard, Rhonda Lane. Shifting Ground: Transformed Views of the American Landscape. Seattle: Henry Art Gallery, University of Washington, 2000. Exhibition catalogue. (2000 Seattle Henry).

 

Hudson 1966a
Hudson, Andrew. “Biennale Begins Season, at Last.” Washington Post, December 4, 1966, p. G1.

 

Hudson 1966b
Hudson, Andrew. “Op! Pop! Bang!” Washington Post, February 13, 1966, p. G1.

 

Huffman and Hutchinson, eds. 2006
Huffman, Kathy Rae, and James Hutchinson, eds. 20: Twenty: a Timeline of Cornerhouse Exhibitions 1985-2005. Manchester: Cornerhouse, 2006. Exhibition catalogue. (2005 Manchester, U.K., Cornerhouse).

 

Hughes 1971
Hughes, Robert. “The Revival of Prints.” Time 97, no. 3 (January 18, 1971), p. 56.

 

Hughes 1974
Hughes, Robert. “The Instant Nostalgia of Pop.” Time 103, no. 15 (April 15, 1974), p. 81.

 

Hughes 1981a
Hughes, Robert. “All-American Mannerist.” Time 117, no. 25 (June 22, 1981), pp. 60–61.

 

Hughes 1981b
Hughes, Robert. The Shock of the New. New York: Alfred A. Knopf, Inc., 1981.

 

Hughes 1988
Hughes, Robert. “The Private Eye of Steve Martin.” House and Garden 160, no. 4 (April 1988), pp. 142–45, 214, 216.

 

Hughes 1993
Hughes, Robert. “The Image Duplicator.” Time 142, no. 19 (November 8, 1993), pp. 83–84.

 

Hughes 1997a
Hughes, Robert. “Breaking the Mold.” Time special issue (Spring 1997), pp. 76–85.

 

Hughes 1997b
Hughes, Robert. “Pop’s Most Popular: With Humor and Style, Roy Lichtenstein Made Beauty Out of ‘Trash’.” Time 150, no. 15 (October 13, 1997), p. 101.

 

K. Hultén 1963
Hultén, Karl Gustav Pontus. “Om Pop-Kunsten.” Louisiana revy (Humlebaek, Denmark), no. 1 (September 1963), pp. 10–15.

 

K. Hulten 1964
Hulten, K. G. Amerikansk Pop-Konst. Stockholm: Moderna Museet, 1964. Exhibition catalogue. (1964 Stockholm Moderna Museet).

 

P. Hulten 1987
Hulten, Pontus, ed. The Arcimboldo Effect: Transformations of the Face from the 16th to the 20th Century. New York: Abbeville Press, 1987. Exhibition catalogue. (1987 Venice Grassi).

 

M. Hunter 1977
Hunter, Marjorie. “Carter Meets Five American Artists Who Portrayed His Inauguration.” New York Times, June 15, 1977, sec. 2, p. 12.

 

S. Hunter 1963a
Hunter, Sam. An Exhibition of the Poses Institute of Fine Arts, Brandeis University: Recent Acquisitions, the Gevirtz-Mnuchin Collection and Related Gifts. New York: Kootz Gallery, 1963. Exhibition brochure. (1963 New York Kootz).

 

S. Hunter 1963b
Hunter, Sam. New Directions in American Painting. Waltham, Mass.: Poses Institute of Fine Arts, Brandeis University, 1963. Exhibition catalogue. (1963 Utica Munson-Williams-Proctor).

 

S. Hunter 1966a
Hunter, Sam. “Art since 1945.” In New Art Around the World: Painting and Sculpture, by Will Grohmann and Hunter. New York: Harry N. Abrams, 1966, pp. 9–58.

 

S. Hunter 1966b
Hunter, Sam. The Harry N. Abrams Family Collection. New York: Jewish Museum, 1966. Exhibition catalogue. (1966 New York Jewish Museum).

 

S. Hunter 1969
Hunter, Sam. “Neorealismo, Assemblage, Pop Art in America.” L’arte moderna (Milan) 13, no. 112 (1969), pp. 121–60.

 

S. Hunter 1970
Hunter, Sam. La pittura americana del dopoguerra. Milan: Fratelli Fabbri Editori, 1970.

 

S. Hunter 1972
Hunter, Sam. American Art of the 20th Century. New York: Harry N. Abrams, 1972.

 

S. S. Hunter 1974
Hunter, Sam. Amerikanische Nachkriegsmalerei. Translated from the English by Otto Wilck. Munich: Galerie Schuler, 1974.

 

Hunter 1984
Hunter, Sam. Masters of the Sixties: From New Realism to Pop Art. New York: Marisa del Re Gallery, 1984. Exhibition catalogue. (1984 New York Marisa del Re).

 

S. Hunter et al. 1984
Hunter, Sam, et al. The Museum of Modern Art, New York: The History and the Collection. New York: Harry N. Abrams in association with the Museum of Modern Art, 1984.

 

S. Hunter et al. 1985
Hunter, Sam, et al. Selections from the Ileana and Michael Sonnabend Collection: Works from the 1950s and 1960s. Princeton, N.J.: Princeton University Art Museum, 1985. Exhibition catalogue. (1985 Princeton Art Museum).

 

S. Hunter 1986
Hunter, Sam, ed. An American Renaissance: Painting and Sculpture since 1940. Fort Lauderdale: Fort Lauderdale Museum of Art; New York: Abbeville Press, 1986. Exhibition catalogue. (1986 Fort Lauderdale Museum of Art).

 

S. Hunter 1987
Hunter, Sam. “Advertisement: Public Sculpture in Monte Carlo.” ARTnews 86, no. 4 (April 1987), pp. 49, 72.

 

S. Hunter 1991
Hunter, Sam. A View from the Sixties: Selections from the Leo Castelli Collection and the Michael and Ileana Sonnabend Collection. East Hampton, N.Y.: Guild Hall Museum, 1991. Exhibition catalogue. (1991b East Hampton Guild Hall).

 

Hurlburt 1997
Hurlburt, Roger. “What Makes Roy Pop.” Sun-Sentinel (Fort Lauderdale), October 5, 1997, p. F3.

 

Hutchinson 1988
Hutchinson, John. “Lichtenstein’s Object Art.” Sunday Press (Dublin), January 24, 1988.

 

Huther 1982
Huther, Christian. “Kunst über Kunst?” Main-Echo, no. 72, March 28, 1982.

 

Hyuga 1975
Hyuga, A. “Artists of Pop 1: Sawako Goda.” Mizue (Tokyo), no. 838 (January 1975), pp. 74–85.

 

Iannetti Lanzone 1987
Iannetti Lanzone Gallery. After Pollock, Three Decades of Diversity: A Selection of American and European Painting and Sculpture from 1957–1987. San Francisco: Iannetti Lanzone Gallery, [1987]. Exhibition catalogue. (1987 San Francisco Iannetti and Lanzone).

 

IBEU, Copacabana 1998
Instituto Brasil-Estados Unidos, Copacabana. Artistas norte-americanos: Helen Frankenthaler, Roy Lichtenstein, James Rosenquist, Frank Stella. Rio de Janeiro: Instituto Brasil-Estados Unidos, Copacabana, 1998. Exhibition catalogue. (1998 Rio de Janeiro IBEU).

 

ICA, Boston 1986
Institute of Contemporary Art, Boston. Endgame: Reference and Simulation in Recent Painting and Sculpture. Cambridge, Mass.: MIT Press, 1986. Exhibition catalogue. (1986 Boston ICA).

 

ICA, Philadelphia 1969
Institute of Contemporary Art, University of Pennsylvania, Philadelphia. The Spirit of the Comics. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1969. Exhibition catalogue.

 

ICI 1997
ICI (Independent Curators Inc.). The Leo Book: ICI Salutes Leo Castelli. New York: ICI, 1997.

 

Iden and Lauter 1985
Iden, Peter, and Rolf Lauter, eds. Bilder für Frankfurt: Bestandskatalog des Museums für moderne Kunst. Munich: Prestel Verlag, 1985. Exhibition catalogue. (1985 Frankfurt Architekturmuseum).

 

Iden and Lauter 1987
Iden, Peter, and Rolf Lauter, eds. Dalla Pop Art americana alla nuova figurazione: Opere del Museo d’Arte Moderna di Francoforte. Milan: Mazzotta, 1987. Exhibition catalogue. (1987 Milan Padiglione).

 

Iida 1972
Iida, Yoshikuni. “Roi Rihitenshutain: Paradokusu no kaiga, mata wa hihyōteki kaiga o hihyō suru (Roy Lichtenstein: Paradoxical pictures, or, critiquing critical pictures).” Kikan geijutsu (Arts quarterly) 6, no. 3, issue 22 (summer 1972), pp. 74–97.

 

IMA 2014
Indianapolis Museum of Art. “Recent Acquisition: ‘Five Brushstrokes’ by Roy Lichtenstein.” IMA Magazine (September–December 2014), pp. 10–11.

 

Imbert 1986
Didier Imbert Fine Art. Pop Art 61–65. Paris: Didier Imbert Fine Art, 1986. Exhibition catalogue. (1986 Paris Imbert).

 

Indiana 1984
Indiana, Gary. “Disappearing Mural.” Art in America 72, no. 3 (March 1984), pp. 102–7.

 

Indiana University 1970
Indiana University Art Museum, Bloomington, Ind. The American Scene, 1900–1970: An Exhibition of Twentieth Century Painting Held in Honor of the Sesquincentennial of Indiana University. Bloomington, Ind.: Indiana University Art Museum, 1970. Exhibition catalogue. (1970 Bloomington Indiana University).

 

Indianapolis Bulletin 1969
Bulletin (Indianapolis Museum of Art). Special issue, Painting and Sculpture Today! ’69 55, no. 3 (1969).

 

Indianapolis Museum of Art 1970
Indianapolis Museum of Art. Painting and Sculpture Today. Indianapolis: Contemporary Art Society and the Indianapolis Museum of Art, 1970. Exhibition catalogue. (1970 Indianapolis Museum of Art).

 

Indianapolis Museum of Art 1972
Indianapolis Museum of Art. Painting and Sculpture Today 1972. Indianapolis: Contemporary Art Society and the Indianapolis Museum of Art, 1972. Exhibition catalogue. (1972 Indianapolis Museum of Art).

 

Indianapolis Star 1978
“Lichtenstein’s Works Open Gallery Season.” Indianapolis Star, September 3, 1978, sec. 8, p. 11.

 

Instituto Nacional de Bellas Artes 1998
Instituto Nacional de Bellas Artes. Roy Lichtenstein. Mexico City: Instituto Nacional de Bellas Artes and Landucci Editores, 1998. Exhibition catalogue. (1998 Mexico City Museo del Palacio).

 

Instituto Nacional de Bellas Artes 1999
Instituto Nacional de Bellas Artes, Mexico City. Roy Lichtenstein. Imágenes Reconocibles. Mexico City: Instituto Nacional de Bellas Artes and Landucci Editores, 1999. Exhibition catalogue. (1998 Mexico City Museo del Palacio).

 

Irvine 1967
University of California, Irvine. A Selection of Paintings and Sculptures from the Collection of Mr. and Mrs. Robert Rowan. Irvine: University of California, Irvine, 1967. Exhibition catalogue. (1967 Irvine University of California).

 

Irwin 1966
Irwin, David. “Pop Art and Surrealism.” Studio International 171, no. 877 (May 1966), pp. 187–91.

 

Isenberg 2002
Isenberg, Barbara. “An L.A. Art Story.” Los Angeles Times, September 22, 2002, pp. 4–5, 80.

 

Isles 2012
Isles, Chrissie. “See-Sickness: Roy Lichtenstein’s Moving Pictures.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff. Chicago: Art Institute of Chicago, 2012, pp. 52–61. Exhibition catalogue.

 

Isola 1995
Isola, Marina. “Going Dotty over Roy Lichtenstein.” Fort Worth Star-Telegram, May 28, 1995, pp. F1, F6.

 

Itoi 1994
Itoi, Kay. “‘Girl’ Trouble at MOCA.” ARTnews 93, no. 10 (December 1994), pp. 53–54.

 

Itoi 2000
Itoi, Kay. “Chastened for ‘Waste.” ARTnews 99, no. 4 (April 2000), p. 84.

 

Jacobs Gallery 1989
Nicola Jacobs Gallery. Subject/Object. London: Nicola Jacobs Gallery, 1989. Exhibition catalogue. (1989 London Jacobs).

 

Jay Jacobs 1966
Jacobs, Jay. “The Print Emerges.” Arts Magazine (New York) 40, no. 5 (March 1966), pp. 26–36.

 

Jay Jacobs 1969
Jacobs, Jay. “Collector: Joseph H. Hirshhorn.” Art in America 57, no. 4 (July–August 1969), pp. 56–71.

 

Joseph Jacobs 1989
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Jaguer 1965
Jaguer, Édouard. “Second Movement.” Helise (Paris), p. 65.

 

Jakab 1987
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L. James 1988a
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Jancène 1997
Jancène, France. Les mots dans la peinture pop américaine: Jasper Johns, Andy Warhol et Roy Lichtenstein. Lille: ANRT, 1997.

 

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Janis 1964
Sidney Janis Gallery, New York. A Selection of 20th Century Art of 3 Generations. New York: Sidney Janis Gallery, 1964. Exhibition catalogue.

 

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Sidney Janis Gallery, New York. Abstract Expressionism and Pop Art. New York: Sidney Janis Gallery, 1972. Exhibition catalogue. (1972a New York Janis).

 

Janis 1972b
Sidney Janis Gallery, New York. Colossal Scale: The Appeal of the Gigantic Representational Image for Today’s Artist. New York: Sidney Janis Gallery, 1972. Exhibition catalogue. (1972b New York Janis).

 

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Sidney Janis Gallery, New York. 20th Century Masters. New York: Sidney Janis Gallery, 1994. Exhibition catalogue. (1994a New York Janis).

 

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Janson, Donald. “Anti-Daley Art Put in Show in Chicago.” New York Times, October 24, 1968, p. 40.

 

H. W. Janson 1986
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Jeffrey 1979
Jeffrey, Ian. Reality and Artifice. London: Arts Council of Great Britain, 1979. Exhibition catalogue. (1979 Carlisle Museum).

 

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Jerrold Morris International Gallery 1963
Jerrold Morris International Gallery, Toronto. The Art of Things. Toronto: Jerrold Morris International Gallery, 1963. Exhibition catalogue. (1963 Toronto Morris).

 

Jewish Museum 1969
Jewish Museum, New York. Superlimited: Books, Boxes and Things. New York: Jewish Museum, 1969. Exhibition catalogue.

 

Jhaveri 2013
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Jimusho, Taniguchi, and TG Concepts Inc., ed. Kami ni kakareta sekaiten (A paper stroll: An international exhibition of works on paper)/Master Drawings from the Collection of the Arkansas Arts Center Foundation. Gifu: TG Concepts Inc., 2003. Exhibition catalogue.

 

Joachimides and Rosenthal 1993
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Jodidio 1981
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John Berggruen Gallery 1971
John Berggruen Gallery, San Francisco. Roy Lichtenstein: A Retrospective of Prints, 1962–1971. San Francisco: John Berggruen Gallery, 1971. Exhibition catalogue. (1971 San Francisco Berggruen).

 

Johnson Museum 1995
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Herbert F. Johnson Museum of Art, Cornell University. Enticing the Eye/Exploring Frame. Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 2014. Exhibition catalogue.

 

C. Johnson 1969a
Johnson, Charlotte Buel. “Introducing New Art to Children.” Instructor (Dansville, N.Y.) 79, no. 1 (August–September 1969), pp. 89–91.

 

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E. Johnson 1966a
Johnson, Ellen H. “The Image Duplicators: Lichtenstein, Rauschenberg, and Warhol.” Canadian Art 23, no. 1 (January 1966), pp. 12–19.

 

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Johnson, Ellen H. “Lichtenstein at Venice: The Printed Image.” Art and Artists 2, no. 10 (January 1968), pp. 12–15.

 

E. Johnson 1976
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Patricia Johnson 1986
Johnson, Patricia C. “Roy Lichtenstein: Spirited Perpetrator of Pop and Parody.” Houston Chronicle, October 12, 1986, Zest sec., p. 19.

 

Philip Johnson 1964
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U. Johnson 1968
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Johnston 1964
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R. Jones 1987
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Jones-Popescu 1979
Jones-Popescu, Elizabeth. “The American Dilemma: To Print or Not to Print.” New Mexico Studies in the Fine Arts: An Annual Publication of the College of Fine Arts of the University of New Mexico, Albuquerque, vol. 4 (1979).

 

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Joosten 1984
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Jouffroy 1964
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Jouffroy, Johnson, and Rosenblum 1963
Jouffroy, Alain, Ellen H. Johnson, and Robert Rosenblum. Lichtenstein. Paris: Galerie Ileana Sonnabend, 1963. Exhibition catalogue. (1963b Paris Sonnabend).

 

Journal München 1994
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JPMorgan Chase 2007
JPMorgan Chase. Collected Visions: Modern and Contemporary Works from the JPMorgan Chase Art Collection. Istanbul: Suna and İnan Kıraç Foundation Pera Museum, and JPMorgan Chase, 2007. Exhibition catalogue.

 

Judd 1962
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Judd 1963
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Judd, Donald. “In the Galleries: Roy Lichtenstein.” Arts Magazine (New York) 38, no. 2 (November 1963), pp. 32–33.

 

Judd 1963b
Judd, Donald. “In the Galleries: Six Painters and the Object.” Arts Magazine (New York) 37, no. 9 (May–June 1963), pp. 108–9.

 

Judd 1964a
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Judd 1964b
Judd, Donald. “Nationwide Reports: Hartford: Black, White and Gray.” Arts Magazine (New York) 38, no. 6 (March 1964), pp. 36–38.

 

Judd 1965
Judd, Donald. “In the Galleries: Three Generations.” Arts Magazine (New York) 39, no. 4 (January 1965), p. 54.

 

K.-J. Fischer 1966
Fischer, Klaus-Jürgen. “Die New Yorker Szene.” Das Kunstwerk 19, nos. 10–12 (April–June 1966), pp. 3–5.

 

Kagan 1965
Kagan, Helaine. “An Interview with Roy Lichtenstein.” 3 Lively Arts High School of Music and Art, New York (1965), p. 26.

 

Kahan 1980
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Kaiser Wilhelm Museum 1983
Kaiser Wilhelm Museum Krefeld. Sammlung Helga und Walther Lauffs im Kaiser Wilhelm Museum Krefeld: Amerikanische und europäische Kunst der sechziger und siebziger Jahre. Krefeld: Krefelder Kunstmuseen, 1983. (1983 Krefeld Kaiser Wilhelm).

 

Kalina 1994
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Kalina 1999
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Kalina, Richard. “Lichtenstein’s Indian Territory.” Art in America 94, no. 4 (April 2006), pp. 142–47.

 

Kalina 2011
Kalina, Richard. “Roy Lichtenstein: Whitney Museum and Paula Cooper.” Art in America (December 2011), pp. 128–29.

 

Kalina 2012
Kalina, Richard. “Harmony and Discord.” Art in America 100, no. 5 (May 2012), pp. 45–50.

 

Kammen 2006
Kammen, Michael. Visual Shock: A History of Art Controversies in American Culture. New York: Vintage Books, 2006.

 

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Kandell, Anice, ed. Art 1963: A New Vocabulary. Philadelphia: Fine Arts Committee of the Arts Council of the YM/YWHA, 1962. Exhibition Guide.

 

Kangas 2006
Kangas, Matthew. “Encounter Another Side of Lichtenstein.” Seattle Times, June 2, 2006, p. E3.

 

Kannenberg 1997
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Kaprow 1965
Kaprow, Allan. Ten from Rutgers University: Brecht, Hendricks, Kaprow, Kuehn, Lichtenstein, Orenstein, Segal, Vasey, Watts, Whitman. New York: Bianchini Gallery, 1965. Exhibition catalogue.

 

Kaprow 1976
Kaprow, Allan. “Pop Art: Past, Present and Future.” Malahat Review (Victoria, Canada), no. 3 (July 1967), pp. 54–76.

 

Kardon 1977
Kardon, Janet. Artists’ Sets and Costumes: Recent Collaborations between Painters and Sculptors and Dance, Opera, and Theater. Philadelphia: Philadelphia College of Art, 1977. Exhibition catalogue. (1977 Philadelphia College of Art).

 

Kardon 1987
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Karp 1963
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Kastner 1997
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Katonah 2009
Katonah Museum of Art, Katonah, N.Y. Lichtenstein in Process. Katonah, N.Y.: Katonah Museum of Art, 2009. Exhibition catalogue. (2005 Cuenca Arte Abstracto).

 

P. Katz 1969
Katz, Paul. “Roy Lichtenstein: Modern Sculpture with Velvet Rope.” Art Now: New York 1, no. 1 (January 1969), unpaginated.

 

V. Katz 2004
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Kay 1974
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Kelemen, Boris. Pop Art. Zagreb: Galerija Suvremene Umjetnosti, 1966. Exhibition catalogue. (1966 Zagreb Galerija Suvremene Umjetnosti).

 

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Kellberg, Christian. New York State Pavilion. Charleston, SC: Arcadia Publishing, 2014.

 

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Keller, Jean-Pierre. Pop art et évidence du quotidien. Lausanne: L’Âge d’Homme, 1979.

 

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Kennedy 2004
Kennedy, Maev. “Repeat Performance: Lichtenstein Returns to Britain after 35 Years.” Guardian, February 26, 2004, p. 9.

 

R. Kennedy 1968
Kennedy, R. C. “Paris: Bande dessinée and figuration narrative.” Art International 11 (Summer 1967), pp. 59–60.

 

Kennelly 1994a
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Kennelly 1994b
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Kennison and Washburne-Harris 2001
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Kent State 1967
School of Art, Kent State University, Kent, Ohio. First Kent Invitational Exhibition of Painting and Sculpture, February 12–March 10, 1967. Kent, Ohio: School of Art, Kent State University, 1967. Exhibition catalogue. (1967 Kent, Ohio, Kent State).

 

Kerber 1970
Kerber, Bernhard. Roy Lichtenstein: Ertrinkendes Mädchen. Stuttgart: Philipp Reclam Jun., 1970.

 

Kerber 1971
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Kerber 1972
Kerber, Bernhard. “Lichtensteins Wandbilder in der Düsseldorfer Universität.” Art International 16, no. 2 (February 20, 1972), pp. 30–31.

 

Kerber 1983
Kerber, Bernhard. “Skulptur und Farbe.” Kunstforum International, no. 4 (April 1983), pp. 25–104.

 

Kersting 1988a
Kersting, Hannelore, ed. Kunst der Gegenwart, 1960 bis Ende der 80er Jahre: Bestandskatalog. Mönchengladbach, Germany: Wolfgang Heinen Verlag, 1988.

 

Kersting 1988b
Kersting, Hannelore, ed. Kurzführer durch das Städtische Museum Abteiberg Mönchengladbach. Mönchengladbach, Germany: Wolfgang Heinen Verlag, 1988.

 

Kertess 1987
Kertess, Klaus. Lead. New York: Hirschl and Adler Modern, 1987. Exhibition catalogue. (1987 New York Hirschl and Adler).

 

Kertess 1991
Kertess, Klaus. “Roy’s New Rooms.” Elle Decor 2, no. 10 (December 1991–January 1992), pp. 56–61.

 

Kessler and Lambla 1989
Kessler, Jane, and June Lambla. Made in America. Virginia Beach: Virginia Beach Center for the Arts, 1989. Exhibition catalogue. (1989 Virginia Beach Center for the Arts).

 

Kesten 1997
Kesten, Joanne, ed. The Portraits Speak: Chuck Close in Conversation with 27 of His Subjects. New York: Art Resources Transfer Press, 1997.

 

Kestner-Gesellschaft 1968
Kestner-Gesellschaft, Hannover. Roy Lichtenstein. Hannover: Kestner-Gesellschaft, 1968. Exhibition catalogue. (1967b Amsterdam Stedelijk).

 

Ketner and S. Hunter 2001
Ketner, Joseph D., and Sam Hunter. A Defining Generation: Then and Now, 1961 and 2001. Waltham, Mass.: Rose Art Museum, Brandeis University, 2001. Exhibition catalogue. (2001 Waltham Rose).

 

Kettlewood 1972
Kettlewood, Beatrice Card. A Study of Visual Space in Selected American Paintings 1945–1965: In Relation to the 1970–1972 Paintings of the Artist-Investigator. Ann Arbor: University Microfilms International, 1972.

 

Kiblitsky 1998
Kiblitsky, Joseph, ed. Muzei Liudviga v Russkom Muzee/Ludwig Museum in the Russian Museum/Museum Ludwig im Russischen Museum. Saint Petersburg, Russia: Palace Editions, 1998.

 

Kido 1995
Kido, Hideyuki. Metallic Foil and Woodcut Printing: A Look at the Printmaking Teachnique of Roy Lichtenstein. Sukagawa City, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1995. Exhibition catalogue.

 

Kies 1987
Kies, Emily Bardack. The Drawings of Roy Lichtenstein. New York: Museum of Modern Art, 1987. Exhibition brochure.

 

Kimball 1986
Kimball, Roger. “Art and Architecture at the Equitable Center.” New Criterion 5, no. 3 (November 1986), pp. 24–32.

 

Kimmelman 1988
Kimmelman, Michael. “Lichtenstein’s Picasso’s, 1962–1964.” New York Times, March 11, 1988, p. C30.

 

Kimmelman 1989
Kimmelman, Michael. “Painting without Canvases: Lichtenstein As Sculptor.” New York Times, June 2, 1989, p. C23.

 

Kimmelman 1993a
Kimmelman, Michael. “Comics, Cubists and Gum Wrappers.” Critic’s Choice 1, no. 35 (October 25, 1993), pp. 8–9, 20.

 

Kimmelman 1993b
Kimmelman, Michael. “Lichtenstein Proves He’s Top of the Pops.” International Herald Tribune, October 16–17, 1993, p. 8.

 

Kimmelman 1993c
Kimmelman, Michael. “On Top with Pop: A Virtuoso of Irony.” New York Times, October 8, 1993, sec. 2, pp. C1, C24.

 

Kimmelman 1995
Kimmelman, Michael. “Disciple of Color and Line, Master of Irony.” New York Times, March 31, 1995, pp. C1, C27.

 

Kimmelman 1997
Kimmelman, Michael. “Roy Lichtenstein, Pop Master, Dies at 73.” New York Times, September 30, 1997, pp. A1, B7.

 

Kimmelman 1998a
Kimmelman, Michael. “Life Is Short, Art Is Long.” New York Times Magazine, January 4, 1998, pp. 19–22.

 

Kimmelman 1998b
Kimmelman, Michael. Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere. New York: Random House, 1998.

 

Kimmelman 2001a
Kimmelman, Michael. “Galleries: Uptown: Roy Lichtenstein.” Art Guide. New York Times, December 21, 2001, p. E45.

 

Kimmelman 2001b
Kimmelman, Michael. “Time Reveals the Delicacy within Lichtenstein’s Playful Pop.” New York Times, November 30, 2001, p. E35.

 

Kimmelman 2003
Kimmelman, Michael. “A Seasonal Migration of Cultural Scope.” New York Times, August 8, 2003, pp. E27, E29.

 

King 1973
King, Mary. “Roy Lichtenstein’s Ironic Wit in Still Life.” St. Louis Post-Dispatch, January 14, 1973, p. C6.

 

King 1981
King, Mary. “Roy Lichtenstein 1970–1980: Stylist and Commentator on Style.” St. Louis Post-Dispatch, May 10, 1981, pp. E5–E6.

 

Kingsley 1987
Kingsley, April. “Roy Lichtenstein’s Drawings.” The Burlington Magazine 129, no. 1,011 (June 1987), pp. 418–20.

 

Kinsman 2002
Kinsman, Jane. The Art of Collaboration: The Big Americans. Canberra: National Gallery of Australia; London: Thames and Hudson, 2002.

 

Kipphoff 1973
Kipphoff, Petra. “Das Bild der Frau der Zeit: Ein Spielzeug geht kaputt.” Zeitmagazin (Hamburg), no. 4 (1973).

 

Kirkwood 1956
Kirkwood, Marie. “Sketches Give New Look to Work by Frank Wilcox.” Cleveland News, January 28, 1956.

 

Kirkwood 1969
Kirkwood, Marie. “Roy Lichtenstein Gives New Dimension to the Lowly Dot.” Sun Press (Cleveland), February 20, 1969.

 

Kirwin 2007
Kirwin, Liza, with Joan Lord. Artists in Their Studios: Images from the Smithsonian’s Archives of American Art. New York: Collins Design, 2007.

 

Klein 1998
Klein, Richard. “An Interview with Dorothy Lichtenstein.” In Roy Lichtenstein: Prints from the Collection of John and Kimiko Powers, by Aldrich Museum of Contemporary Art. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1998. Exhibition brochure.

 

Klotz 1999
Klotz, Heinrich. Kunst im 20. Jahrhundert: Moderne, postmoderne, zweite Moderne. Munich: C. H. Beck, 1999.

 

Klüver 1964a
Klüver, Billy. “Bakelsen som Konst (Pastry As Art).” Vi (Stockholm) 51, no. 9, pp. 11–13.

 

Klüver 1971
Klüver, Billy. “Interazioni fra arte e tecnologia.” In Enciclopedia della scienza e della tecnica. Milan: Arnoldo Mondadori Editori, 1971, pp. 472–80.

 

Klüver 1981
Klüver, Billy. On Record: 11 Artists 1963. New York: Experiments in Art and Technology, 1981.

 

Knight 1983
Knight, Christopher. “Lichtenstein’s Latest Project Blooms in an Art ‘Factory’.” Los Angeles Herald-Examiner, April 10, 1983, pp. E3, E10.

 

Knight 1987
Knight, Christopher. Art of the Sixties and Seventies: The Panza Collection. New York: Rizzoli, 1987.

 

Knight 1994
Knight, Christopher. “Pop Was Just a Prologue.” Calendar. Los Angeles Times, February 1, 1994, pp. F1, F3–4.

 

Knight 1995
Knight, Christopher. “Media Is the Message in LACMA Survey of Lichtenstein.” Los Angeles Times, February 18, 1995, pp. F1, F6.

 

Knight 1997
Knight, Christopher. “Pop Art Icon Lichtenstein Dies.” Los Angeles Times, September 10, 1997, pp. A1, A20.

 

Knoedler 1965
Knoedler, New York. Lawyers Collect: An Exhibition of Painting and Sculpture Selected from the Private Collections of Members of the New York Bar. New York: Association of the Bar of the City of New York, 1965. Exhibition catalogue. (1965 New York Knoedler).

 

Knox 1970
Knox, Sanka. “Painting by Lichtenstein Brings a Record $75,000 at Auction.” New York Times, November 19, 1970, p. 40.

 

Knox 1972
Knox, Sanka. “Records Are Set for Post-war Art.” New York Times, October 27, 1972, p. 34.

 

Knubben 2001
Knubben, Jürgen, ed. 3 x Pop Art, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol: Bilder aus der Sammlung Marx im Hamburger Bahnhof, Museum für Gegenwart, Berlin und aus der Sammlung Weishaupt, Schwendi. Rottweil, Germany: Kreissparkasse Rottweil, 2001. Exhibition catalogue. (2001 Rottweil Kreissparkasse).

 

Koch 1994
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Koerner 1997
Koerner, Brendan I. “An Artist with a Comic View.” U.S. News and World Report 123, no. 14 (October 13, 1997), p. 10.

 

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Kohen, Helen. Miami Pops! Pop Art from Miami Collections. Miami, Fla.: Art Museum at Florida International University, 1996. Exhibition catalogue. (1996 Miami FIU).

 

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Kolberg, Gerhard. “Kunst über Kunst: Marginalien zum Werk Roy Lichtensteins (zur Ausstellung im Museum Ludwig, 9.3.–25.4.1982).” Bulletin: Museen der Stadt Köln 2 (1982), pp. 21–22.

 

Konersmann 1991
Konersmann, Ralf. Rene Magritte: Die verbotene Reproduktion: Über die Sichtbarkeit des Denkens. Frankfurt am Main: Fischer Taschenbuch Verlag, 1991.

 

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Kord, Victor, and Joseph Wilfer. Recent Works on Paper by American Artists. Madison, Wis.: Madison Art Center, 1977. Exhibition catalogue. (1977 Madison Art Center).

 

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Koshalek, Richard. The Museum of Contemporary Art: The Panza Collection. Los Angeles: Museum of Contemporary Art, 1985. Exhibition catalogue. (1985 Los Angeles MOCA).

 

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Kostelanetz, Richard. “The State of the Art of Painting.” The North American Review 255, no. 4 (Winter 1970), pp. 52–60.

 

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Kotz, Stephen J. “A Lichtenstein Takes its Place.” The Sag Harbor Express, April 24, 2014, pp. B1–B2.

 

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Koutsomalles, Kyriakos, et al. Glancing at the Century. Andros, Greece: Basil and Elise Goulandris Foundation; Turin: Umberto Allemandi, 1998. Exhibition catalogue. (1998 Andros Goulandris).

 

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Kowsh, Kate, Liz Sadler, and Dareh Gregorian. “$4M Piece Found: Art Lost 42 Yrs.” New York Post, August 1, 2012, p. 7.

 

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Kozloff, Max. “Pop Culture, Metaphysical Disgust, and the New Vulgarians.” Art International 6, no. 2 (March 1962), pp. 34–36.

 

Kozloff 1963
Kozloff, Max. “Art.” The Nation 197, no. 14 (November 2, 1963), pp. 284–89.

 

Kozloff 1964a
Kozloff, Max. “Art and the New York Avant-Garde.” Partisan Review 31, no. 4 (Fall 1964), pp. 535–54.

 

Kozloff 1964b
Kozloff, Max. “Art: Dissimulated Pop.” The Nation 199, no. 17 (November 30, 1964), pp. 417–19.

 

Kozloff 1965
Kozloff, Max. Pop and Op: An Exhibition of 65 Graphic Works Sponsored by Philip Morris Incorporated, Circulated by the American Federation of Arts. [N.p.], 1965. Exhibition catalogue. (1965 Richmond, Va., VMFA).

 

Kozloff 1966a
Kozloff, Max. “The Inert and the Frenetic.” Artforum 4, no. 7 (March 1966), pp. 40–44.

 

Kozloff 1966b
Kozloff, Max. “Die neue amerikanische Malerei.” Das Kunstwerk 19, nos. 10–12 (April–June 1966), pp. 6–8.

 

Kozloff 1967
Kozloff, Max. “Modern Art and the Virtues of Decadence.” Studio International 174, no. 894 (November 1967), pp. 189–99.

 

Kozloff 1968
Kozloff, Max. Renderings: Critical Essays on a Century of Modern Art. New York: Simon and Schuster, 1968.

 

Kozloff 1969a
Kozloff, Max. “Lichtenstein at the Guggenheim.” Artforum 8, no. 3 (November 1969), pp. 41–45.

 

Kozloff 1969b
Kozloff, Max. “New York.” Artforum 7, no. 6 (February 1969), p. 64.

 

Kozloff 1973a
Kozloff, Max. “American Painting during the Cold War.” Artforum 11, no. 9 (May 1973), pp. 43–54.

 

Kozloff 1973b
Kozloff, Max. Twenty-Five Years of American Painting, 1948–1973. Des Moines: Des Moines Art Center, 1973. Exhibition catalogue. (1973 Des Moines Art Center).

 

Kramer 1962
Kramer, Hilton. “Art.” The Nation 195, no. 16 (November 1962), pp. 334–35.

 

Kramer 1966a
Kramer, Hilton. “Look! All Over! It’s Esthetic . . . It’s Business . . . It’s Supersuccess!” New York Times, March 29, 1966, p. 33.

 

Kramer 1966b
Kramer, Hilton. “Venice Machinations: Denunciations of Biennale’s Jury System Thought Part of Lichtenstein’s Boom.” New York Times, June 16, 1966, p. 54.

 

Kramer 1967a
Kramer, Hilton. “Art: United States’ Exhibition Dominates São Paulo’s 9th Bienal.” New York Times, September 20, 1967, p. 42.

 

Kramer 1967b
Kramer, Hilton. “The New Sculpture: Aspirations and Blind Alleys.” New York Times, November 12, 1967, sec. 2, p. 37.

 

Kramer 1967c
Kramer, Hilton. “The Sixties in Retrospect.” New York Times, July 2, 1967, p. 19.

 

Kramer 1969
Kramer, Hilton. “30 Years of the New York School.” New York Times Magazine, October 12, 1969, sec. 6, pp. 29–30, 89–90, 92, 94, 97, 99–100, 102, 109–10, 117.

 

Kramer 1971a
Kramer, Hilton. “‘Art and Technology’ to Open on Coast.” New York Times, May 12, 1971, p. 50.

 

Kramer 1971b
Kramer, Hilton. “I Got My Inspiration at IBM.” New York Times, May 23, 1971, p. D27.

 

Kramer 1971c
Kramer, Hilton. “‘Technics’ of Fashion.” New York Times, May 2, 1971, p. D21.

 

Kramer 1975
Kramer, Hilton. “Roy Lichtenstein.” New York Times, November 8, 1975, p. 19.

 

Kramer 1979
Kramer, Hilton. “A Refuge from the Vexing 70’s.” New York Times, March 25, 1979, p. 31.

 

Kramer 1981
Kramer, Hilton. “Lively Lichtenstein of 70’s at Whitney.” New York Times, September 25, 1981, p. C1.

 

Krämer, Faass, and Gassner 2007
Krämer, Felix, Martin Faass, and Hubertus Gassner. Seestücke: Von Max Beckmann bis Gerhard Richter. Hamburg: Hamburger Kunsthalle; Munich: Hirmer, 2007. Exhibition catalogue. (2007 Hamburg Kunsthalle).

 

Krasnow 1988
Krasnow, Iris (photographs by Grace Sutton). “The Patriarch of Pop: Roy Lichtenstein.” Museum and Arts 4, no. 5 (September–October 1988), pp. 56–63.

 

Krefeld 1983
Museum Haus Lange, Krefeld. Sweet Dreams Baby! American Pop Graphics. Krefeld: Museum Haus Lange, 1983. Exhibition catalogue. (1983 Krefeld Museum Haus Lange).

 

Krefeld 2002
Museum Haus Lange, Krefeld. Pow! Werke der Pop Art aus der Sammlung Lauffs. Krefeld: Krefelder Kunstmuseen, 2002. Exhibition catalogue. (2002 Krefeld Lange).

 

Kries and Schwartz-Clauss 2012
Kries, Mateo, and Mathias Schwartz-Clauss, eds. Pop Art Design. Weil am Rhein: Vitra Design Museum, 2012. Exhibition catalogue. (2012 Weil am Rhein Vitra).

 

Kuenzi 1963
Kuenzi, André. “Gstaad capitale du ‘Pop Art.” Gazette de Lausanne, September 2, 1963, p. 8.

 

Kuenzi 1966
Kuenzi, André. “Le Pop art deviant art officiel.” Gazette de Lausanne, December 29, 1966, p. 7.

 

Kuenzi 1968
Kuenzi, André. “Kunsthalle de Berne: Roy Lichtenstein.” [Title unknown] (1968).

 

Kuh 1962
Kuh, Katherine. “Art in America in 1962: A Balance Sheet.” Saturday Review (New York) 45, no. 36 (September 8, 1962), pp. special section A–P.

 

Kuipers and Ashworth 1996
Kuipers, Dean, and Chris Ashworth, eds. Ray Gun: Out of Control. New York: Simon and Schuster, 1996.

 

Kultermann 1969a
Kultermann, Udo. Neue Formen des Bildes. Tübingen: Verlag Ernst Wasmuth, 1969.

 

Kultermann 1969b
Kultermann, Udo. The New Painting. New York: Praeger, 1969.

 

Kultermann 1985
Kultermann, Udo. “Picasso in Contemporary Art.” Vie des arts 30, no. 119 (June 1985), pp. 30–35, 101.

 

Kunitz 2007
Kunitz, Daniel. “Art in Brief.” New York Sun, January 4, 2007.

 

Kunst-aktuell 1994
“Gipfel des Anti-Populären.” Kunst-aktuell (November 1994), pp. 10–11.

 

Kunstforum Wien 2003
Kunstforum Wien, Vienna. Roy Lichtenstein. Edited by Ingried Brugger and Florian Steininger. Vienna: Kunstforum Wien; Wolfratshausen: Edition Minerva Hermann Farnung, 2003. Exhibition catalogue. (2003 Vienna Kunstforum).

 

Kunsthalle Bern 1968
Kunsthalle Bern. Roy Lichtenstein. Bern: Kunsthalle Bern, 1968. Exhibition broadside.

 

Kunsthalle Darmstadt 1968
Kunsthalle Darmstadt. Menschenbilder. Darmstadt: [Kunsthalle Darmstadt], 1968. Exhibition catalogue. (1968 Darmstadt Kunsthalle).

 

Kunsthalle Köln 1971
Kunsthalle Köln in association with Verein progressiver deutscher Kunsthändler, Cologne. Kölner Kunstmarkt 1 (spring 1971).

 

Kunsthalle Wien 1993
Kunsthalle Wien, Vienna. Die Sprache der Kunst: Die Beziehung von Bild und Text in der Kunst des 20. Jahrhunderts. Ed. Eleonora Louis and Toni Stooss. Ostfildern-Ruit, Germany: Hatje Cantz, 1993. Exhibition catalogue.

 

Kunsthaus Zürich 1970
Kunsthaus Zürich. Peau de lion. Zürich: Kunsthaus Zürich, 1970. Exhibition catalogue. (1970 Zurich Kunsthaus).

 

Kunsthaus Zürich 1985
Kunsthaus Zürich. 36 Werke aus der Sammlung Erna und Curt Burgauer: Geschenke und ein versprochenes Legat. Zurich: Kunsthaus Zürich, 1985. Exhibition catalogue. (1985 Zurich Kunsthaus).

 

Kunstmarkt 1967
Verein Progressiver Deutscher Kunsthändler Köln. Kunstmarkt 67. Cologne: [Verein Progressiver Deutscher Kunsthändler Köln], 1967. (1967 Cologne Kunsthalle).

 

Kunstmuseum Luzern 1973
Kunstmuseum Luzern. Ein grosses Jahrzehnt amerikanischer Kunst. Lucerne: Kunstmuseum Luzern, 1973. Exhibition catalogue. (1973 Lucerne Kunstmuseum).

 

Kunstsammlung Nordrhein-Westfalen 1975
Kunstsammlung Nordrhein-Westfalen. Malerei des zwanzigsten Jahrhunderts: Katalog [der Erwerbungen 1962–1974]. Düsseldorf: Kunstsammlung Nordrhein-Westfalen, 1975.

 

Kunstsammlung Nordrhein-Westfalen 1977
Kunstsammlung Nordrhein-Westfalen. Amerikaner: Kunst aus USA nach 1950. Düsseldorf: Kunstsammlung Nordrhein-Westfalen, 1977. Exhibition catalogue. (1977 Düsseldorf Kunstsammlung).

 

Kunstverein Hannover 1982
Kunstverein Hannover. Spiegelbilder. Hannover: Kunstverein Hannover, 1982. Exhibition catalogue. (1982 Hannover Kunstverein).

 

Kunstverein Sankt Gallen 1966
Kunstverein Sankt Gallen. Amerikanische Kunst in schweizer Besitz. Sankt Gallen: Kunstmuseum Sankt Gallen, 1966. Exhibition catalogue. (1966 Sankt Gallen Kunstmuseum).

 

Kunstwerk 1964
“Pop Art Diskussion.” Das Kunstwerk 17, no. 10 (April 1964), pp. 2–32.

 

Kunstwerk 1966
“Amerikanische Kunst aus schweizer Besitz.” Das Kunstwerk 20, nos. 3–4 (December 1966–January 1967), p. 68.

 

Kunzle 1984
Kunzle, David. “Pop Art As Consumerist Realism.” Studies in Visual Communication 10, no. 2 (Spring 1984), pp. 16–33.

 

Kupper 1973
Kupper, Hans Jürg. “Licht um Mr. Lichtenstein.” Basler Nachrichten, no. 141, June 20, 1973, p. 9.

 

Kurtz 1972
Kurtz, Bruce. “Interview with Giuseppe Panza di Biumo.” Arts Magazine (New York) 46, no. 5 (March 1972), pp. 41–43.

 

Kushner 2010
Kushner, Marilyn Satin. Donald Saff: Art in Collaboration. Munich: DelMonico Books, Prestel, 2010.

 

Kuspit 1976
Kuspit, Donald. “Pop Art: A Reactionary Realism.” Art Journal 36, no. 1 (Fall 1976), pp. 31–38.

 

Kuspit 1977
Kuspit, Donald. “New York Today: Some Artists Comment.” Art in America 65, no. 5 (September 1977), pp. 82–83.

 

Kuspit 1979a
Kuspit, Donald. “Lichtenstein and the Collective Unconscious of Style.” Art in America 67, no. 3 (May 1979), pp. 100–105.

 

Kuspit 1979b
Kuspit, Donald. Roy Lichtenstein: Recent Work. Coral Gables, Fla.: Lowe Art Museum, University of Miami, 1979. Exhibition catalogue. (1979 Coral Gables Lowe).

 

Kuspit 1981
Kuspit, Donald. “Elemental Realities.” Art in America 69, no. 1 (January 1981), pp. 78–87.

 

Kuspit 1983
Kuspit, Donald. “Uncivil War.” Artforum International 21, no. 8 (April 1983), pp. 34–43.

 

Kuspit 1988
Kuspit, Donald. “Roy Lichtenstein.” Artforum International 26, no. 9 (May 1988), pp. 141–42.

 

Kuspit 1997
Kuspit, Donald. Feminine Image. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 1997. Exhibition catalogue. (1997 Nassau County Museum of Art).

 

Kuspit and Sardo 2000
Kuspit, Donald, and Delfim Sardo. Colecção Berardo Collection 1917–1999. Belém: Centro Cultural de Belém, 2000. Exhibition catalogue. (2000 Belém Centro Cultural).

 

Kutner 1979
Kutner, Janet. “SMU’s Drawing Show Packed with Surprises.” Dallas Morning News, March 13, 1979, p. C7.

 

Kyoto Costume Institute 2009
Kyoto Costume Institute. Luxury in Fashion Reconsidered. Kyoto: Kyoto Costume Institute, 2009. Exhibition catalogue. (2009 Kyoto National Museum of Modern Art).

 

L’espresso 1989
“Rifarò le pagine gialle: Colloquio con Roy Lichtenstein.” L’espresso (Rome) 6, no. 31 (August 6, 1989), pp. 81, 85.

 

Lacey 1977
Lacey, J. “Roy Lichtenstein: New Sculpture.” Arts Review (London), no. 29 (November 11, 1977), p. 680.

 

Laddey 1967
Laddey, Virginia. “Roy Lichtenstein: Innovates Pop-Op-Whot Not.” Press-Telegram (Long Beach, Calif.), April 30, 1967.

 

Lafayette College 1984
Morris R. Williams Center for the Arts, Lafayette College, Easton, Pa. The Esman Collection: Paintings, Sculpture and Prints from the 1960s, ’70s. Easton, Pa.: Morris R. Williams Center for the Arts, Lafayette College, 1984. Exhibition catalogue.

 

Lalit Kala 1966
Lalit Kala Academy, New Delhi. Two Decades of American Painting. [New Delhi]: [Lalit Kala Academy], [1966]. (1966 Tokyo National Museum of Modern Art).

 

Lamarche-Vadel 1982
Lamarche-Vadel, Bernard. “Roy Lichtenstein, entretien au magnétophone.” Artistes, no. 11 (June–July 1982), pp. 45–49.

 

Lambrecht 1993
Lambrecht, Laurie. “Lens on Lichtenstein.” Art and Antiques 15, no. 8 (October 1993), pp. 62–67.

 

Lambrecht 2009
Lambrecht, Laurie. “Inside Roy Lichtenstein’s Studio.” The Southampton [N.Y.] Review 3, no. 1 (Spring 2009), pp. 114–26.

 

Lambrecht 2011
Lambrecht, Laurie. Roy Lichtenstein in His Studio. New York: Monacelli Press, 2011.

 

Lanchner 2009
Lanchner, Carolyn. Roy Lichtenstein. New York: Museum of Modern Art, 2009.

 

Landau, Talalay, and Talalay 1993
Landau, Ellen G., Marjorie Talalay, and Anselm Talalay. 25 Years: A Retrospective. Cleveland: Cleveland Center for Contemporary Art, 1993. Exhibition catalogue. (1993b Cleveland Center).

 

Landesmuseum 1972
Westfälisches Landesmuseum für Kunst und Kulturgeschichte. Everybody Knows: Sammlung Dr. Hubert und Marie-Thérèse Peeters, Brügge. Münster: Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 1972. Exhibition catalogue. (1972 Münster Landesmuseum).

 

Landi 2006
Landi, Ann. “The Picasso Challenge.” ARTnews 105, no. 9 (October 2006), pp. 150–57.

 

Lanes 1967
Lanes, Jerrold. “Current and Forthcoming Exhibitions: New York.” The Burlington Magazine 109, no. 777 (December 1967), pp. 724–28.

 

Langemeyer and Peters 1979
Langemeyer, Gerhard, and Hans-Albert Peters. Stilleben in Europa. Münster: Landschaftsverband Westfalen-Lippe, 1979. Exhibition catalogue. (1979 Münster Landesmuseum).

 

Langsner 1962
Langsner, Jules. “Los Angeles Letter, September 1962.” Art International 6, no. 9 (November 1962), pp. 49–52.

 

Langui 1964
Langui, Emile. “La figure humaine dans la peinture depuis Picasso.” Quadrum, no. 17 (1964), pp. 4–22.

 

D. Larsen 1967
Larsen, Dave. “Only a ZAP Won’t Get BANG from Power of This Pop Art.” Los Angeles Times, Part II, April 14, 1967, pp. 1–2.

 

H. Larson 2003
Larson, Hilary J. “Lichtenstein Prints on the Block for Love of a Cause.” Southampton [N.Y.] Press, May 29, 2003, pp. B1, B9.

 

K. Larson 1974
Larson, Kay. “Words in Print.” Print Collector’s Newsletter 5, no. 3 (July–August 1974), pp. 53–56.

 

K. Larson 1981
Larson, Kay. “Art: Roy Lichtenstein’s Pow!’s Have Been Replaced by Painterly Decorum.” New York Magazine 14, no. 37 (September 21, 1981), pp. 34–35.

 

K. Larson 1987
Larson, Kay. “The Luck of the Draw.” New York Magazine 20, no. 20 (May 18, 1987), pp. 98–99.

 

K. Larson 1993
Larson, Kay. “Pop of Ages.” New York Magazine 26, no. 42 (October 25, 1993), pp. 101–2.

 

Lascault 1975
Lascault, Gilbert. “Léger: L’anti récits.” XXe siècle (Paris and Milan), n.s., 37, no. 45 (December 1975), pp. 55–62.

 

Laus 1965
Laus, Harry. “Lichtenstein e a Pop-Art.” Jornal do Brasil (Rio de Janeiro), November 11, 1965.

 

Lauter 1994
Lauter, Rolf. Das Museum für Moderne Kunst und die Sammlung Ströher: Zur Geschichte einer Privatsammlung. Frankfurt am Main: Societäts-Verlag, 1994. Exhibition catalogue. (1994 Frankfurt Jahrhunderthalle).

 

Lauter 1995
Lauter, Rolf, ed. Kunst in Frankfurt: 1945 bis Heute. Frankfurt am Main: Societäts-Verlag, 1995.

 

Lautman 1985
Lautman, Victoria. “Roy Lichtenstein.” Arts Magazine (New York) 59, no. 6 (February 1985), p. 12.

 

Lavell 1981
Lavell, Stephen. “Lichtenstein.” Arts Review (London) 33, no. 22 (November 6, 1981), pp. 493–94.

 

Lavrador 2013
Lavrador, Judicaël. “Lichtenstein: Pasticheur des grands maîtres.” In Roy Lichtenstein. Paris: Beaux Arts Éditions, 2013, pp. 46–53.

 

Lavrador 2013
Lavrador, Judicaël. “Les coulisses de l’art élues superstars du tableau.” In Roy Lichtenstein. Paris: Beaux Arts Éditions, 2013, pp. 42–45.

 

Lavrador 2013
Lavrador, Judicaël. “Sous l’exubérance des toiles, une precision maniaque.” In Roy Lichtenstein. Paris: Beaux Arts Éditions, 2013, pp. 14–21.

 

Lavrador 2013a
Lavrador, Judicaël. “Dans l’atelier du maître à Southampton: Sous l’exubérance des toiles, une precision maniaque.” In Roy Lichtenstein au Centre Pompidou. Paris: Beaux-Arts Éditions, 2013, pp. 15–21.

 

Lavrador 2013b
Lavrador, Judicaël. “Hokusai, Monet, Matisse, Mondrian: Lichtenstein, pasticheur des grands maîtres.” In Roy Lichtenstein au Centre Pompidou. Paris: Beaux-Arts Éditions, 2013, pp. 46–53.

 

Lavrador 2013c
Lavrador, Judicaël. “Pinceau, chassis et atelier s’invitent sur la toile: Les coulisses de l’art élues superstars du tableau.” In Roy Lichtenstein au Centre Pompidou. Paris: Beaux-Arts Éditions, 2013, pp. 43–44.

 

Lawford 1971
Lawford, Valentine. “A Reflection of Now: Mr. and Mrs. Gardner Cowles’s New York Apartment Brilliantly Mirrors Today’s Surge for Nonstop Space.” Vogue 158, no. 6 (October 1, 1971), pp. 181–85, 191.

 

Lawrence 2012
Lawrence, James. “Studio Artist.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff. Chicago: Art Institute of Chicago, 2012, pp. 72–77. Exhibition catalogue.

 

James Lawrence 2010
Lawrence, James. “Roy Lichtenstein: New York.” The Burlington Magazine 152, no. 1289 (August 2010), pp. 569–70.

 

Jill Lawrence 1970
Lawrence, Jill. “The Roy Lichtenstein Exhibit.” North West Art, no. 2 (3–4, 1970), p. 15.

 

Lawson 1979
Lawson, Thomas. “Roy Lichtenstein.” Flash Art/Heute Kunst, nos. 90–91 (June–July 1979), p. 46.

 

Le Monde 1963
“Lichtenstein.” Le monde (Paris), June 7, 1963, p. 9.

 

Lebaillif 1988
Lebaillif, Pierre. “La lettre du mécénat.” Galeries, no. 25 (June–July 1988), p. 7.

 

Lebensztejn 1975
Lebensztejn, Jean-Claude. “Eight Statements [on Matisse].” Art in America 63, no. 4 (July–August 1975), pp. 67–69.

 

LeBrun 1980
LeBrun, Margaret. “Major New York Artist Visits Campus.” Spectator (Eau Claire, Wis.), February 7, 1980, p. 16.

 

Leddy 1995
Leddy, Kim. “Homecoming.” Columbus Alive, September 20–26, 1995, p. 6.

 

Lee Gallery 1984
Janie C. Lee Gallery, Houston. Master Drawings 1928–1984. Houston: Janie C. Lee Gallery, 1984. Exhibition catalogue. (1984 Houston Lee).

 

Leering 1967
Leering, Jean. Kompas 3: Schilderkunst na 1945 uit New York/Paintings after 1945 in New York. Eindhoven: Stedelijk van Abbemuseum, 1967. Exhibition catalogue. (1967b Eindhoven van Abbemuseum).

 

Leering and Wember 1967
Leering, Jean, and Wember, Paul. Kompass New York: Malerei nach 1945 aus New York/Paintings after 1945 in New York. Frankfurt am Main: Frankfurter Kunstverein, 1967. Exhibition catalogue. (1967b Eindhoven van Abbemuseum).

 

Leering et al. 1968
Leering, J[ean]., et al. ‘three blind mice’ | De collecties: Visser, Peeters, Becht. Eindhoven: Stedelijk van Abbemuseum, 1968. Exhibition catalogue. (1968 Eindhoven van Abbemuseum).

 

Leggio and Weiley 1991
Leggio, James, and Susan Weiley, eds. American Art of the 1960s. Studies in Modern Art 1. New York: Museum of Modern Art, 1991.

 

Legrand 2013
Legrand, François. “Arrêts sur images.” Connaissance des arts, no. 589, pp. 48–63.

 

Lehmbeck 2011
Lehmbeck, Leah, ed. Proof: The Rise of Printmaking in Southern California. Pasadena: Norton Simon Art Foundation, 2011. Exhibition catalogue.

 

Leider 1967
Leider, Philip. “American Sculpture at the Los Angeles County Museum of Art.” Artforum 5, no. 10 (June 1967), pp. 6–11.

 

Leinz 1996
Leinz, Gottlieb. Die Malerei des 20. Jahrhunderts. Erlangen: Müller, 1996.

 

Lelyveld 1967
Lelyveld, Joseph. “Modern U.S. Art Stirs New Delhi.” New York Times, April 10, 1967, p. 32.

 

Lenson 1963
Lenson, Michael. “The Realm of Art.” Newark Sunday Times, April 21, 1963, p. W14.

 

Leonelli 2007
Leonelli, Laura. “Una casa che racconta.” Grazia casa, no. 7 (November 2007), pp. 138–45.

 

Leopold 1962
Leopold, Eunice. “‘Y’ Exhibition a Curious Phenomenon.” Pennsylvania Guardian, November 2, 1962, p. 11.

 

Lequeux 2013
Lequeux, Emmanuelle. “Entretien avec Camille Morineau, commissaire de l’exposition: ‘Roy Lichtenstein a piqué leur sens de l’humour à Klee, Miró et Picasso’.” In Roy Lichtenstein au Centre Pompidou. Paris: Beaux-Arts Éditions, 2013, pp. 4–7.

 

Lerman 1962
Lerman, Leo. “The Village Idea.” Mademoiselle 55, no. 2 (June 1962), pp. 68–71.

 

Lerman 1963
Lerman, Leo. “Treasures on Campus: Pop Goes Brandeis!” Mademoiselle 58, no. 2 (December 1963), pp. 74–75.

 

Leroy 1997
Leroy, Bridget. “Roy Lichtenstein Dead at 73.” Independent (Southampton, N.Y.), October 1, 1997, p. 8.

 

Leslie 1997
Leslie, Richard. Pop Art: A New Generation of Style. New York: Todtri Productions, 1997.

 

Lévêque 1963
Lévêque, Jean-Jacques. “Lichtenstein: Objectivé.” Arts (Paris) (June 12–18, 1963), p. 12.

 

Lévêque 1967
Lévêque, Jean-Jacques. “Les pops sont-ils nos naïfs?” Arts (Paris) 75 (March 1–7, 1967), pp. 34–49.

 

Lévêque 1975
Lévêque, Jean-Jacques. “Lichtenstein, héraut de la bande dessinée.” Galerie-jardin des arts (Paris), no. 143 (January 1975), pp. 40–41.

 

B. Levin 2005
Levin, Bob. “Why Roy Lichtenstein Is a Greater Artist Than Ghastly Ingels.” In Outlaws, Rebels, Freethinkers and Pirates: Essays on Cartoons and Cartoonists. Seattle: Fantagraphics Books, 2005, pp. 183–90.

 

G. Levin 1987
Levin, Gail. The Thyssen-Bornemisza Collection: Twentieth-Century American Painting. London: Sotheby’s Publications, 1987.

 

K. Levin 1984a
Levin, Kim. “The Clone Zone.” Village Voice (New York), May 15, 1984, p. 91.

 

K. Levin 1984b
Levin, Kim. “Roy Lichtenstein.” Village Voice (New York), January 17, 1984, p. 3.

 

K. Levin 1988
Levin, Kim. “Lichtenstein’s Picassos: 1962–1964.” Village Voice (New York), February 23, 1988, p. 86.

 

Levine 1987
Levine, Angela. “Object Lesson.” Jerusalem Post Magazine, November 6, 1987, p. 10.

 

Lewis 1974
Lewis, Jo An. “Lichtenstein’s Pop Art Has Wit for Long Life.” Washington Star-News, June 19, 1974, p. D3.

 

Lewis 1979
Lewis, Jo An. “‘Setting Standards’ at the Corcoran.” ARTnews 78, no. 4 (April 1979), pp. 85, 88–89.

 

Lewis 1994
Lewis, Jo An. “Roy Lichtenstein’s Natural Progression.” Washington Post, October 30, 1994, p. G7.

 

Lewis 1997
Lewis, Jo An. “National Gallery’s New Year’s Bounty: Pop Art, Calders among Gifts.” Washington Post, January 10, 1997, pp. D1–D2.

 

Lichtenstein 2013
Lichtenstein, Roy. Ce que je crée, c’est de la forme: Entretiens, 1963–1997: Roy Lichtenstein. Paris, France: Éditions du Centre Pompidou, 2013.

 

Lichtenstein n.d.
R. Lichtenstein. Transcript of statement on Picasso by Roy Lichtenstein and edited by Lichtenstein. Roy Lichtenstein Foundation Archives.

 

R. Lichtenstein and D. Shapiro 1980
Lichtenstein, Roy, and David Shapiro. “High Unity: An Interview with Roy Lichtenstein.” 1980. Manuscript. Roy Lichtenstein Foundation Archives.

 

R. Lichtenstein and Passin 1989
Lichtenstein, Roy, and Herbert Passin. “The Era That Gave Birth to Pop Art: Roy Lichtenstein and Herbert Passin.” Asteion, no. 13 (summer 1989), pp. 120–35.

 

R. Lichtenstein and Riley 1992
Lichtenstein, Roy, and Charles A. Riley II. Interview with Roy Lichtenstein at his Manhattan studio. New York, June 16, 1992. Roy Lichtenstein Foundation Archives.

 

R. Lichtenstein and Rosenblum 1994
Lichtenstein, Roy, and Robert Rosenblum. Transcript and recording of interview conducted at the National Gallery of Art, Washington, D.C., October 26, 1994. Roy Lichtenstein Foundation Archives.

 

R. Lichtenstein and Waldman 1971
Lichtenstein, Roy, and Diane Waldman. “Lichtenstein Interviewed by Diane Waldman.” In Roy Lichtenstein, by Waldman. New York: Harry N. Abrams, 1971, pp. 25–28.

 

Lichtenstein Foundation and Mitchell-Innes & Nash 2002
Roy Lichtenstein Foundation and Mitchell-Innes & Nash, New York. Roy Lichtenstein: Times Square Mural. New York: Roy Lichtenstein Foundation and Mitchell-Innes & Nash, 2002. Exhibition catalogue. (2002 New York Mitchell-Innes li& Nash).

 

D. Lichtenstein 1999a
Lichtenstein, Dorothy. “The Misanthrope Manqué: Through a Glass Lightly.” In Roy Lichtenstein: Interiors, by Museum of Contemporary Art, Chicago. Chicago: Museum of Contemporary Art, 1999, pp. 19–21. Exhibition catalogue.

 

D. Lichtenstein 2005
Lichtenstein, Dorothy. “Salute to Kunsthaus Bregenz.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005, p. 9. Exhibition catalogue.

 

D. Lichtenstein 2014
Lichtenstein, Dorothy. “Il disegno come origine.” In Roy Lichtenstein: Opera prima, by Galleria Civica d’Arte Moderna e Contemporanea, Turin. Milan: Skira, 2014, pp. 44–51. Exhibition catalogue.

 

D. Lichtenstein 2015
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R. Lichtenstein 1949
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R. Lichtenstein 1952
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R. Lichtenstein 1965
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R. Lichtenstein 1969
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R. Lichtenstein 1971
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R. Lichtenstein 1972
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R. Lichtenstein 1977
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R. Lichtenstein 1977
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R. Lichtenstein 1980
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R. Lichtenstein 1981a
Lichtenstein, Roy. Letter. In the Arts (Ohio State University, Columbus). 1981.

 

R. Lichtenstein 1981b
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R. Lichtenstein 1982
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R. Lichtenstein 1982a
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R. Lichtenstein 2005
Lichtenstein, Roy Fox. “Paintings, Drawings, and Pastels.” In Roy Lichtenstein: Conversations with Surrealism, by Mitchell-Innes & Nash, New York. New York: Mitchell-Innes & Nash, 2005, unpaginated. Exhibition catalogue.

 

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Lichtenstein, Roy Fox. Paintings, Drawings, and Pastels: A Thesis by Roy Fox Lichtenstein/Roy Fox Lichtenstein: Pinturas, dibujos y pasteles: Una tesis. Madrid: Fundación Juan March, 2007.

 

Lida 1987a
Lida, David. “Pop Goes the Easel: Roy Lichtenstein.” Women’s Wear Daily, May 5, 1987, p. 28.

 

Lida 1987b
Lida, David. “The Prince of Pop.” Women’s Wear Daily, May 18–25, 1987, p. 22.

 

Lieberman 1966
Lieberman, William S. London/New York/Hollywood: A New Look in Prints. New York: Museum of Modern Art, 1966. Exhibition brochure. (1966b New York MoMA).

 

Lieberman 1968
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Liebmann 1992
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Life 1962
“Something New Is Cooking.” Life 52, no. 24 (June 15, 1962), pp. 115–16, 119–20.

 

Life 1963a
“Folk Art, Pop! Go the Easels.” Life (New York extra) 54, no. 13 (March 29, 1963), p. A16.

 

Life 1963b
“Sold Out Art.” Life 55, no. 12 (September 20, 1963), pp. 125–29.

 

Life 1965
Dauman, Henri (photographer). “You Bought It, Now Live with It.” Life 59 (July 16, 1965), pp. 138–40.

 

Life 1970
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Lilja et al. 1991
Lilja, Torsten, et al. Pop Art from the Lilja Collection. Høvikodden and Hellerup, Norway: Heine Onstad Art Center and Edition Bløndal, 1991.

 

Link 1985
Link, John. “Ruins of Taste.” Arts Magazine (New York) 59, no. 9 (May 1985), pp. 100–102.

 

Linker 1987
Linker, Kate. “Roy Lichtenstein.” Artforum International 25, no. 10 (summer 1987), pp. 113–14.

 

Lipman and Franc 1976
Lipman, Jean, and Helen M. Franc. Bright Stars: American Painting and Sculpture since 1776. New York: E. P. Dutton & Co., 1976.

 

Lipman and Marshall 1978
Lipman, Jean, and Richard Marshall. Art about Art. New York: Whitney Museum of American Art, 1978. Exhibition catalogue. (1978a New York Whitney).

 

Lippard 1966a
Lippard, Lucy R. “An Impure Situation [New York and Philadelphia Letter].” Art International 10, no. 5 (May 1966), pp. 60–65.

 

Lippard 1966b
Lippard, Lucy R. “New York Letter.” Art International 10, no. 1 (January 1966), pp. 90–95.

 

Lippard 1966c
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Lippard 1969
Lippard, Lucy R. New York/13. Vancouver: Vancouver Art Gallery, 1969. Exhibition catalogue. (1969 Vancouver Art Gallery).

 

Lippard et al. 1985
Lippard, Lucy R., et al. Pop Art. New York: Thames and Hudson, 1985.

 

Lippincott 2010
Lippincott, Jonathan D. Large Scale: Fabricating Sculpture in the 1960s and 1970s. New York: Princeton Architectural Press, 2010.

 

Lipson 1994
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Litt 1995
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Litt 1999
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Little 2012
Little, Stephen. “Landscape in the Chinese Style.” In Roy Lichtenstein: A Retrospective, by James Rondeau and Sheena Wagstaff. Chicago: Art Institute of Chicago, 2012, pp. 88–93. Exhibition catalogue.

 

Liu 1990
Liu, Catherine. “Roy Lichtenstein.” Artforum International 28, no. 5 (January 1990), pp. 136–37.

 

Livi 1964
Livi, Grazia. “Ecco i malinconici ‘Pop’.” Epoca (Milan) 60, no. 712 (May 17, 1964), pp. 42–52.

 

Livingston 1968a
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Livingston 1968b
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Livingston 1979
Livingston, Jane. The 36th Biennial Exhibition of Contemporary American Painting. Washington, D.C.: Corcoran Gallery of Art, 1979. Exhibition catalogue. (1979 Washington, D.C., Corcoran).

 

Livingstone 1990
Livingstone, Marco. Pop Art: A Continuing History. 1st ed. New York: Harry N. Abrams, 1990. 2nd ed. New York: Thames & Hudson, 2000.

 

Livingstone 1991a
Livingstone, Marco, ed. Pop Art. New York: Rizzoli; London, 1991. Exhibition catalogue. (1991 London Royal Academy).

 

Livingstone 1991b
Livingstone, Marco. Pop Muses: Images of Women by Roy Lichtenstein and Andy Warhol. Tokyo: Art Life Ltd., 1991. Exhibition catalogue. (1991 Tokyo Isetan).

 

Livingstone 1992a
Livingstone, Marco, ed. Arte Pop. Madrid: Museo Nacional Reina Sofía, 1992. Exhibition catalogue. (1991 London Royal Academy).

 

Livingstone 1992b
Livingstone, Marco, ed. Pop Art. Montreal: Montreal Museum of Fine Arts, 1992. Exhibition catalogue. (1991 London Royal Academy).

 

Livingstone 1992c
Livingstone, Marco, ed. Pop Art. Munich: Prestel Verlag, 1992. Exhibition catalogue. (1991 London Royal Academy).

 

Livingstone 1993
Livingstone, Marco. Pop Prints from the Arts Council Collection. London: South Bank Centre, 1993. Exhibition catalogue.

 

Livingstone 1997
Livingstone, Marco, ed. The Pop ’60s: Travessia transatlântic/Transatlantic Crossing. Lisbon: Centro Cultural de Belém, 1997. Exhibition catalogue. (1997 Belém Centro Cultural).

 

Lloyd 1993
Lloyd, Michael. Surrealism: Revolution by Night. Canberra: National Gallery of Australia, 1993. Exhibition catalogue.

 

Lobel 1999
Lobel, Michael. “Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art.” PhD diss., Yale University, New Haven, 1999.

 

Lobel 2001
Lobel, Michael. “Technology Envisioned: Lichtenstein’s Monocularity.” Oxford Art Journal 24, no. 1 (2001), pp. 131–54.

 

Lobel 2002b
Lobel, Michael. Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art. New Haven: Yale University Press, 2002.

 

Lobel 2003
Lobel, Michael. “Popkunsten if ø lge Lichtenstein.” Louisiana revy, no. 44 (August 1, 2003), pp. 8–11.

 

Lochridge 1979
Lochridge, Katherine. As We See Ourselves: Artists’ Self-Portraits. Huntington, N.Y.: Heckscher Museum of Art, 1979. Exhibition catalogue. (1979 Huntington, N.Y., Heckscher).

 

Lohnes 1993
Lohnes, Mary Ann. Roy Lichtenstein Prints. New York: Susan Sheehan Gallery, 1993. Exhibition catalogue.

 

London 2006
London, Carey. “Lichtenstein’s American Indian Encounters.” The Scene (Southampton, N.Y.) (September 13, 2006).

 

London Times 1997
“Roy Lichtenstein.” London Times, October 1, 1997, p. 21.

 

Long 2004
Long, Robert. “Heavy Hitters at Guild Hall.” East Hampton [N.Y.] Press, July 1, 2004, pp. C1, C6.

 

Longwell 2008
Longwell, Alicia G. Sand: Memory, Meaning and Metaphor. Southampton, N.Y.: Parrish Art Museum, 2008. Exhibition catalogue. (2008 Southampton, N.Y., Parrish).

 

Loran 1963a
Loran, Erle. “Cézanne and Lichtenstein: Problems of ‘Transformation’.” Artforum 2, no. 3 (September 1963), pp. 34–35.

 

Loran 1963b
Loran, Erle. “Pop Artists or Copy Cats?” ARTnews 62, no. 5 (September 1963), pp. 48–49, 61.

 

Lord 1964a
Lord, J. Barry. “The New Figure.” Canadian Art 21, no. 4 (July–August 1964), pp. 202–5.

 

Lord 1964b
Lord, J. Barry. “Pop Art in Canada.” Artforum 2, no. 9 (March 1964), pp. 28–31.

 

Loring 1974
Loring, John. “Graphic Arts: Comic Strip Pop.” Arts Magazine (New York) 49, no. 1 (September 1974), pp. 48–50.

 

Los Angeles Times 1995
“Art Ahoy.” Los Angeles Times, January 2, 1995, p. F1.

 

Lösel 1992
Lösel, Anja. “Pop Art: Die alten Meister.” Stern (Hamburg) 13 (March 19, 1992), pp. 58–71, 75, 79.

 

Louden 1970
Louden, Lynn M. “Apollo and Dionysus in Contemporary Art.” Arts Magazine (New York) 45, no. 3 (December 1970–January 1971), pp. 20–23.

 

Louisiana revy 2003
Louisiana revy (Humlebaek, Denmark). Special issue, Roy Lichtenstein, no. 44 (August 1, 2003).

 

Louisiana revy 2013
Louisiana revy (Humlebaek, Denmark). Special issue, Pop Art Design 53, no. 2 (2013).

 

Lovejoy 1992
Lovejoy, Margot. Postmodern Currents: Art and Artists in the Age of Electronic Media. Englewood Cliffs, N.J.: Prentice Hall, 1992.

 

Lowe 1966
Lowe, Harry. “In Venice: Backstage at the Biennale.” Museum News 45, no. 3 (November 1966), pp. 11–18.

 

Lowe 1985
Lowe, Harry. Artists of the Kennedy Era. Hempstead, N.Y.: Emily Lowe Gallery, Hofstra University, 1985. Exhibition catalogue. (1985 Hempstead Lowe).

 

Lowe Art Museum 1976
Lowe Art Museum. Today/Tomorrow: Selected Contemporary Artists. Coral Gables, Fla.: Lowe Art Museum, University of Miami, 1976. Exhibition catalogue. (1976 Coral Gables Lowe).

 

Lowe Gallery 1984
Emily Lowe Gallery. A Decade of Donors (1974–1984). Hempstead, N.Y.: Emily Lowe Gallery, Hofstra University, 1984. Exhibition catalogue. (1984 Hempstead Lowe).

 

Lu 2011
Lu, Carol Yinghua. “Anything Lichtenstein.” In Landscapes in the Chinese Style, by Gagosian Gallery, Hong Kong. Hong Kong: Gagosian Gallery, 2011, pp. 19–23. Exhibition catalogue.

 

Lubbock 1993
Lubbock, Tom. “Dotting the Eyes.” Modern Painters 6, no. 4 (winter 1993), pp. 44–46.

 

Lubowsky 1986
Lubowsky, Susan T. Contemporary Cutouts. New York: Whitney Museum of American Art, 1986. Exhibition catalogue. (1986 New York Whitney Philip Morris).

 

Lubowsky 1987
Lubowsky, Susan T. Contemporary Cutouts. Stamford, Conn.: Whitney Museum of American Art, Fairfield County, 1987. Exhibition catalogue. (1987b Stamford Whitney).

 

Lucie-Smith 1966
Lucie-Smith, Edward. “Mixed Shows and Feelings.” Studio International 172, no. 881 (September 1966), pp. 148–51.

 

Lucie-Smith 1969
Lucie-Smith, Edward. Movements in Art since 1945. New York: Thames & Hudson, 1969.

 

Lucie-Smith 1970
Lucie-Smith, Edward. Kunstrichtungen seit 1945. Translated from the English by Rosita Garcia-Reichel and Inge Wiskott. Vienna: Fritz Moldem Verlag, 1970.

 

Lucie-Smith 1977
Lucie-Smith, Edward. Art Today: From Abstract Expressionism to Superrealism. Oxford, England: Phaidon Press, 1977.

 

Ludwig 1995
Ludwig, Peter. Offener Blick: Über Kunst und Politik. Statement 12. Regensburg: Lindinger + Schmid, 1995.

 

Ludwig Museum 1996a
Ludwig Museum für Internationale Kunst, National Art Museum of China, Beijing. Die bekannten deutschen Kunstsammler, Peter und Irene Ludwig, schenken China Kunstwerke aus aller Welt. Beijing: Ludwig Museum für Internationale Kunst, National Art Museum of China, 1996. Exhibition catalogue.

 

Ludwig Museum 1996b
Ludwig Museum für Internationale Kunst, National Art Museum of China, Beijing. Deguo shou cang jia Bide Ludeweixi he Yileina Ludeweixi xiang Zhongguo juan zong guo ji yi shu suo pin ji/Die bekannten deutschen Kunstsammler, Peter und Irene Ludwig, schenken China Kunstwerke aus aller Welt. Beijing: Ludwig Museum für Internationale Kunst, National Art Museum of China, 1996. Exhibition catalogue. (1999 Shanghai Art Museum).

 

Lutz 1995
Lutz, Gabriele. Roy Lichtenstein: Collagen 1994. Zurich: Galerie Lawrence Rubin, 1995. Exhibition catalogue. (1995a Zurich Rubin).

 

Luxembourg and Dayan 2014
Luxembourg and Dayan, New York. The Shaped Canvas, Revisited. New York: Luxembourg and Dayan, 2014. Exhibition catalogue. (2014 New York Luxembourg and Dayan).

 

Lynes 1968
Lynes, Russell. “The Mesh Canvas.” Art in America 56, no. 3 (May 1968), pp. 28–49.

 

Lynton 1966a
Lynton, Norbert. “Won’t Somebody Please Answer That Picture.” Studio International 171, no. 873 (January 1966), p. 34.

 

Lynton 1966b
Lynton, Norbert. “Venice 1966.” Art International 10, no. 7 (September 15, 1966), pp. 83–84, 89.

 

N. Lynton 1964
Lynton, Norbert. “London Letter.” Art International 8, no. 1 (February 1964), p. 42.

 

A. M. 1958
M., A. “Painting? It’s Meat for Some, Poison for Others.” Los Angeles Times, March 16, 1958, p. E6.

 

Mac Adam 1998
Mac Adam, Barbara A. “Re-Mastered.” ARTnews 97, no. 10 (November 1998), p. 36.

 

Mac Adam 2002
Mac Adam, Barbara A. “Reviews: Roy Lichtenstein: Mitchell-Innes & Nash; Gagosian; Seagram Building Plaza.” ARTnews 101, no. 1 (January 2002), p. 115.

 

Mac Masters 1998
Mac Masters, Merry. “Roy Lichtenstein concibe a su obra como agente de cambio.” Miércoles (Mexico) (July 8, 1998), p. 27.

 

MacAgy 1962
MacAgy, Douglas. 1961. Dallas: Dallas Museum for Contemporary Arts, 1962. Exhibition catalogue. (1962 Dallas MCA).

 

MacAgy 1963
MacAgy, Douglas. Pop! Goes the Easel. Houston: Contemporary Arts Museum of Houston, 1963. Exhibition brochure. (1963 Houston CAM).

 

MacDonald 1968
MacDonald, Robert. “Two Exhibitions Span the Centuries.” Scotsman (Edinburgh), January 11, 1968, p. 8.

 

Machida Museum of Graphic Art 2005
Machida Museum of Graphic Art, Tokyo. Multiple Show: From Duchamp to Lichtenstein. Tokyo: Machida Museum of Graphic Art, 2005. Exhibition catalogue. (2005 Machida Museum of Graphic Art).

 

MacIssac 1991
MacIssac, Heather Smith. “Primary Space: Roy Lichtenstein Paints in Broad Strokes in His Renovated Studio.” House and Garden 163, no. 7 (July 1991), pp. 70–73.

 

Madeline 2010
Madeline, Laurence. “De chair ou de points: Les cathédrales de Rouen de Monet et de Lichtenstein.” In Claude Monet, 1840–1926: Galeries Nationales, Grand Palais, Paris, by Musée d’Orsay, Réunion des Musées Nationaux, Paris. Paris: Musée d’Orsay, Réunion des Musées Nationaux, 2010, pp. 71–81. Exhibition catalogue.

 

Madoff 1997
Madoff, Steven Henry, ed. Pop Art: A Critical History. Documents of Twentieth-Century Art. Berkeley: University of California Press, 1997.

 

Mag Uidhir 2013
Mag Uidhir, Christy. Art and Art-Attempts. Oxford, United Kingdom: Oxford University Press, 2013.

 

Magloff 1967
Magloff, Joanna. “Roy Lichtenstein Exhibit Shows Abstract Qualities of Cartoons.” Free Press (Los Angeles), April 28, 1967.

 

Magnani 1993
Magnani, Gabriele. “Il Roy del Pop.” Architectural Digest (Italian edition) (1993), p. 58.

 

Maharaj 1992
Maharaj, Sarat. “Pop Art’s Pharmacies: Kitsch, Consumerist Objects and Signs, the ‘Unmentionable’.” Art History 15, no. 3 (September 1992), pp. 334–50.

 

Maharaj 1993
Maharaj, Sarat. “Framing Roy Lichtenstein: A Mickey Mimesis Mimicked Also Mimed?” In Roy Lichtenstein, by Tate Gallery Liverpool. Liverpool: Tate Gallery Liverpool, 1993, pp. 13–19. Exhibition catalogue.

 

Mahsun 1981
Mahsun, Carol Anne Runyon. “A Review of the Critical Reactions to Pop Art in the United States.” PhD diss., University of Chicago, 1981.

 

Mahsun 1987
Mahsun, Carol Anne Runyon. Pop Art and the Critics. Studies in the Fine Arts. Ann Arbor: UMI Research Press, 1987.

 

Mahsun 1989
Mahsun, Carol A., ed. Pop Art: The Critical Dialogue. Studies in the Fine Arts. Ann Arbor: UMI Research Press, 1989.

 

Maier 1994
Maier, Anne. “Gerasterter Alltag in lichter Hängung: Pop-Art-Papst Roy Lichtenstein zu Gast im Münchner Haus der Kunst.” Der Standard (Munich), October 15–16, 1994, p. 33.

 

Maldonado 2013
Maldonado, Guitemie. “D’après les mâitres.” Connaissance des arts, no. 589, pp. 24–33.

 

Malle 1969
Malle, Luigi. New-dada e pop art newyorkesi. Turin: Galleria Civica d’Arte Moderna, 1969. Exhibition catalogue. (1969 Turin Galleria Civica).

 

MAM 1995
Musée d’Art Moderne de la Ville de Paris. Passions privées: Collections particulières d’art moderne et contemporain en France. Paris: Musée d’Art Moderne de la Ville de Paris, 1995. Exhibition catalogue. (1995 Paris Musée d’Art Moderne).

 

MAMAC 1997
Musée d’Art Moderne et d’Art Contemporain, Nice. De Klein à Warhol: Face-à-face France/États-Unis: Collections du Musée national d’art moderne et du Musée d’art moderne et d’art contemporain de Nice. Paris: Centre Georges Pompidou, 1997. Exhibition catalogue.

 

Mamiya 1992
Mamiya, Christin J. Pop Art and Consumer Culture: American Super Market. Austin: University of Texas Press, 1992.

 

Manchanda 2007
Manchanda, Catharina. Beauty and the Blonde: An Exploration of American Art and Popular Culture. St. Louis: Mildred Lane Kemper Art Museum, Washington University in St. Louis, 2007. Exhibition catalogue. (2007 St. Louis Kemper).

 

Manchanda 2014
Manchanda, Catharina. Pop Departures. Seattle: Seattle Art Museum in association with Yale University Press, New Haven, 2014. Exhibition catalogue. (2014 Seattle Art Museum).

 

Manning 1993
Manning, Jenny. Sixty Minutes in the Gallery. Canberra: National Gallery of Australia, 1993.

 

Mansfield 1976a
Mansfield, Thomas. “Pop Art Giant Misses His Parties.” Seattle Post-Intelligencer, January 22, 1976, p. D4.

 

Mansfield 1976b
Mansfield, Thomas. “Roy Lichtenstein at Seattle Art Museum.” Seattle Post-Intelligencer, January 22, 1976, p. D4.

 

Manthey 2006
Manthey, Toby. “Encounter a Different Lichtenstein.” News Tribune (Pierce, Colorado), May 16, 2006, p. E7.

 

Manthorne 1997
Manthorne, Katherine E. “Roy Lichtenstein (1923–1997), Twentieth-Century American Master.” American Art 11, no. 3 (Fall 1997), pp. 78–79.

 

Marandel 1973
Marandel, J. Patrice. Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art. Providence: Museum of Art, Rhode Island School of Design, 1973. Exhibition catalogue. (1973b Providence RISD).

 

Marcadé 1991a
Marcadé, Bernard. “La peinture et son ombre.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 122–30.

 

Marcadé 1991b
Marcadé, Bernard. “Roy Lichtenstein: Daniel Templon, Paris.” Flash Art, no. 160 (October 1991), p. 168.

 

Marchesseau 1982
Marchesseau, Daniel. “Roy Lichtenstein à Paris.” L’oeil (Paris), no. 328 (November 1982), pp. 40–45.

 

Marchiori 1963
Marchiori, Giuseppe. “Aspetti dell’arte contemporanea a l’Aquila.” Art International 7, no. 9 (December 1963), p. 36.

 

Marchiori 1967a
Marchiori, Giuseppe. “‘Campo Vitale’: A Palazzo Grasso.” Art International 11 (September 1967), pp. 26–29.

 

Marchiori 1967b
Marchiori, Giuseppe. “Une nouvelle figuration en Europe et en Amérique.” XXe siècle (Paris and Milan), n.s., 29 (December 1967), pp. 75–79.

 

Marcus 2003
Marcus, Mette. “Onomato-Poietik.” Louisiana magasin (Humlebaek, Denmark), no. 10 (August 2003), pp. 28–30.

 

Marie Claire 1964
“Le Pop’Art: La boîte de conserve devient objet d’art.” Marie Claire (September 1964), p. 22.

 

Marini 2010
Marini, Francesca. Lichtenstein. Milan: Skira, 2010.

 

Marinotti 1967
Marinotti, Paolo. Campo vitale: Mostra internazionale d’arte contemporanea. Milan: Rizzoli, 1967. Exhibition catalogue. (1967 Venice Palazzo Grassi).

 

Marisa del Re 1987
Marisa del Re Gallery, New York. Montecarlo Sculpture 87. New York: Marisa del Re Gallery, 1987. Exhibition catalogue. (1987 Monte Carlo Marisa del Re).

 

Marlborough 1992
Marlborough Gallery, New York. Books and Portfolios: 1957–1992. New York: Marlborough Gallery, 1992. Exhibition catalogue. (1992 New York Marlborough Graphics).

 

Marlborough 2005
Marlborough, New York. Landscape, Cityscape. New York: Marlborough, 2005. Exhibition catalogue. (2005 New York Marlborough).

 

Marmer 1965
Marmer, Nancy. “Los Angeles Letter.” Art International 9, no. 1 (February 1965), pp. 29–32.

 

Marontate 1997
Marontate, Janet Lee Ann. “Roy Lichtenstein: Romantic Gesture Takes a Comic Turn (or Flatness Made Funny).” In “Synthetic Media and Modern Painting: A Case Study in the Sociology of Innovation.” PhD diss., Université de Montréal (Département de Sociologie, Faculté des Études Supérieures), Montreal, 1997, pp. 372–82.

 

Marquand 1987
Marquand, Robert. “Using the Raw Elements of Everyday America to Evoke the Hopes and Discouragements of Postwar Life.” Christian Science Monitor, June 16, 1987, p. 21.

 

Marquis 2010
Marquis, Alice Goldfarb. The Pop Revolution. Boston: Museum of Fine Arts, 2010.

 

Marshall 1986
Marshall, Richard (photographs by Robert Mapplethorpe). 50 New York Artists: A Critical Selection of Painters and Sculptors Working in New York. San Francisco: Chronicle Books, 1986.

 

Marter 1996
Marter, Joan. Interview with Roy Lichtenstein. New York, March 27, 1996.

 

Marter 1999a
Marter, Joan, ed. Off Limits: Rutgers University and the Avant-Garde, 1957–1963. Newark, N.J.: Newark Museum; New Brunswick, N.J.: Rutgers University Press, 1999. Exhibition catalogue. (1999 Newark, N.J., Newark Museum).

 

Marter 1999b
Marter, Joan. “Interview with Roy Lichtenstein.” In Off Limits: Rutgers University and the Avant-Garde, 1957–1963, edited by Marter. Newark, N.J.: Newark Museum; New Brunswick, N.J.: Rutgers University Press, 1999, pp. 136–38. Exhibition catalogue.

 

Martin 2001
Martin, Steve. Kindly Lent Their Owner: The Private Collection of Steve Martin. Las Vegas: Bellagio Gallery of Fine Art, 2001. Exhibition catalogue. (2001 Las Vegas Bellagio).

 

Marvel 1978
Marvel, Bill. “A Modern Way with Clay.” Horizons (September 1978), pp. 41–47.

 

Mary Boone 1989
Mary Boone Gallery, New York. Roy Lichtenstein: “The Mirror Paintings”. New York: Mary Boone Gallery, 1989. Exhibition catalogue. (1989 New York Boone).

 

März and Papies 1982
März, Roland, and Jürgen Papies. Zeitgenössische Kunst aus der Sammlung Ludwig, Aachen. Berlin: Nationalgalerie Altes Museum, 1982. Exhibition catalogue. (1977 Berlin Nationalgalerie Altes Museum).

 

Marzorati 1985
Marzorati, Gerald. “Picture Puzzles: The Whitney Biennial.” ARTnews 84, no. 6 (Summer 1985), pp. 74–78.

 

Masheck 1971
Masheck, Joseph. “Warhol As Illustrator: Early Manipulations of the Mundane.” Art in America 59, no. 3 (May–June 1971), pp. 54–59.

 

Masheck 1984
Masheck, Joseph. “Judy Rifka and ‘Postmodernism’ in Architecture.” Art in America 72, no. 11 (December 1984), pp. 148–63.

 

Mastroianni 1964
Mastroianni, Tony. “Pop Art at Park Synagogue.” Cleveland Press, November 14, 1964, Weekend page.

 

Mattison 1995
Mattison, Robert Saltonstall. Masterworks in the Robert and Jane Meyerhoff Collection: Jasper Johns, Robert Rauschenberg, Roy Lichtenstein, Ellsworth Kelly, Frank Stella. Manchester, Vt.: Hudson Hills Press, 1995.

 

Mayfair Gallery 1970
Mayfair Gallery, London. Pop! ’70. London: Mayfair Gallery, [1970]. Exhibition catalogue. (1970 London Mayfair).

 

Mayhall 1983
Mayhall, Dorothy. Changes. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1983. Exhibition catalogue. (1983 Ridgefield Aldrich).

 

Mayor Gallery 1974
Mayor Gallery, London. Roy Lichtenstein: Recent Paintings. London: Mayor Gallery, 1974. Exhibition catalogue. (1974a London Mayor).

 

Mayor Gallery 1985
Mayor Gallery, London. A Tribute to Leo Castelli. London: Mayor Gallery, 1985. Exhibition catalogue. (1985 London Mayor).

 

B. Mayor 2011
Mayor, Beatrice Cummings. The Passionate Collector: Robert B. Mayer’s Adventures in Art. New York: Smallwood and Stewart, 2011.

 

Mayr 1977
Mayr, Hans. Kunst um 1970/Art around 1970: Sammlung Ludwig Aachen im Künstlerhaus Wien. Vienna: Künstlerhaus Wien, 1977. Exhibition catalogue. (1977 Vienna Künstlerhaus).

 

Mazzotta 2001
Fondazione Antonio Mazzotta, ed. Omaggio a Picasso: Da Miró a Lichtenstein. Milan: Edizioni Gabriele Mazzotta, 2001. Exhibition catalogue. (2001 Milan Mazzotta).

 

Mazzotta 2002
Fondazione Antonio Mazzotta, ed. Omaggio a Picasso: Da Miró a Lichtenstein. Milan: Edizioni Gabriele Mazzotta, 2002. Exhibition catalogue. (2001 Milan Mazzotta).

 

Mazzotta 2006
Fondazione Antonio Mazzotta, ed. Omaggio a Picasso: Da Miró a Lichtenstein. Milan: Edizioni Gabriele Mazzotta, 2006. Exhibition catalogue. (2001 Milan Mazzotta).

 

Mazzotta 2007
Fondazione Antonio Mazzotta, ed. Omaggio a Picasso: Da Miró a Lichtenstein. Milan: Edizioni Gabriele Mazzotta, 2007. Exhibition catalogue. (2001 Milan Mazzotta).

 

Mazzotta 2008
Fondazione Antonio Mazzotta, ed. Omaggio a Picasso. Milan: Edizioni Gabriele Mazzotta, 2008. Exhibition catalogue. Texts by Daniel-Henry Kahnweiler, Renato Barilli and Jean Bailly-Herzberg. (2001 Milan Mazzotta).

 

MCASD 2009
Museum of Contemporary Art San Diego. Classic Contemporary: Lichtenstein, Warhol and Friends. La Jolla: Museum of Contemporary Art San Diego, 2009. Exhibition catalogue. (2009 Las Vegas Bellagio).

 

McCabe 2006
McCabe, David. A Year in the Life of Andy Warhol. New York: Phaidon Press, 2006.

 

McCarthy 2005
McCarthy, David. Pop Art. Movements in Modern Art. Cambridge, England: Cambridge University Press, 2000.

 

McClellan 1963a
McClellan, Doug. “Dealer’s Choice.” Artforum 1, no. 11 (May 1963), p. 50.

 

McClellan 1963b
McClellan, Doug. “Roy Lichtenstein, Ferus Gallery.” Artforum 2, no. 1 (July 1963), pp. 44–45, 47.

 

McCorquodale 1978
McCorquodale, Charles. “London.” Art International 22, no. 1 (January 1978), p. 82.

 

McCue 1963
McCue, George. “‘Americans, 1963′ at Artists’ Guild.” Sunday Post-Dispatch (St. Louis), December 15, 1963, p. C5.

 

McDaniel 1995
McDaniel, E. Wayne. “Brenau Art Exhibit Draws a Crowd.” Times (Gainesville, Ga.), 1995.

 

McDonald 2005
McDonald, Kathy A. “Going, Going . . .” VLife (Los Angeles) (September 2005), p. 20.

 

McDonald et al. 2015
McDonald, Alison, Rob McKeever, Brian O’Leary, James DePasquale. Roy Lichtenstein: Greene Street Mural. New York: Gagosian Gallery, 2015. Exhibition catalogue.

 

McFadden and Ratcliff 1981
McFadden, Sarah, and Carter Ratcliff. Art Materialized: Selections from the Fabric Workshop. New York: Independent Curators International, 1981. Exhibition catalogue. (1981 Cleveland New Gallery).

 

McGarry 2014
McGarry, Rachel. Drawings from the Minneapolis Institute of Arts. Minneapolis: Minneapolis Museum of Art, 2014.

 

McGee 2003
McGee, Celia. “Pop on Top This Summer at the Met.” Daily News (New York), May 2, 2003, p. 59.

 

McGee 2005
McGee, Celia. “MTA Exhibit Tracks 20 Years of the City’s ‘Public Art’.” Daily News (New York), June 30, 2005, p. 46.

 

McKendry 1970
McKendry, John J. Prints by Nine New York Painters: Jim Dine, Helen Frankenthaler, Jasper Johns, Roy Lichtenstein, Robert Motherwell, Barnett Newman, Robert Rauschenberg, Larry Rivers, James Rosenquist. New York: Metropolitan Museum of Art, 1970. Exhibition catalogue. (1969c New York MMA).

 

McKenzie 1994
McKenzie, Michael. “The World According to Roy.” SunStorm/Fine Art (New York) (Spring 1994), pp. 33–36.

 

McKetta 2012
McKetta, Dorothy Jean. “The Leo Castelli Gallery in Metro Magazine: American Approaches to Post-Abstract Figuration in an Italian Context.” MA Thesis, The University of Texas, Austin, August 2012.

 

McKinney 2003
McKinney, Michael P. “The House That Roy Built.” Providence Journal, March 27, 2003, pp. G1, G4.

 

McMullen 1975
McMullen, Roy. “The Visual Arts.” Saturday Review. Special issue, America’s Impact on the World, 1776–1976 (December 13, 1975), pp. 98–103.

 

McNulty 1967
McNulty, Kneeland. Stampe di due mondi: Mostra dell’arte della stampa americana e italiana/Prints of Two Worlds: An Exhibition of American and Italian Print-making. Translated from the English by Sandra Gray. [Philadelphia: Philadelphia Museum of Art], 1967. Exhibition catalogue. (1967 Rome Tyler School).

 

McShine 1989
McShine, Kynaston, ed. Andy Warhol: A Retrospective. New York: Museum of Modern Art, 1989. Exhibition catalogue.

 

Meadows and Turner 2001
Meadows, Gail, and Elisa Turner. “Artist among Those Missing in World Trade Center Attack.” Miami Herald, September 20, 2001, p. C1.

 

Measham 1977
Measham, Terry. Moderne Malerei nach 1945. Luxembourg: Hasso Ebeling International Publishing, 1977.

 

Mecklenburg et al. 2015
Mecklenburg, Virginia, et al. Crosscurrents: Modern Art from the Sam Rose and Julie Walters Collection. Washington, D.C.: Smithsonian American Art Museum, 2015. Exhibition catalogue. (2015–16 Washington, D.C. Smithsonian).

 

Medici et al. 1975
Medici, Roberto, Museum der Stadt Solothurn, and Kunstverein Solothurn. Aspekte aus neueren Solothurner Sammlungen: 125 Jahre Kunstverein Solothurn: Museum der Stadt Solothurn. Solothurn: Kunstverein Solothurn, 1975. Exhibition catalogue. (1975 Solothurn Museum der Stadt).

 

Medinger 1977
Medinger, Beatrix Hauser. “Roy Lichtenstein.” In Ferrara, Lichtenstein, Nevelson, Ryman, by Sarah Lawrence Gallery, Sarah Lawrence College, Bronxville, N.Y. Bronxville, N.Y.: Sarah Lawrence Gallery, Sarah Lawrence College, 1977, unpaginated. Exhibition catalogue.

 

Melikian 1991
Melikian, Souren. “Pop Art: Resurrecting an Old Joke.” International Herald Tribune, September 14–15, 1991, p. 7.

 

Mellow 1967a
Mellow, James R. “New York Letter.” Art International (December 1967), pp. 72–76.

 

Mellow 1967b
Mellow, James R. “New York: The New York Art Scene.” New York Times Book Review, September 10, 1967, pp. 7, 62.

 

Mellow 1972
Mellow, James R. “Silkscreening: Any Number Can Play.” New York Times, January 30, 1972, sec. 2, p. 25.

 

Mellow 1974
Mellow, James R. “A Pop-Art Star Finds New Inspiration in Matisse.” New York Times, November 10, 1974.

 

Melo 2002
Melo, Alexandre. Cadernos do Museu (Sintra Museu de Arte Moderna). Special issue, Colecção Berardo: Arte Pop & Ca., ed. Marina Sequeira Costa, no. 3 (2002).

 

Melo et al. 2004
Melo, Alexandre, et al. Pop Art & Co.: The Berardo Collection: Sintra Museu de Arte Moderna. Tokyo: TBS Television, 2004.

 

Melville 1964a
Melville, Robert. “The Avant-Garde at the Tate.” New Statesman (London), May 1, 1964, p. 695.

 

Melville 1964b
Melville, Robert. “Prospect for the Future.” Architectural Review 136, no. 810 (August 1964), pp. 134–36.

 

Melville 1964c
Melville, Robert. “Surrealist and Others.” Architectural Review 135, no. 804 (February 1964), pp. 137–40.

 

Melville 1965
Melville, Robert. “The Amazing Continuity.” Architectural Review 138, no. 821 (July 1965), pp. 55–57.

 

Melville 1966
Melville, Robert. “The New Classicism.” Architectural Review 139, no. 828 (February 1966), pp. 145–47.

 

Melville 1967
Melville, Robert. “Battlepieces and Girls.” Architectural Review 141, no. 842 (April 1967), pp. 289–91.

 

Melville 1968a
Melville, Robert. “I Know How You Must Feel, Roy.” Architectural Review 143, no. 854 (April 1968), pp. 291–94.

 

Melville 1968b
Melville, Robert. “Whaam!” New Statesman (London), January 12, 1968, p. 50.

 

Melville 1971
Melville, Robert. “The Gallery: Humanity Proscribed.” Architectural Review 149, no. 888 (February 1971), pp. 111–16.

 

Memorial Art Gallery, Rochester 1964
Memorial Art Gallery, University of Rochester, N.Y. In Focus: A Look at Realism in Art. Rochester, N.Y.: Memorial Art Gallery, University of Rochester, 1964. Exhibition catalogue. (1964 Rochester, N.Y., Memorial).

 

Memorial Union Art Gallery, Davis 1969
Memorial Union Art Gallery, University of California, Davis. Roy Lichtenstein, Rouen Cathedrals and Haystacks: Lithographs from Gemini. Davis: Memorial Union Art Gallery, University of California, Davis, 1969. Exhibition catalogue. (1969 Davis Memorial).

 

Mendelowitz 1967
Mendelowitz, Daniel M. Drawing. New York: Holt, Rinehart and Winston, 1967.

 

Mendelssohn 1997
Mendelssohn, Joanna. “Pop Art Creator’s Bubbles of Genius.” Australian, October 1, 1997, p. 16.

 

Meneguzzo 2014
Meneguzzo, Marco ed. Aurelio Amendola: Roy Lichtenstein 1977. Milan, Italy: Silvana Editoriale, 2014. Exhibition catalogue.

 

Menil 2001
Menil Collection, Houston. Pop Art: US/UK Connections, 1956–1966. Houston: Menil Collection, 2001. Exhibition catalogue. (2001 Houston Menil).

 

Menna 1966
Menna, Filiberto. “The Organized Perception of Lichtenstein.” Fantazaria (Rome). Special issue, Lichtenstein, edited by Alberto Boatto and Giordano Falzoni, 1, no. 2 (July–August 1966), pp. 62–65.

 

Mercurio 2010a
Mercurio, Gianni. Lichtenstein: Kunst als Motiv. Cologne: DuMont, 2010. Exhibition catalogue. (2010 Milan Triennale).

 

Mercurio 2010b
Mercurio, Gianni. “Modern Postmodern: Roy Lichtenstein.” In Roy Lichtenstein: Meditations on Art, edited by Mercurio. Milan: Skira, 2010, pp. 31–47. Exhibition catalogue.

 

Mercurio 2010c
Mercurio, Gianni, ed. Roy Lichtenstein: Meditations on Art. Milan: Skira, 2010. Exhibition catalogue. (2010 Milan Triennale).

 

Mercurio 2010d
Mercurio, Gianni, ed. Roy Lichtenstein: Meditations on Art. Milan: Skira [Italian edition], 2010. Exhibition catalogue. (2010 Milan Triennale).

 

Mercurio 2010e
Mercurio, Gianni. “Modern Postmodern: Roy Lichtenstein.” In Roy Lichtenstein: Meditations on Art, edited by Mercurio. Milan: Skira [Italian edition], 2010, pp. 31–47. Exhibition catalogue.

 

Mercurio 2010f
Mercurio, Gianni. “Modern Postmodern: Roy Lichtenstein.” In Lichtenstein: Kunst als Motiv, edited by Mercurio. Cologne: DuMont, 2010, pp. 31–47. Exhibition catalogue.

 

Meridian International Center 2002
Meridian International Center, Washington, D.C. True Colors: Meditations on the American Spirit. Washington, D.C.: Meridian International Center, 2002. Exhibition catalogue. (2002 Washington, D.C., Meridian).

 

Merkert 1970
Merkert, G. J. “Pop Art.” Merian 9, no. 23 (1970).

 

Metken 1970
Metken, Günter. Comics. Frankfurt am Main: Fischer Taschenbuch Verlag, 1970.

 

Metken 1971
Metken, Günter. “Das Gesetz der Serie; wie Künstler Comic nutzen.” Das Kunstwerk 24, no. 5 (September 1971), pp. 29–35.

 

Metropolitan 1952
Metropolitan Museum of Art, New York. American Water Colors, Drawings, and Prints, 1952: A National Competitive Exhibition. Cambridge, Mass.: Harvard University Press for the Metropolitan Museum of Art, New York, 1952. Exhibition catalogue. (1952 New York MMA).

 

Metropolitan 1969
Metropolitan Museum of Art, New York. Prints by Five New York Painters: Jim Dine, Roy Lichtenstein, Robert Rauschenberg, Larry Rivers, James Rosenquist. New York: Metropolitan Museum of Art, 1969. Exhibition catalogue. (1969a New York MMA).

 

Metz 1966
Metz, Kathryn. “The Thirty-Third Venice Biennale of Art.” Arts and Architecture 83, no. 9 (October 1966), pp. 32–34.

 

Metzgen 1971
Metzgen, Sigrid. “Die verkehrte Welt: Wenn bilderbogen Kunst anregen.” Das Kunstwerk 5, no. 24 (September 1971), pp. 3–28.

 

Metzger 1997
Metzger, Rainer. Antlitz: Gesicht, Kopf und Portrait in der zeitgenössischen Kunst/Countenance: Face, Head, and Portrait in Contemporary Art. Ed. Nikolaus Ruzicska. Salzburg and Paris: Galerie Thaddaeus Ropac, 1997.

 

Metzler 1952
Metzler, Paul B. “16 Gallery Exhibitions Produce Biggest Art Week of Season.” Cleveland Plain Dealer, March 16, 1952, p. D26.

 

Metzler 1955
Metzler, Paul B. “Trio at Art Colony.” Cleveland Plain Dealer, January 9, 1955, p. D30.

 

Meyer 1973
Meyer, Jean-Claude. “Les illusions optiques de Roy Lichtenstein.” XXe siècle (Paris and Milan) n.s., 35, no. 41 (December 1973), pp. 88–93.

 

Meyers 2010
Meyers, Terry R. “Roy Lichtenstein: The Black-and-White Drawings, 1961–1968.” The Brooklyn Rail (November 2010), p. 42.

 

Micha 1983
Micha, René. “Lettre de Paris.” Art International 26, no. 1 (January–March 1983), pp. 61–70.

 

Michel 1963
Michel, Jacques. “A travers les galeries: L’art industriel.” Le Monde (Paris), June 25, 1965, p. 12.

 

Michel 1966
Michel, Jacques. “Rive gauche en festival.” Le Monde (Paris), May 13, 1966, p. 13.

 

Michelson 1969
Michelson, Annette. “Pop Art Redefined.” New York Times Book Review, October 26, 1969, p. 7.

 

Michetti-Prod’Hom and Edelman 1992a
Michetti-Prod’Hom, Chantal, and Asher B. Edelman, with Susanne Hilpert, eds. Roy Lichtenstein. Pully/Lausanne: FAE Musée d’Art Contemporain, 1992. Exhibition catalogue. (1992 Pully-Lausanne FAE).

 

Michetti-Prod’Hom and Edelman 1992b
Michetti-Prod’Hom, Chantal, and Asher B. Edelman, with Susanne Hilpert, eds. Roy Lichtenstein. Pully/Lausanne: FAE Musée d’Art Contemporain, 1992. Exhibition catalogue.

 

Michigan Artrain and Cranbrook [1980]
Michigan Artrain, Ann Arbor, and Cranbrook Academy of Art Museum, Bloomfield Hills. The Changing Canvas. Exhibition catalogue. [N.p.: Michigan Artrain, 1980]. (1980 Ann Arbor Michigan Artrain).

 

C. Miller 1989
Miller, Corinne, et al. Images of Women. Leeds: Leeds City Art Galleries, 1989. Exhibition catalogue. (1989 Leeds City Art Galleries).

 

D. Miller 1967
Miller, Dorothy C. The 1960s: Painting and Sculpture from the Museum Collection. New York: Museum of Modern Art, 1967. Exhibition catalogue. (1967c New York MoMA).

 

Millet 1973
Millet, Catherine. “Aspects de l’art actuel: Une interview d’Ileana Sonnabend.” Art Press, no. 7 (November–December 1973), pp. 18–19.

 

Millis 1997
Millis, Christopher. “Pride of Place: Lichtenstein Isn’t Joking This Time.” Boston Phoenix, April 4–10, 1997, p. 8.

 

Milwaukee 1967
Art History Gallery, University of Wisconsin, Milwaukee. The Last Twenty Years in Contemporary Painting: Selections from the Collection of Richard Brown Baker. Milwaukee: Art History Gallery, University of Wisconsin, Milwaukee, 1967. Exhibition catalogue. (1967 Milwaukee University of Wisconsin).

 

Milwaukee Art Center 1969
Milwaukee Art Center, Milwaukee. Directions 2: Aspects of a New Realism. Milwaukee: Milwaukee Art Center, 1969.

 

Minami 1995
Minami, Yusuke. Revolution: Art of the Sixties from Warhol to Beuys. Tokyo: Museum of Contemporary Art, 1995. Exhibition catalogue. (1995 Tokyo Museum of Contemporary Art).

 

Minami 2007
Minami, Yusuke, et al. 20-seiki bijutsu tanken: Ātisutotachi no mittsu no bōken monogatari: Kokuritsu Shin Bijutsukan kaikan kinenten/Living in the Material World: “Things” in Art of the 20th Century and Beyond. Tokyo: National Art Center, 2007. Exhibition catalogue. (2007 Tokyo National Art Center).

 

Minamishima 1995
Minamishima, Hiroshi. “20th Century Isolation.” In Prints of Roy Lichtenstein: Entablatures—Nudes, by Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa City, Japan. Sukagawa City, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1995, pp. 2–3 (Japanese), 4–5 (English). Exhibition catalogue.

 

Mink 1994a
Mink, Janis. “Auf den Punkt gebracht.” Vernissage Köln. Special issue, Roy Lichtenstein in München, no. 9 (September 1994), pp. 55–59.

 

Mink 1994b
Mink, Janis. “In meinem Innersten bin ich ein abstrakter Expressionist.” Vernissage Köln. Special issue, Roy Lichtenstein in München, no. 9 (September 1994), pp. 48–54.

 

Minturn 2004
Minturn, Kent. “Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art.” Archives of American Art Journal 44, nos. 1–2 (2004), pp. 47–51.

 

Mishory 2000
Mishory, Alec (Aliķ Mishori). Toldot ha-omanut: Mavo kelali (Art History: An Introduction). Tel Aviv: Open University of Israel, 2000.

 

Mitchell 2015
Mitchell, Mark D. The Art of American Still Life: Audubon to Warhol. Philadelphia: Philadelphia Museum of Art, 2015. Exhibition catalogue.

 

Mitchell-Innes and Nash 2001
Mitchell-Innes and Nash, New York. Roy Lichtenstein: Brushstrokes, Four Decades. New York: Mitchell-Innes and Nash, 2001. Exhibition catalogue. (2001 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2002
Mitchell-Innes and Nash, New York. Roy Lichtenstein: Brushstrokes, Four Decades. Zurich: De Pury & Luxembourg, 2002. Exhibition catalogue. (2001 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2005
Mitchell-Innes and Nash, New York. Roy Lichtenstein: Conversations with Surrealism. New York: Mitchell-Innes and Nash, 2005. Exhibition catalogue. (2005 New York Mitchell-Innes and Nash).

 

Mitchell-Innes and Nash 2007
Mitchell-Innes and Nash, New York. Material: An Exhibition of Mixed Media Sculpture. New York: Mitchell-Innes and Nash, 2007.

 

Mitchell-Innes and Nash 2010
Mitchell-Innes and Nash, New York. Roy Lichtenstein Reflected. New York: Mitchell-Innes and Nash, 2010. Exhibition catalogue. (2010 New York Mitchell-Innes and Nash).

 

Mittelrheinisches Landesmuseum 1980
Mittelrheinisches Landesmuseum, Mainz. Führer durch das Mittelrheinische Landesmuseum in Mainz. Mainz: Mittelrheinisches Landesmuseum, 1980.

 

Mizue 1992
“Roy Lichtenstein.” Mizue (Tokyo), no. 963 (summer 1992), pp. 40–43.

 

Modern Master Tapestries 1974
Modern Master Tapestries. The Charles E. Slatkin Collections of Contemporary Tapestries and Sculptures. New York: Modern Master Tapestries, [1974].

 

Moderna Museet 1973
Moderna Museet, Stockholm. New York Collection for Stockholm. [Stockholm: Moderna Museet, 1973]. Exhibition catalogue. (1973 Stockholm Moderna Museet).

 

Moderna Museet 2004
Moderna Museet, Stockholm. The Pontus Hultén Collection. Stockholm: Moderna Museet, 2004. Exhibition catalogue. (2004 Stockholm Moderna Museet).

 

Moeglin-Delcroix 1990
Moeglin-Delcroix, Anne. “Eaux de mémoire, jeux de miroir: Sur quelques citations dans la gravure Pop art.” Nouvelles de l’estampe, nos. 112–13 (October 1990), pp. 35–41.

 

Moffett 1974
Moffett, Kenworth. “Pop Art: Two Views.” ARTnews 73 (May 1974), pp. 31–32.

 

A. Molina 1970
Molina, Antonio J. “La labor de CAAM en favor del arte.” Artes visuales 1, no. 1 (May 1970), pp. 12–14.

 

C. Molina 2005
Molina, Camila. “O pop que desennou a América.” O estado de S. Paulo, September 20, 2005, p. D3.

 

Möller 1969
Möller, Thordis, ed. Sammlung 1968 Karl Ströher. Munich: Klein & Volbert, 1969. Exhibition catalogue. (1968 Munich Galerie-Verein/Neue Pinakothek; 1969 Berlin Neue Nationalgalerie).

 

Mollison and Murray 1982
Mollison, James, and Laura Murray, eds. Australian National Gallery: An introduction. Canberra: Australian National Gallery, 1982.

 

Molotsky 1999
Molotsky, Irvin. “A Sculpture Garden at the National Gallery.” New York Times, May 9, 1999, p. 3.

 

MoMA [1966]
Museum of Modern Art, New York. Greetings! An Exhibition of Personal, Seasonal and Holiday Greetings. New York: Museum of Modern Art, [1966]. Exhibition catalogue. (1966a New York MoMA).

 

MoMA 1967
Museum of Modern Art, New York. Contemporary American Still Life. New York: Museum of Modern Art, 1967. Exhibition brochure. (1967 Oswego State University College).

 

MoMA 1999
Museum of Modern Art, New York. Roy Lichtenstein: Functional Multiples, Multiple Functions. New York: Museum of Modern Art, 1999. Exhibition brochure.

 

Monachesi 2001
Monachesi, Luce, ed. La gloria di New York: Artisti americani dalla Collezione Ludwig/The Glory of New York: American Artists from the Ludwig Collection. St. Petersburg: Palace Editions, 2001. Exhibition catalogue. (2001 Rome Corso).

 

Mönchengladbach 1988
Kunst der Gegenwart, 1960 bis Ende der 80er Jahre: Bestandskatalog. Mönchengladbach: Städtisches Museum Abteiberg Mönchengladbach, 1988.

 

Monnier 1968
Monnier, Jacques. “Roy Lichtenstein.” Tribune de Lausanne, March 17, 1968, p. 13.

 

Monroe 1997a
Monroe, Robert. “Pop Artist Roy Lichtenstein Dies at 73: Pioneer Painted Oversized Images with Dots, Humor.” Boston Globe, September 30, 1997, p. D19.

 

Monroe 1997b
Monroe, Robert. “Roy Lichtenstein: Pop Artist Turned Cliches into Classics with the Stroke of Brush.” San Diego Union-Tribune, September 20, 1997, p. A1.

 

Moody 2002
Moody, Rick. “Report on Miniaturization.” In Roy Lichtenstein: Times Square Mural, by Roy Lichtenstein Foundation and Mitchell-Innes and Nash, New York. New York: Roy Lichtenstein Foundation and Mitchell-Innes and Nash, 2002. Exhibition catalogue.

 

Moore 1975
Moore College of Art. North, East, West, South, and Middle: An Exhibition of Contemporary American Drawings by Rafael Ferrer [and others]. Philadelphia: Moore College of Art, 1975. Exhibition catalogue. (1975 Philadelphia Moore).

 

Moorhouse 2007
Moorhouse, Paul. Pop Art Portraits. London: National Portrait Gallery, 2007. Exhibition catalogue. (2007 London NPG).

 

Moorman 1984
Moorman, Margaret. “Roy Lichtenstein.” ARTnews 83, no. 7 (September 1984), p. 160.

 

D. Morgan 1994
Morgan, Dahlia. American Art Today: Heads Only. Miami: Art Museum at Florida International University, 1994. Exhibition catalogue. (1994 Miami FIU).

 

Stuart Morgan 1978
Morgan, Stuart. “About Art about Art.” Arts Magazine (New York) 53, no. 1 (September 1978), pp. 148–49.

 

Susan Morgan 1994
Morgan, Susan. “A Few Good Colors Are Plenty.” Los Angeles Times Calendar, January 30, 1994, pp. 4–5, 68, 70.

 

Morineau 2013a
Morineau, Camille. “Lichtenstein pop, postmoderne et classique.” In Roy Lichtenstein, edited by Morineau. Paris: Éditions du Centre Pompidou, 2013, pp. 21–27. Exhibition catalogue.

 

Morineau 2013b
Morineau, Camille, ed. Roy Lichtenstein. Paris: Éditions du Centre Pompidou, 2013. Exhibition catalogue. (2012 Chicago Art Institute).

 

Morineau and Alkema 2013
Morineau, Camille, and Hanna Alkema. “Top of the Pop.” Code couleur 17 (September–December 2013), pp. 16–21.

 

Morison 1983
Morison, Catherine. “Roy Lichtenstein’s Studio.” FN Fashion News (Tokyo) 4, no. 11 (Winter 1983).

 

 

Morphet 1977b
Morphet, Richard. Roy Lichtenstein: Sculpture. London: Mayor Gallery; New York: Leo Castelli Gallery, 1977. Exhibition catalogue. (1977 London Mayor; 1977c New York Castelli).

 

Morris 1997
Morris, Roderick Conway. “The Touch of the Brush: Parting of the Ways in Venice.” International Herald Tribune, June 14–15, 1997, p. 6.

 

Morse Hilles and Baker 1963
Morse Hilles, Susan, and Richard Brown Baker. “Two in the First Row.” Art in America 51, no. 5 (October 1963), pp. 88–91.

 

Mosely 1987
Mosely, Charlotte. “Monte Carlo Sculpture ’87.” ARTnews 86, no. 8 (October 1987), p. 201.

 

Mosset and Müller 1979
Mosset, Olivier, and Gregoire Müller. “Could Leonardo da Vinci Make It in New York Today?” Flash Art, nos. 88–89 (March–April 1979), pp. 26–27.

 

Moufarrege 1984
Moufarrege, Nicolas A. “Roy Lichtenstein.” Flash Art, no. 116 (March 1984), p. 38.

 

Mower 1979
Mower, David. “Through the Looking Glass and What the Artist Found There.” Art International 23, nos. 5–6 (September 1979), pp. 63–70.

 

Muchnic 1990
Muchnic, Suzanne. “Pop ‘Kiss’ Sets Record As N.Y. Art Sales Open.” Los Angeles Times, May 8, 1990, p. A24.

 

Muchnic 2011
Muchnic, Suzanne. “Lichtenstein Sculpture Gets a Brush-Up.” Los Angeles Times, August 7, 2011, p. E10.

 

Muir 1993
Muir, Kate. “Joining the Dots: Kate Muir Meets Roy Lichtenstein.” Times Magazine (London), March 27, 1993, pp. 8–11.

 

Muller 1968
Muller, Grégoire. “Paris: Art’s Common Market.” Art and Artists 2, no. 10 (January 1968), pp. 45–47.

 

Müller 1988
Müller, Kathrin Bettina. “Verfremdung muß Sein.” Berlin Independent Daily, November 26, 1988.

 

Müller–Hauck and Orzechowski 1968
Müller-Hauck, Janni, and Lothar Orzechowski. Stichworte zur aktuellen Kunst. Kassel: Druck und Verlag Kassel, 1968.

 

Mullins 1997
Mullins, John J. “Lichtenstein’s Art Has Never Looked So Good.” Taunton Daily Gazette, March 27, 1997.

 

Multiples and Castelli Graphics 1975
Multiples and Castelli Graphics, New York. Mirrors of the Mind. New York: Multiples and Castelli Graphics, 1975.

 

Murphy 2005
Murphy, Theodore. “Autumn in Museums: In Private Hands: 200 Years of American Painting.” Wall Street Journal, September 9, 2005, p. W2.

 

Murray 1982
Murray, Laura, ed. Australian National Gallery. Canberra: Australian National Gallery, 1982.

 

Musashino Bijutsu Daigaku 2002
Musashino Bijutsu Daigaku and Aburae Gakka Kenkyūshitsu, eds. Kaiga: Sozai, gihō (Painting: Materials, techniques). Musashino: Musashino Bijutsu Daigaku Shuppankyoku, 2002.

 

Musées de Marseille 1989
Direction des Musées de Marseille. Peinture, cinéma, peinture. Paris: Hazan, 1989. Exhibition catalogue. (1989 Marseille Vieille Charité).

 

Musée Cantonal 1963
Musée Cantonal des Beaux-Arts, Lausanne. 1re salon international de galeries pilotes. Lausanne: Musée Cantonal des Beaux-Arts, 1963. Exhibition catalogue. (1963 Lausanne Musée Cantonal).

 

Musée d’Art Contemporain 1988
Musée d’Art Contemporain. La couleur seule: L’expérience du monochrome. Lyon: Ville de Lyon with the collaboration of Musées de France and Centre National des Arts Plastiques, 1988. Exhibition catalogue.

 

Musée d’Orsay 2010
Musée d’Orsay, Réunion des Musées Nationaux, Paris. Claude Monet, 1840–1926: Galeries Nationales, Grand Palais, Paris. Paris: Musée d’Orsay, Réunion des Musées Nationaux, 2010. Exhibition catalogue.

 

Musée de la Poste 1992
Musée de la Poste, Paris. Les couleurs de l’argent. Paris: Musée de la Poste, 1992. Exhibition catalogue. (1991 Paris Poste).

 

Musée des Beaux-Arts 2000
Musée des Beaux-Arts, Rouen. À travers le miroir de Bonnard à Buren. Paris: Éditions de la Réunion des Musées Nationaux; Rouen: Musée des Beaux-Arts, 2000. Exhibition catalogue. (2000 Rouen Musée des Beaux-Arts).

 

Musée des Beaux-Arts 2001
Musée des Beaux-Arts de Lyon. Collection Berardo: Oeuvres choisies du 20e siècle. Paris: Réunion des Musées Nationaux, 2001. Exhibition catalogue. (2001 Lyon Musée des Beaux-Arts).

 

Musée Rath 1967
Musée Rath, Geneva. Le visage de l’homme dans l’art contemporain. Geneva: Musée Rath, 1967. Exhibition catalogue. (1967 Geneva Musée Rath).

 

Musée Saint-Pierre Art Contemporain 1988
Musée Saint-Pierre Art Contemporain, Lyon. La couleur seule: L’expérience du monochrome. Lyon: Octobre des Arts, 1988. Exhibition catalogue.

 

Museo Nacional de Bellas Artes 1969
Museo Nacional de Bellas Artes, Buenos Aires. 109 obras de Albright-Knox Art Gallery. Buenos Aires: Museo Nacional de Bellas Artes, 1969. Exhibition catalogue. (1969 Buenos Aires Museo Nacional).

 

Museum Boyman-van Beuningen 1972
Museum Boymans-van Beuningen, Rotterdam. Kunst van de 20e eeuw. Rotterdam: Museum Boymans-van Beuningen, 1972.

 

Museum Boymans-van Beuningen 1978
Museum Boymans-van Beuningen, Rotterdam. De collectie moderne kunst van Museum Boymans-van Beuningen, Rotterdam: Inventarisatie van schilderijen, sculpturen en voorwerpen, verworven van 1945 tot 1978. Rotterdam: Museum Boymans-van Beuningen, 1978.

 

Museum Ludwig, Cologne 1979
Museum Ludwig, Cologne. Art of the Sixties, Europe and the U.S.A.: From the Collection of the Ludwig Museum. Tel Aviv: Tel Aviv Museum of Art, 1979. Exhibition catalogue.

 

Museum Ludwig, Cologne 1986
Museum Ludwig, Cologne. Europa/Amerika: Die Geschichte einer künstlerischen Faszination seit 1940. Ed. Siegfried Gohr and Rafael Jablonka. Cologne: Museum Ludwig, 1986. Exhibition catalogue.

 

Museum Ludwig, Cologne 1987
Museum Ludwig, Cologne. Arte americana anni sessanta: Dal Ludwig Museum di Colonia. Milan: Electa, 1987. Exhibition catalogue. (1987 Venice Ca’ Pesaro).

 

Museum Ludwig, Cologne 1995
Museum Ludwig, Cologne. Meisterwerke des Museum Ludwig Köln. Yokohama: Yokohama Museum of Art, 1995. Exhibition catalogue. (1995 Nara Prefectural Museum).

 

Museum Ludwig, Cologne 1996
Museum Ludwig, Cologne. Kunst des 20. Jahrhunderts: Museum Ludwig Köln. Cologne: Taschen, 1996.

 

Museum Moderner Kunst 2001
Museum Moderner Kunst, Stiftung Ludwig. Macht der Dinge = Power of Things: Nouveau Réalisme, Pop Art, Hyperrealismus. Ed. Hanno Millesi. Vienna: Museum Moderner Kunst, Stiftung Ludwig with Stadtgalerie Klagenfurt, 2001. Exhibition catalogue.

 

Museum News 2006
“Roy Lichtenstein: American Indian Encounters.” Museum News 85, no. 1 (January–February 2006), pp. 17, 19.

 

Museum of Art, WSU 2005
Museum of Art, Washington State University, Pullman. Roy Lichtenstein Prints, 1956–97: From the Collections of Jordan D. Schnitzer and His Family Foundation. Edited by Michelle Piranio. Pullman: Museum of Art, Washington State University, 2005. Exhibition catalogue. (2005 Pullman Museum of Art).

 

Museum of Contemporary Art, Chicago 1973
Museum of Contemporary Art, Chicago. 20th Century Drawings from Chicago Collections. Chicago: Museum of Contemporary Art, 1973. Exhibition catalogue. (1973 Chicago MCA).

 

Museum of Contemporary Art, Chicago 1977
Museum of Contemporary Art, Chicago. Words at Liberty. Chicago: Museum of Contemporary Art, 1977. Exhibition catalogue. (1977 Chicago MCA).

 

Museum of Contemporary Art, Chicago 1999
Museum of Contemporary Art, Chicago. Roy Lichtenstein: Interiors. Chicago: Museum of Contemporary Art, 1999. Exhibition catalogue. (1999 Chicago MCA).

 

Museum of Contemporary Art, Los Angeles 2008
Museum of Contemporary Art, Los Angeles. This Is Not to Be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles. Los Angeles: Museum of Contemporary Art, 2008.

 

Museums of the World 2001
“Whitney Museum of Art.” The Museums of the World (Tokyo) 66 (2001).

 

Musto 1993
Musto, Michael. “Art-Attack Time.” Vanity Fair 56, no. 8 (August 1993), p. 92.

 

Myers 1992
Myers, Terry R. Bedroom Pictures. Los Angeles: Asher/Faure, 1992. Exhibition catalogue. (1992 Los Angeles Asher/Faure).

 

Myers 1993
Myers, Terry R. “Hand-Painted Pop: American Art in Transition, 1955–1962.” Galeries magazine, no. 55 (summer 1993), p. 82.

 

Myers 1995
Myers, Terry R. “Ditto Lichtenstein.” In Brenau University, Gainesville, Georgia.Reflections on Roy Lichtenstein: a survey of Roy Lichtenstein’s print work from the Leo Castelli Collection and Castelli Graphics. Gainesville, Georgia: Brenau University, 1995, pp. 5–8. Exhibition catalogue.

 

Myers 1997
Myers, Terry R. “Roy Lichtenstein, 1923–1997.” New Art Examiner 25, no. 4 (December 1997–January 1998), p. 17.

 

M[iles] 2003
M[iles], C[hristopher]. “Roy Lichtenstein: Gagosian Gallery.” Artforum International 41, no. 5 (January 2003), p. 144.

 

Naggar 1975
Naggar, Carole. “Roy Lichtenstein: Dessins: C.N.A.C.” Zoom (February 1975).

 

Nagoya City Art Museum 2004
Nagoya City Art Museum, Nagoya. Roy Lichtenstein: Rikitensutain hanga no sekai ten (Exhibition of the world of Roy Lichtenstein’s prints). Nagoya: Nagoya City Art Museum, 2004. Exhibition catalogue. (2004 Nagoya City Art Museum).

 

Naivin 2006
Naivin, Bertrand. “Corps abstrait ou la représentation du corps dans le Pop Art américain à travers l’oeuvre d’Andy Warhol, Roy Lichtenstein, Tom Wesselmann, Allen Jones et Mel Ramos.” PhD diss., Université de Paris VIII, Paris, 2006.

 

Nakahara 1971
Nakahara, Yusuke, ed. Art Now. Vol. 5, Man-Made Nature. Tokyo: Kodansha Ltd., 1971.

 

Nakas 2004a
Nakas, Kassandra. Funny Cuts: Cartoons and Comics in Contemporary Art. Translated from the German by Jeremy Gaines. Bielefeld: Kerber; Stuttgart: Staatsgalerie Stuttgart, 2004. Exhibition catalogue. (2004 Stuttgart Staatsgalerie).

 

Nakas 2004b
Nakas, Kassandra. Funny Cuts: Cartoons und Comics in der zeitgenössischen Kunst. Bielefeld: Kerber; Stuttgart: Staatsgalerie Stuttgart, 2004. Exhibition catalogue. (2004 Stuttgart Staatsgalerie).

 

Nanjo 1995
Nanjo and Associates, eds. Shinjuku I-Land Public Art Project. Toyko: Housing and Urban Development Corporation, 1995. Exhibition catalogue.

 

Nantenshi Gallery 1984
Nantenshi Gallery, Tokyo. Lichtenstein. Tokyo: Nantenshi Gallery, 1984. Exhibition catalogue.

 

Napack 1993
Napack, Jonathan. “Lichtensteinorama: Ron Perelman’s Still-Wet Mural and $85 Scarves.” New York Observer, November 1, 1993, p. 26.

 

Nasgaard 1986
Nasgaard, Roald. Selections from the Roger and Myra Davidson Collection. Toronto: Art Gallery of Ontario, 1986. Exhibition catalogue.

 

Nash 1987
Nash, Steven A., ed. A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection. Dallas: Dallas Museum of Art; New York: Rizzoli, 1987. Exhibition catalogue. (1987 Dallas Museum of Art).

 

National Collection 1975
National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. Images of an Era: The American Poster, 1945–75. Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1975. Exhibition catalogue. (1975 Washington, D.C., Corcoran).

 

National Collection of Fine Arts 1966
National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. Helen Frankenthaler, Ellsworth Kelly, Roy Lichtenstein, Jules Olitski: XXXIII International Biennial Exhibition of Art, Venice, June 18–October 16, 1966, Washington, D.C., December 1, 1966–January 15, 1967. Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1966.

 

National Collection of Fine Arts 1969
International Art Program, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. The Disappearance and Reappearance of the Image: American Painting since 1945: Bibliography. Washington, D.C.: International Art Program, Smithsonian Institution, 1969.

 

National Gallery of Art 1968
National Gallery of Art, Washington, D.C. Paintings from the Albright-Knox Art Gallery, Buffalo, New York. Washington, D.C.: National Gallery of Art, 1968. Exhibition catalogue. (1968 Washington, D.C., NGA).

 

National Gallery of Australia 1992
National Gallery of Australia, Canberra. An Introduction to the National Gallery of Australia. Canberra: National Gallery of Australia, 1992.

 

National Museum of Modern Art 1966
National Museum of Modern Art, Toyko. Two Decades of American Painting. Tokyo: National Museum of Modern Art, 1966. Exhibition catalogue. (1966 Tokyo National Museum of Modern Art).

 

Navarro Arisa 1991
Navarro Arisa, Juan José. “Una escultura de 20 metros de Lichtenstein se erigirá en el puerto de Barcelona.” El Pais, June 29, 1991.

 

Neff 1985
Neff, Terry Ann R. Selections from the William J. Hokin Collection. Chicago: Museum of Contemporary Art, 1985. Exhibition catalogue. (1985 Chicago MCA).

 

Neher 1978
Neher. “Dennis Masback’s Paintings.” Artforum 16, no. 7 (March 1978), pp. 50–53.

 

Nelson 1962
Nelson, Nels. “Junk Yard Art: A Smashing Success.” Philadelphia Daily News, October 30, 1962, p. 72.

 

Nelson 1967
Nelson, Nels. “Dropout Housewife Finds Pop Is Something to Live With.” Philadelphia Daily News, November 20, 1967, p. 4.

 

Nemser 1972
Nemser, Cindy. “Books: Roy Lichtenstein by Diane Waldman.” Arts Magazine (New York) 46, no. 4 (February 1972), p. 20.

 

Nesbit 1975
Nesbit, Margaret S. “Roy Lichtenstein: Birth of a Style, 1961–1963.” In Richard Brown Baker Collects! A Selection of Contemporary Art from the Richard Brown Baker Collection, by Yale University Art Gallery, New Haven. New Haven: Yale University Art Gallery, 1975, pp. 62–71. Exhibition catalogue.

 

Netter 1968
Netter, Maria. “Comics und Abstraktion.” Die Weltwoche (Zurich) (March 1, 1968), p. 29.

 

Neue Galerie der Stadt Linz and Wallraf-Richartz-Museum 1974
Neue Galerie der Stadt Linz, Wolfgang-Gurlitt-Museum, Linz, and Wallraf-Richartz-Museum, Cologne. Kunst der sechziger Jahre: Internat. Graphik in Beispielen d. Sammlung Ludwig, Kö̈ln. Exh. cat. Linz: Neue Galerie der Stadt Linz, 1974. Exhibition catalogue. (1974 Linz Wolfgang-Gurlitt).

 

Neue Galerie Joanneum [1978]
Neue Galerie am Landesmuseum Joanneum, Graz. Von Arakawa bis Warhol: Grafik aus den USA aus der Sammlung Rischner. Ed. Werner Fenz. Graz: Neue Galerie am Landesmuseum Joanneum, [1978]. Exhibition catalogue. (1978 Graz Neue Galerie).

 

Neuendorf 1964
Neuendorf, Hans R. “Ist Pop Art das Letzte?” Schöner Wohnen (Hamburg) (December 1964), pp. 52–56.

 

Neugass 1969
Neugass, Fritz. “Roy Lichtenstein: Zur grossen Retrospektive im Guggenheim Museum.” Das Kunstwerk 23, nos. 1–2 (October–November 1969), pp. 78–79.

 

New York Magazine 1971
“Roy Lichtenstein.” New York Magazine, nos. 4–5 (1971).

 

New York Times 1954
“Art Week Offers 3 Major Displays.” New York Times, March 8, 1954, p. 24.

 

New York Times 1963a
“Avant-Garde Art Going to the Fair.” New York Times, October 5, 1963, p. 17.

 

New York Times 1963b
“Exhibition of Art Spans 4 Centuries.” New York Times, November 28, 1963, p. 36.

 

New York Times 1964a
“Southampton Plans a Show of Pop Art.” New York Times, August 26, 1964, p. 36.

 

New York Times 1964b
“2 Westchester Women Enlist Artists in Channel 13 Drive.” New York Times, December 13, 1964, p. 136.

 

New York Times 1965
“Pop Art Display to Raise Funds for Mentally Ill.” New York Times, February 22, 1965, p. 17.

 

New York Times 1967
“Antiwar Art Show Raises $8,000 in Day.” New York Times, October 20, 1967, p. 38.

 

New York Times 1968
“Two News Magazine Covers Share the Same Theme This Week.” New York Times, June 18, 1968, p. 24.

 

New York Times 1993
“A Stroll Up the Ramp with Roy Lichtenstein.” New York Times, October 31, 1993, p. H39.

 

New York Times 1995
Barni, Andrea. “Where the Dots Came From.” New York Times, February 12, 1995.

 

New York Times 2003
“Lichtenstein on the Roof.” New York Times, April 1, 2003, p. D8.

 

New York Times 2012a
“Coming Attractions.” New York Times, April 15, 2012, p. 4.

 

New York Times 2012b
“A Lichtenstein Turns Up After 42 Years.” New York Times, August 2, 2012, p. C3.

 

New Yorker 2001
“Roy Lichtenstein Brushstrokes: Four Decades.” The New Yorker, November 12, 2001, p. 28.

 

New Yorker 2003
“Art: Museums and Libraries/Metropolitan Museum.” The New Yorker, May 19, 2003, p. 20.

 

Newland 2006
Newland, Joseph N., ed. The Skowhegan School of Painting and Sculpture: 60 Years. Waterville, Maine: Colby College Museum of Art, 2006. Exhibition catalogue. (2006 Waterville Colby).

 

D. Newman and Benton 1964
Newman, David, and Robert Benton. “The New Sentimentality.” Esquire 62, no. 1, pp. 25–31.

 

M. Newman 1980
Newman, Michael. “Two American Artists.” Arts Review (London) 32, no. 21 (October 24, 1980), p. 481.

 

Newport Harbor 1980
Newport Harbor Art Museum. Betty Asher’s Cups. Newport Beach, Calif., 1980. Exhibition brochure. (1980 Newport Beach Sullivan).

 

Newsom 1965
Newsom, Jim. “Luncheon Circuit: Baked Potato on Gouache Sounds Good to Reporter.” Citizen-News (Hollywood, Los Angeles, Calif.), June 3, 1965.

 

Newsweek 1962
“Everything Clear Now?” Newsweek 59, no. 9 (February 26, 1962), pp. 86–87.

 

Newsweek 1963a
“American Panorama.” Newsweek 26 (December 2, 1963), p. 91.

 

Newsweek 1963b
“Four Centuries of American Art.” Newsweek (December 2, 1963), p. 91.

 

Newsweek 1963c
“Pop Goes the Easel.” Newsweek 61, no. 13 (April 1, 1963), p. 80.

 

Newsweek 1963d
“Pops or Robbers? The Big Question.” Newsweek 62, no. 12 (September 16, 1963), p. 90.

 

Newsweek 1964
Discredited Merchandise. Newsweek (November 9, 1964), pp. 94, 96.

 

Newsweek 1965a
“Vanity Fair: The New York Art Scene.” Newsweek (January 4, 1965), pp. 54–59.

 

Newsweek 1965b
“O Say Can You See.” Newsweek (January 11, 1965).

 

Newsweek 1966
“The Story of Pop.” Newsweek 67 (April 25, 1966), pp. 56–58, 61.

 

NGV and AGNSW 1967
National Gallery of Victoria, Melbourne, and Art Gallery of New South Wales, Sydney. Two Decades of American Painting. Melbourne: National Gallery of Victoria; Sydney: Art Gallery of New South Wales, 1967. Exhibition catalogue. (1966 Tokyo National Museum of Modern Art).

 

Nice GAC 1979
Galerie d’Art Contemporain des Musées de Nice. Pop art américain aujourd’hui. Nice: Galerie d’Art Contemporain des Musées de Nice, 1979. Exhibition catalogue. (1979 Nice GAC).

 

Nielsen 1968
Nielsen, H. J. “Adskilligt pa foranledning af Documenta 4.” Louisiana revy (Humlebaek, Denmark) 9, no. 3 (1969), pp. 13–16.

 

Nieves and Winzen 2005
Nieves, Marysol, and Matthias Winzen. The Figurative Impulse: Works from the UBS Art Collection/El impulso figurativo: Obras de la Colección de Arte UBS. San Juan: Museo de Arte de Puerto Rico; Zurich: UBS Art Collection, 2005. Exhibition catalogue. (2005 San Juan MAPR).

 

Nihon Kagakkai 2003
Nihon Kagakkai (Chemical Society of Japan). Kagakutte so iu koto! Yume ga hirogaru bunshi no sekai (Chemistry is like that: The world of molecules can make dreams come true). Kyoto: Kagaku Dojin, 2003.

 

Niigata Prefectural and Niigata Bandaijima Art 2003
Niigata Prefectural Museum of Modern Art and Niigata Bandaijima Art Museum, Niigata. Selection 100: Niigata Kenritsu Kindai Bijutsukan, Niigata Kenritsu Bandaijima Bijutsukan. Niigata: Niigata Prefectural Museum of Modern Art and Niigata Bandaijima Art Museum, 2003.

 

Nilson 1996
Nilson, Lisbet. “Torsten Lilja: ‘A Different Way of Looking’.” ARTnews 95, no. 8 (September 1996), pp. 79–80.

 

Nilsson 2003
Nilsson, Michael. “The King of Pop: Roy Lichtenstein.” Spirit Magazine (Malmö), no. 3 (2003), pp. 24–26.

 

Noah 1977
Noah, Barbara. “Lichtenstein’s Ceramics.” Artweek 8, no. 11 (March 12, 1977), pp. 5–6.

 

Nobuyuki 1998
Hiromoto, Nobuyuki. “The Diverse Sides of Lichtenstein.” Translated by Anne Poole. Mainichi Weekly, June 13, 1998, pp. 10–11.

 

Nodelman 1967
Nodelman, Sheldon. “Sixties Art: Some Philosophical Perspectives.” Perspecta 11 (1967), pp. 72–89.

 

Nonomura 1994
Nonomura, Fumihiro. “Roy Lichtenstein.” BT 6 [Bijutsu techō] (Tokyo) 46, no. 689 (June 1994), pp. 84–87.

 

Nora 1988
Nora, Léone. “La fin du bureau de Balzac.” Connaissance des arts (July–August 1988), pp. 89–96.

 

Nordland 1962
Nordland, Gerald. My Country ‘Tis of Thee. Los Angeles: Dwan Gallery, 1962. Exhibition catalogue. (1962 Los Angeles Dwan).

 

Nordland 1963
Nordland, Gerald. “Pop Goes the West.” Arts 37, no. 5 (February 1963), p. 60.

 

Nordland 1964
Nordland, Gerald. “Collecting in Los Angeles.” Artforum 11, no. 12 (Summer 1964), pp. 12–18.

 

Norrie 1988
Norrie, Jane. “The Drawings of Roy Lichtenstein.” Arts Review (London) 40, no. 12 (June 17, 1988), p. 426.

 

Notre Dame 1969
University of Notre Dame Art Gallery. Selections from the Richard Brown Baker Collection. Notre Dame, Ind.: University of Notre Dame Art Gallery, 1969. Exhibition catalogue. (1969 Notre Dame Art Gallery).

 

Novaes 2005
Novaes. “Wham! Blam! Pow! Roy.” Folha De S. Paulo, September 20, 2005, p. E1.

 

Novas 1975a
Novas, Himilce. “Dorothy Lichtenstein: La vida y el arte de una mujer liberada.” Fascinación 2, no. 1 (1975), pp. 34–35, 101.

 

Novas 1975b
Novas, Himilce. “Roy Lichtenstein: Representante de hoy ante el mañana.” Fascinación 2, no. 1 (1975), pp. 36–37.

 

Nowak 1982
Nowak, Ann. “A Talk with Lichtenstein: A Quiet, Pastel Man Paints in Loud, Flamboyant Colors.” Southampton [N.Y.] Press, August 5, 1982, p. B1.

 

Nuremberg 1971
Nürnberg Kunsthalle. “Was die Schönheit sei, das weiß ich nicht,” Künstler, Theorie, Werk: Katalog zur zweiten Biennale, Nürnberg, 1971. Schauberg: Verlag DuMont, 1971. Exhibition catalogue. (1971 Nuremberg Kunsthalle).

 

Nuridsany 1991
Nuridsany, Michel. “Lichtenstein: ‘Au fond je n’ai pas changé’.” Figaro (Paris), June 25, 1991, p. 25.

 

NZ 1973
“Zu Gast in Basel: Roy Lichtenstein.” NZ (National-Zeitung, Basel), no. 189 (June 20, 1973), p. 15.

 

O’Brien 2009
O’Brien, William, Jr. “Experts in Expediency.” Log (New York), no. 17 (Fall 2009), pp. 83–92.

 

O’Callaghan 1967
O’Callaghan, John. “Liverpool-Launching Pad Revisited.” Los Angeles Times, April 23, 1967, pp. C1–C2.

 

O’Doherty 1962a
O’Doherty, Brian. “Art: Avant-Garde Revolt: ‘New Realists’ Mock U.S. Culture in Exhibition at Sidney Janis Gallery.” New York Times, October 31, 1962, p. 41.

 

O’Doherty 1962b
O’Doherty, Brian. “Pop Goes the New Art.” New York Times, November 4, 1962, sec. 2, p. 23.

 

O’Doherty 1963
O’Doherty, Brian. “Lichtenstein: Doubtful but Definite Triumph of the Banal.” New York Times, October 27, 1963, sec. 2, p. 21.

 

O’Doherty 1976
O’Doherty, Brian. “Inside the White Cube Part II: The Eye and the Spectator.” Artforum 14, no. 8 (April 1976), pp. 26–34.

 

O’Mahoney 1996
O’Mahoney, John. “Buried Treasure in Big Apple.” New York Post, August 27, 1996, p. 38.

 

O’Neil 1981
O’Neil, Thomas. “The Redefinition of Roy Lichtenstein.” Museum (May–June 1981).

 

O’Steen 2008
O’Steen, Danielle. “Trade Secrets.” Art and Auction 31, no. 9 (May 2008), pp. 172–81.

 

Oakland University 1966
Oakland University Art Gallery, Rochester, Mich. A Point of View: Selected Paintings and Drawings from the Richard Brown Baker Collection. Rochester, Mich.: Oakland University Art Gallery, 1966. Exhibition catalogue. (1966 Rochester, Mich., Oakland University).

 

Obrist 2013
Obrist, Hans Ulrich. “Hans Ulrich Obrist in Conversation with Mayen Beckmann.” In Lichtenstein: Expressionism, by Gagosian Gallery, Paris. Paris: Gagosian Gallery, 2013, pp. 26–32. Exhibition catalogue.

 

Observer 1969
“Op Posters Open Art Show.” Observer (Cleveland), September 5, 1969, p. 7.

 

Ocvirk et al. 1968
Ocvirk, Otto G., et al. Art Fundamentals: Theory and Practice. Dubuque, Iowa: W. C. Brown Co., 1968.

 

Öffentliche Kunstsammlung Basel 1997
Öffentliche Kunstsammlung Basel. Öffentliche Kunstsammlung Basel: 20. Jahrhundert. Ed. Katharina Katz. Basel: Öffentliche Kunstsammlung Basel, 1997.

 

Ohio State University 1989
Ohio State University, Columbus. “Art on a Grand Scale: Roy Lichtenstein.” In Saluting Ohio State University Alumni Artists in New York. Columbus: Ohio State University, 1989, p. 6.

 

Ohio State University 1995
Ohio State University, Columbus. Vision to Action: The Art and Innovation of Hoyt L. Sherman. Columbus: College of the Arts, the Ohio State University, 1995. Exhibition catalogue.

 

Ohio State University at Newark 1994
Ohio State University at Newark, Newark, Ohio. Roy Lichtenstein: Pre-Pop, 1948–1960. Newark: Ohio State University at Newark, 1994. Exhibition catalogue. (1994 Newark, Ohio, OSU).

 

Ohio State University Monthly 1952
Ohio State University, Columbus. “Presents Art Exhibition.” Ohio State University Monthly (April 15, 1952), p. 33.

 

Ohlig and Hogen 1999
Ohlig, Rudolf, and Hildegard Hogen, eds. Auf dem Weg zur “Weltkultur”: Das zwanzigste Jahrhundert. Kunst und Kultur 6. Leipzig: F. A. Brockhaus, 1999.

 

Olitski, Water Color Association, and Institute of Contemporary Arts 1967
Olitski, Jules, Washington Water Color Association, and Institute of Contemporary Arts. 69th National Exhibition, April 30–May 27, 1967, at the Institute of Contemporary Arts. Washington, D.C.: Washington Water Color Association, 1967. Exhibition catalogue. (1967 Washington, D.C., ICA).

 

Oliva 1976
Oliva, Achille Bonito. Drawing/Transparence, disegno/trasparenza. [Rome]: Cataloghi Altro/La Nuova Foglio Editrice, 1976. Exhibition catalogue. (1976 Rome Cannaviello).

 

Ollie and Renzio 1974
Ollie, Jennifer, and Tonidel Renzio. “London.” Art and Artists 9, no. 3 (June 1974), pp. 38–41.

 

Olofsson 1964
Olofsson, Rune Pär. “Kristet Valfiskemen är detta Konst?” Idun/Vecko-journalen (Stockholm), February 28, 1964, pp. 15–16, 19–20.

 

Ono 1992
Ono, Masaharu. Yakudōsuru gendai bijutsu (Dynamic contemporary art) Meiga to deau bijutsukan/Art Compass 6. Toyko: Shogakukan, 1992.

 

Oresman 1983
Oresman, Janice C. Still Life Today. Washington, D.C.: Federal Reserve Board, 1983. Exhibition catalogue. (1980 New York Goddard-Riverside).

 

Original Editions 1965a
Original Editions, New York. 11 Pop Artists. Vol. 1. New York: Original Editions, 1965.
Additional volume(s): Vol. 2; Vol. 3

 

Original Editions 1965b
Original Editions, New York. 11 Pop Artists. Vol. 3. New York: Original Editions, 1966.
Additional volume(s): Vol. 1; Vol. 2

 

Original Editions 1966
Original Editions, New York. 11 Pop Artists. Vol. 2. New York: Original Editions, 1966.
Additional volume(s): Vol. 1; Vol. 3

 

Original Editions 1967
Original Editions, New York. Ten Landscapes. New York: Original Editions with Leo Castelli Gallery, 1967.

 

Orlandini 1967
Orlandini, Marisa Volpi. “La Pop Art 1.” In L’arte moderna. Milan: Fratelli Fabbri Editori, 1967. 2nd ed., 1975, pp. 129–60.

 

Orlando 1965
Orlando, Ruggero. “Il pennello nell’occhio: A che punto è la Pop Art un anno dopo le polemiche della Biennale.” L’europeo (December 19, 1965), pp. 42–45.

 

Osaka 1970a
Expo Museum of Fine Arts, Osaka. Discovery of Harmony/Découverte de l’harmonie. Osaka: [n.p.], 1970. Exhibition catalogue. (1970a Osaka Expo).

 

Osaka 1970b
Expo Museum of Fine Arts, Osaka. Discovery of Harmony/Découverte de l’harmonie/Chōwa no hakken. Vol. 5, Contemporary Trends/Le dynamisme du présent/Gendai no yakudō. Osaka: Japan Association for the 1970 World Exposition, 1970. Exhibition catalogue.

 

Osborn 1967
Osborn, Michelle. “Pop Goes the Billboard!” Evening Bulletin (Philadelphia), December 1, 1967, pp. 49–50.

 

Osborne 1988
Osborne, Ellen. “Lichtenstein: Right on Target: Pop Artist Visits Princeton.” The Kiosk (Princeton, N.J.), March 31, 1988.

 

Osterwold 1992
Osterwold, Tilman. Pop Art. Cologne: Taschen, 1992.

 

Ostrom 1964
Ostrom, Brita. “Art Weekend Panel Discusses Pros, Cons of New Art Trend.” Caellian (Douglass College, Rutgers University, New Brunswick, N.J.), April 10, 1964, p. 2.

 

Oswego 1958a
“Campbell, Breland Win Exhibit Prizes.” Oswegonian (Oswego, N.Y.), May 25, 1958, p. 1.

 

Oswego 1958b
“Faculty, Students Exhibit Art Work.” Oswegonian (Oswego, N.Y.), April 29, 1958, p. 1.

 

Oswego 1958c
“Mr. Lichtenstein Exhibits Paintings.” Oswegonian (Oswego, N.Y.), May 13, 1958, p. 4.

 

Oswego 1958d
“Paintings Shown.” Oswegonian (Oswego, N.Y.), April 6, 1959, p. 4.

 

Otis 1990
Otis, Lauren. “Une tradition d’avant-garde.” Vogue décoration.

 

Otte 1968
Otte, M. “Notizen zu Andy Warhol und Roy Lichtenstein.” Das Kunstwerk 21, nos. 9–10 (June–July 1968), pp. 54–56.

 

Our Times 1968
“Pop Art: A New Kind of Beauty, or Just Plain Junk?” Our Times: The Weekly Journal for Students of U.S. History and Problems of Democracy 33, no. 9 (November 6, 1968).

 

Out of Town Paper 1965
“The American Artist: He Has It Made.” Review of Pop Art, by John Rublowsky and The Bride and the Bachelors: The Heretical Courtship in Modern Art, by Calvin Tomkins. Out of Town Paper (September 1965).

 

F. P. 1954
P., F. “There’s Fantasy in the Abstract: Lichtenstein’s Adult Primer.” ARTnews 53, no. 1 (March 1954), pp. 18, 63.

 

Pachnicke and Mensch 1998
Pachnicke, Peter, and Bernhard Mensch, eds. Oberhausen: Ludwig Institut, Schloss Oberhausen and Plitt-Verlag, 1995. Exhibition catalogue. (1998 Oberhausen Schloss Oberhausen).

 

Packard 1988
Packard, Vance. Die geheimen Verführer: Der Griff nach dem Unbewussten in Jedermann. Frankfurt am Main: Ullstein, 1988.

 

Packer 1977
Packer, William. “Three American Artists.” Financial Times (London), December 15, 1977.

 

Pagel 2002
Pagel, David. “Banal Ideas Give Way to Great Art.” Los Angeles Times, November 22, 2002, p. E20.

 

Palais des Beaux-Arts 1965
Palais des Beaux-Arts de Bruxelles/Paleis voor Schone Kunsten te Brussel. Pop art, nouveau réalisme, etc. . . . Brussels: Palais des Beaux-Arts, 1965. Exhibition catalogue. (1965 Brussels Palais des Beaux-Arts).

 

Palais des Beaux–Arts 1968
Palais des Beaux-Arts de Bruxelles/Paleis voor Schone Kunsten te Brussel. Hommage à Robert Giron. Brussels: Palais des Beaux-Arts de Bruxelles/Paleis voor Schone Kunsten te Brussel, 1968. Exhibition catalogue.

 

Palais des Beaux–Arts 1977
Palais des Beaux-Arts de Bruxelles/Paleis voor Schone Kunsten te Brussel. American Art in Belgium. Brussels: Palais des Beaux-Arts de Bruxelles/Paleis voor Schone Kunsten te Brussel, 1977. Exhibition catalogue.

 

Palais des Beaux–Arts, Charleroi 1985
Palais des Beaux-Arts, Charleroi. Autour de la B. D.: Palais des beaux-arts, Charleroi. Charleroi: Palais des Beaux-Arts; Brussels: Lebeer-Hossmann, 1985. Exhibition catalogue.

 

Palais des Festivals 1986
Palais des Festivals, Cannes. L’art de notre temps. N.p.: Sari-Seeri, 1986. Exhibition catalogue.

 

Palette 1982
Palette, Jim. “Le roi Lichtenstein à Paris, un tramé nommé désir.” Libération (Paris), September 28, 1982, pp. 24–25.

 

Palladian–Times 1957
“Joins OSTC Faculty.” Palladian–Times (Oswego, N.Y.), September 24, 1957, p. 5.

 

Palladian–Times 1959
Palladian–Times (Oswego, N.Y.), June 1, 1959.

 

Palmé 1975
Palmé, Martine. “L’Amérique au microscope.” Les nouvelles litteraires (Paris) (February 17, 1975).

 

Palmer 1967
Palmer, Larry. “At Pasadena Museum: Lichtenstein Shows His Famous Pop Art.” Star-News (Pasadena), April 18, 1967, pp. 17, 24.

 

Paniagua 1962
Paniagua, Lita. “El arte ‘Pop.” Kewa (Mexico), no. 25, p. 72.

 

Papadakis 1992
Papadakis, Andreas C., ed. Pop Art. Art and Design Profile 24. London: Academy Editions; New York: St. Martin’s Press, 1992.

 

Papadakis, Farrow, and Hodges 1991
Papadakis, Andreas C., Clare Farrow, and Nicola Hodges, eds. New Art: An International Survey. New York: Rizzoli; London: Academy Editions, 1991.

 

Paparoni 2010a
Paparoni, Demetrio. “Lichtenstein: Grids Silence and Art After Manet.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio. Milan: Skira, 2010, pp. 49–67. Exhibition catalogue.

 

Paparoni 2010b
Paparoni, Demetrio. “Lichtenstein: La griglia, il silenzio e l’arte dopo Manet.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio. Milan: Skira [Italian edition], 2010, pp. 49–67. Exhibition catalogue.

 

Paparoni 2010c
Paparoni, Demetrio. “Lichtenstein, das Raster, das Schweigen und die Kunst nach Manet.” In Lichtenstein: Kunst als Motiv, edited by Gianni Mercurio. Cologne: DuMont, 2010, pp. 49–67. Exhibition catalogue.

 

Pappas 1965
Pappas, George. “Art/Pop.” School of Arts (State College, Pennsylvania) 64, no. 8 (April 1965), pp. 40–41.

 

Paquet 1994
Paquet, Bernard. “Roy Lichtenstein: Des images à consommer.” Vie des arts (Montreal) 39, no. 154 (Spring 1994), pp. 14–19.

 

Parker 1982
Parker, Vickie-Marie. “Pop Wiz Wow!! Roy Lichtenstein.” Undergraduate course paper, Western Oregon State College, 1982.

 

A. Parks 1997
Parks, Addison. “Roy Lichtenstein: Landscapes in the Chinese Style.” artsMEDIA (May 1997).

 

S. Parks 2002
Parks, Steve. “A Moving Work: Once by the WTC, Sculpture Gets a New Home.” Newsday, April 3, 2002, p. B3.

 

Parrasch 1992
Franklin Parrasch Gallery, New York. The Endowed Chair. New York: Franklin Parrasch Gallery, 1992. Exhibition catalogue. (1992 New York Parrasch).

 

Parrish Art Museum 1995
Parrish Art Museum, Southampton, N.Y. The Prints of Roy Lichtenstein. Southampton, N.Y.: Parrish Art Museum, 1995. Exhibition brochure.

 

Pascal 1966
Pascal, David. “Interview with Roy Lichtenstein.” Giff-Wiff (Paris), no. 20 (May 1966), pp. 6–15.

 

Pascale 2004
Pascale, Mark. “Alka Seltzer.” Notable Acquisitions at The Art Institute of Chicago, The Art Institute of Chicago Museum Studies 30, no. 1 (2014), pp. 90–91.

 

Passetto 1982
Passetto, Lucio. “La leggenda del ‘Pop’.” Playmen (September 1982).

 

Paton 2007
Paton, William. “An Ironic Icon.” Christie’s Magazine (New York) (January–February 2007), pp. 72–73.

 

Patton 1990
Patton, Phil. “‘High and Low’: Modern Art Meets Popular Culture.” Smithsonian 21, no. 8 (November 1990), pp. 138–49.

 

Paula Cooper Gallery 2011
Paula Cooper Gallery, New York. Entablature Paintings: Roy Lichtenstein. New York: Paula Cooper Gallery, 2011. Exhibition catalogue.

 

PCN 1981
“Roy Lichtenstein.” The Print Collector’s Newsletter 12, no. 3 (July–August 1981), p. 83.

 

Pée 1968
Pée, Herbert. Studio f im Museum Ulm: Querschnitt durch die moderne Kunst von Paul Klee bis Roy Lichtenstein. Ulm: Museum Ulm, 1968. Exhibition catalogue. (1968 Ulm Museum).

 

Peer 1977
Peer, Elizabeth. “Two Cities.” Newsweek 89, no. 24 (June 13, 1977), p. 65.

 

Pellegrini 1966
Pellegrini, Aldo. New Tendencies in Art. Translated by Robin Carson. New York: Crown, 1966.

 

Pennsylvania 1952
Pennsylvania Academy of the Fine Arts and Philadelphia Water Color Club. The Fiftieth Annual International Exhibition: Water Colors, Prints, Drawings. Philadelphia: Pennsylvania Academy of the Fine Arts and Philadelphia Water Color C, 1952. Exhibition catalogue. (1952 Philadelphia PAFA).

 

Pennsylvania 1969
Pennsylvania Academy of the Fine Arts and Philadelphia Water Color Club. The One Hundred and Sixty-Fourth Annual Exhibition. Catalogue listing of exhibition. Philadelphia: Pennsylvania Academy of the Fine Arts and Philadelphia Water Color Club, 1969.

 

Pennsylvania 1976
Pennsylvania Academy of the Fine Arts, Philadelphia. In This Academy: The Pennsylvania Academy of the Fine Arts, 1805–1976: A Special Bicentennial Exhibition Organized by the Pennsylvania Academy of the Fine Arts. Philadelphia: Pennsylvania Academy of the Fine Arts, 1976. Exhibition catalogue. (1976 Philadelphia PAFA).

 

Penrose 1964
Penrose, Roland. A Study for An Exhibition of Violence in Contemporary Art. London: Institute of Contemporary Art, 1964. Exhibition catalogue. (1964 London ICA).

 

Penson 1988
Penson Gallery, New York. Gianfranco Gorgoni: Altered Images. New York: Penson Gallery, 1988. Exhibition catalogue. (1988 New York Penson).

 

Perazzi 1991
Perazzi, Mario. “Roy Lichtenstein.” Max 8, no. 3 (March 1991), pp. 162–67.

 

Perlmutter 1975
Perlmutter, Elizabeth Frank. “Reviews: Roy Lichtenstein.” ARTnews 74, no. 1 (January 1975), pp. 93, 106.

 

Perreault 1967
Perreault, John. “Minimal Art: Clearing the Air.” Village Voice (New York), January 12, 1967, p. 11.

 

Perreault 1969a
Perreault, John. “Art.” Village Voice (New York), October 2, 1969, p. 17.

 

Perreault 1969b
Perreault, John. “Painting.” In Grolier Encyclopedia Yearbook, 1969. Grolier, pp. 336–38.

 

Perreault 1971
Perreault, John. “Snotty Remarks.” Village Voice (New York) 16, no. 12 (March 25, 1971), p. 17.

 

Perreault 1974
Perreault, John. “‘Classic’ Pop Revisited.” Art in America 62, no. 2 (March–April 1974), pp. 64–68.

 

Perreault 1977
Perreault, John. “Fun and Games.” SoHo Weekly News 5, no. 10 (December 8, 1977), p. 20.

 

Perrelli 1982
Perrelli, Gianni. “Un po’ di Picasso e un po’ di Paperino.” Europeo (March 31, 1982).

 

Perrone 1978
Perrone, Jeff. “Reviews.” Artforum 16, no. 6 (February 1978), pp. 65–67.

 

E. Peters 1992
Peters, E. Brooks. “Baker’s Dozen.” Quest (March 1992), p. 35.

 

J. Peters 1973
Peters, John Brod. “Roy Lichtenstein Works Shown at Clayton Gallery.” St. Louis Globe Democrat, January 20–21, 1973, p. F8.

 

Peterson 2006
Peterson, Kristen. “Abstract Art through Comics.” Las Vegas Sun, September 6, 2006, p. 7.

 

Petherbridge 1988
Petherbridge, Deanna. “Importance of Drawing Conclusions.” Financial Times (London), June 11, 1988.

 

Petra 1994
“Punkte zum Ausrasten.” Petra (October 1994).

 

Petranzan 1996
Petranzan, Margherita. Gae Aulenti. Milan: Rizzoli, 1996.

 

Petricca 1989
Petricca, Stefano. “Roy Lichtenstein.” Leader 6, no. 6, pp. 47–48.

 

Petrovic-Casanova 1979
Petrovic-Casanova, Beatrice. “Grazie, Herr Ludwig!” Bolaffiarte (Turin) 10, no. 90 (July 1979).

 

Phelps 1963
Phelps, Julia Gray. The Richard Brown Baker Collection of Contemporary Art. Wellesley: Jewett Arts Center, Wellesley College, 1963. Exhibition catalogue. (1963 Wellesley Jewett).

 

Philadelphia College 1978
Philadelphia College of Art. Point. Philadelphia: Philadelphia College of Art, 1978. Exhibition catalogue.

 

Philadelphia Magazine 1967
“Sign of the Times.” Philadelphia Magazine 58, no. 12 (December 1967), p. 32.

 

Philbin 1994
Philbin, Ann. The Return of the Cadavre Exquis. New York: Drawing Center, 1994. Exhibition catalogue. (1993 New York Drawing Center).

 

Philbrook 1964
Philbrook Art Center, Tulsa. Collectors Choice IV. [Tulsa: Philbrook Art Center], 1964. Exhibition catalogue. (1964 Tulsa Philbrook).

 

D. Phillips 1982
Phillips, Deborah C. “Looking for Relief? Woodcuts Are Back.” ARTnews 81, no. 4 (April 1982), pp. 92–96.

 

L. Phillips 1982
Phillips, Lisa. Surveying the Seventies: Selections from the Permanent Collection of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1982. Exhibition catalogue. (1982 Stamford Whitney).

 

L. Phillips 1999
Phillips, Lisa. The American Century: Art and Culture, 1950–2000. New York: Whitney Museum of American Art, 1999. Exhibition catalogue. (1999 New York Whitney)

 

L. Phillips [2005]
Phillips, Lisa. Roy Lichtenstein: Desenhos/Drawings: Animated Life/Vida animada. São Paulo: Instituto Tomie Ohtake, [2005]. Exhibition catalogue. (2005 São Paulo Ohtake).

 

L. Phillips 2006
Phillips, Lisa. Roy Lichtenstein dibujos: Animated Life/Vida animada. Buenos Aires: Fundación Eduardo F. Costantini, 2006. (2005 São Paulo Ohtake).

 

Picard 1964
Picard, Lil. “The New School of New York.” Das Kunstwerk 18, no. 6 (December 1964), pp. 26, 37.

 

Picard [1969]
Piccard [sic], [Lil]. “Roy Lichtenstein.” The East Village Other (New York) 4, no. 44 [1969], p. 10.

 

Pierre 1969
Pierre, José. “Pop chocolat.” L’oeil, nos. 176–77 (August–September 1969), pp. 38–43, 94.

 

Pierre 1971
Pierre, José. Pop Art: Paintings, Sculptures. Little Library of Art. London: Methuen; New York: Tudor Publishing, 1971.

 

Pierre 1975
Pierre, José. Le pop art: Dictionnaire de poche. Paris: Hazan, 1975.

 

Pieszak 1977
Pieszak, Devonna. “The Packaging of Vulgarity: Will It Double Your Pleasure?” New Art Examiner 4, no. 6 (March 1977), p. 6.

 

Piguet 1991
Piguet, P. L’oeil, no. 431 (June 1991), p. 94.

 

Pincus 1995
Pincus, Robert L. “Top of the Pop.” San Diego Union-Tribune, March 7, 1995, pp. E1, E3.

 

Pincus 1997
Pincus, Robert L. “The Prince of Pop.” Jewish News, November 21, 1997, p. 87.

 

Pincus-Witten 1971
Pincus-Witten, Robert. “New York.” Artforum 9, no. 9 (May 1971), pp. 75–77.

 

Pincus-Witten 1982
Pincus-Witten, Robert. Leo Castelli: Gentle Snapshots. Ed. Barbara Jakobson. Zurich: Galerie Bruno Bischofberger, 1982. Exhibition catalogue.

 

Pincus-Witten 1984
Pincus-Witten, Robert. Roy Lichtenstein: A Drawing Retrospective. New York: James Goodman Gallery, 1984. Exhibition catalogue. (1984 New York J. Goodman).

 

Pincus-Witten 2010a
Pincus-Witten, Robert. “Connecting the Dots.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio. Milan: Skira, 2010, pp. 69–75. Exhibition catalogue. Essay translated from the English by Michael Haggerty.

 

Pincus-Witten 2010b
Pincus-Witten, Robert. “Connettendo i punti.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio. Milan: Skira [Italian edition], 2010, pp. 69–75. Exhibition catalogue. Essay translated from the English by Michael Haggerty.

 

Pincus-Witten 2010c
Pincus-Witten, Robert. “Connecting the Dots – eine Verbindung der Punkte.” In Lichtenstein: Kunst als Motiv, edited by Gianni Mercurio. Cologne: DuMont, 2010, pp. 69–75. Exhibition catalogue. Essay translated from the English by.

 

Pincus-Witten n.d.
Pincus-Witten, Robert. “A Fly in the Pigment: An Introduction to the Roy Lichtenstein Catalogue Raisonné.” n.d. Unpublished manuscript. Roy Lichtenstein Foundation Archives.

 

Pinharanda 2006
Pinharanda, João. Liberdade de imprensa: Colecção Berardo. Lisbon: Diário de Notícias, 2006. Exhibition catalogue. (2006 Lisbon Diário de Notícias).

 

Pinte 1991
Pinte, Jean-Louis. “Roy Lichtenstein par la bande.” Figaroscope (Paris), June 12–18, 1991, p. 50.

 

Pinto and Manzù 1967
Pinto, Sandra, and Pio Manzù. Nuove tecniche d’immagine: 6. biennale d’arte Repubblica di San Marino. Venice: Alfieri, 1967. Exhibition catalogue. (1967 San Marino Congressi).

 

Plagens 1966
Plagens, Peter. “Present-Day Styles and Ready-Made Criticism.” Artforum 5, no. 4 (December 1966), pp. 36–39.

 

Plagens 1971
Plagens, Peter. “Los Angeles.” Artforum 10, no. 2 (October 1971), pp. 86–90.

 

Plagens 1993
Plagens, Peter. “Lichtenstein on the Line.” Newsweek 122, no. 16 (October 18, 1993), pp. 81–82.

 

Plain Dealer 1966
“Lichtenstein: A Second Look.” Plain Dealer (Cleveland), December 11, 1966, pp. 8–G.

 

Plain Dealer 1969
“Roy Lichtenstein to Visit for Panel Talk, Exhibit.” Plain Dealer (Cleveland), February 4, 1969, pp. 24–E.

 

Plain Dealer 1997
“Roy Lichtenstein, 73, Was a Pioneer of Pop Art.” Plain Dealer (Cleveland), September 30, 1997, p. B7.

 

Plaisance 2006
Plaisance, Mike. “‘Blam!’ Teacher Fires at Art Auction.” Sunday Republican (Springfield), November 26, 2006, pp. A1, A19.

 

Platzker and Wyckoff 2000
Platzker, David, and Elizabeth Wyckoff. Hard Pressed: 600 Years of Prints and Process. New York: Hudson Hills Press and International Print Center, 2000. Exhibition catalogue. (2000 New York AXA).

 

Pluchart 1966a
Pluchart, François. “Au Salon de Mai l’abstraction est morte.” Combat-art (Paris), May 9, 1966, p. 7.

 

Pluchart 1966b
Pluchart, François. “La fièvre monte à Venise.” Combat-art (Paris), June 13, 1966, p. 9.

 

Plumb 1964
Plumb, Barbara. “Advertising Poster Art Is Effective Wall Decoration, Too.” New York Times, February 22, 1964, p. 13.

 

Pocono Record 1965
“Pop Goes Art, for Art’s Sake.” Pocono Record (The Stroudsburgs, Pennsylvania), March 3, 1965, p. 5.

 

Pohl, Ströher, and Pohl 1982
Pohl, Erika, Ursula Ströher, and Gerhard Pohl, eds. Karl Ströher: Sammler und Sammlung. Stuttgart: Dr. Cantz’sche Druckerei, 1982.

 

Polcari 1991
Polcari, Stephen. “Roy Lichtenstein/Leo Castelli: October 10, 1991–January 25, 1992.” Archives of American Art: A Salute to Roy Lichtenstein (October 10, 1991).

 

Polemic 1957
Polemic (Polemic Society of Western Reserve University, Cleveland, and the Adelbert College Student Council, Cleveland) 2, no. 1 (spring 1957), p. 21.

 

Polemic 1959
Polemic (Polemic Society of Western Reserve University, Cleveland, and the Adelbert College Student Council, Cleveland) 4, no. 1 (spring 1959), cover.

 

Poli et al. 2012
Poli, Francesco, et al. Conserving Contemporary Art: Issues, Methods, Materials, and Research. Los Angeles: Getty Conservation Institute, 2012.

 

Polier 1962
Polier, Betsy. “News and Views of the Galleries: Paintings a Century Apart Are at Mi Chou.” Manhattan 2, no. 50 (August 16, 1962).

 

Politi 1968
Politi, Giancarlo. “L’immaginazione e il potere.” Flash Art (Rome), no. 9 (November–December 1968).

 

Polk 1964
Polk, Peggy. “Ex-Ohioan a Leader in Pop Art.” Cleveland Press, April 3, 1964.

 

Pollack 1997
Pollack, Barbara. “Smoke Gets in Your Eyes.” ARTnews 96, no. 8 (September 1997), p. 28.

 

Polonsky 1982
Polonsky, Linda. “The Iconology of Pop Art.” MA thesis, University of South Africa, Pretoria.

 

Pompidou 1979
Centre National d’Art et de Culture Georges Pompidou. Musée de l’argent/Musée des sacrifices. Paris: Centre National d’Art et de Culture Georges Pompidou, 1979. Exhibition brochure. (1979 Paris Pompidou).

 

Pompidou 2013
Centre National d’Art et de Culture Georges Pompidou. Roy Lichtenstein: L’Exposition/The Exhibition. Paris: Centre National d’Art et de Culture Georges Pompidou, 2013. Exhibition catalogue.

 

Pop-Sammlung Beck 1970
Beck, Heinz. Pop-Sammlung Beck. Düsseldorf: Rheinland-Verlag, 1970.

 

Portable Press 1964
Portable Press. Roy Lichtenstein. New York: Leo Castelli, 1964. Exhibition brochure. (1964d New York Castelli).

 

F. Porter 1952
P[orter], F[airfield]. “Roy Lichtenstein.” Artnews 50, no. 9 (January 1952), p. 67.

 

F. Porter 1953
P[orter]., F[airfield]. “Roy Lichtenstein.” ARTnews 51, no. 10 (February 1953), p. 74.

 

F. Porter 1954
Porter, Fairfield. “Lichtenstein’s Adult Primer.” ARTnews 53, no. 19 (March 1954), pp. 18, 63.

 

Portoghesi 1963
Portoghesi, Paolo, ed. Aspetti dell’arte contemporanea: Rassegna internazionale architettura, pittura, scultura, grafica. Rome: Edizioni dell’Ateneo, 1963. Exhibition catalogue. (1963 L’Aquila Castello Cinquecentesco).

 

Power 1997
Power, Amy. “Lichtenstein Excelled at Art and Life.” Ohio State Lantern, October 1, 1997, p. 9.

 

Powers 1966
Powers, John G. Selections from the John G. Powers Collection Presented by the Larry Aldrich Museum. Ridgefield, Conn.: Larry Aldrich Museum, 1966. Exhibition catalogue. (1966 Ridgefield Aldrich).

 

Pozzi 1973
Pozzi, Lucio. “Leo Castelli: L’arte migliore è seguita solo da pochiss.” Bolaffiarte 4, no. 34 (November 1973), pp. 32–37.

 

Prampolini 1968
Prampolini, Ida Rodríguez. “¿Qué ha pasado con la pintura?” Anales del Instituto de Investigaciones Estéticas (Universidad Nacional Autónoma de México, Mexico City) 10, no. 37 (1968), pp. 105–15.

 

Prange 1996
Prange, Regine. Jackson Pollock: Number 32, 1950: Die Malerei als Gegenwart. Frankfurt am Main: Fischer Taschenbuch-Verlag, 1996.

 

Prat 2006
Prat, Véronique. “Roy Lichtenstein: Un héros de bande dessinée.” Figaro magazine (Paris), January 21, 2006, pp. 78–83.

 

Prather and Miller 2002
Prather, Marla, and Dana A. Miller. An American Legacy, A Gift to New York: Recent Acquisitions from the Board of Trustees. New York: Whitney Museum of American Art, 2002.

 

M. Preston 1981
Preston, Malcolm. “Still Lifes by East End Painters.” Newsday, April 29, 1981, p. II.

 

S. Preston 1957
P[reston], S[tuart]. “Pastels by Mimi Boyer at Bradley.” New York Times, January 9, 1957, p. 34.

 

S. Preston 1962
Preston, Stuart. “Hartford Galaxy: Exceptional Shows of Art Past and Present at Wadsworth Atheneum.” New York Times, August 19, 1962, p. X17.

 

S. Preston 1963
Preston, Stuart. “On Display: All-Out Series of Pop Art: ‘Six Painters and the Object’ Exhibited at Guggenheim.” New York Times, March 21, 1963, p. 8.

 

S. Preston 1964
Preston, Stuart. “Rear and Advance Guard Marching.” New York Times, November 1, 1964, p. 25.

 

S. Preston 1965
Preston, Stuart. “Art History’s Many Turning Points.” New York Times, January 17, 1965, p. X19.

 

Princeton 2007
Princeton University Art Museum. Pop Art: Contemporary Perspectives. Princeton, N.J.: Trustees of Princeton University, 2007. Exhibition catalogue. (2007 Princeton Art Museum).

 

Print 1966
“Word and Image.” Print 20, no. 1 (January–February 1966), pp. 18–19.

 

Pritchett 1963
Pritchett, V. S. “The American in My Mind.” Holiday (Philadelphia) 34, no. 1 (July 1963), pp. 28–41, 80–83.

 

Prodhon 1983
Prodhon, François-Claire. “Roy Lichtenstein, 1970–1980.” Flash Art, no. 110 (January 1983), p. 72.

 

Prometheus 1963
“The Directions of Painting in 1962–63.” Prometheus 6 (February 1963), pp. 1, 3.

 

Provinciaal Museum 1981
Provinciaal Museum voor Moderne Kunst, Ieper. Kunst in/als vraag: Negatie-integratie van Dada tot heden in België. Ieper: Provinciaal Museum voor Moderne Kunst, 1981.

 

Pulitzer 2007
Pulitzer Foundation for the Arts, St. Louis. Water. St. Louis: Pulitzer Foundation for the Arts, 2007. Exhibition catalogue. (2007 St. Louis Pulitzer).

 

Pulitzer 2011
Pulitzer Foundation for the Arts, St. Louis. Dreamscapes. St. Louis: Pulitzer Foundation for the Arts, 2011. Exhibition brochure.

 

Purdie 1975
Purdie, James. “The Sixties’ Rebels Are Building Anew.” Globe and Mail (Toronto), October 18, 1975, p. 30.

 

Puri 2002
Puri, Madhu. “Underground Art.” Art and Auction 24, no. 9 (October 2002), p. 149.

 

Quadri e sculture 1997
“Roy Lichtenstein: Si evitino improvvisate mitologie.” Quadri e sculture, no. 26 (June–July 1997), pp. 32–33.

 

Quantril 1978
Quantril, Malcolm. Art International (summer 1978), p. 47.

 

Quindlen 1977
Quindlen, Anna. “Joan Mondale Finds SoHo More Than So-So.” New York Times, May 12, 1977, p. B1.

 

Quirinale 2007
Scuderie del Quirinale, Rome. Pop Art 1956–1968. Milan: Silvana Editoriale, 2007. Exhibition catalogue. (2007 Rome Quirinale).

 

RA Magazine 1991
RA Magazine. Special issue, Pop, no. 32 (Fall 1991).

 

Ragon 1964
Ragon, Michel. “L’académisme et l’art d’avant-garde.” Jardin des arts (Paris), no. 115 (June 1964), pp. 22–32.

 

Ragon 1965
Ragon, Michel. “Où en est l’art américain?” Jardin des arts (Paris), no. 124 (March 1965), pp. 2–11.

 

Ramírez 2005
Ramírez, Juan Antonio. “Lichtenstein, en proceso.” In Lichtenstein: En proceso, by Fundación Juan March, Madrid. Translated from the Spanish by Deborah L. Roldán. Madrid: Fundación Juan March, 2005, pp. 13–23 (Spanish), 94–100 (English). Exhibition catalogue.

 

Ratcliff 1969
Ratcliff, Carter. “New York.” Art International 13, no. 9 (November 1969), pp. 74–77.

 

Ratcliff 1972
Ratcliff, Carter. “New York Letter.” Art International 16, no. 3 (March 20, 1972), pp. 28–37.

 

Ratcliff 1975
Ratcliff, Carter. “New York Letter.” Art International 19, no. 10 (December 20, 1975), pp. 37–44.

 

Ratcliff 1978
Ratcliff, Carter. “The Art Establishment: Rising Stars vs. the Machine.” New York Magazine 11, no. 48 (November 27, 1978), pp. 53–58.

 

Ratcliff 1978
Ratcliff, Carter. “Making It in the Art World: A Climber’s Guide.” New York Magazine 11, no. 48 (November 27, 1978), pp. 67–71.

 

Ratcliff 1978
Ratcliff, Carter. “Roy Lichtenstein at Castelli Downtown and Blum/Helman.” Art in America 66, no. 2 (March 1978), p. 134.

 

Ratcliff 1981a
Ratcliff, Carter. “In Detail: Matisse’s Dance.” Portfolio (New York) 3, no. 4 (July–August 1981), pp. 38–45.

 

Ratcliff 1981b
Ratcliff, Carter. “Lichtenstein: Creating Art from Art.” Harper’s Bazaar 114, no. 3240 (November 1981), pp. 32, 34, 38, 72.

 

Ratcliff 1985
Ratcliff, Carter. “The Collectors: Contemporary Cast.” Architectural Digest 42 (February 1985), pp. 118–25.

 

Ratcliff 1989a
Radcliffe [sic], Carter (photographs by Bob Adelman). “The Profits of Pop.” The Correspondent Magazine (Hong Kong) (November 1989), pp. 22–26.

 

Ratcliff 1989b
Ratcliff, Carter. “Roy Lichtenstein: Donald Duck et Picasso.” Art Press, no. 140 (October 1989), pp. 12–19.

 

Ratcliff 1989c
Ratcliff, Carter. “The Work of Roy Lichtenstein in the Age of Walter Benjamin’s and Jean Baudrillard’s Popularity.” Art in America 77, no. 2 (February 1989), pp. 110–23, 177.

 

Ratcliff 2002
Ratcliff, Carter. “Covering All the Bases: Two Views.” Art in America 90, no. 7 (July 2002), pp. 82–85.

 

Rattemeyer 2009
Rattemeyer, Christian. Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection. New York: Museum of Modern Art, 2009. Exhibition catalogue. (2009 New York MoMA).

 

Ravitz 1965
Ravitz, Mark. “Techniques Used by Roy Lichtenstein.” 3 Lively Arts High School of Music and Art, New York (1965), p. 27.

 

Raymond 1971
Raymond, Herbert. “New York. Two.” Art and Artists 6, no. 4 (July 1971), pp. 60–61.

 

Raynor 1985
Raynor, Vivian. “Art: Roy Lichtenstein and His Irony within Irony.” New York Times, December 13, 1985, p. C25.

 

Raynor 1995
Raynor, Vivian. “A Chaotic Show, but with Many Pieces Worth Another Look.” New York Times, August 27, 1995, p. 16.

 

Read 1965
Read, Herbert. “The Disintegration of Form in Modern Art.” Studio International 169, no. 864 (April 1965), pp. 144–55.

 

Reardon 1986
Reardon, J. “Ikkyu Sojun: Zen Buddhist Verse.” Oriental Art, n.s., 32, no. 1 (Fall 1986), pp. 288–96.

 

Reif 1965
Reif, Rita. “Artists Make Use of Crafts to Turn a Loft into a Home.” New York Times, January 5, 1965, p. 22.

 

Reif 1968
Reif, Rita. “You Go Past the ‘O’ and Under the ‘N’ . . .” New York Times, November 15, 1968, p. 51.

 

Reif 1972
Reif, Rita. “Putting Down the Brush and Painting on a Loom.” New York Times, September 29, 1972, p. 48.

 

Reif 1989
Reif, Rita. “Auctions: Pop Art from the Collection of a West German Collector’s Daughter.” New York Times, March 10, 1989, p. C24.

 

Reif 2003a
Reif, Rita. “How Much Is That Storefront in the Window?” New York Times, May 18, 2003, p. 31.

 

Reif 2003b
Reif, Rita. “Painters Who Found the Wonder of Ceramics.” New York Times, January 26, 2003, p. 39.

 

Reina Sofía 1989
Centro de Arte Reina Sofía, Madrid. Colección Beyeler. Madrid: Ministerio de Cultura, Dirección General de Bellas Artes y Archivos, 1989. Exhibition catalogue. (1989 Madrid Reina Sofía).

 

Reinhardt 1999
Reinhardt, Brigitte. Stiftung Sammlung Kurt Fried: Internationale Kunst der 1950er bis 1980er Jahre. Ulm: Ulmer Museum, 1999.

 

Reinhold-Brown 1988
Reinhold-Brown Gallery, New York. SMS: A Collection of Original Multiples in Six Portfolios Published in 1968 by the Letter Edged in Black Press. New York: Reinhold-Brown Gallery, 1988. Exhibition catalogue. (1988 New York Reinhold-Brown).

 

Reinholz 1997
Reinholz, Mary. “Lichtenstein Was In ‘Top Form’ at Time of Death, Colleagues Say.” Art Business News 24, no. 12 (November 1997), p. 8.

 

Reisner 1963
Reisner, Bob. “Entertainment.” Newsweek (April 1963), p. 9.

 

Renard 1983
Renard, Delphine. “Roy Lichtenstein.” Flash Art, no. 112 (May 1983), p. 73.

 

Reneman 1967
Reneman, Max. “Roy Lichtenstein: Het verminkte beeld.” De linie (Amsterdam) (1967), p. 9.

 

Restany 1963a
Restany, Pierre. “Le nouveau réalisme à la conquête de New York.” Art International 7, no. 1 (January 1963), pp. 29–36.

 

Restany 1963b
Restany, Pierre. “Le raz de marée aux USA.” Domus, no. 399 (February 1963), pp. 33–35.

 

Restany 1966a
Restany, Pierre. “Mechanische Malerei.” Das Kunstwerk 10, nos. 5–6 (February–March 1966).

 

Restany 1966b
Restany, Pierre. “Le pop-art: Un nouvel humanisme américain.” Aujourd’hui USA, nos. 55–56 (December 1966–January 1967), pp. 121–22.

 

Restany 1966c
Restany, Pierre. “Venezia 33 Biennale.” Domus, no. 441 (August 1966), pp. 37–48.

 

Restany 1967
Restany, Pierre. “Mechanische Malerei.” Das Kunstwerk 20, nos. 5–6 (February–March 1967), pp. 3–19.

 

Restany 1981
Restany, Pierre. “Cologne 1981: Le nouveau réalisme entre le néo-dada et le pop.” Art Press, no. 48 (May 1981), pp. 11–12.

 

Restany 1991
Restany, Pierre. “Artes magnus: Metafora dell’oggetto.” Arte in: Bimestrale di critica e d’informazione delle arti visive 4, no. 17 (September–October 1991), p. 72.

 

Reuther 1982
Reuther, L. “Roy Lichtenstein.” Frankfurter Rundschau, no. 90 (1982), p. 22.

 

Review 1962
“Arts Council Presents New Art Form—’Art 1963: A New Vocabulary’—Exhibit Opens October 25.” The Review: Young Men’s and Young Women’s Hebrew Association of Philadelphia 45, no. 33 (October 19, 1962), p. 1.

 

Rey 1983
Rey, J. D. “Lo real y sus sombras o el equívoco pintura-foto.” Cimal (TK), no. 18 (1983), pp. 9–16.

 

Ribettes and Maira 1991
Ribettes, Jean-Michel, and Martine Maira, eds. Les couleurs de l’argent. Paris: Musée de la Poste, 1991. Exhibition catalogue.

 

Richard 1988
Richard, Paul. “The Teeming Images of Roy Lichtenstein: At the Corcoran, a Delightful Retrospective.” Washington Post, September 27, 1988, pp. C1–C2.

 

Richard 1997
Richard, Paul. “Art’s Comic Genius.” Washington Post, September 30, 1997, pp. E1, E8.

 

E. Richardson 1993
Richardson, Elizabeth. “Those Lichtenstein Women.” Harper’s Bazaar 126, no. 3383 (October 1993), pp. 232–37.

 

J. Richardson 1966
Richardson, John Adkins. “Dada, Camp, and the Mode Called Pop.” Journal of Aesthetics and Art Criticism 24, no. 4 (Summer 1966), pp. 549–58.

 

J. Richardson 1992
Richardson, John Adkins. Art: The Way It Is. New York: Harry N. Abrams, 1992.

 

T. Richardson 1987
Richardson, Trevor. Contemporary American Collage, 1960–1986. Amherst, Mass.: Herter Art Gallery, University of Massachusetts, Amherst, 1987. Exhibition catalogue. (1987 Amherst Herter).

 

W. Richter and Weisweiler 1977
Richter, Wolfgang, and Hermann Weisweiler. Kunststadt Aachen. Cologne: Greven, 1977.

 

H. Richter 1982
Richter, Horst. “Eklektizistisches Museum moderne Kunst.” Weltkunst 52, no. 8 (April 15, 1982), p. 1069.

 

H. Richter 1998
Richter, Horst. Geschichte der Malerei im 20. Jahrhundert: Stile und Künstler. Cologne: DuMont, 1998.

 

K. Richter 2000
Richter, Klaus. Kunst der Moderne vom Impressionismus bis Heute. Prestel-Taschenlexikon. Munich: Prestel Verlag, 2000.

 

Rickert 1989
Rickert, Mathias. “Tobias Hirschmann.” Cimaise 36, no. 202 (September–October 1989), pp. 161–66.

 

Ricour 1970
Ricour, Monique. “Paris.” Art International 14, no. 5 (May 1970), pp. 69–72.

 

Riley 1992a
Riley, Charles A., II. “Interview/Entretien.” In Roy Lichtenstein, edited by Chantal Michetti-Prod’Hom and Asher B. Edelman with Susanne Hilpert. Pully/Lausanne: FAE Musée d’Art Contemporain, 1992, pp. 22–27. Exhibition catalogue.

 

Riley 1992b
Riley, Charles A., II. “Speculations/Spéculations.” In Roy Lichtenstein, edited by Chantal Michetti-Prod’Hom and Asher B. Edelman with Susanne Hilpert. Pully/Lausanne: FAE Musée d’Art Contemporain, 1992, pp. 10–12. Exhibition catalogue.

 

Ríos 1991
Ríos, Julián. “Picasso, pintor y modelo (reflexiones sobre ‘Reflexiones sobre el pintor y su modelo’ de Roy Lichtenstein).” El paseante, nos. 18–19 (1991), pp. 32–33.

 

RISD 1964
Museum of Art, Rhode Island School of Design, Providence. Paintings and Constructions of the 1960’s Selected from the Richard Brown Baker Collection. Providence: Museum of Art, Rhode Island School of Design, 1964. Exhibition catalogue. (1964 Providence RISD).

 

RISD 1965
Museum of Art, Rhode Island School of Design, Providence. Contemporary Boxes and Wall Sculpture. Providence: Museum of Art, Rhode Island School of Design, 1965. Exhibition catalogue.

 

RISD 1967
Museum of Art, Rhode Island School of Design, Providence. Exchange Exhibition, Exhibition Exchange: From the Collection of Rose Art Museum, Brandeis University; from the collection of the Museum of Art, Rhode Island School of Design, Providence. N.p., 1967. Exhibition catalogue. (1967 Providence RISD).

 

RISD 1971
Museum of Art, Rhode Island School of Design, Providence. Contemporary American Sculpture: Selection 2. Providence: Museum of Art, Rhode Island School of Design, 1971. Exhibition catalogue. (1971 Providence RISD).

 

RISD 1973
Museum of Art, Rhode Island School of Design, Providence. Selection III: Contemporary Graphics from the Museum’s Collection. Providence: Museum of Art, Rhode Island School of Design, 1973. Exhibition catalogue. (1973a Providence RISD).

 

RISD Bulletin 1970
“Twentieth Century.” Rhode Island School of Design Bulletin 56, no. 4 (Summer 1970), p. 46.

 

Robbert et al. 1985
Robbert, Louise, et al. Amerikanskt 80-tal: Måleri, skulptur, textil: Neue Galerie, Sammlung Ludwig Aachen. Stockholm: Liljevalchs Konsthall, 1985. Exhibition catalogue. (1985 Stockholm Liljevalchs).

 

D. Robbins 1966
Robbins, Daniel. Recent Still Life. Providence: Museum of Art, Rhode Island School of Design, 1966. Exhibition catalogue.

 

K. Robbins 2006
Robbins, Kadee, ed. The Kirk Varnedoe Collection. Savannah: Telfair Museum of Art, 2006. Exhibition catalogue. (2006 Savannah Telfair).

 

C. Roberts 1962
Roberts, Colette. “Lettre de New York.” Aujourd’hui: Art et architecture 6, no. 37 (June 1962), pp. 48–49.

 

C. Roberts 1964
Roberts, Colette. “Les expositions à New York.” Aujourd’hui: Art et architecture 8, no. 44 (January 1964), pp. 96–97.

 

C. Roberts 1966
Roberts, Colette. “Lettre de New York.” Aujourd’hui: Art et architecture 9, no. 52 (February 1966), p. 91.

 

C. Roberts 1967
Roberts, Colette. “Interview de Roy Lichtenstein.” Aujourd’hui: Art et architecture 10, nos. 55–56 (January 1967), pp. 123–27.

 

K. Roberts 1963
Roberts, Keith. “Current and Forthcoming Exhibitions: London.” The Burlington Magazine 105, no. 729 (December 1963), pp. 574–78.

 

K. Roberts 1968
Roberts, Keith. “Current and Forthcoming Exhibitions: London.” The Burlington Magazine 110, no. 779 (February 1968), pp. 107–8.

 

K. Roberts 1976a
Roberts, Keith. “Roy Lichtenstein and the Popular Image.” The Burlington Magazine 118, no. 880 (July 1976), p. 515.

 

K. Roberts 1976b
Roberts, Keith. “Roy Lichtenstein: The Mayor Gallery.” The Burlington Magazine 118, no. 880 (July 1976), p. 332.

 

Robertson 1985a
Robertson, Jean. Roy Lichtenstein As Sculptor: Recent Works, 1977–1984. Columbus, Ohio: Columbus Museum of Art, 1985. Exhibition brochure. (1985 Columbus Museum of Art).

 

Robertson 1985b
Robertson, Jean. Roy Lichtenstein As Sculptor: Recent Works, 1977–1984. Columbus, Ohio: Columbus Museum of Art, 1985. Exhibition brochure. Brochure of the exhibition venue Gibbes Art Gallery and Spoleto Festival U.S.A., Charleston, South Carolina, May 23June 30, 1985. (1985 Columbus Museum of Art).

 

Robertson 1985c
Robertson, Jean. Roy Lichtenstein As Sculptor: Recent Works, 1977–1984. Columbus, Ohio: Columbus Museum of Art, 1985. Exhibition brochure. Brochure of the exhibition venue Walker Art Center, Minneapolis, Minnesota, December 21, 1985March 2, 1986. (1985 Columbus Museum of Art).

 

Robertson 1985d
Robertson, Jean. Roy Lichtenstein As Sculptor: Recent Works, 1977–1984. Columbus, Ohio: Columbus Museum of Art, 1985. Exhibition brochure. Brochure of the exhibition venue Contemporary Arts Museum, Houston, Texas, September 13—October 26, 1986. (1985 Columbus Museum of Art).

 

Robertson and Strickland-Constable 1985
Robertson, Alexander, and Miranda Strickland-Constable. The Irresistible Object: Still Life, 1600–1985. Leeds, United Kingdom: Leeds City Art Galleries, 1985.

 

E. Robinson 2011
Robinson, Edward. “Lambrecht/Lichtenstein.” In Roy Lichtenstein in His Studio, by Laurie Lambrecht. New York: Monacelli Press, 2011, pp. 113–25.

 

K. Robinson 1988
Robinson, Kate. “Lichtenstein and Pop.” Sunday Independent (CITY), February 14, 1988.

 

Rockman 1964
Rockman, Arnold. “Superman Comes to the Art Gallery.” Canadian Art 21, no. 1 (January–February 1964), pp. 18–22.

 

Rodríguez 1962
Rodríguez, Ida. “La cultura en México: ‘Nacimiento (y muerte) del ‘Nuevo realismo’.” Supplement to Siempre! (Mexico City), no. 71 (June 26, 1963), pp. 1–13.

 

Rodriguez 2001
Rodriguez, Jennifer Michele. “Tracing the Cultural Memory in the Rio Grande Valley: Mexican-American Dichos, Proverbs Interpreted through Art.” MFA thesis, University of Texas-Pan American, Edinburg, 2001.

 

Rogers 2001
Rogers, Pat. “Hamptons Art History Still Fresh.” Southampton [N.Y.] Press, June 28, 2001, pp. B3, B10.

 

Rondeau 2012
Rondeau, James. “Pop Geometries.” In Roy Lichtenstein: A Retrospective, by Rondeau and Sheena Wagstaff. Chicago: Art Institute of Chicago, 2012, pp. 78–87. Exhibition catalogue.

 

Rondeau and Sheena Wagstaff 2012
Rondeau, James, and Sheena Wagstaff. Roy Lichtenstein: A Retrospective. Chicago: Art Institute of Chicago, 2012. Exhibition catalogue. (2012 Chicago Art Institute).

 

Ronte 1971
Ronte, Dieter, ed. Hurra!? Vom Unsinn des Krieges. Cologne: Wallraf-Richartz-Museum, 19971. Exhibition catalogue. (1971 Cologne Wallraf-Richartz).

 

Ronte 1982
Ronte, Dieter. Museum moderner Kunst, Palais Liechtenstein, Museum des 20. Jahrhunderts Wien. Braunschweig: Westermann Verlag, 1982.

 

Ronte 1983
Ronte, Dieter. Das Museum moderner Kunst in Wien und die Österreichische Ludwig-Stiftung: Internationale Kunst seit 1960. Budapest: Műcsarnok, 1983. Exhibition catalogue. (1983 Budapest Mücsarnok).

 

Rooks 1999
Rooks, Michael. “Roy Lichtenstein: Interiors.” In Roy Lichtenstein: Interiors, by Museum of Contemporary Art, Chicago. Chicago: Museum of Contemporary Art, 1999, pp. 13–18. Exhibition catalogue.

 

Rooks 2005
Rooks, Michael. “Inside Out, Outside in Roy Lichtenstein’s Interiors.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005, pp. 149–53 (unpaginated). Exhibition catalogue.

 

Ropac 1995a
Ropac, Thaddaeus, ed. The Muse? Transforming the Image of Woman in Contemporary Art: An Exhibition of the Galerie Thaddaeus Ropac and the Salzburg Festival 1995. Salzburg: Verlag Anton Pustet, 1995. Exhibition catalogue. Translated from the German by Elizabeth Mortimer and Gail Schamberger. (1995 Salzburg Ropac).

 

Ropac 1995b
Ropac, Thaddaeus, ed. Die Muse? Transforming the Image of Woman in Contemporary Art: Eine Ausstellung der Galerie Thaddaeus Ropac in Zusammenarbeit mit den Salzburger Festspielen 1995. Salzburg: Verlag Anton Pustet, 1995. Exhibition catalogue. (1995 Salzburg Ropac).

 

Ropac 1996
Galerie Thaddaeus Ropac, Salzburg. Picasso: A Contemporary Dialogue. Salzburg: Galerie Thaddaeus Ropac, 1996. Exhibition catalogue. (1996 Salzburg Ropac).

 

Rorimer 1974
Rorimer, Anne. Idea and Image in Recent Art. Chicago: Art Institute of Chicago, 1974. Exhibition catalogue. (1974 Chicago Art Institute).

 

Rorimer 1985
Rorimer, Anne. “Up and Down, In and Out, Step by Step, a Sculpture, a Work by Daniel Buren.” Museum Studies 11, no. 2 (Spring 1985), pp. 148–49.

 

Rorimer 2004
Rorimer, Anne. New Art in the 60s and 70s: Redefining Reality. New York: Thames & Hudson, 2004.

 

Rosc 1967
Rosc ’67. Dublin: Royal Dublin Society and National Museum, Dublin, 1967. Exhibition catalogue. (1967 Dublin National Museum).

 

Barbara Rose 1963a
Rose, Barbara. “Dada förr och nu.” Palatten 24, no. 1 (1963), pp. 7–12.

 

Barbara Rose 1963b
Rose, Barbara. “Dada Then and Now.” Art International 7, no. 1 (January 1963), pp. 22–28.

 

Barbara Rose 1963c
Rose, Barbara. “Pop Art at the Guggenheim.” Art International 7, no. 5 (May 25, 1963), pp. 20–22.

 

Barbara Rose 1964a
Rose, Barbara. “New York Letter.” Art International 8, no. 1 (February 1964), p. 41.

 

Barbara Rose 1964b
Rose, Barbara. “New York Letter.” Art International 8, no. 10 (December 1964), pp. 47–51.

 

Barbara Rose 1965
Rose, Barbara. “Pop in Perspective.” Encounter 25, no. 2 (August 1965), pp. 59–63.

 

Barbara Rose 1967
Rose, Barbara. American Art since 1900: A Critical History. New York: Praeger, 1967.

 

Barbara Rose 1968
Rose, Barbara, ed. Readings in American Art since 1900: A Documentary Survey. New York: Frederick A. Praeger, 1968.

 

Barbara Rose 1969a
Rose, Barbara. American Painting: The Twentieth Century. Cleveland: World, 1969.

 

Barbara Rose 1969b
Rose, Barbara. “Vogue’s Spotlight: Art.” Vogue 153, no. 4 (February 15, 1969), p. 54.

 

Barbara Rose 1971
Rose, Barbara. “Collecting Film-Art: Off the Canvas and into the Can.” Vogue 157, no. 6 (March 15, 1971), p. 74.

 

Barbara Rose 1973
Rose, Barbara. “Art: How to Know More Than What You Like.” New York Magazine 6, no. 33 (August 13, 1973), p. 53.

 

Barbara Rose 1974
Rose, Barbara. “1961 and All That.” New York Magazine 7, no. 13 (April 1, 1974), p. 73.

 

Barbara Rose 1975
Rose, Barbara. American Art Since 1900. New York: Praeger, 1975.

 

Barbara Rose 1979
Rose, Barbara. Roy Lichtenstein: Entablature Series. Cardiff: National Museum of Wales, 1979. Exhibition catalogue. (1979 Cardiff National Museum).

 

Barbara Rose 1986
Rose, Barbara. American Painting: The Twentieth Century. New York: Skira/Rizzoli, 1986.

 

Barbara Rose 1987
Rose, Barbara. The Barcelona Plazas: A Preview of an Urban Experience. New York: Spanish Institute, 1987. Exhibition catalogue. (1987 New York Spanish Institute).

 

Barbara Rose 1988
Rose, Barbara. Autocritique: Essays on Art and Anti-Art, 1963–1987. New York: Weidenfeld & Nicolson, 1988. Exhibition catalogue.

 

Barbara Rose and Sandler 1967
Rose, Barbara, and Irving Sandler. “Sensibility of the Sixties.” Art in America 55, no. 1 (January–February 1967), p. 45.

 

Bernice Rose 1976a
Rose, Bernice. Drawing Now. New York: Museum of Modern Art, 1976. Exhibition catalogue. (1976a New York MoMA).

 

Bernice Rose 1976b
Rose, Bernice. Zeichnung Heute/Drawing Now. Zurich: Kunsthaus Zürich, 1976. Exhibition catalogue. (1976a New York MoMA).

 

Bernice Rose 1977
Rose, Bernice. Drawing Now. Tel Aviv: Tel Aviv Museum, 1977. Exhibition catalogue. (1976a New York MoMA).

 

Bernice Rose 1988
Rose, Bernice. Roy Lichtenstein: Die Zeichnungen 1961–1986. Munich: Hirmer, 1988. Exhibition catalogue. (1987a New York MoMA).

 

Bernice Rose 2014
Rose, Bernice. “Il disegno come ‘proiezione’.” In Roy Lichtenstein: Opera prima, by Galleria Civica d’Arte Moderna e Contemporanea, Turin. Milan: Skira, 2014, pp. 54–199. Exhibition catalogue.

 

Bernice Rose 2015
Rose, Bernice. “Drawing as ‘Projection’.” In Roy Lichtenstein: Drawing First. 50 Years of Works on Paper, Galleria Civica d’Arte Moderna e Contemporanea, Turin. Milan: Skira, 2015, pp. 44–191. Exhibition catalogue.

 

Rosenberg 1962
Rosenberg, Harold. “The Art Galleries: The Game of Illusion.” The New Yorker (November 24, 1962), pp. 161–62, 165–67.

 

Rosenberg 1964
Rosenberg, Harold. The Anxious Object: Art Today and Its Audience. New York: Horizon, 1964.

 

Rosenberg 1966
Rosenberg, Harold. “From Pollock to Pop: Twenty Years of Painting and Sculpture.” Holiday 39, no. 3 (March 1966), pp. 96–104, 136–40.

 

Rosenberg 1969a
Rosenberg, Harold. Artworks and Packages. New York: Delta, 1969.

 

Rosenberg 1969b
Rosenberg, Harold. “The Art World: Marilyn Mondrian.” The New Yorker (November 8, 1969), pp. 167–76.

 

Rosenberg 1972
Rosenberg, Harold. The De-definition of Art: Action Art to Pop to Earthworks. London: Secker and Warburg, 1972.

 

Rosenblum 1954
Rosenblum, Robert. “Roy F. Lichtenstein.” Art Digest 29, no. 10 (February 15, 1954), p. 22.

 

Rosenblum 1963
Rosenblum, Robert. “Roy Lichtenstein and the ‘Realist’ Revolt/La rivolta ‘realista’ americana: Lichtenstein.” Metro, no. 8 (April 1963), pp. 38–45.

 

Rosenblum 1964
Rosenblum, Robert. “Pop Art and Non-Pop Art.” Art and Literature (Lausanne) 5 (Summer 1964), pp. 80–93.

 

Rosenblum 1966
Rosenblum, Robert. “Pop and Non-Pop: An Essay in Distinction.” Canadian Art 23, no. 1 (January 1966), pp. 50–54.

 

Rosenblum 1982
Rosenblum, Robert. “Roy Lichtenstein à Paris.” L’oeil, no. 328 (November 1982), pp. 40–45.

 

Rosenblum 1984
Rosenblum, Robert. The Tremaine Collection: 20th-Century Masters, the Spirit of Modernism. Hartford, Conn.: Wadsworth Atheneum, 1984. Exhibition catalogue.

 

Rosenblum 1989
Rosenblum, Robert. “Introduction.” In Roy Lichtenstein: “The Mirror Paintings”, by Mary Boone Gallery, New York. New York: Mary Boone Gallery, 1989, unpaginated. Exhibition catalogue.

 

Rosenblum 1991
Rosenblum, Robert. “Roy Lichtenstein: Past, Present, Future/Roy Lichtenstein: Passé, present, future.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 34–53.

 

Rosenblum 1999
Rosenblum, Robert. On Modern American Art: Selected Essays. New York: Harry N. Abrams, 1999.

 

Rosenblum 2001
Rosenblum, Robert. “Roy Lichtenstein’s ‘Rhapsody in Black and White’.” In Roy Lichtenstein: Early Black and White Paintings, by Gagosian Gallery, New York. New York: Gagosian Gallery, 2001, pp. 9–30. Exhibition catalogue.

 

Rosenblum 2003
Rosenblum, Robert. “Roy Lichtenstein’s ‘Rhapsodie in Schwarz und Weiß’.” In Roy Lichtenstein, by Kunstforum Wien. Vienna: Kunstforum Wien; Wolfratshausen: Edition Minerva Hermann Farnung, 2003, pp. 11–15. Exhibition catalogue.

 

Rosenblum 2005
Rosenblum, Robert. “In the Car.” In Post-War and Contemporary Art Evening, November 8, 2005, by Christie’s New York. New York: Christie’s New York, 2005, pp. 110–14.

 

Rosenthal 1983
Rosenthal, Mark. “The Structured Subject in Contemporary Art: Reflections on Works in the Twentieth-Century Galleries.” Philadelphia Museum of Art Bulletin 79, no. 340 (Fall 1983), pp. 1–24.

 

Rosenthal 1995
Rosenthal, Mark. Critiques of Pure Abstraction. New York: Independent Curators Incorporated, 1995.

 

Rosenthal and Stuckey 1987
Rosenthal, Mark, and Charles F. Stuckey. A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop. Philadelphia: Fabric Workshop and Graduate School of Fine Arts, University of Pennsylvania, 1987. Exhibition catalogue. (1987 Philadelphia Fabric Workshop).

 

Rosenzweig 1980
Rosenzweig, Phyllis. The Fifties: Aspects of Painting in New York. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1980. Exhibition catalogue. (1980 Washington, D.C., Hirshhorn).

 

Rosing 1975a
Rosing, Larry. “Matisse and Contemporary Art.” Arts Magazine (New York) 49, no. 9 (May 1975), pp. 68–69.

 

Rosing 1975b
Rosing, Larry. “Roy Lichtenstein.” Arts Magazine (New York) 50, no. 4 (December 1975), p. 5.

 

Roslyn Harbor 1990
Nassau County Museum of Art, Roslyn Harbor, N.Y. Two Decades of American Art: The Sixties and Seventies. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 1990. Exhibition catalogue. (1990 Roslyn Harbor Nassau County Museum).

 

Ross 2012
Ross, Barbara. “A 4M Art Find.” Daily News (New York), August 1, 2012, p. 26.

 

Rost n.d.
Rost, Kerstin. Roy Lichtenstein interviewed by Kerstin Rost. n.d. Unpublished manuscript in NGA curatorial files.

 

Rothkopf 2001
Rothkopf, Scott. “Varoom!” In Pop Art: The John and Kimiko Powers Collection, ed. Donald Kennison and Jessie Washburne-Harris. New York: Gagosian Gallery, 2001, pp. 124–28. Exhibition catalogue.

 

Rothkopf 2002
Rothkopf, Scott. “Yesterday’s Tomorrow.” In Roy Lichtenstein: Times Square Mural, by Roy Lichtenstein Foundation and Mitchell-Innes and Nash, New York. New York: Roy Lichtenstein Foundation and Mitchell-Innes and Nash, 2002. Exhibition catalogue.

 

Rotzler and Beyeler (Galerie) 1989
Rotzler, Willy, and Galerie Beyeler. Wege zur Abstraktion. Basel: Galerie Beyeler, 1989. Exhibition catalogue. (1989 Basel Galerie Beyeler).

 

Rotzler et al. 1970
Rotzler, Willy, et al. Das lebenslängliche Interview: Die Sammlung Erna und Curt Burgauer. Sankt Gallen: Erker Verlag, 1970.

 

Roudaille 1964
Roudaille, Georges. “Au XXe Salon de Mai: Le Pop Art tour nu.” Les lettres francaise, May 1964, p. 12.

 

Rousseau and Protais 2013
Rousseau, Éloi and Protais, Johann. Roy Lichtenstein. Paris: Larousse, 2013.

 

Rovera 1975
Rovera, Marina. “Spazio abitabile e spazio teatrale: Un’intervista con Gae Aulenti.” Casa Vogue, no. 46 (June 1975), pp. 134–39.

 

Rowell 1997
Rowell, Margit. Objects of Desire: The Modern Still Life. New York: Museum of Modern Art, 1997. Exhibition catalogue. (1997 New York MoMA).

 

Rowthorn 1995
Rowthorn, Chris. “Lichtenstein Aims for the Absurd.” Japan Times, November 18, 1995, p. 17.

 

Rubin Greenberg Van Doren 1999
Lawrence Rubin Greenberg Van Doren Fine Art. Roy Lichtenstein. New York: Lawrence Rubin Greenberg Van Doren Fine Art, 1999. Exhibition catalogue. (1999 New York Rubin Greenberg Van Doren).

 

D. Rubin 1979
Rubin, David S. Black and White Are Colors: Paintings of the 1950s–1970s. Claremont: Montgomery Art Gallery, Pomona College, 1979. Exhibition catalogue. (1979 Claremont Montgomery).

 

R. Rubin 2008
Rubin, Susan Goldman. Whaam! The Art and Life of Roy Lichtenstein. New York: Abrams Books for Young Readers, 2008.

 

Rubinfien 1978
Rubinfien, Leo. “Report from Albany: ‘New York: The State of Art’.” Art in America 66, no. 2 (March 1978), pp. 70–71, 73.

 

Rublowsky 1965
Rublowsky, John (photographs by Ken Heyman). Pop Art: Images of the American Dream. New York: Basic Books, 1965.

 

Rudenstine 1988
Rudenstine, Angelica Zander. Modern Painting, Drawing, and Sculpture Collected by Emily and Joseph Pulitzer, Jr. Cambridge, Mass.: Harvard University Art Museums, 1988.

 

Rudikoff 1963
Rudikoff, Sonia. “New Realists in New York.” Art International 7, no. 1 (January 1963), pp. 39–41.

 

Ruhrberg 1979
Ruhrberg, Karl, ed. Handbuch Museum Ludwig: Kunst des 20. Jahrhunderts: Gemälde, Skulpturen, Collagen, Objekte, Environments. Cologne: Museum Ludwig, 1979.

 

Ruhrberg 1981
Ruhrberg, Karl. Neuerwerbungen, 1980–81. Cologne: Wallraf-Richartz-Museum and Museum Ludwig, 1981. Exhibition catalogue. (1981 Cologne Wallraf-Richartz).

 

Ruhrberg 1982
Ruhrberg, Karl. “Kunst über Kunst: Roy Lichtenstein.” Museen der Stadt Köln Bulletin, no. 2 (1982).

 

Ruhrberg 1986
Ruhrberg, Karl. Kunst im 20. Jahrhundert: Das Museum Ludwig, Köln. Stuttgart: Klett-Cotta, 1986.

 

Ruhrberg 1998
Ruhrberg, Karl, ed. Kunst des 20. Jahrhunderts. 2 vols. Cologne: Taschen, 1998.

 

Ruiz de la Mata 1966a
Ruiz de la Mata, Ernesto J. “Art: Pop Prints.” San Juan [Puerto Rico] Review 3, no. 4 (June 1966), pp. 41–44.

 

J. Russell and Gablik 1969a
Russell, John, and Suzi Gablik. Pop Art. London: Hayward Gallery, 1969. Exhibition catalogue. (1969 London Hayward).

 

J. Russell and Gablik 1969b
Russell, John, and Suzi Gablik, eds. Pop Art Redefined. London: Thames and Hudson, 1969.

 

D. Russell 1995
Russell, Danny. “You Know: He’s the ‘Brushstrokes’ Guy.” Other Paper (Columbus, Ohio), March 2–8, 1995, pp. 1, 3.

 

J. Russell 1968
Russell, John. “Zoom in on the Classics.” Sunday Times (London), January 14, 1968, p. 50.

 

J. Russell 1969a
Russell, John. “Art Moderne: Roy Lichtenstein, Pop No. 1.” Connaissance des arts, no. 212 (October 1969), pp. 19, 21, 23.

 

J. Russell 1969b
Russell, John. “Pop Reappraised.” Art in America 57, no. 4 (July–August 1969), pp. 78–89.

 

J. Russell 1969c
Russell, John. “Portfolio of Prints in Honor of Meyer Shapiro.” New York Times, October 26, 1974, p. 26.

 

J. Russell 1974a
Russell, John. “Art: Monumental Lichtenstein Works.” New York Times, November 2, 1974, p. 24.

 

J. Russell 1974b
Russell, John. “Art: Renoir, Working and Having Fun: His Attitudes Reflected in a Show of 59 Works.” New York Times, October 26, 1974, p. 21.

 

J. Russell 1974c
Russell, John. “Persistent Pop.” New York Times Magazine, July 21, 1974, pp. 6, 25–27, 30–34.

 

J. Russell 1975
Russell, John. The Great Divide 1950–70. New York: Museum of Modern Art, 1975.

 

J. Russell 1976
Russell, John. “American Artists Redefine America with Bold Strokes.” New York Times, November 7, 1976, sec. 2, pp. 1, 23.

 

J. Russell 1977
Russell, John. “Autobiography of a Car.” New York Times, August 19, 1977, p. C14.

 

J. Russell 1981a
Russell, John. “Art: Randy Stevens, Glittery Satirist.” New York Times, January 2, 1981, p. C21.

 

J. Russell 1981b
Russell, John. The Meanings of Modern Art. New York: Harper and Row, 1981.

 

J. Russell 1982
Russell, John. “Seeing More Than Just Fun in Lichtenstein.” New York Times, September 5, 1982, sec. 2, p. 17.

 

J. Russell 1983
Russell, John. “Lichtenstein Has Not Lost His Power to Provoke.” New York Times, December 18, 1983, sec. 2, p. 33.

 

J. Russell 1984
Russell, John. “Art: The Irony of de Chirico.” New York Times, April 27, 1984, p. C21.

 

J. Russell 1987a
Russell, John. “Art: The Huge Images of Gilbert and George.” New York Times, June 5, 1987, p. C24.

 

J. Russell 1987b
Russell, John. “Roy Lichtenstein and Ellsworth Kelly.” New York Times, June 5, 1987.

 

J. Russell 1987c
Russell, John. “A Show of Lichtenstein’s Gentle Drawings.” New York Times, March 13, 1987, pp. C1, C28.

 

P. Russell 1967
Russell, Paul. “St. John: The New Brunswick Museum, Eleven Pop Artists, the New Image.” ArtsCanada, no. 24 (January 1967), 5 (supplement).

 

Rutgers 1996
Mason Gross School of the Arts, Rutgers, the State University of New Jersey, New Brunswick. 15 Degrees from Rutgers: Charting New Directions in Contemporary Art. New Brunswick, N.J.: Mason Gross School of the Arts, Rutgers, the State University of New Jersey, 1996. Exhibition brochure.

 

Ryan 1984
Ryan, David. The Pop Art Print. Fort Worth: Fort Worth Art Museum, 1984. Exhibition catalogue. (1984 Fort Worth Art Museum).

 

Rychlik 1991
Rychlik, Otmar. Alles rennet, rettet, flüchtet: Sport in der Kunst. Mürzzuschlag, Austria: Walter Buchebner-Gesellschaft, 1991. Exhibition catalogue. (1991 Mürzzuschlag Buchebner).

 

Rykwert 1968
Rykwert, Joseph. “Mostra a Londra.” Domus, no. 459 (February 1968), p. 31.

 

Saarinen 1963
Saarinen, Aline B. “Explosion of Pop Art.” Vogue 141, no. 8 (April 15, 1963), pp. 86–87, 134, 136, 142.

 

Sachs 1998
Sachs, Sid. Pop Abstraction. Philadelphia: Museum of American Art of the Pennsylvania Academy of the Fine Arts, 1998. Exhibition brochure.

 

Saff Tech Arts and Knoedler 1992
Saff Tech Arts, Oxford, Md., and Knoedler and Company, New York. Roy Lichtenstein: Water Lilies. Oxford, Md.: Saff Tech Arts; New York: Knoedler and Co., 1992. Exhibition catalogue. (1992 Chicago Gray).

 

Sag Harbor Express 2014
“Lichtenstein Outside The Parrish.” The Sag Harbor Express, April 10, 2014, p. B3.

 

Saint-Roch 1991
Musée Saint-Roch, Issoudun, France. Roy Lichtenstein: Panorama de l’oeuvre gravé. Issoudun, France: Musée Saint-Roch, 1991. Exhibition catalogue. (1991 Paris Grand Palais).

 

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Salus, Carol. “The Self-Portraits of Roy Lichtenstein: Some Reflections and Re-Definitions.” The International Journal of the Arts in Society (Melbourne) 2, no. 4 (2008), pp. 89–97.

 

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Salvador Dalí Museum, St. Petersburg, Fla. Pollock to Pop: America’s Brush with Dalí. St. Petersburg, Fla.: Salvador Dalí Museum Editions, 2005. Exhibition catalogue. (2005 St. Petersburg, Fla., Dalí).

 

Salvi 1982
Salvi, Sergio. “Gutenberg e Lichtenstein.” In Jack Cowart. Roy Lichtenstein 1970–1980, translated by Nicolas Hepp. Munich: Prestel Verlag, 1982, pp. 13–15.

 

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Salvi, Sergio, Wolfgang Becker, and Enrico Pedrini. Pop Art, America Europa, dalla Collezione Ludwig. Milan: Electa, 1987. Exhibition catalogue. (1987 Florence Forte di Belvedere).

 

Salzillo 1982
Salzillo, William. Drawings, Watercolors, and Prints by Contemporary Masters. Clinton, N.Y.: Root Art Center, Hamilton College, 1982. Exhibition catalogue. (1982 Clinton Root).

 

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San Francisco 1968
San Francisco Museum of Art. Untitled, 1968*. San Francisco: San Francisco Museum of Art, 1968. Exhibition catalogue. (1968 San Francisco Museum of Art).

 

San Francisco 1973
San Francisco Museum of Art. A Selection of American and European Paintings from the Richard Brown Baker Collection. San Francisco: San Francisco Museum of Art, 1973. Exhibition catalogue. (1973 San Francisco Museum of Art).

 

San Francisco 1982
San Francisco Museum of Modern Art. The Works of Edward Ruscha. New York: Hudson Hills Press in association with the San Francisco Museum of Modern Art, 1982. Exhibition catalogue.

 

San Francisco Art Institute 1966
San Francisco Art Institute. The Current Moment in Art. San Francisco: San Francisco Art Institute, 1966.

 

San Francisco Examiner 1967b
“There’s New POWer in POP Creations.” San Francisco Examiner and News, April 17, 1967.

 

San Marino 1967
Repubblica di San Marino. Nuove tecniche d’immagine: 6. biennale d’arte Repubblica di San Marino. Venice: Alfieri, 1967. Exhibition catalogue. (1967 San Marino Congressi).

 

Sanches 2000
Sanches, Rui. Um olhar sobre a Colecção Berardo/A Look at the Berardo Collection. Cadernos do museu 1. Sintra: Sintra Museu de Arte Moderna, Colecção Berardo, 2000. Exhibition catalogue. (2000a Sintra Museu).

 

Sandberg 1967
Sandberg, John. “Some Traditional Aspects of Pop Art.” Art Journal 26, no. 3 (Spring 1967), pp. 228–33, 245.

 

Sandler 1962a
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Sandler 1962b
Sandler, Irving. “In the Art Galleries.” New York Post, November 18, 1962.

 

Sandler 1962c
Sandler, Irving. “In the Art Galleries.” New York Post, December 2, 1962.

 

Sandler 1963
Sandler, Irving. “In the Art Galleries.” New York Post, October 6, 1963.

 

Sandler 1965
Sandler, Irving. “The New Cool-Art.” Art in America 53, no. 1 (February 1965), pp. 96–101.

 

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Sandler 1988
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Sanford 1962
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Sanford 1963
Sanford, Robert K. “Round and Round, Pop Goes the Art.” Kansas City Star, April 28, 1963, p. G4.

 

Sansegundo 2006
Sansegundo, Sheridan. “Roy Lichtenstein: Radical Works, Quiet Life.” East Hampton [N.Y.] Star, November 16, 2006.

 

Santa Barbara Museum of Art 1967
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Sarah Lawrence Gallery 1977
Sarah Lawrence Gallery, Sarah Lawrence College, Bronxville, N.Y. Ferrara, Lichtenstein, Nevelson, Ryman. Bronxville, N.Y.: Sarah Lawrence Gallery, Sarah Lawrence College, 1977. Exhibition catalogue. (1977 Bronxville Sarah Lawrence).

 

Sarajas-Korte 1969
Sarajas-Korte, Salme. Ars 69 Helsinki. Helsinki: Ateneumin Taidemuseo, 1969. Exhibition catalogue. (1969 Helsinki Ateneumin).

 

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Sauré, Wolfgang. “Marzotto-Skandal, Yves Klein, Warhol, und Lichtenstein: Ausstellungen in Paris.” Das Kunstwerk 19, no. 2 (August 1965), pp. 28, 37.

 

Sauvage 1962
Sauvage, Tristan (Arturo Schwarz), ed. International Anthology of Contemporary Engraving. Vol. 5, The International Avant-Garde: America Discovered. Milan: Galleria Schwarz, 1962.

 

Sawin 1957
S[awin], M[artica]. “Roy Lichtenstein.” Arts Magazine (New York) 31, no. 4 (January 1957), p. 52.

 

Scene 1962
“The Art of Lichtenstein.” Scene (New York) 8, no. 4 (August 1962), pp. 41–43.

 

Schaff 1980
Schaff, David. “A Conversation with Roy Lichtenstein.” Art International 23, no. 9 (January–February 1980), pp. 28–38.

 

Schall 2000
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Schenck 1973
Schenck, Axel. Künstlerlexikon: Biographien der großen Maler, Bildhauer und Baumeister. Vol. 1. Reinbek bei Hamburg: Rowohlt Taschenbuch-Verlag, 1973.

 

Schepers 1984
Schepers, Heiner, ed. Pop Art: Roy Lichtenstein, Claes Oldenburg, James Rosenquist, Andy Warhol, Tom Wesselmann, Mel Ramos, Ed Ruscha. Lingen, Germany: Kunstverein Lingen, 1984. Exhibition catalogue. (1984 Lingen Wilhelmshöhe).

 

Scheps 1995
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Scherr 2001
Scherr, Apollinaire. “Lichtenstein’s Strokes of Irony and Genius.” Art and Auction 23 (December 2001), p. 148.

 

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Schiffrin, Anya. “El Guggenheim revisa el arte pop de Lichtenstein, a los 30 años de su eclosión.” La vanguardia (Barcelona), October 10, 1993, p. 54.

 

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Schjeldahl 1991
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Schjeldahl 1997
Schjeldahl, Peter. “His Royness: Roy Lichtenstein, 1923–1997.” Village Voice (New York), October 21, 1997, p. 101.

 

Schjeldahl 1999
Schjeldahl, Peter. “The Art World: All That Jazz.” The New Yorker (October 18 and 25, 1999), pp. 244, 246, 249.

 

Schjeldahl 2001
Schjeldahl, Peter. “The Art World: Lucky Strokes: A Luminous Show of Lichtensteins.” The New Yorker (November 19, 2001), pp. 86–87.

 

Schlanger 1966
Schlanger, Jeff. “Ceramics and Pop: Roy Lichtenstein.” Craft Horizons 26, no. 1 (January–February 1966), pp. 42–43.

 

Schlocker 1975
Schlocker, Georges. “Roy Lichtenstein auf der Suche nach der Identität.” Tages-Anzeiger (Zurich), January 24, 1975, p. 21.

 

Schmahmann 1987
Schmahmann, Brenda Lynn. “Roy Lichtenstein’s Critique of Modernist Theories: The Post-1960 Works.” MA thesis, University of the Witwatersrand, Johannesburg, 1987.

 

Schmahmann 1988a
Schmahmann, Brenda. “The Drawings of Roy Lichtenstein.” De arte (Pretoria) 37 (April 1988), pp. 100–101.

 

Schmahmann 1988b
Schmahmann, Brenda. “‘Parody’ and ‘Satire’ in the Works of Roy Lichtenstein.” The South African Journal of Cultural and Art History 2, no. 2 (April 1988), pp. 129–34.

 

Schmahmann 1988c
Schmahmann, Brenda. “Roy Lichtenstein’s Critique of Modernism.” De arte (Pretoria) 37 (April 1988), pp. 50–57.

 

Schmahmann 1989
Schmahmann, Brenda. “Dialogues, Debates and Disputes: Early Responses to American Pop Art.” De arte (Pretoria) 39 (April 1989), pp. 24–31.

 

Schmahmann 1990a
Schmahmann, Brenda. “Loplop As Pop: Bird Imagery in Roy Lichtenstein’s ‘Surrealist’ and ‘Amerind/Surreal’ Works.” Paper submitted to History Department, University of the Witswaterstand, Johannesburg, January 1990.

 

Schmahmann 1990b
Schmahmann, Brenda. “Loplop As Pop: Bird Imagery in Roy Lichtenstein’s ‘Surrealist’ and ‘Amerind/Surreal’ Works.” The South African Journal of Art and Architectural History 1, no. 3 (September 1990), pp. 98–105.

 

Schmahmann 1990c
Schmahmann, Brenda. “Pop Prints of the 1970s.” The South African Journal of Art and Architectural History 1, no. 3 (September 1990), pp. 118–20.

 

Schmahmann 1991
Schmahmann, Brenda. Loplop As Pop: Bird Imagery in Roy Lichtenstein’s ‘Surrealist’ and ‘Amerind/Surreal’ Works. Johannesburg: University of the Witwatersrand, 1991.

 

Schmahmann 1992
Schmahmann, Brenda. “Roy Lichtenstein’s Critique of Modernist Theories: The Comic Book Paintings.” Acta varia 2 (1992), pp. 88–100.

 

Schmahmann 2013
Schmahmann, Brenda. “A Brush with Expression: Roy Lichtenstein’s Interchanges with Modernism.” In Lichtenstein: Expressionism, by Gagosian Gallery, Paris. Paris: Gagosian Gallery, 2013, pp. 12–16. Exhibition catalogue.

 

Schmalenbach 1974
Schmalenbach, Werner. Picasso to Lichtenstein: Masterpieces of Twentieth-Century Art from the Nordrhein-Westfalen Collection in Düsseldorf. London: Tate Gallery, 1974. Exhibition catalogue. (1974 London Tate).

 

Schmalenbach 1986
Schmalenbach, Werner. Bilder des 20. Jahrhunderts: Die Kunstsammlung Nordrhein-Westfalen, Düsseldorf. Munich: Prestel Verlag, 1986.

 

Schmalenbach 1990
Schmalenbach, Werner. Masterpieces of Twentieth-Century Art from the Kunstsammlung Nordrhein-Westfalen, Düsseldorf. Munich: Prestel Verlag, 1990.

 

K. Schmidt and Ursprung 1999
Schmidt, Katharina, and Philip Ursprung, eds. White Fire, Flying Man: Amerikanische Kunst 1959–1999 in Basel: Werke aus der Öffentlichen Kunstsammlung Basel und der Emanuel Hoffmann-Stiftung. Basel: Öffentliche Kunstsammlung Basel, 1999. Exhibition catalogue.

 

D. Schmidt 1968
Schmidt, Dana Adams. “Lichtenstein Whaams London with Retrospective at the Tate.” New York Times, January 28, 1968, p. 64.

 

Schmied 1975
Schmied, Wieland. Roy Lichtenstein: Zeichnungen. Berlin: Nationalgalerie, Staatliche Museen Preussischer Kulturbesitz, 1975. Exhibition catalogue. (1975 Paris CNAC).

 

Schmied et al. 2004
Schmied, Wieland, et al. Harenberg Museum der Malerei: 525 Meisterwerke aus sieben Jahrhunderten. Mannheim: Bibliographisches Institut, 2004.

 

A. Schneider and Langner 1993
Schneider, Angela, and Christian Langner. Wege der Moderne: Die Sammlung Beyeler. Berlin: Staatliche Museen zu Berlin, Preussischer Kulturbesitz, 1993. Exhibition catalogue. (1993 Berlin Nationalgalerie).

 

E. Schneider 2005a
Schneider, Eckhard. “Classic of the New.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005, pp. 11–13. Exhibition catalogue.

 

E. Schneider 2005b
Schneider, Eckhard, ed. Roy Lichtenstein: Classic of the New. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue. (2005 Bregenz Kunsthaus).

 

E. Schneider 2005c
Schneider, Eckhard, ed. Roy Lichtenstein: Klassik des Neuen. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005. Exhibition catalogue. (2005 Bregenz Kunsthaus).

 

P. Schneider 1963
Schneider, Pierre. “Biennale: Le Pop art à Paris.” L’express (Paris) (October 10, 1963).

 

Schnitzer Museum of Art 2009
Jordan Schnitzer Museum of Art, University of Oregon. Lasting Legacies: The First 75 Years, Selections from the Collection of the Jordan Schnitzer Museum of Art. Eugene, Ore.: Jordan Schnitzer Museum of Art, University of Oregon, 2009. Exhibition catalogue.

 

Schoener 1963
Schoener, Allon T. An American Viewpoint, 1963. Cincinnati: Contemporary Arts Center, 1963. Exhibition catalogue. (1963 Cincinnati CAC).

 

Scholastic 1984a
Scholastic. “A New Way of Seeing.” Art & Man 14, no. 6 (April–May 1984), pp. 2–5.

 

Scholastic 1984b
Scholastic. “Reclining Figure by Roy Lichtenstein: Art and Man Masterpiece of the Month No. 6.” Art and Man 14, no. 6 (April–May 1984), pp. 8–10.

 

Scholz–Wanckel [1965]
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Schrage 1986
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Schrey 1982
Schrey, W. G. “Ein ‘neuer’ Lichtenstein in der Kunsthalle.” Köln im… (April 1982).

 

Schröder 2005
Schröder, Karo. Roy Lichtenstein. Aachen: Flotainment, 2005.

 

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Schulze 1963
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Schulze 1977
Schulze, Franz. “Pop Art without Zowie: Lichtenstein’s New Cool.” Chicago Daily News, February 5–6, 1977, Panorama sec., p. 12.

 

Schuyler 1957
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Schuyler 1974
Schuyler, James. “Roy Lichtenstein at Castelli.” Art in America 62, no. 6 (November–December 1974), pp. 117–18.

 

Schwabsky 1987
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Schwabsky 1996
Schwabsky, Barry. “Distinguished Alumni Help Rutgers Inaugurate Its New Arts Center.” New York Times, March 3, 1996, p. 7.

 

Schwabsky 2000
Schwabsky, Barry. “The Aesthetics of Comics. By David Carrier.” Art on Paper 5, no. 2 (November–December 2000), pp. 94–95.

 

C. Schwartz and Perrell 1999
Schwartz, Constance, and Franklin Hill Perrell. Contemporary American Masters: The 1960s. Roslyn Harbor: Nassau County Museum of Art, 1999. Exhibition catalogue. (1999 Roslyn Nassau County Museum).

 

C. Schwartz and Perrell 2008
Schwartz, Constance, and Franklin Hill Perrell. Pop and Op. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 2008. Exhibition catalogue. (2008 Roslyn Harbor Nassau County Museum).

 

P. Schwartz 1965
Schwartz, Paul Waldo. “New Turn in Course of Pop Art.” New York Times International Edition, June 15, 1965.

 

P. Schwartz 1968
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Schweitzer 1994
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Scogin 2001
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Scott 1989
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Scott-James 1968
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Sebök 1981
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Seckler 1962
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Sefton 1965
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Seibu 1988
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Seitz and Goodrich 1967
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Seldis 1963
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Seldis 1967a
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Seldis 1967b
Seldis, Henry J. “Roy Lichtenstein: ‘Pop’ Formalist.” Los Angeles Times, Calendar, April 23, 1967, p. 34.

 

Seldis 1971a
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Seldis 1971b
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Selvig 1968
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Selz 1963a
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Selz 1963b
Selz, Peter. “A Symposium on Pop Art.” Arts Magazine (New York) 37, no. 7 (April 1963), pp. 36–45.

 

Selz 1966
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Selz 1970
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Selz 1981
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Services Culturel Américains, en France, Paris. USA: 40 Affiches 1966–75. Paris: Services Culturel Américains en France, 1976. Exhibition catalogue.

 

Seward 1963
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Sezon Museum of Art 1998
Sezon Museum of Art, Tokyo. Pop Art Spirits: Masterpieces from the Ludwig Collection. Tokyo: Sezon Museum of Art, 1998. Exhibition catalogue. (1998 Tokyo Sezon).

 

Sezon, Hyogo Prefectural Museum, and Asahi Shimbun 1991
Sezon Museum of Art; Hyogo Prefectural Museum of Modern Art, Kobe; and Division of Cultural Projects, Asahi Shimbun. Geijutsu to kōkoku ten zuroku/Art et Publicité. Tokyo: Asahi Shinbun, 1991. Exhibition catalogue. (1991 Tokyo Sezon).

 

Shafrazi 2009
Shafrazi, Tony, ed. Dennis Hopper: Photographs 1961–1967. Cologne: Taschen, 2009.

 

Shafrazi Gallery 1990
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B. Shapiro 1972
Shapiro, Barbara Stern. “Reviews and Previews: Roy Lichtenstein.” ARTnews 71, no. 1 (March 1972), p. 18.

 

B. Shapiro 1977
Shapiro, Barbara Stern. Drawings for Outdoor Sculpture: 1946–1977. New York: John Weber Gallery, 1977. Exhibition catalogue. (1977 New York Weber).

 

B. Shapiro 1997
Shapiro, Barbara Stern. Roy Lichtenstein: Landscapes in the Chinese Style. Boston: Museum of Fine Arts, 1997. Exhibition brochure. (1997 Boston MFA).

 

D. Shapiro 1991
Shapiro, David. “The Unbearable Lightness of Roy Lichtenstein/L’insoutenable légèreté de Roy Lichtenstein.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 132–49.

 

D. Shapiro ca. 1980
Shapiro, David. “High Unity: An Interview with Roy Lichtenstein.” New York Quarterly [1980].

 

M. Shapiro 1986
Shapiro, Michael Edward. “Twentieth-Century American Sculpture.” St. Louis Art Museum Bulletin 18, no. 2 (Winter 1986), pp. 1–40.

 

Sharpless 1964
Sharpless, Ti-Grace. The Atmosphere of ’64. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1964. Exhibition catalogue. (1964 Philadelphia ICA).

 

Shea 2003
Shea, Patricia, ed. Picasso to Pop: The Richard Weisman Collection. New York and Los Angeles: Atelier Press, 2003.

 

Shearer 2013
Shearer, Christine Fowler. “Joseph O’Sickey: A Life of Art.” In Joseph O’Sickey: Unifying Art, Life and Love, by Shearer and Steven Litt. Canton, Ohio: Canton Museum of Art, 2013, pp. 15–29. Exhibition catalogue.

 

Shearer and Litt 2013
Shearer, Christine Fowler, and Steven Litt. Joseph O’Sickey: Unifying Art, Life and Love. Canton, Ohio: Canton Art Museum of Art, 2013. Exhibition catalogue.

 

Sheehan 1989
Susan Sheehan Gallery. American Prints from the Sixties. New York: Susan Sheehan Gallery, 1989. Exhibition catalogue. (1989 New York Sheehan).

 

Sheets 2005
Sheets, Hilarie M. “Roy Lichtenstein: Mitchell-Innes and Nash and Gagosian.” ARTnews 104, no. 11 (December 2005), p. 140.

 

Sheffield Telegraph 1968
“Pop at the Tate.” Sheffield Telegraph, January 6, 1968.

 

J. Shepherd 2005
Shepherd, Jan. “Subway Art.” Boston Globe, June 26, 2005, p. M2.

 

M. Shepherd 1979
Shepherd, Michael. “American Painting in the 1970s.” Arts Review (London) 31, no. 15 (August 3, 1979), p. 399.

 

H. Sherman 1952
Sherman, Hoyt. Recent Paintings: Roy F. Lichtenstein. New York: John Heller Gallery, 1952. Exhibition catalogue.

 

H. Sherman 1975
Sherman, Hoyt. Roy Lichtenstein. Columbus: Sullivan Gallery, Ohio State University. Exhibition brochure. (1975 Columbus Sullivan).

 

M. Sherman 1997
Sherman, Mary. “Lichtenstein Applies His Style to Chinese Landscapes.” Boston Herald, March 21, 1997, p. S13.

 

Sherwin Miller Museum 2012
Sherwin Miller Museum of Jewish Art. Roy Lichtenstein: American Identity. Tulsa: Sherwin Miller Museum of Jewish Art, 2012. Exhibition brochure.

 

Shields 1951
Shields, Winifred. “Ohio Artists Are Sensitive to Character of Home State.” Kansas City Star, May 11, 1951.

 

Shimasaki 1999
Shimasaki, Yoshinobu. “Poppu āto no tanjō (The birth of pop art).” BT 6 [Bijutsu techō] (Tokyo) 51, no. 780 (December 1999), pp. 1–16.

 

Shinjuku I-Land 1995
Shinjuku I-Land. Shinjuku I-Land Public Art Project. Tokyo: Housing and Urban Development Corporation, Tokyo Branch, 1995.

 

Shinoda 1988
Shinoda, Tazmi. “Lichtenstein’s Mural: A Purgatory of ‘Merry-Go-Round’.” Mizue (Tokyo), no. 947 (summer 1988), pp. 3–23.

 

Shirey 1968
Shirey, David. “Icons.” Newsweek, July 15, 1968, p. 85.

 

Shirey 1970
Shirey, David L. “American Pop Really Turns on German Art Lovers.” New York Times, November 27, 1970, p. 46.

 

Shirey 1971
Shirey, David L. “Drawings by Lichtenstein Stress Pop.” New York Times, November 13, 1971, p. 29.

 

Show 1963
“Which Twin Is the Phony?” Show 3, no. 2 (February 1963), pp. 88–91.

 

J. Siegel 1968
Siegel, Jeanne. “Documenta IV: Homage to the Americans?” Arts 43, no. 1 (September–October 1968), pp. 37–41.

 

J. Siegel 1985
Siegel, Jeanne. “Thoughts on the ‘Modern’ Period [1967].” In Artwords: Discourse on the ’60s and ’70s, by Siegel. Studies in the Fine Arts (Avant-Garde) 47. Ann Arbor: UMI Research Press, 1985.

 

K. Siegel 2002
Siegel, Katy. “Roy Lichtenstein: Mitchell-Innes and Nash.” Artforum International 40 (January 2002), p. 138.

 

Siegfried 1969a
Siegfried, Joan. “The Spirit of the Comics.” Art and Artists 4, no. 9 (December 1969), pp. 18–21.

 

Siegfried 1969b
Siegfried, Joan. The Spirit of the Comics. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1969. Exhibition catalogue. (1969 Philadelphia ICA).

 

Silberman 2012
Silberman, Robert. “Roy Lichtenstein: Chicago, Washington, London and Paris.” The Burlington Magazine 154 (October 2012), pp. 736–37.

 

Silver 2003
Silver, Kenneth E. JFK and Art. London: Frances Lincoln in association with Bruce Museum, Greenwich, Conn., 2003. Exhibition catalogue.

 

Silver 2010
Silver, Kenneth E. “What about Brad? Lichtenstein’s Men.” In Roy Lichtenstein: Mostly Men, by Leo Castelli, New York. New York: Leo Castelli, 2010, pp. 5–29. Exhibition catalogue.

 

Silver 2014
Silver, Kenneth E. “WALLS: Johns, Lichtenstein, trompe l’oeil, and Art History.” In Castelli, Jasper Johns and Roy Lichtenstein: Walls. New York: Castelli Gallery, 2014, pp. 3–33. Exhibition catalogue.

 

Simmen 1989
Simmen, Jeannot. “Ursprünge eines Pop-Klassikers.” Berliner Kunstblatt (January–February 1989), p. 67.

 

Simonian 1995a
Simonian, Karen. “Lichtenstein on the Wexner, Art and ‘Brushstrokes’.” Other Paper (Columbus, Ohio), September 21–27, 1995, p. 12.

 

Simonian 1995b
Simonian, Karen. “Welcome Home, Roy.” Other Paper (Columbus, Ohio), March 20, 1995, pp. 1, 3.

 

Simpson 1980
Simpson, I. “Modern Art.” Artist (U.K.) 95, no. 2 (February 1980), pp. 11–14.

 

Sims 1979
Sims, Patterson. The Decade in Review: Selections from the 1970s. New York: Whitney Museum of American Art, 1979. Exhibition brochure.

 

Sims 1985
Sims, Patterson. Whitney Museum of American Art: Selected Works from the Permanent Collection. New York: Whitney Museum of American Art, 1985.

 

Sims 1988
Sims, Patterson. Twentieth-Century American Art: Highlights of the Permanent Collection. New York: Whitney Museum of American Art at Equitable Center, 1988. Exhibition brochure.

 

Singapore Art Museum [1998]
Singapore Art Museum. Roy Lichtenstein: Landscapes in the Chinese Style. Singapore: National Heritage Board, Singapore Art Museum, [1998]. Exhibition catalogue. (1997 Boston MFA).

 

Singerman 1986
Singerman, Howard, ed. Individuals: A Selected History of Contemporary Art. Los Angeles: Museum of Contemporary Art; New York: Abbeville Press, 1986. Exhibition catalogue. (1986 Los Angeles MOCA).

 

Sintra Museu 1996
Sintra Museu de Arte Moderna, Colecção Berardo. The Berardo Collection: Sintra Museum of Art. Sintra: Sintra Museu de Arte Moderna, Colecção Berardo, 1996. Exhibition catalogue. (1997 Sintra Museu).

 

Sisario 2003
Sisario, Ben. “Arts Briefing: Atlanta: A Gift of a (Cartoon) House.” New York Times, November 25, 2003, p. E2.

 

Skinner 1967
Skinner, Olivia. “Art Subjects from Kitchen and Garage.” St. Louis Post-Dispatch Everyday Magazine, August 29, 1967, pp. 1, 3.

 

Skira 1974
“Les interrogations de la réalité.” In Skira annuel: Art actuel. Geneva: Éditions Skira, 1974, pp. 10–37.

 

Slatkin 1968
Charles E. Slatkin Galleries, New York. American Tapestries. New York: Charles E. Slatkin Galleries, 1968. Exhibition catalogue. (1968 New York Slatkin).

 

Slifkin 2011
Slifkin, Robert. “Philip Guston’s Return to Figuration and the ‘1930s Renaissance’ of the 1960s.” Art Bulletin 92, no. 2 (June 2011), pp. 220–42.

 

Gordon Smith 1963
Smith, Gordon. Mixed Media and Pop Art. Buffalo: Albright-Knox Art Gallery, 1963. Exhibition catalogue. (1963 Buffalo Albright-Knox).

 

Griffin Smith 1974
Smith, Griffin. “Bathtubs, Boxes and Art.” Miami Herald, April 14, 1974, pp. G1, G6.

 

Griffin Smith 1976
Smith, Griffin. “Pop Art’s Lichtenstein Fuels a Furor.” Miami Herald, April 11, 1976, p. H2.

 

J. Smith 1997
Smith, J. Y. “Pop Art Pioneer Roy Lichtenstein Dies.” Washington Post, September 30, 1997, p. B6.

 

Patrick Smith 1986
Smith, Patrick S. Andy Warhol’s Art and Films. Ann Arbor: UMI Research Press, 1986.

 

Peter Smith 1974
Smith, Peter. “Roy Lichtenstein.” Flash Art, nos. 46–47 (June 1974), p. 56.

 

Peter Smith 1989
Smith, Peter. “Flash Art Reprint: Roy Lichtenstein (Recent Paintings).” Flash Art, no. 148 (October 1989), p. 93.

 

R. Smith 1975
Smith, Roberta. “Reviews.” Artforum 13, no. 6 (February 1975), pp. 63–66.

 

R. Smith 1989
Smith, Roberta. “Art: ‘Amerika’ by Tim Rollins and K.O.S.” New York Times, November 3, 1989, p. C33.

 

R. Smith 1990
Smith, Roberta. “High and Low Culture Meet on a One-Way Street.” New York Times, October 5, 1990, pp. C1, C25.

 

R. Smith 1992a
Smith, Roberta. “Inviting (If Fanciful) Rooms by Roy Lichtenstein.” New York Times, June 2, 1992, p. C23.

 

R. Smith 1992b
Smith, Roberta. “Long Island Shows: Small, Closely Focused and Odd: East Hampton.” New York Times, August 21, 1992, p. C22.

 

R. Smith 1994a
Smith, Roberta. “Lichtenstein.” Atelier (Tokyo), no. 803 (1994), pp. 4–38.

 

R. Smith 1994b
Smith, Roberta. “A Surprise from Lichtenstein Prints Show.” New York Times, December 22, 1994, p. C7.

 

R. Smith 2005
Smith, Roberta. “Roy Lichtenstein.” New York Times, October 21, 2005, p. E36.

 

R. Smith 2007
Smith, Roberta. “Art in Review: Roy Lichtenstein.” New York Times, January 12, 2007, p. E42.

 

R. Smith 2008
Smith, Roberta. “The Painter Who Adored Women.” New York Times, June 11, 2008, pp. E1, E5.

 

Sokolov 1997
Sokolov, Raymond. “The Gallery: Asian Invasion of Atlantic Rim.” Wall Street Journal, June 5, 1997, p. A20.

 

A. Solomon 1963a
Solomon, Alan. “The New Art.” Art International 7, no. 7 (September 1963), pp. 37–40.

 

A. Solomon 1963b
Solomon, Alan. “Den nye amerikanske kunst.” Louisiana revy (Humlebaek, Denmark), no. 1 (September 1963), pp. 2–7.

 

A. Solomon 1963c
Solomon, Alan. The Popular Image Exhibition. Washington, D.C.: Washington Gallery of Modern Art, 1963. Exhibition catalogue. (1963b Washington, D.C., Washington Gallery of Modern Art).

 

A. Solomon 1963d
Solomon, Alan. The Popular Image. London: Institute of Contemporary Arts, 1963. Exhibition catalogue. (1963 London ICA).

 

A. Solomon 1964a
Solomon, Alan. “The New American Art.” Art International 8, no. 2 (March 1964), pp. 50–55.

 

A. Solomon 1964b
Solomon, Alan. American Pop Art. Amsterdam: Stedelijk Museum, 1964. Exhibition catalogue. (1964 Stockholm Moderna Museet).

 

A. Solomon 1966a
Solomon, Alan. “American Art between Two Biennales.” Metro, no. 11 (1966), pp. 24–35.

 

A. Solomon 1966c
Solomon, Alan. “Studies in Iconography: The Master of the Crying Girl.” Art in America 54, no. 2 (March–April 1966), pp. 96–97.

 

A. Solomon 1967a
Solomon, Alan. American Painting Now. Boston: Institute of Contemporary Art, 1967. Exhibition catalogue. (1967 Montreal Expo).

 

A. Solomon 1967b
Solomon, Alan (photographs by Ugo Mulas). New York: The New Art Scene. New York: Holt, Rinehart and Winston, 1967.

 

A. Solomon 1969
Solomon, Alan. Painting in New York: 1944 to 1969. Pasadena: Pasadena Art Museum, 1969. Exhibition catalogue. (1969 Pasadena, Tex., Pasadena Art Museum).

 

Sonnabend 1965
Galerie Sonnabend, Paris. Roy Lichtenstein. Paris: Galerie Ileana Sonnabend, 1965. Exhibition catalogue. (1965 Paris Sonnabend).

 

M. Sonnabend 1963
Sonnabend, Michael. Lichtenstein (Prima personale in Italia). Turin: Galleria il Punto Arte Moderna, 1963. Exhibition catalogue. (1963b Paris Sonnabend).

 

Sorin 1968
Sorin, Raphaël. “Le classicisme du hot dog.” La quinzaine littéraire, no. 42 (January 1968), pp. 16–17.

 

Sorman 1992
Sorman, Guy. “Roy Lichtenstein, roi du Pop.” Figaro magazine (Paris), February 22, 1992, pp. 3, 67–70.

 

Sorrentino 1962
Sorrentino, Gilbert. “Kitsch into Art: The New Realism.” Kulchur (New York) 2, no. 8 (Winter 1962), pp. 10–23.

 

Sotheby’s 2006
Sotheby’s, New York. Sinking Sun by Roy Lichtenstein. New York: Sotheby’s, 2006.

 

Sotheby, Parke-Bernet, New York 1972
Sotheby, Parke-Bernet, New York. Post War and Contemporary Paintings, Drawings, Sculpture and Prints, May 15, 1972. New York: Sotheby, Parke-Bernet, 1972.

 

Sottsass 1963
Sottsass, Ettore, Jr. “Dada, New Dada, New Realists.” Domus, no. 399 (February 1963), pp. 27–28, 30.

 

Sottsass 1966
Sottsass, Ettore, Jr. “Memoires di panna montata.” Domus, no. 442 (September 1966), pp. 43–45.

 

Sottsass 2005
Sottsass, Ettore, Jr. “Roy Lichtenstein.” In Roy Lichtenstein: Classic of the New, edited by Eckhard Schneider. Bregenz: Kunsthaus Bregenz; Cologne: Buchhandlung Walther König, 2005, pp. 210–11. Exhibition catalogue.

 

Sousa 2005
Sousa, Ana Paula. “Exposição: Imagens da fantasia consumista.” CartaCapital (São Paulo) 12, no. 360 (September 21, 2005), p. 72.

 

South Texas 1974
Art Museum of South Texas, Corpus Christi. Eight Artists: Dan Christensen, Neil Jenney, Don Judd, Roy Lichtenstein, Robert Rauschenberg, Gary Stephan, Cy Twombly, Peter Young. Corpus Christi: Art Museum of South Texas, Corpus Christi, 1974. Exhibition catalogue. (1974 Corpus Christi Art Museum).

 

Southampton Press 1995a
“Lichtenstein Installation.” Southampton [N.Y.] Press, July 20, 1995.

 

Southampton Press 1995b
“A Pioneer in Modern Printmaking at Parrish.” Southampton [N.Y.] Press, October 26, 1995, pp. B1, B7.

 

Southampton Press 1995c
“Previews and Postscripts: Prints at the Parrish.” Southampton [N.Y.] Press, September 7, 1995, p. 25.

 

Southampton Press 1995d
“Rare Statement.” Southampton [N.Y.] Press, August 24, 1995, p. 12.

 

Southampton Press 1995e
“A Toast to Lichtenstein.” Southampton [N.Y.] Press, August 24, 1995, p. 4.

 

Soutif 2005
Soutif, Daniel. L’art du XXe siècle, 1939–2002. Paris: Citadelles et Mazenod, 2005.

 

Spector 1999
Spector, Naomi. “Plane Talk: Notes on Roy Lichtenstein’s Sculptures.” In Lichtenstein: Sculpture and Drawings, by Corcoran Gallery of Art, Washington, D.C. Washington, D.C.: Corcoran Gallery of Art, 1999, pp. 33–35. Exhibition catalogue.

 

Speed 2003
J. B. Speed Art Museum, Louisville. Reverie: Works from the Collection of Douglas S. Cramer. Louisville: J. B. Speed Art Museum, 2003. Exhibition catalogue. (2003 Louisville Speed).

 

Spencer 1993
Spencer, Susan. “Looking at Lichtenstein.” Diversion: For Physicians at Leisure (September 1993), pp. 107–9.

 

Sperone 1975
Sperone, Gian Enzo. Jim Dine, Roy Lichtenstein, Morris Louis, Michelangelo Pistoletto, Robert Rauschenberg, Mario Schifano, Frank Stella, Cy Twombly, Andy Warhol. Turin: G. E. Sperone, 1975.

 

Spicer 1968
Spicer, John. “It’s . . . It’s Not a Painting, Is It?” Daily Mail (London), January 6, 1968.

 

Spiegel 2002
Spiegel, Josef, ed. Oops: Kunst auf Plattencovern. Schöppingen, Germany: Stiftung Künstlerdorf Schöppingen, 2002.

 

Spies and Weber 2007
Spies, Werner, and C. Sylvia Weber, eds. Liebe auf den ersten Blick: Hundert Neuerwerbungen der Sammlung Würth. Künzelsau, Germany: Swiridoff Verlag, 2007. Exhibition catalogue. (2007 Künzelsau Würth).

 

Squirru 1963a
Squirru, Rafael. “Editor’s Letters.” ARTnews 62, no. 6 (October 1963), p. 6.

 

Squirru 1963b
Squirru, Rafael. “Pop Art or the Art of Things.” Américas (Washington, D.C.) 15, no. 7 (July 1963), pp. 15–21.

 

Squirru 1965
Squirru, Rafael. “The Culture We Share.” Américas (Washington, D.C.) (April 1965).

 

St. Louis 1979
“Recent Acquisition: ‘Fishbowl II’ by Roy Lichtenstein.” St. Louis Art Museum Bulletin 15, no. 2 (April–June 1979), pp. 177–80.

 

Stadt und Land 1995
“Lichtenstein Ikonen der Großstadt-Zivilisation.” Stadt und Land (December 1995–January 1996), pp. xiv–xv.

 

Städtisches Museum Mönchengladbach 1968
Städtisches Museum Mönchengladbach. Beleg: Kunstwerke der zweiten Hälfte des 20. Jahrhunderts aus dem Besitz der Stadt Mönchengladbach. Mönchengladbach: Städtisches Museum Mönchengladbach, 1968. Exhibition catalogue. (1968 Mönchengladbach Städtisches Museum).

 

Stanford 1987
The Anderson Collection: Two Decades of American Graphics, 1967–1987. Stanford, Calif.: Board of Trustees of the Leland Stanford Junior University, 1987. Exhibition catalogue. (1987 Stanford UMA).

 

Staniszewski 1985
Staniszewski, Mary Anne. “Pop’s Public Relations.” Art and Text, no. 19 (October–December 1985), pp. 83–87.

 

Stavitsky and Johnson 2005a
Stavitsky, Gail, and Twig Johnson. “Roy Lichtenstein: American Indian Encounters.” American Art Review (Leawood) 17, no. 6 (November–December 2005), pp. 124–29, 159.

 

Stavitsky and Johnson 2005b
Stavitsky, Gail, and Twig Johnson. Roy Lichtenstein: American Indian Encounters. Montclair, N.J.: Montclair Art Museum, 2005. Exhibition catalogue. (2005 Montclair Art Museum).

 

Stebbins 1976
Stebbins, Theodore E., Jr. American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present. New York: Harper and Row, 1976.

 

Stedelijk 1967a
Stedelijk Museum, Amsterdam. Roy Lichtenstein. Amsterdam: Stedelijk Museum, 1967. Exhibition catalogue. (1967b Amsterdam Stedelijk).

 

Stedelijk 1967b
Stedelijk Museum, Amsterdam. SM: Stedelijk Museum Amsterdam. [Amsterdam: Stedelijk Museum], 1967. (1967a Amsterdam Stedelijk).

 

Stedelijk van Abbemuseum 1967
Stedelijk van Abbemuseum, Eindhoven. Artypo: Kunst, gemaakt met behulp van grafische technieken. Eindhoven: Grafische School, 1967. Exhibition catalogue. (1967a Eindhoven van Abbemuseum).

 

Stedelijk van Abbemuseum 1971
Stedelijk van Abbemuseum, Eindhoven. Experiment in grafiek: Gemini G.E.L. Eindhoven: [Stedelijk van Abbemuseum], 1971. Exhibition catalogue. (1971 Eindhoven van Abbemuseum).

 

Steffen 2004
Steffen, Barbara, ed. Visions of America: Zeitgenössische Kunst aus der Sammlung Essl und der Sonnabend Collection, New York/Contemporary Art from the Essl Collection and the Sonnabend Collection, New York. Klosterneuburg: Edition Sammlung Essl, 2004. Exhibition catalogue. (2004 Klosterneuburg Essl).

 

D. Stein 1988
Stein, Daniel L. “All Systems Slow: How Everything from Glass to the Economy Takes Shape.” The Sciences (New York) 28, no. 5 (September–October 1988), pp. 22–29.

 

J. Stein 1982
Stein, Jean. Edie: An American Biography. Edited by Stein and George Plimpton. New York: Alfred A. Knopf, 1982.

 

Steiner 1988
Steiner, Wendy. Pictures of Romance: Form against Context in Painting and Literature. Chicago: University of Chicago Press, 1988.

 

Steinhart 2005
Steinhart, Matthias. “Das Spiel mit der Antike: Archäologisches zu Roy Lichtensteins ‘Kosmologie’.” Antike Welt: Zeitschrift für Archäologie und Kulturgeschichte 36, no. 1 (2005), pp. 71–79.

 

Steinhauer 2005
Steinhauer, Jennifer. “The Arts Administration.” New York Times, October 23, 2005, Arts and Leisure, sec. 2, pp. 1, 18.

 

Steininger 2003a
Steininger, Florian. “Katalog.” In Roy Lichtenstein, by Kunstforum Wien. Vienna: Kunstforum Wien; Wolfratshausen: Edition Minerva Hermann Farnung, 2003, pp. 28–128. Exhibition catalogue.

 

Steininger 2003b
Steininger, Florian. “Roy Lichtenstein: Leben und Werk.” In Roy Lichtenstein, by Kunstforum Wien. Vienna: Kunstforum Wien; Wolfratshausen: Edition Minerva Hermann Farnung, 2003. Exhibition catalogue.

 

Stemmler 1989
Stemmler, Dierk. Pop Art und Umfeld: Druckgraphik aus der Sammlung Etzold. Mönchengladbach: Städtisches Museum Abteiberg Mönchengladbach, 1989. Exhibition catalogue. (1989 Mönchengladbach Städtisches Museum Abteiberg).

 

Stephens 1986
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Sterckx 1972
Sterckx, Pierre. “Lichtenstein: Le Mondrian du Pop.” Clés pour les arts 18 (February 1972), pp. 11–14.

 

Sterckx 1991
Sterckx, Pierre. “De la physique de Lichtenstein.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 110–121.

 

Sterckx 2007
Sterckx, Pierre. 50 géants américains: Comment New York a détrôné l’Europe. Boulogne-Billancourt (Hauts-de-Seine): Beaux-Arts Éditions, 2007. Exhibition catalogue.

 

Sterckx 2013
Sterckx, Pierre. “Roy Lichtenstein: l’ironie, connaît pas!” In Roy Lichtenstein. Paris: Beaux Arts Éditions, 2013, pp. 54–57.

 

Sterckx 2013b
Sterckx, Pierre. “À l’encontre d’une idée reçue: Roy Lichtenstein: L’ironie, connaît pas!” In Roy Lichtenstein au Centre Pompidou. Paris: Beaux-Arts Éditions, 2013, pp. 55–57.

 

Sternberg 1984
Sternberg, Ruth. “Roy Lichtenstein: A Man, His Work, and His Thoughts.” OSU Alumni Magazine (Columbus) 75, no. 11 (July–August 1984), pp. 6–7, 37–38.

 

Stevens 1981
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Stewart 2006
Stewart, Garrett. The Look of Reading: Book, Painting, Text. Chicago: University of Chicago Press, 2006.

 

Stich 1987
Stich, Sidra. Made in U.S.A.: An Americanization in Modern Art, the ’50s and ’60s. Berkeley: University of California Press, 1987. Exhibition catalogue. (1987 Berkeley UAM).

 

Stiles 1969
Stiles, Knute. “‘Untitled ’68’: The San Francisco Annual Becomes an Invitational.” Artforum 7, no. 5 (January 1969), pp. 50–52.

 

Stitleman 1973
Stitleman, Paul. “Reviews: New York.” Arts Magazine (New York) 47, no. 6 (April 1973), p. 74.

 

Stone-Jones 1979
Stone-Jones, Gareth. “Roy Lichtenstein: Entablatures.” Arts Review (London) 31, no. 6 (March 1979), p. 154.

 

Storr 1996
Storr, Robert. “New Jersey Transit Gloria Mundi.” In 15 Degrees from Rutgers: Charting New Directions in Contemporary Art, by Mason Gross School of the Arts, Rutgers, the State University of New Jersey, New Brunswick. New Brunswick, N.J.: Mason Gross School of the Arts, Rutgers, the State University of New Jersey, 1996, unpaginated. Exhibition brochure.

 

Strassfield 1991
Strassfield, Christina Mossaides. Aspects of Collage. Southampton, N.Y.: Guild Hall Museum, 1991. Exhibition catalogue. (1991a East Hampton Guild Hall).

 

Strassmeyer 1969
Strassmeyer, Mary. “Artist Draws Interest Here.” Plain Dealer (Cleveland), February 12, 1969, p. C4.

 

Straus 1995
Straus, Cees. Pop Art. Rotterdam: Kunsthal Rotterdam, 1995. Exhibition catalogue. (1995 Rotterdam Kunsthal).

 

Strelow 1967
Strelow, Hans. “Ein Klassiker des Comic: Zu einer Roy-Lichtenstein-Ausstellung in Amsterdam.” Zeit (Hamburg), November 24, 1967, p. 19.

 

Strick 1988
Strick, Jeremy. Twentieth-Century Art: Selections for the Tenth Anniversary of the East Building. Washington, D.C.: National Gallery of Art, 1988. Exhibition catalogue.

 

Strickland 1993
Strickland, Carol. “A Fresh Look at Pop Painter Roy Lichtenstein.” Christian Science Monitor, October 19, 1993, p. 12.

 

Strickland 1997
Strickland, Carol. “Roy Lichtenstein: Keen Observer of Life’s Little Ironies.” Christian Science Monitor, October 3, 1997, p. 11.

 

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Stroud, Marion Boulton. New Material As New Media: The Fabric Workshop and Museum. Cambridge, Mass.: MIT Press; Philadelphia: Fabric Workshop and Museum, 2002. Exhibition catalogue. (2003 Philadelphia Fabric Workshop).

 

Stuckey 1977
Stuckey, Charles F. “Another Side of Jackson Pollock.” Art in America 65, no. 6 (November–December 1977), pp. 81–91.

 

Stuckey 2005
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Styron 1980
Styron, Thomas W. American Figure Painting, 1950–1980. Norfolk, Va.: Chrysler Museum, 1980. Exhibition catalogue. (1980 Norfolk Chrysler).

 

Suenaga 2000
Suenaga, Terukazu. Nijisseiki no bijutsu/The Concise History of the 20th Century Art. Tokyo: Bijutsu Shuppansha, 2000.

 

D. Sullivan 1968
Sullivan, Dan. “Artists Agree on Boycott of Chicago Showings.” New York Times, September 5, 1968, p. 41.

 

M. Sullivan 1994
Sullivan, Meg. “Rattling Art World’s Cage: Lichtenstein Continues Mining Lowbrow Vein.” Daily News: L.A. Life, February 1, 1994, pp. 1, 16.

 

Sunday Bulletin 1962
“Art Consists of Anything: Exhibitors Prove It at YMHA.” Sunday Bulletin (Philadelphia), October 28, 1962, p. 24.

 

Sunday Home News 1961
“Douglass Art Professor’s Works May Arouse Appetites.” Sunday Home News (New Brunswick, N.J.), January 15, 1961, p. 26.

 

Sundell 1988
Sundell, Nina Castelli. The Turning Point: Art and Politics in 1968. Cleveland: Cleveland Center for Contemporary Art, 1988. Exhibition catalogue. (1988 Cleveland Center).

 

Sundell 1990
Sundell, Nina Castelli. Lichtenstein: La grafica. Milan: Electa, 1990. Exhibition catalogue. (1990 Trento Albere).

 

Sundell and Nathanson 1976
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Sussman 1978
Sussman, Elizabeth. Roy Lichtenstein: The Modern Work, 1965–1970. Boston: Institute of Contemporary Art, 1978. Exhibition catalogue. (1978 Boston ICA).

 

Sutinen 1980
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Sverbeyeff 1965
Sverbeyeff, Elizabeth. “Life with Pop.” New York Times Magazine, May 2, 1965, pp. 98–99.

 

Sweeney 1968
Sweeney, James Johnson. Signals in the ‘Sixties. Honolulu: Honolulu Academy of Arts, 1968. Exhibition catalogue. (1968 Honolulu Academy).

 

Swenson 1962
Swenson, G[ene]. R. “The New American ‘Sign Painters’.” ARTnews 61, no. 5 (September 1962), pp. 44–47, 60–62.

 

Swenson 1963
Swenson, Gene R. “What Is Pop Art? Answers from Eight Painters, Part I: Jim Dine, Robert Indiana, Roy Lichtenstein, Andy Warhol.” ARTnews 62, no. 7 (November 1963), pp. 24–25, 62–64.

 

Swenson 1966
Swenson, Gene R. The Other Tradition. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1966. Exhibition catalogue. (1966a Philadelphia ICA).

 

Sydney 1986
Sydney, Clare. Flower Painting. Oxford, England: Phaidon Press, 1986.

 

Sylvester 1964a
Sylvester, David. “Art in a Coke Climate.” Sunday Times Colour Magazine (London), January 26, 1964, pp. 14–23.

 

Sylvester 1964b
Sylvester, David. “New York Takeover: How Did It Happen?” Sunday Times Colour Magazine (London), April 24, 1964, pp. 24–31, 34.

 

Sylvester 1969
Sylvester, David (photographs by Snowdon). “The Ironic Lichtenstein Who Takes Soulful Subjects and Paints Them with Cool.” Vogue 154, no. 5 (September 15, 1969), pp. 142–45, 168–69.

 

Sylvester 1997
Sylvester, David. Some Kind of Reality: Roy Lichtenstein Interviewed by David Sylvester in 1966 and 1997. London: Anthony d’Offay Gallery, 1997. Exhibition catalogue. (1997 Zurich Rubin).

 

Sylvester 2001
Sylvester, David. Interviews with American Artists. London: Pimlico, 2001.

 

Symmes 2008
Symmes, Marilyn, ed. Pop Art and After: Prints and Pop Culture. New Brunswick, N.J.: Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey, 2008. Exhibition catalogue. (2008 New Brunswick, N.J., Zimmerli).

 

Tadini 1991
Tadini, Emilio. “Les figures de Lichtenstein ou l’archivage du visible.” Artstudio. Special issue, Roy Lichtenstein, edited by Ann Hindry, no. 20 (Spring 1991), pp. 84–93.

 

Taggart 2007
Hollis Taggart Galleries, New York. Pathways and Parallels: Roads to Abstract Expressionism. New York: Hollis Taggart Galleries, 2007. Exhibition catalogue.

 

Taittinger 1997
Taittinger, Claude. Champagner von Taittinger. Paris: Stock, 1997.

 

Takamatsu City Museum 1988
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Takamatsu City Museum 1994
Takamatsu City Museum of Art, Takamatsu. Takamatsu-shi Bijutsukan shūzōhin mokuroku/The Collection of Takamatsu City Museum of Art. Vol. 2. Takamatsu: Takamatsu City Museum of Art, 1994.

 

Takanawa Bijutsukan 1985
Takanawa Bijutsukan, ed. Gendai bijutsu no dōkō: Karuizawa Zaidan Hōjin Takanawa Bijutsukan shūzōhin katarogu (Trends in contemporary art: Catalogue of the Museum of Modern Art, Seibu, Takanawa). Karuizawa: Karuizawa Zaidan Hōjin Takanawa Bijutsukan (Museum of Modern Art, Seibu), 1985.

 

Takeshi and Murakami 2003
Takeshi, Bīto (Beat Takeshi), and Takashi Murakami. Tsū āto (Two art). Tokyo: PIA Corporation, 2003.

 

Tallman 1989
Tallman, Susan. “Prints and Editions: Reproductive Acts.” Arts Magazine (New York) 64, no. 1 (September 1989), pp. 21–22.

 

Tamblyn 1987
Tamblyn, Christine. “Berkeley: Made in U.S.A., University Art Museum.” ARTnews 86, no. 8 (October 1987), p. 197.

 

Tancock 1971
Tancock, John L. Multiples: The First Decade. Philadelphia: Philadelphia Museum of Art, 1971. Exhibition catalogue.

 

Tang 2002
Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, N.Y. From Pop to Now: Selections from the Sonnabend Collection. Ed. Margaret Sundell. Saratoga Springs, N.Y.: Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2002. Exhibition catalogue. (2002 Saratoga Springs Tang).

 

Tanglewood 1965
Tanglewood Press. New York Ten. New York: Tanglewood Press, 1965.

 

Tanglewood 1967
Tanglewood Press. Ten from Leo Castelli. New York: Tanglewood Press, 1967.

 

Tanglewood 1968
Tanglewood Press. Ten from Leo Castelli. New York: Tanglewood Press, 1968.

 

Tani, Kitamura, and Ishikawa 2002
Tani, Arata, Junko Kitamura, and Jun Ishikawa, eds. Vitality in Modernism: Collection from Iwaki City Art Museum. Utsunomiya: Utsunomiya Museum of Art, 2002. Exhibition catalogue. (2002 Utsunomiya Museum of Art).

 

Tannenbaum and Stroud 2003
Tannenbaum, Judith, and Marion Boulton Stroud. On the Wall: Contemporary Wallpaper. Providence: Museum of Art, Rhode Island School of Design; Philadelphia: Fabric Workshop and Museum, 2003. Exhibition catalogue. (2003 Providence RISD).

 

Tannous 1979
Tannous, David. “Report from Washington: Big-Name Biennial, Plus . . .” Art in America 67, no. 4 (July–August 1979), pp. 24–25.

 

Tate 1968a
Tate Gallery, London. Roy Lichtenstein. Herford: Bussesche Verlagshandlung, 1968. Exhibition catalogue. (1967b Amsterdam Stedelijk).

 

Tate 1968b
Tate Gallery, London. Roy Lichtenstein. London: Tate Gallery, 1968. Exhibition catalogue. (1967b Amsterdam Stedelijk).

 

Tate Liverpool 1993
Tate Gallery Liverpool. Roy Lichtenstein. Liverpool: Tate Gallery Liverpool, 1993. Exhibition catalogue. (1992 Pully-Lausanne FAE).

 

Taylor 2014
Taylor, Alex J. “The Calder Problem: Mobiles, Modern Taste, and Mass Culture.” Oxford Art Journal 37, no. 1 (2014), pp. 29–45.

 

A. Taylor 1969
Taylor, Angela. “Artists Make Capital of Old Bank Building with Their Studios.” New York Times, May 6, 1969, p. 50.

 

John Taylor 2004
Taylor, John Russell. “Dotting the Eyes in the Strip Show.” The Times (London), February 25, 2004, pp. 12–13.

 

Joshua Taylor 1976
Taylor, Joshua C. America As Art. Washington, D.C.: Smithsonian Institution Press for the National Collection of Fine Arts, 1976.

 

P. Taylor 1988
Taylor, Paul. Leo Castelli, 142 Greene Street: Last Show: Ellsworth Kelly, Roy Lichtenstein, Richard Serra, Frank Stella. New York: Leo Castelli, 1988. Exhibition catalogue. (1988b New York Castelli).

 

P. Taylor 1989a
Taylor, Paul. “Lichtenstein’s Latest Is a Perfectly Pop Thing to Do.” New York Times, July 9, 1989, sec. 2, pp. 33; 35.

 

P. Taylor 1989b
Taylor, Paul, ed. Post-Pop Art. Cambridge, Mass.: MIT Press, 1989.

 

Tehran 1978
Tehran Museum of Contemporary Art. The Ludwig Collection. Tehran: Tehran Museum of Contemporary Art, 1978. Exhibition catalogue. (1978 Tehran MCA).

 

Tel Aviv 1981
Tel Aviv Museum. Louisiana Visits the Tel Aviv Museum. Tel Aviv: Tel Aviv Museum, 1981. Exhibition catalogue. (1981 Tel Aviv Museum).

 

Temin 1997a
Temin, Christine. “Pop Art Pioneer’s Signature Was Style Based on Comic Book Art.” Boston Globe, September 30, 1997, pp. E1, E6.

 

Temin 1997b
Temin, Christine. “West Meets East with a Pop!” Boston Globe, March 21, 1997, pp. C1, C12.

 

Templon 1982
Templon, Daniel. “Ça n’apporte rien . . . , mais c’est agréable à faire.” Égoïste, no. 6 (1982), pp. 66–68.

 

Templon (Fondation) 1989
Fondation Daniel Templon, Fréjus, France. L’exposition inaugurale. Fréjus, France: Fondation Daniel Templon, Musée Temporaire, 1989. Exhibition catalogue. (1989 Fréjus Templon).

 

Templon (Fondation) 1991
Fondation Daniel Templon, Fréjus, France. La sculpture contemporaine après 1970. Fréjus, France: Musée Temporaire, 1991. Exhibition catalogue. (1991 Fréjus Templon).

 

Templon (Galerie) 1984
Galerie Daniel Templon, Paris. Daniel Templon, 1978–1983. Paris: Daniel Templon, [1984].

 

Templon (Galerie) 1991
Galerie Daniel Templon, Paris. Roy Lichtenstein: Collages, Brushstroke Landscapes, Reflections on Comics, Interiors. Paris: Galerie Daniel Templon, 1991. Exhibition catalogue. (1991 Paris Templon).

 

Templon (Galerie) 2006
Galerie Daniel Templon, Paris. 40 ans. Paris: Communic’Art, 2006.

 

Ténèze 2009
Ténèze, Annabelle. “Pop George.” Les cahiers du Musée national d’art moderne, no. 110 (Winter 2009–10), pp. 39–61.

 

Ténèze 2010a
Ténèze, Annabelle. “Making an Original from a Copy.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio. Milan: Skira, 2010, pp. 77–85. Exhibition catalogue.

 

Ténèze 2010b
Ténèze, Annabelle. “Far della copia un originale.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio. Milan: Skira [Italian edition], 2010, pp. 77–85. Exhibition catalogue.

 

Ténèze 2010c
Ténèze, Annabelle. “Lichtenstein und die Kopie, die keine ist.” In Lichtenstein: Kunst als Motiv, edited by Gianni Mercurio. Cologne: DuMont, 2010, pp. 77–85. Exhibition catalogue.

 

Ténèze 2013
Ténèze, Annabelle. “Pop Art History: Peindre l’histoire de l’art par Roy Lichtenstein.” In Roy Lichtenstein, edited by Camille Morineau. Paris: Éditions du Centre Pompidou, 2013, pp. 95–103. Exhibition catalogue.

 

M. Terbell 1970
Terbell, Melinda. “Los Angeles.” Arts Magazine (New York) 45, no. 1 (September–October 1970), pp. 53–54.

 

T. Terbell 1969
Terbell, Thomas J., Jr. Recent Acquisitions 1969. Pasadena: Pasadena Art Museum, 1969. Exhibition catalogue.

 

Tesseydre 1975
Tesseydre, Bernard. “Trois voyageurs téméraires.” Le nouvel observateur (February 10, 1975).

 

Theil 2014
Theil, Andrea C. “I quaderni di schizzi di Roy Lichtenstein.” In Roy Lichtenstein: Opera prima, Galleria Civica d’Arte Moderna e Contemporanea, Turin. Milan: Skira, 2014, pp. 242–57. Exhibition catalogue.

 

Theil 2015
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Thévoz 1968
Thévoz, Michel. “L’image et son double.” Le point (Brussels), no. 15 (April 1968), pp. 26–27.

 

Thévoz 1984
Thévoz, Michel. The Painted Body: The Illusions of Reality. New York: Rizzoli; Geneva: Skira, 1984.

 

Third Century 1975
The Third Century. New York: APC Editions, 1975.

 

Thomas Ammann Fine Art 1987
Thomas Ammann Fine Art, Zurich. 10 Years: Thomas Ammann Fine Art Zurich, 1977–1987: Impressionist and 20th Century Masters. Zurich: Thomas Ammann Fine Art, 1987. Exhibition catalogue.

 

Thomas Ammann Fine Art 1989
Thomas Ammann Fine Art, Zurich. Faces and Figures. Zurich: Matthieu AG, 1989. Exhibition catalogue. (1989 Zurich Ammann).

 

Daniel Thomas 1971
Thomas, Daniel. “The Art Collectors 10: John Kaldor.” Art and Australia 8, no. 4 (Fall 1971), pp. 312–23.

 

Denis Thomas 1977
Thomas, Denis. Battle Art: Images of War. Oxford, England: Phaidon Press; New York: E. P. Dutton, 1977.

 

K. Thomas 1971
Thomas, Karin. Bis Heute: Stilgeschichte der bildenden Kunst im 20. Jahrhundert. Cologne: M. DuMont Schauberg, 1971.

 

Thompson 1968
Thompson, David. “Pop Hero.” Listener (London) 79, no. 2024 (January 11, 1968), pp. 33–34.

 

Thurtle 2000
Thurtle, Phillip. “The Unbearable Depth of the Surface: Lichtenstein’s Landscapes.” In Shifting Ground: Transformed Views of the American Landscape, by Rhonda Lane Howard. Seattle: Henry Art Gallery, University of Washington, 2000, pp. 38–42. Exhibition catalogue. (2000 Seattle Henry).

 

Tibbs 1963
Tibbs, Thomas S. Signs of the Times. Paintings by Twelve Contemporary Pop Artists 1963 3. Des Moines: Des Moines Art Center, 1963. Exhibition catalogue. (1963 Des Moines, Iowa, Des Moines Art Center).

 

Tighe 1981
Tighe, Mary Ann. “Roy Lichtenstein, 1970–1980.” House and Garden 153, no. 12 (December 1981), pp. 6–8.

 

Tillandier 1964
Tillandier, Yvon. XXe salon de mai. Paris: Musée d’Art Moderne de la Ville de Paris, 1964. Exhibition catalogue. (1964 Paris Musée d’Art Moderne).

 

Tillim 1962a
Tillim, Sidney. “In the Galleries: Roy Lichtenstein and the Hudson River School.” Arts Magazine (New York) 37, no. 1 (October 1962), pp. 55–56.

 

Tillim 1962b
Tillim, Sidney. “In the Galleries: The New Realists.” Arts Magazine (New York) 37, no. 3 (December 1962), pp. 43–44.

 

Tillim 1965
Tillim, Sidney. “Towards a Literary Revival?” Arts Magazine (New York) 39, no. 9 (May–June 1965), pp. 30–33.

 

Tillim 1968
Tillim, Sidney. “Lichtenstein’s Sculpture.” Artforum 6, no. 5 (January 1968), pp. 22–24.

 

Time 1962a
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Time 1962b
“The Slice-of-Cake School.” Time 79, no. 19 (May 11, 1962), p. 52.

 

Time 1963a
“Art: Pop Pop.” Time 82, no. 9 (August 30, 1963), p. 40.

 

Time 1963b
“Pop Art: Cult of the Commonplace.” Time 81, no. 18 (May 3, 1963), pp. 69–72.

 

Time 1967
“Painting: Kidding Everybody.” Time 89, no. 25 (June 23, 1967), pp. 72–73.

 

Time 1968
“Rosenquist and Lichtenstein Are Alive.” Time 91, no. 4 (January 26, 1968), p. 56.

 

Time 1969
“Art Deco.” Time 94, no. 19 (November 7, 1969), p. 74.

 

Times 1995
“Brenau Spotlights Another Major Pop Artist.” Times (Gainesville, Ga.), March 17, 1995, p. C6.

 

Ting 1965
Ting, Walasse. 1¢ Life. Ed. Sam Francis. Bern: E. W. Kornfeld, 1965. Exhibition catalogue.

 

Ting 1966
Ting, Walasse. “Near One-Cent Life.” ARTnews 65, no. 3 (May 1966), pp. 38–39.

 

Tjardes 1991
Tjardes, Isle. “Roy Lichtenstein in der Galerie Hans Strelow: Popeyes Sohn schreit.” Düsseldorfer Feuilleton, no. 229, October 2, 1991.

 

Tochigi Prefectural 1988
Tochigi Prefectural Museum of Fine Arts, Utsunomiya. American Art since 1945. Utsunomiya: Tochigi Prefectural Museum of Fine Arts, 1988. Exhibition catalogue. (1988 Tochigi Prefectural Museum).

 

Toledo 1976
Toledo Museum of Art, Ohio. Heritage and Horizon: American Painting, 1776–1976. Toledo: [Toledo Museum of Art, 1976]. Exhibition catalogue. (1976a Buffalo Albright-Knox).

 

Tomkins 1964
Tomkins, Calvin. “You Think This Is a Supermarket? No Hold Your Hats . . . It’s an Art Gallery; Art or Not, It’s Food for Thought.” Life 57, no. 21 (November 20, 1964), pp. 138–40, 143–44.

 

Tomkins 1980
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Tomkins 1981
Tomkins, Calvin. “The Antic Muse.” The New Yorker (August 17, 1981), pp. 80–83.

 

Tomkins 1988a
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Tomkins, Calvin (photographs by Bob Adelman). Roy Lichtenstein: Mural with Blue Brushstroke. New York: Harry N. Abrams, 1988.

 

Tomkins 1993
Tomkins, Calvin (photographs by Bruce Weber). “The Prince of Pop.” Ed. Hamish Bowles. Vogue 153, no. 8 (September 1993), pp. 516–21, 584, 586–88.

 

Tomkins 1996
Tomkins, Calvin. “The Good China.” The New Yorker (September 30, 1996), p. 91.

 

Yoshiaki Tono 1963a
Tono, Yoshiaki. “Is Action Painting Over?” Mizue (Tokyo), no. 699 (May 1963), pp. 38–52.

 

Yoshiaki Tono 1966
Tono, Yoshiaki. “Before and After the Pop Art.” Mizue (Tokyo), no. 742 (November 1966).

 

Yoshiaki Tono 1972
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Yoshiaki Tono 1975
Tono, Yoshiaki. “American Pop Art . . . and After.” Mizue (Tokyo) 2, no. 839 (February 1975), pp. 5–29.

 

Yoshiaki Tono 1984
Tono, Yoshiaki. “Lichtenstein, the Next Period.” In Lichtenstein, by Nantenshi Gallery, Tokyo. Tokyo: Nantenshi Gallery, 1984. Exhibition catalogue.

 

Yukio Tono 1971
Tono, Yukio. “New York School of Art, Catalyst for Change.” Trends 5 (1971).

 

Townsend 1967
Townsend, Benjamin. “Albright-Knox-Buffalo: Work in Progress.” ARTnews 65, no. 9 (January 1967), pp. 30–38, 66–71.

 

Toyama Kenritsu Kindai, Hyōgo Kenritsu Kindai, and Tochigi Kenritsu 1983
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Toyota 2004
Toyota Municipal Museum of Art, Toyota. Water Level of Image: Transformation and Reflection of Narcissus. Toyota: Toyota Municipal Museum of Art, 2004. Exhibition catalogue.

 

Trauring 2014a
Trauring, Michelle. “Roy Lichtenstein Returns.” The Southampton Press (New York), April 10, 2014, pp. B1, B3.

 

Trauring 2014b
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Treu and Schmidt 1976
Treu, Erwin, and Johann Karl Schmidt. Studio f: Sammlung Kurt Fried. Ulm: Ulmer Museum, 1976. Exhibition catalogue. (1976 Ulm Ulmer Museum).

 

Troelsen 1988
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Troelsen 1994
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Tröster 1994
Tröster, Christian. “Die Jahre vor Pop.” Vernissage Köln. Special issue, Roy Lichtenstein in München, no. 9 (September 1994), pp. 8–14.

 

Trotta 1966
Trotta, Geri. “Not to Be Missed: The American Art Scene.” Harper’s Bazaar 99, no. 3,056 (July 1966), pp. 80–85.

 

Truffaut 1994
Truffaut, Serge. “Lichtenstein: Le Roy du Pop.” Le devoir (Montreal), May 28–29, 1994, pp. C1–2.

 

M. Tuchman 1970
Tuchman, Maurice. “Art and Technology.” Art in America 58, no. 2 (March 1970), pp. 78–79.

 

M. Tuchman 1971a
Tuchman, Maurice. Art and Technology: A Report on the Art and Technology Program of the Los Angeles County Museum of Art, 1967–1971. Los Angeles: Los Angeles County Museum of Art; New York: Viking Press, 1971. Exhibition catalogue.

 

M. Tuchman 1971b
Tuchman, Maurice. “An Introduction to ‘Art and Technology.” Studio International 181, no. 932 (April 1971), pp. 173–80.

 

M. Tuchman 1971c
Tuchman, Maurice. “Roy Lichtenstein.” In Art and Technology: A Report on the Art and Technology Program of the Los Angeles County Museum of Art, 1967–1971, by Tuchman. Los Angeles: Los Angeles County Museum of Art; New York: Viking Press, 1971, pp. 194–99. Exhibition catalogue. (1970b Osaka Expo).

 

M. Tuchman 1974
Tuchman, Maurice. “Pop! Interviews with George Segal, Andy Warhol, Roy Lichtenstein, James Rosenquist, and Robert Indiana.” ARTnews 73, no. 5 (May 1974), pp. 24–29.

 

P. Tuchman 1970
Tuchman, Phyllis. “American Art in Germany: The History of a Phenomenon.” Artforum 9, no. 3 (November 1970), pp. 58–69.

 

Tucker 2006
Tucker, Paul H. DoubleTake: From Monet to Lichtenstein, 28 Masterworks from the Paul Allen Family Collection. Seattle: Experience Music Project, 2006. Exhibition catalogue. (2006 Seattle Experience Music).

 

Joyceline Tully 2012
Tully, Joyceline. “Striptease: The Appeal and Irony of Roy Lichtenstein’s Comic-Strip Inspirations.” SC [Global Development Ltd.] (Singapore) (September–November 2012), pp. 36–37.

 

Judd Tully 1980
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Judd Tully 1981
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Judd Tully 1997
Tully, Judd. “Roy Lichtenstein, 1923–1997.” Art and Auction 20, no. 3 (November 1997), pp. 20–22.

 

Judd Tully 2005
Tully, Judd. “Sales Preview.” Art and Auction 29, no. 3 (November 2005), p. 210.

 

Tunner 1982
Tunner, Stefan. “Roy Lichtenstein.” Exposé (Remscheid) (October–November 1982), pp. 4–5.

 

Türk 2000
Türk, Klaus. Bilder der Arbeit: Eine ikonografische Anthologie. Wiesbaden: Westdeutscher Verlag, 2000.

 

Türr 1994
Türr, Karina. Farbe und Naturalismus in der Skulptur des 19. und 20. Jahrhunderts: Sculpturae vitam insufflat pictura. Mainz: P. von Zabern, 1994.

 

Tuten 1967a
Tuten, Frederic. “Books.” Arts Magazine (New York) 41, no. 4 (February 1967), p. 27.

 

Tuten 1967b
Tuten, Frederic. “In the Galleries: Castelli: Ten Years.” Arts Magazine (New York) 41, no. 5 (March 1967), pp. 56–57.

 

Tuten 1967c
Tuten, Frederic. “In the Galleries: Lichtenstein: Painting and Sculpture.” Arts Magazine (New York) 42, no. 1 (September–October 1967), p. 57.

 

Tuten 1967d
Tuten, Frederic. “In the Museums: Art in Process.” Arts Magazine (New York) 41, no. 6 (April 1967), pp. 54–55.

 

Tuten 1967e
Tuten, Frederic. “In the Museums: Art of the Sixties.” Arts Magazine (New York) 42, no. 1 (September–October 1967), pp. 51–52.

 

Tuten 1969a
Tuten, Frederic. “Art and Technology in California.” Vogue 153, no. 8 (April 15, 1969), p. 36.

 

Tuten 1969b
Tuten, Frederic. Lichtenstein at Gemini. Los Angeles: Gemini G.E.L., 1969.

 

Tuten 1986
Tuten, Frederic. Roy Lichtenstein, Brushstrokes: Six Painted Reliefs. Mount Kisco: Tyler Ltd, 1986.

 

Tuten 1986
Tuten, Frederic. Roy Lichtenstein: Sculpture and Graphics, 1980–1986. Stockholm: Thordén Wetterling Galleries, 1986. Exhibition catalogue. (1986 Stockholm Wetterling).

 

Tuten 1991
Tuten, Frederic. Roy Lichtenstein/Frank Stella. Basel: Galerie Beyeler, 1991. Exhibition catalogue. (1991a Basel Galerie Beyeler).

 

Tuten 1992a
Tuten, Frederic. “Lichtenstein’s Lilies.” In Roy Lichtenstein: Water Lilies, by Saff Tech Arts, Oxford, Md., and Knoedler and Company, New York. Oxford, Md.: Saff Tech Arts; New York: Knoedler and Co., 1992, unpaginated. Exhibition catalogue.

 

Tuten 1998a
Tuten, Frederic. “Beauty Secrets.” Artforum International 36, no. 5 (January 1998), pp. 9–10.

 

Tuten 1998b
Tuten, Frederic. Roy Lichtenstein’s Last Still Life. Milan: Galleria Lawrence Rubin, 1998. Exhibition catalogue. Alternate edition: Oxford, Md.: Saff and Company, 1998. (1998 Ithaca Johnson).

 

Tuten 2001
Tuten, Frederic. “Roy’s Black and Whites.” In Roy Lichtenstein: Early Black and White Paintings, by Gagosian Gallery, New York. New York: Gagosian Gallery, 2001, pp. 35–52. Exhibition catalogue.

 

Tuten 2005
Tuten, Frederic. “The Conversation: Self Portrait with Cheese.” In Roy Lichtenstein: Conversations with Surrealism, by Mitchell-Innes and Nash, New York. New York: Mitchell-Innes and Nash, 2005, unpaginated. Exhibition catalogue.

 

Tuten 2010a
Tuten, Frederic. “Five Studies and Some Musical Notes.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio. Milan: Skira, 2010, pp. 87–93. Exhibition catalogue.

 

Tuten 2010b
Tuten, Frederic. “Cinque Studie e Alcune Note Musicali.” In Roy Lichtenstein: Meditations on Art, edited by Gianni Mercurio. Milan: Skira [Italian edition], 2010, pp. 87–93. Exhibition catalogue. Essay translated from the English by Michael Haggerty.

 

Tuten 2010c
Tuten, Frederic. “Fünf Ateliers und ein paar Noten.” In Lichtenstein: Kunst als Motiv, edited by Gianni Mercurio. Cologne: DuMont, 2010, pp. 87–93. Exhibition catalogue.

 

Tyler Graphics 1994
Tyler Graphics Ltd. Roy Lichtenstein: Nudes. Mount Kisco, N.Y.: Tyler Graphics Ltd., 1994. Exhibition catalogue. (1994 Mount Kisco Tyler).

 

Tøjner 2003a
Tøjner, Poul Erik. “Fra idé til i dag.” Louisiana magasin (Humlebaek, Denmark), no. 10 (August 2003), pp. 2–7.

 

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